DOCSLIB.ORG

Detroit Opeaa House

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Detroit Opeaa House Wi nter 98/99 Detroit Opera House Home of Michigan Opera Theatre DETROIT OPEAA HOUSE Copyright 2010, Michigan Opera Theatre UNDERSTAND N G THE W 0 R L D "People fly to Detroit from all over the world. My job is to roll out the red carpet for them every time." Esther Wu, Northwest Airlines interpreter "I've been an interpreter for Northwest Airlines dedicated employees like Esther Wu, we're bringing for n early eight years. In that time, I've seen o ur the world to Detroit. We're doing this by offering aiIport become one of the world's busiest and a daily nonstop service from four Asian destinations: gateway to Asia. It is m y great pleasure to help our Beijing, Osaka, Seoul and Tokyo. Plus, only customers feel comfortable and to assist them with Northwest Airlines offers Detroit over 500 daily customs and immigration procedures. I'm proud to flights around the world. WOIk for Northwest Airlines. And I'm pleased to For information and reservations, call Northwest welcome the wOIld to m y hom e. " at 1-800-225-2525, book online at www.nwa.com or There are over 10,000 people of Northwest Airlines call your travel agent. You can also visit your City who are proud to call Michigan home. And with Ticket Office for all your ticketing needs. ~NORTHWEST VAIRLINES SOllie P('o/J/(,./l1,\/ Kllow How to Fly 1-800-225-2525 / www.nwa.com © 1998 Northwest Airlines. Inc. Northwest recycles enough paper products in one year to save over 6,87 4,000 gallons of water. a Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre -~~-• OrovoD e t r oit Op e ra Hou se P r o g ram Guid e MICHIGAN OPERA THEATRE LAU RA R . WYSS Editor Downtown MITCHELL CARTER Contributing Editor KATTs COMMUNICATIONS Apartment Living KIMBERLEY A. DYKE Design Director TINA JONES Design Director With All The C YNTHIA SECOF CLiSDAL Art Director TOM JON ES Publishing Consultant TOBY FABER Director Advertising Sales Comforts Of Home LIVE PU BLISH INC Print & Production Direction COVER PHOTO Mark J. Mancinelli, MJM Photography Michiga n Opera Theatre would like to th ank the Detroit Institute of Arts for the use of artwork for promotional materi als. Choose from unfornished Michiga n Opera Th eatre would like to th ank Harm ony House Records for the studio and one-bedroom donation of season recordings an d videos. high-rise apartments or folly Michigan Opera Theatre's 1998/99 subscription and single tickets have been fornished apartment suites grac iously sponsored by Grand Aire. for short-term or extended stays - Either way, you'll be Phys icians' service prov ided by Henry Ford Medica l Center for the Performing Arts. impressed with Town Apartments & Suites' outstanding value. • Fully equipped kitchen with housewares and microwave Ste in way is th e offi cial piano of the Detroit Opera Hou se and Michigan • Telephone with dataporr and voice Opera Th eatre. Steinway pi anos are provided by Ham mell Music, exclu sive mail system representative for Steinway and Sons. • Desk with work area and cable TV Starbucks Coffee is the official coffee of the Detroit Opera House. • All utilities included • 24-hour receptionist and front desk Pres ident Tu xedo is the official provider of fo rm al wear for the Detroit service Opera House . • Complete fitness center Michiga n Opera Theatre is a non-profit cultural orga nization whose acti vities • Laun~ry and dry cleaning on are supported in part by the Michigan Co un cil fo r Arts and Cultural Affairs, premises the National Endowment for the Arts, and other individuals, corporations and • Daily or weekly maid service available foundati ons . Michi gan Opera Theatre is an equal opportunity emplo ye r. • Penthouse patio and sundeck NATIONAL A ",',big'" ""nlili'" EN DOWMENT fill" am ,nd mlm,.,1 nffi"" 313.962.0674 FOR9'THE ARTS 800.385.5333 .;:{ 1511 First Street at Bagley it's j~ett ~m~ii t" Detroit, Michigan 48226 Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre With its 220-horsepower engine and available four-wheel drive, the new RX 300 is powerful enough to get you where you want to go. Yet with its advanced independent suspension system, it also gives you the luxurious ride you expect from a Lexus. And guarantees the competition a very bumpy ride. See your Lexus dealer. L IKE N 0 0 THE R V E Hie LEO R V A L U EON EAR T H. Your Lexus Dealer. Pursuing Peifection. mead e l ex u s.co m MEADE LEXUS OF SOUTHFIELD MEADE LEXUS OF LAKESIDE 28300 Northwestern Highway M59 at North Pointe Boulevard (800) 48 MEADE (800) 486-5253 ©1998 L eXllS, a Division o/Toyota Motor Sales, U.S .A., Inc. Lexlts refninds y O/l. 1.0 wear seat belts, secure children in rear seat and obey all speed laws. ·MSRP includes destination charge. Excludes taxes, title, license and other optional equipment. Actual dealer price may vary. Bicycles not included. Copyright 2010, Michigan Opera Theatre ----==------ ---------------------- Detroit Ope r a Hou s e N MESSAGE 2 From the General Director MICHIGAN OPERA THEATRE 4 Board of Directors and Trustees 7 Administration and Staff CAMPAIGN INFORMATION ON STAGE 8 Detroit Opera House 11 Harlem Nutcracker Presented Capital Campaign by the Detroit Opera House, University Musical Society and the Arts League of Michigan Sunset Boulevard Please see insert section. 29 Don Quixote Presented by American Ballet Theatre MOT ORCHESTRA 33 Michigan Opera Theatre Orchestra OUTREACH & EDUCATION 36 Community Programs MOT VOLUNTEER ASSOCIATION 37 Volunteer Association PREVI EW CALENDAR 38 Coming soon to the Detroit Opera House DETROIT OPERA HOUSE 40 Detroit Opera House General Information Copyright 2010, Michigan Opera Theatre MESSAGE t is my pleasure to welcome you to the Detroit began in September with Les Ballets de Monte Carlo's Opera House, home of Michigan Opera Theatre. command performance of Romeo et Juliette, attended IOur winter season demonstrates that this by H.S.H. Princess Caroline of Monaco. We continue magnificent theater is ·not only home to great opera, the season with American Ballet Theatre's spectacular but an exceptional venue for dance, musical theater new production of Don Quixote in March. ABT's and variety programming as well. third visit to their "Midwest Home" provides an For the past two seasons the Detroit Symphony excellent opportunity to see some of the world's great Orchestra has been a holiday guest at the dancers, such as Angel Corelia, Jose Manuel Carreno, Detroit Opera House, performing Tchaikovsky's Paloma Herrera and Susan Jaffee. We are proud to beloved classic The Nutcracker, which can be seen bring this extraordinary company to our region. December 10-20. To add to the holiday excitement, This winter season is a testament to the versatility of this season we have collaborated with University the Detroit Opera House. World-class programming Musical Society and The Arts League of Michigan in a world-class opera house; all made possible by the (please see page 11) to present The Harlem many generous individuals, corporations and foundations Nutcracker. This reinterpretation of the classic, as seen who have demonstrated a deep commitment to through the living room of a contemporary Harlem the cultural well-being of our community, and have household and the Jazz clubs of the recognized the role of the Detroit Opera House in the Harlem Renaissance, features the music of Duke revitalization of Detroit. The financial obligations of Ellington. Together, The Nutcracker and The Harlem the Detroit Opera House are on-going. There are Nutcracker-two versions of the story- are sure to many ways to meet the challenge before us (please see become a holiday tradition. page 8). Your contributions help to ensure the The touring production of Sunset Boulevard, one completion of the opera house, a place to cherish of today's hottest and most exciting musical theater for decades to come. productions, will be on stage in March. Based on Billy Wilder's 1950 classic film , Petula Clark stars as Enjoy the show! legendary silent film star Norma Desmond, who plots her return to the silver screen. This spectacular production, long-anticipated by musical theater buffs, &Jti)I~ comes to a stage that easily accommodates its great scenic demands. Our 1998-99 dance season of Passion and Power in Movement, which is sponsored by Chrysler Fund, 2 nlllVU Copyright 2010, Michigan Opera Theatre Cecilia Bartoli prizes two instruments above all others. Her voice and her Rolex. Cecilia Bartoli's voice has taken her to the heights of the opera world. Opening the season at Carnegie Hall was a superb achievement for one so young. "It was very exciting," she says. But, to Cecilia, every performance is exciting. "I get a little nervous at first, but I listen to the music and I start to become a part of it. It's a wonderful feeling," she says. Cecilia Bartoli derives pleasure from per­ fection. Because she knows that when every detail is flawless the performance will be absolutely perfect. Which is why her Rol~x Lady Datejust Lady Oyster Perpetual gives her so much pleasure. Datejust GREENSTONE'S CREATORS OF FINE JEWELRY SINCE 1925. 528 N. Old Woodward· Birmingham, MI 4 Blocks North of Maple Rd. • (248) 642-2650 Copyright 2010, Michigan Opera Theatre Rolex. 'IiI'. Oyster Perpetual and Lady Datejust are trademarks. DIRECTORS & TRUSTEES of directors Mrs . Peter Cooper Mr. Harry A. Lomason Mr. Tarik S. Daoud Mr. Alphonse Lucarelli Mr. Robert E. Dewar Chairman Julia Donovan Darlow Mrs.
Load more

Recommended publications
  • Treasure Is Where You Find It
    TREASURE I S W HER E YOU FIN D IT Williaa Cowie Residenoe Northeast corner o£ Canfield Avenue We.t and Third Avenue Built in 1676 - Razed after 1957 1'rom ~ '!istoQ: ~ Detro! t ~ Michigan by Silas F .......r Volume I, 1689, page 420 Publication underwritten by a grant trom The Hiatorio Memorials Sooiety in Detroit, Miohigan April 1969 OUTLINE HISTORY OF CANFIELD AVENUE WEST BETWEEN SECOND BOULEVARD AND THIRD AVENUE IN HONOR OF ITS ONE HUNDREDTH BIRTHDAY 1869 - 1969 by Mrs. Henry G. Groehn One lovely Wednesday afternoon, in the 1870's, two little girls sat on the McVittie front steps on the south side of Canfield Avenue West, between Second Boulevard and Third Avenue. They were watching the carriagos and horses as they clip-clopped to a stop in front of the Watton carriage stone next door. The ladies in elegant afternoon attire were "com!"" to call" on Mrs. Walter I"atton, the wife of a prominent Detroit denti"t.. Wednesday was the day Mrs. Watton IIreceived," and this was duly noted in a Detroit society blue book, which was a handy reference book for the lIin societyll ladies. Once again, almost one hundred years later, the atmosphere of ele­ gantly built homes with beautiful, landscaped lawns and quiet living can become a reality on tilis block. The residents who are now rehe.bilitating these homes are recognizing the advantage of historic tOlm house lh-;.ng, wi th its proximity to the center of business, cultural, and educati'm"~_ facilities. Our enthusiasm has blossomed into a plan called the CanfIeid West-Wayne Project, because we desire to share with others our discovery of its unique historical phenomenon.
    [Show full text]
  • List of Marginable OTC Stocks
    List of Marginable OTC Stocks @ENTERTAINMENT, INC. ABACAN RESOURCE CORPORATION ACE CASH EXPRESS, INC. $.01 par common No par common $.01 par common 1ST BANCORP (Indiana) ABACUS DIRECT CORPORATION ACE*COMM CORPORATION $1.00 par common $.001 par common $.01 par common 1ST BERGEN BANCORP ABAXIS, INC. ACETO CORPORATION No par common No par common $.01 par common 1ST SOURCE CORPORATION ABC BANCORP (Georgia) ACMAT CORPORATION $1.00 par common $1.00 par common Class A, no par common Fixed rate cumulative trust preferred securities of 1st Source Capital ABC DISPENSING TECHNOLOGIES, INC. ACORN PRODUCTS, INC. Floating rate cumulative trust preferred $.01 par common $.001 par common securities of 1st Source ABC RAIL PRODUCTS CORPORATION ACRES GAMING INCORPORATED 3-D GEOPHYSICAL, INC. $.01 par common $.01 par common $.01 par common ABER RESOURCES LTD. ACRODYNE COMMUNICATIONS, INC. 3-D SYSTEMS CORPORATION No par common $.01 par common $.001 par common ABIGAIL ADAMS NATIONAL BANCORP, INC. †ACSYS, INC. 3COM CORPORATION $.01 par common No par common No par common ABINGTON BANCORP, INC. (Massachusetts) ACT MANUFACTURING, INC. 3D LABS INC. LIMITED $.10 par common $.01 par common $.01 par common ABIOMED, INC. ACT NETWORKS, INC. 3DFX INTERACTIVE, INC. $.01 par common $.01 par common No par common ABLE TELCOM HOLDING CORPORATION ACT TELECONFERENCING, INC. 3DO COMPANY, THE $.001 par common No par common $.01 par common ABR INFORMATION SERVICES INC. ACTEL CORPORATION 3DX TECHNOLOGIES, INC. $.01 par common $.001 par common $.01 par common ABRAMS INDUSTRIES, INC. ACTION PERFORMANCE COMPANIES, INC. 4 KIDS ENTERTAINMENT, INC. $1.00 par common $.01 par common $.01 par common 4FRONT TECHNOLOGIES, INC.
    [Show full text]
  • The Soraya Joins Martha Graham Dance Company and Wild up for the June 19 World Premiere of a Digital Dance Creation
    The Soraya Joins Martha Graham Dance Company and Wild Up for the June 19 World Premiere of a Digital Dance Creation Immediate Tragedy Inspired by Martha Graham’s lost solo from 1937, this reimagined version will feature 14 dancers and include new music composed by Wild Up’s Christopher Rountree (New York, NY), May 28, 2020—The ongoing collaboration by three major arts organizations— Martha Graham Dance Company, the Los Angeles-based Wild Up music collective, and The Soraya—will continue June 19 with the premiere of a digital dance inspired by archival remnants of Martha Graham’s Immediate Tragedy, a solo she created in 1937 in response to the Spanish Civil War. Graham created the solo in collaboration with composer Henry Cowell, but it was never filmed and has been considered lost for decades. Drawing on the common experience of today’s immediate tragedy – the global pandemic -- the 22 artists creating the project are collaborating from locations across the U.S. and Europe using a variety of technologies to coordinate movement, music, and digital design. The new digital Immediate Tragedy, commissioned by The Soraya, will premiere online Friday, June 19 at 4pm (Pacific)/7pm (EST) during Fridays at 4 on The Soraya Facebook page, and Saturday, June 20 at 11:30am/2:30pm at the Martha Matinee on the Graham Company’s YouTube Channel. In its new iteration, Immediate Tragedy will feature 14 dancers and 6 musicians each recorded from the safety of their homes. Martha Graham Dance Company’s Artistic Director Janet Eilber, in consultation with Rountree and The Soraya’s Executive Director, Thor Steingraber, suggested the long-distance creative process inspired by a cache of recently rediscovered materials—over 30 photos, musical notations, letters and reviews all relating to the 1937 solo.
    [Show full text]
  • Twyla Tharp Th Anniversary Tour
    Friday, October 16, 2015, 8pm Saturday, October 17, 2015, 8pm Sunday, October 18, 2015, 3pm Zellerbach Hall Twyla Tharp D?th Anniversary Tour r o d a n a f A n e v u R Daniel Baker, Ramona Kelley, Nicholas Coppula, and Eva Trapp in Preludes and Fugues Choreography by Twyla Tharp Costumes and Scenics by Santo Loquasto Lighting by James F. Ingalls The Company John Selya Rika Okamoto Matthew Dibble Ron Todorowski Daniel Baker Amy Ruggiero Ramona Kelley Nicholas Coppula Eva Trapp Savannah Lowery Reed Tankersley Kaitlyn Gilliland Eric Otto These performances are made possible, in part, by an Anonymous Patron Sponsor and by Patron Sponsors Lynn Feintech and Anthony Bernhardt, Rockridge Market Hall, and Gail and Daniel Rubinfeld. Cal Performances’ – season is sponsored by Wells Fargo. PROGRAM Twyla Tharp D?th Anniversary Tour “Simply put, Preludes and Fugues is the world as it ought to be, Yowzie as it is. The Fanfares celebrate both.”—Twyla Tharp, 2015 PROGRAM First Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers The Practical Trumpet Society Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company Antiphonal Fanfare for the Great Hall by John Zorn. Used by arrangement with Hips Road. PAUSE Preludes and Fugues Dedicated to Richard Burke (Bay Area première) Choreography Twyla Tharp Music Johann Sebastian Bach Musical Performers David Korevaar and Angela Hewitt Costumes Santo Loquasto Lighting James F. Ingalls Dancers The Company The Well-Tempered Clavier : Volume 1 recorded by MSR Records; Volume 2 recorded by Hyperi on Records Ltd. INTERMISSION PLAYBILL PROGRAM Second Fanfare Choreography Twyla Tharp Music John Zorn Musical Performers American Brass Quintet Costumes Santo Loquasto Lighting James F.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
    [Show full text]
  • Speaking Flyer for February 2013
    SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB AND EDWIN BOOTH’S CLUB THE PLAYERS, NEW YORK CITY PAUL DICKSON Monday, February 25 How many of our familiar words and phrases originated in the White House? What lexicographer PAUL DICKSON has to report will astonish you. Acclaimed for his authoritative BASEBALL DICTIONARY, now in its third edition, Mr. Dickson has also treated us to THE NATIONAL ARTS CLUB CONGRESS DICTIONARY: The Ways and Meanings of Capitol Hill , JOURNALESE: A Dictionary for Deciphering 15 Gramercy Park South Manhattan the News, LABELS FOR LOCALS: What to Call People from Abilene to Zimbabwe, and DRUNK: The Definitive Drinker’s Program 7:30 p.m. Dictionary. An former editor for Merriam-Webster publi- Reservations Requested cations, Mr. Dickson has appeared frequently on All Things Considered and other NPR programs, and he was an occasional contributor to the late William Safire’s popular “On Language” column for The New York Times Magazine. Copies of WORDS FROM THE WHITE HOUSE will be on hand for purchase and inscription following Mr. Dickson’s interview with John Andrews. THOMAS KEITH Tuesday, March 26 This date marks the 102nd birthday of a playwright whose evocative dialogue has been compared to that of such immortals as Chekhov and Shakespeare. Thomas Lanier “Tennessee” Williams (1911-83) enriched our repertory not only with Cat on a Hot Tin Roof, which is once again riveting Broadway audiences, NATIONAL ARTS CLUB but with classics like A Streetcar Named Desire, Camino 15 Gramercy Park South Real, Orpheus Descending, Summer and Smoke, Sweet Manhattan Bird of Youth, The Glass Menagerie, The Night of the Iguana, and The Rose Tattoo.
    [Show full text]
  • J Ohn F. a Ndrews
    J OHN F . A NDREWS OBE JOHN F. ANDREWS is an editor, educator, and cultural leader with wide experience as a writer, lecturer, consultant, and event producer. From 1974 to 1984 he enjoyed a decade as Director of Academic Programs at the FOLGER SHAKESPEARE LIBRARY. In that capacity he redesigned and augmented the scope and appeal of SHAKESPEARE QUARTERLY, supervised the Library’s book-publishing operation, and orchestrated a period of dynamic growth in the FOLGER INSTITUTE, a center for advanced studies in the Renaissance whose outreach he extended and whose consortium grew under his guidance from five co-sponsoring universities to twenty-two, with Duke, Georgetown, Johns Hopkins, North Carolina, North Carolina State, Penn, Penn State, Princeton, Rutgers, Virginia, and Yale among the additions. During his time at the Folger, Mr. Andrews also raised more than four million dollars in grant funds and helped organize and promote the library’s multifaceted eight- city touring exhibition, SHAKESPEARE: THE GLOBE AND THE WORLD, which opened in San Francisco in October 1979 and proceeded to popular engagements in Kansas City, Pittsburgh, Dallas, Atlanta, New York, Los Angeles, and Washington. Between 1979 and 1985 Mr. Andrews chaired America’s National Advisory Panel for THE SHAKESPEARE PLAYS, the BBC/TIME-LIFE TELEVISION canon. He then became one of the creative principals for THE SHAKESPEARE HOUR, a fifteen-week, five-play PBS recasting of the original series, with brief documentary segments in each installment to illuminate key themes; these one-hour programs aired in the spring of 1986 with Walter Matthau as host and Morgan Bank and NEH as primary sponsors.
    [Show full text]
  • 2018/2019 Season
    Saturday, April 6, 2019 1:00 & 6:30 pm 2018/2019 SEASON Great Artists. Great Audiences. Hancher Performances. Kevin McKenzie Kara Medoff Barnett ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Alexei Ratmansky ARTIST IN RESIDENCE STELLA ABRERA ISABELLA BOYLSTON MISTY COPELAND HERMAN CORNEJO SARAH LANE ALBAN LENDORF GILLIAN MURPHY HEE SEO CHRISTINE SHEVCHENKO DANIIL SIMKIN CORY STEARNS DEVON TEUSCHER JAMES WHITESIDE SKYLAR BRANDT ZHONG-JING FANG THOMAS FORSTER JOSEPH GORAK ALEXANDRE HAMMOUDI BLAINE HOVEN CATHERINE HURLIN LUCIANA PARIS CALVIN ROYAL III ARRON SCOTT CASSANDRA TRENARY KATHERINE WILLIAMS ROMAN ZHURBIN Alexei Agoudine Joo Won Ahn Mai Aihara Nastia Alexandrova Sierra Armstrong Alexandra Basmagy Hanna Bass Aran Bell Gemma Bond Lauren Bonfiglio Kathryn Boren Zimmi Coker Luigi Crispino Claire Davison Brittany DeGrofft* Scout Forsythe Patrick Frenette April Giangeruso Carlos Gonzalez Breanne Granlund Kiely Groenewegen Melanie Hamrick Sung Woo Han Courtlyn Hanson Emily Hayes Simon Hoke Connor Holloway Andrii Ishchuk Anabel Katsnelson Jonathan Klein Erica Lall Courtney Lavine Virginia Lensi Fangqi Li Carolyn Lippert Isadora Loyola Xuelan Lu Duncan Lyle Tyler Maloney Hannah Marshall Betsy McBride Cameron McCune João Menegussi Kaho Ogawa Garegin Pogossian Lauren Post Wanyue Qiao Luis Ribagorda Rachel Richardson Javier Rivet Jose Sebastian Gabe Stone Shayer Courtney Shealy Kento Sumitani Nathan Vendt Paulina Waski Marshall Whiteley Stephanie Williams Remy Young Jin Zhang APPRENTICES Jacob Clerico Jarod Curley Michael de la Nuez Léa Fleytoux Abbey Marrison Ingrid Thoms Clinton Luckett ASSISTANT ARTISTIC DIRECTOR Ormsby Wilkins MUSIC DIRECTOR Charles Barker David LaMarche PRINCIPAL CONDUCTOR CONDUCTOR PRINCIPAL BALLET MISTRESS Susan Jones BALLET MASTERS Irina Kolpakova Carlos Lopez Nancy Raffa Keith Roberts *2019 Jennifer Alexander Dancer ABT gratefully acknowledges: Avery and Andrew F.
    [Show full text]
  • Paul Taylor Dance Company’S Engagement at Jacob’S Pillow Is Supported, in Part, by a Leadership Contribution from Carole and Dan Burack
    PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Suzanne Carbonneau TO OUR VISIONARY LEADERS The PillowNotes comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through It is said that the body doesn’t lie, but this is wishful thinking. All earthly creatures do it, only some more artfully than others. annual gifts of $10,000 and above. —Paul Taylor, Private Domain Their deep affiliation ensures the success and longevity of the It was Martha Graham, materfamilias of American modern dance, who coined that aphorism about the inevitability of truth Pillow’s annual offerings, including educational initiatives, free public emerging from movement. Considered oracular since its first utterance, over time the idea has only gained in currency as one of programs, The School, the Archives, and more. those things that must be accurate because it sounds so true. But in gently, decisively pronouncing Graham’s idea hokum, choreographer Paul Taylor drew on first-hand experience— $25,000+ observations about the world he had been making since early childhood. To wit: Everyone lies. And, characteristically, in his 1987 autobiography Private Domain, Taylor took delight in the whole business: “I eventually appreciated the artistry of a movement Carole* & Dan Burack Christopher Jones* & Deb McAlister PRESENTS lie,” he wrote, “the guilty tail wagging, the overly steady gaze, the phony humility of drooping shoulders and caved-in chest, the PAUL TAYLOR The Barrington Foundation Wendy McCain decorative-looking little shuffles of pretended pain, the heavy, monumental dances of mock happiness.” Frank & Monique Cordasco Fred Moses* DANCE COMPANY Hon.
    [Show full text]
  • The Nutcracker
    American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • Alvin Ailey American Dance Theater
    DANCE ALVIN AILEY AMERICAN DANCE THEATER Gaillard Municipal Auditorium May 25 at 7:00pm; May 26 at 8:00pm; May 27 at 2:00pm Founder Alvin Ailey Artistic Director Emerita Judith Jamison Artistic Director Robert Battle Associate Artistic Director Masazumi Chaya Company Members Guillermo Asca Yannick Lebrun Kirven James Boyd Alicia Graf Mack Hope Boykin Michael Francis McBride Sean A. Carmon Rachael McLaren Sarah Daley Aisha Mitchell Ghrai DeVore Akua Noni Parker Antonio Douthit Briana Reed Belen Estrada Samuel Lee Roberts Renaldo Gardner Renee Robinson Vernard J. Gilmore Kelly Robotham Jacqueline Green Kanji Segawa Daniel Harder Glenn Allen Sims Demetia Hopkins Linda Celeste Sims Michael Jackson, Jr. Jermaine Terry Megan Jakel Marcus Jarrell Willis Guest Artist Matthew Rushing Executive Director Sharon Gersten Luckman The 2012 Dance Series is presented by BlueCross BlueShield of South Carolina. Additional support for the 2012 Dance Series is provided by The Harkness Foundation for Dance. Major funding for Alvin Ailey American Dance Theater is provided by the New York State Council on the Arts, the New York City Department of Cultural Affairs, American Express, Bank of America, Bristol-Myers Squibb, Diageo, FedEx Corporation, Ford Foundation, The Hearst Foundations, J.P. Morgan, Prudential Financial, Inc., The Shubert Foundation, The Starr Foundation, Target, and Wells Fargo. Toyota Motor Sales U.S.A., Inc. is the Official Vehicle Partner of Alvin Ailey American Dance Theater. 36 DANCE ALVIN AILEY AMERICAN DANCE THEATER PROGRAM A May 25 at 7:00pm ARDEN COURT (1981) Choreography by Paul Taylor Music by William Boyce Restaged by Cathy McCann Buck Set and costumes by Gene Moore Lighting by Jennifer Tipton First performed by the Paul Taylor Dance Company in 1981 Dancers Linda Celeste Sims, Glenn Allen Sims, Antonio Douthit, Kirven James Boyd, Rachael McLaren, Alicia Graf Mack, Michael Francis McBride, Samuel Lee Roberts, Jermaine Terry Generous support for this Company premiere was provided by Harlan B.
    [Show full text]