2013 Next Wave Festival DEC 2013

George Segal, Torso: Hand on Thigh, 1978

Published by: BAM 2013 Next Wave Festival sponsor BAM salutes To jointheArtistCircle contactGwendolynDunaifat718.623.7810 [email protected]. opportunities toattendintimategatherings withartists—bothemergingandiconic—inprivate settings. community programs.Members participateinanongoingdialogueregardingBAM’s futureandhave and education, arts, cinema and visual mainstage, for support essential provides Circle Artist BAM The Michael Cerveris Trisha Brown& Peter Brook Iman & Matthew Bourne Anne Bogart Mario Batali Mikhail Baryshnikov Matthew Barney Bob Balaban Donald Baechler Olivier Assayas Edward Albee Members Artist Dozier Hasty&NancyHavens-Hasty Mr. K.Haimes &Mrs.Burton Mr. B.Gutman &Mrs.Henry The GrodzinsFund Pamela Grace Elaine Golin David &SusieGilbert Carol &Roger Einiger Beatrice &JamesDelFavero Joan K.Davidson SharpCronson Mary Simon &SarahCollier Mr. &Mrs.Purnendu Chatterjee Mr. &Mrs.AnthonyBowe Roger &BrookBerlind The HowardBayneFund Susan L.Baker&MichaelR. Lynch Roger Alcaly&HelenBodian CircleChairs Artist Diane &AdamE.Max, CircleMembers Artist audiences,andideas a homeforadventurousartists, for theirgenerosityandcommitmenttoproviding Members of the Artist Circle Burt Barr Burt David Bowie (The J.M.KaplanFund)

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Bodycast:

Suzanne Bocanegra Lecture by An Artist Frances McDormand Starring Paul Lazar Directed by #Bodycast

LOCATION: RUN TIME: DATES: 2013 Next Wave Festival

Approx 1hr BAM Fisher (Fishman Space) Dec 3—7at7:30pm

The Shubert Foundation,The Shubert Inc. The SHSFoundation The Morris andAlmaSchapiroFund at BAMprovidedby: fortheater Major support BAM 2013NextWave Festival sponsor Executive Producer Joseph V. Melillo, President Karen BrooksHopkins, Vice ChairmanoftheBoard Adam E.Max, Vice ChairmanoftheBoard William I.Campbell, Chairman oftheBoard Alan H. Fishman, Brooklyn AcademyofMusic BAM Fisher 2013 Next Wave Festival Thanks for coming tonight. In 2010 the curator Laurence Kardish Bodycast: asked me to give a lecture on my work at the Museum of Modern Art. Rather than just do a normal artist lecture, An Artist Lecture by where an artist runs through a bunch Suzanne Bocanegra of slides of her paintings and sculpture, BAM I thought I would make a new piece Starring out of the idea of an artist lecture, an Frances McDormand artist lecture about an artist lecture. In the course of that new piece I ended up telling a larger story—how I became an artist and how when I was 10 a New York Premiere strange series of events in my Catholic church showed me how an artist really TEXT AND VISUALS worked. Suzanne Bocanegra I did the lecture with an actor, Paul Lazar, and the resulting piece—When SOUND DESIGN a Priest Marries a Witch, an Artist Jamie McElhinney Lecture by Suzanne Bocanegra Star- ring Paul Lazar—ended up having LIGHTING DESIGN several performances at museums and Laura Mroczkowski theater festivals across the country. To one of these performances Paul invited GUEST APPEARANCES Frances McDormand. They had worked Theo Bleckmann together at the Wooster Group. Fran Emily Coates came and took us out for beers after- Proud supporter of BAM wards, and she asked me if there were MUSIC SUPERVISION any more stories I was planning on David Lang telling in this format. I told her I was planning one about how I grew up vis- iting my grandparents farm, which was next to the most famous whorehouse in Texas, and one about how I spent my early teenage years in a bodycast. Fran said, “I’ll take the bodycast.”

Bodycast: An Artist Lecture by Suzanne Bocanegra Starring Frances McDormand premiered at the Carnegie Museum in Pittsburgh. Salutes 2013 Next Wave Festival 2013 Next Wave Festival Thank you! Little Dot (2010) was commissioned Suzanne Bocanegra by Ian Berry at the Tang Museum, and Writer-Visuals Deborah Lohse was the original dancer. I’d like to thank the following people Suzanne Bocanegra is a visual artist and places for all their help in the When a Priest Marries a Witch, an Who’s living and working in New York City. Her development of this piece: Artist Lecture by Suzanne Bocanegra piece, When a Priest Marries a Witch, Starring Paul Lazar (2010) was written an Artist Lecture by Suzanne Bocanegra Laurence Kardish at the Museum of for and premiered at the Museum of Starring Paul Lazar, premiered at the Modern Art. Modern Art. Subsequent performances Museum of Modern Art (NYC) in May Lynn Zelevansky at the Carnegie Mu- Who thanks to Brian Rogers and Sheila 2010 and traveled to the Wexner Center, seum in Pittsburgh. Lewandowski at the Chocolate Factory, the Tang Museum, Cynthia Woods Luis Croquer and Sylvia Wolf at the Helen Shaw and the Prelude Festival Mitchell Center for the Arts at the Hous- Henry Art Gallery in Seattle. at CUNY, Karen Farber at the Cynthia ton Museum of Fine Arts, James Cohan Ann Philbin at the Hammer Museum in Woods Mitchell Center for the Arts at Gallery, the Chocolate Factory Theater, Los Angeles. University of Houston, Ron Berry at the and the Prelude Theater Festival in NYC Eric Karpeles and Commonweal in Fusebox Festival in Austin, Charlotte and the Fusebox Theater Festival in Bolinas, California. Meehan at Wheaton College, Eric Ehn Austin. When a Priest Marries a Witch Rebecca Robertson, Jamie Boyle, and at Brown University, Joe Scanlan and was ﬁlmed at The Performing Garage Michael Lonergan at the Park Avenue Susan Marshall at Princeton, Kate Valk and will be released this spring. A major Armory. and Cynthia Hedstrom at the Perform- show of Bocanegra’s work opened at the Mathew Pokoik at Mt. Tremper Arts. ing Garage, Ann Hamilton and the Tang Museum in July 2010 and traveled Joe Melillo and everyone at BAM. Wexner Center, Jim and Jane Cohan at to SITE Santa Fe in 2011. Bocanegra’s

the James Cohan Gallery. work has been seen in exhibitions in the I’d also like to thank the people who United States and abroad in such venues helped support the other pieces of Little Dot and I Write the Songs photos as Serpentine Gallery, Hayward Gallery mine that I talk about in the show: by Peter Serling. (both in London), the Armand Hammer Museum in Los Angeles, and the Fabric Manhattan Tartan Project (with J. Special thanks to: Workshop in Philadelphia. Morgan Puett) (2001) was commis- Jack Haskell, Dare Clubb, Annie-B sioned by Lisa Corrin for the Serpentine Parson, Guy Hedreen, David Lang for Bocanegra’s piece I Write the Songs, Gallery and exhibited at the Victoria careful reading of the text, and to Liz commissioned by the Drawing Center and Albert Museum in London. Sargent, David Stone, David Nimmer, and the River to River Festival, was Irene Hofmann of SITE Santa Fe, Wynn installed at the Winter Garden in the Color Chart (2009) was commissioned Kramarsky, Josephine Ramirez, J. World Financial Center in New York City by Pau Aleta-Cortes and Quang Bao’s Morgan Puett, Jody Elff, Ike, Thea and and later at the town square in Santa Fe, Math Studio at Smith College, and Judah Lang. NM. Rerememberer, commissioned by John McCleary was the mathematician the Danish Arts Council, was performed and the original singer. Thank you to “Our Bodies Ourselves” at Judson Church in New York and (9th Edition) for the use of images. traveled to Teater Republique in Copen- I Write the Songs (2009) was commis- hagen. A recipient of the Rome Prize, sioned by Brett Littman at the Drawing And of course, thanks to Fran and Paul she has received grants from the Pollock- Center, in partnership with the River to for doing this in the ﬁrst place. Krasner Foundation, the Tiffany Founda- River Festival. FLUX Quartet was the tion, the Joan Mitchell Foundation, the original string quartet. —Suzanne Bocanegra National Endowment for the Arts, the Danish Arts Council, and the New York Foundation for the Arts. She is a 2013—

Photo: Suzanne Bocanegra by Peter Serling Photo: Suzanne Bocanegra by Peter 14 Smithsonian Artist Research Fellow. 2013 Next Wave Festival for the London Sinfonietta, with libretto and visuals by English ﬁlmmaker Peter Frances McDormand Greenaway. He frequently collaborates Performer with choreographers including Shen Wei, Benjamin Millepied, Susan Frances McDormand studied at the Yale Marshall, and Édouard Lock. The School of Drama. On Broadway, she commercial recording of the little received the Tony Award, Drama match girl passion won the 2010 Desk Award, and Outer Critics Circle Grammy Award for Best Small Awards for her performance in David Ensemble Performance. Lang is Lindsay-Abaire’s Good People, di- a professor of music composition rected by Daniel Sullivan. Other stage at the Yale School of Music and appearances include The Country Girl co-founder/artistic director of New directed by Mike Nichols on Broadway, York’s legendary music festival Caryl Churchill’s Far Away directed by Bang on a Can. Stephen Daldry at New York The- atre Workshop, her Tony-nominated performance as Stella in A Streetcar Named Desire, The Sisters Rosenzweig directed by Daniel Sullivan at Lincoln Center Theatre, The Swan at The Public Theatre, A Streetcar Named Desire (this time in the role of Blanche) at the Gate Theater in Dublin, and Dare Clubb’s Oedipus at the Blue Light Theater Company opposite Billy Crudup. With The Wooster Group, she performed in To You, The Birdie! and North Atlantic. Films include Promised Land, Moonrise Kingdom, This Must Be the Place, Madagascar 3: Europe’s Most Wanted, Burn After Reading, Miss Pettigrew Lives for a Day, Friends with Money, Laurel Canyon, Some- thing’s Gotta Give, Wonder Boys, City by the Sea, Madeline, Primal Fear, Lone Star, Palookaville, Chattahooch- ee, Darkman, Hidden Agenda, Short Cuts, Beyond Rangoon, Paradise Road, The Man Who Wasn’t There, Raising Arizona, and Blood Simple.

Image: “Anatomical Venus,” wax model by Clemente Susini and Giuseppe Ferrini (1782) Photo: Frances McDormand by Doug Hamilton 2013 Next Wave Festival director for Brooklyn-based dance com- She is the recipient of four Academy and Parson directed a dance/theater Joshua Higgason pany Faye Driscoll Group. Rivera has Award nominations: Mississippi Burn- adaptation of Anne Carson’s transla- Projection Supervisor proudly worked with many performing ing, Almost Famous, North Country, tion of Euripedes’ Alkestis. This piece, arts organizations both in New York and Fargo, for which she received the titled The Supernatural Wife, opened Joshua Higgason is a video and inter- City and on the road. Favorites include award for her performance as Marge at the National Theatre in Paris and active media designer and engineer. Phantom Limb Company, Keigwin + Gunderson. made its New York premiere in the Recent designs include Platonov (video Company, New York City Players, and 2011 BAM Next Wave Festival. Their and co-scenic design, La Jolla Play- Sidra Bell Dance. Her NYC directing production of Sybil Kempson’s Ich, house, dir. Jay Scheib); Powder Her debut, The Geographical History of Paul Lazar Kürbisgeist premiered at the Choco- Face (video, New York City Opera, dir. America by Gertrude Stein, was named late Factory (NYC) in March of 2011. Director Jay Scheib); World Of Wires (light- Critic’s Pick by Backstage Magazine in Lazar is an associate member of The ing and video, The Kitchen, dir. Jay 2009. Rivera is delighted to be work- Wooster Group, acting in Brace Up!, In 1990 Paul Lazar co-founded Big Schieb); Ich, Kürbisgeist (video, Big ing with this team for the first time. All Emperor Jones, The Hairy Ape, and Dance Theater with Annie-B Parson, Dance Theater); Sontag: Reborn (sce- of her work is for her family. North Atlantic. Lazar also performed and since then he has continuously nic design, The Builder’s Association); in Richard Maxwell’s Cowboys and created dance/theater work with the Planetarium (BAM, video engineering Indians and Young Jean Lee’s Lear at company. Among the pieces he has for Sufjan Stevens, Nico Mulhy, Bryce Soho Rep, and Chekhov’s The Three David Lang directed for Big Dance: Man in a Dessner, design by Candystations); and Sisters at Classic Stage Company. Composer Case starring Mikhail Baryshnikov, Age of Adz (Sufjan Stevens, Candysta- Fassbinder’s Bremen Freedom; Odon tions). He is a co-founder of Workhorse Lazar’s film acting career includes One of America’s most performed Van Horvath’s Don Juan Comes Back and has taught interactive media roles in Silence of the Lambs, The and honored composers, David Lang from the War; and Tristan Tzara’s workshops at Princeton, MIT, and LIU, Host, Beloved, Lorenzo’s Oil, Phila- received the Pulitzer Prize in music The Gas Heart, which has toured where he earned his MFA. delphia, Henry Fool, Six Ways to for the little match girl passion, to the Exit and Via Theater festivals Sunday, Married to the Mob, Trapped commissioned by Carnegie Hall for in France and the Polverigi Festival in Paradise, Speechless, Stars Fell Paul Hillier and Theater of Voices. of Theater in Italy. The company’s on Henrietta, The Vig with Peter Falk, “With his winning of the Pulitzer original piece, Another Telepathic, Randi Rivera and Mickey Blue Eyes with Hugh Prize for the little match girl passion opened at Dance Theater Workshop Stage Manager Grant. His latest film Snow Piercer (one of the most original and moving in New York and toured to the STUC will be out this spring. Lazar currently scores of recent years), Lang, once Festival in Leuven, Belgium. Mac Randi Rivera is a director, designer, teaches acting and theater related a postminimalist enfant terrible, has Wellman’s Girl Gone opened at The stage manager, and native New Yorker. courses at New York University and solidified his standing as an American Kitchen in New York and toured to On She holds a BA in theater and His- has taught at Rutgers, Barnard, and master” (The New Yorker). Recent The Boards in Seattle, to UCLA, and panic studies from Hamilton College. the William Esper Studio. At NYU, works include the concerto man made to Kamplagle Theater in Hamburg, In 2006 she studied technical theater Lazar directed Botho Strauss’ Big for the ensemble S¯o Percussion and a Germany. Along with Annie-B Parson, at the Royal Welsh College of Music and Little, Len Jenkin’s The Country consortium of orchestras, including the Lazar also co-directed Shunkin which & Drama, and in 2007 production Doctor, and Fassbinder’s Bremen BBC Symphony and the Los Angeles opened at The Kitchen and toured management at Universidad San Freedom. He directed Mac Wellman’s Philharmonic; love fail for the early to the Yerba Buena Theater in San Pablo (CEU) in Madrid, Spain. Rivera Girl Gone at Marymount Manhattan music vocal ensemble Anonymous 4, Francisco. He has acted in numer- has been the stage manager for Half College. Straddle since 2012, beginning with with libretto and staging by Lang, at ous Big Dance pieces including Plan Seagull (Thinking of You) for NYC’s the Kennedy Center, UCLA and the B and The Other Here. Big Dance’s COIL festival. In 2013—14 Rivera will 2012 Next Wave Festival at BAM; most recent work, Comme Toujour travel with Half Straddle to Massachu- death speaks, for Shara Worden, Bryce Here I Stand, has toured numer- setts, Portugal, France, and Croatia. Dessner, Nico Muhly, and Owen Pallett ous cities in France and also ran From 2009—13 she was the technical at Carnegie Hall; and writing on water at The Kitchen in New York. Lazar 2013 Next Wave Festival earned an MFA in sound design from (New York Magazine). Bleckmann Early Floating; principal roles in works CalArts in 2003. has released a series of albums on by Balanchine, Robbins, and Tharp;

Jamie McElhinney the Winter & Winter label including Lucinda Childs’ canonical solo Carna- Sound Designer recordings of Las Vegas standards, tion; Rainer’s 21st century creations; Who’s Weimar art songs, and popular “bar and Christopher Janney’s solo Heart- Jamie McElhinney is a New York- Laura Mroczkowski songs” (all with pianist Fumio Yasuda); Beat. Her commissions include from based audio artist who has worked Lighting Designer a recording of newly-arranged songs Ballet Memphis (with Lacina Cou- with hundreds of music, theater, by Charles Ives (with jazz/rock collec- libaly), Performa (with Tamar Ettun), dance, and visual art performances Laura Mroczkowski is a freelance Who tive Kneebody); the acoustic Solos for and presentations in the Movement in venues all over the world. Selected lighting designer in New York City. She Voice and I dwell in possibility; and Research Fall Festival and Baryshnikov works include: audio system designer has had the opportunity to work with Arts Center, where she was a Martha his recent Hello Earth—the Music of for Isaac Julien’s exhibit Ten Thousand artists from around the world, includ- Duffy Memorial Fellow. She gradu- Kate Bush. His current project is a Waves (MoMA atrium, NYC); head ing The Builders Association, Deborah ated magna cum laude with a BA in song cycle of music on the subject of of audio and front of house engineer Hay Dance Company, Big Dance English from Yale (2006) and holds death, songs in the key of d, featur- for the 2013 ONEBEAT International Theater, Radiohole, Whitney Museum, an MA in American studies from Yale ing harpist Zeena Parkins. Bleckmann Music Exchange program and the The Public Theater, Los Angeles (2011). With particle physicist Sarah has additionally collaborated with 2013 Celebrate Brooklyn concert Opera Company, Walker Arts Center, Demers, she is co-authoring a book on numerous musicians and composers, series (Prospect Park Bandshell); Actor’s Theater of Louisville, First physics and dance, forthcoming from including Laurie Anderson, Uri Caine, sound designer and engineer for Mi- Stage Theater Company, New York Yale University Press. She teaches and Philip Glass, John Hollenbeck, Sheila chael Gordon’s Timber (BAM Fisher); Theater Workshop, 3-Legged Dog, directs the dance studies curriculum at Jordan, Phil Kline, David Lang, Kirk Yale University. sound designer and engineer for Stop Baryshnikov Arts Center, REDCAT, Nurock, Ben Monder, Michael Tilson the Virgins directed by Adam Rapp and the Center for New Performance. Thomas, Kenny Wheeler, John Zorn, (Sydney Opera House); sound system Her work has been seen in countless the Bang on a Can All-stars, and, most designer for We’re Gonna Die (Lincoln international festivals. Mroczkowski is prominently, Meredith Monk, with Maurina Lioce Center) and Untitled Feminist Show the co-artistic director and a founding whom Bleckmann worked as a core Production Manager (Walker Performing Arts Center), both member of Blank-the-Dog produc- ensemble member for close to two by Young Jean Lee; sound designer tions. lauramroczkowski.org Maurina Lioce works in many aspects decades. He has been interviewed by for Botanica directed by Jim Findlay of production, theater, and music. Terry Gross on NPR’s Fresh Air and (3LD); sound engineer for Brooklyn She most recently produced Mass appeared on the David Letterman Omnibus by STEW (BAM Harvey); Live Arts, a new experimental theater show with Laurie Anderson. sound designer and engineer for Ac- Theo Bleckmann festival at Bard College at Simon’s cinosco’s The Success of Failure; in- Guest Performer-Vocalist Rock. She has participated in Pro- ternational touring sound engineer for gressive Theater Workshop’s God This Clement World, Must Don’t Whip A singer and new music composer of Emily Coates Hates This Show, Pearl d’Amour’s ‘Um, and Accidental Nostalgia by eclectic tastes and prodigious gifts, Guest Performer-Dancer How to Build a Forest, Kneehigh Cynthia Hopkins; and sound designer Grammy-nominated and Echo Award Theater Company’s The Wild Bride, for Lightning at our Feet directed by recipient Theo Bleckmann makes Emily Coates has performed inter- Aynsley Vandenbroucke’s 33 1/3, Bob McGrath (BAM Harvey). McElhin- music that is accessibly sophisticated, nationally with New York City Ballet and Jim Findlay’s Botanica and has (1992—98), Mikhail Baryshnikov’s ney is also music director and lead unsentimentally emotional, and seri- performed in The PuSh Arts Festival White Oak Dance Project (1998— banjo player with Bob Wonder and the ously playful, leading his work to be and K Record’s What the Heck Fest. 2002), Twyla Tharp Dance (2001— Future Ex-Wives, international touring described as “from another planet” She is the company manager for Half 03), and Yvonne Rainer (2005—pres- sound engineer with the Young at (New York Times), as “magical, Straddle and is currently develop- ent). Career highlights include three Heart Chorus’ show End of the Road futuristic,” (AllAboutJazz), “limitless” ing Dream of the Red Chamber, A duets with Baryshnikov: in Mark directed by Roy Faudre, and part time Performance for a Sleeping Audience (Citypaper, Philadelphia), “transcen- Morris’ The Argument, Karole Armit- audio engineer for Dizzy’s Club Coca with Jim Findlay. dent” (Village Voice), and “brilliant” age’s The Last Lap, and Erick Hawkins’ Cola (Jazz at Lincoln Center). He BAM

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Salutes Dec 2013

Contents

ABT’s The Nutcracker King Lear

Photo: Gene Schiavone Frank Langella. Photo: Johan Persson

Behind the scenes hijinx at ABT’s Nutcracker. Frank Langella takes on the king of roles in Chichester Festival Theater’s production of Shakespeare’s Lear, directed by Angus Jackson DanceMotion USASM by Brian Scott Lipton This cultural exchange program is shared by more people than ever through expanding online tools by Tanya Calamoneri

Cover Artist

George Segal (1924—2000), a native New Yorker who showed with the Pop artists in the 1960s, was one of the most recognized sculptors of the 20th century. He was represented by the Sidney Janis Gallery for over 30 years and his signature plaster figures are in museum collections throughout the world. His best known bronze public commissions include the FDR Memorial, 1991 (Washington, DC); The Commuters, 1980 (Port Authority Bus Terminal, New York); and the commemorative bronze, Gay Liberation, 1980, in Sheridan Square, New York. In 1999 Segal received the National Medal of Honor from President Clinton. The artist’s many museum exhibitions include retrospectives at the Whitney Museum and Jewish Museum in New York and the Hirshhorn Museum and Sculpture Garden, Smithsonian Institu- tion in Washington, DC. Segal has been praised for the delicacy and intimacy of his figures and for the range of themes he has undertaken. Casting directly from his models, as the artist stated, his sculptures retain an indelible element of the sitter’s spirit and uniqueness. The fragment shown here, Torso: Hand on Thigh, conveys the complex mood, gesture, and sensuality of a woman.

George Segal, Torso: Hand on Thigh, 1978. Painted plaster, 22”x13”x7”. The proceeds from the sale of this work benefit BAM. Art © The George & Helen Segal Foundation / Licensed by VAGA, NY. To purchase, contact BAMart at 718.636.4101 or email us at [email protected]. King Lear #KINGLEAR Frank Langella and Lauren O’Neil. Photo: Johan Persson Frank On Langella’s Lear by Brian Scott Lipton

It’s long been a truism in theatrical circles that “It’s a play I always admired, and connected every actor of a certain age considers his career with emotionally, from the first time I saw it with incomplete until he has played the title role in Robert Stephens at the Royal Shakespeare Com- Shakespeare’s King Lear. Without question, the pany when I was a teenager. I even remember Bard’s proud monarch is a banquet for every the standing ovation,” says Jackson. “Then, a seasoned thespian to feast on. Now, Tony Award few years ago I did a production of Bingo by winner Frank Langella tackles the role. Edward Bond at the Young Vic with Patrick Stewart. That play is a bit of a riff on Lear and Similarly, many a great director, from John I did a lot of research on Lear while doing it. It Houseman to Jonathan Miller, has put his own got me thinking about the themes of the play, stamp on Lear. Now, Angus Jackson takes his especially how people abuse their power and turn with this classic play. His production arrives then injustice occurs. Plus, I love these dark, epic at the BAM Harvey Theater on January 7 for a plays with these very compromised characters five-week run after a month-long stint at Eng- whose fortunes keep changing. It’s like a roller- land’s Chichester Festival. coaster ride.”

“Angus Jackson’s excellent production becomes Not surprisingly, Jackson was determined to put the theatrical equivalent of a pressure cooker, his own stamp on the production. “One of the scalding in its intensity,” writes Charles Spencer first things I talked about with my team is the of the Daily Telegraph. “Throughout, the play importance of the role of the Earl of Gloucester. emerges with clarity and insight as well as He’s really Lear’s alter ego—another old man dramatic power.” who’s having trouble with his children. I wanted King Lear this production to really balance these two stories have. That’s true of Lear’s daughters, Goneril and and for the audience to see the parallels,” says Regan, as well as Edgar and Edmund. The only Jackson. “I also wanted Lear to have a young difference between then and now is what the Fool (to be played by Harry Melling of the Harry next generation is willing to do to get it. These Potter films). I thought it would be an interesting people live in a much more brutal world than we to have this bright, boyish presence who keeps do, and Lear really is a brutal play.” pointing out the older man’s folly.”

Equally important to Jackson are the show’s Brian Scott Lipton was editor-in-chief of visual elements. “I really felt I wanted something TheaterMania.com and currently covers theater different, and that meant everything in it should for IN New York, Where, Edgeonthenet.com, TDF be very elemental,” says Jackson. “Anything the Stages, TheaterPizzazz.com, and Cititour.com. actors touch should be real, which means we’re using things like real stone, real wood, real water. It also points out the fact that before the play begins, Lear has only walked on this beautiful palace floor, but once he steps out into the rest of the world, the ground literally becomes uneven.”

If Jackson’s approach means the cast has to get a bit dirty, so be it. “When Edgar (played by Sebastian Armesto) smears mud on his face, it’s real mud,” says Jackson. “And Frank is being very bold. We soak him with water, muddy him, and he gets right in there.”

Not surprisingly, Jackson is ecstatic to be working with Langella. “We met when he was doing Frost/Nixon over here and I think we started talking about this production when we met again in London about a year ago. We both wanted it to be quite simple when it needs to be, but emotional when it gets emotional. The idea is not to pull any punches. It’s not meant to be a polite production,” he says. “As you know, Frank is a truly red-blooded actor. He has fulfilled that obligation in terms of the play; he’s terrifying on stage. And the full company shares that sense of fearlessness.”

One thing Langella and Jackson found they had in common, especially as it relates to Lear, is their experiences as fathers. “Frank has talked to me about rearing children and the experience of growing older along with your children,” says Jackson. “My son is only seven, but I think a lot about the father-son relationship as well. It’s nat- ural that the next generation is going to replace you, and they’re going to want what you already Frank Langella. Photo: Johan Persson Frank American Ballet Theatre Kenneth Easter and Justin Souriau-Levine. Photo: Gene Schiavone Kenneth Off Center: Nutcracker Memories Giant gingerbread cookies? Skiing rats? It’s all Kenneth Easter, ABT Corps de Ballet part of a dancer’s annual Nutcracker ritual. One year, while performing with Miami City Here, four Nutcracker veterans share some of Ballet, it was a typical show until the “Waltz of their fondest and funniest memories. the Flowers,” when we began to smell smoke. Everyone backstage was alarmed, but the bal- Rachel Moore, ABT CEO lerinas continued to make their entrances as the During the mid-1980s, American Ballet music played. Eventually, one of the stage man- Theatre performed The Nutcracker at the agers figured out that one of the lights above the Shrine Auditorium in Los Angeles for three stage had caught fire and yelled out to clear the weeks each December. On New Year’s Eve, stage. The only dancer that didn’t hear was Dew- ABT dancers would take “liberties” with the drop, who was concentrating on her upcoming choreography, with the idea that it would be fouetté turns.The conductor, still focused on the a “Nutty Nutcracker.” One year, when I was a musicians and the ballerina, was unaware the member of the corps de ballet and in the Snow fire alarm had sounded. Needless to say, the the- Scene, Larry Pech, a member of the corps ater was cleared safely, but not before Dewdrop playing the role of one the Rats, made a special went out and completed her 24 fouettés alone appearance. Dressed in his rat costume, Larry onstage with burning red gel from the lights donned a pair of roller skates and ski poles, and above raining down around her. Not a show I went gliding through the snow scene, dodging us think I’ll ever forget. “Snowflakes.” It was a moment to remember! Justin Souriau-Levine, Jacqueline Kennedy Onassis School Student My most memorable experience performing The Nutcracker was as the Little Mouse with ABT. My dresser, Angel, gets me into costume most days and makes sure it stays in perfect condition. One day, during my scene with the Polichinelles, I was sliding across the stage and ripped my costume completely open at the knee. I ran offstage and my chaperone called Angel. He ran down to me as quickly as he could with a needle and thread and saved my costume by sewing it back together before I had to run onto stage again. After that, I called him “Super Angel”!

Zhong-Jing Fang, ABT Corps de Ballet The first time I ever performed in a production of The Nutcracker was in Kevin McKenzie’s ver- sion with ABT. My role was the giant gingerbread cookie, which jumps off the Christmas tree and is eaten by the Mouse King. As I had just come to America from China, it was also my first experience with any type of Christmas celebration. That first Nutcracker experience became one of my most memorable holidays. Justin Souriau-Levine. Photo courtesy ABT Photo: Marty Sohl BAM

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BAM 2013 Next Wave Festival sponsor New and expanded programming and Next Wave Festival supporters: capital initiatives at BAM made possible by Rose M. Badgeley Residuary major operating, capital and endowment Charitable Trust support from The Irene Diamond Fund brigitte nyc Support for new presentations in the BAM Brooklyn Community Foundation Fisher provided by the Rockefeller Brothers Epstein Teicher Philanthropies Fund The Harkness Foundation for Dance Suzie & Bruce Kovner Programming in the BAM Howard Gilman Leadership support for Next Wave Art Leon Levy Foundation Opera House is supported and endowed provided by Agnes Gund and Toby Devan Frederick Loewe Foundation, Inc. by The Howard Gilman Foundation. Lewis McKinsey & Company, Inc. Programming in the BAM Harvey Theater The Ambrose Monell Foundation is endowed by the Doris Duke Charitable The Rolex Institute supports emerging Henry and Lucy Moses Fund, Inc. Foundation. Programming in the BAM artists at BAM Samuel I. Newhouse Foundation, Inc. Lepercq Space is supported by The The Reed Foundation Lepercq Charitable Foundation. Diverse Voices at BAM sponsored by: The Morris and Alma Schapiro Fund The SHS Foundation The Steinberg Screen at the BAM Harvey The Shubert Foundation, Inc. Theater is made possible by The Joseph S. The Skirball Foundation and Diane H. Steinberg Charitable Trust Zero Calorie Sweetener of the The Harold and Mimi Steinberg Next Wave Festival: Charitable Trust Leadership support for opera at The Winston Foundation, Inc. BAM provided by The Andrew W. Ann Ziff Mellon Foundation, The Peter Jay Sharp Foundation, and Proud supporter of BAM

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Major support for opera at BAM The BAM facilities are owned by the provided by Aashish & Dinyar Devitre. City of New York and benefit from public funds provided through the New York City Additional support provided by The BAMcafé Live sponsor: Francena T. Harrison Foundation Trust. Department of Cultural Affairs with support from Mayor Michael R. Bloomberg; Cultural Affairs Commissioner Kate D. Levin; the Leadership support for War Sum Up New York City Council including Council provided by The Barbro Osher Pro Speaker Christine C. Quinn, Finance Suecia Foundation Endowed funds supporting the Next Wave Committee Chair Domenic M. Recchia Jr., Festival: The Howard Gilman Foundation; Cultural Affairs Committee Chair Jimmy Global Connections at BAM sponsored by: Lila Wallace-Reader’s Digest Endowment Van Bramer, the Brooklyn Delegation of the Fund for Community, Educational, and Council, and Councilwoman Letitia James; and Brooklyn Borough President Marty Public Affairs Programs at BAM; The Markowitz. BAM 2013 Music Sponsor: SHS Foundation; The Andrew W. Mellon Foundation Fund for Opera and Music- Title sponsor for BAM Rose Cinemas and Theater; The Peter Jay Sharp Fund for BAMcinématek: Opera and Theater; The Ford Foundation Leadership support for music commissions at BAM provided by The Virginia B. Fund to Support Collaborative Creativity BAM Rose Cinemas are named in Toulmin Foundation Among U.S. Artists; Estate of Richard B. recognition of a major gift in honor of Fisher; BAM Fund to Support Emerging Jonathan F.P. and Diana Calthorpe Rose, Leadership support for Sider provided by and Local Musicians; The Starr Foundation; and have been generously supported by The Jerome Robbins Foundation, Inc. Next Wave Forward Fund: Altria Group, The Peter Jay Sharp Foundation and the Estate of Richard B. Fisher The presentation of Come, and Back Again Inc./Founding Sponsor “Supporting the and Play/Pause is made possible Spirit of Innovation”; and The Devitre Fund. Programming in the BAM Lepercq Space by the New England Foundation for the is supported by The Lepercq Charitable Arts’ National Dance Project BAM Marquee sponsor: Foundation Support for The Humans provided by Agnes Gund BAM would like to thank the Brooklyn Delegations of the New York State Assembly, Joseph R. Lentol, Delegation Support for new dance presentations in the Official hotel for BAM: Leader; and New York Senate, Senator BAM Fisher provided by the Mertz Gilmore Velmanette Montgomery, Delegation Foundation Leader.

Your tax dollars make BAM programs Official piano for BAM: possible through funding from: DMUSA Trotting theGlobe DanceMotion USA 1901 totheearly1920s,HolmestreatedBAM Through aninnovativeprogramcalled DanceMo Today BAMcontinues thetradition, witha twist. and ahostofotherculturalnaturalwonders. audiences tovividhistoriesofoldGranada,the only aboutfar-flung placesonemightneverhave culture throughits artists. coronation oftheEthiopianemperor, ethnogra- phies offishingandfarmingpracticesinSiam, stages asfarback1861.Beyondthedrawof worldly crowd,attractedtothearrayofinterna- BAM’s audienceshavealwaysbeenadecidedly Department ofStatetoreinvigorate theuseof Department ventor Burton Holmes,whonarratedbreathtak- ventor Burton Opera Housetohearlecturesby“travelogue”in- Since 2009, BAMhasworked closelywith the ing slideshowsandfilmsofhisadventures. From the chancetotravel(heardofTimor-Leste?) eyes,learningnot the worldthroughadancer’s tion USA these first-rateproductions,peopleflockedtothe andcompaniespresentedonour tional artists but alsogainingan appreciationofanother Sean Curran Company in Ashgabat, Turkmenistan. Photo: John Pendleton SM , ouraudienceshaveawindowon SM - as many as 40 workshops and 10 performances as many40workshopsand10 performances American artists tofacilitateculturaldialogue American artists exchanges asculturalambassadors.Eachcom- ences have withpeoplefrom eitherlocation—the often the first encounter participants andaudi- thefirstencounterparticipants often comprising BAMExecutiveProducer JosephV. matic interest,foratotaloffourweeks—offering pany travelstothreecountriesina region that prepared forengagingindirectperson-to-person panies thatrepresentthebestofAmericandance. munity, Bureauof andtheUSStateDepartment’s It hasprovenawildly successfulventureforall with countriessuchasRussia, China, Vietnam, Israel, Algeria,Bolivia,andBangladesh.Apanel Melillo, leadersfromtheAmericandance com- US and the host country—and wehear timeand US andthe hostcountry—and financial and community support, theyarewell financial andcommunitysupport, Education andCulturalAffairsselectdancecom- Since manycompanieshavedevelopedanex- involved: the workshops and performances are involved: theworkshops andperformances to localaudiences. pre-selectsbasedondiplo the StateDepartment tensive outreach program asameansofsecuring # otinusa dancem by Tanya Calamoneri SM - again how stereotypes fall away and real friend- Group journeys to Burma, Cambodia, and Timor- ships emerge. Leste in October/November 2014. Dances in these countries have roots in Indian dance and During the 2012 season, DanceMotion USASM are noted for their captivating “tribungi” (three launched a social media component to offer angled stance), intricately-layered costumes, audiences in the US a chance to watch the and storytelling hand and eye gestures. (BAM experience unfold. As photos and videos flowed audiences might remember the dazzling gold through various online platforms, people from headdresses and meditative gamelan music across the tour countries joined in the conversa- in the 2013 Royal Ballet of Cambodia’s The tion and began to talk. Dancers in Bangladesh Legend of Apsara Mera.) MMDG has developed and Algeria connected; a Philly hip-hop fan relationships with artists in Burma and Cambo- saw hip-hop in the Ukraine, audiences in Spain dia through previous tours, and we look forward tuned in to a Livestream program with Argentin- to possible collaborations and an insider look at ean artists—and a new community was born. the rigorous dance training in South East Asia through their eyes.. In the virtual world, BAM’s audiences can vicari- ously experience the excitement of American Connect: dancemotionusa.org dance artists as they explore far corners, from Ilo Ilo in the Philippines to Krasnoyarsk in Siberia. DanceMotion USASM offers an unprecedented Tanya Calamoneri is DanceMotion USASM project window into the living chronicle of culture. manager.

This coming season, American dancers again take us around the world. Athletic and energetic David Dorfman Dance explores three countries along the Silk Road: Turkmenistan, Uzbekistan, and Turkey in April/May 2014. The former Soviet Republics initiated a resurgence of traditional dance following their independence, in an effort to solidify a national identity. See whirling silk costumes with trailing braids on women and fur hats and boots on men, percussive steps, and animated hand gestures. Live music with a rich vocal tradition that bears resemblance to Middle Eastern tones often accompanies dancing. Tur- key has quite a varied dance tradition, including a folk dance tradition dating back to the Ottoman Empire, a distinct style of belly dance that includes the dancers playing zils (finger cymbals), and the Sufi fraternity of Whirling Dervishes who spin for hours in moving meditation.

Los Angeles-based urban Latin sensation CONTRA-TIEMPO meets their social-dance coun- terparts in Bolivia, Chile, and Ecuador in May/ June 2014. Spanish and indigenous influences mingle: the rhythmic footwork of Chile and Bo- livia’s cueca resembles flamenco, as do the large skirts which Ecuadorian dancers brandish as they circle and stomp in pairs. We are curious to see CONTRA-TIEMPO’s Cuban salsa and dance- theater vocabulary dialogue with traditional and contemporary dance in South America.

Seminal modern company Mark Morris Dance Illstyle & Peace Productions in Minsk, Belarus. Photo: Darrin Ross Productions Illstyle & Peace BAM

Zero Calorie Sweetener of the Next Wave Festival Salutes Upcoming Events

BAM 2014 WINTER/SPRING SEASON BAMCAFÉ LIVE WORLD-CLASS THEATER, DANCE, MUSIC & OPERA FREE MUSIC FRI & SAT NIGHTS. BAR OPENS AT 6PM King Lear | By William Shakespeare | Chichester Ayanna Lee | Jan 3 at 9pm Festival Theatre | Directed by Angus Jackson Mary Halvorson Quintet| Jan 4 at 9pm Jan 7—Feb 9 | HT Migguel Anggelo | Jan 10 at 9pm Threefifty | Jan 11 at 9pm Green Porno: Live on Stage | Conceived and performed Onaje Allan Gumbs & New Vintage by Isabella Rossellini | Written by Jan 17 & 18 at 9pm Isabella Rossellini and Jean-Claude Carrière Elisabeth Lohninger | Jan 31 at 9pm Staged by Muriel Mayette | Jan 16—25 | FS TALKS The Annual Brooklyn Tribute to Dr. Martin Luther King, Jr. | Presented by BAM, Office of the Brooklyn Green Porno with Isabella Rossellini | Jan 21 Borough President, and Medgar Evers College of post-show | FS The City University of New York | Jan 20 | OH King Lear: A Look into the BAM Hamm Archives with James Shapiro and Sharon Lehner BAMCINEMATÉK Jan 30 at 6pm | FS REPERTORY, CLASSICS, FESTIVALS, PLUS SPECIAL GUESTS King Lear: Behind the Scenes| with Neil Kutner, Roberto Rossellini’s Stromboli (6:50pm) & Audrey Hoo, and Elizabeth Moreau | Feb 1, 9am—6pm David Lynch’s Blue Velvet (9:30pm) | Isabella BAM Fisher (Leavitt Workshop) and HT (includes class, Rossellini in person at both screenings! | Jan 13| BRC performance ticket, and post-show wrap-up) EAT, DRINK & BE LITERARY BAMKIDS

Salman Rushdie | Moderated by Deborah Treisman MUSIC, FILM, PERFORMANCES, AND WORKSHOPS FOR FAMILIES Jan 29, 6:30pm | BC The Pop Ups: Radio Jungle (music/puppets) Jan 11 at 2pm | FS

BC=BAMcafé | BRC=BAM Rose Cinemas | FS=BAM Fisher (Fishman Space) HT=BAM Harvey Theater | OH=BAM Howard Gilman Opera House . Photo: Jody Shapiro Green Porno Thanks to the many Ignite campaign donors for supporting innovative arts education at BAM.

Ignite campaign co-chairs are Richard Feldman of The SHS Foundation and actor-artist Lucy Liu.

$500,000 and above $25,000 and above The Irene Diamond Fund The Achelis Foundation The Leona M. & Harry B. Jody & John Arnhold Helmsley Charitable Trust BNY Mellon Stavros Niarchos Foundation The Barker Welfare Foundation The SHS Foundation John Blondel Simon & Eve Colin Foundation, Inc. The Jessica E. Smith and Kevin R. Brine Charitable Trust $100,000 and above Linda & Adam Chinn Altman Foundation The Corinthian Foundation Booth Ferris Foundation Constans Culver Foundation Brooklyn Community Foundation William A. Douglass Chase MaryAnne Gilmartin Della Rosa Family Foundation Charles Hayden Foundation Goldman Sachs Gives Grace Lyu-Volckhausen The Rita and Alex Hillman Foundation James I. McLaren & Lawton W. Fitt Stephanie & Timothy Ingrassia Anna Kuzmik Sampas The Emily Davie & Joseph S. Kornfeld Howard Silverman Foundation Jennifer Small & Adam Wolfensohn Pierre and Tana Matisse Foundation The Rockefeller Foundation New York City Cultural $10,000 and above Innovation Fund American Express Martha A. & Robert S. Rubin Bloomingdale’s Fund of the Macy’s Foundation The Peter Jay Sharp Foundation brigitte nyc Target Donald Capoccia in memory of Felicia Garcia Joseph LeRoy & Ann C. Warner Fund Mark Diker & Deborah Colson Anonymous Dow Jones & Company, Inc. Barry M. Fox $50,000 and above John N. & Gillett A. Gilbert Barclay’s Nets Community Alliance In Memory of Robert Sklar Con Edison Penn & Diane Holsenbeck Judith R. & Alan H. Fishman Merrill Lynch & Co. Foundation, Inc. MetLife Foundation Michael Palm Foundation National Grid Tracey & Phillip Riese The David Rockefeller Fund, Inc. Sills Family Foundation May & Samuel Rudin Family Foundation, Inc. Ted Snowdon Joseph and Sylvia Slifka Foundation Sam & Ellen Sporn Surdna Foundation, Inc. Joseph A. Stern Pedro Jose Torres & Cecilia Picon Time Warner Inc. Anonymous Michael Tuch Foundation, Inc.

Donate today and your gift will be matched dollar for dollar. Give at BAM.org /Ignite

Photo: Nina Mouritzen Adi Shamir&RichardD.Baron Thomas Scott Brian &StephanieNigito Peter &JennaNashel &AndreaBozzo John Martinez Marks Paneth &ShronLLP Elizabeth &MatthewLuckett François &CalleenLetaconnoux Michele &DavidJoerg Hewitt School Regina M.Griffin David W. Fitts Jeanne DonovanFisher Tim &CeceliaCrowhurst Alida Brill Emma Bloomberg&ChristopherFrissora $2,500 andabove Victor R. Wright Foundation Jo Vanderbeek Steinway &Sons Rush Foundation PhilanthropicArts E. John&Patricia Rosenwald New York StateCouncilontheArts Robin &EdgarLampert Debbie Klein Katie Kleber John P. AndAnneWelsh McnultyFoundation Justin Haythe Agnes Gund Dennis &CarrieGross David Geiger Steven &SusanFelsher Samuel Feldman &MarilynMeyerhoff Robert andMercedesEichholzFoundation David Edelstein Rebekah Coleman &IanRusten Lawrence Chanen $5,000 andabove Anonymous Nora AnnWallace &JackNusbaum Viacom Jennie &Jake Blair Simon Black Antonella Bertello Dayle Berke &DavidShapiro Tony Bechara Beamon&Eddie Joyce Martine Felice Forer Axelrod Douglas &CarlaAlbrect $1,000 andabove Cynthia Young &GeorgeEberstadt Michael Whittingham Heather White&MarkProcopio Robert Watt &DawnBradford John Madsen&DeirdreVon Dornum Sashi &NicholasValtz Raul Suarez Stribling &Associates,LTD. Dr. AxelStawski Jeffrey Soref Nancy Smid&JohnKing Timothy &JulieSebunya Joseph &MarilynSchwartz William E.Sanford Thomas &GeorginaRusso L Rodriguez Villa Gabriel &LindsayPizzi ParkerGary Bianca Orlando&BillMcGinty NYC &Company Stephen &MaribelleLeavitt The KrumholzFoundation Jeff Kovach David Kaplan Barbara Julius&MarcSilberberg Mark H. Jackson The William Talbott HillmanFoundation Manuela Herzer Jillian &SamHerschkowitz John Hart Happy Family Elizabeth Haddad Willie Hacker Lorie &ErikGoshin Barnier James Goldfarb&Catheryn Jeff Gates&MichaelMoran Andrew &Blake Foote Katherine &Luke Fichthorn Teri Everett&MarkDavidson Jennie &RichardDescherer Francesca Defeo Catherine C.Cox Regina &Bill Bronson Bill Borrelle questions [email protected]. with correctionsor Please contacttheDevelopmentdepartment List asofJuly31,2013 ignite BAM

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STAY CONNECTED BAM Box Office (in person) BAMcafé BAM.org Peter Jay Sharp Building Reservations and information Advance sales 718.623.7811 BAM.org/blog Mon–Sat: 12noon–6pm BAMwifi_forBK BAMbus BAM Harvey Theater box office Facebook.com/BAMstage 718.636.4100 opens 90 minutes prior to curtain Make your reservation up to @BAM_Brooklyn on performance days. 24 hours prior to curtain time. youtube.com/BAMorg Group Sales Lost & Found For ticket orders of 10 or more 718.636.4150, Mon—Fri: 9am—5pm LOCATIONS 718.623.7885 | [email protected] Restrooms Peter Jay Sharp Building BAM Rose Cinemas BAM Howard Gilman Opera House: 30 Lafayette Avenue Advance Ticket Sales: mezzanine and balcony level BAM Howard Gilman Opera House 877.789.MOVIE (handicapped accessible: Lepercq Space/BAMcafé BAM Rose Cinemas BAM.org or movietickets.com orchestra level and BAMcafé) Hillman Attic Studio Info: 718.636.4100 BAM Harvey Theater: Box office opens 30 minutes before lobby and gallery level BAM Harvey Theater the first screening of the day. 651 Fulton Street BAM Fisher: BAM Rose Cinemas is wheelchair lower lobby, 4th floor, and 7th floor BAM Fisher accessible. Infra-red headsets for 321 Ashland Place the hearing impaired are available; Headphones Fishman Space inquire at the box office. BAM offers infra-red listening devices Hillman Studio for the hearing impaired; please Rooftop Terrace and Stutz Gardens Student Rush Info Leavitt Workshop inquire at the coat check. http://www.bam.org/student-rush

Brooklyn, NY 11217 OTHER BAM.org | [email protected] SERVICES Administrative Offices Membership 718.636.4111 TICKETS 718.636.4194 BAM Ticket Services (phone) [email protected] Rental Information Performance tickets and info 718.636.4198 | [email protected] 718.636.4100 Patron Services BAM.org/rentals BAM.org/tickets | [email protected] For donors who make an annual contribution of $1,000 or more: BAMart 718.636.4182 718.636.4101| BAM.org/BAMart [email protected]

Please Note

Warning The photographing, OF THE HOUSE STAFF. Thoughtless agents are represented by the videotaping, or sound recording of persons annoy patrons and endanger Association of Theatrical Press Agents any performance or the possession the safety of others by lighting and Managers, of any device for such inside this matches or smoking in prohibited Local #18032, theater, without written permission areas during the performances and IATSE, AFL-CIO. of the management, is prohibited intermissions. This violates a New by law. Violators may be punished York City ordinance and is punishable Food and drinks are not permitted by ejection and may be liable for by law. —Fire Commissioner in the BAM Howard Gilman Opera money damages. House or BAM Harvey Theater. BAM backstage employees are Fire Notice The exit indicated by a represented by the BAM is a charter member of the red light and sign nearest to the seat International Alliance of League of Historic American Theaters you occupy is the shortest route to Theatrical Stage Employees and an affiliate member of the League the street. In the event of fire or other (I.A.T.S.E.). of American Theaters and Producers. emergency, please WALK TO THAT Children under five not admitted EXIT, FOLLOWING THE DIRECTIVES BAM theater managers and press unless explicitly noted. Securing BAM’s Future

BAM Endowment A great institution is built upon on a secure future. At BAM, a growing endowment is the foundation for expansive programming that continues to set new standards for artistic daring and excellence. The BAM Endowment provides the financial underpinning to launch new artistic initiatives, plan for future years, seize opportunities for institutional advancement, and confront unanticipated challenges. BAM sincerely thanks those listed below for their generous support in securing BAM’s future.

$5,000,000 and above $500,000 and above $100,000 and above Richard B. Fisher & Jeanne The Campbell Family Foundation Michael Bailkin, Marvin Levine, Donovan Fisher The Devitre Fund Jesse Masyr, David Stadtmauer The Howard Gilman Foundation Judith R. & Alan H. Fishman Robert & Joan Catell Fund for The Peter Jay Sharp Foundation Charles J. & Irene F. Hamm Education Programs Lila Wallace-Reader’s Digest Maribelle & Stephen Leavitt Neil D. & Kathleen M. Chrisman Endowment Fund for Community, Diane & Adam E. Max Mr. & Mrs. Henry Christensen III Educational, & Mary & Jim Ottaway Jr. in honor of Madison S. Finlay Public Affairs Programs Ruth Blackburne Ottaway Francena T. Harrison Rockefeller Brothers Fund Performance Fund $1,000,000 and above Jonathan F.P. & Diana V.C. Rose Rita K. Hillman Altria Group, Inc./Next Wave Martha A. & Robert S. Rubin HSBC Bank USA, N.A. Forward Fund Nora Ann Wallace & Jack Nusbaum Independence Community Bank BAM Fund to Support Emerging Stephanie & Tim Ingrassia and Local Musicians $250,000 and above Mr. & Mrs. Edgar A. Lampert Brooklyn Community Foundation The Bohen Foundation Annie Leibovitz & Studio The Irene Diamond Fund The Jessica E. Smith and Kevin R. Leo Burnett, USA Doris Duke Charitable Foundation Brine Charitable Trust James McLaren & Lawton Fitt Emily H. Fisher The Charles & Valerie Diker Dance Sarah G. Miller & Frank L. Coulson The Ford Foundation Fund to Endowment Fund The Morgan Stanley Community Support Collaborative Creativity The Horace W. Goldsmith Foundation and Educational Fund Among U.S. Artists Michael Bancroft Goth Endowed J.P. Morgan & Co. Incorporated The Andrew W. Mellon Foundation Annual Performance Fund The Jerome Robbins Foundation, Inc. Fund For Opera & Music-Theater William Randolph Hearst May & Samuel Rudin Family Bruce C. Ratner Endowment for Education and Foundation William Boss Sandberg Humanities Programs Mr. & Mrs. Ame Vennema The Peter Jay Sharp Fund for Opera The Rita & Alex Hillman Foundation Verizon Communications and Theater Carole & Irwin Lainoff The Isak and Rose Weinman The SHS Foundation Maxwell Family Fund in Community Foundation in honor of Madame The Starr Foundation Funds, Inc. Lilliana Teruzzi The Geraldine Stutz Trust, Inc. The Winston Foundation Anonymous

As of July 1, 2013

Photo: Peter Jay Sharp Building, by Ben Cohen Securing BAM’s Future

Planned Giving Another way to help BAM prepare for the future is by making a provision in your estate plans. You create a legacy for many generations to come and ensure BAM’s excellence continues for the next 150 years. Existing options for planned giving include making a bequest in your will, and naming BAM as a beneficiary in your retirement plan or insurance policy, among others. Unless otherwise specified by a donor, it is BAM’s policy to apply planned gifts toward its endowment. Individuals who have made such gifts are recognized in the select group of patrons known as BAM Angels.

Our special thanks to the foresight of the charitable BAM Angels listed below.

BAM Angels Denis Azaro Barbara T. Hoffman Marie D. Powers Bettina Bancroft William Josephson William Boss Sandberg Robert & Joan Catell Charlotte & Stanley Kriegel Louis Sanders Neil D. Chrisman Edgar A. Lampert Harriet L. Senz Mr. & Mrs. Henry Christensen III Harvey Lichtenstein Toni Mendez Shapiro Mallory Factor Phyllis Holbrook Lichtenstein Bella F. Stoll Madison S. Finlay Georgene M. Maxwell Lynn M. Stirrup Richard B. Fisher Scott C. McDonald PaulaMarie Susi Judith R. & Alan H. Fishman Evelyn & Everett Ortner Charlene Magen Weinstein & Barry M. Fox Frank J. & Adeline Pannizzo Laurence Benjamin Molloy Rita Hillman William Winthrop Parsons Judge Franklin R. Weissberg Carol Yorke & Gerard Conn

For more information on the BAM Endowment or on Planned Giving opportunities please contact Denis Azaro at 718.636.4193 or [email protected]. All inquiries will remain strictly confidential. BAM Supporters & Patrons

BAM wishes to thank our patrons for all the operating, capital, and endowment support you’ve given us over the past year. (List represents gifts between November 1, 2012—November 1, 2013)

$500,000 and above IFC Henry and Lucy Moses Skadden, Arps, Slate, Kevin Lauri brigitte nyc Stephanie & Timothy Fund, Inc. Meagher & Flom LLP François & Calleen Brooklyn Borough Ingrassia Donald R. Mullen Jr. Joseph and Sylvia Slifka Letaconnoux President’s Office Frederick Iseman National Endowment for Foundation The Levine Foundation Brooklyn Community Kia Motors USA the Arts Brian Stafford Estate of Phyllis H. Foundation The Emily Davie & Joseph Samuel I. Newhouse Starry Night Fund Lichtenstein The Irene Diamond Fund S. Kornfeld Foundation Foundation, Inc. The Harold and Mimi John Lipsky & Zsuzsanna Dormitory Authority of the Stephen & Maribelle Leavitt The Barbro Osher Pro Steinberg Charitable Karasz State of New York The Lepercq Charitable Suecia Foundation Trust Carley Roney & David Liu Estate of Richard B. Fisher Foundation Arthouros Pozov The Geraldine Stutz The Lupin Foundation Jeanne Donovan Fisher Toby Devan Lewis The Reed Foundation Trust, Inc. Briehan Lynch & Alexander Ford Foundation The Rita and Alex Hillman Sarah & Spencer Robertson Barbara & David Zalaznick Evis The Howard Gilman Foundation Rockefeller Brothers Fund Ann Ziff M&T Bank Foundation National Grid Jonathan F.P. & Diana Anonymous Mattis Family Foundation Goldman Sachs Gives New York State Council on Calthorpe Rose Mr. Hamish Maxwell The Leona M. & Harry B. the Arts Anna Kuzmik Sampas $10,000 and above Scott C. McDonald Helmsley Charitable News Corporation The Morris and Alma Absolut Vodka, Seagram Constance & H. Roemer Trust Foundation Schapiro Fund Americas McPhee Diane & Adam E. Max Pepsi-Cola Bottling Jennifer Small & Adam The Aeroflex Foundation Medgar Evers College Gifts McKinsey & Company, Inc. Company of New York Wolfensohn Roger Alcaly & Helen and Grants New York City Department May & Samuel Rudin Santander Bodian Joyce F. Menschel of Cultural Affairs Family Foundation, Inc. Surdna Foundation, Inc. Susan L. Baker & Michael Merrill Lynch & Co. NYC Economic Pablo Salame Joseph LeRoy & Ann C. R. Lynch Foundation, Inc. Development Corporation The Fan Fox & Leslie R. Warner Fund The Barker Welfare Edward S. Moore PASNY Samuels Foundation, Anonymous Foundation Foundation Martha A. & Robert S. Inc. The Howard Bayne Fund Morgan Stanley Rubin The Shubert Foundation, $25,000 and above Tony Bechara Charles M. Nathan & Alisa The New York City Council Inc. The Achelis Foundation Roger & Brook Berlind F. Levin The Peter Jay Sharp The Skirball Foundation Jody & John Arnhold Best of Brooklyn, Inc New England Foundation Foundation Joseph A. Stern Rose M. Badgeley The Bloomingdale’s Fund of for the Arts’ National The SHS Foundation Target Residuary Charitable the Macy’s Foundation Dance Project The Starr Foundation Time Warner Inc. Trust Donald Capoccia in New York State Office of The Joseph S. and Diane Pedro Jose Torres & Cecilia BNY Mellon memory of Felicia Garcia Parks, Recreation and H. Steinberg Charitable Picon Mercedes T. Bass Amita & Purnendu Historic Preservation Trust The Virginia B. Toulmin Anne H. Bass Chatterjee The O’Grady Foundation United States Department Foundation John Blondel Cleary Gottlieb Steen & William J. & Dorothy K. of State, Bureau of Robert L. Turner The Brooklyn Brewery Hamilton LLP O’Neill Foundation Educational and Cultural John L. & Eva Usdan Goldman Sachs Gives at Simon & Sarah Collier Jim & Mary Ottaway Affairs Viacom the recommendation of Credit Suisse Michael Palm Foundation Anonymous Nora Ann Wallace & Jack R. Martin Chavez Joan K. Davidson (The J.M. Pfizer Inc. Nusbaum Mr. & Mrs. Henry Kaplan Fund) Maya Polsky $250,000 and above The Winston Foundation, Christensen III Beatrice & James Del Estate of Marie D. Powers Bank of America Inc. Citi Foundation Favero The Grodzins Fund Bloomberg Anonymous Constans Culver Foundation Diageo William D. & Susan Kahan Aashish & Dinyar Devitre DeWitt Stern DLA Piper LLP (US) Rifkin Judith R. & Alan H. $50,000 and above Mark Diker & Deborah Carol & Roger Einiger Max Rifkind-Barron Fishman Frances Bermanzohn & Colson Mallory & Elizabeth Factor Mr. & Mrs. Theodore C. Suzie & Bruce Kovner Alan Roseman William A. Douglass Samuel Feldman & Marilyn Rogers Leon Levy Foundation Gordon Bowen Dow Jones & Company, Meyerhoff Ropes & Gray LLP The Andrew W. Mellon The Jessica E. Smith and Inc. Fribourg Family Foundation Bette & Richard Saltzman Foundation Kevin R. Brine Charitable Andre & Stephanie Dua Fried, Frank, Harris, Shriver Timothy & Julie Sebunya Stavros Niarchos Trust Epstein Teicher & Jacobson LLP Jon & NoraLee Sedmak Foundation Linda & Adam Chinn Philanthropies Ann and Gordon Getty The Evelyn Sharp Mikhail Prokhorov Fund Betsy and Ed Cohen/Areté Forest City Ratner Foundation Foundation The Jerome Robbins Foundation Companies David & Susie Gilbert Sills Family Foundation Foundation, Inc. The Corinthian Foundation Barry M. Fox Goldman, Sachs & Co. Susan & Larry Sills The Wall Street Journal Ide & David Dangoor Beth & Gary Allen Glynn Elaine Golin Ted Snowdon The Robert W. Wilson The Gladys Krieble Delmas The Grand Marnier Goodell, DeVries, Leech & Mr. & Mrs. Howard Charitable Trust Foundation Foundation Dann, LLP Solomon Charles & Valerie Diker Charles Hayden Foundation Lela Goren R. Edward Spilka $100,000 and above Brendan & Barbara Dugan Penn & Diane Holsenbeck Pamela Grace Sam & Ellen Sporn Altman Foundation Doris Duke Charitable David L. Klein, Jr. The Green Fund Inc. David & Aliana Spungen American Express Foundation Foundation Mr. & Mrs. Henry B. Dr. Axel Stawski William I. Campbell & Thérèse M. Esperdy & Dan & Abbe Klores Gutman Jean Stein Christine Wächter- Robert G. Neborak Frederick Loewe The Marc Haas Foundation, John Strasswimmer Campbell Mertz Gilmore Foundation Foundation, Inc. Inc. Trust for Mutual Chase The William and Mary Gary Lynch & Kate Hall Mr. & Mrs. Burton K. Understanding Robert Sterling Clark Greve Foundation Grace Lyu-Volckhausen Haimes Michael Tuch Foundation, Foundation GGMC Parking, LLC Goldman Sachs Gives at In Memory of Robert Sklar Inc. Con Edison Agnes Gund the recommendation of Dozier Hasty & Nancy Wendy vanden Heuvel Cumberland Packing H3 Hardy Collaboration David & Susan Marcinek Havens-Hasty Vital Projects Fund Della Rosa Family Architecture Barbara & Richard Moore Cheryl Henson & Ed Finn Madeline Weinrib Foundation The Harkness Foundation Nash Family Foundation Hughes Hubbard & Williams & Connolly LLP The Educational Foundation for Dance The New York Community Reed LLP Vaughn Williams of America The Francena T. Harrison Trust Sophie Hughes Carol Yorke & Gerard Conn Steven & Susan Felsher Foundation Trust Onassis Foundation USA Alan Jones & Ashley Garrett Estate of Martha Zalles Fleurs Bella Hutchins Family Foundation Gabriel & Lindsay Pizzi Barbara Haws & William Jennifer Carlson & Andrew First New York Partners Gilda & John P. McGarry Jr. R/GA Josephson Zolli Management James I. McLaren & Lawton Blanchette Hooker Miriam Katowitz & Arthur Anonymous Jacques and Natasha W. Fitt Rockefeller Fund Radin Gelman Foundation MetLife Foundation The David Rockefeller Kaye Scholer LLP $5,000 and above The Florence Gould The Ambrose Monell Fund, Inc. Kirkland & Ellis The American Chai Trust Foundation Foundation Rolex SA Eileen M. Lach Matthew & Krista Charles J. & Irene F. Hamm Howard Silverman Solange Landau Annenberg BAM Supporters & Patrons

Armour Beauty William & Laura Taft Mr. & Mrs. James P. Melva Bucksbaum & Vanetta Vancak David Ashen Paulsen Bodovitz Raymond Learsy Bernardette Vaskas Nathaniel Beck & Karen Peck Stacpoole Foundation Dr. & Mrs. Jeffrey S. Borer Matthew & Sabrina Leblanc Lisa Wassong Hackett Penguin Group (USA) Alida Brill Jonathan Lehman John R. Wellschlager & Denise Bernardo & Eddie Bill and Patty Dugan Virgina Brody Julius Leiman-Carbia & Elizabeth D. McDermott Muentes Perlmuth Andrew D. Brown Kyle Smith Dr. Sylvia Welsh & Dr. JJ & Michelle Berney The Perseus Books Group Joyce Chelberg Hon. Stephen Levin, New Howard Welsh Paula & Earl Black Rajika & Anupam Puri Stuart H. Coleman York City Council Victoria Westhead & John Bill Borrelle Bradley Radoff Ranny Cooper & David The Family of Wilbur Levy Bradley Arant Boult Frances A. Resheske Smith A. Levin James Wilentz & Robin Cummings LLP Tracey & Phillip Riese Breukelein Institute/Dennis Carol & Joel Levy Maxwell Lawrence Chanen Hon. 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Richard Klein & Susan Darrell Susan Snodgrass Speyer Foundation Holland Ilana Pachter & William Lavinia Branca Snyder Todd & Treacy Gaffney Dennis Klejna Wynn Kenneth Soehner Duane McLaughlin & M. Jayme Koszyn & Thomas Meredith Palmer James Sollins Salomé Galib O’Handley

BAM greatly appreciates all contributions in support of our work. We apologize for any inaccuracies. Please contact the Development Department at [email protected] with any corrections. BAM Board

Brooklyn Academy of Music Beth Rudin DeWoody Alberto Sanchez Charles J. Hamm Mark Diker Timothy Sebunya Barbara B. Haws, C.A. Chairman of the Board Andre Dua Adi Shamir William Josephson Alan H. Fishman Brendan J. Dugan Danny Simmons Mary Kantor Thérèse Esperdy Jessica Smith John Lipsky Vice Chairmen of the Board Teri Everett Brian Stafford Laurie Mallet William I. Campbell Mallory Factor Axel Stawski Cathy-Ann Martine Adam E. Max Ronald E. Feiner, Esq. Joseph A. Stern Elaine Weinstein Richard E. Feldman, Esq. Pedro J. Torres Hon. Franklin R. Weissberg President Steven G. Felsher John L. Usdan Vaughn C. Williams, Esq. Karen Brooks Hopkins Jeanne Donovan Fisher Brigitte Vosse Barry M. Fox Nora Ann Wallace BAM Endowment Trust Chair Secretary MaryAnne Gilmartin Adam Wolfensohn Timothy J. Ingrassia Joseph V. Melillo Robert M. Greenberg Claire Wood G. Penn Holsenbeck Andrew Zolli Vice Chair Treasurer Anne Hubbard Norman L. Peck James I. McLaren Mark H. Jackson Ex Officio Derek Jenkins Hon. Michael R. Bloomberg Treasurer President Emeritus Daniel A. Klores Hon. Christine C. Quinn Keith Stubblefield Harvey Lichtenstein Edgar A. Lampert Hon. Marty Markowitz François Letaconnoux Hon. Kate D. Levin Members Members Gary Lynch Felice Forer Axelrod William A. Douglass III Jeffrey H. Barker Martin F. Mertz Lela Goren Steven G. Felsher Tony Bechara Patricia E. Michels Jamie Snow Markowitz Elizabeth Holtzman René Böttcher Ahrin Mishan James I. McLaren Gordon Bowen Donald R. Mullen Jr. Chairmen Emeriti Gabriel Pizzi Linda Chinn William A. Perlmuth Neil D. Chrisman Alberto Sanchez Henry Christensen III David L. Ramsay, M.D., M.Ed. Seth S. Faison Timothy Sebunya Pamela A. Codispoti Frances A. Resheske Bruce C. Ratner R. Edward Spilka David E.R. Dangoor Sarah C. Robertson Nora Ann Wallace Cheryl Della Rosa Jonathan F.P. Rose Honorary Trustees Henry Christensen III, Ex Officio Dinyar S. Devitre Anna Kuzmik Sampas Robert L. Forbes Thérèse Esperdy, Ex Officio Alan H. Fishman, Ex Officio

BAM Staff

Karen Brooks Hopkins, President R. Michael Blanco, DanceMotion Ryan Gastelum, Danielle Colburn, Ron London, Ass’t Mailroom Clerk Joseph V. Melillo, Executive USASM, Project Director Michele Byrd-McPhee, Production Jean Smith, Steve McDowell, Producer Tanya Calamoneri, DanceMotion Coordinators Building Services Associates USASM, Project Manager Yeji Cha, Administrative Coordinator Alysha Wright, Building Operations Alice Bernstein, Executive Vice Sophia Shackleton, DanceMotion Quentin Mariano, Liz McGlone, Coordinator President USASM, Project Coordinator Interns Harsh Lochan, Building Operations Matthew Bregman, Vice President Leigh Beaulieu, DanceMotion Assistant for Development USASM Intern Stage Crew Stephanie S. Hughley, Vice Danny Kapilian, Producer, R&B Thomas Paulucci, Crew Chief Building Maintenance President of Education & Festival, MetroTech Cyrus Similly, Head Carpenter, OH Anthony Shields, Maintenance Humanities Steven Serafin, Special Consultant Timothy Fuller, Flyman, OH Supervisor Soo Pak, Vice President of & Editor, BAM: The Complete James D’Adamo, Head Electrician,OH Carl Blango, Calvin Brackett, Marketing & Communications Works Amy Domjan, Assistant Electrician, OH Ronald Hunter, Maintainers Keith Stubblefield, Chief Financial Bill Horton Jr., Master of Properties, Officer and Vice President of Archives OH Security Finance & Administration Sharon Lehner, Director of Archives Marc Putz, Sound Engineer, OH Melvin Patterson, Manuel Taveras, Sarah Gentile, Digital Project James Kehoe, Head Carpenter, HT Supervising Attendant Guards President’s Office Archivist John Manderbach, Head Kenneth Aguillera, Collie Dean, Grace Eubank, Project Coordinator Louie Fleck, Archives Coordinator Electrician, HT Senior Attendant Guards Michael Hurst, Administrative Ryan Evans, Joseph Bradshaw, Edward Donohue, Master of Marlon Desouza, Felix Jusino, Assistant Karyn Anonia, Processing Archivists Properties, HT Kevin Lemon, Teonia Smith, Andel Anita Goss, Volunteer Librarian Alison Dabdoub, Sound Engineer, HT Thomas, Michael Whyte, Attendant BAM Rose Cinemas Arielle Cohen, Bree Midavaine, Joe Werner, Assistant Carpenter, HT Guards Efi Shahar, Cinema Executive Maximilien Letaconnoux, Interns Oscar Gruchalski, Utility Man Manager Larysa McKenna, Jonna Pressman, Richard Wurzbach, Utility Man Custodial Services Michael Katz, Projectionist Volunteers Mary Lou Houston, Wardrobe Ramon Cabassa, Custodial Adam Goldberg, Assistant Manager Supervisor Supervisor Andreea Drogeanu, Davina Roberts, General Management Allan Boyce, Ludlow Chamberlain, Anthony Shields Jr., Head Floor Staff Patrick J. Scully, General Manager Artist Services Isaias Flores, Mayra Guillen, Sarah Bierenbaum, Assistant Mary Reilly, Director of Artist Services Brezhnev Mesa, Ron Rathan, Akeon BAMcinématek General Manager Rachel Katwan, Artist Services Thomas, Custodians Gabriele Caroti, Director Kevin Condardo, GM Budget Manager Nellie Killian, David Reilly, Manager Stacey Dinner, Artist Services Development Programmers Jaclyn Bouton, Sara Danielsen, Coordinator Individual Giving Lisa Thomas, Publicist Project Managers Jeannine Baca, Artist Services William Lynch, Director of Andrew Chan, Marketing Coordinator Molly Rodino, GM Coordinator, Representative Leadership Gifts Jesse Trussell, Programming Assistant Budgets & Contracts Britany Polites, Fisher Representative Barbara Cummings, Director of Hannah Thomas, Publicity & Liana Agredo, Project Coordinator Development Marketing Assistant Morgan Green, Administrative Theater Management Glenn Alan Stiskal, Director of Assistant Christine M. Gruder, Theater Manager Major Gifts Artistic Programming Nivia Prescod, BAM Fisher Front John L. Jones, Associate Theater Gwendolyn Dunaif, Associate Stonie Darling, Department of House Rep. & Rentals Asst. Manager Director, Major Gifts & Patron Manager Dakota Scott, Intern Sonia Clayton, Jacqueline David, Programs Ross Marshall, Manager of Artistic Leroy Houston, Theater Staff Richard Serrano, Research Manager Planning Production Supervisors Holly Shen Chaves, Curator of Hannah Rubashkin, Intern Neil Kutner, Director of Production Spider Duncan Christopher, Visual Arts Don Coleman, Production Manager BAMbus Manager Ben Lasser, Major Gifts Coordinator Programs & Curatorial Josh Escajeda, Associate Elizabeth Sarkady, Administrative Nick Schwartz-Hall, Line Producer Production Manager Building Operations Coordinator Amy Cassello, Associate Producer, Paul Bartlett, Jennifer Grutza, Samuel Velez, Security Manager Travis Calvert, Major Gifts Next Wave Festival Audrey Hoo, Dylan Nachand, Wilbur Alvanza, Building Manager Assistant Darrell M. McNeill, Associate Elizabeth Moreau, Production Darryl Halickman, Project Manager Catherine Charnov, Major Gifts Producer, Music Supervisors Markee Glover, Mailroom Clerk Intern BAM Staff

Membership Education Benjamin Cohen, Associate Fiscal Katherine King, Director of Steven McIntosh, Director of Director of Video Adam Sachs, Fiscal Manager Membership Programs Education & Family Programs Jacob Strauss, Digital Marketing Douglas Fischer, Fiscal Coordinator Sarah Mischner, Membership John P. Tighe, Assistant Director Manager Manager John S. Foster, Education Manager Aaron Weibel, Digital Product Government & Community Bruce Smolanoff, Telefund Eveline Chang, Verushka Wray, Coordinator Affairs Manager Program Managers Nicholas Breul, Digital Production Tamara McCaw, Director of Cheryl-Lyn Miller, Membership Victoria Collado, Education Intern Assistant Government & Community Assistant Suzanne Youngerman, Curatorial Alexander Guns, Catherine Lee, Affairs Jessica Benton, Allison Bodwell, Consultant Video Production Assistants Dewonnie Frederick, Community Danielle Davenport, Jennifer Affairs & Bazaar Coordinator Douglas, Jahna Ferron-Smith, Humanities Marketing Victor Rodriguez, Government & Benjamin Gansky, David Violaine Huisman, Director of Gillian Fallon, Director of Community Affairs Assistant Goldstein, Justin Gray, Kelley Humanities Marketing Green, Allie Harris, Kimberly Molly Silberberg, Humanities Raphaele de Boisblanc, Program Human Resources Howard, Samantha Inniss, Coordinator Manager Seth Azizollahoff, Director of Melissa Krzywicki, Stephanie Alix Rosenfeld, Humanities Intern Claire Frisbie, Marketing Manager Human Resources Lane, Jacklyn Lawrence, Anthony Robert Wood, Copywriter Jenny Rodriguez, Human Marino, Emilie McDonald, LEAD INSTRUCTORS Jenny Choi, Copy Editor Resources Manager Rhonda Merrill, Christie Neptune, Joshua Cabat, Young Film Critics Lily Friedman, Operations Cynthia Smith, Payroll Manager Adrienne Reynolds, Matthew Michael LoMonico, Shakespeare Manager Teisha Stallings, Benefits Specialist Savarese, Naomi Schegloff, Teaches Teachers Britt Aronovich, Marketing Analyst Sajal Javid, HR Recruiter Joshua Smilovitz, Amanda Wilder, Gwendolyn Kelso, Young Allison Kadin, Marketing Nicholas Marshall, Intern Stephen Williams, Saarah Zebede, Shakespeare Coordinator Membership Representatives Jenny Rocha, Dancing into the Jamie Kraus, Marketing Projects Information Technology Future Coordinator William Allen Lee III, Director of INSTITUTIONAL GIVING Pat Hall, BAM/Restoration Rhea Daniels, Intern Information Technology Clemente Luna, Director of DanceAfrica Coordinator Thomas Brown, Tessitura Institutional Giving Mo Beasley, Arts & Justice Strategic Marketing Business Manager Bethany Basile, Institutional Program Molly Meloy, Director of Strategic Ira Sibulkin, Associate Director Giving Manager Marketing of IT Kailin Husayko, Grants Writer TEACHING ARTISTS Melanie Cherry, Justin Monsen, Chris Tusciuk, Web Development Kaitlyn McKeon, Institutional Sarah Abrams, Harold Marketing Managers Manager Giving Coordinator Akyeampong, Sékou Alájé, Jessica Goldschmidt, Copywriter Timothy Assam, Systems Anthony Mercado, Intern Jennifer Armas, Melissa Brown, Administrator Mahogany Browne, Chia-Ti Chiu, Ticket & Customer Services Svetlana Mikhalevskaya, Database Corporate Relations Darian Dauchan, Emily Davis, G. Scott Kubovsak, Director of Developer Chantal Bernard, Director of Harris Eisenstadt, Imani Faye, Ticket Services Jason Q. Minnis, IT Project Corporate Relations Kimani Fowlin, Samara Gaev, Royda C. Venture, Ticket Services Manager Gwendolyn Pointer, Director, Ingrid Gordon, Lauren Keating, Manager Matthew Taylor, Web Developer Corporate Sponsorships/New Nicole Kempskie, Farai Malianga, Giovanny Lopez, Ticket Services John Roshen, Jersy Rodriguez, Business Development Geneva Manley, Hector Morales, Coordinator Network Analysts Mimi Meserve, Manager, Corporate Kwesi Nkroma, Lauretta Noble, Latasha McNeil, Assistant Manager Susan Bishop, Administrative Relations LeeAnet Noble, Gene Osborne, Ryan Mauldin, Senior Ticket Coordinator Mariam Rahmani, New Business Pamela Patrick, Baba Wali Services Representative Lucas Austin, Assistant Desktop Development Coordinator Rahman, Mike Ramsey, Gwenyth Brandii Banks, Anaïs Blin, Analyst Rebecca Carew, Sponsorship Reitz, Najee Ritter, Victor Sanchez, Monique Davis, Robert Ebanks, Assistant Robby Stamper, Rohiatou Siby, Miranda Gauvin, Joya Harris, Elizabeth Simmons, Karen Sindy Jean, Katora Matthews, Audience Research & Analysis Patron Services Thornton-Daniels, Leese Walker, Edgar Mendoza, Warren Ng, Elsie George A. Wachtel Ramzi Awn, Director of Patron Adia Whitaker Pacella, Shanice Tulley, Noel Vega, Services Althea Wilkinson, Ticket Services Bookseller Michael Kendrick, Manager of Marketing & Representatives Greenlight Bookstore Patron Services & Donor Relations Communications Jessica Hindle, Patron Services Box Office Finance & Administration European Production Coordinator Fred Dorso, Treasurer Finance & Administration Representative Rachel Cordeiro-Perez, Intern Victor Jouvert, First Assistant Ellen Leszynski, Administrative On Tour Ltd., Roger Chapman Treasurer Coordinator Special Events Kevin McLoughlin, Charlie Dolce, Film Buyer Margaret Breed, Director of Russell Grier, Assistant Treasurers Finance Adam Birnbaum Special Events Kozue Oshiro, Controller Marissa Neiman, Special Events Publicity Tameka White, Accounting Immigration Counsel Manager Sandy Sawotka, Director of Manager Jonathan Ginsburg, Fettman, James Vause, Special Events Publicity Claudia Bailey, Budget Manager Tolchin and Majors, PC Coordinator Joe Guttridge, Associate Director Samuel Grello, Accounts Jessica Hackett, Paloma Wake, of Publicity Receivable Coordinator Insurance Broker Special Events Assistants Susan Yung, Publications Manager Brian Gee, Accounting Associate Dewitt Stern Adriana Leshko, Sarah Garvey, David McCullough, Accounting Endowment & Planned Publicity Managers Coordinator Legal Counsel Giving David Hsieh, Publicist Ronald E. Feiner PC Denis Azaro, Endowment & Lauren Morrow, Publicity Assistant Special Projects Planned Giving Director James Sutton, Publications Jeremy Dewey, Director, Project Medical Consultants Alexandra Biss, Board Relations Assistant Management Ahmar Butt, MD; Anders Cohen, Coordinator Katie Dixon, Director, Special MD Design Projects Education & Humanities Clara Cornelius, Director of Design Restaurateur Shana Parker, Director of Adam Hitt, Patrick Morin, Senior Capital Projects Great Performances Operations for E&H Designers Jonathan Jones, Director, Capital Jennifer Leeson, Operations Ryan Rowlett, Senior Interactive Projects 11.15.13 Manager for E&H Designer Matthew Baclini, Capital Projects Nathan Gelgud, Box Office Katie Positerry, Interactive Analyst Manager Designer Carl Gillen, Capital Projects Cathleen Plazas, Internship Michelle Angelosanto, Designer Manager Coordinator Casey Cleverly, Design Studio Laura Grady, Capital Projects Tamar MacKay, Education Coordinator Coordinator Assistant Rebekah Gordon, Administrative Digital Media Assistant Stephen Litner, Director of Digital Media