New Mexico Lobo, Volume 074, No 134, 5/6/1971." 74, 134 (1971)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Genre Album Artist and Title Avantgarde Various - Linn SACD Sampler Various - Stay in Tune with Pentatone
Genre Album Artist and Title Avantgarde Various - Linn SACD Sampler Various - Stay in Tune with PentaTone Bluegrass Nickel Creek - This Side Nickel Creek - Nickel Creek Christmas Bach Collegium Japan - Verbum caro factum est Choir of St John's College, Cambridge/Challenger/Nethsingha - On Christmas Night Elena Fink, Le Quatuor Romantique - A Late Romantic Christmas Eve Le Quatuor Romantique - A Late Romantic Christmas Eve Oscar's Motet Choir - Cantate Domino Stile Antico - Puer natus est: Music for Advent and Christmas - Stile Antico Vox Aurea, Sanna Salminen - Matkalla jouluun / A Journey into Christmas Classical Aachen Symphony, Vocapella Choir - Verdi Missa da Requiem Academy of St Martin in the Fields, Marriner - Mozart: Clarinet Concert in A, KV 622 , Clarinet Quintet in A, KV 581 Academy of St Martin in the Fields, Marriner - The Art of the Fugue Angela Hewitt, ACO - Bach Keyboard Concertos Vol 2 Angela Hewitt, ACO - Bach Keyboard Concertos Vol1 Angela Hewitt, piano - J.-P Rameau: Suites Artur Pizarro - Chopin Piano Sonatas Artur Pizarro - Frederic Chopin Artur Pizarro, Scottish Chamber Orchestra - Beethoven Piano Concerto No.5 Artur Pizarro, Scottish Chamber Orchestra - Beethoven Piano Concertos No.3 & No.4 Atlanta Symphony Orchestra - Vaughan Williams: A Sea Symphony Brendel, SCO, Mackerras - Mozart: Piano Concertos K271 & K503 Cincinnati Pops Orchestra, Kunzel - A Celtic Spectacular Cincinnati Pops Orchestra, Kunzel - Tchaikovsky 1812 Donald Runnicles, Atlanta Symphony Orchestra and Chorus - Orff: Carmina Burana Dunedin Consort -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
G E R a L D I N E C R A
GERALDINE CRAIG 111 Willard Hall Manhattan, KS 66506-3705 [email protected] E DUCATION 1987 - 1989 M.F.A. Fiber, Cranbrook Academy of Art, Bloomfield Hills, MI 1977 - 1982 B.F.A. Textile Design, University of Kansas, Lawrence, KS B.F.A. History of Art, University of Kansas, Lawrence, KS 1979 - 1980 University of St. Andrews, St. Andrews, Scotland (Philosophy, Art History) P ROF E SSIONAL E X pe RI E NC E 2007 - Professor of Art Kansas State University, Manhattan, KS Associate Dean of the Graduate School (2014-2018) Department Head of Art (2007-2014) Associate Professor of Art (2007-2014) 2001 - 2007 Assistant Director for Academic Programs Cranbrook Academy of Art, Bloomfield Hills, MI Developed annual Critical Studies/Humanities program; academic administration 2005 - Regional Artist/Mentor, Vermont College M.F.A. Program Vermont College, Montpelier, VT 1995 - 2001 Curator of Education/Fine and Performing Arts Wildlife Interpretive Gallery, Detroit Zoological Institute, Royal Oak, MI Develop/manage permanent art collection, performing arts programs, temporary exhibits 1994 - 1995 James Renwick Senior Research Fellowship in American Crafts Smithsonian Institution, Washington, D.C. 1990 - 1995 Executive Director Detroit Artists Market, (non-profit art center, est. 1932), Detroit, MI 1990 - 1993 Instructor Fiber Department, College for Creative Studies, Detroit, MI 1990 Instructor Red Deer College, Alberta, Canada 1989 - 1990 Registrar I Detroit Institute of Arts, Detroit, MI 1987 Associate Producer Lyric Theater, Highline Community College, -
Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
University of Southern Queensland Behavioural Risk At
University of Southern Queensland Behavioural risk at outdoor music festivals Aldo Salvatore Raineri Doctoral Thesis Submitted in partial fulfilment of the requirements for the Degree of Doctor of Professional Studies at the University of Southern Queensland Volume I April 2015 Supervisor: Prof Glen Postle ii Certification of Dissertation I certify that the ideas, experimental work, results, analyses and conclusions reported in this dissertation are entirely my own effort, except where otherwise acknowledged. I also certify that the work is original and has not been previously submitted for any other award, except where otherwise acknowledged. …………………………………………………. ………………….. Signature of candidate Date Endorsement ………………………………………………….. …………………… Signature of Supervisor Date iii Acknowledgements “One’s destination is never a place, but a new way of seeing things.” Henry Miller (1891 – 1980) An outcome such as this dissertation is never the sole result of individual endeavour, but is rather accomplished through the cumulative influences of many experiences and colleagues, acquaintances and individuals who pass through our lives. While these are too numerous to list (or even remember for that matter) in this instance, I would nonetheless like to acknowledge and thank everyone who has traversed my life path over the years, for without them I would not be who I am today. There are, however, a number of people who deserve singling out for special mention. Firstly I would like to thank Dr Malcolm Cathcart. It was Malcolm who suggested I embark on doctoral study and introduced me to the Professional Studies Program at the University of Southern Queensland. It was also Malcolm’s encouragement that “sold” me on my ability to undertake doctoral work. -
JORDAN This Publication Has Been Produced with the Financial Assistance of the European Union Under the ENI CBC Mediterranean
ATTRACTIONS, INVENTORY AND MAPPING FOR ADVENTURE TOURISM JORDAN This publication has been produced with the financial assistance of the European Union under the ENI CBC Mediterranean Sea Basin Programme. The contents of this document are the sole responsibility of the Official Chamber of Commerce, Industry, Services and Navigation of Barcelona and can under no circumstances be regarded as reflecting the position of the European Union or the Programme management structures. The European Union is made up of 28 Member States who have decided to gradually link together their know-how, resources and destinies. Together, during a period of enlargement of 50 years, they have built a zone of stability, democracy and sustainable development whilst maintaining cultural diversity, tolerance and individual freedoms. The European Union is committed to sharing its achievements and its values with countries and peoples beyond its borders. The 2014-2020 ENI CBC Mediterranean Sea Basin Programme is a multilateral Cross-Border Cooperation (CBC) initiative funded by the European Neighbourhood Instrument (ENI). The Programme objective is to foster fair, equitable and sustainable economic, social and territorial development, which may advance cross-border integration and valorise participating countries’ territories and values. The following 13 countries participate in the Programme: Cyprus, Egypt, France, Greece, Israel, Italy, Jordan, Lebanon, Malta, Palestine, Portugal, Spain, Tunisia. The Managing Authority (JMA) is the Autonomous Region of Sardinia (Italy). Official Programme languages are Arabic, English and French. For more information, please visit: www.enicbcmed.eu MEDUSA project has a budget of 3.3 million euros, being 2.9 million euros the European Union contribution (90%). -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Elton John Tumbleweed Connection Mp3, Flac, Wma
Elton John Tumbleweed Connection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Tumbleweed Connection Country: Japan Released: 2001 Style: Ballad, Classic Rock MP3 version RAR size: 1542 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1806 mb Rating: 4.2 Votes: 445 Other Formats: WMA MIDI AUD MP4 APE XM ASF Tracklist Hide Credits Ballad Of A Well Known Gun Acoustic Guitar, Lead Guitar – Caleb QuayeBacking Vocals – Dusty Springfield, Kay A1 4:59 Garner, Lesley Duncan, Madeline Bell, Tony Burrows, Tony HazzardBass Guitar – Dave Glover*Drums, Percussion – Roger PopePiano – Elton John Come Down In Time A2 Acoustic Bass – Chris LaurenceAcoustic Guitar – Les ThatcherBass Guitar – Herbie 3:25 FlowersDrums – Barry MorganHarp – Skaila KangaOboe – Karl Jenkins Country Comfort Acoustic Guitar – Caleb QuayeAcoustic Guitar [12-String] – Les ThatcherBacking Vocals – A3 5:08 Dee Murray, Nigel OlssonBass Guitar – Herbie FlowersDrums – Barry MorganHarmonica – Ian DuckPiano – Elton JohnSteel Guitar – Gordon HuntleyViolin – Johnny Van Derek Son Of Your Father Backing Vocals – Kay Garner, Lesley Duncan, Madeline Bell, Sue And Sunny*, Tammi A4 3:46 HuntBass Guitar – Dave Glover*Drums – Roger PopeHarmonica – Ian DuckLead Guitar – Caleb QuayePiano – Elton John My Father's Gun Backing Vocals – Dusty Springfield, Kay Garner, Lesley Duncan, Madeline Bell, Tony A5 6:19 Burrows, Tony HazzardBass Guitar – Dave Glover*Drums – Roger PopeElectric Guitar, Acoustic Guitar – Caleb QuayePiano – Elton John Where To Now St. Peter B1 Backing Vocals -
December 16, 1932
,. I. l'lstor.:.cal oo1et .. \,aterman St . -ro~id,nca. R. I. THE --JEWISH HOME NEWSPAPER OF RHODE ISLAND E!n1 r.rcd u Stcond-Oau Manu. Nov, 7, 1929, 11 tin Pose, Of. PROVIDENCE, R. I., FRIDAY DECEMBER 16 1932 Vol. IV. No. 12 6 cc at Providence. R. I.. Undu th A_,:t of M~rdl ) . 1679 5 Cents the Copy BETH-EL GROUP WILL BE HONORED I u. s. METHODS WILL HEAR BAY HELP TO BETTER Jewish Youth Gather STATE LEADERS p ALESTI E LA 1D To Plead For Support ~ r our of Water T onig~t at Emanu-EI In Struggle Over d b An-1 ri an Religion Slump tv1 Drilling For Annual Concl ve Movement ls National Rt"claims Arid reas Hundred to Hear Ad Part of the nation-wide mov mcnt w York, De 1 (JTA)- Ho s 22-}' ar-Old Jewish now in progress Lo arouse inter s l of . of tummg ltu--g ar' · of land in Pol dre~ of Hart£ ord American Jews in behalf of national . tin , n w and, into ar bl c age .religious institutions, two Massachu - ui bl £or orang growing and truck -ulptor Au·arded S miuary H ad setts leaders are schedul d to speak (armmg, is n as a r uH o! th ronigbt at a meeting of m mbers of d' cry there of n w sour ( wtl- Spinoza Prize Continue Next Week Temple Beth-EL r supply by lh applk tion o{ Th speakers ar Rabbi Israel Har Am ricnn m t.hods according t.o a co N w York. -
Mtv and Transatlantic Cold War Music Videos
102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially.