Christmas on Mars Final:Christmas on Mars Program

We l c o m e t o

Dear Friends,

One of the joys of presenting a season of plays is to offer world premiere productions of texts that go on to enjoy abundant lives in the American theatre. Just as rewarding is the opportunity to call attention to plays which have not received the appreciation due them. Richard Greenberg’s The Violet Hour received glowing reviews in its first two regional productions. Then, despite best efforts and intentions, it suffered through a snake-bit New York staging in which much of what could go wrong did. Of Mr. Greenberg’s 25 plays, it is one of his very best, and we’re delighted to bring it to you. Harry Kondoleon was one of the last half-century’s most original American playwriting voices. His body of work, cut short by his death at age 39 in 1994, was full of heart and humanity. Christmas on Mars shows him to best advantage.

The Old Globe has enjoyed a celebrated reputation for artistic success and community support over the past 70 years. Our community has helped the Globe raise the necessary funds over the years to rebuild our theatres after two devastating fires, to expand our educational programming to reach more than 40,000 young people annually, and to launch 17 Broadway-bound world premieres in the last 20 years. These accomplishments would not have been possible without the support of our donors and subscribers, whose gifts and belief in the Globe over decades have sustained us. We cherish that support.

As we look toward our 75th anniversary in 2010, we recognize the importance of securing the long-term artistic and financial stability of this organization. To that end, we recently launched a major campaign to raise $75 million in the next five years.

Announced on March 16 with commitments of more than $42 million, this campaign has been led by landmark gifts of $20 million from Donald and Darlene Shiley and $10 million from Conrad Prebys. We are extremely grateful and humbled by this unprecedented philanthropy, which ranks at the very top of support given to arts organizations in San Diego and throughout the country. While these extraordinary contributions – which are ear- marked for facilities, endowment and special projects – are critical to the long-term health of the Theatre, they do not lighten our need for, and the importance of, each and every gift given by donors to the annual fund.

We greatly appreciate your continued purchase of tickets and your contributions, so that the Globe can continue to offer world-class performances and education programs now and for many years to come.

LOUIS G. SPISTO JACK O’BRIEN JERRY PATCH Executive Director Artistic Director Resident Artistic Director

PERFORMANCES MAGAZINE P1 2006 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming, and award-winning work in the community. The Board, staff and artists of the Globe are honored by this endorsement of the Theatre’s work.

The Lipinsky Family Donald and Darlene Shiley Sheryl and Harvey P. White Karen and Donald Cohn Valerie and Harry Cooper Supervisor Pam Slater-Price and the County of San Diego Anonymous

Season Sponsors receive the ultimate level of access, recognition, benefits and services. To join this most cherished group of friends, please contact Todd Schultz, Director of Development, at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS CHRISTMAS ON MARS

BY Harry Kondoleon

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Nick Fouch Angela Balogh Calin David Lee Cuthbert Paul Peterson

STAGE MANAGER Diana Moser

DIRECTED BY Kirsten Brandt

Casting by Samantha Barrie

Playwrights Horizons, Inc. New York City, in association with New York Theatre Workshop, produced the original production of CHRISTMAS ON MARS Off-Broadway in 1983.

CHRISTMAS ON MARS by Harry Kondoleon is presented by arrangement with Dramatists Play Service, Inc., in New York.

PERFORMANCES MAGAZINE P3 Cast of Characters

IN ORDER OF APPEARANCE Bruno...... David Furr

Audrey...... Sarah Grace Wilson

Nissim...... Jack Ferver

Ingrid...... Colette Kilroy

Stage Manager...... Diana Moser

SETTING: ACT ONE: July ACT TWO: December The large main room of an apartment in a city.

There will be one 15-minute intermission. The Actors and Stage Managers employed in this production are Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher.

Students Experience the Magic of Theatre Through “All The World’s A Stage”

In 1994, two teenage Australian boys killed a motorist by playing a game of kicking stones from a freeway overpass. Their tragic and compelling story led to the writing of one of the most engaging plays ever written for young people. In October, the Globe will offer a touring production of the award-winning play, The Stones, to reach more than 6,000 middle- and high-school students throughout San Diego County. The Stones “is an extraordinary two-man show for teenage audiences,” wrote The New York Times. Australian artists Stefo Nantsou and Tom Lycos have created a wildly imaginative, entertaining and thought-provoking work that offers no easy answers; the play empowers young people to think about consequences of their decisions. As part of “All The World’s A Stage,” the Globe’s production of The Stones will be inventively staged as the actors shift seamlessly between adult and teen characters in this powerful piece. Teachers can access the online study guide to promote classroom discussion of issues – responsibility, peer pressure, and human rights – raised by the play. To schedule a performance for your school or community site, please contact Raúl Moncada via email at [email protected] or call (619) 238-0043 x2141.

P4 PERFORMANCES MAGAZINE 2006 Board of Directors

We are pleased you have joined us for another memorable production in our celebratory 70th Anniversary year. By now you have certainly heard the exciting news of our $75 million Capital Campaign, “Securing a San Diego Landmark,” and we couldn’t be more pleased with the community’s early response in helping launch this endeavor. Ensuring the Theatre’s long-term stability is the primary goal of this campaign and will be achieved through three areas; 1) an enhanced endowment; 2) new and improved facilities; and 3) increased support for special artistic projects. However, during this campaign for facilities and endowment, it’s imperative to keep in mind the Globe must still raise $7 million annually to produce some of the highest quality theatre performances in the country. Now more than ever, your annual contribution is needed, and I hope you’ll consider increasing your support of San Diego’s great artistic landmark. I am honored to serve as Chair of The Old Globe’s Board of Directors, and on behalf of the Board of Directors, I thank you for mak- ing the Globe a part of your life. Kathryn Hattox, Chair, Board of Directors Board of DIRECTORS Timothy A. MacDonald EMERITUS DIRECTORS Directors Mary Beth Adderley Carlos D. Malamud Garet B. Clark Joseph Benoit Arthur Neumann J. Dallas Clark (1913–2005) OFFICERS Charles Brazell Robin Nordhoff Bernard Lipinsky (1914–2001) Kathryn Hattox* Trina Brown John Rebelo Delza Martin (1915–2005) Chair Karen Cohn* Mike Samson Patsy Shumway Tim K. Zinn* Valerie S. Cooper Kelly Sanders Harvey P. White Treasurer Darlene G. Davies Tom Sayles Carolyn Yorston Anthony S. Thornley* Bruce M. Dunlap Phyllis Schwartz Vice Chair – Development Sue Ebner Nancy A. Spector HONORARY DIRECTORS Sandra Redman* Bea Epsten Louis G. Spisto* Mrs. Richard C. Adams Vice Chair – Nominating Pam Farr Daniel L. Sullivan, Ph.D. (1912–2005) Deni S. Carpenter* Sally Furay, R.S.C.J. Julie H. Sullivan, Ph.D. Clair Burgener Secretary Victor P. Gálvez Anne C. Taubman Mrs. John H. Fox F. George Gilman Dean Thorp (1908–2003) Robert H. Gleason* Evelyn Mack Truitt Audrey Geisel Carol Hanson Debra Turner Paul Harter Ronald Heller, M.D. Stewart J. Weissman Gordon Luce Viviana Ibañez Sheryl White* Dolly Poet Katherine Kennedy Norma Jean “Jake” Yonchak Deborah Szekely Sheila Lipinsky* *Executive Committee Member Hon. Pete Wilson

The Old Globe is supported in part by grants from The City of San Diego Commission for Arts and Culture, Supervisor Pam Slater-Price and The County of San Diego.

PERFORMANCES MAGAZINE P5 Production Sponsors This production of Christmas on Mars is generously sponsored by

Alan Benaroya The Old Globe is pleased to recognize Alan Benaroya As part of an ongoing commitment to supporting arts and as the sponsor for this production. In addition to his cultural programs that enhance the quality of life in San production sponsorship, Alan is also a member of the Diego, Sempra Energy has been a long-time partner of the Craig Noel League and a supporter of the Globe's Capital Globe and its artistic endeavors. In addition to dedicated Campaign - "Securing a San Diego Landmark." support of educational programs for youth for more than a decade, Sempra Energy has helped launch two of the The Old Globe and Board of Directors are extremely Globe’s Broadway-bound musicals – The Full Monty and grateful for Alan's generosity and his love of theatre, Damn Yankees. and we consider him a very dear friend. The Old Globe salutes Sempra Energy and shares the belief that strong, thriving artistic and cultural programs contribute to the economic growth and vitality of San Diego.

THE GLOBE’S SHAKESPEARE FESTIVAL OFFERS EDUCATIONAL OPPORTUNITIES SHAKESPEARE UNPLUGGED! The work of The Old Globe goes beyond the stage and into schools through the Globe’s unique education program, “Shakespeare Unplugged!” Globe teaching artists offer student groups a guided exploration of Shakespeare’s world. Students participate in an intensive study of the Globe’s 2006 Summer Shakespeare productions: A Midsummer Night’s Dream, Othello or Titus Andronicus, before they come to the Globe for an unforgettable theatrical experience. Pre-show workshops can be tailored for students in middle school, high school or college. For additional information, contact our Group Sales Manager at (619) 238-0043 x2408.

“FOLLOW THE BARD” TOURS Middle and high school student groups are invited to take a field trip to the Globe for a behind-the-scenes “Shakespeare Scavenger Hunt." Throughout the tour, students discover how the magic of theatre is created on the Globe’s three stages and search for hidden objects that introduce details of Shakespeare's plays and characters, as well as Elizabethan history and folklore. For reservations or more information about tours, contact Holly Ward at (619) 238-0043 x2142.

P6 PERFORMANCES MAGAZINE Leadership Gifts to The Old Globe

The Old Globe would like to recognize and thank the following generous individuals, who have made extraordinary gifts of $1 million or more to this organization. These major contributions have been designated for artistic projects, the endowment and facilities, and help The Old Globe remain one of our country’s great theatre institutions.

$20,000,000 or greater $10,000,000 or greater Donald and Darlene Shiley Conrad Prebys

$5,000,000 or greater Sheryl and Harvey P. White Karen and Donald Cohn

$1,000,000 or greater Kathryn Hattox Audrey S. Geisel / San Diego Foundation Estate of Dorothy S. Prough Dr. Seuss Fund The Rivkin Family Mr. and Mrs. Victor H. Ottenstein Estate of Beatrice Lynds Mrs. Helen Edison The Stephen and Mary Birch Foundation

The Old Globe, 1935

PERFORMANCES MAGAZINE P7 P r o f i l e s

David Furr Jack Ferver Harry Kondoleon (Bruno) (Nissim) (Playwright) THE OLD GLOBE: THE OLD GLOBE: In addition to Christmas on Mars, Harry Debut. BROADWAY: Debut. OFF- Kondoleon's best-known plays include The Who’s Afraid of Virginia BROADWAY: But I'm a Vampires, Zero Positive, Slacks and Tops, The Fairy Woolf? (Nick, with Cheerleader, Betty's Garden, The Cote D'Azur Triangle, The Brides, Rococo, Kathleen Turner and Summer Vacation, The Poets' Corner, Anteroom, Play Yourself, Love Bill Irwin); The Rivals, Summer Lovin’, Black Diatribe, The Houseguests, and Saved or Destroyed. King Lear (with Milk Quartet. His plays have been performed at theaters across Christopher Plummer) REGIONAL: Camelot, the country and around the world, and they have at LCT. Arena Stage; The Square earned him two Obie Awards, the NEW YORK: Golden Prospects, Tim and Scrooge. Root of Minus One, The Market; Princess Turandot, Oppenheimer/Newsday Award, and a Drama- REGIONAL: All My Sons, Denver Center Williamstown Theatre Festival and Westport Logue Award. In addition, he has received (Ovation Award nomination); Hamlet, Two Country Playhouse; Rosencrantz and Guildentstern Fulbright, Rockefeller, NEA, and Guggenheim Gentlemen of Verona, Arcadia, The Taming of the Are Dead, Williamstown Theatre Festival and fellowships. Several of his plays were published Shrew, Iago, Misalliance and others, Alabama Long Wharf Theatre; Dead End, Williamstown by Theater Communications Group in an Shakespeare Festival; Rosencrantz and Guildenstern Theatre Festival and the Huntington Theatre; anthology entitled Self Torture and Strenuous Are Dead, Long Wharf Theatre; Love’s Labour’s Spring Awakening, The Hangar. FILM: Outside Exercise. He is also the author of a volume of Lost, Shakespeare Theatre of New Jersey; I Hate Providence, Way Off Broadway, The Devil and Daniel poetry, The Death of Understanding, and two nov- Hamlet, Cyrano, Cleveland Playhouse; Hamlet, Webster. TV: Strangers with Candy. Self Created els, The Whore of Tjampuan and Diary of a Lost Boy. Romeo and Juliet, Henry IV part 1, Macbeth and Works: Eshge Khoda va Sheitan or God and Satan The latter was published by Alfred A. Knopf in others, North Carolina Shakespeare Festival. Fucking (with his partner Mathew Rogers), 1994, two months before he died of complica- Roles for Pioneer Theatre, Colonial Theatre, Dixon Place; Why Can't Condi Sleep?, BRIC and tions from AIDS at age 39. Virginia Stage, Nebraska Shakespeare, Charlotte Makor; Cliterature, Camille vs. Karen, HERE, The Repertory and others. FILM/TV: All My Children, Culture Project, BRIC and The Oni Gallery; Bad Kirsten Brandt Guiding Light, Have a Good One, Leroy. Dating, The Oni Gallery; The Ophelia Project, The (Director) Culture Project. THE OLD GLOBE: Lobby Hero, The Intelligent Sarah Grace Wilson Design of Jenny Chow (San Diego Critic’s Circle (Audrey) Colette Kilroy Award). Ms. Brandt was the Artistic Director of THE OLD GLOBE: (Ingrid) Sledgehammer Theatre from 1999-2005 where Debut. OFF-BROAD- THE OLD GLOBE: she produced 23 productions, including nine WAY: The Story, The Debut. ELSEWHERE: world premieres and five west coast premieres. Public Theatre (original Julius Caesar, New York During her tenure, she directed 15 shows includ- cast); The Voyage of the Shakespeare Festival; ing When the World Was Green, A Dream Play, Carcass, Greenwich St. Neddy, American Place Macbeth, A Knife in the Heart (KPBS Patté Award), Theatre; Three More Theatre; Quills, Geffen The Universal Monster Show, Richard III, the rock Sleepless Nights, The Playhouse; Safe in Hell, opera Alice in Modernland, Furious Blood (KPBS Drama League; Far The Homecoming, Patté Award), Sweet Charity (Backstage West Away, NYTW (u/s). REGIONAL: The Prime of Tom Walker, Dimly Garland Award), and wrote and directed The Miss Jean Brodie, The Studio Theatre; Three Sisters, Perceived Threats to the System, Triumph of Love, Night Frankenstein Project (KPBS Patté Award) and NU: A.R.T. and The 2006 Edinburgh Festival; and Her Stars, South Coast Repertory; The Real Part I & III. Her acclaimed production of Kelly Othello, California Shakespeare Theatre (Dean Thing, Pasadena Playhouse; Two Headed, John Stuart’s Demonology was adapted for radio broad- Goodman Award for Principal Performance); The Anson Ford Amphitheatre; Life During Wartime, cast on KPBS-FM. Her play Berzerkergäng Story, Long Wharf Theatre; Six Degrees of La Jolla Playhouse; The Winter’s Tale, Measure for received a KPBS Patté Award for “Outstanding Separation, Guthrie Theatre; Wintertime, A.C.T.- Measure, New Jersey Shakespeare Festival; The Production” in 2003. Other credits include: A Seattle. WORKSHOPS: NY Stage and Film, Cherry Orchard, Centre Stage; The Miser, Christmas Carol, San Diego REP; Sarah McCarter Theatre, Guthrie Lab, Classic Stage Sarcophagus, Yale Repertory Theatre. FILM: Me Schulman’s The Burning Deck for La Jolla Co, Director's Theatre of NY, New Georges, and You and Everyone We Know, The Place We Call Playhouse; The Bird and the Waterfall, Show N’ MCC Playwright's Coalition, Rising Phoenix Earth, The Ice Storm. TV: CSI Miami, Without a Tale Production, Vancouver BC; The Laramie Rep. FILM: The Last Romantic, Leadcatcher, Dark Trace, Numbers, Judging Amy, Ally McBeal, The Project for Sierra Repertory Theatre; Deporting the September Rain. EDUCATION: The Juilliard Profiler, Shannons Deal. EDUCATION: MFA Yale Divas and Brave Smiles… for Diversionary School (John Houseman Award). School of Drama. Theatre. She has directed for UCSD’s MFA program, The Fritz, Playwrights Project, New Dramatists, NYU Tisch School of Drama, and A.S.K. Theatre Projects in Los Angeles. Brandt

P8 PERFORMANCES MAGAZINE studied playwriting at the University of time she is working on her fine arts career, hav- Repertory Theatre, Florida Studio Theatre, Birmingham, England and directing at UCSD ing participated in more then twenty exhibitions. Lorraine Hansberry Theatre, North Coast Rep, and has trained with the SITI Company. She is Diversionary Theatre, Cape Fear Regional the recipient of the San Diego Critic’s Circle David Lee Cuthbert Theatre, Hope Summer Repertory Theatre, Award for “Creative Achievement” in 2003. She (Lighting Design) Malashock Dance & Company, The University is currently a lecturer at the University of The OLD GLOBE: Lobby Hero, The Intelligent of San Diego, San Diego State University, and California, Santa Cruz and the proud mother of Design of Jenny Chow, Rounding Third, Faith Healer. the Freud Theatre at UCLA. EDUCATION: BFA Sophia Grace. BROADWAY: Billy Crystal's 700 Sundays direct- in Drama with an emphasis in Technical Design ed by Des McAnuff. REGIONAL: The Burning from San Diego State University. Nick Fouch Deck, I Think I Like Girls, A Feast of Fools, An (Scenic Design) Evening with Billy Crystal and Diva for La Jolla Diana Moser THE OLD GLOBE: Lobby Hero. ELSEWHERE: Playhouse; A Christmas Carol (2002-2006), (Stage Manager) Romance, The Goat, or Who Is Sylvia, San Diego Women Who Steal (Production Designer), THE OLD GLOBE: A Body of Water, Lobby Hero, Rep (KPBS Patté Award for Scenic Design); Jaywalker and Zoot Suit for San Diego Rep; Fiction, The Intelligent Design of Jenny Chow. Macbeth, Kid Simple, When the World Was Green, Hannah and Martin, ART (Dean Goodman REGIONAL: La Jolla Playhouse, San Diego Sledgehammer Theatre; Limonade Tous les Jours, Choice Award); The Piano Lesson for San Jose Rep, Arena Stage, Repertory Theatre of St. Moxie Theatre; Chrysalis: Rapechild, produced Rep; and over a dozen productions for Louis, New York Theatre Workshop, Berkshire and directed by Esther Emery; Hecuba, Sledgehammer Theatre in lighting, scenic and Theatre Festival, Children's Theatre Company of 6th@Penn Theatre (KPBS Patté Award for projection design. ELSEWHERE: South Coast Minneapolis and Arizona Theatre Company. Scenic Design); Love’s Fire, Tongue of a Bird, Rep, The Group at Strasberg, PCPA Theaterfest, She holds an MFA in directing from Purdue Stone Soup Theatre. EDUCATION: Nick holds Shakespeare Santa Cruz, The Magic Theatre, A University. When not doing theatre, Diana lives a BFA in Scenic Design and Technical Direction Contemporary Theater, The Intiman, Syracuse and travels with her husband aboard the classic from The University of Idaho. Stage, 7 Stages and PS 122. National Tours wooden sailboat “Simba I." A special thanks to include The History (and Mystery) of the Universe, Sara for keeping me on an even keel when Angela Balogh Calin and two tours with The New Pickle Circus. ashore. (Costume Design) Internationally, David designed the 25th Angela is originally from Romania and currently anniversary tour of Terminal, directed by Joseph resides in Los Angeles. She received her MFA in Chaikin, which premiered in Belgrade. He has Set and Costume Design from The Academy of received a San Diego Critic’s Circle Award for A Arts in Bucharest, Romania. Angela has designed Knife in the Heart at Sledgehammer and has costumes and sets for stage, film and television received numerous KPBS Patté awards for his FOR THIS PRODUCTION in both the U.S. and her native country. She has work. David is a Professor of Design at UC 16 film credits with Cannon Films, I.R.S. Media, Santa Cruz. Additional Staff Full Moon Ent., P.B.S. and Romanian Film Casting Consultant...... Mele Nagler Studios. She designed over 60 theatre produc- Paul Peterson Production Assistant...... Cassidy Lubben tions in Southern California: A View from the (Sound Design) Assistant Costume Designer...... Erin Pearson Bridge, Retreat from Moscow, Dumb Show, Intimate THE OLD GLOBE: The Violet Hour, Trying, The Exchanges, Mr. Marmalade, The Lonesome West, Play Constant Wife, The Prince of L.A., The Lady With All Understudies Strindberg, South Coast Rep; The Price, The the Answers, Moonight and Magnolias, Lobby Hero, Audrey...... Eve Danzeisen Misanthrope, The Seagull, Another Part of the Forest Misalliance, Vincent in Brixton, I Just Stopped By to Bruno...... Matt Biedel (Los Angeles Drama Critics Circle Award), The See the Man, Fiction, Lucky Duck, The Intelligent Winter’s Tale (Los Angeles Drama Critics Circle Design of Jenny Chow, The Food Chain, Two Sisters Nissim...... Chris Bresky nomination), Little Foxes (Garland Award), The and a Piano, Resurrection Blues, Bus Stop, Rough Ingrid...... Cara Greene Three Penny Opera (Drama-Logue Award), A Crossing, Blue/Orange, Time Flies, Pentecost, Knowing Noise Within (where she is a resident designer). Cairo, Loves & Hours, Splendour, All My Sons, Faith This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity She designed costumes for A Midsummer Night’s Healer, Smash, An Infinite Ache, Compleat Female Association, the union of professional actors and stage Dream at the Hollywood Bowl, sets for The Cherry Stage Beauty, Betrayal, The SantaLand Diaries, Dr. managers in the United States. The Directors are members of the Society of Stage Orchard at Georgia Shakespeare, costumes for Seuss’ How the Grinch Stole Christmas!, The Pavilion, Directors and Choreographers, an independent Ivonna Princess of Burgundia at the Odyssey Enter the Guardsman, The Boswell Sisters, Vita and national labor union.

Theatre, costumes for Harvey and The Sunshine Virginia, The Countess, Crumbs from the Table of Joy, The Scenic, Costume, Lighting and Sound Designers in Boys at La Mirada Center for the Performing Arts, Orson's Shadow, God's Man in Texas, Travels with My LORT Theatres are represented by United Scenic Artists and sets for Ancestral Voices at The Falcon Theatre. Aunt. ELSEWHERE: Milwaukee Rep, La Jolla Local USA-829, IATSE.

Angela is very pleased to be back at The Old Playhouse, Sledgehammer Theatre (Associate This theatre operates under an Agreement with the Globe. She previousely designed the set for the Artist), Mo’olelo Performing Arts Company, The International Alliance of Theatrical Stage Employees Local No. 122. MFA production of The Winter’s Tale. In her spare Wilma Theatre, L.A. TheatreWorks, San Diego

PERFORMANCES MAGAZINE P9 Harry Kondoleon’s By Don Shewey, The Village Voice (1982) Ferocious Fairy Tales

Poised to take his place in a lineage of comic playwrights is Harry Typically, Kondoleon makes no claims about what his plays “say Kondoleon, the 27-year-old poet, painter, and dramatist who has about women" or anything like that, though he does identify emerged in the last two years with an armload of swoonily with underdogs; he figures he's always been an outsider, observ- ornate, intensely original poetic comedies that couldn't possibly ing from without since he be less fashionable or “commercial." was a child. The “outsider" For Mr. Kondoleon, theater was stance has been an essen- quite literally divine. The idea of Kondoleon's plays come in many strange shapes and sizes; some tial element in his aes- plays, as they figured within his are more like poetic events than dramas. But they all share certain theticism and his sense of work, allowed mere mortals to key elements beginning with the language, a sort of lyricism humor. It probably goes all recreate the world, to give form to heightened at times to the way back to his father voids, to transform anger into Harry Kondoleon was a playwright the point of hysteria, and mother, an accountant ecstasy and to speak like angels, or constitutionally incapable of playing coupled with a poetic and secretary whose how angels might sound if heaven by the rules. A Dionysian talent danc- condensation. names are Sophocles and were a penthouse with views of the ing in the face of his own extinction, Athena — a joke he's never park. Hatred, illness and mortality he had the misfortune not only to die The wacky behavior of gotten over. It certainly could be turned into song and sun- from AIDS a few years before the his characters is prepared him for the odd light and then back into darkness advent of life-extending medications, Kondoleon's guard twists and cruel jokes of again, with an arbitrary snap of against sentimentality. life. but also to practice his art in an age the playwright's fingers. There is poignance as when Apollo, with his tight-noosed well as ludicrousness in – Ben Brantley, aesthetic logic, remained king. If fate The New York Times, 2000 his characters' manic hadn't been so quick to shortchange self-delusions ("I've Kondoleon, no doubt our theater FOR MORE INFORMATION ABOUT THIS PRODUCTION, PLEASE written a new novel, it's VISIT OUR WEBSITE AT www.TheOldGlobe.org would have done so eventually. In a in my head, all I have to world with an inexhaustible appetite do is type it") and over- for clone drama, it's always the odd- Harry Kondolean, 1983 heated romantic com- by Peter Hujar ball peg that's the problem, never the plaints ("I've been Gelatin-silver print Courtesy Matthew Marks Gallery, New York banal round hole. deserted, Connie, I'm a – Charles McNulty, shoe in the desert") — Village Voice, 2000 they're the bloodstains on the cartoon carpet. Kondoleon surprises the absurd possibility out of everyday activities as a reminder that even when one is emotionally self- absorbed, ridiculous things come along that take the grace out of your sorrow, and you just have to laugh at them. But the strength from which all else flows is the passion for love, the unquench- able lust, the yearning for connection with the Other that defines the language and the form and the almost tropical feverishness of Kondoleon's plays.

P10 PERFORMANCES MAGAZINE Homage to a Theatrical Comet of the 80’s By Don Shewey, The New York Times (2000)

For a decade beginning in 1983 Harry Kondoleon was practically ubiquitous in the New York theater. He had plays produced at the Manhattan Theater Club, Second Stage, Playwrights Horizons, Theater for the New City, the Public Theater and Circle Repertory. He won the George Oppenheimer/Newsday Play writing Award The cast of the Globe’s production of Christmas on Mars (clockwise from top): David Furr, Sarah Grace Wilson, Jack Ferver, Colette Kilroy. for Christmas on Mars in 1983, the same year that he won his first Obie Award as “most promising young playwright." He won another Obie in 1993 for The House Guests. In that same span of called “the incurable hunger, the rampant churning, the pitiful time, he published a volume of poetry, mounted an exhibition of diet of small kisses, handshakes and telephone calls." He wrote his paintings, directed several shows and wrote a number of nov- out of insatiable curiosity and almost willful not-knowing. He els as well as screenplays that were never produced. This torrent of was like an inquisitive child, for- activity came to a halt in ever asking, "Why, Mommy? March 1994, when he died Harry's plays are the plays of The world has caught up with Why are they doing that?" In Harry Kondoleon in the eight of complications from a Baudelaire fop. They may be his lifetime, Kondoleon never brutal, but they're written with AIDS. He had just turned years since his tragically early achieved the level of recognition such high-style elegance. 39. death. What once looked gnomic, he wanted and deserved. He tricky, prickly, now seems reason- – John Guare never had a breakthrough hit. (playwright who …Much that goes on in the able, a depiction of a place we’ve Although his plays were pro- taught Kondoleon at the world of Kondoleon's plays Yale School of Drama), 2000 come to know. Harry was simply duced by prominent theaters, escapes any explanation ahead of the game, not trying they were not always produced that biography has to offer. willfully to startle, but mapping a well. Truthfully speaking, they were not easy to produce well. world in which we would duly His sneaky way, for instance, of writing come- arrive. Although it's cold comfort, Kondoleon's legacy lives on in the dies that begin in recogniz- – Michael Feingold, admiration of other playwrights. First and foremost is Nicky The Village Voice, 2002 able living rooms and then Silver, whose darkly over-the-top comedies would be unthink- spiral into poetry — where able without Kondoleon's example. John Patrick Shanley and did it come from? That, like Richard Greenberg have also paid homage to Kondoleon in their the love his characters urgently seek, is a mystery that remains work. And a generation of younger playwrights — including intact. Chay Yew, Tom Donaghy and Han Ong — cite him as an influ- ence. It is this joy of rediscovery that [this Globe production] …He was an original. I have never known anyone who lived so may encourage. relentlessly in the world of the imagination. His eye transformed everything it looked at, filling it with bright colors and feverish emotions or draining it of everything but the elegant geometry of As a journalist and critic, Mr. Shewey has published three books about ennui. He could write with sophistication about sex and love and theater and written articles for The New York Times, deviousness and suffering, sparing none of the details of what he the Village Voice, Esquire, Rolling Stone, and other publications.

PERFORMANCES MAGAZINE P11 P12 PERFORMANCES MAGAZINE THE OLD GLOBE ANNOUNCES $75 MILLION CAM- PAIGN WE STILL NEED YOUR ANNUAL FUND SUPPORT! Recently The Old Globe Board of Directors announced the launch of a major five-year fundraising campaign, “Securing a San Diego Landmark,” projected to raise $75 million before the theatre’s 75th Anniversary in 2010. Campaign Co-Chairs Karen Cohn and Harvey P. White and Executive Director Lou Spisto announced that $42 million has been raised during the initial phase of the Campaign.

The Campaign goal is to ensure the Globe’s long-term stability through three areas: enhanced facilities, endowment funds and operating support for artistic projects.

During this five-year Campaign, the Globe must continue to raise $7 million each year in annual contributions to support our operating budget of $17 million. We ask those who enjoy our work to join the Globe’s family of donors and help fund artistic and education programs offered to thousands of children and adults throughout this community each year.

When you contribute to the Globe, you receive special donor benefits, including backstage tours, free lectures, restaurant certificates and a new “Meet the Artist” series, but the most meaningful benefit is knowing that you’re supporting a great San Diego landmark. To learn more about these benefits and to contribute, please

The following individuals have made generous commitments to help launch The Old Globe's five-year, $75 million Capital Campaign. We invite you to join this broad community effort to ensure the long-term stability of this great institution.

$20 Million and Higher $10 Million and Higher Donald and Darlene Shiley Conrad Prebys

$5 Million and Higher $1 Million and Higher $500,000 and Higher Karen and Donald Cohn Kathryn Crippen Hattox Ken and Deni Carpenter Sheryl and Harvey P. White Alan Benaroya

$100,000 AND HIGHER Mary Beth Adderley and $25,000 AND HIGHER Carolyn Yorston Richard Wright Bea and Dr. Robert Epsten GAT Family Foundation Sheraton San Diego F. George Gilman Carlos Malamud, in honor Hotel & Marina Robert Gleason and of Mr. Isaac C. Malamud Brenda and John Rebelo Marc Matys and Mrs. Agustina R. Allen and Sandra Redman Malamud $50,000 AND HIGHER Valerie and Harry Cooper Ellen and Tim Zinn

PERFORMANCES MAGAZINE P13 THE CRAIG NOEL LEAGUE Paving a Bright Future for The Old Globe Through Planned Gifts

Jeanette Stevens is an energetic supporter of San Diego’s performing and visual arts. Jeanette has still-vivid memories of seeing children’s theatre productions presented at the Goodman Theatre in Chicago when she was just a child. She moved to San Diego in 1956 and was soon introduced to the Globe. At first, she attended occasional productions; however, today she is hooked on The Old Globe. She is active in the community, supporting many other cultural organizations including La Jolla Music Society, the San Diego Museum of Art, and many of San Diego’s dance companies. When thinking about performances at The Old Globe, Jeanette easily recalls memories of seeing A Midsummer Night’s Dream and The Tempest in the Lowell Davies Festival Theatre and having the feeling of “being transported to wonderful new worlds.” She remains strongly connected to the Globe, feeling that the theatre is like family to her. “I’m always made to feel an integral, intimate part of the Globe family and enjoy a myriad of exciting experiences, exchanges and, of course, the rich variety of theatre offered throughout the year.” In addition to Globe performances, Jeanette regularly attends the theatre’s Insights Seminars to gain a deeper understanding of the plays being presented. She is committed to “creatively expanding opportunities for children JEANETTE STEVENS IN STRATFORD-UPON-AVON to learn about theatre” through the Globe’s award-winning education programs. Jeanette became a member of the Craig Noel League, the theatre’s planned giving society, in June of 2004 because she “fervently believes in the concept of endowment, of investment in, and commitment to what I love, and to that which give me such boundless joy and delight.” Thank you, Jeanette, for your encouragement and inspiration. Many thoughtful friends are helping to secure The Old Globe’s future by leaving gifts in their wills and estate plans. We hope you might also be so moved to join them in helping to sustain the theatrical excellence of The Old Globe for years to come. We’d love to hear from you, so that we might recognize your generosity and thoughtfulness through membership in the Craig Noel League, our planned giving society. For information on leaving a lasting gift to the Globe, or to speak with one of our estate advisors, please contact Brad Ballard at (619) 231-1941 x2309 or via e-mail at [email protected].

CRAIG NOEL, Founding Director During Craig Noel's distinguished 67-year career with The Old Globe, the much-honored director has staged over 225 productions of all styles and periods. Craig has been associated with The Old Globe since its community-theatre inception in 1937 when he made his debut as an actor. Two years later he accepted his first directorial assignments, staging four of the season's seven productions. Since then, Craig has guided the organization through its metamorphosis from a community theatre of the highest standards to one of the nation's most successful not-for profit theatres. In doing so, he has enriched the quality of life in San Diego for generations of citizens who have become today's theatre-goers and arts supporters.

P14 PERFORMANCES MAGAZINE CITY OF SAN DIEGO: MAJOR PLAYER IN THE FUNDING OF ARTS & CULTURE

Each year, the City of San Diego provides critical financial support to 83 organizations through a rigorous application process managed by the Commission for Arts and Culture. Through this program, the City is The Old Globe’s largest single supporter of annual artistic projects and education programming for schools. City funding for arts and culture is derived from the Transient Occupancy Tax (TOT), a 10.5% tax paid by tourists visiting San Diego. The city allocates less than 1 cent of the 10.5 cents collected in TOT (hotel tax) to the Commission for Arts and Culture for distribution to non-profit organizations. Each year the Commission appoints community volunteers to evaluate organizations – alongside the Commissioners themselves – based on artistic programming, educational activities, administrative stability, board leadership and programs for underserved populations. TOT funding of arts and culture yields positive results for the entire community. In 2006, the 83 funded organizations have combined operating budgets of more than $120 million and have an enormous economic impact on the region. The Old Globe alone produces an economic impact of more than $42 million on the City of San Diego with $8.6 million generated by cultural tourists attending the summer Shakespeare Festival. The Old Globe applauds the City of San Diego and the Commission for Arts and Culture for their vision for a vibrant and successful San Diego.

STUDY SHOWS SAN DIEGANS WILLING TO PAY TAXES TO FUND ARTS The Arts & Culture Working Group of The San Diego Foundation has released the results of a comprehensive study of cultural participation in the San Diego region as part of the Foundation’s “Understanding the San Diego Region” initia- tive. Some key findings of the report, entitled “pARTicipate San Diego: The Case for Increased Patronage for Arts and Culture in the San Diego Region” include the following:

— The region places high priority on increasing arts education — San Diego’s arts and culture community is under-funded — Cultural participation needs to be deepened and expanded — Two-thirds of San Diegans would be willing to pay more taxes to support arts and culture On the last point, the survey found that a majority of respondents would pay tax at both the $5 level and the $25 level, if they knew the revenues would directly benefit arts and culture activities and facilities. For more information, visit www.pARTicipatesandiego.com or call Julie Fry, Director of Arts & Culture at The San Diego Foundation at 619-235-2300.

PERFORMANCES MAGAZINE P15 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence,while keeping ticket prices affordable, is due in large part to the annual financial support of nearly 3,500 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and many other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight: Benefactors ($100,000 and above) American Express Audrey S. Geisel/The San Diego The San Diego Union-Tribune City of San Diego, Foundation Dr. Seuss Fund Chairwoman Pam Slater-Price Commission for Arts & Culture William Randolph Hearst Foundation and the County of San Diego The James Irvine Foundation The Shubert Foundation Season Sponsors ($50,000 to $99,999) Anonymous (1) Karen & Donald Cohn Qualcomm, Inc. AT&T Valerie & Harry Cooper Donald & Darlene Shiley J. Dallas & Mary H. Clark Fund at Globe Guilders Wells Fargo The San Diego Foundation The Lipinsky Family Sheryl & Harvey P. White

Production Sponsors ($25,000 to $49,999) Mary Beth Adderley & Richard Wright County of San Diego Shakespeare in American Communities: American Airlines Mrs. Danah H. Fayman Shakespeare for a New Generation, sponsored by the National Bank of America Kathryn & John Hattox Endowment for the Arts in Alan Benaroya HM Electronics, Inc. cooperation with Arts Midwest John A. Berol Joan & Irwin Jacobs Sheraton San Diego Hotel & Marina California Bank & Trust National Endowment for the Arts Target Stores Cohn Restaurant Group/Prado Neiman Marcus Tucker Sadler Architects, Inc. Restaurant Saks Fifth Avenue Union Bank of California Continental Airlines Sempra Energy Mandell Weiss Charitable Trust Norma Jean “Jake” Yonchak & Todd Figi Director Circle ($10,000 to $24,999) Anonymous (2) Lee & Frank Goldberg Nancy & Alan Spector and Family Charles & Molly Brazell Susan & Dr. Ronald Heller Anne Taubman & David Boyle The Louis Yager Cantwell Dr. & Mrs. Harry F. Hixson, Jr. Gillian & Tony Thornley Private Foundation Supervisor Bill Horn Evelyn Mack Truitt Deni & Ken Carpenter and the County of San Diego Christopher & Patricia Weil Supervisor Greg Cox Deni & Jeff Jacobs Weingart-Price Fund at and the County of San Diego Joseph E. Jessop, Jr. The San Diego Foundation Darlene G. Davies Mr. & Mrs. Neil Kjos Stewart & Brenda Weissman in memory of Lowell Davies Sue & John Major Brent V. Woods & Laurie C. Mitchell Mr. & Mrs. Brian Devine Robert L. Noble, AIA Carolyn W. Yorston Bea & Dr. Robert M. Epsten Robin & Hank Nordhoff Ellen & Tim Zinn Pam & Chuck Farr Patsy & Forrest Shumway F. George Gilman

For more information on becoming a donor to The Old Globe, please contact Brad Ballard at (619) 231-1941 x2309 or visit us online at www.TheOldGlobe.org.

P16 PERFORMANCES MAGAZINE Founder Circle Martha & George Gafford Mrs. Deede Gales ($5,000 to $9,999) Madeline L. & Milton D. Goldberg Galinson Family Foundation Family Foundation of the Jewish Community Foundation The Thomas C. Ackerman Foundation Geraldo & Scarrain Gomes Barbara & Albert Garlinghouse Lawrence G. Alldredge & Dawn Moore Dr. & Mrs. William Gott Bill & Judy Garrett Dr. Bob & Jill Andres Fred & Alicia Hallett Drs. Thomas H. & Jane D. Gawronski Anonymous (1) Tish & Jere Horsley Mr. & Mrs. Daniel Genis Ken & Ginger Baldwin Richard & Janet Hunter Teresa C. George Mr. & Mrs. James W. Bastien Mary & Russell Johnson Martin & Enid Gleich Mary Ann Blair Dr. & Mrs. Richard L. Kahler Ms. Cheryl Haimsohn The Ariel W. Coggeshall Fund Bob & Gladys King Jay & Mary Hanson at The San Diego Foundation Drs. Patrick Harrison & Eleanor Lynch Blachford-Cooper Foundation, Inc. Dr. Ronald & Mrs. Ruth Leonardi Peter & Inge Manes Dr. & Mrs. Peter K. Hellwig Nina & Robert Doede Stephanie & Scott Herman Mary Ann & Arnold Ginnow Judy & George Miller Harle Garth Montgomery Rhonda Heth & Tom Mabie Robert Gleason & Marc Matys Alexa Kirkwood Hirsch Grosvenor Family Foundation David & Noreen Mulliken Dolly & Jim Poet Leonard & Elaine Hirsch Leo S. Guthman Fund Michael & Jill Holmes Melissa & James Hoffmann Mr. & Mrs. Matthew Pollack Dr. David K. Hostetler The Pratt Memorial Fund Carol & George Lattimer at Union Bank of California Gary & Carrie Huckell Bob Martinet & Susan Parkin Brenda Marsh-Rebelo & John Rebelo Roberta Hussey Dr. Marianne McDonald Julie & Bob Sullivan Doug & Gail Hutcheson Paul I. & Margaret W. Meyer Jay & Diane Sweeney Alfred & Pat JaCoby Money/Arenz Foundation, Inc. Marilyn Elizabeth Thompson William W. Karatz Drs. Francis & Patricia Montalbano Dixie & Ken Unruh Katleman Family Fund Arthur & Marilyn Neumann of the Jewish Community Foundation The Kenneth T. & Craig Noel Circle William & Edythe Kenton Eileen L. Norris Foundation ($1,500 to $2,499) Mr. & Mrs. Irving J. Kern Allison & Robert Price Jo Ann Kilty Dr. Mike & Patti Rabbitt Richard Addesso Ken & Sheryl King Ellen C. Revelle Anonymous (1) Dr. Fritz Klein Jeannie & Arthur Rivkin Diana Barliant & Nowell Wisch James Klein Insurance Boyd S. Smith Dr. C. K. Barta & Inge Lehman Kerri Klein & Mark Weiser Ms. Jeanette Stevens Lanie Bernhard in memory of Dr. & Mrs. Ara S. Klijian, M.D. Lazare F. Bernhard Brooke & Dan Koehler Katie & Dan Sullivan Sally & John Berry Deborah Szekely Phyllis & Martin Kornfeld Charles & Charlotte Bird Rosalie Kostanzer The Thursday Club Foundation Paul Black Erna & Andrew Viterbi Bob & Laura Kyle Cynthia Bolker & Greg Rizzi William Ladd & Anita Busquets Pam & Martin Wygod Terry & Bill Burd June E. Yoder Mr. & Mrs. Richard S. Ledford Clint & Susie Burdett Terry & Mary Lehr Dr. & Mrs. Robert M. Callicott James & Pamela Lester Ruth Mary Campbell Jerry Lester, M.D./Rosarito, Mexico Playwright Circle Dr. & Mrs. Edgar D. Canada ($2,500 to $4,999) Mr. & Mrs. Paul Levin Pamela & Jerry Cesak Sandy & Arthur Levinson Dr. & Mrs. Wayne Akeson Carol & Rudy Cesena Jerry & Elsa Lewis Gail, John & Jennifer Andrade Carol & Jeff Chang Kitty Lombardo Mr. & Mrs. Richard Baldwin Roger Cornell, M.D. Barbara J. Malk Melissa Garfield Bartell & Michael Bartell Richard & Stephanie Coutts Merriel Mandell Joan & Jeremy Berg Susan B. Cowell Charlie & Jackie Mann Arthur & Sophie Brody Fund Sally & Pat Crahan R.J. Maus, Architects of the Jewish Community Foundation Gigi Guin Cramer Nancy McCune Cecilia Carrick & Stan Nadel Mrs. Willard T. Cudney Bill & Jeri McGaw Judy & Tom Carter Dr. & Mrs. Francis C. Cushing, Jr. Josie Rios McGuffey & A.T. McGuffey City of Chula Vista Office of Cultural Arts Mrs. Gail Powell Davis Elizabeth & Edward McIntyre Garet & Wendy Clark Pat & Dan Derbes Ethel Merriman Realtor The Colwell Family Fund Dean & Mrs. M.H. Dessent Elizabeth Meyer at The San Diego Foundation Mrs. Philip H. Dickinson Joel & Deirdre Mick Ms. Heidi Conlan/ Noddy & Ira Epstein The Sahan Daywi Foundation Estelle & Jim Milch Carol Fink Rena Minisi & Rich Paul R. Patrick & Sharon Connell Dieter & Susan Fischer/ John & Ann Davies Dieter’s Mercedes Service Judith & Neil Morgan Bernard J. Eggertsen & Florence Nemkov Mary & David Fitz Ruth & Jim Mulvaney Susanna & Michael Flaster Josiah & Rita Neeper Marion Eggertsen Lisa & Tom Pierce Samuel I. & John Henry Fox Foundation Dr. & Mrs. George Flint Karen & Orrin Gabsch Marcia & Jim Piper Millicent & Charles Froehlich Martha Meade Pitzer

PERFORMANCES MAGAZINE P17 Annual Fund Donors CONTINUED

Mo & Bill Popp In Memory of Edward Silverstein Margot Reinke Humphreys Dr. & Mrs. Daniel Porte Robert H. Stickel Susan D. Inot Joanne Powers Mrs. John R. Stitt Gary & Jerri-Ann Jacobs Jim & Claudia Prescott Dr. Charles & Brita Tesar Dr. Eric & Susan Johnson RAdm. Arthur & Peggy Price, Jr. Eileen Tiel Neil & Sonya Johnson Nancy J. Robertson U.S. Consulate, Tijuana Kathy & Rob Jones Lorna Rosenberg Ellen & James Weil Kenneth & Marilyn Jones Warren & Beverly Sanborn The Grey White Family Fund Miriam & Jerome Katzin Susan & Edward Sanderson Keith J. Wong Drs. Irvin & Nancy Kaufman Margery P. Schneider Christy Hawes Zatkin Lloyd & Joanna Kendall Drs. Joseph & Gloria Shurman Joan & Lee Knutson Dotti & Joel Sollender Gold Curt & Nancy Koch Nancy Steinhart & Rebecca Goodpasture ($500 to $999) Marvin Krichman & Francy Starr Eugene L. & Hannah Step Anonymous (2) John Q. Lalas, Jr. Marc R. Tarasuck, AIA Rhoda & Mike Auer Janet & Dan La Marche The Tarlov Family John Randolph Backman, M.D. Dr. Eric Lasley Mr. & Mrs. Charles Taubman & Carolyn Darrow Richard C. Levi Cherie Halladay Tirschwell Mr. & Mrs. David A. Baer Sherry & Rick Levin Mr. & Mrs. Gene Trepte Mrs. Ina S. Bartell Dr. & Mrs. Leeland M. Lovaas Carol Vassiliadis Richard & Linda Basinger Dr. David Lynn Carol & Larry Veit Judy & Larry Belinsky Ed & Nancy Lyon Doris & Lou Vettese Lee & Amnon Ben-Yehuda Dr. Carl Maguire & Margaret Sheehan Jordine & Harvey Von Wantoch Drs. Gary & Barbara Blake Dr. Robert & Marcia Malkus Pamela J. Wagner Robert & Nancy Blayney F. Dale & Lois Marriott Merle & Phil Wahl Joyce & Robert Blumberg Harold & Beverly Martyn WD-40 Company In Memory of Eleanore Boaz-Lopez Jonathan McCue Jan Harden Webster & Raul Ortega Bockoff Family Foundation Fund Shirli Fabbri Weiss Dr. & Mrs. M. Joseph McGreevy at The San Diego Foundation Mr. & Mrs. William McKenzie Michael & Penny Wilkes Mrs. Suzanne I. Bond Mr. & Mrs. Harold B. Williams Harold O. McNeil, Esq. H.L. & Irene Boschken Drs. John Meyers & Betty Joan Maly Omar & Carol Winter Mrs. Henri Brandais Brad Young Akiko Charlene Morimoto Bob Buchner/Marie Buckey Susan & Charles Muha Helene & Allan Ziman Dr. Cynthia Cartwright Allan & Bev Zukor Katherine Newton Loretta Cass Willene D. Nichols Dr. Lynne Champagne & Jack & Virginia Oliver Platinum Dr. Wilfred Kearse ($1,000 to $1,499) Rod & Barbara Orth Doug & Elisabeth Clark In Memory of Charles R. Allen Susan Parker Jack & Carol Clark William & Sandra Peavey Ronda & Stanley Breitbard Mike Conley & Sue Steele Mr. & Mrs. Blaine A. Briggs Deborah Brooks Pettry Steve & Carolyn Conner Dr. Ken Pischel & Dr. Katherine Ozanich Sandra & Harry Carter Jane Cowgill Richard & Donna Ferrier Dr. Julie Prazich & Dr. Sara Rosenthal Dr. & Mrs. William Davidson Don & Marie Prisby Hal & Pam Fuson In Memory of Edith Dolnick Mark & Hanna Gleiberman Eileen Prisby Silvia Dreyfuss/LABS, Inc. David Rickert Sandra Gulden & Leon J. Goldberger Ron & Devora Eisenberg — Great News! Gulden Private Foundation Stuart & Linda Robinson Drs. Barbara & Leonard Gosink Dr. Susan Dersnah Fee Dr. H. Warren Ross Richard & Beverly Fink Dr. & Mrs. James E. Lasry Family Foundation Mr. Joseph Rusche Matthew R. Lehman Fred & Joy Frye Cheryl & Frank Ruyak Mr. & Mrs. James Lim Sally Fuller Dr. Joseph & Carol Sabatini Don & Mary Jane Lincoln Arthur & Judy Getis Phoebe & David Sackett Donald Lipkis, M.D. & Arlene Pollard The Golemb Family Marilies Schoepflin, Ph.D. Barbara & Mathew Loonin Louise & Doug Goodman Mr. & Mrs. John Seiber Ms. Jo Bobbie MacConnell Robert & Edry Goot Richard Shapiro & Marsha Janger Christopher Maxin & Alex V. Sher Stephanie Buttell-Maxin Carol & Don Green Alex & Mary Hart Alan & Esther Siman Valorie McClelland Rodney & Dolores Smith Fund Dick & Rosemary Pinney Mr. & Mrs. Thomas M. Henry at The San Diego Foundation John & Marcia Price Family Foundation Arnie & Barbara Hess Herbert & Elene Solomon Don & Darlene Russell Suzanne & Lawrence Hess Gwen Stoughton Dee E. Silver, M.D. Mr. & Mrs. Thomas O. Hippie Margo Thomas Lewis & Alice Silverberg Mr. Stephen Hopkins Janet & Bernard Trabin

P18 PERFORMANCES MAGAZINE William & Cynthia Tuckerman Peter & Doris Ellsworth Bill & Linda Kolb Will & Vanessa Van Loben Sels Barbara & Dick Enberg Marvin M. Kripps, M.D. Kenneth & Lorelei Warburton Drs. Lawrence & Irene Fine Lou Krueger Mr. & Mrs. David Weinrieb Ms. Donna J. Flor & Mr. R. Kirk Keel Betty & Richard Kuhn Dennis & Carol Wilson Foley & Associates Vic & Mary Landa Mr. & Mrs. C.E. Wylie/ Mr. & Mrs. Rob Foley Jillana Lashmet C.E. Wylie Construction Company Larry & Jan Ford Elizabeth Lasley Kaye I. Wynne Larry Forsyth Dixon & Pat Lee Lee Forte/J. Narvid Tom & Terry Lewis Silver Dr. & Mrs. Paul Friedman The Linkery ($250 to $499) Dr. Richard & Randee Friedman Mr. & Mrs. Stanley London Mr. Gale Acker & Dr. Nancy Acker Natacha Furlan Sally & Bill Luster Sybil & B.J. Adelson Charles & Jeanne Gahagan Jerry & Beverly Lynn Michael Albo Kathleen Garcia Brian C. Malk & Nancy H. Heitel Fund at George Amerault Mr. David N. Garrison & The San Diego Foundation Anonymous (5) Mr. David M. Pierce Jeanne Maltese Drs. Michael & Gabriela Antos Gaspare Trust Judge & Mrs. Frederick Mandabach John & Elizabeth Bagby Thomas Gass, D.D.S. Joanne D. Marugg Lewis & Lynne Baker Norman & Patricia Gillespie Susan B. Mason Sharon & Bill Beamer Dr. & Mrs. Michael Goldbaum Cdr. & Mrs. John C. Mathews III Karlene Knieps Bergold Marilyn & Mel Goldzband Ronald McCaskill & Robyn Rogers Mr. & Mrs. Stanley Birstein Ms. Cindy Gordon Valli & Tom McDougle Drs. Gordon & Karen Bishop Mr. John C. Gray & Steve McIntee Robert D. Blanton & Ann Clark Mrs. AnneMarie Kaiser Dan McLeod Ms. Sheila M. Bobenhouse & Euvoughn L. Greenan Mr. & Mrs. David McNair Mr. Jeffrey C. Truesdell Arthur A. Greenberg Mr. & Mrs. Jim Melcher Dr. James Lewis Bowers Mr. George Guerra Dr. & Mrs. Robert Meredith Todd & Margaret Bradley Dr. A.T. Hagler & Mrs. Martha Obermeier Christine Mersten Mrs. Wyloma Bradshaw Margaret Hall Dr. & Mrs. Paul Michelson Ed Brookins Virgil & Jean Hamblin James & Dorothy Mildice Sarah Blakely Brown Deborah A. Hammond Joel, Annette & Arianna Millman Dr. & Mrs. Simon C. Brumbaugh, Jr. Robert W. & Helen M. Hammond Stan & Phyllis Minick Beth Bruton Robert M. & Helen M. Hansen Margaret Mitchell Linda Burgum-Sunkel C. Harbordt Dr. & Mrs. Izaac Mizrahi David & Diane Burns Mr. & Mrs. James Harris Mark Morel John & Kirk Butler Elizabeth Raines Harrop Michael Morris Stuart & Joanne Butler Jane & Richard Haskel Amy & Kent Moser Helen M. Caldwell Cdr. Rodney & Michele Hearns Mary Jo Murphy Beth & Tim Cann Dr. Charles & Joan Henkelmann Maggie & Wayne Myers Jane Carrigan Donald J. Hickey Tom & Doris Neuman William & Shirley Carrington Paul & Anne Hofflund Charlotte Nielsen Ellen Casey John & Jean Hoffner Floyd T. Olson Shlomo & Leslie Caspi John & Peggy Holl David & Jeanette Osias Luc & Ann Marie Cayet-Pleska Paul & Barbara Holz Carolann Pagliuso Charlene Chatham & William Price Nancy & Bill Homeyer Pamela Palisoul Andy & Kay Chisel Bonnie & Cecil Hornbeck Mr. & Mrs. Jean-Louis Paroz Elaine & Peter Chortek Kendyl & Merri Houdyshell In Memory of Margaret Peninger Mr. & Mrs. Owen Clinton Steven & Nancy Howard Clifford T. Pentrack & Mr. & Mrs. Art Cohen Joseph & Donna Hynes Mary E. Giovaniello Alan L. & Frances E. Cornell Mr. & Mrs. David Ives Marion D. Perlman Ronald D. Culbertson Mr. & Mrs. Bill James Lawrence Roy Perrin Dewey & Cindy Dasher Nancy & David James Peterson & Associates John Wm. Davis & William M. Hughes Richard & Katherine Jarvis Mr. & Mrs. David J. Pettitt Mr. & Mrs. William Deatrick In Memory of Donald Jenkins Barbara Pricola Dr. Gregory J. Del Zoppo Kenneth & Catherine Jones Mr. & Mrs. Merlin Puck Dutch & Dawn Dershem Andrew & Denise Kaplan Anne Ratner Fund of the Dr. & Mrs. Donald B. Dose Pete & Terry Katz Jewish Community Foundation Patricia & Glen Doughty Patricia & Alexander Kelley Mr. & Mrs. Leslie D. Reed Sean & Kellie Doyle Charles & Gail Kendall Henry & Deborah Rieger Stephen & Sandra Drew David C. & Betty J. Kennedy Andrew Ries, M.D. & Lizbeth Ecke & David Meyer Jennifer Kent Vivian Reznik, M.D. Patricia Eichelberger Kathleen Kim & Zachary Rattner Mr. & Mrs. Brent Robinson Judge & Mrs. Harry Elias Mr. & Mrs. Webster B. Kinnaird Isabella & Jody Rogers Peggy Elliott Mark & Kelly Kjos Lois S. Roon Gerald & Ruth Rosenbaum

PERFORMANCES MAGAZINE P19 Annual Fund Donors CONTINUED Special Thanks to Our Corporate Sponsors

Ursula R. Roth Richard Stevenson Loreen & Roland Wilhelmy Dr. Norman & Barbara Rozansky Helga & Sam Strong Ron & Beverly Wilson Peter & Donna Russell Abbe Wolfsheimer Stutz The Wine Lover Fran & Tom Ryan Ron & Susan Styn Cass Witkowski Family Dr. Peter & Arlene Sacks John & Margery Swanson Mr. & Mrs. John W. Witt Joan & Jack Salb Mrs. J.B. Swedelius Dr. Perri L. Wittgrove Samiljan Family Fund of the Clifford & Kay Sweet Sandra Zarcades Jewish Community Foundation Drs. Paul Sylvan & Ellen Heyneman Zensei Sushi Josiah & Abigail Sand Franklin & Phyllis Tabor Mr. & Mrs. David Zimmerman, Jr. Barbara A. Sawrey Dr. Blake S. & Mrs. Peggy Jean Talbot Vicky Zollweg & Michael Dunteman Simon & Ruth Sayre Dr. Terry & Naomi Tanaka Josef B. Zwass Dr. & Mrs. Roger H. Schmitt Dr. Marshall & Leila Taylor Martin & Connie Schroeder Steven & Anoush Tencati This list is current as of May 11, 2006 RAdm. & Mrs. H. James T. Sears Judge & Mrs. David R. Thompson Kathy A. Seger Mr. & Mrs. John Torell To learn more about supporting Linda J. Seifert Doris Trauner, M.D. The Old Globe’s artistic excellence Lori Severson & Eric Longstreet Robert C. & Melesse W. Traylor and community outreach programs, Prof. K. Barry & Jan Sharpless Iwona A. Trybus please visit our website at Sandy & Stella Shvil Ms. C. Anne Turhollow & Hano & Charlotte Siegel Mr. Michael Perkins www.TheOldGlobe.org or call Kevin & Diane Silke Jack Tygett & Joyce Shoemaker (619) 231-1941 x2305. Eunice M. Simmons, M.D. Mr. & Mrs. Stan Ulrich Anne & Ronald Simon Ginny Unanue Susan Sincoff & Dr. Joseph Yedid Hobart & Violet Wagener Terrence & Kathryn Slavin Kathy & Jim Waring Tom Sowers Pat & Allen Weckerly Mr. & Mrs. Fred C. Stalder Janice L. Weinrick Susan I. Steele Jean & Tim Weiss Ann & Robert Steiner Ms. Margaret Wells James K. Stenderup Mr. & Mrs. James D. Welterlen Mickey Stern Ross & Barbara White Dr. Craig & Debbie Stevenson Patrick & Phyllis Whitney

Advisory Council Members

Mr. Lawrence Alldredge Fifth & Hawthorn Restaurant/ Bob Martinet & Susan Parkin Ms. Jeanette Stevens Dr. Paul L. Black Dave Witt Dr. Marianne McDonald Dr. & Mrs. Jay Sweeney Clint Burdett Mr. & Mrs. Arnold Ginnow Paul I. Meyer Marc R. Tarasuck, AIA Dr. & Mrs. Edgar D. Canada Ms. Alexa Hirsch Mr. & Mrs. George Miller Dixie & Ken Unruh Mary Clark Mr. & Mrs. Leonard Hirsch Mrs. Harle Montgomery June Yoder Steven J. Cologne Mr. & Mrs. Alfred W. JaCoby David & Noreen Mulliken Mr. & Mrs. Robert D. Young R. Patrick & Sharon Connell Russell & Mary Johnson Bette Nagelberg Mr. & Mrs. J. Robert King Charles Noell For more information, Mrs. Susan B. Cowell please contact Brad Ballard Pat & Dan Derbes Ken & Sheryl King Mr. & Mrs. Victor H. at (619) 231-1941 x2309. Mrs. Philip H. Dickinson Rosalie Kostanzer & Ottenstein Michael Keefe Mr. & Mrs. Robert W. Doede Mr. & Mrs. Arthur Rivkin Bob & Laura Kyle Ms. Marion Eggertsen Donald & Darlene Shiley Terry & Mary Lehr Dr. Bernard Eggertsen & Ms. Roberta Simpson Ms. Florence Nemkov Ruth & Ron Leonardi Dorothy & Joel Sollender Mrs. Danah H. Fayman Peter & Inge Manes Gail Squires & Yaman Sencan

P20 PERFORMANCES MAGAZINE Special Thanks to Our Corporate Sponsors

CORPORATE LEADERS $25,000 AND ABOVE

SAKS FIFTH AVENUE

CORPORATE DONORS KPMG, LLP Science Applications International ($2,500 to $24,999) Mercer Health & Benefits Corporation Ashworth, Blanchet, Christenson, Mission Federal Credit Union Seltzer Caplan McMahon Vitek Kalemkiarian Nokia Showtime Break-Away Tours Nordstrom Skyy Vodka Citigroup Foundation/Smith Barney Northern Trust Bank Starbucks Classic Party Rentals OVATION - The Arts Network Stewart Title of California Evans Hotels Pfizer Sycuan Resort & Casino Fleishman-Hillard Relocation Coordinates Time Warner Cable Wayne Foster Entertainment ResMed Foundation TK&A Custom Catering Goldman Ferguson Partners San Diego Chargers U.S. Bank Higgs, Fletcher & Mack, LLP San Diego National Bank The Westgate Hotel Home Bank of California XLNC1

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

National Corporate Theatre Fundis a non-profit corporation created to increase and strengthen support from the business community for eleven of this country’s most distinguished professional theatres. The following foundations, individuals and corporations support these theatres through their contributions of $10,000 or more to National Corporate Theatre Fund:

Benefactors ($20,000 & Above) Pacesetters ($15,000 to $19,999) Donors ($10,000 to $14,999) Altria Group, Inc. Bank of America Baruch College American Express Company Cisco Systems Bingham McCutchen Broad Street, Inc. Estee Lauder Companies, Inc. Credit Suisse First Boston Citigroup Goldman, Sachs & Company Deloitte & Touche Ernst & Young JP Morgan Chase Dorsey & Whitney LLP KPMG Merrill Lynch & Co. Mayer, Brown, Rowe & Maw LLP Marsh & McLennan Companies, Inc. Morgan Stanley Metlife Foundation Praxis Media/Palace Production UBS Pfizer, Inc. Center/Rabbit Ears Entertainment Sidley Austin Brown and Wood LLP Verizon Skadden, Arps, Slate, Meagher & Flom LLP Wilke, Farr & Gallagher LLP

PERFORMANCES MAGAZINE P21 Associate Artists OF THE OLD GLOBE

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre.

Louis G. Spisto, Executive Director Jack O’Brien, Artistic Director Jerry Patch, Resident Artistic Director Craig Noel, Founding Director William Anton Tovah Feldshuh Mark Harelik John McLain Steven Rubin Conrad Susa Jacqueline Brookes Monique Fowler Bob James Jonathan McMurtry Ken Ruta Deborah Taylor Lewis Brown Ralph Funicello Tom Lacy Stephen Metcalfe Douglas W. Schmidt Sada Thompson Kandis Chappell Lillian Garrett-Groag Diana Maddox Robert Morgan Seret Scott Paxton Whitehead George Deloy Harry Groener Dakin Matthews Steve Rankin David F. Segal James R. Winker Tim Donoghue A.R. Gurney Deborah May Robin Pearson Rose Don Sparks Robert Wojewodski Richard Easton Joseph Hardy Katherine McGrath Marion Ross David Ogden Stiers

PATRON INFORMATION RESTROOMS AND TELEPHONES TICKET SERVICES Restrooms are located in the lower lobby of the Old Globe Theatre and adjacent to the Festival Theatre; pay phones may be found in the lower HOURS Globe Theatre lobby and next to the Gift Shop. Monday: noon – 6pm Tuesday through Sunday: noon – last curtain SEATING OF LATECOMERS Hours subject to change. Please call ahead. Although we understand parking is often at a premium, the seating of PHONE (619) 23-GLOBE or (619) 234-5623 latecomers is extremely disruptive. Latecomers may be given alternative FAX (619) 231-6752 seating and will be seated at an appropriate interval. EMAIL [email protected] YOUNG CHILDREN ADMINISTRATION Children five years of age and under will not be permitted to performances. HOURS Monday – Friday : 9am – 5pm PHONE (619) 231-1941 ELECTRONIC DEVICES AND CAMERAS WEBSITE www.TheOldGlobe.org Use of recording devices and cameras is not permitted. If you are ADDRESS The Old Globe wearing a digital watch or pager, or if you are carrying a cellular phone, P.O. Box 122171 please silence it prior to entering the theatre. San Diego, CA 92112-2171 SENNHEISER® LISTENING SYSTEM ORDERING TICKETS / CHANGE OF ADDRESS For the convenience of the hearing impaired, the Sennheiser® Listening The Old Globe accepts Visa, Discover, MasterCard, or American Express. System is available in the Old Globe Theatre. Lightweight headsets may be Phone orders for non-subscibers are subject to a $3 per ticket service charge, obtained from the house manager prior to performances, free of charge. not to exceed $12. Ticket exchanges are subject to a service charge for non-subscribers. If you have moved, please notify the Ticket Services Office to update PUBLIC TOURS our records. Call (619) 234-5623 during Ticket Services hours, mail your Go behind the scenes at The Old Globe to learn about the history, three change of address to the Ticket Services Office, or email us at stages, shop and craft areas. Open tours: most Saturdays and Sundays [email protected]. at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Phone (619) 231-1941 x2142 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give them to a friend, or LOST AND FOUND turn them in to the Ticket Serivces Office and receive a tax receipt for your If you have misplaced a personal item while at the theatre, please contact donation. Tickets must be received by show time. the Ticket Services Office or Security as soon as possible. If we are unable to locate your item, we’ll happily take down your contact information as Ricola Natural Herb Cough Drops are available upon request. well as a description of the item and contact you if it is found. The Old Please ask an usher. Courtesy of Ricola USA, Inc. Globe does not assume liability for items left behind on premises.

SPEARKER’S BUREAU As part of The Old Globe’s educational outreach to the community, the Theatre offers a Speakers’ Bureau program that will provide a speaker for your club, civic, or church group to talk about the Globe’s productions and programs, free of charge. The Old Globe engages several knowledgeable docents, who are available year-round to share the institution’s fascinating history and exciting information about the current season of plays. Subject to their availability, several key members of the artistic and production team are also available to speak with your group. For more information on docent speakers’ bureau representatives please contact Carol Green at (619) 582-1079. To find out about our artistic and production speakers please contact Erin Anderson at (619) 231-1941 x2355.

P22 PERFORMANCES MAGAZINE DIRECTOR P r o f i l e s

Louis G. Spisto Jerry Patch Jack O’Brien Executive Director Resident Artistic Director Artistic Director Louis G. Spisto has been Executive Director of The Jerry Patch was appointed Resident Artistic Mr. O’Brien has been the Artistic Director of The Old Globe since October, 2002. During his Director of The Old Globe in February 2005. Old Globe in San Diego since 1981. Recent tenure, Spisto spearheaded the return of the Globe’s He most recently served as the Dramaturg and a Globe productions: Dirty Rotten Scoundrels, acclaimed Shakespeare Repertory Season and pro- member of the long standing artistic team at Imaginary Friends, Twelfth Night, The Full Monty, The duced several world-premiere plays and musicals, Southern California’s Tony Award®-winning Seagull, The Magic Fire, Dr. Seuss’ How the Grinch including the current Broadway musical Dirty Rotten South Coast Repertory (SCR), where he coordi- Stole Christmas!, the world premieres of Associate Scoundrels. During the past two seasons, the organi- nated the development of 150 new plays, includ- Artist A.R. Gurney’s Labor Day and Tina Howe’s zation has grown its subscription audience an ing three Pulitzer Prize winners and numerous Pride’s Crossing, as well as Time and Again, The unprecedented amount, countering a trend in the other finalists. Patch became the top choice for Doctor Is Out (Getting Away With Murder) by non-profit theatre industry and resulting in the this new role at the Globe due to his many years Stephen Sondheim and George Furth, plus pro- highest level of attendance in over a decade. Prior to of artistic accomplishments, his exceptional ductions of Henry IV, Much Ado About Nothing, coming to the Globe, Spisto served as the Executive relationships with the nation’s leading directors Oleanna, Damn Yankees, King Lear, Ghosts, Hamlet, Director of American Ballet Theatre in New York and playwrights, and his enthusiastic commit- Uncle Vanya, and world premieres of Terrence City. While there, he increased ticket income and ment to new work. While at SCR, Patch worked McNally’s Up in Saratoga, A.R. Gurney’s The Snow annual contributions for the organization by nearly as Dramaturg on numerous new works, includ- Ball and The Cocktail Hour, Tom Dulack’s Breaking 20 percent. He also tripled the Ballet’s touring ing Donald Margulies’ Sight Unseen and Brooklyn Legs, Stephen Metcalfe’s Emily. Elsewhere: Dirty weeks and the resources devoted to education and Boy, which just opened to critical acclaim on Rotten Scoundrels (Tony nominations, best director training programs. Spisto has also served as the Broadway, Margaret Edson’s Pulitzer Prize-win- and musical), Henry IV (Tony Award®); Hairspray President of the Detroit Symphony Orchestra, ning Wit, Howard Korder’s Search and Destroy, (Tony Award®); The Invention of Love (Tony nomi- where he provided fundraising leadership and cre- Amy Freed’s The Beard of Avon, as well as Intimate nations, best director and play), Lincoln Center ative direction for the orchestra’s $60 million reno- Apparel, Freedomland and several world-premieres Theater; The Full Monty (Tony nominations, best vation project, and helped dramatically increase plays by Richard Greenberg, including Three director and musical), Eugene O’Neill Theatre; ticket sales while initiating several new series for Days of Rain and A Naked Girl on the Appian Way. More to Love, Labor Day, Manhattan Theatre Club; the orchestra. Spisto established a reputation as a In addition, he co-conceived The Education of St. Louis Woman, City Center Encores!; Pride’s superb arts executive here in California, where he Randy Newman with Michael Roth and Mr. Crossing, The Little Foxes, Hapgood (Lucille Lortel spent over ten years as the Executive Director of the Newman. Patch also served as the project direc- Award for Direction, 1995), Lincoln Center; Damn Pacific Symphony Orchestra in Orange County. tor of SCR’s renowned Pacific Playwrights Yankees (Tony nomination, best musical revival); During his tenure there, he tripled the orchestra’s Festival, which annually introduces seven new Two Shakespearean Actors (Tony nominations, best annual budget, all while eliminating a prior deficit plays to an audience of national theatre leaders. director and play) on Broadway; Porgy and Bess for and successfully completing the orchestra’s first Typically, more than 75% of the plays presented Houston Grand Opera and Broadway (Tony endowment campaign. In addition, he established a receive multiple productions in theatres across Award), as well as Radio City Music Hall; The series of innovative recording projects with Sony the country. During his tenure at SCR, Patch Magic Flute, San Francisco Opera; Tosca, Santa Fe Classical and oversaw a number of nationally rec- also held the position of Artistic Director Opera; Così fan Tutte, Aida, Houston Grand Opera; ognized commissioning projects. A strong advocate (1990-1997) of The Sundance Theatre Program, The Most Happy Fella, Michigan Opera and of arts education, Spisto built one of the largest and which included the Sundance Playwrights Broadway. TV: An Enemy of the People, All My Sons, I most respected music training and outreach efforts. Laboratory, one of the nation’s leading new play Never Sang for My Father, Painting Churches, and The During his career, Spisto has also served as development programs. Additionally, he ran the Skin of Our Teeth, all for PBS’s American Director of Marketing for the Pittsburgh Symphony Sundance Summer Theatre, a repertory of 2-3 Playhouse. Recent awards: 2004 Thomas Orchestra and Director of Operations and productions staged outdoors for Utah audiences Degaetani Award (USITT), 2002 “Mr. Abbott” Development for the Performing Arts Center, UC and The Sundance Children’s Theatre, which Award (SDCF), 2001 Joan Cullman Award for Berkeley. He holds a Masters degree from the was dedicated to the development and presenta- Extraordinary Creativity, 2001 Joe A. Callaway University of Wisconsin in Arts Administration tion of new works for family audiences by lead- Award (SDCF), the Drama League’s Julia Hansen and a Bachelors of Business Administration from ing American playwrights. He has also served as Award for Excellence in Directing, 2001. the University of Notre Dame, and spent many a consulting Dramaturg for New York’s Member, College of Fellows of the American years acting, directing and producing plays and renowned Roundabout Theatre Company, one of Theatre; Honorary Doctor of Humane Letters, musicals throughout his student days, as well as in two of the largest theatre companies in the University of San Diego. Mr. O’Brien is a mem- professional summer theatre. country. ber of the College of Fellows of the American Theatre. PERFORMANCES MAGAZINE P23 Louis G. Spisto Jack O’Brien Jerry Patch Craig Noel S t a f f Executive Director Artistic Director Resident Artistic Director Founding Director

Michael G. Murphy Stephan Aldrich-Lutz Lighting Alysha Haran, Corey Johnston, Jessica Morrow, GENERAL MANAGER CHARGE CARPENTER, CARTER Chris Rynne Robin Sanford Roberts Ken Seper, Grant Walpole Dave Henson Costumes LIGHTING DIRECTOR MFA PRODUCTION STAFF SUBSCRIPTION SALES REPS. DIRECTOR OF MARKETING Stacy Sutton Megan Fonseca Ticket Services AND COMMUNICATIONS LIGHTING ASSISTANT EDUCATION COSTUME DIRECTOR Raúl Moncada Shari Ressel Todd Schultz Charlotte Devaux Tonnie Ficken EDUCATION ASSOCIATE TICKET SERVICES MANAGER DIRECTOR OF DEVELOPMENT MASTER ELECTRICIAN, GLOBE RESIDENT DESIGN ASSISTANT Holly Ward Marsi Roche Mark Somers Maureen MacNiallais Jim Dodd TOUR COORDINATOR TICKET OPERATIONS MANAGER DIRECTOR OF FINANCE MASTER ELECTRICIAN, CARTER ASSISTANT TO THE DIRECTOR Carol Green Tim Cole Shelly Williams Kevin Liddell ASSISTANT MANAGER Richard Seer MASTER ELECTRICIAN, FESTIVAL SPEAKERS BUREAU COORD. DIRECTOR OF DESIGN ASSISTANT/SHOPPER Lyle Wilson PROFESSIONAL TRAINING Sandra Ruiz Sue Lin Chin Jason Beiber, Sarah Cohen, TEACHING ARTIST TICKET SERVICES SUPERVSIOR Robert Drake Gwen Dunham, Louise M. James Feinberg, Allyson April Labine-Katko, DIRECTOR OF PRODUCTION Herman, Marsha Kuligowski, Guertin, Matt Hibbs, FINANCE Shouna Shoemake Darko Tresnjak Ginger Robertson, Karen Ross Tricia Lesinski, Andy Lowe, J. Adam Latham LEAD TICKET SERVICES REPS. ARTISTIC DIRECTOR, Leah Nellman, Elvira Perez, PAYROLL CLERK/ Randal Sumabat ACCOUNTING ASSISTANT Randy Acosta, John Boaz, SHAKESPEARE FESTIVAL DRAPERS Ashley Roberts, Stacey Schrom, Melanie Galati, Dru Garcia, Babs Behling, Gloria Bradford, Chad Stanner, Chris Walsh Diane Jenkins ELECTRICIANS ACCOUNTING ASSISTANT Mame Gile, Brittany Hauselmann, ARTISTIC Stacey Bridges, Susan Linnet Bernadette Hobson, John Samantha Barrie Sound Lynn Dougherty Cox, Anne Glidden Grace, RECEPTIONIST Houghton, Michael Knudsen, ARTISTIC COORDINATOR Somsi Norfolk, Susan Sachs Paul Peterson Jenna Long, Grace Manuel, Diane Sinor ASSISTANT CUTTERS SOUND DIRECTOR DEVELOPMENT Kendra McCall, Caryn Morgan, DRAMATURGY ASSOCIATE Joan Mathison, Mary Miller Erik Carstensen Amy Northcutt, Carlos Quezada, Kim Montelibano Heil COSTUME ASSISTANTS MASTER SOUND Brad Ballard TECHNICIAN, GLOBE ASSOCIATE DIRECTOR, Josh Rowland, Jessica Seaman, LITERARY ASSOCIATE Makr Biaza,Suzanne Clements, MAJOR & PLANNED GIFTS Brandon Smithey Jan Gist Rebecca Fabares, Emme Hall, Sean Doherty Annamarie Maricle TICKET SERVICES REPS. VOICE AND SPEECH COACH Kelly Lewis, Nancy Liu, MASTER SOUND ASSOCIATE DIRECTOR, TECHNICIAN, CARTER INSTITUTIONAL GRANTS PATRON SERVICES Stage Management Michelle McCullough-Sanden, Jeremy Nelson Mercedes Moore, Anamarie Eileen A. Prisby Mike Callaway Leila Knox MASTER SOUND EVENTS MANAGER PRODUCTION STAGE MANAGER Ortiz, Margo Selensky, Andrea TECHNICIAN, FESTIVAL THEATRE MANAGER Straw Jeremy Siebert Courtney Quinn Grace Farinas Tracy Skoczelas DEVELOPMENT COORDINATOR, FRONT OF HOUSE ASSISTANT ASSISTANT STAGE MANAGER STITCHERS MIC RUNNER, FESTIVAL INDIVIDUAL ANNUAL GIVING Linda Black Merlin D. “Tommy” Thompson Sean Alexander, Natashja Kelly, Diane Addis PATRON SERVICES REP. Marie Natoli, Jimmy L. Parron, CRAFTS SUPERVISOR ADMINISTRATION MEMBERSHIP ADMINISTRATOR Teresa McGee, Rob Novak, Leslie Telford, Chelsea Gillian East Zinc Brian Ulery Erin McKown DYER/PAINTER ASSISTANT TO THE Ashley Roberts Whitmore GENERAL MANAGER DEVELOPMENT ASSISTANT DOUGLAS PAGLIOTTI Judith Craigo, Jeannie Galioto, HOUSE MANAGERS STAGE MANAGEMENT INTERNS Diana Steffen Svi Roussanoff, Dragana Information Technology DEVELOPMENT ASSISTANT Dana Juhl Vucetuc Dean Yager FOOD & BEVERAGE MANAGER PRODUCTION CRAFTS ARTISANS INFORMATION TECHNOLOGY Donor Services Kristin Dishman, Ashley Gregory, Debra Pratt Ballard MANAGER Babs Behling, Jackie Cain, Brandi Mahan, Roland Roberge, ASSOCIATE DIRECTOR Molly O’Connor OF PRODUCTION WIG & MAKEUP SUPERVISOR ThadSteffen Eve Childs, Barbara Lekes, Brock Roser, Anne-Marie Shafer, Melyssa Swensen INFORMATION TECHNOLOGY Landin Rice, Stephen Serieka, Felicia Tobias Ellen Dieter ASSISTANT PUB STAFF COMPANY MANAGER ASSISTANT TO WIG & MAKEUP Judy Zimmerman SUPERVISOR James Lawrence SUITE CONCIERGES Carol Donahue CONVERSION SUPPORT Babs Behling, Rose Espiritu, PRODUCTION COORDINATOR Kim Paker ASSISTANT Stephanie Rakowski WIG ASSISTANT MARKETING GIFT SHOP SUPERVISORS Technical Erin Schindler Human Resources Becky Biegelsen Security/Parking Services Benjamin Thoron WARDROBE SUPERVISOR Sandra Parde PUBLIC RELATIONS DIRECTOR TECHNICAL DIRECTOR HUMAN RESOURCES Rachel “Beahr” Garcia Cassidy Lubben Frank Teplin SECURITY/PARKING CARTER DRESSER ADMINISTRATOR AUDIENCE DEVELOPMENT Liz Bonnett, Wendy Stymerski MANAGER SERVICES SUPERVISOR ASSISTANT TECHNICAL Marie Jezbera Jenny Kazan-Mills Sherisa Eselin, Irene Herrig, DIRECTORS RENTAL AGENT CONSULTANT Colleen Maher GROUP SALES MANAGER Janet Larson, Brandi Mahan Amanda Stephens SECURITY OFFICERS RESIDENT DESIGN ASSISTANT Properties Maintenance Jackie Anderson Neil A. Holmes Chad Oakley PUBLICATIONS COORDINATOR Chanel Boxx, Deborah Elliot, Curt Carlsteen FACILITIES MANAGER Sean Busby, Michael Mackey, April SHOP FOREMAN/ PROPERTIES DIRECTOR Erin Anderson MASTER CARPENTER M.H. Schrenkeisen Violanda Corona, Ismael PUBLIC RELATIONS ASSISTANT McQuerry, Sonia Paul, Christian Thorsen SHOP FOREMAN Delgado, Humberto Elvira, Kimberly Chesnutt Peggy Ryan PARKING LOT ATTENDANTS STAGE CARPENTER/ Rory Murphy David Gaspar, Miguel Gaspar, MARKETING ASSISTANT FLYMAN, GLOBE Ryan Barsotti, Mark Brickman, LEAD CRAFTSMAN Roberto Gonzalez, Reyna Judy Zimmerman Bob Dougherty Shannon Dedman Huerta, Margarita Meza, Jose MARKETING/EVENTS David Nguyen SHOP FOREMAN/ ASSISTANT V.I.P. VALET ATTENDANTS MASTER CARPENTER, FESTIVAL PROPERTIES BUYER Morales, Maria Rios Ryan Buckalew, David Buess, BUILDING STAFF Erica Dei Carole Payette GRAPHIC DESIGNER CHARGE SCENIC ARTIST Kristin Steva Campbell, PROFESSIONAL Adam Bernard, Billy Duncan, Patricia Rutter, Rebecca Willis TRAINING Craig Schwartz, J.T. MacMillan CRAFTSPERSONS PRODUCTION PHOTOGRAPHERS Steve High, Suzanne Reyes Llance Bower SCENIC ARTISTS Pat Cain PROGRAM COORDINATOR PROPERTY MASTER, GLOBE Subscription Sales Jeff Clark, Matthew Clark, Maria Carrera, Cynthia Kevin Fain, Mike Harris, Marcus Polk Scott Cooke PROPERTY MASTER, CARTER Caywood, Sabin Epstein, SUBSCRIPTION SALES MANAGER Jim Hopper, Liza Korshin, Robert Barry Fleming, Ryan Meinhart, Ty Messervy, Jennifer Gittings, Russ Allen, Anna Bowen- Gerhard Gessner, Jan Gist, Davies, Stanley Einhorn, Mike Quinn, Andy Recker, Kristine Rosen Peter Kanelos, Fred Robinson, PROPERTIES ASSISTANTS Arthur Faro, Andrew Fink, Ben Siebert Liz Shipman CARPENTERS MFA FACULTY Allan Given, Pamela Malone,

PERFORMANCES MAGAZINE P24