THE ADVENTURES of ELMO in GROUCHLAND Mandy Patinkin
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Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
Cast Biographies RILEY KEOUGH (Christine Reade) PAUL SPARKS
Cast Biographies RILEY KEOUGH (Christine Reade) Riley Keough, 26, is one of Hollywood’s rising stars. At the age of 12, she appeared in her first campaign for Tommy Hilfiger and at the age of 15 she ignited a media firestorm when she walked the runway for Christian Dior. From a young age, Riley wanted to explore her talents within the film industry, and by the age of 19 she dedicated herself to developing her acting craft for the camera. In 2010, she made her big-screen debut as Marie Currie in The Runaways starring opposite Kristen Stewart and Dakota Fanning. People took notice; shortly thereafter, she starred alongside Orlando Bloom in The Good Doctor, directed by Lance Daly. Riley’s memorable work in the film, which premiered at the Tribeca film festival in 2010, earned her a nomination for Best Supporting Actress at the Milan International Film Festival in 2012. Riley’s talents landed her a title-lead as Jack in Bradley Rust Gray’s werewolf flick Jack and Diane. She also appeared alongside Channing Tatum and Matthew McConaughey in Magic Mike, directed by Steven Soderbergh, which grossed nearly $167 million worldwide. Further in 2011, she completed work on director Nick Cassavetes’ film Yellow, starring alongside Sienna Miller, Melanie Griffith and Ray Liota, as well as the Xan Cassavetes film Kiss of the Damned. As her camera talent evolves alongside her creative growth, so do the roles she is meant to play. Recently, she was the lead in the highly-anticipated fourth installment of director George Miller’s cult- classic Mad Max - Mad Max: Fury Road alongside a distinguished cast comprising of Tom Hardy, Charlize Theron, Zoe Kravitz and Nick Hoult. -
Great Literature Collection
Great Literature Collection Aldrich Ames: Traitor Within CIA operative Aldrich Ames has, like his father, always been a company man. Although not always competent, he is chief of the Counter Intelligence Soviet Branch and has few friends within the Agency. On the verge of financial ruin due to, among other things, his wife Rosario's heavy spending, the hard-drinking and desperate Ames decides to sell secrets to the Russians. His first "job" has fatal consequences for ten Russians who worked for the CIA. Ames' boss, the Chief of Operations, who is friendly toward Ames, discovers that someone within the CIA is divulging high-level information. He appoints Jeanne Vertefeuille to head up the investigation. Jeanne recruits her own older staff, derisively dubbed the "over the hill gang". Poring through an abundance of records, case files and information proves to be an awesome task and their search goes on for eight years. After a year-long stint in Rome and now with Bush in the White House, Ames continues turning over information to the Russians for millions of dollars, re-routing deposits to Swiss banks and his wife's family in Colombia. Still an alcoholic, he buys a Jaguar and moves his family to an expensive home in a plush suburb. Ames soon realizes, however, that the investigation is closing in and gets very nervous when a Russian politico who could disclose Ames' duplicity defects to America. Ames gets lucky, his treason is not yet uncovered. Ames' own actions, however, begin to draw suspicion towards him, especially when he tries to conduct his own investigation to uncover the spy within the CIA. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Alyson Hannigan Listing by Ren Smith Featured in USA Today
Alyson Hannigan listing by Ren Smith featured in USA Today February 14, 2018 Alyson Hannigan has a genius way of keeping organized at home Alyson Hannigan is giving us serious inspiration. Having trouble keeping your family’s schedule organized? Steal this fun DIY idea from actress Alyson Hannigan. The “How I Met Your Mother” star recently put her Santa Monica, California house up for sale, and we noticed a large chalkboard calendar on one of the walls in the kitchen area. It made us immediately want to grab a bucket of chalkboard paintand some wood to create one like it in our own homes. The wall features five rows of seven squares separated by narrow strips of wood. Along the top of the larger frame that surrounds the calendar are the names of the days of the week. Each box can be numbered with chalk according to the current month. It’s the perfect place to write down appointment reminders, your kids’ sports practice schedules and even menu plans for the week. And when you want to keep track of miscellaneous things — such as future vacation countdowns, phone numbers, or notes to family members — there’s a larger square on the side for that. The wall can easily be re-created with a few supplies from a home improvement store, and there are also so many variations you can do, such as using whiteboard paint as the base or creating the frame and boxes with Washi tape if you don’t want to work with wood. Hannigan, who has two young daughters, told People in 2016 that she loves to craft so much, she turned her guest house into a crafting room. -
Inaugural Samsung Aacta Awards
INAUGURAL SAMSUNG AACTA AWARDS WINNERS BY PRODUCTION TELEVISION The Slap ‐ 5 Awards AACTA Award for Best Telefeature, Mini Series or Short Run Series AACTA Award for Best Direction in Television ‐ Episode 3 ‘Harry’ AACTA Award for Best Screenplay in Television ‐ Episode 3 ‘Harry’ AACTA Award for Best Lead Actor in a Television Drama ‐ Alex Dimitriades AACTA Award for Best Guest or Supporting Actress in a Television Drama ‐ Diana Glenn ‐ Episode 3 ‘Harry’ Cloudstreet ‐ 2 Awards AACTA Award for Best Young Actor ‐ Lara Robinson ‐ Part 1 AACTA Award for Outstanding Achievement in Television Screen Craft ‐ Herbert Pinter ‐ Production Design Angry Boys‐ 1 Award AACTA Award for Best Performance in a Television Comedy ‐ Chris Lilley East West 101, Season 3 ‐ The Heroes' Journey ‐ 1 Award AACTA Award for Best Television Drama Series The Gruen Transfer, Series 4 ‐ 1 Award AACTA Award for Best Light Entertainment Television Series Killing Time ‐ 1 Award AACTA Award for Best Guest or Supporting Actor in a Television Drama ‐ Richard Cawthorne ‐ Episode 2 Laid ‐ 1 Award AACTA Award for Best Television Comedy Series My Place, Series 2 ‐ 1 Award AACTA Award for Best Children's Television Series Packed To The Rafters ‐ 1 Award Switched On Audience Choice Award for Best Television Program Paper Giants: The Birth of Cleo ‐ 1 Award Switched On Audience Choice Award for Best Performance in a Television Drama ‐ Asher Keddie Sisters Of War ‐ 1 Award AACTA Award for Best Lead Actress in a Television Drama ‐ Sarah Snook INAUGURAL SAMSUNG AACTA -
The Community-Centered Cult Television Heroine, 1995-2007
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 2010 "Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007 Tamy Burnett University of Nebraska at Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Feminist, Gender, and Sexuality Studies Commons, Literature in English, North America Commons, and the Visual Studies Commons Burnett, Tamy, ""Just a Girl": The Community-Centered Cult Television Heroine, 1995-2007" (2010). Dissertations, Theses, and Student Research: Department of English. 27. https://digitalcommons.unl.edu/englishdiss/27 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 by Tamy Burnett A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Specialization: Women‟s and Gender Studies) Under the Supervision of Professor Kwakiutl L. Dreher Lincoln, Nebraska May, 2010 “JUST A GIRL”: THE COMMUNITY-CENTERED CULT TELEVISION HEROINE, 1995-2007 Tamy Burnett, Ph.D. University of Nebraska, 2010 Adviser: Kwakiutl L. Dreher Found in the most recent group of cult heroines on television, community- centered cult heroines share two key characteristics. The first is their youth and the related coming-of-age narratives that result. -
Annual Report
ANNUAL REPORT 2013 Archive Name ATAS14_Corp_140003273 MECH SIZE 100% PRINT SIZE Description ATAS Annual Report 2014 Bleed: 8.625” x 11.1875” Bleed: 8.625” x 11.1875” Posting Date May 2014 Trim: 8.375” x 10.875” Trim: 8.375” x 10.875” Unit # Live: 7.5” x 10” LIve: 7.5” x 10” message from THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER At the end of 2013, as I reflected on my first term as Television Academy chairman and prepared to begin my second, it was hard to believe that two years had passed. It seemed more like two months. At times, even two weeks. Why? Because even though I have worked in TV for more than three decades, I have never seen our industry undergo such extraordinary — and extraordinarily exciting — changes as it has in recent years. Everywhere you turn, the vanguard is disrupting the old guard with an astonishing new technology, an amazing new show, an inspired new way to structure a business deal. This is not to imply that the more established segments of our industry have been pushed aside. On the contrary, the broadcast and cable networks continue to produce terrific work that is heralded by critics and rewarded each year at the Emmys. And broadcast networks still command the largest viewing audience across all of their platforms. With our medium thriving as never before, this is a great time to work in television, and a great time to be part of the Television Academy. Consider the 65th Emmy Awards. The CBS telecast, hosted by the always-entertaining Neil Patrick Harris, drew our largest audience since 2005. -
Emigrato Italiano Nel Cinema
Appunti di viaggio dell’emigrato italiano nel cinema Mirco Melanco Università di Padova 1- L’America, tra sogno e realismo cinematografico Nel 1917 Charlie Chaplin gira The Immigrant (L’emigrante), interpretato dallo stesso Chaplin e da Edna Purviance. L’indigenza spinge i due giovani protagonisti del film a partire in cerca di fortuna su un transatlantico diretto in America. Durante la faticosa traversata oceanica i due si incontrano e si innamorano. Per tutto il viaggio Chaplin difende con abilità e astuzia la dignità della ragazza e di sua madre, gravemente malata. L’arrivo a New York, introdotto dalla didascalia «The arrival in the land of liberty», avviene mentre lo sguardo dei poveracci sulla nave si volge verso la Statua della Libertà, immagine visibile solo nella copia originale, poi censurata quando il film venne criticato come antiamericano. Gli sfortunati sembrano allo stesso tempo impauriti e contenti, mentre l’obiettivo inquadra un cartellino posto al loro collo, lo stesso che identifica le bestie portate al macello. L’approdo avviene in un clima di intimidazione e Chaplin, osservando il comportamento dei funzionari addetti allo sbarco, sembra domandarsi se è proprio questo il Paese della Libertà. L’arrivo alla terra promessa non migliora la situazione economica della coppia e solo il fortunato ritrovamento di una monetina consente loro un pasto dignitoso. Anche qui li attende un futuro incerto, carico di dubbi e di preoccupazioni come accadeva in patria e, come prima, l’unica soluzione è rimboccarsi le maniche e adattarsi a qualsiasi lavoro. Come si può facilmente intuire il soggetto di The Immigrant funziona come schema basilare per numerosi altri film sull’emigrazione che vedremo innanzi: la sofferta partenza dalla patria, il carico di insidie, l’arrivo nella nuova terra vissuto spesso drammaticamente e il difficile inserimento nel nuovo contesto sociale. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Weiss: Outeide Reval 'Wiser
$ - M, -U 1--^ I l' ■ >.*■< Bill helps towns =' ‘ flffnlhStlph; HUD Ih Roi^te 6 path,4 #eihadlehs /ll Abe DistIr Robei been • Student cut Hot recogni schools Coll* Mane “Spoon from A] anrteatrr Mr ra Ift Center. Saturda round, t and the Monday, April 11,1988 Manchester, Conn. — A City of Village Charm and the 30 Cents citizens 647-6043 TeacI Deboi tary Sc Weiss: Outeide reval ‘wiser institute maritin By Nancy Concelman doing their revaluations. The “Given the facts at that tim e... worksht Manchester Herald handling of the 1987 revaluation, cism from members of the town the Jost town has received permission it appeared to be the right said recently he wished he could Board of Tax Review that he from the state Office of Policy decision,” Weiss said Friday. The pn Town Mans ger Robert B. Weiss have avoided the revaluation by didn’t tell them about a March 21 Connect and Management to scrap the “Looking at the situation as it hiring an outside firm. Vincent deadline to request an extension says now that the town would revaluation because of a number developed, it’s obvious the town ested ir probably have been “wiser” to said the town rejected the idea from the state to act on appeals of Larson. of problems, including questions would maybe have been wiser to because of costs. assessments. bring in an outside firm to do the over whether 1986 market values bring in an outside firm.” Seaport 1987 revaluation that was were properly used to determine Vincent estimated the cost of Vincent said he suggested the scrapped after a series of the revaluation.