Bill T. Jones / Arnie Zane Dance Company

Total Page:16

File Type:pdf, Size:1020Kb

Bill T. Jones / Arnie Zane Dance Company FALL 2018 DANCE SEASON B R AVO Bill T. Jones/ Arnie Zane Company OCTOBER 27, 2018 BALLETMET The Nutcracker NOVEMBER 24-25, 2018 Too Hot to Handel DECEMBER 1, 2018 The 2018–2019 Dance Season is made possible by the Lear Corporation ENGAGED IN THE ARTS. COMMITTED TO CULTURE. IMPACTING OUR COMMUNITY. The Community Foundation for Southeast Michigan proudly supports the Michigan Opera Theatre as part of our mission to assist organizations creating a lasting, positive impact on our region. CFSEM.org 313-961-6675 Fall 2018 BRAVO Contents Dance Season ON STAGE The Official Magazine of Michigan Opera Theatre FEATURE STORY: ‘Tis the Season for Holiday Performances ......... 6 Profiles from the Pit: All About that Bass ............................................... 7 Erica Hobbs, Editor Bill T. Jones/Arnie Zane Company ............................................................ 8 Jocelyn Aptowitz, Contributor BalletMet’s The Nutcracker ........................................................................14 Publisher: Too Hot To Handel .........................................................................................20 Echo Publications, Inc. Royal Oak, Michigan www.echopublications.com MICHIGAN OPERA THEATRE Tom Putters, President Boards of Directors and Trustees .............................................................. 4 Physicians’ services provided by Welcome ............................................................................................................. 5 Henry Ford Medical Center. MOTCC: A Winter Fantasy ..........................................................................19 Steinway is the official piano of the Administration and Staff .............................................................................24 Detroit Opera House and Michigan Michigan Opera Theatre Contributors ..................................................25 Opera Theatre. Steinway pianos are General Information .....................................................................................29 provided by Steinway Piano Gallery of Detroit, exclusive representative for Steinway and Sons in Michigan. Comet Interactive is the official media production company of the Detroit Opera House. Michigan Opera Theatre is a nonprofit cultural organization, whose activities are supported in part by the Michigan Council for Arts and Cultural Affairs, the National Endowment for the Arts, and other individuals, corporations, and foundations. Michigan Opera Theatre is an Equal Opportunity Employer. Michigan Opera Theatre www.MichiganOpera.org BRAVO • Fall 2018 3 BOARD OF DIRECTORS 2018-2019 July 1, 2018 - June 30, 2019 R. Jamison Williams Margaret Allesee Marianne Endicott Nora Moroun DIRECTORS EMERITUS Chairman Pernilla Ammann Paul E. Ewing Peter Oleksiak Shelly Cooper Lee Barthel Jennifer Fischer Charlotte Podowski Marjorie M. Fisher Wayne S. Brown Richard A. Brodie Barbara Frankel Sara Pozzi Jennifer Nasser President and CEO Elizabeth Brooks Herman Frankel Paul Ragheb Audrey Rose Enrico Digirolamo Robert Brown Dean Friedman Ruth Rattner William Sandy Chair, Finance James Ciroli Richard G. Goetz Bernard Rubin Richard Webb Committee Françoise Colpron John P. Hale Ankur Rungta Joanne Danto Devon Hoover Terry Shea Cameron B. Duncan Julia Donovan Darlow Danialle Karmanos Matthew Simoncini Treasurer Ethan Davidson Barbara Kratchman Richard Sonenklar Kevin Dennis Thomas M. Krikorian Lorna Thomas C. Thomas Toppin Shauna Ryder Diggs Alphonse S. Lucarelli Jesse Venegas Secretary Sonal Dubey Donald Manvel Ellen Hill Zeringue Michael Einheuser Ali Moiin BOARD OF TRUSTEES 2018-2019 July 1, 2018 - June 30, 2019 Kenn and Liz Allen Douglass Diggs and George Johnson Daniel and Margaret Christopher and Susan Robert and Margaret Shauna Ryder Diggs Jill Johnson Pehrson Wilhelm Allesee Enrico and Kathleen Ellen Kahn Brock and Katherine R. Jamison and Karen Sarah Allison Digirolamo Peter and Danialle Plumb Williams Daniel and Pernilla John and Debbie Dingell Karmanos Charles and Charlotte Joan Young and Thomas Ammann Mary Jane Doerr Stephanie Germack Kerzic Podowski L. Schellenberg Lourdes V. Andaya Dilip and Sonal Dubey Michael and Barbara Sara Pozzi Mary Lou Zieve Harold Mitchell Arrington Cameron B. Duncan Kratchman Waltraud Prechter Ellen Hill Zeringue Beverly Avadenka Michael Einheuser Thomas and Deborah Paul and Amy Ragheb Lee and Floy Barthel Kenneth and Frances Krikorian John and Terry Rakolta TRUSTEES EMERITI Mark and Caprice Baun Eisenberg Melvin A. Lester Ruth F. Rattner Marcia Applebaum Ginny Berberian Marianne Endicott Linda Dresner Levy and Roy and Maureen Roberts Agustin Arbulu Debra Bernstein-Siegel Alex Erdeljan Edward Levy Patricia H. Rodzik Marvin A. Frenkel Joseph and Barbra Bloch Fern R. Espino and Mado Lie David and Jacqueline Preston and Mary Happel John and Marlene Boll Thomas Short Arthur and Nancy Liebler Roessler E. Jan and Pat Hartmann Gene P. Bowen Paul and Mary Sue Ewing Stephan and Marian Audrey Rose Robert and Wally Klein Richard and Gwen Bowlby Margo Cohen Feinberg Loginsky Dulcie Rosenfeld William and Marjorie Betty J. Bright and Robert Feinberg Mary Alice Lomason Carolyn L. Ross Sandy Richard and Joanne Oscar and Dede Feldman James and Marion LoPrete Bernard and Donna Rubin Roberta Starkweather Brodie David and Jennifer Fischer Alphonse S. Lucarelli Anthony and Sabrina Paul and Janet Victor Elizabeth Brooks Marjorie M. Fisher Denise Lutz Rugiero Amelia H. Wilhelm Robert and Geraldine Ford Carl and Mary Ann Donald Manvel Ankur Rungta and Brown Fontana Florine Mark Mayssoun Bydon FOUNDING MEMBERS Wayne S. Brown and Elaine Fontana Ronald and Zvezdana Hershel and Dorothy Mr.† & Mrs.† Lynn A. Brenda Kee Barbara Frankel and Ron Martella Sandberg Townsend, Founding Charles D. Bullock Michalak Jack Martin and Bettye Donald and Kim Schmidt Chairman Thomas and Vicki Celani Herman and Sharon Arrington-Martin Alan Schwartz Mr. & Mrs.† Avern L. Cohn Michael and Mary Chirco Frankel Florence McBrien Mark and Lois Shaevsky Dr. & Mrs. John H. DeCarlo James and Elizabeth Ciroli Dean and Aviva Friedman Benjamin Meeker and Arlene Shaler Dr. † & Mrs. David DiChiera Gloria Clark Barbara Garavaglia Meredith Korneffel Terry Shea Mr.† & Mrs.† Aaron H. Avern and Lois Cohn Yousif and Mara Ghafari Eugene and Lois Miller Matthew and Mona Gershenson Thomas Cohn Richard and Aurora Goetz Phillip D. and Dawn Minch Simoncini Mr. & Mrs. Donald C. Françoise Colpron Carolyn Gordon Monica Moffat Sheila Sloan Graves † † William and Kelly Connell Reva Grace Ali Moiin and William William H. Smith Mr. & Mrs. John C. Griffin Peter and Shelly Cooper Samuel and Toby Kupsky Phyllis F. Snow Mr. & Mrs. Harry L. Jones † † Joanne Danto and Arnold Haberman Donald and Antoinette Anthony L. Soave The Hon. & Mrs. Wade H. Weingarden Alice Berberian Haidostian Morelock Richard A. Sonenklar and McCree, Jr. Helen Daoud John and Kristan Hale Manuel and Nora Moroun Gregory Haynes Mr. Harry J. Nederlander † Julia D. Darlow and John Eugene and Donna E. Michael and Dolores Mary Anne Stella Mr. E. Harwood Rydholm C. O’Meara Hartwig Mutchler Ronald F. Switzer and Jim Mr. & Mrs. Neil Snow Jerry and Maureen Doreen Hermelin Allan and Joy Nachman F. McClure Mr. & Mrs. Richard D’Avanzo Derek and Karen Hodgson Irving Barbara Nusbaum Lorna Thomas Strichartz Lawrence and Dodie Devon Hoover Juliette Okotie-Eboh C. Thomas and Bernie Mr.† & Mrs.† Robert C. David Alan and Eleanor Israel Peter Oleksiak Toppin VanderKloot Ethan and Gretchen Una Jackman Linda Orlans James G. Vella Dr.† & Mrs.† Sam B. Williams Davidson Don Jensen and Leo Graham and Sally Orley Jesse and Yesenia Mr.† & Mrs.† Theodore O. Kevin Dennis and Jeremy Dovelle Richard and Debra Venegas Yntema Zeltzer Kent and Amy Jidov Partrich Marilyn Victor Karen V. DiChiera Gary and Gwenn Johnson Spencer and Myrna Inge Vincent Partrich 4 BRAVO • Fall 2018 www.MichiganOpera.org † Deceased Michigan Opera Theatre WELCOME his season marks our first without our beloved ichigan Opera Theatre has been presenting founder David DiChiera, whose passing in September some of the world’s best dance companies Tmarked the end of a distinguished and notable era for Mfor decades. And, like opera, we strive to offer Michigan Opera Theatre (MOT). Among his many visionary a balance between exciting new works and beloved acts, he determined in the mid-1990s that the newly- classics. This fall, we are excited to present two formed Detroit Opera House would also serve as a venue productions that do just that: The Bill T. Jones/Arnie for dance. Since that time, numerous Zane Company and BalletMet’s dance presentations have taken The Nutcracker. place in Detroit under the auspices of While founded in the early MOT, making it one of the few opera 1980s, the Bill T. Jones/Arnie companies in the nation to also offer a Zane Company makes its Detroit dance program. Opera House debut in October. For more than 25 years, the The company, known for pushing MOT dance program has grown boundaries, will present A Letter dramatically, including presentations to My Nephew, a powerful, by companies such as American multimedia performance about Ballet Theatre, Alvin Ailey American Jones’ nephew Lance T. Briggs, Dance Theater, Ballet Hispanico, Joffrey Ballet, Dance who struggled with illness and addiction. Theatre of Harlem and numerous others. For the past three On a personal level, I have known Bill since 1992 years, our organization has partnered with the University when I hired him to make his stage directing debut Musical Society (UMS) with an expressed goal of working
Recommended publications
  • Don Giovanni Sweeney Todd
    FALL 2019 OPERA SEASON B R AVO Don Giovanni OCTOBER 19-27, 2019 Sweeney Todd NOVEMBER 16-24, 2019 2019 Fall Opera Season Sponsor e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket. Choose one from each course: FIRST COURSE Caesar Side Salad Chef’s Soup of the Day e Whitney Duet MAIN COURSE Grilled Lamb Chops Lake Superior White sh Pan Roasted “Brick” Chicken Sautéed Gnocchi View current menus DESSERT and reserve online at Chocolate Mousse or www.thewhitney.com Mixed Berry Sorbet with Fresh Berries or call 313-832-5700 $39.95 4421 Woodward Ave., Detroit e Katherine McGregor Dessert Parlor …at e Whitney. Named a er David Whitney’s daughter, Katherine Whitney McGregor, our intimate dessert parlor on the Mansion’s third oor features a variety of decadent cakes, tortes, and miniature desserts. e menu also includes chef-prepared specialties, pies, and “Drinkable Desserts.” Don’t miss the amazing aming dessert station featuring Bananas Foster and Cherries Jubilee. Reserve tonight’s table online at www.thewhitney.com or call 313-832-5700 4421 Woodward Ave., Detroit Pre- eater Menu Available on performance date with today’s ticket.
    [Show full text]
  • Treasure Is Where You Find It
    TREASURE I S W HER E YOU FIN D IT Williaa Cowie Residenoe Northeast corner o£ Canfield Avenue We.t and Third Avenue Built in 1676 - Razed after 1957 1'rom ~ '!istoQ: ~ Detro! t ~ Michigan by Silas F .......r Volume I, 1689, page 420 Publication underwritten by a grant trom The Hiatorio Memorials Sooiety in Detroit, Miohigan April 1969 OUTLINE HISTORY OF CANFIELD AVENUE WEST BETWEEN SECOND BOULEVARD AND THIRD AVENUE IN HONOR OF ITS ONE HUNDREDTH BIRTHDAY 1869 - 1969 by Mrs. Henry G. Groehn One lovely Wednesday afternoon, in the 1870's, two little girls sat on the McVittie front steps on the south side of Canfield Avenue West, between Second Boulevard and Third Avenue. They were watching the carriagos and horses as they clip-clopped to a stop in front of the Watton carriage stone next door. The ladies in elegant afternoon attire were "com!"" to call" on Mrs. Walter I"atton, the wife of a prominent Detroit denti"t.. Wednesday was the day Mrs. Watton IIreceived," and this was duly noted in a Detroit society blue book, which was a handy reference book for the lIin societyll ladies. Once again, almost one hundred years later, the atmosphere of ele­ gantly built homes with beautiful, landscaped lawns and quiet living can become a reality on tilis block. The residents who are now rehe.bilitating these homes are recognizing the advantage of historic tOlm house lh-;.ng, wi th its proximity to the center of business, cultural, and educati'm"~_ facilities. Our enthusiasm has blossomed into a plan called the CanfIeid West-Wayne Project, because we desire to share with others our discovery of its unique historical phenomenon.
    [Show full text]
  • Onder Een Bloedrode Hemel 40 Jaar U2 Door Nederlandse Ogen
    U2 Onder een bloedrode hemel 40 jaar U2 door Nederlandse ogen Onder redactie van Erik van Bruggen Uitgeverij Brandt Amsterdam 2016 Voor al die U2-liefhebbers en idealisten die geloven dat woorden en muziek wel degelijk verschil kunnen maken. Voor alle mensen die weigeren cynisch te worden en Inhoud hardop durven blijven te dromen. Voor U2, Bono, Edge, Adam en Larry, zoveel liefde, inspiratie en hoop. Voor Pinie, Tuur, Martijn, Tino, Alex en Hans, wat een prachtige herinneringen. Voor Leon, omdat hij me de overtuiging gaf dat het kan. Voor Paul, die de kans gaf en het risico nam. Inleiding 7 Erik van Bruggen – Fuck the Revolution! 11 Voor alle auteurs die vaak net zo worstelend als ik hun Lilianne Ploumen – Rotterdam 1987 29 twijfel en liefde durven te benoemen. Jan van Mersbergen – In God’s Country 35 Voor Anton, een foto zegt vaak zoveel meer dan woorden. Martin Visser – I still haven’t found what I’m looking for 45 Voor papa, mama, Anke, Arnold, zonder jullie… Ingmar Heytze – U2, vrij naar K. Schippers, Voor Ernestine, Kate, Abe, de allerliefsten. ‘The Beatles’ 57 Art Rooijakkers – Dream out loud 59 Désanne van Brederode – Still haven’t found… 69 Marco Roelofs – Troost 85 Gert-Jan Segers – Hoe U2 me de wereld in zong… 89 Nyk de Vries – Einmal ist keinmal 97 Manoushka Zeegelaar Breeveld – Op een zondag kan Copyright © de betreffende auteurs 2016 alles anders zijn 109 Omslag: Debby Gerritsen Bart Chabot – Yab Yum 119 Copyright © omslagbeeld: Anton Corbijn Matthijs van den Beukel – Wat volgt is een openhartige Typografie: Zeno Carpentier
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • A Unique Opportunity to Learn and Perform a Complete Opera Role In
    TUITION: FREE!! While tuition is free, housing and living expenses are the responsibility of the participants. Information about housing for participants from outside New York City will be available. APPLICATION You may download an application from our web site: www.martinaarroyofdn.org La Rondine La Rondine THE MISSION STATEMENT The Mission of The Martina Arroyo Founda- tion is to prepare and counsel young singers in the interpretation of complete operatic roles for public performance. The Foundation guides each singer in the preparation of an entire operatic role through a formal educational process that includes the background of the drama, the historical per- spective, the psychological motivation of each character, and language proficiency. A unique opportunity to Martina Arroyo Foundation, Inc. learn and perform The Martina Arroyo Foundation, Inc. is a tax-exempt, nonprofit organization under Sec. 501 (c) (3) of the Inter- a nal Revenue Code. Complete Opera Role ——————————————————————- in The Martina Arroyo Foundation, Inc. Martina Arroyo, President and Artistic Director New York City P.O. Box 2015 Radio City Station, NY, NY 10101 Tel: 212-315-9190 Fax: 212-397-7257 June 4 to July 16, 2012 Email: [email protected] Web: www.martinaarroyofdn.org Production Photos by Jen Joyce Davis Staff: PRELUDE TO PERFORMANCE PROGRAM OUTLINE Martina Arroyo Artistic Director and Role Class Prelude to Performance is a professional training program The first four weeks will be dedicated to sessions, staging, Mark Rucker Administrative Director for select young singers to experience role preparation individual coaching, masterclasses with professionals like Willie A. Waters Music Director guided by a team of opera professionals.
    [Show full text]
  • The Creative Arts at Brandeis by Karen Klein
    The Creative Arts at Brandeis by Karen Klein The University’s early, ardent, and exceptional support for the arts may be showing signs of a renaissance. If you drive onto the Brandeis campus humanities, social sciences, and in late March or April, you will see natural sciences. Brandeis’s brightly colored banners along the “significant deviation” was to add a peripheral road. Their white squiggle fourth area to its core: music, theater denotes the Creative Arts Festival, 10 arts, fine arts. The School of Music, days full of drama, comedy, dance, art Drama, and Fine Arts opened in 1949 exhibitions, poetry readings, and with one teacher, Erwin Bodky, a music, organized with blessed musician and an authority on Bach’s persistence by Elaine Wong, associate keyboard works. By 1952, several Leonard dean of arts and sciences. Most of the pioneering faculty had joined the Leonard Bernstein, 1952 work is by students, but some staff and School of Creative Arts, as it came to faculty also participate, as well as a be known, and concentrations were few outside artists: an expert in East available in the three areas. All Asian calligraphy running a workshop, students, however, were required to for example, or performances from take some creative arts and according MOMIX, a professional dance troupe. to Sachar, “we were one of the few The Wish-Water Cycle, brainchild of colleges to include this area in its Robin Dash, visiting scholar/artist in requirements. In most established the Humanities Interdisciplinary universities, the arts were still Program, transforms the Volen Plaza struggling to attain respectability as an into a rainbow of participants’ wishes academic discipline.” floating in bowls of colored water: “I wish poverty was a thing of the past,” But at newly founded Brandeis, the “wooden spoons and close friends for arts were central to its mission.
    [Show full text]
  • Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation
    ilGIUSEPPE VERDItrovatore conductor Opera in four parts Marco Armiliato Libretto by Salvadore Cammarano and production Sir David McVicar Leone Emanuele Bardare, based on the play El Trovador by Antonio García Gutierrez set designer Charles Edwards Tuesday, September 29, 2015 costume designer 7:30–10:15 PM Brigitte Reiffenstuel lighting designed by Jennifer Tipton choreographer Leah Hausman The production of Il Trovatore was made stage director possible by a generous gift from Paula Williams The Annenberg Foundation The revival of this production is made possible by a gift of the Estate of Francine Berry general manager Peter Gelb music director James Levine A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco principal conductor Fabio Luisi Opera Association 2015–16 SEASON The 639th Metropolitan Opera performance of GIUSEPPE VERDI’S il trovatore conductor Marco Armiliato in order of vocal appearance ferr ando Štefan Kocán ines Maria Zifchak leonor a Anna Netrebko count di luna Dmitri Hvorostovsky manrico Yonghoon Lee a zucena Dolora Zajick a gypsy This performance Edward Albert is being broadcast live on Metropolitan a messenger Opera Radio on David Lowe SiriusXM channel 74 and streamed at ruiz metopera.org. Raúl Melo Tuesday, September 29, 2015, 7:30–10:15PM KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Verdi’s Il Trovatore Musical Preparation Yelena Kurdina, J. David Jackson, Liora Maurer, Jonathan C. Kelly, and Bryan Wagorn Assistant Stage Director Daniel Rigazzi Italian Coach Loretta Di Franco Prompter Yelena Kurdina Assistant to the Costume Designer Anna Watkins Fight Director Thomas Schall Scenery, properties, and electrical props constructed and painted by Cardiff Theatrical Services and Metropolitan Opera Shops Costumes executed by Lyric Opera of Chicago Costume Shop and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ms.
    [Show full text]
  • 2021 Distinguished Service Award Honorees
    ARCE 2021 Annual Meeting Distinguished Service Award Honorees James. P. Allen James P. Allen received his PhD from the University of Chicago. Dr. Allen is the Charles Edwin Wilbour Professor of Egyptology at Brown University. Before joining Brown in 2007, Dr. Allen was an epigrapher with the University of Chicago's Epigraphic Survey, Cairo Director of the American Research Center in Egypt, and curator of Egyptian art at the Metropolitan Museum of Art. From 2008 to 2015, he was President of the International Association of Egyptologists. Dr. Allen's research interests include ancient Egyptian grammar and literature, religion, and history. He has written extensively on these subjects, including Genesis in Egypt: the Philosophy of Ancient Egyptian Creation Accounts (Yale, 1988), Middle Egyptian: an Introduction to the Language and Culture of Hieroglyphs (Cambridge, 2000; 2010, 2014, 2021), The Heqanakht Papyri (MMA, 2002), The Ancient Egyptian Pyramid Texts (Society of Biblical Literature, 2005), The Debate between a Man and His Soul (Brill, 2011), The Ancient Egyptian Language, an Historical Study (Cambridge, 2013), Middle Egyptian Literature: Eight Literary Works (2014), and The Grammar of the Pyramid Texts, Vol. 1: Unis (Eisenbrauns, 20170. His most recent work has been on Ancient Egyptian Phonology (Cambridge, 2020) and Coptic (Eisenbrauns, 2020). Marjorie Fisher Marjorie Fisher is Adjunct Assistant Professor of Egyptology in the Department of Middle East Studies at the University of Michigan. She is the author of the two-volume publication The Sons of Ramesses II (Harrassowitz Press) and co-editor of Ancient Nubia: African Kingdoms on the Nile (AUC Press; Prose Award for Archaeology and Anthropology 2012).
    [Show full text]
  • Straight up with a Twist
    FEATURES OCTOBER 2006 - VOL. 71. NO. 4 Martina - Straight Up With a Twist Is there life after Verdi? In her newest role as director of the "Prelude to Performance" workshop, Martina Arroyo answers with a resounding "Sì." SCOTT BARNES report The first thing that strikes you about Martina Arroyo is how beautifully she is put together - perfect coif- fure, tasteful makeup, elegantly tailored clothes, just the right jewelry. It comes as a bit of a surprise if you're familiar with her self- deprecating presence during more than twenty appearances on The Tonight Show in the Carson years. "Oh, no one remembers me!" (said without false modesty or fishing for reassurance, despite her twenty seasons at the Met). Not a vanity- sized designer "zero," Arroyo is smart, funny, charming, flirtatious, with a seri- Charles Caine suits up ousness of purpose and a devotion to young singers that underpins all the wise- cracking. Never content to Dino Wu as Malatesta rest on her laurels as a world-class soprano, she has a new "baby" - a role-preparation workshop of approxi- mately thirty singers called "Prelude to Performance," a destination for young professionals who seek guid- ance in more than just singing technique. In the program's 2006 season, five weeks of classes and rehearsals in June and July culminated in fully-staged performances of Don Giovanni and selected acts from Don Pasquale, Madama Butterfly and Falstaff at Manhattan's El Teatro Heckscher. ON: What level of singer is "Prelude" attracting? MA: Most of them have performed at universities or other programs; usually they have done only scene work, or learned a role quickly.
    [Show full text]
  • Cynthia Shaw, the Kresge Foundation 248.643.9630 Phone [email protected]
    CONTACTS: Cynthia Shaw, The Kresge Foundation 248.643.9630 Phone [email protected] Mira Burack, College for Creative Studies 313.664.7939 Phone [email protected] FOR IMMEDIATE RELEASE MICHIGAN OPERA THEATRE’S DAVID DICHIERA NAMED 2013 KRESGE EMINENT ARTIST DETROIT, MICHIGAN – JANUARY 9, 2013 - Composer and operatic impresario David DiChiera – a champion of Detroit’s renaissance – has been named the 2013 Kresge Eminent Artist. The Kresge Eminent Artist award and $50,000 prize recognize DiChiera’s contributions as founder, music director, and general director of the Michigan Opera Theatre; his creativity and commitment to the community; and his efforts to build cultural bridges through the arts. A composer whose works include “Four Sonnets” (1965), “Cyrano” (2007) and the children’s opera “Rumpelstiltskin” (1973), DiChiera has presented opera, dance, and musical theater productions in Detroit and throughout Michigan for more than four decades. He has encouraged an appreciation for music and libretto in young people and adults, enriched the operatic repertoire by commissioning and premiering new productions and advanced the proposition that opera should reflect the community in which it is performed. DiChiera has opened the doors to new audiences and been a tirelessly effective force for community vitality, says Rip Rapson, president and CEO of The Kresge Foundation. “David is one of our community's most visionary leaders. He has nurtured an art form that combines music, dance, visual arts, and literature to tell stories of inspiration, power, and relevance – stories that bridge across eras and generations. He has contributed to the physical revitalization of our downtown cultural and entertainment district, re-energizing the landmark Music Hall theater and marshaling support for the opera house.
    [Show full text]
  • Kunsthalle Wien Museumsquartier BABETTE MANGOLTE
    Kunsthalle Wien Museumsquartier BABETTE MANGOLTE Booklet #Mangolte 18/12 2016 – 12/2 2017 www.kunsthallewien.at Babette Mangolte In response to which films have influenced her the most, she cites I = EYE Dziga Vertov’s Man with a Movie Camera (1929) and Michael Snow’s Babette Mangolte (*1941) is an Wavelength (1967): “These two films icon of international experimental literally changed my life. The first cinema. From the beginning, her one made me decide to become a early interests focused on the cinematographer, and the desire documentation of the New York art, to see the second one led me to dance, and theatre scene of the New York, where I settled down and 1970s, and above all, on performance eventually made my films.” 1 art. The adaptation of dance and choreography for the media of Babette Mangolte was the film and photography – and the cinematographer for Chantal concomitant question regarding the Akerman’s Jeanne Dielman (1975) and changes this transfer has on an event News From Home (1977), and also for based on the live experience – play Yvonne Rainer’s Lives of Performers a central role in her work. (1972) and Film about a Woman Who... (1974). In 1975, she completed her I = EYE not only presents an array first film What Maisie Knew, which of Mangolte’s film and photo works won the “Prix de la Lumière” at the from the 1970s, but also more Toulon Film Festival in the same year. recent projects, which explore the Subsequently, other significant films historicisation of performance from her filmography include The art, and the differences between Camera: Je or La Camera: I (1977), perceptions of contemporaneity The Cold Eye (My Darling, Be Careful) past and present, as well as (1980), The Sky on Location (1982), conceptualizations of time.
    [Show full text]
  • Downtown Detroit Self-Guided Walking Tour D N O C E S
    DOWNTOWN This self-guided tour is a great intro to downtown! Be sure to join us on one of our public tours or contact DETROIT us to a create a customized experience that fits your schedule. DOWNTOWN DETROIT SELF-GUIDED WALKING TOUR SECOND C H E R R Y P L U M Midtown M O N T C A L M J N O E L I Z A B E T H H N GRAND RIVER AVE C P L U M C O L U M B I A L WOODWARD AVE C H U R C H O MICHIGAN AVE THIRD D TRUMBULL G E L I Z A B E T H E E L I Z A B E T H COMERICA PARK BRUSH FORD FIELD ADAMS TENTH B E E C H C L FORD FIELD I P SECOND F A Corktown F R F O F I R S T O K U R P L A Z A R A BEAUBIEN B A G L E Y T D V EIGHTH H E M BROOKLYN A R D 13 11 I S N O N 12 H O B A G L E Y J GRATIOT AVE L A B R O S S E RANDOLPH 12 BROADWAY M U L L E T MICHIGAN AVE 1 TIMES SQUARE 10 P O R T E R WASHINGTON BLVD E A V DETROIT EXPERIENCE C L I N T O N E R G R A N D R I V LIBRARY9 FACTORY Lafayette Park A B B O T T A B B O T T STATE S T A N T O I N E M A C O M B PA R K P L A C E GRISWOLD 11 2 F A H O W A R D WASHINGTON BLVD R M O N R O E 8 TENTH BROOKLYN 10 M 10 375 E R FIFTH TRUMBULL E LAFAYETTE W LAFAYETTE BLVD W LAFAYETTE BLVD SHELBY SIXTH EIGHT 1 BRUSH 3 C A S S AV E S F O R T E RANDOLPH WOODWARD AVE F O R T 9 F O R T T PEOPLE MOVER A (ELEVATED MONORAIL) B BEAUBIEN E C O N G R E S S E C O N G R E S S W C O N G R E S S W J E F F E R S O N A V E 4 2 E L A R N E D RIVARD 6 3 4 7 COBO CENTER E JEFFERSON AVE W JEFFERSON AVE 5 7 5 8 RivertownW O O D B R I D G E W O O D B R I D G E RIOPELLE JOE LOUIS ARENA S T A U B I N O R L E A N S F R A N K L I N D U B O I S C I V I C C E N T E R AT W AT E R RIVARD PLAZA Detroit River 6 AT W AT E R AT W AT E R MILLIKEN STATE PARK DETROIT RIVER People Mover Tour Stops MAP LEGEND DXF Welcome Center Stations DXF creates experiences that are enlightening, entertaining and led by Detroiters.
    [Show full text]