AUGUST 2021 WELCOME BACK

Welcome to The Old Globe and this production of Hair. We thank you for being a crucial part of what we do, and supporting us through our extended intermission. Now more than ever, as we return to live performances, our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work.

MISSION STATEMENT

The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatri- cal experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.

STATEMENT OF VALUES

The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives.

INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places.

EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage.

STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations.

IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. The Old Globe has embarked on a series of steps to intensify and accelerate necessary change at all levels of our institution. Learn more about this work, including our Social Justice Roadmap, at www.TheOldGlobe.org/Roadmap.

The Theodor and Audrey Geisel Fund provides leadership support for The Old Globe’s year-round activities. PERFORMANCES MAGAZINE 1 OUR PANDEMIC JOURNEY THE OLD GLOBE’S COMMITMENT TO SERVE THE PUBLIC GOOD THROUGH THEATRE ART DID NOT ABATE.

Meanwhile, The Old Globe’s favorite mainstays, It takes leadership and support to weather a Shakespeare and The Grinch, found ways to crisis, and the Globe had the great good fortune By Erna Finci Viterbi Artistic Director Barry Edelstein delight audiences while their stages remained to be sustained by philanthropists from all areas and Audrey S. Geisel Managing Director Timothy J. Shields dark. Barry Edelstein adapted his acclaimed of the region. Our Board provided thoughtful Thinking Shakespeare Live! series online to guidance and deep generosity to keep the Globe How does a theatre fulfill its purpose if its performance spaces sit empty? focus on the writer’s greatest sonnets, drawing producing work for the community while the parallels between the Bard’s world and our own. doors were closed. Government relief provided In March 2020, The Old Globe shut down for the first time since World War II. The theatre was in the thick of In partnership with KPBS, the Globe also brought much-needed support as well: two federal its winter season and was building a Globe for All touring production while also beginning preparations on Edelstein’s acclaimed 2017 staging of Hamlet to Paycheck Protection Program (PPP) loans were another banner summer season. For an institution that operates year-round, serving audiences both in Balboa the radio waves in a thrilling audio production, essential to the Globe’s operations, as was the Park and across San Diego County, the idea of ceasing operations was outlandish. But the swift, stark realities which can be enjoyed on the Globe’s YouTube Congressional relief package that included of COVID-19 required it, as they required so much of everyone around the world. The Globe switched off the and podcast channels now. And after 22 straight the Shuttered Venue Operators Grant. And lights and locked the doors. years as San Diego’s favorite holiday tradition, the Globe was grateful for significant funding Dr. Seuss’s How the Grinch Stole Christmas! would via our GlobeRISING campaign. Indeed, it is While the Globe has faced war, fires, and other catastrophes in its 86-year history, the pandemic was an not take a year off, also partnering with KPBS because of those who gave to this campaign, especially devastating period. Friends, neighbors, and colleagues were taken by the virus. Freelance performers Radio to reach families across the county and even amid their own struggles, that the Globe and artisans who count on work in our theatres were left without sustaining employment. Approximately 70 the nation and spread some holiday cheer. met the many challenges it faced and has now percent of the Globe’s full- and part-time staff were furloughed, and still more took pay cuts or worked reduced risen strong again. (Learn more about these hours. Our three theatre venues, places of empathy and joy, were silent, bereft of their audiences, who spent The Globe also responded with a slate of incredible philanthropists starting on page 25.) painful months isolated at home. other programs, including new podcasts and digital humanities initiatives. What Is Theatre And through it all, The Old Globe’s professional But The Old Globe’s commitment to serve the public good through theatre art did not abate. Theatre innovates Now?, another exciting effort, asked six gifted staff persevered, facing the hardships of the in times of despair. It always has. The ancient Greek playwrights turned major conflicts into thrilling works of artists to imagine forms and technologies that pandemic with grace and ingenuity. They made art. Shakespeare used the closures caused by the bubonic plague to write new plays and tour his work to new might translate onto digital platforms or live deep sacrifices and navigated terrain that audiences. And now too the Globe found resilience and creativity in its extended intermission. theatre, or might introduce new hybrids of changed often, sometimes by the hour. Their the two. This new initiative has informed the faith shone through. Such is their skill and The Globe’s Arts Engagement Department Globe’s trajectory moving forward, even as it tenacity that the Globe not only survived the responded to the shutdown immediately with a reshapes and remakes this ancient art form pandemic, but produced great work throughout wide range of online programming. Successful for an extraordinary new era. Some of these it, and now met this reopening with a schedule longtime projects, like Community Voices works, like Patricia McGregor’s reimagining of brimming with activities, including the playwriting classes and free AXIS celebrations, Samuel Beckett’s towering Krapp’s Last Tape production you’re seeing tonight. found new life on digital platforms, broadcasting and Johanna McKeon’s adaptation of Juan José The Old Globe is once again humming with via social media to thousands of homebound San Saer’s short fiction Anonymous Biography, are activity: full-scale productions on our stages, free Diegans. And staff quickly developed new programs now becoming available to view online for free. family events on our plaza, excited audiences in that harnessed virtual forms. Writing, music, The Globe’s Social Justice Roadmap buttressed our seats. It’s almost like normal. And yet, what poetry, and design proliferated in collaborations all of this work. Officially adopted in October we consider normal is forever changed. Our between artists and viewers with programs like The 2020, this five-year plan builds on our recent artists, supporters, and staff learned that we are Poet’s Tree, Creative Youth Studio, and The Living strides toward greater equity, diversity, capable of more creativity and determination Room Play Workshop, bridging the digital divide inclusion, access, and belonging, meeting the than we ever knew. And we understand that with with flair. In fact, programs that started online, like the interactive artmaking event Word Up!, are now taking deep reckoning in the theatre, and in America our abilities comes a renewed responsibility to place in person on our plaza, bringing the creative process full circle. at large, that followed the murder of George share the transformative power of our art form Floyd. This ambitious document addresses every with everyone. Though COVID-19 still casts its Only two months into quarantine, as digital conferencing platforms quickly entrenched themselves in our daily aspect of our work and operations now, and will shadow on the world, in our little corner of the lives, the Globe called on reowned comic performer Bill Irwin to present his new work In-Zoom on YouTube continue to do so, as we commit to making every culture we are heartened as we glimpse a future Live. This short play, which hilariously mired Irwin and fellow actor Christopher Fitzgerald in the quirks and constituency in our community feel an equal brighter than before.  frustrations of screen-to-screen communication, was one of the nation’s first theatre pieces devised for the sense of connection to this great theatre. shutdown, and brought some comic relief to its audience of beleaguered tech users.

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 ABOUT US THE PLAY

BOARD OF DIRECTORS Ann Davies† CHAIR FROM BARRY Evelyn Olson Lamden† Paula Powers† Anthony S. Thornley† INCOMING CHAIR SECRETARY TREASURER DIRECTORS Jennifer Greenfield Pamela Stafford HONORARY EMERITUS I last sat down to write a program note late in 2019 of a better America. Hair was controversial when it † Jules Arthur George C. Guerra Karen Tanz DIRECTORS DIRECTORS as deadlines approached for the first Globe shows opened, and if it retains its power to unsettle us in † Terry Atkinson Dick Harris Michael Taylor Mrs. Richard C. Adams* Garet B. Clark of 2020, Jitney and Hurricane Diane. I’m not sure I our decades-later but still anxious country, then it also Stephanie R. Bulger, Nishma Held Rhona Thompson Clair Burgener* J. Dallas Clark* quite remember how to do this, but I am cognizant retains its ability to inspire. † Susan Hoehn Christine Roberts Ph.D. Mrs. John H. Fox* Bea Epsten of what a joy it is to get the chance. It’s a joy tinged Eleanor Y. Charlton Daphne H. Jameson Trimble Audrey S. Geisel* Sally Furay, R.S.C.J. °* with some pain, however: 2020, the Year of the Indeed, I think the surge of feeling this musical Nicole A. Clay† Peter Landin Evelyn Mack Truitt Paul Harter Kathryn Hattox °* generates is even greater in our moment. Beautiful Donald L. Cohn†° Sheila Lipinsky Debra Turner Gordon Luce* Bernard Lipinsky* Virus, was difficult, marked by grief and loss. But it’s Ellise Coit Keven Lippert Pamela J. Wagner Dolly Poet* Delza Martin* important to look forward. Elsewhere in this program young people singing from their hearts: “Let the Elaine Bennett Monica Medina Reneé Wailes Deborah Szekely Conrad Prebys* Tim Shields and I describe the things that happened Sunshine In!” Hearing that song lifted us in the late Darwin†° Noelle Norton, Ph.D. Lynne Wheeler Hon. Pete Wilson Darlene Marcos Shiley here in the pandemic, including the flood tides of ’60s during a terrible period of war and unrest and George S. Davis David Jay Ohanian Sheryl White†° Patsy Shumway creativity and generosity that surged our way. Buoyed generational strife, and it lifts us to hear it again as we Mark Delfino† Deirdra Price, Ph.D. Margarita Wilkinson Carolyn Yorston- by our supporters, artists, and community partners, I emerge from our own time of calamity. What could be Silvija Devine Sandra Redman Karin Winner† Wellcome feel much optimism now, and it sustains me as I look more wonderful than a group of young people calling † † Pamela A. Farr† Sue Sanderson Vicki L. Zeiger ° Harvey P. White° forward to a reopened, recovered, and refocused Old on us all to be our best selves, or proclaiming despite † Robert Foxworth Karen L. Sedgwick Globe. everything that it’s fundamentally an act of optimism Harold W. Fuson Jr.†° Jean Shekhter to work for change? †Executive Committee °Past Chair *In memoriam member That optimism led me, when thinking about how to restart our beautiful but buffeted theatre, to turn to James Vásquez, a dear friend and Resident Artist of RESIDENT ARTISTS Hair. Originally scheduled to be produced indoors last The Old Globe, has made an effervescent and powerful summer, this boisterous, brilliant musical—with one production, and he and his team of collaborators Patricia McGregor David Israel Reynoso Delicia Turner Sonnenberg James Vásquez of the great scores in the history of the form—is exactly have done extraordinary things in reconceiving their the right way to turn the lights on again. The show is vision of the show for our outdoor stage. The cast that COMMISSIONED ARTISTS about a group of young people who come together to assembles under the shining San Diego moonlight offers their talents and their hearts in equal measure. Ngozi Anyanwu Dea Hurston Jonathan Mello Delicia Turner Sonnenberg remake their world, kinder and more gracious than Inda Craig-Galvan Justin Levine Tony Meneses Miki Vale before. The “Tribe” of friends and lovers, hippies and I’m grateful to them all. Justin Emeka Melinda Lopez Liza Jessie Peterson James Vásquez seekers, stares hard at an America in turmoil and sees Nathan Englander Mona Mansour Mansa Ra Whitney White in it not ugliness and rancor, but instead “harmony Throughout the Globe’s extended closure, I often Fiasco Theatre Laura Marks Heather Raffo Craig Wright and understanding, sympathy and trust abounding.” reminded myself that the agony of this period would José Cruz Gonzáles Patricia McGregor Steve Rosen and Karen Zacarías They conjure from a time of pain a vision of a brighter lift the instant our community gathered again to Jessica Hilt Johanna McKeon Gordon Greenberg future. And that’s why we’re doing it. watch the best theatre artists in our country weave their magic spells. The company of Hair, onstage ASSOCIATE ARTISTS OF THE OLD GLOBE The members of the Tribe would be in their early and off, prove through their artistry that I was right. 70s in 2021, and I imagine they would startle that It delights me beyond measure to share that magic In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and plea- the discontents they fought 50 years ago are still so with you, our audience, who’ve been so stalwart and sure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated, by their active presence current now: political alienation, economic inequity, generous in your support. And so, at last, after 17 long on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. environmental devastation, racism, sexism, sexual months, I offer my traditional close: William Anton Ralph Funicello John McLain David F. Segal double standards, violence abroad and at home, even Gregg Barnes Lillian Garrett-Groag Jonathan McMurtry* Richard Seger* the dislocations wrought by technology. The show is Thanks for coming. Enjoy the show. Jacqueline Brookes* Harry Groener Stephen Metcalfe Diane Sinor* so moving precisely because these idealists refuse to Lewis Brown* A.R. Gurney* Robert Morgan Don Sparks despair in the face of these upheavals. They understand Victor Buono* Joseph Hardy Patrick Page David Ogden Stiers* that the reality of America can sometimes fall seriously Wayland Capwell* Mark Harelik Ellis Rabb* Conrad Susa* short of our country’s promise, and Claude, the Kandis Chappell Bob James Steve Rankin Deborah Taylor show’s hero, comes to know the human cost of these Eric Christmas* Charles Janasz William Roesch Irene Tedrow* failings. But they continue to believe in the possibility Patricia Conolly Peggy Kellner* Robin Pearson Rose Sada Thompson* George Deloy Tom Lacy Marion Ross Paxton Whitehead Tim Donoghue Diana Maddox Steven Rubin James Winker Richard Easton* Nicholas Martin* Ken Ruta Robert Wojewodski Tovah Feldshuh Dakin Matthews Douglas W. Schmidt G. Wood* Monique Fowler Deborah May Seret Scott Any feedback on tonight’s show or any of the Globe’s work? Robert Foxworth Katherine McGrath* Richard Seer *In memoriam Email Barry at [email protected] and he’ll get back to you!

4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 CAST (in alphabetical order) HUD...... Alex Joseph Grayson* CLAUDE. Barry Edelstein Timothy J. Shields ...... Tyler Hardwick* ERNA FINCI VITERBI ARTISTIC DIRECTOR AUDREY S. GEISEL MANAGING DIRECTOR SHEILA...... Storm Lever* WOOF...... Angel Lozada* JEANIE...... Jaygee Macapugay* BERGER PRESENTS ...... Andrew Polec* CRISSY...... Bailey Day Sonner* DIONNE...... Nyla Sostre* ENSEMBLE...... Leo Ebanks, Luke H. Jacobs, Patricia Jewel, HAIR Delaney Love*, Alfie Parker, Jr.*, Christopher M. Ramirez*, Bethany Slomka*, Justine Vasquez* SWINGS BOOK AND LYRICS BY ...... Nicolette Burton*, Kevin Hafso Koppman* GEROME RAGNI AND JAMES RADO UNDERSTUDIES...... for Sheila – Nicolette Burton*; for Hud – Leo Ebanks; for Woof – Luke H. Jacobs; for Dionne – Patricia Jewel; MUSIC BY for Claude, Berger – Christopher M. Ramirez*; for Jeanie, Crissy – Bethany Slomka*

GALT MACDERMOT Production Stage Manager ...... Moira Gleason* Assistant Stage Manager ...... Kendra Stockton* Tim Mackabee David Israel Reynoso Amanda Zieve Ken Travis SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN SETTING Angela Steiner Sinai Tabak Howie Moira Gleason New York City and the fluid-abstract world of 1968. MUSIC DIRECTOR ADDITIONAL Cherpakov, CSA PRODUCTION STAGE ARRANGEMENTS MANAGER CASTING There will be one 15-minute intermission.

CHOREOGRAPHY BY MAYTE NATALIO PRODUCTION STAFF Assistant Director...... Noelle Marion Assistant Choreography DIRECTED BY ...... Nico DeJesus Associate Music Director...... Ian Brandon JAMES VÁSQUEZ Intimacy Coordinator...... Lauren Lovett Assistant Scenic Design...... Eileen McCann Assistant Costume Design Shelly Williams Hair is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC...... Assistant Lighting Design Brandon Rosen www.concordtheatricals.com ...... Assistant Lighting Design...... Heather Reynolds Associate Sound Design...... Sam Lerner Lowell Davies Festival Theatre Production Assistant...... Alex Luong Douglas Pagliotti Stage Management Fellow...... Allison Bailey August 10 – September 26, 2021 Subaru of El Cajon Stage Management Intern...... Rodrigo Caraveo

PRODUCED FOR THE BROADWAY STAGE BY ORIGINALLY PRODUCED BY *Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

MICHAEL BUTLER NEW YORK Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. SHAKESPEARE If you would like a synopsis of this production in English or Spanish, please request it from an usher. FESTIVAL THEATRE 6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 THE SONGS THE PLAY MUSICAL NUMBERS ACT ONE “Aquarius”...... Dionne and Ensemble “Donna”...... Berger and Ensemble “Hashish”...... Ensemble “Sodomy”...... Woof and Ensemble “Colored Spade”...... Hud and Ensemble Director James Vásquez on what inspired The “Manchester, England” ...... Claude and Ensemble Old Globe’s production of Hair. “I’m Black”...... Hud, Woof, Berger, Claude, and Ensemble “Ain’t Got No”...... Woof, Hud, Dionne, and Ensemble “Sheila Franklin”...... Ensemble Interview by Danielle Mages Amato “I Believe in Love”...... Sheila and Trio “Ain’t Got No Grass (Reprise)”...... Ensemble “Air”...... Jeanie, Dionne, and Crissy What drew you to working on Hair? What made it a started seeing Act I as introductions to the community, “Kama Sutra”...... Orchestra piece that you were excited to work on? to the different parts of the community and how they “The Stone Age”...... Berger come together for a common goal. There is something “Manchester, England (Excerpt)”...... Claude I was familiar with Hair before this process, of course. I’ve really deep and beautiful in that story, mixed in with this “I Got Life”...... Claude and Ensemble always known the music, and I saw the 2009 Broadway great music. “Initials”...... Ensemble revival and loved it. But when I really started looking at “Going Down”...... Berger and Ensemble it, I discovered that it absolutely checked off all these In terms of challenges in bringing Hair to the stage in “Hair”...... Claude, Berger, and Ensemble boxes that I feel are important to my work. I consider 2021, it became clear that there are moments of the “My Conviction”...... Ensemble myself an activist through art. I’m not necessarily one show that may not play as well as they did in 1967, that “Easy to Be Hard” ...... Sheila who will take to the streets, but I will take to the stage, may actually be offensive, or hurtful, or even damaging. “Don’t Put It Down (Crazy for the Red, Blue, and White)” ...... Woof and Ensemble and right now, in our time, there are a lot of voices that So, there have been a couple moments that we had to “Frank Mills” ...... Crissy need to be heard. adjust or rethink in order to honor the musical’s intent “(Hare Krishna) Be-In”...... Ensemble “Where Do I Go?” Claude and Ensemble and also celebrate the people in our community...... Not to date myself or my parents, but this piece represents ACT TWO my dad’s generation. I’m finding an interesting kind of What have been your inspirations for the physical “Electric Blues”...... Ensemble connection to him in working on it. My dad joined the Air production? “Oh Great God of Power”...... Ensemble Force when he graduated high school. But I think what “Manchester, England (Reprise)”...... Claude and Ensemble he probably really wanted to do was take to the streets I drew a lot of inspiration for the show from my youth: “Walking in Space”...... Dionne, Sheila, Jeanie, and Ensemble and write poetry. I have memories of my dad when I was when I was 19, living in New York, and visiting the clubs “Minuet”...... Orchestra four or five, and he used to host poetry readings in our with a bunch of the other club kids, seeing outrageous “Yes, I’s Finished on Y’all’s Farmland”...... Hud and Ensemble apartment. I grew up in this world of artists coming over costumes and outrageous personalities. That opened “Four Score and Seven Years Ago/Abie Baby”...... Ensemble and speaking their truths from a young age. And in that my eyes and showed me that I could be whoever I “Give Up All Desires”...... Ensemble way, the ideas behind Hair are something I grew up with. wanted to be, authentically. I find right now there’s a big “Three-Five-Zero-Zero”...... Ensemble moment of awareness of gender, with people celebrating “What a Piece of Work Is Man”...... Claude and Ensemble What are the challenges of tackling such an iconic their authentic selves, be that queer or nonbinary or “How Dare They Try/Walking in Space (Reprise)”...... Ensemble and landmark piece, especially one that’s so transgender. With this production, it’s a special thing to “Good Morning Starshine”...... Sheila and Ensemble specific to the time period in which it was written? be able to celebrate queer lives on stage in an authentic “Aquarius Goodnights”...... Ensemble way. And then add to that Black lives and Mexican “Ain’t Got No (Reprise)”...... Claude and Ensemble There’s always a little bit of—I wouldn’t call it fear— American lives and Asian American lives—we have a “The Fresh Failures”...... Ensemble but more of just a question about what the audience beautifully diverse company that represents the world. “Eyes Look Your Last/Manchester, England (Reprise)”...... Claude, Sheila, will think. Especially audience members who know the Dionne, and Ensemble musical so well and lived through the period. What are What kind of experience do you hope the audience “Let the Sunshine In” ...... Ensemble they going to think of this version, which is still set in will have when they come to see the show? 1967, in the period in which it was written, but in this production is definitely told through the eyes and the You know, I always have big hopes for Act III of every ORCHESTRA stories of 2020 and 2021? I think that’s exciting. show I direct. Act III, to me, is the conversations that happen on the car ride home. So I hope that the Music Director, Conductor, Keyboard · Angela Steiner Electric Bass · Michael Pearce What have been some of the surprises and show continues after curtain call, that it brings up Associate Music Director Drums, Percussion · Ian Brandon · Danny Chavarin challenges along the way? conversations about the world and hopefully gives those Flute, Clarinet, Alto Saxophone Orchestra Contractor · Cynthia Swanson · Lorin Getline in the audience a little more confidence to celebrate their Baritone Saxophone, Clarinet · Gabriel Sundy One thing I’m really surprised and grateful for, as the Electric Guitar 1 Nikko Nobleza Rehearsal Piano · Angela Steiner, Ian Brandon authentic selves. There’s a lyric in the show where they · director of the piece, is that I was able to discover the Electric Guitar 2 · Domenico Hueso Rehearsal Drums · Danny Chavarin sing, “Our eyes are open; our eyes are open.” That hits through-line, the story that runs underneath the whole me so deep. This Tribe is able to see each other, they show. Because Hair is very Brechtian in structure—there take the time to actually stop and look and listen to each All musicians are represented by the American Federation of Musicians of the United States and Canada. are a lot of separate elements piecemealed together. Then other. And we can always use more of that.  I discovered that the whole show is about community. I 8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY

within both their Tribe and mainstream society. Claude, our protagonist, struggles with both his “invisibility” and his destiny for either “greatness or madness.” It is no coincidence that much of the first act of the show consists of the Tribe members introducing themselves to the theatrical audience—it is their way of taking up space, announcing their presence, and, as director James A look at how Hair was born from national upheaval and became a musical theatre classic. Vásquez has pointed out, introducing By Madison Mae Williams us to and celebrating their authentic selves.

Hair and its ongoing legacies have Fifty-three years ago this spring, “the dawning of Though MacDermot was completely unfamiliar never been more relevant to explore the age of Aquarius” took Broadway by storm with with the world of the youth counterculture, he was than in our current moment. These the debut of James Rado, Gerome Ragni, and Galt enthused by the material Rado and Ragni provided young Tribe members fight back MacDermot’s Hair. The show’s opening in April him, and he agreed to compose the score to the against “evil and social injustice” with 1968—after a highly successful Off Broadway run rock musical. spirit, humanity, and a clever sense at The Public Theater—took place in a moment of humor that never lets the audience marked by a radical cultural shift. The civil rights After searching for a producer for their show, the sit back and relax. Hair is a whirlwind of movement was making way for the emergence new trio found their perfect match in legendary satirical text, gorgeous choreography, and an of the Black power/arts movement; second wave producer and founder of The Public Theater amazing score that reminds us of the strength feminism was developing; and the Vietnam War Joseph Papp, who chose to open the new theatre and beauty found in the power of the collective. was at its height. Young people were seeking in the East Village with Hair in 1967. After a When the Tribe sings “Let the Sunshine In,” it is a connection within the rise of the sexual revolution successful six weeks at the Public and a brief run demand, a rally, a desperate cry, and a celebration and anti-war and hippie communities, leading to at a discotheque called The Cheetah, two more key in one; Hair states that in order for change to occur, the height of the countercultural movement of players joined the creative team: Michael Butler we cannot sit idly back, but must take up the good the decade. These aspects of a changing America joined as producer, and director Tom O’Horgan fight ourselves.  are captured in Hair, which would revolutionize would help reshape the show for Broadway. Broadway as one of the first concept and rock The show ran for over 1,700 performances in musicals. However, Hair is much more than just a its original run, with multiple tours, regional museum piece of the late ’60s. Filled with cultural, performances, and international productions historical, and political references, the show is to follow. Though some of Broadway’s old guard, LEARN MORE a living, evolving archive of the counterculture like Leonard Bernstein and Richard Rodgers, were Burns, Ken and Lynn Novick, The Vietnam with a legacy that continues to grow and resonate resistant to the new sound of the evolving rock War documentary series. decades later. musical, public response was generally positive. Popular recordings of songs from the show—such Grode, Eric. Hair: The Story of the Show that The musical, subtitled The American Tribal Love- as The 5th Dimension’s take on “Aquarius/Let the Defined a Generation. Rock Musical, was born out of the close relationship Sunshine In,” Oliver’s cover of “Good Morning between co-writers James Rado and Gerome Ragni, Starshine,” and Three Dog Night’s interpretation Horn, Barbara Lee. The Age of Hair: who met and began working on early drafts of Hair of “Easy to Be Hard”—cemented the show’s impact Evolution and the Impact of Broadway’s in 1964. Inspired by the growing hippie movement on pop culture for decades to come. First Rock Musical. they saw among youth in the East Village of New York City, the duo was determined to create a show Hair is, at its core, a show about young people Papp, Joseph and Kenneth Turan. Free that reflected the current cultural moment. In a seeking meaningful connection in a tumultuous for All: Joe Papp, The Public, and the 2007 interview, Rado recalled, “There was so much political moment. Gavin Creel, who played Claude Greatest Theater Story Ever Told. excitement in the streets and the parks and the in the highly lauded 2009 Broadway revival, stated hippie areas, and we thought if we could transmit in an interview that four simple goals drive the this excitement to the stage it would be wonderful.” actions of the Tribe: “we want to be young, we Through local producer and friend Nat Shapiro, want to be heard, we want to be seen, and we want 4u7 Rado and Ragni would connect with Grammy to stay alive.” The group of young hippies living Award–winning jazz composer Galt MacDermot. in New York and actively protesting the Vietnam Photos from top: The original production of Hair. War balances racial, sexual, and political conflict Original cast member Sally Eaton (photo by Bret Andrews). 10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 ARTISTS

NICOLETTE BURTON LUKE H. JACOBS Theatre), The Nutty Professor (Ogunquit Playhouse), Eighty- in Musical Theatre from Boston Conservatory, M.F.A. (Swing) The Old Globe: The Heart of Rock (Ensemble) San Diego: On the 20th Sixed (Musical Theatre Factory). Education: B.M. in Music from Globe/USD Shiley Program. @c_rambrothaman on & Roll, October Sky. Regional: Spamalot Century, Pageant (Cygnet Theatre), Theatre from Florida State University. @imangellozada on Instagram. (Park Playhouse), 42nd Street (Kasser Henri Labisse in Victor/Victoria, Instagram. Theater). Film/television: Broadway Franz Liebkind in The Producers, BETHANY SLOMKA or Bust (PBS), Big Love (i.am.MEDIA). Mary Sunshine in Chicago, Scuttle in JAYGEE MACAPUGAY (Ensemble) The Old Globe: Dr. Seuss’s Honors: The Jimmy Awards/National The Little Mermaid (Moonlight Stage (Jeanie) Broadway: School of Rock. O ff How the Grinch Stole Christmas! New High School Musical Theatre Awards Productions), Dames at Sea, A Funny Broadway: Soft Power, Here Lies Love, York: Toughest Girl Alive (Fringe). finalist, Old Globe Honors Best Actress winner. Education: Thing… (NCRT), Chantal in La Cage aux Folles (San Diego Wild Goose Dreams (Public), Cinderella, Regional: Hairspray (SD Rep, Welk, B.F.A. in Musical Theatre from Montclair State University, Musical Theatre). Choreography: La Cage aux Folles, The Hello, Dolly! (National Asian Artists SDMT; Craig Noel Award nomination), Theatre Academy London (study abroad), Florida State Legend of Georgia McBride (Cygnet), It’s Christmas and Project), Honor, The Rockae (Prospect Sister Act (Moonlight, SDMT), world University. nicoletteburton.com, @nicolettejburton on It’s LIVE! (Lamb’s Players), Sister Act (San Diego Musical Theater Company). Regional: Imelda premiere of 331/3: House of Dreams (SD Instagram. Theatre). National tours: In the Mood!, All Shook Up. Marcos in Here Lies Love (Seattle Rep), Rent, Grease, How to Succeed… (Welk), Sunset Boulevard Education: B.F.A. in Musical Theatre from CSU Fullerton. Repertory), Brenda in Smokey Joe’s Cafe (Maltz Jupiter, (Moonlight), Suds (NVA), Joseph…, 9 to 5, Ragtime, Man of LEO EBANKS @thenameisdiane on Instagram. Riverside), Theresa Liu in Working (Berkshire Theatre La Mancha (SDMT). TV: “Encore!” on Disney+. @beeslom on (Ensemble) Recent: Tonton Julian Group), Soft Power (Ahmanson, Curran), Miss Saigon (Muny, Instagram. in Once on This Island (Moonlight PATRICIA JEWEL 5th Avenue), The King and I (KC Starlight). Other work: Stage Productions), Benedick in (Ensemble) Regional: Mama Euralie USO singer. Film/television: False Positive, “Watch What Shakespeare’s Much Ado About Nothing BAILEY DAY SONNER in Once on This Island, The Hunchback Happens: Live,” The Language Lesson. @jaygeemacapugay on (Crissy) Regional: Velma in West (San Diego State University), Billy of Notre Dame (Moonlight Stage Instagram. Nolan in Carrie the Musical (Onstage Side Story (La Mirada), Sillabub in Productions), Matron Mama Morton Cats (SDMT), Minnie Fay in Hello, Playhouse), Georg in Spring Awakening in Chicago (Plan B Entertainment), (Grossmont College). @ItsJust_Leooo on Instagram. ALFIE PARKER, JR. Dolly! (Welk), Rock of Ages (Cygnet), Iemanja in Oliverio: A Brazilian Twist (Ensemble) Broadway: Genie Parade (3DT), Spring Awakening (Barn (MainStreet Theatre Company), understudy in Aladdin, Chicago, South Stage), Newsies, Beauty and the Beast ALEX JOSEPH GRAYSON Chiffon inLittle Shop of Horrors (New Village Arts), Ragtime Pacific revival. National tours: Miss (Candlelight). National tour: Rudolph (Hud) Broadway: A Bronx Tale. O ff (Candlelight Pavilion), Mama Ogre and Dragon in Shrek The Saigon, Memphis, Evita. Regional: Sunset the Red Nosed Reindeer (McCoy Rigby). Film: The Prom, Broadway: Toni Stone (Roundabout). Musical (Center Stage Theater), The Magic of Making Musicals Boulevard (North Shore), The Wiz, Guys Bathtubs over Broadway. baileydaysonner.com, @magicalbay National tour: Once on This Island. (Apples and Oranges Arts), Muzzy van Hossmere in and Dolls (Sacramento MC), Damn on Instagram. Regional: Camelot (Asolo Rep), Thoroughly Modern Millie, Motormouth Maybelle in Hairspray Yankees (Goodspeed), Ragtime, Barnum Spring Awakening (Argyle Theatre), (Performance Riverside). Education: B.A in Music and (Asolo), H.M.S. Pinafore (Guthrie), Choir Boy (JAG). Education: SUNY NYLA SOSTRE Psychology from University of Redlands. patriciajewel.com, Seven Brides... (Lyric), Aida (Media). Dance: Pilobolus PCS. (Dionne) National tour: Peggy Schuyler Fredonia, Matthew Corozine Studios. @iampatriciajewel on Instagram. Television: “The Marvelous Mrs. Maisel,” “Modern Love.” @alexjgsings on Instagram, @sonofterrycrews on TikTok. in Hamilton (2016–2019). Other work: Education: B.A. from Penn State. alfieparkerjr.com, @alfpjr two albums, and produced, composed, STORM LEVER and @parisandthemagicballoons on Instagram. and starred in her own visual album. KEVIN HAFSO KOPPMAN (Sheila) The Old Globe: Polexia in Education: CUNY 2016. NylaSostre (Swing) The Old Globe: Picasso at the Almost Famous. Broadway: Duckling ANDREW POLEC .com, @Nylanana on Instagram. Lapin Agile, Dr. Seuss’s How the Grinch Donna in Summer: The Donna Summer (Berger) West End: Strat in Bat out of Stole Christmas!, Twelfth Night (Globe Musical. Off Broadway: Dorothy in Hell The Musical (London Coliseum, for All), Hamlet, The Imaginary Invalid, The Wringer (City Center). Regional: Dominion Theatre, Manchester Opera JUSTINE VASQUEZ Love’s Labor’s Lost, Macbeth. Globe/ Wendy in Fly, Duckling Donna in House; winner of The Joe Allen Best (Ensemble) Theatre debut. Television: USD Shiley Graduate Theatre Program: Summer: The Donna Summer Musical (La West End Debut Award). Off Broadway: “Empire,” “Lip Sync Battle,” “Saturday The Two Gentlemen of Verona, As You Jolla Playhouse), Savannah and ensemble in Freaky Friday Matt in The Fantasticks (Theatre Night Live,” ”America’s Got Talent,” Like It, The Seagull, Acquainted with the Night. Regional: The (Signature Theatre, Alley Theatre, Cleveland Play House, La Center). Regional: Legacy of Love (Bucks “Mozart in the Jungle,” “The Get Addams Family (Welk Resort Theatre), Young Frankenstein Jolla), Emotional Creature (Berkeley Rep). Film/television: County Playhouse), John Andre in The Down.” Dance: Latin artist Don Omar’s (SDMT), Pride and Prejudice (Cygnet), West Side Story, The Tasha in “The Home” (upcoming), Jane in No One Called General from America (Hudson Valley Shakespeare Festival), “Salio El Sol” music video. Other work: Foreigner (Lamb’s Players Theatre),Ether Dome, His Girl Ahead. Education: B.F.A. from University of Michigan. Ivanov, A Christmas Carol (Trinity Repertory Company), Max performed with Madonna, Drake, Friday (La Jolla Playhouse), Zoot Suit (San Diego Rep), A @_stormieweather. in Where the Wild Things Are (Providence Fringe Festival). Coldplay, Zara Larsson, Neil Patrick Harris. @justinestrut Funny Thing…, This Random World (North Coast Rep), Birds Film/Television: “Katy Keene,” “Prodigal Son.” Andrew of a Feather, Speech and Debate (Diversionary), The Sunshine on Instagram. DELANEY LOVE Polec, the Kurt Weill/Lotte Lenya Artist, is a Finalist in the Boys, Deathtrap (Scripps Ranch). Honors: 2018 Craig Noel (Ensemble) Regional: In the Heights 2021 Lotte Lenya Competition. B.A.s in English and Music Award for Actor of the Year. GEROME RAGNI (Dallas Theater Center),Flashdance , from University of Rochester, M.F.A. in Theatre from Brown (Book and Lyrics), 1935–1991, from Pittsburgh, Cabaret (Gateway Playhouse), University/Trinity Rep. @andrewpolec. Pennsylvania, was the youngest of a large family with six TYLER HARDWICK Oklahoma! (Ogunquit Playhouse), In the sisters and two brothers. After four years as a medic in the (Claude) Broadway: Storyteller in Once Heights (John W. Engeman Theater), CHRISTOPHER M. RAMIREZ United States Air Force, he began acting and was recognized on This Island (OBC), Eddie Kendricks Chicago (Highlands Playhouse). (Ensemble) The Old Globe: Thinking by winning the Barter Theatre Award as Outstanding Young in Motown The Musical. Tours: Daniel @delaneylovee on Instagram. Shakespeare LOVE!, The Heart of Rock in Once on This Island, C.C. White Actor. He appeared on Broadway in John Gielgud’s Hamlet & Roll, Twelfth Night. Off Broadway: featuring Richard Burton, and he starred Off Broadway in in Dreamgirls, Norman Whitfield Icon (The Duke). Regional: Disney’s in Motown The Musical. New York: The Knack. Ragni was involved with The Open Theater (which ANGEL LOZADA Freaky Friday (La Jolla Playhouse, Ferdinand in The Tempest, Toby in Bliss, he named), studying experimental theatre techniques with (Woof) (he/him/his) Television: Cleveland Play House, Alley Theatre), Robby in Popstar, featured ensemble in New York, New York. Nola Chilton and Joseph Chaikin. With James Rado, he NBC’S Jesus Christ Superstar Live. Lookingglass Alice (Baltimore Center Regional: Gilbert in Marie, Dancing Still. Television/film: co-created the American tribal love-rock musical Hair, Regional: Unmasked (Paper Mill), Evita Stage), Man of La Mancha (Barrington FX’s “Pose,” NBC’s “The Blacklist.” @tylerhar on Instagram, and their lyrics were set to music by Galt MacDermot. A (Riverside Theatre), West Side Story Stage Company), The Count of Monte Cristo (Pioneer Theatre @tylerhardwick1 on Twitter. dynamic stage and life presence, Ragni originated the role (Maltz Jupiter), Jesus Christ Superstar Company), In the Heights, Fun Home (SpeakEasy Stage of Berger in Hair. On his own, he authored the Broadway (Chicago Lyric). Industry/staged Company), Violet (Clarence Brown Theatre Company). musical Dude, with score by MacDermot. He teamed up readings: Victory Train (Amas Musical Television: “Instinct” (CBS), “FBI” (CBS). Education: B.F.A. with another composer, Steve Margoshes, who wrote the

12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS music for the opus Jack Sound and His Dog Star Blowing His with the King, and Billboard’s chart-buster “Woo-Hah!! Got AMANDA ZIEVE MOIRA GLEASON Final Trumpet on the Day of Doom. Soon thereafter, he and You All in Check” by Busta Rhymes. MacDermot wrote more (Lighting Design) The Old Globe:Ebenezer Scrooge’s BIG (Production Stage Manager) (she/her/hers) The Old Globe: Rado rejoined forces to collaborate on a new musical they than 3,000 songs over his lifetime. His music is listened to San Diego Christmas Show, Tiny Beautiful Things, Barefoot in Alive and Well, Since Africa, Back Back Back, Whisper House, called Sun. A gifted actor and prolific writer and painter, and enjoyed in 122 countries worldwide, and Hair has been the Park, Native Gardens, The Wanderers, Rich Girl. Regional: Sea of Tranquility, The Sisters Rosensweig, The Constant Wife, Ragni originated “paper-napkin art,” and he wrote a volume performed constantly in over 40 countries worldwide since Put Your House in Order (La Jolla Playhouse), Rock of Ages Dr. Seuss’s How the Grinch Stole Christmas!, Chita Rivera: of dynamic poetry under the pen name Virginia Miller. His its inception. (Cygnet), Sweeney Todd, Roof of the World (KC Rep), Billy The Dancer’s Life, five seasons of the Summer Shakespeare son, Erick Ragni, is an innovative architect. Elliot: The Musical, Titanic (Signature Theatre), Approval Festival. Regional: American Mariachi, M. Butterfly, Vanya and JAMES VÁSQUEZ Junkie (Alliance Theatre). Associate design: The Heart of Sonia and Masha and Spike (South Coast Rep), Julius Caesar, JAMES RADO (Director) The Old Globe: Resident Artist; American Mariachi Rock & Roll, Bright Star, Allegiance (The Old Globe), Escape The River Bride, Long Day’s Journey into Night, The Count of (Book and Lyrics) is an actor, songwriter, and co-creator (world premiere), Hurricane Diane, Tiny Beautiful Things, to Margaritaville, Hollywood, The Hunchback of Notre Dame, Monte Cristo, Two Gents, Water by the Spoonful, King Lear, of the characters, story, dialogue, and lyrics of Hair. His Rich Girl (West Coast premieres), The Rocky Horror Show, Dr. Chasing the Song (La Jolla Playhouse). amandazieve.com. Romeo and Juliet, Willful (Oregon Shakespeare Festival), daydream since being a teenager was to write a Broadway Seuss’s How the Grinch Stole Christmas! Regional: American Adoption Project: Triad (Mo`olelo), Miss Witherspoon (San musical. He taught himself how to write lyrics from intense Mariachi (Denver Center Theatre Co.), In the Heights (Dallas KEN TRAVIS Diego Rep). study of Rodgers and Hammerstein, Rodgers and Hart, Theater Center, Moonlight Stage Productions), Dr. Seuss’s (Sound Design) The Old Globe: Life After, American Mariachi, and Cole Porter, as well as pop music from the 1930s, ’40s, The Lorax (associate director, Children’s Theatre Co.), West Rain, The Last Goodbye. Broadway: In Transit, Aladdin, Jekyll KENDRA STOCKTON ’50s, and ’60s. In college, he wrote the music and lyrics for Side Story, Cats (SD Musical Theatre), Pageant, Hedwig... & Hyde, A Christmas Story The Musical, Scandalous, Newsies, (Assistant Stage Manager) The Old Globe: Almost Famous, two shows: Interlude at University of Maryland and Cross (Cygnet Theatre Co.), Next Fall, Pippin (Diversionary Memphis, The Threepenny Opera, Barefoot in the Park, Steel As You Like It, Ken Ludwig’s The Gods of Comedy, Familiar, Your Fingers at The Catholic University of America. After a Theatre). Other works: Goodspeed Musicals, La Jolla Magnolias. Off Broadway/regional: The Public Theater, Clint Black’s Looking for Christmas, Much Ado About Nothing, two-year gig in the United States Navy, in 1956 he moved Playhouse. Education: The Juilliard School, Drama Division. The New Group, The Civilians, Atlantic Theater Company, Benny & Joon, October Sky, Bright Star, Dog and Pony, Dr. to New York to be an actor. Five years later he got his first jamesvasquez.com. Soho Rep., Classic Stage Company, Playwrights Horizons, Seuss’s How the Grinch Stole Christmas! (as production Broadway break when the famed director and teacher Lee Signature Theatre Company, Mabou Mines, A Contemporary assistant). Regional: House of Joy (San Diego Rep), Home of Strasberg plucked him from an acting class for a small part MAYTE NATALIO Theatre, The 5th Avenue Theatre, La Jolla Playhouse, Seattle the Brave, #SuperShinySara, Guards at the Taj, The Orphan of in June Havoc’s Marathon ’33 starring Julie Harris. This (Choreography) Choreography: The Winter’s Tale (DTC/ Repertory Theatre, Center Theatre Group, Guthrie Theater, Zhao, The Who & The What (La Jolla Playhouse), The Loneliest led to a string of acting roles in Luther, Generation, The Public Works), Runaways (NYU, 2019), Into the Woods McCarter Theatre Center. Girl in the World (Diversionary Theatre), miXtape (Lamb’s Knack, and, in 1964, Hang Down Your Head and Die, where (Barrington Stage Company, 2019), Measure for Measure Players Theatre), Irving Berlin’s White Christmas (San Diego he met fellow actor Gerome Ragni. He told Ragni about his (The Public Theater/Mobile Unit, 2019), Love in Hate ANGELA STEINER Musical Theatre). daydream of creating a Broadway musical and proposed that Nation (Two River Theater, 2019), Medusa (Michigan State (Music Director) Regional: Rattlesnake Kate, Indecent, The they team up to write a show about the hippies and the anti- University, 2020), La Hora Santa (also writer and director, Who’s Tommy, Oklahoma!, Twelfth Night, A Christmas Carol BARRY EDELSTEIN war movement that was happening all around them. Ragni Ars Nova’s Vision Residency). Other work: co-founder (Denver Center for the Performing Arts), Sweeney Todd (Erna Finci Viterbi Artistic Director) came aboard with some of his exciting experimental poetry. of immersive events company MinuteZero. Education: (Asolo Repertory), Rodgers + Hammerstein’s Cinderella is a stage director, producer, author, In 1966, in the midst of writing Hair, Rado got a leading role LaGuardia High School of Performing Arts, B.F.A. from (Alabama Shakespeare Festival), Dead Man Walking and educator. He has directed nearly as Richard the Lionhearted in the James Goldman play The SUNY Purchase. (Opera Fayetteville), Pippin (Colorado Springs Fine Arts half of the Bard’s plays. His Globe Lion in Winter starring Robert Preston, Rosemary Harris, Center). Education: B.M. in Piano Performance and Piano directing credits include The Winter’s and Christopher Walken. By 1967, Rado and Ragni had a TIM MACKABEE Accompanying from Wichita State University, M.M. in Tale, Othello, The Twenty-seventh Man, script of Hair and handed it to the producer Joseph Papp. (Scenic Design) The Old Globe: Hamlet, Ken Ludwig’s Collaborative Piano from University of Northern Colorado. the world premiere of Rain, Picasso liked what he read and decided Hair would be the inaugural Robin Hood!, Skeleton Crew, The Last Match.Broadway: The angelasteiner.com. at the Lapin Agile, Hamlet, and the world premiere of The production of his newly founded New York Shakespeare Elephant Man, Mike Tyson: Undisputed Truth. West End: The Wanderers. He also directed All’s Well That Ends Wellas Festival, The Public Theater on New York City’s Lower East Elephant Man. Off Broadway: Seared (MCC; OCC Award), SINAI TABAK the inaugural production of the Globe for All community Side. The rest is theatrical history. Hair opened on Broadway Guards at the Taj (Lortel Award), Describe the Night, The (Additional Arrangements) The Old Globe: Guys and Dolls. tour. In January he oversaw the Globe’s inaugural Classical in the spring of 1968 and starred Rado and Ragni in the lead Penitent, Our New Girl (Atlantic), Darling Grenadine, The Broadway: The Cher Show.Regional : Sound of Music (music Directing Fellowship program. He most recently directed The roles. Over the intervening years, Rado has been working Last Match (Roundabout), Vietgone, Important Hats of the supervisor) Evita, Josephine (Asolo Rep), Bliss (5th Avenue), Tempest with the Los Angeles Philharmonic at Walt Disney on two other pieces: American Rainbow and Sun. Twentieth Century (MTC), Luce (LCT), Gigantic, Heathers: Footloose (Kennedy Center), Paint Your Wagon (Muny), Concert Hall. As Director of the Shakespeare Initiative at The Musical (Vineyard). Dance: Doug Varone and Dancers, Les Misérables (Dallas Theater Center), Johnny Baseball The Public Theater (2008–2012), Edelstein oversaw all GALT MACDERMOT Cedar Lake Dance. Television: Amy Schumer: Live at the (Williamstown Theatre Festival). Off Broadway:Stars of of the company’s Shakespearean productions as well as (Music), 1928–2018, a two-time Grammy Award–winning Apollo (HBO), “Gotham,” “Smash,” “Today,” “Football Night David (DR2 Theatre), Goldstein (Actors Temple). Workshops: its educational, community outreach, and artist-training and Tony Award–nominated composer, is best known for in America.” Education: North Carolina School of the Los Otros (59E59), The Total Bent (Public Theater), American programs. At The Public, he staged the world premiere ofThe the music he wrote for the Broadway scores of Hair and Arts, Yale School of Drama. timothymackabeedesign.com, Psycho, Family Album (Oregon Shakespeare Festival), Twenty-seventh Man, Julius Caesar, The Merchant of Venice, Two Gentlemen of Verona. He garnered his first Grammy @timmackabeedesign. Damascus Square. Film: Hello Again. Education: B.M. in Timon of Athens, and Steve Martin’s WASP and Other Plays. for the song “African Waltz” in 1960. His work spans the Music Theory and Composition from NYU. sinaitabak.com. He was also Associate Producer of The Public’s Broadway production of The Merchant of Venice starring Al Pacino. gamut of performing arts: musicals, ballet scores, film DAVID ISRAEL REYNOSO scores, chamber music, the Anglican liturgy, orchestral From 1998 to 2003 he was Artistic Director of Classic (Costume Design) The Old Globe: Resident Artist; Ebenezer HOWIE CHERPAKOV, CSA works, poetry, drama accompaniments, band repertory, Stage Company. His book Thinking Shakespeare, which was Scrooge’s BIG San Diego Christmas Show, As You Like It, The (Casting) The Old Globe: Benny & Joon, October Sky, Bright and opera. His work encompasses a wealth of musical rereleased in a second edition in June, is the standard text Tempest, The Wanderers, Red Velvet, The Blameless, tokyo fish Star. Broadway/national tours: Bright Star, Next Fall (Artios genres, crossing the boundaries of jazz, folk, funk, gospel, on American Shakespearean acting. He is also the author story, Constellations, Twelfth Night, Arms and the Man, Water Award nomination), The Seafarer, Coram Boy, Chicago, Annie reggae, and classical styles. The son of a Canadian diplomat, of Bardisms: Shakespeare for All Occasions. He is a graduate by the Spoonful, Time and the Conways, Double Indemnity, Be Get Your Gun, Dirty Dancing, South Pacific. Off Broadway/ MacDermot was born and raised in Montreal. He received of Tufts University and the University of Oxford, where he a Good Little Widow. Theatre: Sleep No More in New York regional: Bliss (5th Avenue), Midnight Street (Theatre a bachelor of music from University of Cape Town in South and Shanghai (as costume designer, Punchdrunk; Obie Row), Found (Atlantic Theater Company; Artios Award studied as a Rhodes Scholar. Africa. Based on his traditional training, he wrote his own Award), Portaleza, Las Quinceañeras, Waking La Llorona (as nomination), Atomic (Acorn), Pipeline Festival (Women’s arrangements. He moved to New York in 1964 and three creator/director, Optika Moderna/La Jolla Playhouse). Project Theater), Marry Harry (NYMF), Dangerous Beauty TIMOTHY J. SHIELDS years later wrote the music for the landmark Broadway Other theatre: ACT, ART, Arena, Finnish National Ballet, (Pasadena Playhouse), Fault Lines (Cherry Lane; Artios (Audrey S. Geisel Managing Director) production Hair, which he later adapted for the screen. He Portland Center Stage, WP, Milwaukee Rep, Seattle Rep, Award), The Glorious Ones (Lincoln Center Theater), joined The Old Globe as Managing formed the New Pulse Jazz Band in 1979, which featured Cincinnati Playhouse, Commonwealth Shakes, Gloucester The Opposite of Sex (Magic Theatre), This Is Our Youth Director in 2017. In his time in San his original music played by some of the world’s greatest Stage, Lyric Stage of Boston. Other work: PostSecret and (Fairbanks). Other work: five seasons with New York Stage Diego, he has enjoyed becoming musicians, including Bernard Purdie and Wilbur Bascomb. Living with Animals exhibits (SD Museum of Us). Honors: and Film. hccasting.com. involved in the community. He MacDermot’s music is consistently sampled by hip-hop and Creative Catalyst grant, Elliot Norton Award, Craig Noel, currently serves as a board member rap artists who find his rhythms perfect for setting their Helen Hayes, IRNE, BroadwayWorld Award nominations. of the San Diego Regional Chamber of lyrics to, as in Run-DMC’s Grammy Award–winning Down davidreynoso.com, @designreynoso on Instagram. Commerce’s LEAD program; an advisory board member of 14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 ARTISTS ARTS ENGAGEMENT the San Diego Downtown Partnership; and Vice President of the Balboa Park Cultural Partnership. He brings to San Diego many decades of not-for-profit theatre experience. He TAKING PHOTOS IN THE THEATRE was Managing Director of Princeton, New Jersey’s McCarter Audience members may take photos in the Theatre Center (2009-2017); Milwaukee Repertory Theater theatre before and after the performance and (1998–2009); and Geva Theatre Center in Rochester, during intermission. If you post photos on social New York (1992–1998). He has also held administrative media or elsewhere, you must credit the produc- positions at Children’s Theatre Company in Minneapolis, tion’s designers by including the names below. Denver Center Theatre Company, and McCarter Theatre Center in an earlier period of his career. He served as Tim Mackabee (Scenic Design) President of the League of Resident Theatres and as Vice President of the board at Theatre Communications Group. timothymackabeedesign.com, He has been the Chair of the ArtPride NJ board; a member @timmackabeedesign By Sharriff Simmons of Milwaukee’s Latino Arts Board; and a board member of the Cultural Alliance of Greater Milwaukee. He holds a B.F.A. David Israel Reynoso (Costume Design) An Old Globe Teaching Artist on the work our Arts in Drama Production from Carnegie-Mellon University in @designreynoso Engagement Department did with unaccompanied his hometown of Pittsburgh, Pennsylvania. minors detained at the border and housed at the Amanda Zieve (Lighting Design) San Diego Convention Center. www.amandazieve.com

This theatre operates under an agreement between the League of Resident Theatres Ken Travis (Sound Design) and Actors’ Equity Association, the union of Friday, May 14, 2021, 9:30 a.m. After clearing COVID-19 professional actors and stage managers in the protocols and passing through security, we settled into a As I played my acoustic United States. Please note: Photos are strictly prohibited during the performance. Photos of the stage are not large open space at the southeast corner of the San Diego permitted if an actor is present. Video recording Convention Center. Our group consisted of four Teaching guitar in the corner, I The Directors are members of the Society of Stage Directors and Choreographers, is not permitted at any time in the theatre. Artists (TAs) and Lisel Gorell-Getz, our Education an independent national labor union. Coordinator. Freedome Bradley-Ballentine, The Old witnessed a collective light Globe’s Associate Artistic Director and Director of Arts Engagement, assigned us a task with a distinctly unique This Theatre operates under an Agreement go on in just about everyone with the International Alliance of Theatrical set of challenges: to make theatre matter for a community Stage Employees Local No. 122. of unaccompanied minors separated from their families LET’S ALL DO OUR PART! in the room. We are proud that this program, as with all our at the border. They were being housed temporarily at programs year-round, is made with paper from the Convention Center pending reunification with their The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented wood in regrowth areas that are specially families. About 20 minutes into our 45-minute workshop, by United Scenic Artists Local USA-826, IATSE. planted for use in the printing industry, making something magical happened. As I played my acoustic the process sustainable, renewable, and safe for our environment. Our small group’s efforts were part of the ongoing guitar in the corner, I witnessed a collective light go on American conversation surrounding immigration, in just about everyone in the room. It was clear that The musicians are represented by the American As you exit the theatre, feel free to leave your human rights, and the deleterious effects of intentionally Valeria, in particular, was occupying a unique place in Federation of Musicians, Local 325 San Diego. gently used program on the program stand for separating children from their parents. We were assigned the student’s imagination. Their trust in her leadership, future audiences to use. Or you can put it in any to the Convention Center intent on engaging the situation her confidence, and the very sound of her voice drove of the recycle bins in the lobby or on our plaza. in creative ways. The five of us—TAs Valeria Vega, Gerardo the workshop forward, transforming the process into Flores Tonella, Veronica Burgess, Catherine Hanna a visceral exchange of human emotions. It was truly Shrock, and I—attended a planning meeting via Zoom amazing to both witness and be an active participant of. Support for open captioning is provided in part by TDF. This project is supported in part with Tara Ricasa, a Los Angeles–based TA commissioned by an award from the National Endowment for to develop course outlines for our weekly workshops. To Everyone in the space spent the remaining time of the the Arts. PATRON INFORMATION session cocooned with organic humanity. We spoke to For more information about ticket policies achieve the goals of our assignment, we would have to and patron services, please visit mitigate any personal opinions on the matter and rely each other through the language of creativity. Knowing www.TheOldGlobe.org. on our chemistry as a team, all the while adhering to the each other’s native tongues, being of the same age, Globe’s mission of providing impactful experiences to as or even seeing the fullness of each other’s faces was many diverse communities as possible. To this end, we bypassed, replaced by a trust in our mission’s honesty The Kurt Weill/Lotte Lenya Artist is selected started the first of our five workshops planned for the and the truly transformative intention of the theatre arts. from previous or current finalists of the annual day. The students were free from their circumstances that day. Lotte Lenya Competition, an international There would be many more magical moments to come. theatre singing competition founded in 1998 by the Kurt Weill Foundation for Music to At 10:00 a.m., the first pod of students showed up. The encourage idiomatic performances of a wide group consisted of 50 adolescent girls primarily from Sharrif Simmons is a poet, musician, and teaching artist. He range of musical theatre and opera. Central America: Nicaragua, Ecuador, El Salvador, and has performed all over the world and is the author of Fast www.kwf.org/LLC. Honduras. Spanish speakers Valeria, Gerardo, and Cities and Objects That Burn. He is currently working on his Veronica took turns introducing us and the workshop. forthcoming book An American-African Story. We were all a little nervous, the students and the TAs alike. Without the benefit of seeing their faces (COVID protocols required masks at all times), we proceeded with the program as planned. 16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 UPCOMING EVENTS

September 25, 2021 San Diego’s Best Party Is Back! The 2021 Globe Gala is a true celebration! Joy, delights, and surprises await as you support The Old Globe.

Featuring a special performance by

THE GARDENS OF ANUNCIA SHUTTER SISTERS Joshua Henry A Globe-commissioned world premiere A Globe-commissioned world premiere (Broadway’s Carousel, The Scottsboro Boys, Book, music, and lyrics by Michael John LaChiusa By Mansa Ra U.S. tour of Hamilton) Directed and choreographed by Graciela Daniele Directed by Donya K. Washington September 10 – October 17, 2021 October 7 – November 7, 2021

A woman looks back on her girlhood in Juan The story of two women living parallel existences Perón’s Argentina, and pays homage to the family on the hardest days of their lives reveals a heart- of women whose sacrifices allowed her to become felt and surprising journey through womanhood, an artist, in this exuberant, beautiful new musical. identity, and what it means to belong.

FREE SUMMER PROGRAMMING Honorary Chair Committee Darlene Marcos Terry Atkinson Shiley Eleanor Charlton Susan Hoehn Co-Chairs Sandra Redman Jennifer Greenfield Margarita and Sheryl White Wilkinson Five signs around the Globe’s campus lead to an Mad Libs–style communal storytelling program DOUGLAS GATES interactive adventure through Balboa Park live on the Globe’s plaza For underwriting opportunities, tickets, and information: Learn more about all of our upcoming events and www.TheOldGlobe.org/Gala free digital programming at www.TheOldGlobe.org.

18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 PRODUCTION SPONSORS

PRODUCTION SPONSORS PRODUCTION SPONSORS

TERRY ATKINSON AND NIKKI AND BEN CLAY KAREN AND PAMELA WAGNER AND VICKI AND CARL ZEIGER KATHY TAYLOR DONALD COHN HANS TEGEBO

ELAINE AND SILVIJA AND PAMELA FARR AND DAVE DARWIN BRIAN DEVINE BUFORD ALEXANDER

ARTIST SPONSORS

HAL AND PAM FUSON PAULA AND BRIAN JEAN AND POWERS GARY SHEKHTER

20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 OUR THANKS SUPPORT US

EXTRAORDINARY LEADERSHIP The Old Globe is deeply grateful to the many patrons who have made plans to leave a legacy to Since the founding of The Old Globe in 1935, heroic leadership has made the theatre a cultural icon in San Diego the theatre they cherish. These gifts ensure that and a leader in the American theatre. The following individuals and organizations, recognized for their tremendous The Old Globe will continue to flourish in the cumulative giving, comprise a special group of friends who have played leading “behind-the-scenes” roles, helping to years ahead. Thank you. create productions on our three stages and our programs in the community.

— $25 million and higher — — $3 million and higher — Globe Guilders The Theodor and David C. Copley Foundation Joan and Irwin Jacobs Bobbie Ball Char & Mike Hersh Bruce Sherman Sandra Barstow Jill Denison Holmes Darlene Marcos Shiley Audrey Geisel Fund County of San Diego The Kresge Foundation Alan Benaroya Jeff and Thao Hughes B. Sy* and Ruth Ann Silver Donald* and Darlene Shiley The Shubert Foundation The Lipinsky Family Barbara Bolt Craig and Mary Hunter Dee E. Silver M.D. Estate of Beatrice Lynds* Barbara Brink Sonia and Andy* Israel Stephen M. Silverman — $11 million and higher — — $1 million and higher — National Endowment Nancy Brock Janis N. Jones Dolores and Rod Smith Conrad Prebys* Mary Beth Adderley for the Arts David K. Jordan Marisa SorBello and Peter Czipott Robert and Pamela Brooks City of San Diego Commission for Bank of America Victor H.* and Jane Ottenstein Dr. and Mrs. Edgar D. Canada Robert J. Kilian and Nancy A. Spector and Alan R. Spector Sandra and Harry Carter Kathleen* M. Slayton Dr. and Mrs. Thomas Stark Arts and Culture Bentivoglio Family Fund Qualcomm Jean Cheng Marilyn Rogers Kneeland* Jeanette Stevens Diane and John Berol Paula and Brian Powers Doris and Wayne Christopher Bill and Linda Kolb Peter Stovin — $9 million and higher — Stephen & Mary Birch Price Philanthropies Foundation Garet and Wendy Clark Jean* and David Laing Miriam Summ Karen and Donald Cohn Foundation, Inc. Estate of Dorothy S. Prough* Nikki and Ben Clay James and Janice LaGrone Eric Leighton Swenson California Cultural Jeannie and Arthur Rivkin Joseph J. Cohen and Martha P. Farish Peter and Michelle Landin Anne C. Taubman — $8 million and higher — & Historical Endowment Jean and Gary Shekhter R. Patrick and Sharon Connell Dr. Ronald and Mrs. Ruth W. Leonardi Randy Tidmore Jane Cowgill Jerry Lester Foundation Cherie Halladay Tirschwell Sheryl and Harvey White J. Dallas and Mary Clark* Karen and Stuart Tanz Gigi Cramer Robin J. Lipman Evelyn Mack Truitt Joseph Cohen and Martha Farish Theatre Forward Patricia W. Crigler. Ph.D. Ellie Lynch and Patrick Harrison Suzanne Poet Turner and — $7 million and higher — Peter Cooper and Erik Matwijkow Gillian and Tony Thornley CAPT USN (Ret.) Heather Manion Michael T. Turner Kathryn Hattox* Valerie and Harry Cooper Wells Fargo Carlos and Patricia Cuellar Randi and Thomas McKenzie Ginny Unanue Viterbi Family and The Erna Finci Elaine and Dave Darwin Carolyn Yorston-Wellcome Elaine and Dave Darwin Judith Menzel Pamela J. Wagner Viterbi Artistic Director Fund Ann Davies Vicki and Carl Zeiger Ann Davies Chris and Jill Metcalf Jordine Von Wantoch* Una Davis and Jack McGrory Anonymous (1) Darlene Gould Davies Paul I. and Margaret W. Meyer Lian Von Wantoch Carolyn S. DeMar Paul Miller Charitable Remainder Peggy Ann Wallace — $4 million and higher — Silvija and Brian Devine Douglas Druley and Judee Sedler Unitrust Holly J.B. Ward The James Irvine Foundation Helen Edison* *In memoriam Dr. Bernard Eggertsen and Florence Steve Miller Sarah Woodruff Watkins Pamela Farr and Buford Alexander Nemkov* Angela and Chuck Mol Joy and Stephen Weiss Robert & Stacey Foxworth Laurie Dale Munday Judith Wenker Frank A. Frye III Michael G. Murphy Lynne Dunaho Wheeler Hal and Pam Fuson Stanley Nadel and Cecilia Carrick Sheryl and Harvey P. White Martha Gafford* Harvey* and Marsha Netzer Helen Galen Whitney* PUBLIC SUPPORT Alan Gary and Joanee Udelf Ronald J. Newell Barbara Wolpert Arthur Getis and Roberta King Greg and Polly Noel Carolyn Yorston-Wellcome Teresa George PACEM (Pacific Academy of Anonymous (26) Nancy Reed Gibson* Ecclesiastical Music) Robert Gleason and Marc Matys Connie Pringle *In memoriam Cathryn Golden Sarah B. Marsh-Rebelo and John Rebelo Marcy Goldstone Jeannie and Arthur Rivkin This list is current as of June 30, 2021. Betsy Hamblin* Esther Rodriguez The California Office of the Small Business Advocate Bernard* and June Harland Joan Salb We regret any omissions or errors. David and Debbie Hawkins Beverly and Warren* Sanborn Liz and Gary Helming Lisa Berry Shaw and Robert Shaw Financial support is provided by The City of San Diego. “I want this theatre to have the security of an We thank all our generous patrons and supporters—including government funders—who help make theatre matter to more people and who have sustained us throughout this challenging time. endowment so that we may continue to engage and inspire audiences for generations to come.” —Craig Noel, Founding Director

For information on how to leave a legacy gift to the theatre, Theatre Forward advances the American theatre and its communities by providing funding and other resources to the please call Associate Director of Philanthropy, Legacy Giving, country’s leading nonprofit theatres. A full list of funders that support Theatre Forward’s contributions to The Old Bridget Cantu Wear at (619) 684-4144 or Globe can be found at TheOldGlobe.org/Theatre-Forward. email [email protected]. 22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 OUR THANKS

The Old Globe is deeply grateful to our Artistic Angels and Benefactors, whose vital support of the Annual Fund helps us make theatre matter to more people. For additional information on how to support the Globe at these extraordinary levels, please contact Llewellyn Crain at (619) 684-4141 or [email protected].

Artistic Angels ($200,000 and higher annually)

TERRY ATKINSON KAREN AND ELAINE AND PAULA AND BRIAN JEAN AND GARY AND KATHY TAYLOR DONALD COHN† DAVE DARWIN POWERS SHEKHTER

The Old Globe has seen its share of hard times in 86 years, BENTIVOGLIO but a global pandemic that shut down our stages for FAMILY FUND 17 months was a new kind of challenge. EDUARDO CONTRERAS / U-T SAN DIEGO DARLENE MARCOS THE THEODOR AND THE ERNA FINCI VITERBI The San Diego community and theatre lovers from around SHILEY† AUDREY GEISEL FUND ARTISTIC DIRECTOR FUND the world helped us rise to meet that challenge. Just as In memory of Donald Shiley In memory of Erna Finci Viterbi they have done in the past when fire and war threatened

THE ESTATE OF to shut down the Globe, San Diegans united to help this JEFFREY E. theatre not only survive, but find a way to thrive during the WHITE pandemic with digital and broadcast programs that made theatre accessible to a wider audience than ever before.

Benefactors ($100,000 to $199,999) We thank the thousands of supporters who helped us meet major matching grants and achieve more in a year of closure than any of us thought possible.

DIANE AND ANN DAVIES PAMELA FARR AND HAL AND PAM FUSON KAREN AND JOHN BEROL BUFORD ALEXANDER STUART TANZ

GlobeRISING donors are recognized on pages 27–31 of this program and online at www.TheOldGlobe.org/Donors. GILLIAN AND TONY PAMELA J. WAGNER SHERYL AND HARVEY VICKI AND THORNLEY AND HANS TEGEBO WHITE FOUNDATION CARL ZEIGER

View the Globe’s government supporters on page 23 and corporate supporters on page 26. †Charter Sponsor since 1995 Photo for Diane and John Berol: Robert Sean Leonard, King Richard II, 2017. Photo by Jim Cox. RICH SOUBLET PHOTOGRAPHY 24 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 25 OUR THANKS CORPORATE DONORS ANNUAL FUND DONORS Artistic Angels Benefactors ($200,000 and higher annually) ($100,000 to $199,999) In order to make theatre matter in the lives of more people, The Old Globe—a not-for-profit theatre—relies on the support of our community. We thank our Circle Patrons and Friends of The Old Globe members for these generous annual fund gifts that help us deliver great theatre and life-changing arts engagement programs.

Ovation Circle ($200,000 and higher annually) ($60,000 to $99,999) Artistic Angels Terry Atkinson and The City of San Diego The James Irvine Foundation The Theodor and Kathy Taylor∆ Commission for Arts and Paula and Brian Powers ♥∆ Audrey Geisel Fund Bentivoglio Family Fund∆ Culture The Conrad Prebys Foundation The Erna Finci Viterbi Artistic California Department Karen and Donald Cohn ♥ Jean and Gary Shekhter ♥∆ Director Fund ♥∆ of Corrections and Elaine and Dave Darwin∆ Darlene Marcos Shiley, in The Estate of Jeffrey E. White Rehabilitation Entravision memory of Donald Shiley∆ Anonymous (2) HM Electronics, Inc. The Shubert Foundation Producer Circle ($30,000 to $59,999)

Benefactors ($100,000 to $199,999) Diane and John Berol∆ Hal and Pam Fuson ♥∆ Karen and Stuart Tanz ♥∆ Sheryl and Harvey White Ann Davies ♥ ∆ Price Philanthropies Gillian and Tony Thornley∆ Foundation∆ Pamela Farr and Buford Foundation Pamela J. Wagner and Vicki and Carl Zeiger ♥∆ Alexander ♥∆ Qualcomm Hans Tegebo∆ Anonymous (2)

Ovation Circle ($60,000 to $99,999) Artist Circle ($25,000 to $29,999) California Arts Council, Hervey Family Non- Joan and Irwin Jacobs Fund Sahm Family Foundation∆ A State Agency Endowment Fund at The San of the Jewish Community Sue and Edward “Duff” The Joseph Cohen and Diego Foundation∆ Foundation∆ Sanderson∆ Martha Farish New Play United Development Fund

Director Circle ($10,000 to $24,999) Producer Circle ($30,000 to $59,999)

Jules and Michele Arthur ♥∆ Elizabeth Cushman∆ Jeffrey and Sheila Lipinsky U.S. Bank The Belenzon Family in Mr. and Mrs. Family Foundation∆ Viasat memory of Irvin and Ruth Brian K. Devine ♥∆ The Lodge at Torrey Pines Jordine Skoff Von Wantoch* Belenzon∆ Donna and Jack Galloway National Endowment for the Reneé and Bob Wailes∆ The Binford Family∆ Globe Guilders Arts Brent Woods and California Bank & Trust George C. Guerra∆ The Parker Foundation (Gerald Laurie Mitchell Nikki and Ben Clay ♥∆ The Hearst Foundations ∆ and Inez Grant Parker) ∆ June E. Yoder Family∆ Ellise and Michael Coit∆ Daphne H. and James D. Patrons of the Prado Anonymous (2) Peter Cooper and Erik Jameson∆ Ms. Jeanette Stevens∆ Laurents / Hatcher Theatre Forward Founder Circle ($5,000 to $9,999) Craig Noel Circle ($3,000 to $4,999) Matwijkow∆ Foundation∆ Evelyn Mack Truitt∆ MG Properties Group NWB Environmental Services, LLC Morgan Stanley RAHD Group Artist Circle ($25,000 to $29,999) Nordson Corporation Foundation RKG Wealth Management University of San Diego Bank of America Richard and Jennifer Peggy and Robert Matthews Mandell Weiss Charitable The Blanche and Irving Laurie Greenfield∆ Foundation Trust Foundation Jo Ann Kilty∆ The Sapp Family Fund at The Wickline Family∆ Jacquie and Michael Casey Estate of Marilyn Rogers the Rancho Santa Fe Wilkinson Family Charitable Champions ($1,000 to $2,999) Ric and Eleanor Charlton∆ Kneeland Foundation∆ Fund∆ Higgs Fletcher & Mack, LLP La Jolla Kiwanis Oscar de la Renta Una Davis and Jack McGrory∆ Elaine Lipinsky Family Subaru of El Cajon Karin Winner∆ Foundation Don and Barbara Foster∆ Foundation Muffy Walker Laurie Gore and Julie Osman The Old Globe invites your company to become a Corporate Partner and make theatre matter to more people while receiving exclusive benefits. Contact Kristina Keeler at (619) 684-4140 or [email protected].

26 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 27 OUR THANKS

Director Circle ($10,000 to $24,999) Craig Noel Circle ($3,000 to $4,999)

Maggie Acosta and Larry Elaine Galinson and Herb Bob* and Laura Kyle ♥ Tom and Lisa Pierce Haimsohn • Guy and Laurie Halgren∆ • Julia Carrington Hall∆ • Pat and Rick Harmetz • Gordon and Phyllis Harris • Patrick Shushan∆ Soloman and the Joseph Dr. William and Evelyn Peggy and Peter Preuss Harrison and Eleanor Lynch ♥∆ • Richard and Linda Hascup • Linda and Thomas Henry • Bill and Nancy Homeyer ♥ • Gary and Marianna Allgauer∆ and Beverly Glickman Fund Lamden∆ Sing Your Song, Inc.∆ Carrie Huckell • Dea and Osborn Hurston • The Jasada Foundation • Johnson Family Foundation • Jerry* and Marge Katleman∆ • Alicia and Jonathan Atun∆ of the Jewish Community Peter and Michelle Landin Random House Children’s Edythe Kenton • Ken and Sheryl King∆ • John Kirby and Anthony Toia • Jane and Ray* Klofkorn ♥ • Drs. Janice and Matt Kurth∆ • Jan and Rich Baldwin Foundation Carol Ann and George W. Books James and Janice LaGrone ♥ • Benjamin and Kimberly Lee∆ • Veronica and Miguel Leff • Terry and Mary Lehr • The Leist Family ♥ • Melissa Garfield Bartell and Cam and Wanda Garner Lattimer∆ ResMed Foundation Ronald and Ruth W. Leonardi∆ • Jeffrey and Hillary Liber Fund of the Jewish Community Foundation • Robin J. Lipman ♥ • Jackie Michael Bartell Drs. Tom and Jane Pamela Hamilton Lester in Sempra and Charlie Mann Fund of the Jewish Community Foundation • Dr. Ted and Marcy Mazer∆ • Oliver McElroy and Karen DeLaurier • The Bjorg Family∆ Gawronski∆ memory of Jim Lester∆ Stan Siegel∆ Dr.* and Mrs. M. Joseph McGreevy • Diane McKernan and Steve Lyman∆ • Judi Menzel ♥ • Dean and Sue Mills • Charles and Ilene Dee Anne and Michael Canepa Carol L. Githens Sandy and Arthur* Levinson The Harold and Mimi Mittman∆ • Akiko Charlene Morimoto and Hubert Frank Hamilton, Jr.∆ • Nancy and James Mullen • Geri Musser • Mark C. Niblack, City National Bank Deborah A. and David A. Marshall Littman∆ Steinberg Charitable Trust M.D. ♥ • Michael and Linda Niggli • NWB Environmental Services, LLC • Mr. and Mrs. Thomas C. Pastore∆ • L. Robert and Patricia Carlo and Nadine Daleo Hawkins Marsh & McLennan Agency Phillip and Gayle Tauber∆ Payne • Col.* and Mrs. Ben Pollard • Dr. Daniel Porte, Jr. and Mrs. Sally DuBois • Dr. Julie A. Prazich and Dr. Sara Rosenthal • RAHD George Davis ♥ Nishma and John Held ♥∆ Estate of Madelon McGowan Theatre Development Fund Group∆ • Linda Rankin and Rodney Whitlow∆ • Sarah B. Marsh Rebelo and John G. Rebelo • Joseph and Sara Reisman Fund of the Marguerite Jackson Dill, in Teresa and Harry Hixson, Jr.∆ Don and Judy McMorrow ♥ Rhona Thompson Jewish Community Foundation∆ • RKG Wealth Management • Christine Rounsavell∆ • Dawn and Phil Rudolph∆ • Julie and Jay memory of George Joseph Susan and Bill Hoehn∆ Judith Morgan∆ Stephen and Joy Weiss∆ Sarno • Jackie Schoell • In memory of Axel • Timothy J. Shields • Drs. Joseph and Gloria Shurman ♥ • Mark and Katherine Silver • Dill ∆ Sally and John Hood Neiman Marcus San Diego Wells Fargo Alan and Esther Siman • Nancy and Alan Spector and Family∆ • Nancy Steinhart and Rebecca Goodpasture ♥ • Bob* and Mike Stivers • Nina and Robert Doede HoyleCohen, LLC∆ Caroline and Nicolas Dr. Steve and Lynne Wheeler∆ Louise and Jack Strecker ♥ • Bill and Diane Stumph∆ • Karen and Don Tartre ♥∆ • Tim and Judy Tillyer • Doris Trauner Edgerton Foundation Gail and Doug Hutcheson Nierenberg James E. and Kathryn A. and Richard Stanford∆ • Suzanne Poet Turner and Michael T. Turner ♥ • Susan and Larry Twomey ♥ • Peggy Ann Wallace • Joanne Morrison Ehly∆ Jerri-Ann and Gary Jacobs Polly and Greg Noel Whistler Fund at The San Judith Wenker∆ • Anonymous (11)∆ ♥ Dan and Phyllis Epstein∆ Robert Kilian, in memory of Nordstrom Diego Foundation Estate of Dr. and Mrs. Robert Kathleen M. Slayton The Kenneth T. and Eileen L. Kimberly Godwin Epsten Brooke and Dan Koehler Norris Foundation AC and Dorothy Wood∆ ($1,000 to $2,999) Susanna and Michael Flaster Bill and Linda Kolb ♥∆ Jerry and Phyllis Olefsky∆ Anonymous (3)∆ Champion The Kurt Weill Foundation Michael and Christine Pack∆ Dede Alpert∆ • Diana and Don Ambrose • In loving memory of Stanley E. Anderson • Mrs. Cyla Andrus and Mr. Darrell Mead∆ • for Music David and Mary Ann Petree∆ Katherine Austin∆ • Roberta Baade and George Yee • Nell Benjamin and Laurence O’Keefe∆ • Sondra and Robert Berk Fund of the Jewish Community Foundation • Sally and John Berry • Mary Ann Beyster∆ • Norma and Craig Blakey • Robert and Pamela Brooks∆ • Founder Circle ($5,000 to $9,999) Alyssa Brzenski∆ • John Burns and Dr. CC Cameron∆ • Cappetta Family Foundation∆ • Janet and Maarten Chrispeels • Richard Clampitt and Rachel Hurst • Katharine K. Cline and Michael A. Lee • Marge Cole∆ • Pamela Cooper • Gigi Cramer, in memory of Ed Karen and Jim Austin∆ • David A. and Jill Wien Badger∆ • Mr. and Mrs. Bear∆ • Gary and Barbara Blake Family Fund of the Cramer • Leslie and Deborah Cross • Drs. Charles Davis and Kathryn Hollenbach∆ • Mary and Jim Dawe • Donna Donati∆ • Berit and Jewish Community Foundation∆ • Arthur and Barbara Bloom Foundation • Elizabeth and Steven Bluhm∆ • Dr. Herman and Tom Durler • Edward Jones Financial Advisor, David S. Tam • James and Ann Marie Elliff • Aileen and Dan Emer∆ • Arthur Engel∆ • Irene Boschken • Bea and Bill Briggs∆ • Beth Bruton • Dr. Stephanie Bulger∆ • Harry and Sandra Carter • Greg and Loretta Arlene Esgate • Walt Fidler∆ • Forsyth Leonard Fund at the Rancho Santa Fe Foundation∆ • Forsyth Leonard Fund of the Rancho San Cass • Carol and Jeff Chang∆ • Cliff and Carolyn Colwell∆ • Frederik and Irene Defesche • Chuck and Odette Ebersole∆ • Diego Foundation • Jean and Sid* Fox • Norman and Patricia Gillespie • Wendy Gillespie • Doug Gillingham and Dana Friehauf∆ • Marion Eggertsen • Carol Spielman-Ewan and Joel Ewan∆ • William and Eva Fox Foundation (administered by Theatre Diana R. Glimm • Mr. William and Dr. Susan Glockner • Geraldo and Scarrain Gomes Fund • Louise and Doug Goodman∆ • Edry Goot • Communications Group) • Bill and Judy Garrett • Arthur Getis and Roberta King∆ • Dean J. Haas∆ • The Estate of Betsy Gayle and Dwight Gordon∆ • William and Natalie Gore • Chris Graham and Michael Albo • Mary Haviland • Liz and Gary Helming • Hamblin • Norm Hapke and Valerie Jacobs Hapke∆ • Laurie Sefton Henson • David Hitz∆ • Thao and Jeff Hughes • Phil and Kathy Henry • Jamie Henson and Robert Houskeeper∆ • Higgs Fletcher & Mack, LLP • Peggy and John Holl • Bruce and Jane Drs. Sonia and Andy* Israel∆ • David K. Jordan∆ • Webster B. and Helen W. Kinnaird • Curt and Nancy Koch∆ • Regina Kurtz, Hopkins∆ • Stephanie and Carl Hurst∆ • Ikizyan Family∆ • Joe and Phyl Ironworks∆ • Christie Iverson∆ • Brad Jacobsen∆ • Dr. Jim in loving memory of Al Isenberg • Jean* and David Laing ♥∆ • Paul Levin and Joanna Hirst∆ • Marcia A. Mattson∆ • Elizabeth Jaranson Fund of The Minneapolis Foundation • Jay Jeffcoat∆ • Dr. and Mrs. Clyde* W. Jones • Janis Jones∆ • Kenneth and Marilyn and Edward McIntyre∆ • Thomas and Randi McKenzie∆ • Paul and Maggie Meyer • MG Properties Group • Rebecca Moores • Jones∆ • Oskar and Judith Kirsten∆ • Julie Klaus • La Jolla Kiwanis Foundation • Jeannie Lawrence • Michael and Teresa Lewis • Morgan Stanley • Darrell Netherton and Robert Wheeler∆ • Nordson Corporation Foundation • Susan Parker∆ • Bernard Friends and Family of Michael Reynolds • Eric and Lori Longstreet∆ • Robin B. Luby∆ • Joy and Ronald Mankoff • Jasna Markovac and Paul and Maria Sardina • Barbara Petersen∆ • Christopher and Angela Peto • Gale and James Petrie • John and Marcia Gary Miller • Eileen A. Mason∆ • Joan McAfee∆ • Robert McCommins • Dennis A. McConnell∆ • Robert and Leslie Mercado∆ • Mike Price Family Foundation • Joan and Richard Qualls∆ • Ann and Tim Rice • Rivkin Family Fund I at The San Diego Merrill and Pamela Maudsley-Merrill∆ • Nathan Meyers and Vicki Righettini∆ • Ursula and Hans Moede • Chuck and Angela Mol∆ • Foundation∆ • Nancy J. Robertson∆ • Warren* and Beverly Sanborn ♥∆ • Sheryl and Bob Scarano • Robert and Lisa Shaw∆ • Daryl Nees∆ • Neiman Marcus • Lyn Nelson • Joan and Charles Neumann∆ • Barbara and David Noonan∆ • Mikki Nooney∆ • Lari Sheehan∆ • Dee E. Silver, M.D. • Dave and Phyllis Snyder • Kathleen and Al Steele ♥∆ • Deborah Szekely • Allison William and Catherine Norcross∆ • Linda and Larry Okmin∆ • Micki Olin and Reid Abrams∆ • Oscar de la Renta • Dr. David and Thomas∆ • Jack Thomas • Brenda and Robert Tomaras • Greta and Stephen Treadgold • C. Anne Turhollow and Michael J. Elizabeth Ostrander • Barbara Oswalt∆ • Christopher and Susan Pantaleoni • John and Diane Parks∆ • Lori Partrick • In memory Perkins∆ • Stanley and Anita Ulrich • University of San Diego • Carol Vassiliadis • Carol and Larry Veit • The Vincent Family∆ • of Margaret Peninger • Kathleen and Cameron Jay Rains • Susan Reynolds and Allison Rossett∆ • Chrissy and Roger* Roberts • Estate of Elizabeth Walker • Wendy Waterman • Sue and Bill Weber • Chris and Pat Weil • Shirli Weiss and Sons • Chester Michael Robertson and Dale Johnston • Lynne and Glenn Rossman∆ • Mary Ann Rowan and Drew Sprague∆ • Arthur N. Rupe Yamaga and Jean Samuels ♥ • Lian Von Wantoch∆, in memory of Jordine and Harvey Von Wantoch • Britt Zeller∆ • Emma and Foundation∆ • Galit Ryan∆ • Denis and Kristine Salmon∆ • Susan Salt • Rich and Christy Scannell • Rhonda and Scott Schmid∆ • Leo Zuckerman • Anonymous (4)∆ Kathy Schneider∆ • Karen Sedgwick∆ • Susan B. Shurin∆ • The Silver Family∆ • Susan and Gerald Slavet∆ • Kathleen A. and Thomas E. Stark • Steve Steinke • Dr. Craig and Debbie Stevenson∆ • Lisa Striebing∆ • Ronald and Susan Styn∆ • Miriam and Gene Summ∆ • Craig Noel Circle ($3,000 to $4,999) John and Margery Swanson∆ • Clifford and Kay Sweet • Phyllis Tachco∆ • Thomas Templeton and Mary E. Erlenborn∆ • Casey and Julie Tibbitts • Barry and Christine Tobias∆ • Mike Tristani and David Urban∆ • Natalie C. Venezia and Paul A. Sager • Karen ♥ ♥ Mr. and Mrs. David C. Ailor • Drs. Gabriela and Michael Antos • Jeff and Donna Applestein∆ • Judith Bachner and Eric Lasley ∆ • Walker • Peter and Denise Walsh • The Ward Family Charitable Fund∆ • The Samuel L. Westerman Foundation∆ • Duke Wichelecki Bobbie Ball • Diana (DJ) Barliant and Nowell Wisch Endowment Fund of the Jewish Community Foundation • Jan Bart • Biffar Family • Family Trust∆ • Dennis and Carol Wilson • The Witz Family∆ • Joseph and Mary Witztum∆ • Robert and Deborah Young • Sandra ♥ M. Joan Bishop, in memory of Harold O. McNeil, Esq. • Pat and Carol Bivens∆ • Robert Blanton and Ann Clark∆ • Barbara Bolt • and Peter Zarcades • Howard and Christy Zatkin∆ • Helene and Allan Ziman Fund of the Jewish Community Foundation • Tatiana Beth Bowman and Dave Cortney • Kevin and Rebecca Blakely Brown • Glenn and Jolie Buberl∆ • Anita Busquets and William Ladd • Zunshine and Miles Grant∆ • Anonymous (11)∆ Peter and Joan Camana∆ • Robert Caplan and Carol Randolph • Edward and Pamela Carnot ♥ • Doris and Wayne Christopher • Garet and Wendy Clark ♥ • Ms. Heidi Conlan/The Sahan Daywi Foundation∆ • Richard and Stephanie Coutts∆ • Jane Cowgill∆ • Ronald D. Culbertson • Darlene G. Davies, in memory of Lowell Davies • Angie DeCaro ♥∆ • Jim and Sally Ditto • Douglas Druley and Judee Sedler∆ • Vicki and Chris Eddy • Hilit and Barry Edelstein • Bill Eiffert and Leslie Hodge • Barbara and Dick* Enberg∆ • Christopher Menkov and Jennifer Fisher in Memory of Elizabeth Meyer • Dr. Ben and Susan Frishberg • Joyce Gattas • Teresa George ♥ • Fred and Lisa Goldberg∆ • Cathryn Golden ♥∆ • Charles Gyselbrecht and Eric Taylor • Thomas and Cristina Hahn ♥∆ • Ms. Cheryl

28 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 29 OUR THANKS

Advocate ($500 to $999) Fan ($250 to $499) (continued)

Margaret and Tony Acampora • Robin Allgren • Arleene Antin and Leonard Ozerkis∆ • Julie Aquino • Tony and Kathy Arciero∆ • Ellen Fujikawa∆ • Craig and Meredith Garner • Robert and Angela Gascho∆ • Caroline Geldard • Mr. Jarrod Gerardot and Assaf Family Fund • Axel Coaching, LLC • Drs. Andrew Baird and Linda Hill∆ • Mike Bannan • Francis and Linda Bardsley • Helene Mr. Joel Pasion • Stacy Cromidas and Ruth Gilbert • Georgia Gilderman∆ • Cathy Gonzales∆ • Pamela Goosby • Jeff Goyette • Beck • Edgar and Julie Berner • Mrs. Lazare F. Bernhard∆ • Steven Bertiz∆ • Giovanni and Carolyn Bertussi • Sheila Bhalla • Vivian Melvin Gregory and Carmel Myers∆ • Gary and Anne Grim • James Grutkowski∆ • David A. Gubser in memory of Biely∆ • Charles and Charlotte Bird • Mary Anne Bixby∆ • Bob and Joyce Blumberg • Sandra Boyles∆ • Deb and Brand Brickman • Richard A. Lieboff • Ariela Gugenheim∆ • James Gump and Lee Ann Otto∆ • Charles and Carole Hair∆ • Thomas Hall∆ • Stanley C. Demetri and Ann Brizolis • Marshall and Marilyn Brown∆ • Christian and Bridget Buckley∆ • Luc Cayet and Anne Marie Pleska∆ • Harazim • Jim and Julie Hardesty • Carolyn Harris∆ • James and Ruth Harris∆ • Angela Hawkins∆ • Garry and Sharon Hays∆ • Ms. Lisa Churchill and Dr. Susan Forsburg • Jan and Tom Ciaraffo • Phillip Cole, M.D. and Christopher Morris • Steve Kelly and Rachel Heald • Susan and Joe Healy∆ • Paul Hegyi • Barbara and Kirk Henry • Jill and Steve Herbold∆ • Christine Hickman and Maryanne Cordahl∆ • Ginny Corrente • Jerry and Leslie Coughlan • Royda Crosland • Cindy and Mark Dankberg∆ • Dewey and Dennis Ragen • Frank Higley and Debra Babylon∆ • Bruce and Jennifer Hirsch∆ • Lara Hoefer Moir∆ • Eric and Elizabeth Cindy Dasher∆ • Linda Davies∆ • Steve and Susan Davis∆ • Caroline DeMar • Don and Julie DeMent∆ • Heather and Michael Hofmeister∆ • Michael and Jill Holmes • Terry and Peter Holt • Mark Hoose∆ • Gurdon Hornor∆ • Tom Horvath and Claudia Dietsch • Hon. Vincent Di Figlia • Mary Dragoo∆ • Sylvie Drake Jurras∆ • Lisa DuMolt∆ • Bill Eadie∆ • Bernard J. Eggertsen and Baranowski • Rob Howe∆ • L. William and Joan Huck∆ • Forest and Betty Hudson • Jason Hums∆ • Ron and Kim Hunt • Jane Florence Nemkov* • Nate and Margaret Englund • Elena Federzoni∆ • George Fern • Amy and Stephen Forrest∆ • Judith and Illades∆ • Katherine Immerman∆ • Janet Ingersoll • Joseph and Eileen Innecken • Susan and Charlie Inot∆ • Randy and Carrol Dr. William Friedel∆ • Catherine R. Friedman∆ • David Garcia∆ • Cheryl and Steven Garfin • Harriet Gerza∆ • J. M. Gillman∆ • Jackson • Nora Taylor Jaffe∆ • Ed and Linda Janon • Timothy and Barbara Jenkins∆ • Andrew and Edith Jirak∆ • Jeanette Seloover Cameron and Rachel Glibert∆ • Kelli Glover∆ • Marjorie Boll Goldberg∆ • Euvoughn Louise Greenan • Ellen Gross∆ • Maria Guasp Johnson and R. Douglas Johnson∆ • Natasha Josefowitz, Ph.D. • Gilbert and Mary Lou Kammerer∆ • Alexa and Matthew and Richard Spero∆ • Robert Halleck and Della Janis • Robert Haskell∆ • Tom and Lynn Hawkins∆ • Brent and Dina Helbig∆ • Sarah Kaplan∆ • The Kath Family∆ • Nan Katona∆ • Drs. Irvin and Nancy Kaufman∆ • Julia Kelety∆ • Patricia Kelly∆ • Kim Kleber∆ • and Chris Herr∆ • Kate Herring • Robert and Sabine Hildebrand • James and Cathy Hirsch • Dana Hosseini and Stacie Young • Dr. Jo Ann Knutson • Jeri Koltun∆ • Beth Korkuch∆ • Vlassi Kouris∆ • Loretta Kramer∆ • Christel Krause∆ • Mr. and Mrs. Robert and Mrs. Geoffrey Hueter∆ • Martin and Susan Hupka∆ • Craig and Kim Jacobs∆ • Dr. Steven Jaeger and Joe Zilvinskis • Nancy Kucinski∆ • Guliz Kuruoglu∆ • Dan and Maria Lai • Bill and Tamara Lascurain • Marc Lawrence • Robert Lawrence∆ • Carlos and Janus • Daniel Jaquez∆ • Simone Kanter∆ • Barbara Karpinski • Mike and Carol Kearney∆ • Wilfred Kearse and Lynne Champagne • Linda LeGerrette∆ • Susan E. Lerner • Ira Levine • Bryan Levy and Eddie Ortiz • B. Leonard Levy • Marshall and Judy Lewis Fund Paul Kelly∆ • Dr. Gerald and Barbara Kent • Dorothy and Robert Knox∆ • Michael and Cynthia Kohn∆ • Betty and Dr. Leonard of the Jewish Community Foundation • Susan Lewis∆ • Jing Lin∆ • Ron and Gaye Lingley∆ • Abby London-Crawford∆ • Mark C. Kornreich∆ • Laura Landau∆ • Diana Long∆ • Michelle Longtin∆ • in memory of Dr. David Lynn • Rob McDonald and Tad Bratten • Lorenzo∆ • Claudia Lowenstein∆ • Dan and Kathryn Lunardi • Dani Luster and Mark Schmitt∆ • Drs. Betty Joan Maly and John Jain Malkin • Mr. Neil A. Malmquist • Jeanne Maltese∆ • Chana and Frank Mannen∆ • Julianne Markow∆ • Scott Markus∆ • Meyers∆ • Deborah and Fred Mandabach • Mercy and Ron Mandelbaum • Russell Mangerie • Richard Manion∆ • Patricia Casey and Meridith Marquis∆ • John Martin∆ • Timothy Mason∆ • Rev. Stephen J. Mather • Kevin and Carol McCarthy∆ • Ronald Manning • The Marin Family∆ • Jeff Markel∆ • Zi and Gene Marsh∆ • Harold and Beverly Martyn∆ • Martin and Joanne McCaskill and Robyn Rogers • Larry McDonald and Clare White-McDonald∆ • Nancy McFarland∆ • Cynthia McIntyre∆ • Maggi Marugg • Cynda Maxon and Ken Richter∆ • Robert Mazalewski∆ • David McCall • Douglas and Edie McCoy∆ • Donald McKerrow∆ • Martha and Chuck Moffett∆ • Craig and Betsey Monsell∆ • Dr. Robert and Ms. Anne Morrison • Charles and Susan McCrimmon∆ • Christine McFadden∆ • Mr. Stephen Wright and Ms. Shawn McFarlane∆ • Brad and Cindy McGowan∆ • Mike and Muha • Maria and Charles Nagy∆ • Joyce Nash • Mark Nash∆ • Trey and Carla Nolan • Noelle Norton and Erwin Willis∆ • Rich Rosalyn McKinney • David and Marjorie McNair∆ • Miller Family Trust∆ • Jeanie and James Milliken • Modern Times Beer • JR and June Nygaard • Nancy Cannon-O’Connell∆ • Thomas and Tanya O’Donnell • Kimberly and David Ohanian∆ • Carol Pastor • Morgan∆ • Mimi and Ernie Mortensen • Linda Mulcahy • Margaret E. Murphy∆ • Jerome Nadler∆ • Kim and Bruce Neapole • Virginia Patch∆ • Alexandra Pearson and Paul Meschler∆ • Pat and Evie Phillips∆ • Mr. and Mrs. Jon Pollock • Eve Pritchard∆ • San Marsha J. Netzer • Jan and Mark Newmark∆ • Randy and Susan Nielsen∆ • Mary Norwood∆ • James and Kareen Novak∆ • Steve Diego Project Heart Beat • Paul and Jody Pucci∆ • Magdalena Pulham∆ ENC • Adele Rabin∆ • Bruce Ramet • Gene and Taffin Ray∆ • and Ying Noyes∆ • Elizabeth Nutting∆ • Julie Nydam∆ • Lou Ochoa and Paige Kerr∆ • Chris and Mike O’Donnell∆ • Jim Sandra Redman • Leslie Reed∆ • The Regnery Family Trust∆ • Christy and Rich Riley∆ • Robert Roberto • Tom and Mary Roberts∆ • O’Grady • Virginia Oliver • Margaret Oman∆ • Stephen and Judy O’Neill∆ • Reuben Orona and Claire Cazares∆ • Dianna Orth∆ • Steven Ross∆ • Joy Rottenstein • Sheryl Rowling • Dr. Norman and Barbara Rozansky∆ • Robert Rubenstein and Marie Raftery • Beth Ott∆ • Darlene Papano∆ • Barbara L. Parry∆ • Amy and Dave Pavlicek∆ • Richard D. Perlman, M.D. • Margaret and James Don and Cynthia Rushing • Mr. and Mrs. Todd Ruth • San Diego Performing Arts League∆ • Barbara A. Sawrey∆ • Robert J. Schott • Pesavento∆ • Anita Pittman∆ • Victoria and David Plettner-Saunders∆ • Ira and Joy Plummer∆ • Mr. and Mrs. Jeffrey Posner∆ • Estate of Daniel Schwarz • Linda and Harold Scott • Tim Serlet and Luci Romero Serlet • Natalie H. Service∆ • Michele and John Barbara J. Pricola∆ • Alex and Eileen Pue∆ • Thomas R. Pugh∆ • Stephen Pultz and Kelly Jenkins-Pultz∆ • Fred and Linda Shumate∆ • Beverly and Howard Silldorf∆ • Anne and Ronald Simon • Lance Smith∆ • Lupe Smith∆ • Malcolm E. Smith • Elyse Radecki∆ • Eve Raftery∆ • Paula Rattigan • Ron Reff and Barbara Pollack • Louis and Nancy Regas∆ • Terry and Janelle Sollender∆ • Norman and Judith Solomon • John and Lynn Spafford∆ • Stephen Strawbridge∆ • Eric and Marian Suggs∆ • John and Rhoderick∆ • June Rider∆ • Ida Rigby∆ • Arthur and Mary Robertson∆ • Bingo and Gino Roncelli∆ • Jodyne Roseman∆ • David Gail Tauscher • Anne Taylor • Selma Torres∆ • Ginny Unanue∆ • Hannah Van Etten∆ • Aaron and Jennifer Wahl∆ • Anne Walter∆ • Rubin • Dr. Steven and Lisa Ruderman • Scott and Kimberly Rusnak • George and Karen Sachs • Sawrey Family∆ • Lillian Schafer • Ken and Susan Watson∆ • Janis Wellberg∆ • Corky and Joyce Wharton∆ • Andrew and Carisa Wisniewski • Cass Witkowski Family • Martin* and Connie Schroeder • Phyllis Schwartz∆ • David M. Scott∆ • John Seitman and Joan Irion ∆ • Robert Semmer∆ • Alyssa Mr. and Mrs.* C.E. Wylie/C.E. Wylie Construction Company • Earl and Judy Yager∆ • Anonymous (15)∆ Sepinwall and Steve Goldstein∆ • Kenneth and Jennifer Sghia-Hughes∆ • Scott and Cathy Shaw∆ • Bruce Shirer • Richard and Eleanor Shorter∆ • Allen and Julie Shumate • Mitchell and Elizabeth Siegler∆ • Kathie Adams and Myke Smith∆ • Dr. Carol Harter and Mr. William Smith • Abby Snyder∆ • Marisa SorBello and Peter V. Czipott • Bill and Barbara Sperling • Dr. and Mrs. Bradley Fan ($250 to $499) Spitz∆ • John Paul Spring∆ • Carolyn and Gordon Stables∆ • Hilton and Deb Stemwedel∆ • Marcia Kern and James Stern∆ • Spence and Sue Stevens∆ • Shauna Stokes∆ • Dave and Jan Stormoen • Peter Stovin • Leslie H. Stupp∆ • Dan and Katie Sullivan∆ • James Charlene Abrahamson∆ • Hon. Louise De Carl Adler • Karin Albright∆ • Jeff and Carmen Aliber∆ • Marina Alimansky∆ • Debra and Sutorius∆ • The Swazeys∆ • Mrs. J. B. (Cruz) Swedelius • Darlene and Ernest Tamayo • Janet and Brian Taylor • Nancy J. Taylor∆ • Dave Alpert∆ • Ron and Ann Alpert∆ • Janet Ambrozek∆ • Melvianne Andersen∆ • Mr. Alexander S. Ardwin • Helen Ashley • Lynn Virginia Taylor∆ • The Thursday Club Foundation • Mark Thomson∆ • Henry and Beatrice Torres∆ • Sandy Troya∆ • Anita and Connie Baer∆ • John and Elizabeth Bagby • Carol and Steve Baird • Ed Baize and Anna Giacconi • Keena Edyn Baker∆ • David Tuchrello∆ • Todd and Susan Turner∆ • Melinda Underkofler∆ • Edward Underwood • Melissa Usher∆ • Lori Van Orden∆ • Karen and Judy Banks∆ • Sharon Beamer • Cheri Belcoe∆ • Hon. Cathy Ann Bencivengo∆ • BenMichel Family Fund of the Jewish T. Vandenberg∆ • Gayle Huyser∆ • Glen and Lisa Vieira∆ • Gladfred Viery∆ • Maj. and Mrs. J.B. Wallace∆ • Ann W. Wang∆ • Rex Community Foundation • Judy Bergman∆ • Jo A. Berman∆ • Berumen Family • Ellen Beshears • Jabe and Frances Best∆ • Susan and Kathy Warburton • Dr. and Mrs. Stephen Waterman∆ • Jeannine Watkins∆ • Theodore Weathers and Terry McEachern∆ • and Stephen Betz∆ • Alex Bierhuis∆ • Perry S. Binder, M.D.∆ • Gordon Boerner∆ • Mr. and Mrs. Peter Boland∆ • Gaylyn Boone • Rosanne and Dean Weiman∆ • Kevin and Robin Werner∆ • J.D. and Linda Wessling∆ • Margaret West∆ • Catherine and Frank Abha Bosworth∆ • MaryCatherine Bowell∆ • Mary Jo Bowman∆ • Pat Boyce∆ • Helen M. Boyden∆ • Carolyn Bragg • Dr. Edward White∆ • Pamela Willis and Warren Shafer∆ • Mary Willmont∆ • John* and Lenora Witt • Craig and Barbara Wolf∆ • William F. and & Cherisse Brantz • Bob and Maxine Braude∆ • Gail Braverman • Mary Brewer∆ • LaVerne and Blaine Briggs • Jo Abbey Briggs • Norah D. Wolff • Kathy Woodworth and Allison Woodworth∆ • Rich Wordes and Amy Hitchcock∆ • Jon Wreschinsky∆ • Michael Arthur Brisolara∆ • Catherine Brose∆ • Hilarey Findeisen and George Brown∆ • Marilyn and James* Brown∆ • Terri Bryson • Mary Yablonsky and Abigail Marter∆ • Lynn Yahr∆ • Helena Yao∆ • James and Suzy Yates∆ • Cathy Young and Mary O’Tousa∆ • Ellen Buehler∆ • Clint and Susie Burdett∆ • Steven Burgess • Bruce and Bronwen Campbell∆ • Diane and David Canedo • Michael Carlin and Jack Zyroff • Anonymous (35)∆ and Sharon Fenner∆ • Monique Caron and Luis Jarquin∆ • Christy Carter∆ • LaVonne and Paul Cashman∆ • Alexandria Cassatt∆ • The Castelloe Family∆ • Stephen and Carol Center • Jill and Dr. Hank Chambers • Gregory Charles∆ • David F. Chavkin∆ • Jean Cheng∆ • Russ and Kathy Christiansen • Chris Claisse∆ • Elizabeth Clark∆ • Michael and Alexandra Cleveland∆ • Will and Lisette Conner • Marilyn Cornell∆ • Gretchen and Donald Cosgrove in memory of Jordine Von Wantoch • Anthony and Elizabeth Court∆ • For our full list of donors, please visit www.TheOldGlobe.org/Donors. Kendis H. Cox • Bill Crane∆ • Kathleen Cudahy∆ • Ellie Cunningham∆ • Nancy Cunningham • Sally Curran • Fred Cutler • Kelsey Dahlke∆ • Karen A Daniels∆ • John and Michelle Dannecker • Eduard and Catherine de los Rios∆ • Tennye Denton∆ • Gautam *In memoriam Dey • Philip H. and Ruth W. Dickinson Family Fund at the San Diego Foundation • Scott and Pippa Dinger∆ • Charles and Patricia ♥Globe Sustainers: donors who have pledged multiyear gifts Dintrone∆ • Judith Dolan∆ • Walter W. Doren • Magaly Drant∆ • Jacqueline and Stanley Drosch • Susan Dube • David Dufek and ∆GlobeRISING Supporters: donors who supported the Globe during closure Annette Goff Dufek∆ • Carol L. Dunbar • Dr. and Mrs. Jonathan Dunn • Eric Emont and Barbara Snyder Emont∆ • James and Louise Esposito∆ • Dr. Susan Ferraris∆ • Dale Fisher∆ • Paula Fitzgerald and Christopher Nielsen∆ • Michael and Therese Flaningam∆ • This list is current as of June 21, 2021. We regret any omissions or errors. Virginia Fleming∆ • Michael and Pamela Foley∆ • Lydia and Jean Fox in memory of G. Sidney Fox∆ • Robert and Stacey Foxworth • Please contact Janet Myott at [email protected] to make a correction to this list. Linda and Reginald Frank∆ • Caroline Frederick∆ • Dr. Richard & Randee Friedman • Grant and Kathryn Frost∆ • 30 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 31 Barry Edelstein, Erna Finci Viterbi Artistic Director Timothy J. Shields, Audrey S. Geisel Managing Director Freedome Bradley-Ballentine · Director of Arts PROPERTIES PROFESSIONAL TRAINING Engagement and Associate Artistic Director David Buess · Properties Director Shana Wride · Program Coordinator Llewellyn Crain · Director of Philanthropy Kristin Steva Campbell · Danielle Mages Amato, Amanda Penaloza Robert Drake · Senior Producer Associate Properties Director Banks, Ray Chambers, Nelson Eusebio, Gerhard Dave Henson · Savannah Moore · Properties Buyer Gessner, Jan Gist, Scott Ripley, Jersten Seraile, Director of Marketing and Communications Rory Murphy · Master Prop Artisan Abraham Stoll, James Vásquez, Emmelyn Michael Page · General Manager Jacob Sampson · Prop Shop Foreperson Thayer, Eileen Troberman · M.F.A. Faculty Sandy Parde · Director of Human Resources Kyle Melton · Lead Properties Carpenter Corey Johnston, Dana McNeal, Jesse Perez · Director of Professional Training Nate Parde, Nicole Ries, Suzi McDonnell · Head Properties, Globe Robin Sanford Roberts · M.F.A. Production Staff Michelle Yeager · Director of Finance Richard Rossi · Stage and Properties Head, White Eszter Julian · Head Properties, Festival ARTISTIC ARTS ENGAGEMENT Jeffery Rockey, Katherine Harroff · Freedome Bradley-Ballentine, Justin Waldman · Annelise Rowe · Properties Artisans Associate Artistic Directors Associate Director of Arts Engagement Trish Rutter · Properties Artisan/Painter Vietca Do, Lisel Gorell-Getz, Erika Phillips, Danielle Mages Amato · Kendell Northrup, Val Philyaw · Run Crew Literary Manager/Dramaturg Laura Zablit · Arts Engagement Programs Managers Lisel Gorell-Getz · Education Coordinator Kim Heil, Lamar Perry · Associate Producers LIGHTING James Pillar · Program Associate PRODUCTION Stevie Agnew · Lighting Director M. Nasim Abbas Sharifi · Ryan Osborn · Master Electrician, Globe Arts Engagement Operations Coordinator Benjamin Thoron · Production Manager Areta MacKelvie · Master Electrician, White Veronica Burgess, Leticia De Anda, Kendrick Leila Knox · Associate Production Manager Sean Murray · Master Electrician, Festival Dial, Randall Eames, Gerardo Flores Tonella, and Production Stage Manager Samantha Ginn, Kimberly King, Erika Malone, Michelle Aguilar, Sandra Navarro · Debra Pratt Ballard · Producing Associate Bibi Mama, Niki Martinez, Jake Millgard, Tara Follow Spot Operator, Festival Ricasa, Catherine Hanna Schrock, Jersten Ron Cooling · Company Manager Michelle Aguilar, Jasmyne Birdsong, Jessica Jennifer Watts · Associate Company Manager Seraile, Arielle Siler, Sharrif Simmons, Gill Dean, Sarah Gonzalez, Jasmin Guldner, Natalie Sotu, Miki Vale, Valeria Vega, Rio Villa, Jerilyn Hammerstrom · Honn, Stephanie Lasater, Xavier Luevano, Eric Weiman · Teaching Artists Production Office Coordinator Michelle Luongo, Amber Montoya, Leah Nellman, Kevin Orlof, Joanne Stewart, Robert FINANCE Thoman, Laura Zingle · Electricians TECHNICAL Cindy Hunt · Senior Accountant Joe Powell · Technical Director SOUND Mai Nguyen · Lucas Skoug, Payroll Coordinator/Accounting Assistant Adina Weinig · Assistant Technical Directors Paul Peterson · Sound Director Trish Guidi · Accounts Payable/Accounting Assistant Carole Payette · Charge Scenic Artist Brad Zuckerman · Head Audio Technician, Festival Lidia Rodriguez · Eileen McCann · Resident Design Assistant Brooke Rains · Deck Audio, Globe Accounts Payable/Accounting Assistant Diana Rendon · Technical Assistant/Buyer Rachel Doemelt · Deck Audio, Festival Gillian Kelleher · Master Carpenter Jeremy Siebert · Sound Technician PHILANTHROPY Jason Chohon · Master Carpenter, Festival Kristina Keeler · Deputy Director of Philanthropy Mihai Antonescu, Curtis Carlsteen, Chris GENERAL MANAGEMENT Bridget Cantu Wear · Chauvet, Sloan Holly, Roger Lane, Tess Mattraw, Alexandra Hisserich · Associate General Manager Associate Director of Philanthropy, Legacy Giving Jeff Rocky, Albert Rubidoux, Jeff Sims · Assistant General Manager Keely Tidrow · Associate Director of Philanthropy Mark Soares, Evelyn Walker, Shaun Watkins, Kurtis Weichers · Carpenters Carolyn Budd · Moneé Gardner · Assistant Director of Philanthropy Francisco Ramirez · Assistant to the Artistic and Managing Directors Haley Meyer · Events Director Scene Shop Operations Assistant Tim Cole · Receptionist Matthew B. Lovegood · W. Adam Bernard, Philanthropy Communications Manager Torrey Hyman · Lead Scenic Artists HUMAN RESOURCES Janet Myott · Philanthropy Administrator Jessica Amador, David Weeks · Scenic Artists Bruna Duarte · Human Resources Generalist Kaitlin Heller · Senior Grant Writer Juliana Choi · Grant Writer COSTUMES FACILITIES Krista Wilford · VIP Services Coordinator Stacy Sutton · Costume Director Crescent Jakubs · Facilities Director Caren Dufour · Philanthropy Assistant Charlotte Devaux Shields · Johnny Kammerer · Custodial Supervisor Resident Design Associate Beverly Boyd, Violanda Corona, Roberto DONOR SERVICES Lisa Sanger-Greshko · Assistant to the Director Gonzalez, Bernardo Holloway, Carolina Lopez Corinne Bagnol, Jyothi Doughman, Shelly Williams · Design Assistant/Shopper de Orellana, Jason McNabb, Victor Quiroz, Anthony Hackett, Michele Kemp, Katie Knox · Design Assistant Vicente Ramos, Andrey Repetskiy · Building Staff Barbara Lekes, David Owen, Erin Cass · Draper Stephanie Reed · Suite Concierges Ingrid Helton, INFORMATION TECHNOLOGY Marsha Kuligowski · Drapers/Tailors Dean Yager · Information Technology Director MARKETING Anne Glidden Grace, Susan Sachs, Waverly Justin Brown · Systems Administrator Ed Hofmeister · Associate Director of Marketing Strickland · Assistant Cutters Brittany Summers · Mike Hausberg · Communications Manager Nicole Sukolics Christianson · Information Technology Assistant Lucía Serrano · Public Relations Associate Assistant Cutter/Stitcher Chanel Cook · Digital and Print Publications Designer Yang Chen Dolkar, Nunzia Pecoraro, PATRON SERVICES Eve Childs · Marketing Assistant Heather Premo · Stitchers Brian Davis · Patron Services Director Kristin Womble · Craft Supervisor/Dyer/Painter Allison Dorantes, Laura Rodriguez, SUBSCRIPTION SALES Sharon Granieri · Lead Craft Artisan Mary Taylor · House Managers Scott Cooke · Subscription Sales Manager Anna Campbell, Faith A. James · Craft Artisans Anura Ranasinghe · Front of House Assistant Catherine Andrews, Arthur Faro, Janet Kavin, Alison Reyes · Wig and Makeup Supervisor Barbara Behling, Allison Dorantes, Yolanda Moore, Ken Seper, Megan Woodley · Stephanie Rakowski · Gift Shop Supervisors Cassandra Shepard, Jerome Tullmann, Assistant Wig and Makeup Supervisor Grant Walpole · Subscription Sales Representatives Stephanie Kwik, LADY CAROLYN'S PUB Jimmy Masterson · Wig Assistants Patrice Aguayo · Pub Manager TICKET SERVICES Beth Merriman · Wardrobe Supervisor Scott Fitzpatrick, Bob Coddington · Ticket Services Director Kelly Marie Collett-Sarmiento · Deborah Montes, Stephanie Passera, Marsi Bennion · Associate Ticket Services Director Wardrobe Crew Chief, Globe Rashad Williams · Pub Shift Supervisors Cristal Salow · Group Sales Manager Jimmy Masterson · Wig Running Crew, Globe Alexis Duran · Pub Staff Kathy Fineman, Caryn Morgan · Anna Campbell · Wardrobe Crew Chief, Festival Lead Ticket Services Representatives Debbie Callahan, PUBLIC SAFETY Manuel Aguilar, Kari Archer, Mercedes Fuller, Terrie Cassidy · Wardrobe, Festival Kade Gooderham · Public Safety Manager Caroline Hyatt, Lauren Mezta, Taylor Olson, Jazmine Choi, Elizabeth Snell · Ticket Services Representatives Erica Reyes-Burt · Wig Running Crew, Festival David Hanson, Joseph Williams · Public Safety Supervisors Raven Winter · Wardrobe Swing Willie Caldwell, Karen Cole, Janelle Hinds, Jack O’Brien · Artistic Director Emeritus Shea Husted, Joseph Lapira, Janet Larson, Craig Noel · Founding Director Eleuterio Ramos · Public Safety Team 32 PERFORMANCES MAGAZINE