PIPPIN! Tell Us What You Thought of PIPPIN in a Single Tweet by Using Hashtag #ISAWPIPPIN
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Q&A with Josh Rubinstein
SUNDAY, MAY 31, 2020 BELL=S THE ONE UPSETS WINNING COLORS Q&A WITH JOSH Bell=s the One (Majesticperfection) sprung the upset in the RUBINSTEIN GIII Winning Colors S. Saturday at Churchill Downs with Grade I-winning 4-5 favorite Mia Mischief (Into Mischief) finishing third. The 13-1 shot sat well back off the pace in sixth as the speedy Break Even (Country Day) zipped through an opening quarter in :21.28 with Mia Mischief stalking from second. Bell=s the One launched a four-wide bid turning for home as Mia Mischief did her best to keep up with the pacesetter. The chalk began to falter and Break Even valiantly tried to keep going as Bell=s the One ranged up on their outside with a powerful rally. The bay charged clear of her foes with ease for a decisive victory. A determined Break Even held second over a tiring Mia Mischief in third. AShe is really talented,@ Corey Lanerie said. AWhen she switches leads like that she has such a strong turn of foot and really finishes strong.@ Cont. p6 Del Mar | Benoit By Dan Ross IN TDN EUROPE TODAY With Del Mar=s annual summer meet looming large on the BRITISH RACING GIVEN GREEN LIGHT horizon, news out of the track has arrived thick and fast this The British government on Saturday officially gave racing week. the go-ahead to resume behind closed doors from Monday. On Thursday, Del Mar announced that it plans to begin racing Click or tap here to go straight to TDN Europe. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Speaking Flyer for February 2013
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB AND EDWIN BOOTH’S CLUB THE PLAYERS, NEW YORK CITY PAUL DICKSON Monday, February 25 How many of our familiar words and phrases originated in the White House? What lexicographer PAUL DICKSON has to report will astonish you. Acclaimed for his authoritative BASEBALL DICTIONARY, now in its third edition, Mr. Dickson has also treated us to THE NATIONAL ARTS CLUB CONGRESS DICTIONARY: The Ways and Meanings of Capitol Hill , JOURNALESE: A Dictionary for Deciphering 15 Gramercy Park South Manhattan the News, LABELS FOR LOCALS: What to Call People from Abilene to Zimbabwe, and DRUNK: The Definitive Drinker’s Program 7:30 p.m. Dictionary. An former editor for Merriam-Webster publi- Reservations Requested cations, Mr. Dickson has appeared frequently on All Things Considered and other NPR programs, and he was an occasional contributor to the late William Safire’s popular “On Language” column for The New York Times Magazine. Copies of WORDS FROM THE WHITE HOUSE will be on hand for purchase and inscription following Mr. Dickson’s interview with John Andrews. THOMAS KEITH Tuesday, March 26 This date marks the 102nd birthday of a playwright whose evocative dialogue has been compared to that of such immortals as Chekhov and Shakespeare. Thomas Lanier “Tennessee” Williams (1911-83) enriched our repertory not only with Cat on a Hot Tin Roof, which is once again riveting Broadway audiences, NATIONAL ARTS CLUB but with classics like A Streetcar Named Desire, Camino 15 Gramercy Park South Real, Orpheus Descending, Summer and Smoke, Sweet Manhattan Bird of Youth, The Glass Menagerie, The Night of the Iguana, and The Rose Tattoo. -
J Ohn F. a Ndrews
J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors. -
Emindanao Library an Annotated Bibliography (Preliminary Edition)
eMindanao Library An Annotated Bibliography (Preliminary Edition) Published online by Center for Philippine Studies University of Hawai’i at Mānoa Honolulu, Hawaii July 25, 2014 TABLE OF CONTENTS Preface iii I. Articles/Books 1 II. Bibliographies 236 III. Videos/Images 240 IV. Websites 242 V. Others (Interviews/biographies/dictionaries) 248 PREFACE This project is part of eMindanao Library, an electronic, digitized collection of materials being established by the Center for Philippine Studies, University of Hawai’i at Mānoa. At present, this annotated bibliography is a work in progress envisioned to be published online in full, with its own internal search mechanism. The list is drawn from web-based resources, mostly articles and a few books that are available or published on the internet. Some of them are born-digital with no known analog equivalent. Later, the bibliography will include printed materials such as books and journal articles, and other textual materials, images and audio-visual items. eMindanao will play host as a depository of such materials in digital form in a dedicated website. Please note that some resources listed here may have links that are “broken” at the time users search for them online. They may have been discontinued for some reason, hence are not accessible any longer. Materials are broadly categorized into the following: Articles/Books Bibliographies Videos/Images Websites, and Others (Interviews/ Biographies/ Dictionaries) Updated: July 25, 2014 Notes: This annotated bibliography has been originally published at http://www.hawaii.edu/cps/emindanao.html, and re-posted at http://www.emindanao.com. All Rights Reserved. For comments and feedbacks, write to: Center for Philippine Studies University of Hawai’i at Mānoa 1890 East-West Road, Moore 416 Honolulu, Hawaii 96822 Email: [email protected] Phone: (808) 956-6086 Fax: (808) 956-2682 Suggested format for citation of this resource: Center for Philippine Studies, University of Hawai’i at Mānoa. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
Word Search Tiffany (Simon) (Dreama) Walker Conflicts Call (972) 937-3310 © Zap2it
Looking for a way to keep up with local news, school happenings, sports events and more? February 10 - 16, 2017 2 x 2" ad 2 x 2" ad We’ve got you covered! waxahachietx.com How Grammy V A H A D S D E A M W A H K R performances 2 x 3" ad E Y I L L P A S Q U A L E P D Your Key M A V I A B U X U B A V I E R To Buying L Z W O B Q E N K E H S G W X come together S E C R E T S R V B R I L A Z and Selling! 2 x 3.5" ad C N B L J K G C T E W J L F M Carrie Underwood is slated to A D M L U C O X Y X K Y E C K perform at the 59th Annual Grammy Awards Sunday on CBS. R I L K S U P W A C N Q R O M P I R J T I A Y P A V C K N A H A J T I L H E F M U M E F I L W S G C U H F W E B I L L Y K I T S E K I A E R L T M I N S P D F I T X E S O X F J C A S A D I E O Y L L N D B E T N Z K O R Z A N W A L K E R S E “Doubt” on CBS (Words in parentheses not in puzzle) Sadie (Ellis) (Katherine) Heigl Lawyers Place your classified Solution on page 13 Albert (Cobb) (Dulé) Hill Justice ad in the Waxahachie Daily 2 x 3" ad Billy (Brennan) (Steven) Pasquale Secrets Light, Midlothian1 xMirror 4" ad and Cameron (Wirth) (Laverne) Cox Passion Ellis County Trading Post! Word Search Tiffany (Simon) (Dreama) Walker Conflicts Call (972) 937-3310 © Zap2it 2 x 3.5" ad 2 x 4" ad 4 x 4" ad 6 x 3" ad 16 Waxahachie Daily Light homa City Thunder. -
Mockingbird by Julie Jensen Presents
McClintock Theatre September 29–October 2, 2016 MOCKINGBIRD BY JULIE JENSEN PRESENTS MOCKINGBIRD adapted by Julie Jensen based upon the book by Katherine Erskine Winner of the National Book Award WITH (in alphabetical order) Miles Bryant Brandon Courture Gabe Gager Danny Helms Anisha Jagannathan Charlie Junkins Harold Kast Ashley Noel Long Bobby Nahill Riley Rudy Rachel Russell Allie Scott SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN Grace Wang Wendell C. Carmichael Jeff Flowers SOUND DESIGN STAGE MANAGER Stephen Jensen Taylor Anne Cullen DIRECTED BY Andi Chapman This production of Mockingbird is dedicated to the memory of Paul Backer. McClintock Theatre September 29–October 2, 2016 Produced by special arrangement with GURMAN AGENCY LLC, New York, NY This play was commissioned by The John F. Kennedy Center for the Performing Arts and was first produced at the Kennedy Center during the 2014-2015 season. CAST OF CHARACTERS (in order of appearance) Shane Emma Brandon Courture Rachel Russell Josh Mac Gabe Gager Miles Bryant Jose Mrs. Brook Danny Helms Anisha Jagannathan Michael Brianna Charlie Junkins Allie Scott William H / Mr. Schneider Dad Bobby Nahill Harold Kast Mrs. Johnson Caitlin Riley Rudy Ashley Noel Long TIME Now. PLACE A town. There will be no intermission. PRODUCTION STAFF PROJECTION DESIGN Grace Wang | PROLOGUE CHOREOGRAPHY Indira Tyler FIGHT CHOREOGRAPHY Edgar Landa | ASSISTANT STAGE MANAGER Jamie Salinger CREW Dominique Corona, Jessica Doherty, Cameron Fuller, Cattien Le, Kimberly Mejia, Cristian Pagan, Keri Parsons DIRECTOR’S NOTE ... seen through the eyes of a grieving young girl whose life is far more imaginative and sensitive than our own. Caitlin has a A Mockingbird special connection to the community of which she lives. -
Sample Chapter
Copyrighted material – 9781137270955 Contents List of Illustrations vii Acknowledgements ix Introduction 1 PART I Reading Texts Chapter 1 ‘A Tale as Old as Time’: Narrative Theory 9 Chapter 2 ‘A Man Who Can Interpret Could Go Far’: Semiotics and Semiology 26 Chapter 3 ‘Razzle Dazzle ’em’: Performance Studies, Reception Theory and the Epic Musical 44 Chapter 4 ‘Life Is a Cabaret’: Cultural Materialism 61 PART II Interpreting Contexts Chapter 5 ‘You’ve Got to Be Carefully Taught’: Orientalism and Musical Theatre 79 Chapter 6 ‘I Wanna Be a Producer’: Globalization, Capitalism and Consumerism 97 Chapter 7 ‘What’s the Buzz?’: Meta-narratives and Post-linearity 115 PART III Performing Identities Chapter 8 ‘Marry the Man Today’: Feminism and the Performance of Identity 135 Chapter 9 ‘The Bitch of Living’: Youth Cultures, Power and Sexuality 152 Chapter 10 ‘I Am What I Am’: Sexuality and Queer Theory 169 v Copyrighted material – 9781137270955 Copyrighted material – 9781137270955 vi CONTENTS PART IV Rethinking Relationships Chapter 11 ‘It’s the Last Midnight’: Playing with Time and Space 187 Chapter 12 ‘I’m Just a Broadway Baby’: Intertextuality in Music and Lyrics 202 Chapter 13 ‘Dreamgirls Will Make You Happy’: The Pleasures of Voice and Body 217 Chapter 14 ‘Make ’em Laugh’: The Politics of Entertainment 233 Notes 249 Bibliography 252 Index 263 Copyrighted material – 9781137270955 Copyrighted material – 9781137270955 Introduction It can be diffi cult to know where to start exploring musical theatre. ‘Start at the very beginning’, someone once said – very sensibly, no doubt. But Maria didn’t really give any of us a proper handbook for getting to grips with the wonderful world of the musical. -
March 2016 Conversation
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WIT H THE NATIONAL ARTS CLUB THE WNDC IN WASHINGTON THE ENGLISH-SPEAKING UNION DIANA OWEN ♦ Tuesday, February 23 As we commemorate SHAKESPEARE 400, a global celebration of the poet’s life and legacy, the GUILD is delighted to co-host a WOMAN’S NATIONAL DEMOCRATIC CLUB gathering with DIANA OWEN, who heads the SHAKESPEARE BIRTHPLACE TRUST in Stratford-upon-Avon. The TRUST presides over such treasures as Mary Arden’s House, WITTEMORE HOUSE Anne Hathaway’s Cottage, and the home in which the play- 1526 New Hampshire Avenue wright was born. It also preserves the site of New Place, the Washington mansion Shakespeare purchased in 1597, and in all prob- LUNCH 12:30. PROGRAM 1:00 ability the setting in which he died in 1616. A later owner Luncheon & Program, $30 demolished it, but the TRUST is now unearthing the struc- Program Only , $10 ture’s foundations and adding a new museum to the beautiful garden that has long delighted visitors. As she describes this exciting project, Ms. Owen will also talk about dozens of anniversary festivities, among them an April 23 BBC gala that will feature such stars as Dame Judi Dench and Sir Ian McKellen. PEGGY O’BRIEN ♦ Wednesday, February 24 Shifting to the FOLGER SHAKESPEARE LIBRARY, an American institution that is marking SHAKESPEARE 400 with a national tour of First Folios, we’re pleased to welcome PEGGY O’BRIEN, who established the Library’s globally acclaimed outreach initiatives to teachers and NATIONAL ARTS CLUB students in the 1980s and published a widely circulated 15 Gramercy Park South Shakespeare Set Free series with Simon and Schuster. -
Video Reviews 6-15-07.Qxp
New On Video & DVD Reno 911: Miami Comedy Central’s cult-favorite COPS-spoof series, RENO 911! comes to the big screen with RENO 911!: MIAMI. The film follows members of the Reno P.D. as they desert the bright flashing lights of the biggest little city in the world for sand and surf and an invitation to the annual police officers’ convention. It will come as no surprise to regular RENO-watchers that the incompetent police force--led by the earnest, hot-pants-wearing Lt. Jim Dangle (Thomas Lennon)--hit an administrative snag, and aren’t allowed into the convention. But the crew decides to make the most of their multi-hour bus trip to Florida, until an emergency call to duty cuts their impromptu vacation short: they are expected to keep the peace in Miami while the rest of the nation’s police forces are quarantined due to a biochemical warfare attack on the convention center. Finding themselves way out of their league in a high-tech police station and Mustang patrol cars, the Reno cops ineptly stumble through Miami, leaving destruction and hilarity in their wake. Fox The Secret Nimh Don Bluth's The Secret Of NIMH is an exquisitely drawn, colorfully animated fea- ture about Mrs. Brisby, a brave mother field mouse who struggles to save her family's home from a farmer's plow. She soon discovers she needs the help of the strange, intelligent rats who live beneath the nearby rosebush in an intricate city. But when the timid but determined Mrs. Brisby discovers the astounding wonders of NIMH, it could change her life forever. -
Jose Maria Sison and the Philippine Revolution: a Critique of an Interface1
Jose Maria Sison and the Philippine Revolution: A Critique of an Interface1 P. N. ABINALES On December 26, 1968, Jose Ma. Sison a.k.a Amado Guerrero met with ten of his trusted disciples to establish the Communist Party of the Philippines (CPP) along the lines of Marxism-Leninism-Mao Tse-Tung Thought. Since then, Philippine radicalism long thought to be politically dead after the debacle of the Huk Rebellion has experienced a resurgence that was unprecedented in the national context. Much of the CPPs political growth, especially in the crucial initial stages, was largely attributed by many to Sisons leadership. He is said to have guided the revolutionary movement through its baptism of fire under the harsh conditions brought about by martial law. His arrest and nine-year solitary confinement did not break him. Rather, the movement continued to grow despite most of its original leaders death or capture (including Sisons) to become one of the most enduring revolutionary opposition in the country and the region.2 It is this feat that has placed Sison among the ranks of important figures in Philippine politics. Apart from being the founder of the CPP, Sison is regarded by admirers also as teacher and student activist He is the author of Philippine Society and Revolution (PSR), the acclaimed bible of the revolution. During the height of the First Quarter Storm, students were openly declaring their fealty to Amado Guerrero and his revolution. At the University of the Philippines (UP), student activists even renamed one building after the CPP chairman. Revolutionary songs, both serious and jesting, hailed Guerrero as one of the inspirations of the new revolutionary upsurge.3 During the early martial law period, Sison was one of the most wanted political figures by the dictatorship (the others being Kumander Dante and Victor Corpuz), the latter believing that his capture or death would destroy the CPP-ML.4 And in the time of Aquino, he continued to be grudgingly respected both in the positive and negative sense.