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A Unique Opportunity to Learn and Perform a Complete Opera Role In TUITION: FREE!! While tuition is free, housing and living expenses are the responsibility of the participants. Information about housing for participants from outside New York City will be available. APPLICATION You may download an application from our web site: www.martinaarroyofdn.org La Rondine La Rondine THE MISSION STATEMENT The Mission of The Martina Arroyo Founda- tion is to prepare and counsel young singers in the interpretation of complete operatic roles for public performance. The Foundation guides each singer in the preparation of an entire operatic role through a formal educational process that includes the background of the drama, the historical per- spective, the psychological motivation of each character, and language proficiency. A unique opportunity to Martina Arroyo Foundation, Inc. learn and perform The Martina Arroyo Foundation, Inc. is a tax-exempt, nonprofit organization under Sec. 501 (c) (3) of the Inter- a nal Revenue Code. Complete Opera Role ——————————————————————- in The Martina Arroyo Foundation, Inc. Martina Arroyo, President and Artistic Director New York City P.O. Box 2015 Radio City Station, NY, NY 10101 Tel: 212-315-9190 Fax: 212-397-7257 June 4 to July 16, 2012 Email: [email protected] Web: www.martinaarroyofdn.org Production Photos by Jen Joyce Davis Staff: PRELUDE TO PERFORMANCE PROGRAM OUTLINE Martina Arroyo Artistic Director and Role Class Prelude to Performance is a professional training program The first four weeks will be dedicated to sessions, staging, Mark Rucker Administrative Director for select young singers to experience role preparation individual coaching, masterclasses with professionals like Willie A. Waters Music Director guided by a team of opera professionals. The process is Stephanie Blythe, Cori Ellison, Ken Benson, and the study of Charles Caine Costume Designer designed to be a complete immersion into all aspects of stage combat with Brad Lemons. The fifth and sixth weeks are Steven Horak Wigs and Makeup Designer character development and stage techniques including: dedicated to rehearsals and performances of the operas. These Joan Krueger Coach Kathy Olsen Coach • performances will be presented at The Kaye Playhouse at The background of the role Hunter College with orchestra, costumes, wigs and makeup. Sergio Stefani Italian Language Instructor • The historical perspective of the role Critiques will be given to all participants after the Others to be announced • The psychological motivations of the character the use performances by faculty and selected professionals. of the body and voice in the interpretation of the char- acter Don Giovanni • The use of language to convey the character with an emphasis on diction. La Rondine • The program culminates in the presentation of two complete operas, fully staged/costumed with orchestra. DATES, LOCATION & HOURS The program is held at Hunter College on 69th St between Park & Lexington Avenues June 4 to July 16, 2012 Monday-Friday 10:00AM to 6:00PM Saturday & Sunday as scheduled OPERAS TO BE OFFERED The two complete operas being considered are Mozart’s Così fan tutte and Verdi’s Falstaff. (Others are possible) ELIGIBILITY Each opera will have two performances (double-cast). The program is open to opera singers ages 21 to 35. OUTLINE OF SEMINARS IN PROGRAM: The applicants must have sufficient vocal experience • and stamina to handle the course of study and per- Individual Coaching (Weekly) formance demands and will be selected through an • Stagecraft (Stage movement, character motivation) ARTISTIC STAFF audition process by Miss Arroyo and her artistic • Language Study The program is under the direction of Martina Arroyo, staff. Recommendations from two professionals must accompany each application. • President of the Martina Arroyo Foundation, Inc. The staff Role Character Study includes experts in the following areas: opera history, vocal • Libretto Study - “Speak your Part!” coaching, stage direction and language coaching. PREREQUISITES • Recitative Study Each singer must be vocally prepared for the entire • Critique sessions (faculty and professionals) role prior to the program. The singer also must have the entire role memorized (off book) at the start of the program. Martina Arroyo Don Giovanni Metropolitan Opera Soprano AUDITIONS Artistic Director Distinguished Professor Auditions will be held in New York City on December 16, 17 and 18, 2011, January 13, 14, 15 and February 10, 11, and 12, 2012. Other auditions may be mutually arranged. Audition by studio quality DVD is possible, however, final acceptance into the program will be contingent upon a live audition in New York City before May 15, 2012. DVDs Photo by Steve Sherman must be received by March 1, 2012 in order to be consid- ered. .
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