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Home , Alessandro (footballer), Alexander Runciman, Andrew Saul, Andre Gordon, Antonio Mancini, Arne Glimcher

N A TIO NAL G ALL E R Y O F A R T

2017 ANNUAL REPORT & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman B. Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III Director Benjamin F. Stapleton III Franklin Kelly Luther M. Stovall Deputy Director and Alexa Davidson Suskin Chief Curator Christopher V. Walker Darrell R. Willson William L Walton Administrator Walter L. Weisman William W. McClure Treasurer John R. West Nancy Robinson Breuer Dian Woodner Secretary and General Counsel Elizabeth Cropper Dean, Center for Advanced Study HONORARY TRUSTEES’ Rex W. Tillerson Steven T. Mnuchin in the Visual COUNCIL (as of September 30, 2017) Secretary of State Secretary of the Treasury Edwin L. Cox TRUSTEES’ COUNCIL (as of September 30, 2017) Doris Fisher Benjamin R. Jacobs Julian Ganz, Jr. Jo Carole Lauder Alexander M. Laughlin Cochairs David O. Maxwell Adrienne Arsht Victoria P. Sant Max N. Berry John Wilmerding Louise Bryson J. Buonanno

David J. Skorton Secretary of the

NATIONAL GALLERY OF ART

Washington, DC

Fiscal Year 2017

President’s Foreword

The sustained operation of the of Art and Jo Carole Lauder as its new cochairs. We are fortunate to have the display and presentation of its collection are the result of Ben’s and Jo Carole’s guidance and commitment in this lead- significant teamwork by the public and private sectors. Since ership position. It is a pleasure to welcome back to the Trustees’ its founding, the has flourished through a strong part- Council Calvin Cafritz, Vincent J. Buonanno, Marina Kellen French, nership between the federal government and private donors. and Roger Sant. We also are delighted to have three new members: The Gallery relies on federal funds to be open and free of charge Sarah M. Gewirz, Jacqueline B. Mars, and Hilary Geary Ross. My 363 days a year. The trustees and staff are deeply appreciative fellow trustees and I extend our sincere gratitude to all the mem- of the President and the Congress of the United States for their bers of the Trustees’ Council for their service, support, and counsel. continuing commitment to this institution and its visitors. In 2017, we were deeply saddened by the loss of Anna-Maria In this past fiscal year we have welcomed visitors back to the Kellen. She and her husband, former Trustees’ Council member East Building, to galleries extensively renovated and expanded. Stephen Kellen, contributed to art acquisition at the Gallery More galleries have been open in our two buildings than ever through the Patrons’ Permanent Fund, and the Anna-Maria and before, and more than five million people visited the Gallery Stephen Kellen Foundation sponsored several of the Gallery’s during the past twelve months. Every member of the Gallery most popular exhibitions of the past fifteen years. This year, we staff deserves appreciation for this resounding success and also mourned the loss of David Rockefeller. Another close friend public engagement we have experienced. of the Gallery, David was a founding member of the Collectors The significant support of the federal government is comple- Committee and a major art donor to the Gallery. He bequeathed mented by private patronage of citizens whose gifts support and ’s beautiful at Les Pâtis, Pontoise to enhance essential programs that advance the Gallery’s purpose the Gallery. to collect, preserve, and exhibit art, and foster appreciation and The of private donors is essential to the growth engagement with works of art. Following its 75th-anniversary of the nation’s art collection. We are immensely grateful to year, the Gallery continued its efforts to meet the goal set by The individuals, such as Juliet and Lee Folger, who continue to enrich Andrew W. Mellon Foundation in 2016: to match the foundation’s the Gallery’s collection through their generous contributions for $30 million endowment grant with $45 million additional private the acquisition of works of art. In fiscal year 2017, the Gallery endowment funds. Many friends and patrons of the Gallery have acquired three masterworks with the support of The Lee and made commitments, both large and small, to help the museum Juliet Folger Fund: A Woman Feeding a Parrot, with a Page raise three-quarters of the matching funds. These contributions by Caspar Netscher, Imaginary River Landscape by Herman will support digital initiatives and collaborations, education Saftleven, and Dunes by the Sea by Jacob van Ruisdael. The and outreach programs, scholarly research, art conservation, trustees join me in extending our grateful thanks to the Folgers and other priorities of the Gallery. We are exceedingly grateful to for their continuing commitment to the museum’s outstanding all who have generously given or committed endowment funds to collection of seventeenth-century Dutch . these key areas, among them were major leadership gifts in this The trustees are also deeply grateful to Mallory and Diana fiscal year from David M. Rubenstein, Christiane and James Valone, Walker for establishing the largest charitable gift annuity ever the Robert H. Smith Family Foundation, the Samuel H. Kress to the Gallery. Since the Gallery began to collect photographs Foundation, Jo Carole and Ronald S. Lauder, Louisa C. Duemling, actively in 1990, the Walkers have been champions of our pho- Sharon Percy Rockefeller and John D. Rockefeller IV, the Edmond tography program. Their planned gift reinforces and expands J. Safra Foundation, Victoria and Roger Sant, and the estate of their commitment to the acquisition of photographs and to Jeanne R. Zeydel. The early success of this initiative is a glowing special exhibitions of photography. example of the power and generosity of private philanthropy. The Gallery must rely on private donors in order to provide The Trustees’ Council has played an important role in this effective educational programs that serve the metropolitan com- initiative. The Council has welcomed Benjamin R. Jacobs and munity. We thank The Morris and Gwendolyn Cafritz Foundation

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and its president and CEO, Calvin Cafritz, for their pledge to sup- The Circle, the Tower Project, the Exhibition Circle, and the port future educational series—Sketching is Seeing, Community Collectors Committee form the collective of annual giving pro- Celebration, and Evenings at the Edge—reflecting the Cafritz grams at the Gallery. These philanthropic groups are essential Foundation’s enduring commitment to funding outreach activities to the success of many of the Gallery’s priorities. In addition to that benefit the Washington community. We are also extremely the exhibition sponsors already mentioned, we thank all the grateful to The Walton Family Foundation for its generosity in estab- members of the Exhibition Circle for their annual gifts that lishing the John Wilmerding Fund for Education in . help support the special exhibitions program at the Gallery. The The Gallery’s special exhibitions program, generously sup- Collectors Committee continues to expand the Gallery’s holdings ported by foundations, individuals, corporations, and members of . The generosity of this group enabled the of the Exhibition Circle, continued to engage the public. The Gallery to acquire two outstanding works this fiscal year: Felix trustees join me in expressing our appreciation to all special Gonzalez-Torres’s “Untitled” (Ross in L.A.), also in part a gift of exhibition sponsors, including Sally Engelhard Pingree and The Emily and Mitchell Rales; and ’s Alley II, a gift Charles Engelhard Foundation, and the Buffy and William Cafritz of Kyle J. and Sharon Krause, and Chris and Lois Madison as well. Family Foundation for their support of Della Robbia: Sculpting The Tower Project continued its support of contemporary art with Color in . We are grateful to Betsy exhibitions in 2017 with the exhibition In the Tower: Theaster Karel and the Trellis Fund for their sponsorship of the exhibition Gates: The Minor Arts. We extend our sincere gratitude to the East of the Mississippi: Nineteenth-Century American Landscape more than one thousand Circle members who provide important Photography. In the , Frédéric Bazille and the Birth of unrestricted funds each year for the Gallery’s core programs and introduced many visitors to a relatively unknown to all who contribute to the museum’s annual giving programs. figure in French impressionism. This exhibition was made pos- We also appreciate the generosity and foresight of members of sible by the leadership support of The Leonard and Elaine the Legacy Circle who have provided for the Gallery with various Silverstein Family Foundation; major support was also provided planned giving vehicles in our recent fiscal year. The trustees join through the generosity of the Virginia Cretella Mars Endowment me in thanking these friends for their commitment to the Gallery Fund for the International Exchange of Art. The Gallery thanks the and its mission. Hata Foundation, and Dr. Mihael and Mrs. Mahy Polymeropoulos We are so pleased with the public’s enthusiastic response to the for generously supporting the exhibition Vermeer and the Gallery’s exhibitions and programs following the reopening of the Masters of Genre : Inspiration and Rivalry. enhanced East Building galleries. The Gallery’s staff has been vital We are grateful to Altria Group and its Ste. Michelle Wine to this success. The trustees thank every staff member for this Estates as well as Marchesi Antinori S.p.A. for their support extraordinary accomplishment. We look forward to completing of Della Robbia: Sculpting with Color in Renaissance Florence. the Mellon challenge grant, which will contribute monumentally Altria’s support of Della Robbia marks its fourteenth exhibition to achieving the Gallery’s mission to serve the public. sponsorship at the Gallery since 1987. The Gallery welcomed the noble Tuscan winemaker, Marchesi Antinori S.p.A., as a sponsor. This is the first time in the Gallery’s history that a corporate sponsor and the descendants of a patron who commissioned one of the works of art in the exhibition are in fact the same. We also thank BP America for its generous support of the exhibition Vermeer and the Masters of Genre Painting: Inspiration and Frederick W. Beinecke Rivalry, its first exhibition sponsorship. We appreciate BP’s spe- cial commitment to the Gallery’s 75th-anniversary celebration.

5 More than 116,000 visitors attended the seventeenth season of in the Garden. The free summer concert series features locally and nationally acclaimed musicians who perform a wide variety of musical genres on Friday nights in the Garden.

Director’s Statement

The National Gallery of Art reopened its East Building to the the preservation of the art it contains. Design for the next public on September 30, 2016, after a three-year renovation. phase of the Master Facilities Plan, now underway, will include This fiscal year marked the first year that the renovated East replacement of the Atrium skylight, additional and life safety Building galleries, two new top-lit Tower galleries, and new Roof improvements, and comprehensive building systems renovations. Terrace were available to the American public and visitors from All this would not be possible without the dedication of the around the world. During the course of the opening weekend, we Gallery’s talented staff. This year the Gallery announced several welcomed visitors with an exciting array of programs celebrating new appointments as well as promotions that foster professional the completion of the project, which added more than 12,000 growth for existing staff. We were thrilled to welcome Christine square feet of exhibition space. We were delighted to present Zapotoczky Kelleher as chief of investments, Emiko Usui as live concerts, tours, evening hours, educational activities, and editor-in-chief, and Kathleen Williams as chief archivist. Roger lectures by artists, scholars, and noted authors to mark the Lawson was promoted to the position of executive librarian. occasion. One program that continued through April, the after- James Meyer returned to the Gallery to cultivate our growing hours Evenings at the Edge, held on the second Thursday of each collection of midcentury art as curator of art, 1945 to 1974, and month, offered visitors a vibrant mix of art and entertainment, Molly Donovan was named curator of art, 1975 to present. For from tours and exhibitions, to performances and films. their work on distinguished exhibitions, Kimberly Jones was The renovation and expansion of the East Building was made promoted to curator of nineteenth-century French paintings, and possible through a unique federal and private partnership. Diane Waggoner was named curator of nineteenth-century pho- Gallery operations depend on crucial support from the President tographs. Harry Cooper was named senior curator of . and Congress coupled with the generosity of many private The Gallery’s exquisite art collection continued to grow. One donors. In the East Building, interior renovations and enhanced hundred forty-three gelatin prints by public safety features were completed through the federally were added to the collection through the generosity of Daniel funded Master Facilities Plan, while construction of new public Greenberg and Susan Steinhauser. With only two photographs spaces was funded entirely by donors Victoria and Roger Sant, by Lange previously in the Gallery’s collection, Dan and Susan’s Mitchell and Emily Rales, and . This gift to the donation is a truly transformative gift. These photographs will be nation from these individuals enables the Gallery to exhibit more featured in the upcoming exhibition The New Woman Behind the art from our ever-growing modern collection. We are continually Camera, planned for 2019. grateful for the federal funding that enables us to protect and Other significant acquisitions from the year included a large present the nation’s art collection, as well as offer exhibitions portrait donated by artist Alex Katz of his grandsons, Isaac and of art spanning the world and the , free of charge, Oliver (2013), and the first work by the -based artist seven days a week, for current and future generations. Mark Bradford, Legendary (2016), to enter the collection thanks In all, the East Building, West Building, and Sculpture Garden to funds provided by Ken and an anonymous patron. Two delighted more than five million visitors from across the coun- expressive drawings by Emil Nolde created in 1910, try and abroad this year, a twenty-eight percent increase from Harbor with a Tugboat and A Small Steamboat, were also added the prior year. The renovation of the East Building received to the collection through the generosity of Ladislaus and Beatrix positive reviews from critics and visitors alike. The two Tower von Hoffmann. galleries expand the display space to feature the work of Mark Throughout the year, twenty-one major exhibitions presented Rothko, Barnett Newman, and . The adjoining stunning works combined with significant research. Drawings Roof Terrace provides visitors with a new vantage point for for Paintings in the Age of contributed a new per- viewing outdoor sculpture and beyond. Throughout the spective to the scholarship on seventeenth-century East Building galleries, access, circulation, and the overall flow while also providing visitors with a better understanding of these of space are dramatically improved and changed through the masters—including Rembrandt van Rijn, Aelbert Cuyp, Jacob addition of two new public staircases and an elevator connecting van Ruisdael, and Pieter Jansz Saenredam—and their artistic all gallery levels. Other improvements not immediately visible processes. We were very grateful to Dr. Mihael and Mrs. Mahy to the public include the modernization of building systems, Polymeropoulos and the Exhibition Circle for their generous essential to ensuring the long-term care of the building and support of the exhibition.

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Stuart Davis: In Full Swing wowed visitors with the American W. Mellon Foundation’s challenge grant. We are grateful for the artist’s visually complex, mobilizing bold colors and jagged forms ongoing support of the Samuel H. Kress Foundation, which in jangling, jazz-inspired compositions. We were grateful to the endowed and named the Kress-Beinecke Professorship in honor many major U.S. that lent works, and the Thyssen- of the foundation’s Chairman and Gallery President Frederick Bornemisza Museum in for contributing two rarely seen W. Beinecke. We also extend deep gratitude to Lily Safra and the paintings, as well as to the sponsors, including Altria Group, the Edmond J. Safra Foundation for their remarkable commitment Henry Luce Foundation, and the Terra Foundation for American Art. to support the Edmond J. Safra Visiting Professorship at CASVA. The Gallery proudly presented Della Robbia: Sculpting with The Gallery is thrilled that these important scholarly programs Color in Renaissance Florence, the first exhibition in the United will continue as a result of such visionary philanthropy. States devoted to the wonderful of the Della Robbia Contributing their expertise, conservators treated numerous family, which stand the test of time as powerful examples of works for display in the East Building including paintings by Renaissance creativity and refinement. We were grateful to Jean Siméon Chardin, Jean Dubuffet, , and Mark Altria Group and to the Antinori family for making the exhibition Rothko. Paper conservators treated drawings by Saul Steinberg, possible, and to Sally Engelhard Pingree and the Charles color woodcuts by Matthias Mansen, ’s three- Engelhard Foundation, the Buffy and William Cafritz Family dimensional Boîte-en-Valise, and Max Weber’s watercolor Dancer Foundation, and the Exhibition Circle for their generous support. in Green. Object conservators completed a major treatment East of the Mississippi: Nineteenth-Century American of ’s breakout sculpture, Ghost, in anticipation Landscape Photography was the first exhibition devoted to this of the artist’s retrospective at the Gallery in 2018. foundational period in both the history of photography and of The conservation division published its third issue of the our nation. The assembling of this extraordinary selection of biennial journal Facture as well as Platinum and Palladium photographs, many of which are rarely displayed, could not have Photographs: Technical History, Connoisseurship, and Preser- happened without the generous support of the Trellis Fund and vation, a volume presenting the results of a four-year research Kate and Wes Mitchell. initiative organized by the Gallery and made possible through the In celebration of the 175th anniversary of the artist’s birth, generous support of The Foundation, The Andrew W. Frédéric Bazille and the Birth of Impressionism demonstrated Mellon Foundation, and the Samuel H. Kress Foundation. Bazille’s key role in the developments of French painting. The Seeing the ambitious East Building renovation project to outstanding partnership between the National Gallery of Art, completion required the dedication of the Board of Trustees the Musée Fabre in Montpellier, and the Musée d’Orsay in and a tireless commitment on the part of Gallery staff in every made it possible to undertake this study of Bazille’s work that department. I join with Gallery President Frederick Beinecke revealed new scientific examinations. in thanking them, along with the federal government, individual, As part of the Gallery’s mission to foster a deeper understanding foundation, and corporate donors, and many volunteers for of works of art, we continued to expand our public programming. furthering the Gallery’s mission this year. The multiple-visit High School Seminar program, which has served more than five hundred students from more than ninety- five schools in the District of Columbia, , and Virginia, celebrated its twenty-fifth anniversary. A new educational program designed for people with memory loss and their care partners, Just Us created positive experiences for participants with dementia and other forms of memory loss. To reach larger Earl A. Powell III audiences, the Gallery continued to embrace social media, serv- ing more than 1.2 million users on , Twitter, Instagram, and Pinterest. Two important professorships at the Center for Advanced Study in the (CASVA) were endowed in perpetuity this year thanks to generous gifts given in conjunction with The Andrew

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Jacob van Ruisdael, Dunes by the Sea The Lee and Juliet Folger Fund

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Collecting

PAINTINGS Thanks to the ongoing generosity of The Lee and Juliet Folger trees had accidentally discovered that in one particular spot, Fund, the department of Northern paintings acquired their voices were naturally amplified, and this Echo of Muiderberg three significant works that greatly enhance the Gallery’s quickly became famous. Ruisdael’s painting is thus far more than collection: Jacob van Ruisdael’s Dunes by the Sea (1648), Caspar a beautiful rendering of a windswept coastline; it also celebrates Netscher’s A Woman Feeding a Parrot, with a Page (1666), and a local landmark that is known to this very day. Herman Saftleven’s Imaginary River Landscape (1670). Caspar Netscher studied with Gerard ter Borch the Younger, The extensive oeuvre of Jacob van Ruisdael, one of Holland’s and—like his famous teacher—became a master at depicting greatest landscape painters, features forests, waterfalls, ruins, the social interactions of the Dutch elite as well as an outstanding mills, winter scenes, and seascapes. In Dunes by the Sea, an early portraitist. His exquisite technique allowed him to imitate a wide work, Ruisdael sensitively evoked a breezy day along the coast of range of textures, from rosy skin to shiny metals, crisp linen, the Zuiderzee, the large inlet that provided Amsterdam and other shimmering satin, or the rough nap of an oriental rug. Netscher port cities access to the North Sea. He knew this landscape well, settled in , the center of Dutch government and diplo- because he had trained with his uncle Salomon van Ruysdael in macy, where he found eager buyers for his refined genre scenes nearby Naarden. Near a curving brick wall, wind-lashed oak trees and stylish portraits. and shrubs grow on an eroding sandy dune. One of Netscher’s finest works,A Woman Feeding a Parrot, with Ruisdael’s drawing Oaks by the Zuiderzee, in the British a Page, combines the best of genre painting’s narrative qualities Museum’s collection, was also executed in 1648 and pinpoints with all the sensitivity of his portraiture. An elegant young woman, the painting’s exact location: the beach at Muiderberg, a village wearing a -colored dress, gazes coquettishly at the viewer as adjacent to Naarden. The unexpected presence of a brick wall on a she feeds an African grey parrot, while her page takes a peek at dune is puzzling, but this wall probably protected an orchard from the exotic bird. They are framed by a stone niche and a silk curtain; the prevailing winds. By 1613, gardeners pruning the orchard’s the oriental carpet spilling over the ledge adds to the illusionism.

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The masterpiece demonstrates Netscher’s remarkable command Saftleven’s harkens back to the exquisite world- of a variety of painting techniques, his radiant colors, and his landscape views of the early seventeenth-century Flemish dazzling textures. master . Not only are the color qualities Herman Saftleven was a renowned painter of of their intimately scaled landscapes similar, but both artists and a superb draughtsman and etcher. He initially painted also used their figures to evoke man’s harmonious interaction realistic portrayals of the Dutch countryside, but he soon became with nature. famous for imaginative views of the Rhine River valley. By 1670, Major gifts of modern paintings included a work by Mark when Saftleven executed his delicately rendered Imaginary River Bradford acquired with funds provided by Ken Griffin and an Landscape, he had perfected his depictions of this meandering anonymous patron. Legendary (2016), the Gallery’s first work by river valley. From a rocky cliff, the viewer encounters an expan- Bradford, is one of several paintings that he made for an exhibition sive landscape dotted with castles, monasteries, walled towns, uniting works by himself and abstract expressionist Clyfford and villages. Earthy colors and precisely executed foreground Still. Whereas Still often applied black paint with a palette knife, elements gently morph into a more suggestive rendering of Bradford took black-dyed paper, moistened it, and crushed it faraway pictorial motifs bathed in atmospheric misty blues, as onto the canvas. “My work bounces between social issues and small figures enliven the scene throughout. the history of ,” he explained. “I try to keep one foot in and the other foot at the bus stop.” Alex Katz donated a large portrait of his grandsons, Isaac and Jack Whitten, Sphinx Alley II Oliver (2013), in which he trained his gaze on the two brothers. Gift of the Collectors Committee, Kyle J. and Isaac looms slightly forward, light catching the side of his face. Sharon Krause, Chris and Lois Madison, and Oliver is placed behind, in the shadows, yet owing to his wider Anonymous face and bigger build he is hardly a retiring presence. This work

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is the first large-scale portrait by Katz to enter the collection; it The Arnold and Joan Saltzman Collection, which recently gave joins more than eighty prints and drawings by the artist as well and promised several major German expressionist paintings, as three important earlier paintings. continued its generosity with Ernst Barlach’s The Avenger Virginia Dwan continued her series of groundbreaking donations (1914), one of the most iconic sculptures of the twentieth century. with ’s L’eau et le Feu (Water and Fire) (1961), the first painting by the artist to enter the collection. Klein’s revolution- DRAWINGS ary work redefined the practice of painting. Here, using a blow- torch to burn a partially dampened board, he created an image of Of some forty drawings acquired this year, more than surprising subtlety. Klein’s work was met with hostility when half were Italian. Four sixteenth-century works came as the gift shown at the Dwan Gallery, but the patron and dealer insisted of Jeffrey Horvitz, foremost among them a study by Bartolomeo that the artist was “on fire with his vision.” Ramenghi showing Christ among the Doctors in a grand archi- Collectors Suzanne and Ted Fields donated an early diamond- tectural setting. This striking composition of the 1520s reflects shaped painting by Larry Poons, The Art of the Fugue II (1958– the influence of in the quality of expression and the 1959). An important color-field artist in the 1960s, Poons is interactions among the figures, but the lavish use of white height- interested in optical experience, composi- tional systems, and avant-garde music, and has changed course several times in his career. In this early painting, he explores the work of Piet Mondrian, in particular Victory Boogie Woogie (1942–1944). The Art of the Fugue II joins paintings by the artist from 1964 and 1981 already in the collection. The Collectors Committee and several of its members, including Kyle J. and Sharon Krause and Chris and Lois Madison, donated Sphinx Alley II (1975), a striking work of tex- tured acrylic by Jack Whitten, who is finally being recognized as one of the most impor- tant contemporary painters. Around 1970, using a large homemade rakelike structure that he called a developer or processor (refer- encing photography), Whitten began to create complex abstractions that embodied, as he has put it, “a molecular notion of perception.”

SCULPTURES

This year the Collectors Committee and Emily and Mitchell Rales donated a paper stack by Felix Gonzalez-Torres, “Untitled” (Ross in L.A.) ening over gray-green wash is the artist’s own. Quite different (1991), the first work by this Cuban-American artist and in scale and visual effect is a Virgin Annunciate (1550s) by seminal figure in contemporary art to enter the collection. Andrea Meldolla, called Schiavone, purchased as the gift of Living in in the 1980s and 1990s, Gonzalez-Torres Ann and Matthew Nimetz. Set down with a speedy brush and often addressed issues of life and death by encouraging public glowing with ethereal light, this is a rare and choice example of participation in his work. This sculpture calls for viewers to Venetian . complete its meaning by removing a single piece of paper from Another fine contribution was Domenico Piola’s Satyr the whole. The subtitle refers to the artist’s partner, who died in Entertaining His Family (1690s), acquired thanks to Joan and 1991 from complications due to AIDS. Both coolly abstract and David Maxwell. An especially fresh example from the end of the intensely personal, the silver rectangle on each sheet of paper artist’s long career, it shows his great gift for rendering complex evokes a mirrored surface in which viewers are able to imagine a effects of light and shade. By good fortune an important drawing reflection of themselves. by one of his pupils, Giuseppe Palmieri, was also acquired through Virginia Dwan, whose gifts continue to transform the Gallery’s the Pepita Milmore Memorial Fund, supplemented by a donation collection of postwar art, donated Robert Morris’s Untitled from Andrea Woodner. Glorious in the fluidity and luminosity of (Battered Cubes) (1966). Before these four identical slanted (or the composition, this Vision of the Immaculate Conception (1732) “battered”) cubes were exhibited, sculpture had rarely appeared is also the only drawing that is firmly attributable to the artist, so spare. Shown at the Dwan Gallery, the work became one of having been made in preparation for the ceiling in the now- the signature objects of the new movement that would be called destroyed Oratorio di Sant’Antonio in . . Seeking what he considered a “less introverted” experience, Morris encouraged viewers to walk around and between the cubes, noting, “The surroundings must of necessity Ernst Barlach, The Avenger be seen with the piece.” Collection of Arnold and Joan Saltzman

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Francesco Mancini’s variation on the Immaculate Conception is Edward E. MacCrone Fund, and another by Louis Chéron, acquired very close in date (1739) but quite different in character. This deli- as the gift of Dian Woodner. Five wonderfully articulate Victorian cately modulated black chalk drawing was a study for the artist’s watercolors brought some much-needed depth to that part of the most important commission, and his only drawing connected to a collection. Two of these—both purchased as the gift of Alexander documented painting. The purchase of another large and impres- M. and Judith W. Laughlin—were executed on a grand scale: the sive drawing, A Roman Ruin by Antonio Zucchi, was made possible first a vibrant watercolor (c. 1865) by William Henry Millais, and by a contribution from Vincent J. Buonanno. Signed and dated the second a more subtly atmospheric work (c. 1892) executed by 1788, it shows Zucchi working in the grand tradition of architec- James Thomas Watts. tural capricci made famous by such masters as Giovanni Paolo Outstanding additions to the collection of modern drawings Panini and Giovanni Battista Piranesi. included two beautifully executed works by German artist Emil Five nineteenth-century Italian drawings, an area of significant Nolde, purchased as the gift of Ladislaus and Beatrix von growth for the collection in recent years, were acquired this year. Hoffmann. Made while Nolde was on a visit to Hamburg in 1910 A sheet of penetrating studies of Christ on the cross by Mosè and done in brush and black ink, the drawings are a testament Bianchi made in preparation for his most important religious work to his ability to distill a place or a transient sight to its essentials. was acquired through the Joseph F. McCrindle Endowment Fund. In Hamburg Harbor with a Tugboat, he relied on instinct and a Antonio Mancini’s late double self-portrait (c. 1920), boldly and remarkable proficiency with the brush to convey the dynamic swiftly executed in oil on paper, was purchased as the gift of Max energy and atmosphere of a bustling port. In A Small Steamboat, N. Berry. It is an outstanding example of Mancini’s extraordinary he used an extreme economy of means—no more than two facility with the brush, blurring the line between painting and dozen brushstrokes—to depict a boat navigating choppy waters, drawing, and capturing deep personal emotion. three puffs of smoke billowing from its stack. Two other areas of the old master drawings collection were Another outstanding acquisition was an early drawing from enhanced by choice acquisitions. Four prime seventeenth-century 1968 by Jim Nutt, Ethelinthesalads, purchased as the gift of Jack works include two excellent classical landscapes: one by Gaspard Shear and the Collectors Committee. The most acclaimed of the Dughet, a purchase funded by the Ahmanson Foundation and so-called Hairy Who artists, Nutt based his drawing on a fictitious character named Ethel, a waitress tasked with the job of making the salads. Her face is shown devolving into lettuce and her William Henry Millais, On the East Lyn, breasts have changed into eggplants. Elegantly drawn with subtle North Devon coloration, still Ethelinthesalads has an in-your-face impact Purchased as the Gift of Alexander M. meant to challenge norms. and Judith W. Laughlin

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PRINTS AND ILLUSTRATED BOOKS Tresham’s Le Avventure di Saffo (1784), depicting a famous tale of female artistic inspiration with eighteen color aquatints, is a During the year, 109 old master prints were acquired by purchase major example of idiosyncratic neoclassicism. Finally, Brierkopf and 181 by gift. Foremost among the purchases were two and Härtel’s lavish edition of the Bible (1853–1860) contains 240 magnificent early sixteenth-century German woodcuts, each a wood after designs by Julius Schnorr von Carolsfeld. fascinating combination of sophisticated stylistic awareness and The Gallery’s collection of British prints was significantly pungent contemporary imagery. Hans Lützelburger’s Battle of enhanced by the donation of 119 works from the collection of the the Naked Men and Peasants (1522), pitting the classical world late Donald Vogler through his brother, Thomas. The gift features against the indigenous, is a demonstration of the block-cutter’s groups of by the brilliantly accomplished John Hamilton virtuosity and a unique instance of any such craftsman signing his Mortimer, the exquisitely sensitive amateur John Clerk of Eldin, work. Acquired with the Pepita Milmore Memorial Fund and the and Alexander Runciman, an extravagant master in ’s Eugene L. and Marie-Louise Garbáty Fund, Erhard Schön’s Army circle in . Twenty-one prints came from the estate of A. Train and Death (c. 1532) transforms an ancient Roman triumphal Thompson Ellwanger III to join the Ellwanger/Mescha Collection, procession into a vibrant genre scene unfolding across four principally etchings by Francesco Londonio, a master of rustic blocks and five feet. subjects and the leading original printmaker in eighteenth- Three major mannerist works entered the collection: an early century . An anonymous donor contributed a singularly impression of an from the , impression of James Gillray’s Wierd-Sisters [sic] (1791), Léon Davent’s and Mars Served by and the Three a satire on the madness of King George III, and five more prints by Graces (c. 1547); the summit of sixteenth-century Venetian wood- were received from the Epstein Family Collection. cuts, Giuseppe Scolari’s Rape of Proserpina (1590/1607); and a styl- ized Holy Family with Saint Catherine, Saint John the Evangelist, and an Angel (1612/1616) by Jacques Bellange. Ivan and Winifred Philips enabled the purchase of impeccable impres- sions of Louis-Marin ’s pendant heads of Joseph and Potiphar’s wife, dated 1773, master- pieces of chalk-manner . A generous contribution from the Krugman family in honor of J. Sylvia Krugman al- lowed for the purchase of George Stubbs’s Death of a Doe (1804) in a unique proof impression of incomparably subtle tonality and nuanced expression. The modern print collection was strengthened with the acqui- There were numerous acquisitions in three areas outside of the sition of a rare etching by Salvador Dalí, Fantastic Beach Scene traditional strengths of the collection: early French lithography, from 1935. The first major surrealist work by Dalí to enter the notably superb examples by Achille Devéria, the era’s great collection, the print is replete with the Freudian themes and portraitist; Dutch around 1900, including works by sexually charged imagery that define classic . leading figures Theodoor van Hoijtema, W.O.J. Nieuwenkamp, and Meriting special note among acquisitions of contemporary Willem Arnold Witsen; and printmaking after the unification of prints are the more than one hundred prints and sculpture edi- , including a rare proof by Giovanni Fattori, Luigi Conconi’s tions donated by Gemini G.E.L., including works by such leading ethereal The Wave (L’Onda), and an early impression of Umberto artists as , , Elizabeth Murray, and Boccioni’s most rigorously constructed etching, Mia madre many others. che lavora (1907). Five fine illustrated volumes were acquired during the year. Andrea Cirino’s publication of the celebrations at the birth of Prince Philip of Prospero of (1658) is the first and finest Hans Lützelburger, after Nikolaus of Neapolitan festival books. Two bound collections contain the Hogenberg, Battle of the Naked Men delicate landscape etchings (1743–1745) of Christian Ludwig von and Peasants Hagedorn and sets of Arcadian landscapes for wall decoration Ruth and Jacob Kainen Memorial (c. 1700) by Isaac de Moucheron and Daniel Marot I. Henry Acquisition Fund

17 COLLECTING

American photographer Frances Benjamin Johnston were acquired. Numerous important twentieth-century photo- graphs were added to the collection, including Ralph Steiner’s Louis Lozowick (1929) and Saul Steinberg’s witty study of a cleaning woman and a dog (1950), both acquired through Robert B. Menschel and the Vital Projects Fund; Gordon Parks’s Rooftops (c. 1948), acquired with the Alfred H. Moses and Fern M. Schad Fund; ’s Times Square, , November 22, 1963, a gift of Marlene Nathan Meyerson; and forty-four photographs by Allen Ginsberg made between 1953 and 1993, a gift of Gary Davis. The most notable recent works include Lewis Baltz’s monumental Docile Bodies (1994), a gift of David Knaus; ’s #5437 (1996) and #7373 (2008), a gift of Jamie Lunder; four photo- graphs by Simon Norfolk made in 2002 and 2003, a gift of Dr. and Mrs. J. Patrick Kennedy; Trevor Paglen’s Untitled (Reaper Drone) (2010), acquired with the Pepita Milmore Memorial Fund, Charina Endowment Fund, and Heather and Jim Johnson Fund; and three Robert Adams photographs, two later works, Burns, PHOTOGRAPHS Oregon (1999) and Near North Powder, Oregon (2000), gifts from the artist and his wife, Kerstin, and Santa Ana Wash, This year the department of photographs acquired more than Norton Air Force Base, San Bernardino, (1979), a gift of 485 photographs through gift and purchase. Foremost among Paul Sack. these was the donation of 143 photographs by the seminal In keeping with the effort to broaden the collection, the Gallery American documentary photographer Dorothea Lange, most acquired many works by . Among the well-known for her compelling studies made during the Great most notable are Germaine Krull’s Moulin Rouge, Paris (c. 1925); Depression. An exceptional gift from Daniel Greenberg and Susan Marianne Breslauer’s Walter Menzel and Paul Citroen (1927); Steinhauser, this collection includes work by Lange from the Yvonne Chevalier’s Nude (1929); five works made in Ginza beginning of her career in the 1920s to her death in 1965. Another (c. 1932) by Michiko Yamawaki; and Kati Horna’s Stairs to the stellar acquisition was Andrew Joseph Russell’s landmark Cathedral, Spanish Civil War, , Spain (1938), all made The Great West Illustrated (1869), a bound volume of fifty pho- possible through the Alfred H. Moses and Fern M. Schad Fund. tographs that celebrate the American West as a land of vast Other significant additions include two photographs by Sally untapped resources and unparalleled natural beauty. Mann, Deep South, Untitled (Three Drips) (1998) and Battlefields, Other important nineteenth-century acquisitions include Cold Harbor (Battle) (2003), a gift of the Collectors Committee twenty-five rare photographs by Thomas H. Johnson made in and The Sarah and William L Walton Fund; two works by Ming between 1863 and 1865; two exceptional daguerre- Smith from 1978 and 1980 and ten by Ursula Schulz-Dornburg otypes of African American freedmen (c. 1850) by John Plumbe Jr.; made between 2000 and 2010, nine of which were acquired with and George Barker’s Silver Springs, (c. 1886), all acquired the Charina Endowment Fund and one of which was a gift of the with the Alfred H. Moses and Fern M. Schad Fund. The collec- artist; Carrie Mae Weems’s seminal Kitchen Table Series (1990), tion was enriched with a salted paper print by Louis De Clercq, Grenade, Alhambra, Cour des Lions (1850s), acquired with the Edward J. Lenkin Fund; Roger Fenton’s Chapel, Wells Cathedral (1860s); and the first photograph by the acclaimed American painter and photographer Thomas Eakins to enter the Gallery’s collection, William H. Macdowell (1884), acquired through Robert B. Menschel and the Vital Projects Fund. In addition, three important photographs by the pioneering late nineteenth-century

Above: Emil Nolde, A Small Steamboat Purchased as the Gift of Ladislaus and Beatrix von Hoffmann

Right: Dorothea Lange, Migratory Cotton Picker, Eloy, Arizona Gift of Daniel Greenberg and Susan Steinhauser

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a gift of the Collectors Committee and Robert B. Menschel and (1903–1917), the periodical served as the official publication of the the Vital Projects Fund; and Sam Taylor-Johnson’s 2002 video A Camera Club and is richly illustrated with mounted photographs. Little Death, a gift of the Heather Podesta Collection. A generous donation by Cordy Ryman facilitated the purchase of Alphavitos by Stephen Antonakos (New York, 1996). The volume RARE BOOKS AND IMAGES is the last in a series of eight livres d’artiste and complements earlier titles from the series already in the collection. The library added 107 titles to the rare book collection in fiscal The department of image collections acquired notable year 2017. The J. Paul Getty Fund in honor of Franklin Murphy featuring the Mayer Carl Rothschild collection photographed supported the purchase of two rare first editions. Piante, by Friedrich Weisbrod (, 1864), the Photographic facciata, e spaccati del Palazzo Senatorio Ranuzzi in Bologna Historical Portrait Gallery by Caldesi & Co. (, 1864), plat- (Bologna?, 1760?) depicts the extensive baroque-era modifi- inum prints of taken by the anonymous M.A.B. (1905), cations to a Palladian palace by sculptors Luigi Balugani and a set of Surrealist postcards published by Georges Hugnet Giovanni Battista Piacentini and ceiling decorations by painter (Paris, 1937), views of the “Siegesallee” in with poems by Marcantonio Franceschini. The work features eleven etchings by Hermann Walthari (1904), and a sculpture by Balugani and Antonio Cattani. La : avec la raison des Bertel Christian Budtz-Müller (1871). Rare photographs added ombres et miroirs by Salomon de Caus (London and Frankfurt, include daguerreotypes of works of art, principally American 1612) is of particular interest for its discussion of portraits from the Thurman E. Naylor collection, a view of portal as well as the high quality of technical illustration; it is also sculptures at Chartres by Henri Le Secq (1853), a group of believed to be one of the earliest books published in to nineteenth-century views of by various photographers incorporate pop-up flaps in its diagrams. including Samuel Bourne and Lala Deen Dayal, and a photo post- The Nell and Robert Weidenhammer Fund made possible card of a Constantin Brancusi sculpture from the 1913 Armory the purchase of Historische beschryving der stadt Amsterdam Show. Images documenting the Salon d’Automne (Paris, 1912) (Amsterdam, 1663) by celebrated Dutch historian Olfert Dapper. and international expositions in Paris (1855), London (1862), This finely illustrated topographical and historical description St. Louis (1904), (1933), and (1958) also enriched of Amsterdam features seventy-one double-page engraved the collection this year. views of civil and religious buildings, city gates, and surrounding villages after designs by J. Veerhuyzen. The David K. E. Bruce Fund enabled the library to acquire a Olfert Dapper, Historische beschryving complete set of the periodical Camera Notes (1897–1903) edited der stadt Amsterdam by Alfred Stieglitz. A precursor to Stieglitz’s Camera Work Nell and Robert Weidenhammer Fund

19

NATIONAL GALLERY OF ART

Exhibiting

During fiscal year 2017 the Gallery continued to present a varied drawings, many of them paired with related paintings. Several selection of special exhibitions. Seven exhibitions continued works in the exhibition were on view in the United States for the from the previous year: Intersections: Photographs and Videos first time. Among the drawings were sheets from sketchbooks, from the National Gallery of Art and the ; rapidly executed compositional designs, detailed figure studies, , 1733–1808; Recent Acquisitions of Dutch and and carefully rendered construction drawings made with the Flemish Drawings; : The Last Supper; In the Tower: aid of a ruler and compass. The exhibition shed light on the var- Barbara Kruger; Los Angeles to New York: Dwan Gallery, 1959– ied ways in which renowned artists of the — 1971; and Photography Reinvented: The Collection of Robert E. including Rembrandt van Rijn, Aelbert Cuyp, Jacob van Ruisdael, Meyerhoff and Rheda Becker. The library presented three exhi- and Pieter Jansz Saenredam—used drawings as part of the paint- bitions of books and images. ing process. Two of nine surviving sketchbooks by seventeenth- The fiscal year began with the critically acclaimed exhibition century Dutch draftsmen were included in this exhibition, Drawings for Paintings in the Age of Rembrandt. The vivid details and a selection of drawings from one of them, belonging to Jan and realistic nature of seventeenth-century Dutch landscapes, van Kessel, was digitized for viewing on a touch-screen monitor. still lifes, and genre scenes seem to have been painted from life A second monitor allowed visitors to compare seven paintings when, in fact, most artists based their paintings on preliminary and their underdrawings, made visible through infrared reflec- drawings. The exhibition featured nearly one hundred such tography, by using a slider tool to scroll back and forth between

23 EXHIBITING

the two. Versions of these digital components were also made avail- as interviews with scholars and a musician. The film was made able on the website, along with a slideshow of twenty-one works. possible by the HRH Foundation and was shown at the Gallery, One of the most important American modernists, Stuart Davis at other exhibition venues, and on PBS television stations. An blurred distinctions between text and image, high and low art, exhibition web feature focused on how the artist recycled his and abstraction and figuration, crafting his own style.Stuart own imagery, allowing viewers to easily see the transformation Davis: In Full Swing featured some one hundred of his most of earlier compositions. A complementary audio guide included commentary by curators and archival audio of the artist. The Gallery installed Rineke Dijkstra, a small exhibition of works by the photographer known for her strikingly earnest, unsentimental depictions of young people in large-scale color prints. Shooting from a low vantage point with minimal background information, she endows her subjects with a mon- umental presence, creating portraits that are at once self-conscious but revealing, powerful but tender. This installation featured four of Dijkstra’s portraits of adolescents, as well as the 1991 self-portrait that inspired much of her later work. It was timed to coincide with the display of Collectors Committee gifts in the East Building important, visually complex, jazz-inspired compositions, offering that included I See a Woman Crying (Weeping Woman), Dijkstra’s a new exploration of his working method. This was the first three-channel video of British schoolchildren talking about exhibition dedicated to the artist’s work at the Gallery and the Pablo ’s painting Weeping Woman. first major exhibition anywhere to consistently hang the artist’s More than five hundred years after their creation, Della Robbia later works alongside the earlier compositions that inspired terracotta sculptures endure as some of the most innovative them. Beginning with his 1921 breakthrough paintings of tobacco and expressive examples of art from the Italian Renaissance. packages and his abstract Egg Beater series of the late 1920s, Della Robbia: Sculpting with Color in Renaissance Florence Stuart Davis: In Full Swing charted Davis’s painting through the was the first major American exhibition dedicated to works by following decades, up until the work left on his easel at the time three generations of the Della Robbia family and the competing of his death in 1964. The exhibition highlighted the artist’s unique ability to assimilate the imagery of popular culture, the aes- thetics of advertising, the lessons of , and the sounds and rhythms of jazz into works that hum with intelligence and energy. The installation took advantage of the Gallery’s spatial configuration by placing the large vertical New York on the axial view, visible from the East Garden Court. The large painting Swing Landscape was positioned on another long gallery view. A thirty-minute film, narrated by John Lithgow, surveyed Davis’s career and included original footage shot on location in New York and Gloucester, , as well

24 NATIONAL GALLERY OF ART

Buglioni workshop. Some forty examples illustrated the range of sculptural types produced by the workshop—Madonna and Child reliefs, architectural decoration, portraits, household statuettes, and large-scale figures in the round. Even today the ceramics retain their signature opaque whites, deep cerulean blues, and lively greens, purples, and yellows, due to the glazing technique invented by sculptor Luca della Robbia. While drawn chiefly from American collections, the exhi- bition also included major loans from Italy, among them Luca’s masterpiece, The Visitation (c. 1445), on loan from the church of San Giovanni Fuorcivitas in Pistoia. The Visitation was dis- played in an architectural niche designed to integrate with the of the Italian trav- ertine galleries. The exhibition was installed in and around the main sculpture hall, West Garden Court, and Italian galleries, taking advantage of natural light. The imposing Resurrection of Christ lunette, on loan from the , was positioned above one of the monumental doorways in the West Building sculpture hall. This allowed the sculpture to be viewed from the Rotunda. The support structure was designed to carry the fifteen- hundred-pound sculpture and was faux painted and detailed to appear to be part of the architec- tural fabric of the building. bustling city crowds and breathtaking metropolitan vistas, the Sculptures of three life-size monks, including Saint John of twenty-five black-and-white prints included in The Urban Scene Capistrano and Saint Bernardino of Siena, were reunited in the explored the spectacle of urban modernity. last room and were visually tied together by an inscribed arch. Cross-disciplinary American artist Theaster Gates (born 1973) The last object, the Adoring Angel, was mounted on an architec- created a new body of work, Theaster Gates: The Minor Arts, as tural baffle and placed in an Italian paintings gallery. part of the In the Tower exhibition series in the Tower Gallery of Technical analysis and conservation conducted at the Gallery the East Building. Gates created the installation out of his col- and three other museums provided new insight into how these lections of “modern castoffs,” a term he uses for materials that groundbreaking works were made. Two online features offered technology, the market, and history have left behind. Using ob- a closer look at Della Robbia sculpture. One explained the step- jects such as a shuttered high school’s gym floor, a demolished by-step process of transforming chalky clay into glazed terra- cotta works of art, and the other provided a virtual walking tour of Florentine churches and other buildings where the artists’ Top Left: sculptures remain in situ. A richly illustrated catalog, the first Drawings for Paintings in the Age of Rembrandt English-language overview of three generations of Della Robbia sculpture, accompanied the exhibition. Bottom Left: The Urban Scene: 1920–1950 featured works drawn largely Stuart Davis: In Full Swing from the permanent collection. American artists of the early twentieth century sought to interpret the beauty, power, and Above: anxiety of the modern age in diverse ways. Through depictions of Della Robbia: Sculpting with Color in Renaissance Florence

25 EXHIBITING

church’s slate roof, and old copies of Ebony magazine as his raw The Woodner Collections: Master Drawings from Seven materials, Gates creates works of art that refer to the decline Centuries showcased the collections of the Woodner family. of urban institutions. He encourages the viewer to consider the Some one hundred drawings dating from the fourteenth to the artfulness of the everyday, giving new value to the minor and the twentieth century were presented in this exhibition, which, outdated. This was Gates’s first solo exhibition in Washington for the first time, brought together the best of Ian Woodner’s and on the East Coast. An exhibition brochure featured an inter- collection with works given and promised by his daughters, Dian view with the artist. and Andrea Woodner. The exhibition included drawings executed East of the Mississippi: Nineteenth-Century American by outstanding draftsmen such as , Albrecht Landscape Photography brought attention to the often-relegated Dürer, Raphael, Jean-Auguste-Dominique Ingres, , vistas of the eastern part of the United States in the nineteenth and , among many others.

century. Before venturing west to capture America’s frontier in Displayed in the newly renovated Concourse galleries, Frédéric paintings and photographs, nineteenth-century artists explored Bazille and the Birth of Impressionism transported viewers to the eastern landscape, which served as a powerful source of nineteenth-century . The Gallery holds the largest group mythmaking for a nation finding its identity. As the first of its of works by Bazille outside of France and was the sole American kind, the exhibition explored this fundamental chapter in venue for the exhibition. This first major presentation of Bazille’s America’s photographic history through 175 photographs, inclu- work in America in twenty-five years also marked the 175th ding daguerreotypes, salted paper prints, albumen prints, stereo anniversary of the artist’s birth. Through some seventy-five cards, and albums. The exhibition showcased photographers paintings and two sketchbooks from private and public collec- who documented the nation’s transition during the course of the tions in the United States, , and Japan, the exhibition century, exploring the untouched wilderness, the devastation of examined Bazille as a central figure at the dawn of impres- the Civil War, and the dramatic transformations of industrializa- sionism, who, because of the brevity of his career, the limited tion. Two stereographs were mounted in wooden stereoscope size of his extant body of work, and his absence from the im- viewers, giving visitors the opportunity to experience the visual pressionist exhibitions mounted after his death, has remained a effects of this popular type of photograph. Seven cases with more relatively unknown and underappreciated figure. This exhibition than thirty daguerreotypes, ambrotypes, a stereo card, and was the most comprehensive retrospective of Bazille’s career, books with photographs were carefully composed and lit with featuring nearly three-quarters of his artistic output. internal fiber optics and LED strips. Along with a slideshow of The visitor entered the exhibition through an enormous pho- twelve photographs, the website offered an extensive feature tomural of Bazille’s painting The Family Gathering. Organized based on the wall texts, illustrated with works from the exhibi- thematically, this exhibition juxtaposed works by Bazille with tion. In a first for the Gallery website, the approximate locations important works by the predecessors who inspired him— where more than fifty of the photographs had been made were Théodore Rousseau, Jean-Baptiste-Camille Corot, and Gustave plotted out on an interactive Google map that allowed users to Courbet—and by contemporaries such as Édouard Manet and see a current overhead satellite image of the sites. with whom he was closely associated. Quotations from letters written by Bazille were placed high on the walls to give voice to the artist. An immense photomural of the painting In the Tower: Theaster Gates: Bazille’s Studio was positioned at the end of the exhibition. The Minor Arts

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A free audio tour familiarized visitors with Bazille’s life and times. Installed next to one of his sketchbooks, a monitor showed a digital recreation that allowed visitors to see all the drawings it contained. Another monitor displayed compositions that Bazille later painted over, made visible through x-radiography. The website included a fea- ture that paired drawings from the artist’s sketchbooks with the finished paintings, allowing visitors to trace the evolution of some of his most important works. America Collects Eighteenth-Century French Painting was the first survey of American taste for French painting of the period. When Joseph Bonaparte, elder bro- ther of I, fled to America in 1815, he packed his collection, which included eighteenth-century French paintings. In an effort to spread his native country’s culture across the United States, he put his works on public display, causing a sensation and inspiring a new American fascination with . From then on, such works made their way into museums and private collections from coast to coast. This exhibition eighteenth-century French art, silkscreened on walls, provid- brought together sixty-eight paintings that represented ed insight into the motivations for acquiring these paintings. A some of the best and most unusual examples of French art reading room displayed four illustrated text panels on various of that era held by American museums. The exhibition told the aspects of the American collecting of French art. In addition to a slideshow of fifteen paintings, the website featured an illustrated timeline that chronicled the owner- ship history of nearly fifty paintings that journeyed from France to the United States, and listed important exhibitions and events that helped shape American collectors’ taste in this field. This fiscal year, the exhibition program was balanced by alternat- ing between major loan and perma- nent collection exhibitions. Matthias Mansen: Configurations was drawn solely from the Gallery’s permanent collection. German artist Matthias Mansen (born 1958) creates large- scale woodcuts that explore abstrac- tion and figuration. This exhibition included a series of thirteen prints created in the tradition of wood- block printing by transforming pieces of scavenged wood—discarded story of the collectors, curators, museum directors, and dealers responsible for bringing the paintings across the Atlantic and Top: into the collections they now call home. East of the Mississippi: Nineteenth-Century The exhibition presented works from museum collections, American Landscape Photography from and Indianapolis to Birmingham and Phoenix. It also featured lesser-known artists, including Bottom: and one of the earliest mixed-race artists in the canon. The Woodner Collections: Master Drawings Quotations by and about American and French collectors of from Seven Centuries

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floorboards or fragments of abandoned —into print- The Gallery administered the loan of 1,071 works of art to 224 ing blocks, which he progressively carves and recarves. Working sites during fiscal year 2017. The Gallery partnered with 129 on numerous prints simultaneously, Mansen generously inks the museums in the United States to administer the loan of 559 salvaged woodblocks, often using the same one for multiple works of art and 107 international museums to administer the related compositions. His serial projects are best viewed as an loan of 512 works of art. This year, the Gallery loaned several ensemble, so that their grammar and rhythms become discernable. sculptural works to a number of exhibitions. For the second In the second half of the nineteenth century, the scientific venue of the landmark exhibition Della Robbia: Sculpting with exploration of invisible matter, made possible through Color in Renaissance Florence, the Gallery partnered with the advances in physics, electromagnetism, and x-radiography, Museum of Fine Arts, to loan The Adoration of the Child stimulated mystical movements concerned with unseen forces. by Andrea della Robbia, The Nativity by Luca della Robbia, and Theosophists held that thoughts generated auras of colorful the Pietà by Giovanni della Robbia. Other loans of sculptural shapes, an idea explored in Edvard Munch: Color in Context. The exhibition of twenty-one prints by Munch considered the choice, combinations, and meaning of color in light of theosophist prin- ciples. The majority of the prints in the exhibition came from the Epstein Family Collection, the largest and finest gathering of the artist’s graphic work outside of his native Norway. Posing for the Camera: Gifts from Robert B. Menschel explored how photographers have both drawn on artistic conventions and exploited the collaborative nature of the medium to create probing portraits of their subjects. A selection of some seventy photographs examined the many forms portraits have taken throughout the history of the medium: as a means to define one’s understanding of another person or one’s own identity, a device to elucidate cultural issues, documents of historical moments, and resources for educational and scientific purposes. It also illustrated the ways in which photographers have used a figure’s unconscious pose to create striking depictions of contemporary life. Indicative of the theme, a larger-than-life photomural of Light Artillery, Sergeant by Oliver Harvey Willard greeted visitors at the entrance.

Top: Frédéric Bazille and the Birth of Impressionism

Bottom: Posing for the Camera: Gifts from Robert B. Menschel

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works included Edme Bouchardon’s Cupid to the Musée du national d’art moderne, Centre Georges Pompidou; twenty-one , of a Boy and with Venus, Amorini, works by Jasper Johns, , Sam Francis, and and Swans to both the Musée du Louvre and the J. Paul Getty Ed Ruscha to the ; twenty-nine photographs Museum, Jacques Lipchitz’s Bas- I to the , by Alfred Stieglitz to the ; and ninety-one works by Alfred Joel Shapiro’s Untitled to the Dominque Lévy Gallery, and Peter Stieglitz and Byron Kim to Bowdoin College Museum of Art. In Voulkos’s USA 41 to both the Museum of Arts and Design and the addition, the Gallery loaned ’s Mahana Atua (The . Food of the Gods), Père Paillard, Pair of Wooden Shoes (Sabots), For large-scale exhibitions, the Gallery loaned eighty-two The Invocation, Breton Girls Dancing, Pont-Aven, and Head of a works of art domestically and eighty-seven works of art inter- Man with a Study of His Back; Various Sketches with a Peasant nationally. Some of the highlights included twenty-five pho- Woman and a Goose to the . tographs by and Allen Ginsberg to the Musée

America Collects Eighteenth-Century French Painting

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Families attend free educational programs to further explore the recently reinstalled East Building galleries.

NATIONAL GALLERY OF ART

Educating

The education division inaugurated several new initiatives, while building skills in visual literacy, communication, empathy, based on museum experience and visitor surveys, which com- and perspective taking—all of which are essential tools of these plemented its regular programming and publications and served professions. For a second year, the department teamed with almost one million in- visitors. Many of these programs a colleague from a local medical institution to present Art and also align with concepts of diversity and inclusion, one of the the Making of the Modern Physician. This seven-part series for division’s new strategic directions conceived in order to first-year medical students explores how to define and practice better serve the Gallery’s varied publics. observation, communication, empathy, and bias both in looking at Just Us is an open-ended exploration of a few works of art works of art and in the medical field. for people with memory loss and their care partners. The Evenings at the Edge, a series of monthly evening events held sessions develop through conversation and are guided by the in the East Building from October to April, encouraged young participants’ interests. Another new program, The Art of Care is adult audiences to visit the museum, relax, enjoy themselves, a series of four sessions designed for medical professionals, and connect with works of art. More than 10,000 visitors attend- including social workers, nurses, and nurse practitioners. Each ed. From the data collected during the events, ninety-six per- two-hour session includes looking at and discussing works of art cent of those attending were pleased with their experience and entered into the galleries to engage with art. The inaugural John Wilmerding Symposium on American Art, funded by The Participants delve into the Gallery’s Walton Family Foundation and named in honor of the Gallery’s collection through sketching and creative former colleague and trustee, offered talks by a group of distin- writing exercises in Artful Conversations, guished scholars whose work has been inspired by Professor designed for visitors aged eight to eleven. Wilmerding. A Community Celebration, also supported by the

33 EDUCATING

foundation, focused on American art and included sketching change or improve a place in their neighborhood, using East in the galleries, dance, music, and theatrical performances. It Building works as inspiration. served more than 5,500 visitors. The summer intern program served eighteen students from To coincide with the reopening of the East Building galleries, twelve states and four foreign countries, while the academic-year a small team of educators and curators developed paper and initiative welcomed eight participants. Highlights among the audio guides. The audio tour offered a diversity of objects and auditorium presentations were sessions with Perry Y. Chin voices, including perspectives of both curators and artists. In (partner of I. M. Pei, architect of the Gallery’s East Building) and addition, the department interpreted the audio guide into artists Kevin Beasley, Rineke Dijkstra, Theaster Gates, Joan American Sign Language and produced an Access Guide that Jonas, Jason Moran, and . Podcasts of these focuses on accessible routes throughout the East Building. events attracted an additional audience of 185,000 listeners. The department gave a fresh perspective to many of its Social media allows the Gallery to have an even greater reach. established or relatively new programs. The High School Seminar Each platform used provides access to deep expertise, timely celebrated its twenty-fifth anniversary by organizing a panel of and engaging content, and opportunities to participate. This past participants including an architect, a graphic designer, and year, the Gallery instituted a strategic plan for social media. an art teacher, each of whom talked about how the seminar has The primary goals are to share compelling stories, to connect influenced their lives. Participants from all past sessions were through conversation, to meaningfully diversify the Gallery’s invited. For several years the department has participated with voice on social media, and to empower a digital mindset at the ’s Project Zero research project Children Are Gallery. The strategy outlines the next two years and will evolve Citizens, which serves 350 Title 1 students. The project seeks in response to Gallery priorities, audience needs, and changes to promote citizenship values and skills in preschool children. within social media. The culminating publication was selected as the featured The division’s two programs with the furthest outreach are Washington, DC, book in the Pavilion of States for the Library of education resources, materials for teachers that include films Congress National Book Festival. Art Around the Corner (AAC), that are shown on public television across the country, and social the multiple-visit program for underserved area public school media accounts. The division reached roughly thirty-one million children, reached more students than ever this year and saw a people through the resources program. The Gallery served an participation increase of forty-eight percent over the prior year. audience of more than 1.2 million followers on the social media Almost five hundred students, family, and friends participat- platforms Facebook, Twitter, Instagram, and Pinterest. ed in the popular family day associated with the AAC program. The spring program empowered students to become artists, CONCERTS AND FILMS innovators, and agents of change as they explored the works of Theaster Gates and other contemporary artists. The program In celebration of its seventy-fifth season, the music depart- challenged students to think deeply about how they would ment presented more than ninety concerts, attracting more than 21,000 people. The depart- ment made use of many spaces throughout the Gallery, including the West Garden Court, the East Garden Court, the West Building Lecture Hall, the East Building Auditorium, galleries, the Rotunda, and even the Mall entrance steps. The broad range of styles in- cluded ancient to contemporary music, western , world music, bluegrass, and jazz. Multimedia presentations coupled the musical genius of world- renowned and per- formers with the visual arts. Numerous concerts were pres- ented in conjunction with exhi- bitions: three events honored Los Angeles to New York: Dwan Gallery, 1959–1971; two concerts celebrated Drawings for Paintings in the Age of Rembrandt; a series of pop-up, in-gallery mini concerts plus a full jazz concert celebrated Stuart Davis: In Full Swing; Visitors engage in digital painting one Sunday concert and four Saturday pop-up concerts activities during the special Community observed Della Robbia: Sculpting with Color in Renaissance Celebration in honor of the reopening of Florence; two Americana concerts celebrated East of the the East Building galleries. Mississippi: Nineteenth-Century American Landscape Photography;

34 NATIONAL GALLERY OF ART

to honor Frédéric Bazille and the Birth of Impressionism, the Federation of Film Archives remains vital for access to rare Alliage Quintett brought their “Dancing Paris” program; the prints from film vaults around the world. Marine Chamber Orchestra performed in conjunction with Highlights from the year included a special presentation of America Collects Eighteenth-Century French Painting. Franco Zeffirelli’s landmark Per Firenze on the fiftieth anniver- To advance the Gallery’s connection to the community, the music sary of the devastating November 1966 in Florence. Among department initiated a new mid-week series, Washingtonians on the premieres were Gertrude Bell: Letters from Baghdad; Tony Wednesdays. The series featured fifteen concerts by local musi- Conrad—Completely in the Present; In the Steps of ; cians performing American music. The department collaborated Death of Louis XIV; and Dawson City: Frozen Time. with the Delegation of the European Union to the United States, Film retrospectives during the fall and winter seasons includ- and the embassies of , Estonia, and the Czech Republic ed Umberto Eco and Film; Jean Desmet’s Dream Factory, 1906– to produce three mid-week concerts for the European Month of 1916; El Pueblo: Searching for Contemporary Latin America; Culture. The department collaborated with the John F. Kennedy Reseeing : Twenty-First Annual Iranian Film Festival (orga- Center for the Performing Arts and Washington Performing Arts nized in association with the ); Commedia for SHIFT: A Festival of American Orchestras, presenting the sing- dell’Arte—Reprise; and Il Cinema Ritrovato: From Vault to Screen. ers of the Symphony Orchestra. The department also pro- During the spring and summer seasons, retrospectives com- vided musical programming for two Evenings at the Edge events. prised A Universe Inside Out: Hubley Studio; Rein- Concerts at the Gallery merited seven reviews in various venting —New Cinema from Romania; A Pictorial Dream— publications, including , and numerous other Directed by Straub and Huillet; New Waves: Transatlantic mentions in the media, including several “best classical per- Bonds between Film and Art in the 1960s; Anìmator: Interna- formances of the year” and season preview “best picks.” Again tional Animation Festival; From Doodles to Pixels: A Century of this year, concerts were produced with funds bequeathed to the Spanish Animation; Gaumont at 120: Twelve Unseen Treasures; Gallery by William Nelson Cromwell and F. Lammot Belin, with and From Vault to Screen: Recent Restorations from the Academy generous additional support from the Billy Rose Foundation and Film Archive. The Gallery also joined with the Embassy of the Gottesman Fund in memory of Milton M. Gottesman. The and the American Film Institute to present the series Saluting music program was also supported by the Ann and Gordon Getty Canada at 150. Foundation and Professor Joseph L. Gastwirth. Film and video premieres, restorations, ciné-concerts, and retrospectives were presented every week during the year. The Gallery is considered one of the best film exhibition venues Children between the ages of four and in North America for its wide range of moving image genres. seven learn about and Filmmakers, scholars, artists, and critics frequently intro- create their own color-filled compositions duced programs. The Gallery’s membership in the International in the Art Investigator program.

35 EDUCATING

were reviewed or treated by the con- servation division. Two online exhibitions on the depart- ment’s web page feature noteworthy aspects of the collection. Process and Participation in the Work of Christo and Jeanne-Claude accompanied a library exhibition that explored proj- ects documented in the Shunk-Kender Photography Collection. Beauty, Fire, & Memory: Lost Art of the Kaiser- Friedrich-Museum documented works lost in a Berlin fire during the final days of World War II. Additions to the artists’ portraits col- lection included photographs of John Chamberlain by an anonymous press photographer (1962), George Frederic Watts by Frederick Hollyer (1898), a group portrait of Minor White, Brett Weston, and Dody Warren by Barbara Morgan (c. 1948), Harry Callahan by A number of series were organized to coincide with the Gallery’s Emmet Gowin (1967), and a group of photos of , special exhibitions. These included Film, Video, and Virginia , and (c. 1960–1963). The Dwan; Barbara Kruger Selects; Virginia Dwan Selects; Alternate department also acquired an archive documenting the life and Takes: Jazz and Film; and Cinéma de la revolution: America Films work of British portraitist Gerald Leslie Brockhurst. Eighteenth-Century France. The Gallery Archives continued to serve as steward of the Gallery’s valuable permanent records. Throughout the year the RESOURCES FOR SCHOLARLY RESEARCH archives received records from internal offices and donated materials in analog and digital forms. Notable transfers include The library added 6,659 books and 1,205 auction catalogs to its holdings in fiscal year 2017. The reader services department answered 2,950 inquiries, welcomed approximately 1,200 vis- itors, created 14,655 scans from its rare book collection, and recorded 18,351 unique visits to the library’s web pages. The department borrowed 2,520 items for Gallery and Center for Advanced Study in the Visual Arts (CASVA) staff and loaned 1,003 titles to universities and public libraries in forty-six states and twelve countries. The library held research orientations throughout the year for groups from the University, University of Maryland, and Glenstone, and wel- comed more than one hundred attendees for the thirty-fifth congress of the Association Internationale de Bibliophilie. The department of image collections added 122,287 images, including thirty-two rare photographic albums; 401 rare photo- graphs; 102,692 photographs, negatives, and transparencies; and 18,964 digital images. Researchers viewed 2,986 photo- graphs and photo boxes on-site, and image specialists answered 914 reference inquiries. Scans created from the department’s seventy-one books belonging to and his father, collections numbered 2,665, and 232 photographs and albums Thomas Mellon, from the bequest of , and items from Dorothy Vogel relating to her interactions with artists associated with the Vogel art collection. Top: Students from the George Washington The archives received approximately five hundred inquiries University visit the National Gallery of Art from staff, researchers, and the public about the Gallery’s build- Library, a major art research center that ings, exhibitions, collections, and history. The celebration of the welcomes hundreds of students annually. Gallery’s 75th anniversary continued to produce many inquiries about its past. Bottom: The archives increased its web presence to enhance hold- Gallery workshops help teachers of all subjects ings access and launched a web-based timeline highlighting explore curriculum connections and methods important events in the Gallery’s history. In addition, past for using art in their classrooms. press releases from 1939 to 2013 were made available to the

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public for the first time on the Gallery’s website. A reference service database was created to track research and respond to inquiries more efficiently. Staff installed a laptop kiosk to provide on-site access to digital assets for all researchers. The oral history program continued as an inte- gral part of the archives by conducting interviews with individuals associated with the Gallery. A new database was created to track the progress of work related to the oral history program. Approximately two hundred legacy interview recordings on prob- lematic analog tape format were digitized for pres- ervation and access. Work continued on the Kress Collection History and Conservation Database proj- ect, which provides a comprehensive source of digi- tal information on Kress works of art. The study room for European works of art on paper in the East Building hosted 1,284 visitors. Thirty-nine classes from eight universities and sixteen schools were taught, using the Gallery’s original prints, draw- ings, and illustrated books. In addition, there were eleven lectures for special groups and nine tours for Gallery docents, interns, and new staff. Gallery cura- tors gave thirty of these classes, lectures, and tours. The study room for American prints and drawings in the West Building hosted 712 visitors, including students in twenty classes from seven universities and four schools. Additionally, curators provided eleven presentations for visitors and staff.

PUBLICATIONS

The publishing office produced seven major publications in 2017 including three exhibition catalogs (America Collects Eighteenth-Century French Painting, East of the Mississippi: Nineteenth- Century American Landscape Photography, and Fragonard: The Fantasy Figures), a special donor edition to honor and document the gifts from Robert B. Menschel search, and download out-of-print exhibition and collection cata- for the photography collection, the third volume of the conser- logs at no charge. vation journal Facture, and two CASVA volumes—The Cubism For National Gallery of Art Online Editions and other digital pub- Seminars (the third volume of Seminar Papers) and Center 37. In lications devoted to the permanent collection, new entries were addition, several major exhibition catalogs were in progress for added to Dutch Paintings of the Seventeenth Century and work publication in 2018. The publishing office also received awards continued on American Paintings, 1900–1945; Italian Paintings for nine publications—America’s National Gallery of Art; America of the Sixteenth Century; Renaissance Plaquettes at the National Collects Eighteenth-Century French Painting; Documenting Gallery of Art; and French Paintings of the Nineteenth Century. An the Salon: Paris Salon Catalogs, 1673–1945; Dwan Gallery: open-access web-based catalogue raisonné, Mark Rothko: Works Los Angeles to New York, 1959–1971; East of the Mississippi: on Paper, which will eventually document more than 2,600 works Nineteenth-Century American Landscape Photography; from public and private collections around the world, will launch Highlights from the National Gallery of Art, Washington; Hubert in installments beginning in early 2018. The first installment will Robert; Stuart Davis: In Full Swing; and Three Centuries of include the Gallery’s collection of some 850 works. Final entries American Prints from the National Gallery of Art. are being reviewed, vetted, and edited to ensure completeness Printed brochures were prepared for the Della Robbia and and accuracy, and the site is currently undergoing a design and Theaster Gates exhibitions. In addition to labels and wall texts user-experience review. for all exhibitions, the publishing office edited online features and edited and produced printed projects, such as the bian- nual Gallery Bulletin, more than 260 education materials, and more than 1,000 pieces of Gallery ephemera, ranging from press Visitors to the inaugural season of Evenings releases, invitations, newsletters, and music programs to quarterly at the Edge enjoy free live music, theatrical calendars. Approximately ten backlist titles were added to the PDF performances, films, and pop-up talks library on the Gallery’s website, where online visitors can browse, inspired by the Gallery’s collection.

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DIGITAL MEDIA new Sculpture Garden pages. The department also completed work on a page template for the presentation of long-form con- In fiscal year 2017 the imaging and visual services department tent as part of an ongoing effort to create tools that enable web- continued to document the Gallery’s collections and promote site authors to create engaging content for visitors. access to high-quality, color-accurate digital images. New The media production department continued to provide digital master digital files were made for 556 objects, including sixty- moving image media and audio to the public, staff, docents, and four new acquisitions. The department provided technical volunteers. Audio content has been accessed more than 400,000 imaging for ninety-one conservation treatments and made times, and video content more than 850,000 times. Several films publication-quality images for seven Gallery exhibitions were produced to celebrate artists, musicians, and filmmakers, and catalogs including Frédéric Bazille and the Birth of including Vera Lutter, Rackstraw Downes, and Jean Desmet. Impressionism, East of the Mississippi: Nineteenth-Century Noteworthy videos produced this year were Collection Highlights: American Landscape Photography, and America Collects East Building—American Sign Language (ASL), which supports Eighteenth-Century French Painting. accessible programs, and ConservationSpace, a video introduc- The department posted 13,322 new and replacement images tion to ConservationSpace software. to the Gallery’s website, including 371 ultra-resolution images, The Gallery continued to post media content to its website allowing the public to pan and zoom at extremely close detail. as well as the sharing platforms You Tube, iTunes, ArtBabble, Web visitors downloaded more than 700,000 open-access imag- and SoundCloud. More than one hundred videos or audio proj- es from NGA Images. Since NGA Images launched in 2012, more ects were recorded and produced during events and as online than three million images have been downloaded. media, which enables the public to enjoy programs indefinitely. The website department continued its work to modernize and Multimedia artwork was also installed and maintained for sev- improve the Gallery’s website. Design changes released this eral exhibitions and ongoing media art installations, including year support larger, uncropped images of collection objects. In the Tower: Theaster Gates: The Minor Arts, Frédéric Bazille The department revised the grid layout for collection highlights. and the Birth of Impressionism, Stuart Davis: In Full Swing, and Content projects included a redesigned acquisition page and James Nares’s video Street.

Distinguished artists discuss ’s Relative at “The African American Art World in Twentieth-Century Washington, DC” panel, as part of the two-day Wyeth Foundation for American Art Symposium hosted by CASVA.

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Center for Advanced Study in the Visual Arts

The Center for Advanced Study in the Visual Arts sponsors the with Della Robbia: Sculpting with Color in Renaissance Florence. study of the visual arts in its program areas of fellowships, A high point of the year was the two-day Wyeth Foundation for research, publications, and scholarly meetings. In 2017 the American Art Symposium on the topic “The African American Art Board of Advisors included Patricia Berger (University of World in Twentieth-Century Washington, DC.” The event recog- California, Berkeley), Emily Braun (Hunter College, City University nized the transfer of a group of works by African American artists of New York), Betsy M. Bryan (Johns Hopkins University), H. Perry from the Corcoran Gallery of Art to the National Gallery of Art, Chapman (University of Delaware), Michael W. Cole (Columbia with an accompanying archive from the collection of Thurlow University), Huey Copeland (), Jeffrey Evans Tibbs Jr. The symposium was planned in collaboration F. Hamburger (Harvard University), and Steven D. Nelson with the gallery of art at Howard University and celebrated the (University of California, Los Angeles). opening of the National Museum of African American History During its thirty-seventh academic year, the Center welcomed and Culture. It brought together eight distinguished artists with fellows from Canada, France, , Hungary, Israel, Italy, special connections to the theme. The papers and a transcription Japan, the , and twelve of the United States. of the artist panel will be published in a volume of Studies in the The topics of their research ranged from depicting emotion in History of Art. Archaic and classical Greek art to postapartheid photography The sixty-sixth A. W. Mellon Lectures in the Fine Arts were in , and from artistic developments during Rome’s delivered by Alexander Nemerov of on the “long” Trecento to picturing science in Chinese painting. topic “The Forest: America in the 1830s.” In the Seminar Papers This year was marked by two major gifts to the Center. The series, the Center published The Cubism Seminars, edited by Edmond J. Safra Foundation permanently endowed the Edmond Harry Cooper and distributed by Press. J. Safra Visiting Professorship, and this gift was used to match The Center’s research projects provide primary materials for The Andrew W. Mellon Foundation challenge grant to the Gallery. scholarship. The Malvasia project will make available a multi- The Samuel H. Kress Foundation also endowed the Samuel H. volume English translation and new critical edition in Italian of Kress Professorship, supported by matching funds from the Carlo Cesare Malvasia’s Felsina pittrice (Bologna, 1678). The sec- Mellon challenge grant, and renamed it the Kress-Beinecke ond part of the second volume, which includes Malvasia’s critical Professorship in honor of Frederick W. Beinecke on his retire- catalog of prints by or after Bolognese artists, was published by ment from the board of the foundation. Brepols in 2017. The project is directed by the dean and coordi- To recognize the contributions of former Samuel H. Kress nated by Professor Lorenzo Pericolo of the University of Warwick, professors, the Center published A Generous Vision II: Samuel who also serves as editor of the critical edition. H. Kress Professors, 1995–2016. In association with this vol- The digital database for the History of Early American Landscape ume, and in celebration of the Gallery’s 75th anniversary, Julien Design project, directed by Associate Dean Therese O’Malley, Chapuis of the Staatliche Museen zu Berlin gave a lecture was expanded and corrected in the course of the year. It will soon entitled “The Lost Museum: The Berlin Painting and Sculpture undergo live testing. Following the migration of The History of the Collections Seventy Years after World War II.” Accademia di San Luca, c. 1590–1635: Documents from the Archivio The Center cosponsored, with the University of Maryland, the di Stato di (www.nga.gov/casva/accademia) to the Gallery’s forty-seventh Middle Atlantic Symposium in the History of Art. website, Associate Dean Peter Lukehart and his team began Two study days were sponsored in connection with exhibitions. working to expand content, incorporating linked high-quality The first, organized in association with Hubert Robert, 1733– images of historical maps as well as advanced viewing tools. 1808 and in cooperation with the Dumbarton Oaks Research New documentary sources were identified and photographed. Library and Collection, was preceded by a lecture by Nina L. For more on the Center’s programs, see the archive of annual Dubin (University of at Chicago). A second study day reports at http://www.nga.gov/content/ngaweb/research/casva/ brought together an international group of experts in connection publications/center-report.html.

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Object conservator Katy May applies a protective wax coating to ’s bronze Spider.

NATIONAL GALLERY OF ART

Preserving

The conservation division released the third volume of Facture, Edgar Degas (1834–1917): A Centenary Tribute, organized jointly a biennial publication on conservation research topics. This vol- with the education division. ume focuses on the works in the Gallery’s collection by Edgar Other initiatives included the continued improvements and Degas in honor of the centenary of his death. It is the first vol- refined features in ConservationSpace, a document manage- ume to highlight the work of a single artist and features a wide ment software system designed for the conservation community. range of essays that draw on the tremendous wealth of the The software was deployed at the Gallery in early 2017. In Gallery’s collection and its collaborative scientific, scholarly, and addition, the inventory and cataloging of manufacturers’ techni- conservation expertise. Topics include the question of finish in cal literature in the Art Materials Research and Study Collection Degas’s paintings, the analysis of the posthumous bronze casts, was completed. At present, the collection has holdings of 21,000 his unconventional use of materials including tracing paper for paint and media samples. The Gallery accepted a gift of paints, a late pastel and wax for his sculpture, and the degree to which tools, and drawing aids from the Foundation, adding he pushed traditional techniques beyond conventional boundaries. to the growing number of art materials given to the collection. Facture research formed the basis for a public symposium, As the Gallery’s collection of time-based media art continues to grow, so too have its preservation challenges. Conservators collaborated with curators, registrars, imaging staff, and Paper conservation fellow Amy Hughes audio-visual specialists to establish preservation guidelines. treats Matthias Mansen’s Studio, Kopf The paper conservation department completed eleven major und Füße (Studio, Head and Feet) in treatments, 201 minor treatments, one major examination, and preparation for exhibition. 1,687 minor examinations. Conservators also examined 835

43 PRESERVING

drawings by Mark Rothko to identify the medium and paper type packing peanuts stuck to the surface of Robert Rauschenberg’s for a catalogue raisonné of the artist’s works on paper. Paper Cardbird II, a cardboard sculpture printed in lithography given to conservators contributed essays to Gallery publications, jour- the Gallery by Gemini G.E.L. and the artist. nals of the American Institute for Conservation, and post-prints Matting-framing specialists and technicians matted 1,066 from international conferences on color and gels. They travelled prints, drawings, and photographs, framed or unframed 913 to , City, and Dallas to assist with the transit and artworks, prepared 689 custom housings for works of art and installation of the exhibition Three Centuries of American Prints library or archival materials, devised fifty-eight display mounts, from the National Gallery of Art. built or repaired eighty-two frames, and installed twenty-five

Paper conservators treated several prints and drawings for artworks in exhibitions. In all, matting-framing specialists and exhibition, loan, and collection maintenance. For display in the technicians contributed to more than thirty Gallery exhibitions reinstalled East Building galleries, noteworthy works included and displays in various ways. In addition to preparing works for watercolor and ink drawings by Saul Steinberg, large color display, framers also cared for works as they were deinstalled woodcuts by Matthias Mansen, Marcel Duchamp’s three- or returned from traveling. Framers continue to develop inno- dimensional Boîte-en-Valise, and Max Weber’s watercolor vative approaches to display works of art, such as using rare Dancer in Green. The treatment to reduce disfiguring stains on earth magnets for the installation of small paper collages by Steinberg’s Untitled (A Conversation) proved to be challenging in Ray Johnson. view of the drawing’s complex history of modifications. After a The painting conservation department completed thirty-two series of discussions with the curator, the stains were visually major treatments, sixty-eight minor treatments, and 124 major improved by treating the areas using a micro-scalpel. Recent ac- examinations involving x-radiography and infrared reflectogra- quisitions, such as a heavily discolored etching by phy. More than 1,100 paintings were examined and documented and matted prints by Weber, also required attention by conserva- in preparation for loans to other institutions or inclusion in tors. An unusual treatment was the removal of the original foam Gallery exhibitions. Several significant conservation treatments were completed this year, including paintings by Jean Siméon Chardin, Jean Painting conservation fellow Erin Dubuffet, and Henri Matisse. Notable highlights include Paul Stephenson restores Mark Rothko’s Cézanne’s The Artist’s Father, Reading “L’Événement”; two Aquatic . portraits by , Miss Catherine Tatton

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and Master John Heathcote; Sir ’s Lady Caroline Howard; two major paintings by Rothko, Aquatic Drama and No. 8; ’s Seascape (Gravelines), one of a remarkable group of thirteen oil sketches that were the final bequest of Mr. and Mrs. Paul Mellon; and Willem van de Velde the Younger’s Before the Storm. The department continued to commit significant time and resources to the Gallery’s online systematic catalog proj- ect. Several conservators worked closely with curators and catalog authors to resolve questions of facture and condi- tion, prepare technical entries, and edit the scholarly entries for volumes devoted to sixteenth-century Italian paintings by , Jacopo , and Veronese; nineteenth-century French paintings; and works of American . The depart- ment began technical examinations and updates for the Gallery’s online catalog of seventeenth-century Dutch paintings, pri- marily focusing on the Corcoran Collection and other recent acquisitions. Painting conservators were also engaged in col- laborative research with curators and sci- entists to contribute to catalogs and pro- grams for the Gallery exhibitions Frédéric Bazille and the Birth of Impressionism and Fragonard: The Fantasy Figures. Photograph conservation published Platinum and Palladium Photographs: Technical History, Connoisseurship, and Preservation, a groundbreaking volume with thirty-eight essays and technical highlights by forty-six contributing authors. Made possible with the support of The Irving Penn Foundation, the Samuel H. Kress Foundation, and The Andrew W. Mellon Foundation, Platinum and Palladium Photographs not only consolidates existing knowledge regarding In addition to the exhibitions mounted in 2017, work com- these rare and beautiful photographs, but vastly expands it. menced for the 2018 exhibitions Gordon Parks: The New Tide, One avenue of investigation that evolved from the platinum Early Work 1940–1950 and Sally Mann: A Thousand Crossings. and palladium photographs project is the use of platinum as a Sally Mann’s ambrotype, Untitled (Self-Portrait), which consists toning agent for silver photographs. Photograph conservators of nine glass-supported photographs within one frame, posed and conservation scientists partnered to study this topic, with challenges to safeguard it during the six-venue exhibition. The the results of their preliminary research included in Platinum department worked in close collaboration with matter-framers, and Palladium Photographs and presented at three professional art handlers, and mount makers to prepare these complex pho- conferences. The rediscovery of this toning practice alerted tographs for exhibition. curators, conservators, and scientists at other institutions to reevaluate photographs in their collections; many have since discovered early photographs that contain both silver and platinum. The photograph conservation department completed nine major treatments, 315 minor treatments, and 1,018 condition examinations for loans, collection maintenance, and exhibitions. Gallery photograph exhibitions included Photography Reinvented: Conservation scientist Joan Walker and The Collection of Robert E. Meyerhoff and Rheda Becker, East of the photograph conservator Ronel Namde Mississippi: Nineteenth-Century American Landscape Photography, investigate platinum as a toning agent for and Posing for the Camera: Gifts from Robert B. Menschel. silver photographs.

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Several demanding treatments were performed on gelatin silver The enthusiastically anticipated treatment of Adriaen de Vries’s prints by Gordon Parks, many of which were acquired from the unique, signed and dated bronze, Empire Triumphant over Avarice, Corcoran Gallery of Art, and numerous photographs by Robert was completed, and its revived surface again attests to the Frank. These prints required significant repairs to stabilize them superlative artistry of Renaissance sculptors. The challenges of for travel and greatly enhance their appearance while on display. conserving outdoor sculpture were realized with treatment of In another challenging and productive year, object conservators Sol LeWitt’s Four-Sided , ’s Prinz Friedrich successfully completed eight major treatments including Rachel von Homburg, Ein Schauspiel, 3X, and phase two of the Andrew W. Whiteread’s Ghost, in anticipation of the artist’s retrospective Mellon Memorial Fountain. exhibition. Treatment required collaboration within the Gallery to Object conservators performed 183 minor treatments, among design and install reinforcement of the original steel frame arma- them ’s Off the Range (Coming Through the ture and to add new hardware to support the eighty-six plaster Rye); The Adoration of the Shepherds by an anonymous artist after panels that comprise the complex sculpture. Two significant Annibale Fontana; Jenny Holzer’s Truisms; and select Renaissance medals. More than one thousand minor examinations were completed for loans including Paul Gauguin’s Père Paillard, Marcel Broodthaers’s Panneau de Moules, and Jean-Antoine Houdon’s . The department assisted with examina- tions for Della Robbia: Sculpting with Color in Renaissance Florence, presented on the Della Robbia workshop’s techniques for a study day hosted by the Center for Advanced Study in the Visual Arts (CASVA), and spoke on serialization of the Della Robbia works at the Renaissance Society of America annual meeting. Conservators were invited to present on the facture of nineteenth-century sculpture by , Edgar Degas, Aristide Maillol, and Auguste Renoir for CASVA’s Safra colloquy; on the sculpture of Degas at the Museum of Fine Arts ; and at the Gallery’s symposium honoring the centenary anniversary of Degas’s death. New insights on the polychrome terracotta Lorenzo de’ Medici were presented at the College Art Association. Preventive conservators completed 969 condition reports, 178 frame examina- tions for outgoing loans, fifty-nine frame modifications for loans, seven major frame treatments, and sixty-three minor frame treatments. The conservators worked on eleven temporary exhibitions, travelling with Los Angeles to New York: The Dwan Gallery, 1959–1971; Della Robbia: Sculpting with Color in Renaissance Florence; In the Tower: Theaster Gates: The Minor Arts; East of the Mississippi: Nineteenth- outdoor works, Wandering Rocks and The Snake Is Out by Tony Century American Landscape Photography; and Drawings for Smith, long absent from the Sculpture Garden and the East Paintings in the Age of Rembrandt. Preventive conservators Building, were reinstalled after being repainted in the rich black worked to further develop the database of materials approved finish intended by the artist. Conservators worked closely with the for use throughout the Gallery, and, collaborating with the Smith estate, paint manufacturers, and contractors to realize the design and installation department, found ways to modify antique final treatment. display cases from the Corcoran to meet current environmental requirements. The conservators worked with the facilities engineers to address lender requirements for upcoming tempo- rary exhibitions. The frame conservators completed major frame Object conservation fellow Robert treatments for the American and French collections and contin- Price cleans the surface of Jean-Antoine ued to build reproductions for the modern collection. The conser- Houdon’s marble bust Diana. vators worked closely with contractors to complete the treatment

46 NATIONAL GALLERY OF ART

of the tabernacle frame for and Titian’s and continued to address needs of the Corcoran Collection paintings. The textile conservator treated a silk moiré, uphol- stered Grecian Couch, attributed to John and Hugh Findlay from the Kaufman Collection. The conser- vator collaborated with curators to preserve the mounting methods and materials of linen and board specifically devised by Anni and for Anni Albers’s complex leno woven portrait Sunny. It was then elegantly incorporated into a frame using archival methods and materials, prior to loan. As part of an ongoing acoustical study of tapes- tries in sacred spaces, the department collaborated on a unique project, including sharing yarn denier measurements and other structural and installa- tion information for fifteenth- and sixteenth-century in the Gallery’s collection. The textile and paper conservation departments col- laborated on an inventive storage and packing tech- nique, which incorporated magnets in a honeycomb- structured base to provide a stable system for reviewed literature in collaboration with scientists, conserva- shipping oversize textiles, such as Robert Rauschenberg’s tors, and art historians on a range of topics including technical Preview prior to its loan for an exhibition at the British Museum. art history, conservation, and scientific investigation of paint chemistry and of photographic materials. Innovations and improvements in imaging science were made and described, as were insights into the fading of colorants and their in situ detection in works, and the reactions between oil and pigments that lead to chemical, physical, and optical changes in paint and paintings. A novel organo-gel was designed to expand the conservators’ tool box for possible use to treat delicate, water-sensitive surfaces. Outreach and service to the field by department members included talks, seminars, and significant roles on committees. With members from other divi- sions, the highly regarded series Artists’ Pigments: A Handbook of Their History and Characteristics is be- ing reenvisioned as an online research tool and will be updated and expanded from the current format. This project will evolve over the next three years. The expertise of the department was recognized by invitations as visiting experts to several institutions, including the Courtauld Institute Research Forum, London; the , Amsterdam; and the National Gallery, London. The textile conservator completed one major treatment, five major examinations, three minor treatments, three minor exam- inations, and 304 condition examinations for exhibitions, loans, and collection maintenance. Gallery scientists examined more than sixty-four works of art in conjunction with conservation treatments and research for online systematic catalogs and exhibitions. Technical work Top: on paintings culminated in the preparation of essays included Preventive conservator Bethann Heinbaugh and in the exhibition catalogs Fragonard: The Fantasy Figures control technician Anthony Hayes collaborate to and Vermeer and the Masters of Genre Painting: Inspiration monitor humidity levels in medals display cases. and Rivalry. Members of the department participated in a wide-ranging research project on Andrea del Verrocchio’s Bottom: methods and materials. Scientific research fellow Xiao Ma investigates In addition to writing for Gallery publications, the department the chemical makeup of paints using Fourier- members contributed to conference proceedings and peer- transform infrared microspectroscopy.

47

2017 REVIEW TREASURER’S REPORT

In fiscal 2017, the Gallery returned to a full schedule of public FINANCIAL POSITION programs after three years of renovations and the reopening of the East Building galleries on September 30, 2016. Fifty-five The Gallery continued to build on its strong financial position thousand square feet of public galleries reopened, including this year. Net assets totaled $1.26 billion at September 30, 2017, more than twelve thousand square feet of new galleries, and an increase of $114.4 million or 10.0 percent over the prior year. attendance increased by twenty-eight percent to 5.1 million This increase is due primarily to the strong performance of the visitors. For the first time since its opening in 1978, the East Gallery’s investment portfolio, which ended the year at $936.5 Building was reinstalled with the Gallery’s permanent collec- million, an increase of $128.4 million above last year. The diversi- tion of modern art to tell the narrative history of works primarily fied portfolio returned 12.6 percent for the year, benefitting from from 1900 to the present. On the Concourse, two exhibitions of positive performance across all asset categories. The strongest major gifts from Virginia Dwan and Robert Meyerhoff and Rheda contributors to performance included U.S. and international Becker inaugurated the reopening. In tandem with growth in its developed public market equities, emerging market equities, collections, galleries, and audiences, the Gallery’s financial po- and marketable alternative investments such as hedge funds. sition grew stronger in fiscal 2017. This was achieved through The investment portfolio’s long-term performance over the ten- impressive performance of the investment portfolio, prudent year period totaled 5.0 percent, exceeding the Gallery’s custom management of expenses, strong support from Congress and investable benchmark by 140 basis points. the Administration, and the generosity of private citizens, foun- After completion of major East Building gallery renovations dations, and corporations. late in fiscal 2016, construction activity slowed signifi- The federal commitment to operate and maintain the Gallery cantly this year, and the Gallery began design work for future originates in the 1937 Joint Resolution of Congress that accepted Master Facilities Plan renovations in the East Building Atrium Andrew W. Mellon’s unprecedented gift to the nation of his art and Study Center. Supported by federal appropriations, the collection, the funds to construct the West Building, and an Master Facilities Plan is a comprehensive, long-term capital endowment. The Joint Resolution pledged that the United States renewal program that is designed to address life safety and would provide funds for the upkeep, administrative expenses, infrastructure improvements necessary to maintain and and costs of operations, including the protection and care of the protect the Gallery’s buildings. In fiscal 2017, investments of works of art given to the nation, so that the Gallery would at all $15.6 million in building renovations and capital equipment times be properly maintained and remain open to the public free were fully offset by an increase in accumulated depreciation, of charge. leaving net property, plant, and equipment almost unchanged The Gallery receives annual federal appropriations to sup- from the prior year. port core programs and renovations of its buildings as part of In fiscal 2017, liabilities increased by $26.6 million over the the budget approved annually by Congress and signed by the prior year due almost entirely to a major conditional gift received President. Income from endowments as well as gifts and grants in honor of the Gallery’s 75th anniversary. During the first quarter, designated by donors for other specific purposes supplement the Gallery received $25 million from The Andrew W. Mellon the federal appropriations. Endowment support for expenditures Foundation, the remaining balance of a $30 million challenge is computed under the Gallery’s spending policy and utilized in grant. The $25 million received is a conditional gift, which is accordance with donor-imposed restrictions. The Gallery is a recognized as a refundable advance on the balance sheet until nonprofit organization exempt from federal income taxes under matching funds are raised by the Gallery. In order to satisfy the the provisions of Section 501(c)(3) of the Internal Revenue Code. foundation’s conditions, the Gallery must raise $45 million in

50 NATIONAL GALLERY OF ART

matching gifts within five years. When completed, the challenge reopened East Building galleries and conduct a full program of grant will provide $75 million in new endowments for educa- special exhibitions and education programs. Major exhibitions tion, the Center for Advanced Study in the Visual Arts (CASVA), opening during the fiscal year included Drawings for Paintings in conservation, and digital programs that will help ensure the the Age of Rembrandt; Stuart Davis: In Full Swing; Della Robbia: Gallery’s leadership and continue its standards of excellence for Sculpting with Color in Renaissance Florence; Frédéric Bazille generations to come. Many generous donors and foundations and the Birth of Impressionism; and America Collects Eighteenth- have enthusiastically contributed to the challenge grant cam- Century French Painting. Operating expenses also increased this paign, and the Gallery is confident that it will meet the matching year as a result of new information technology investments to goal in advance of the five-year time frame. strengthen the Gallery’s cybersecurity defenses and other sys- tem modernization initiatives. OPERATING RESULTS The collection was augmented by several major purchases in fiscal 2017 including Jacob van Ruisdael’sDunes by the The Gallery ended the fiscal year with an unrestricted operating Sea, Mark Bradford’s Legendary, and Felix Gonzalez-Torres’s loss of $0.2 million before depreciation and amortization. This “Untitled” (Ross in L.A.). small operating loss is the result of federal employee benefit ex- penses that will be funded by federal appropriations in future years. AUDITORS’ REPORT AND FINANCIAL STATEMENTS Operating support and revenue totaled $163.6 million in fiscal 2017, increasing $5.0 million, or 3.2 percent over fiscal 2016. Summarized financial information is shown on the following Federal support for operations totaled $127.2 million, an increase pages. The Gallery’s complete fiscal 2017 audited financial of $3.6 million, as a result of a 5.3 percent increase in total federal statements, related notes, and the auditors’ reports thereon can appropriations received and reduced outlays for prior year obli- be found on the Gallery’s website at www.nga.gov. The Gallery’s gations. Operating gifts and grants totaled $8.3 million, relatively external auditors issued an unmodified opinion on the fiscal unchanged from prior year operating gifts of $8.5 million. Gifts 2017 financial statements and did not identify any material from individuals, corporations, and foundations continued to weaknesses, significant deficiencies, or areas of noncompliance a critical role in supporting the Gallery’s outstanding exhibition, with laws and regulations. education, curatorial, and conservation programs in fiscal 2017. Support and revenue also increased from funds appropriated under the Gallery’s investment spending policy, sales in the Gallery shops, royalties, and other income. Funds appropriated under the spending policy totaled $18.7 million, an increase of $1.2 million over the prior year, due mainly to increased endowment support for special exhibitions that resumed in the East Building galleries. William W. McClure Revenues from the Gallery shops, royalties, and other income Treasurer totaled $9.5 million, an increase of $0.4 million over the prior year primarily as a result of increased attendance in the East Building. Fiscal 2017 operating expenses totaled $163.7 million, increas- ing $6.3 million or 4.0 percent over the prior year, due primarily to increased staffing requirements to secure and maintain the newly

51 FINANCIAL STATEMENTS

SUMMARIZED STATEMENTS OF FINANCIAL POSITION AND CHANGE IN NET ASSETS

Years ended September 30, 2017 and 2016 (In thousands)

STATEMENTS OF FINANCIAL POSITION

ASSETS 2017 2016

Cash and cash equivalents $ 69,926 $ 54,774 Pledges, accounts receivable, and other assets 25,998 27,835 Investments and trusts held by others 936,470 808,105 Property, plant, and equipment, net 331,427 332,157 Total assets $ 1,363,821 $ 1,222,871

LIABILITIES AND NET ASSETS

LIABILITIES:

Environmental liability $ 22,978 $ 22,981 Other liabilities 83,691 57,126 Total liabilities 106,669 80,107

NET ASSETS:

Unrestricted 582,387 549,768 Temporarily restricted 224,724 184,801 Permanently restricted 450,041 408,195 Total net assets 1,257,152 1,142,764

Total liabilities and net assets $ 1,363,821 $ 1,222,871

CHANGE IN NET ASSETS

Net assets at beginning of year $ 1,142,764 $ 1,066,914 Change in net assets from operating activities (182) 1,086 Nonoperating gifts and federal appropriations 49,387 61,511 Investment return in excess of amount appropriated for operations 87,747 45,929 Acquisitions of art (6,274) (17,670) Depreciation expense and other (16,290) (15,006) Change in net assets $ 114,388 $ 75,850

Net assets at end of year $ 1,257,152 $ 1,142,764

52 NATIONAL GALLERY OF ART

SUMMARIZED STATEMENT OF OPERATIONS

Years ended September 30, 2017 and 2016 (In thousands)

UNRESTRICTED SUPPORT AND REVENUE 2017 2016

Federal appropriations $ 127,173 $ 123,534 Gifts and grants 8,266 8,492 Gallery shops sales, net 8,085 7,822 Spending policy appropriated for operations 18,669 17,488 Royalties and other income 1,374 1,232 Total support and revenue $ 163,567 $ 158,568

UNRESTRICTED EXPENSES*

Collections $ 50,940 $ 49,702 Special exhibitions 21,149 20,812 Education, Gallery shops, and public programs 42,777 41,370 Editorial and photography 7,071 6,587 General and administrative 37,748 34,843 Development 4,064 4,168 Total expenses 163,749 157,482

Change in net assets from operating activities $ (182) $ 1,086

*excluding depreciation and amortization

2017 UNRESTRICTED OPERATING 2017 UNRESTRICTED OPERATING SUPPORT AND REVENUE EXPENSES BEFORE DEPRECIATION $ 1 6 3 , 5 6 7 ( In thousands) AND AMORTIZATION $ 1 6 3 ,74 9 ( In thousands)

Spending policy appropriated for operations Royalties and Development 11% other income 3% 1% Gallery shops General and Collections sales, net administrative 31% 5% 23%

Gifts and grants 5% Editorial and photography 4% Special exhibitions 13%

Education, Gallery shops, and public programs Federal appropriations 26% 78%

53 ACQUISITIONS

PAINTINGS Sandback, Fred, American, Dughet, Gaspard, French, Lhermitte, Léon Augustin, French, 1943–2003 1615–1675 1844–1925 Bradford, Mark, American, >Blue Corner Piece, 1970, blue >Italian Landscape with Fortifications >Study of Two Women, One Seated born 1961 elastic cord, 2017.105.2, Gift of and a , mid-1660s, black and One Holding a Basket, 1879, >Legendary, 2016, mixed media on Virginia Dwan and white chalk on blue paper, graphite and white gouache on canvas, 2017.1.1, Purchased as the 2017.14.1, The Ahmanson Founda- blue-gray paper, 2017.59.1, William Gift of Ken Griffin and Anonymous DRAWINGS tion and Edward E. MacCrone Fund B. O’Neal Fund

Katz, Alex, American, born 1927 Bandini, Giovanni, Italian, Eeckhoudt, Jean Vanden, Belgian, Lilio, Andrea, Italian, 1565–1635 >Isaac and Oliver, 2013, oil on linen, 1540–1599 1875–1946 >The Adoration of the Shepherds, c. 2017.44.1, Gift of the Artist >Kneeling Hermit and Two Draped >Interior, 1897, pastel, 2017.83.1, 1600/1610, black and red chalks Figures Contemplating a Skull, Purchased as the Gift of the Joan with pen and brown and gray ink, Klein, Yves, French, 1928–1962 1570s?, pen with brown ink and and David Maxwell Fund 2017.29.1, Ailsa Mellon Bruce Fund >L’eau et le Feu (F 113), 1961, burnt touches of red chalk, 2016.180.1, cardboard on panel, 2016.192.1, Gift of Jeffrey Horvitz Faccini, Pietro, Italian, Mancini, Antonio, Italian, 1852–1930 Gift of Virginia Dwan c. 1562–1602 >Self-Portrait, c. 1920, oil paint Jacopo Zanguidi, called Bertoia, >Standing Male Nude Seen from on paper, laid down on canvas, Netscher, Caspar, Dutch, Italian, 1544–1573/1574 Behind, c. 1590, red chalk height- 2017.87.1, Purchased as the Gift of 1639–1684 >Christ in Gethsemane, 1560s, pen ened with white chalk, 2016.180.2, Max N. Berry >A Woman Feeding a Parrot, and brown ink with black chalk, Gift of Jeffrey Horvitz with a Page, 1666, oil on panel, brown wash, and white heightening Mancini, Francesco, Italian, 2016.118.1, The Lee and Juliet on gray-green paper, 2017.77.1, Garden, William Fraser, British, 1679–1758 Folger Fund Ruth and Jacob Kainen Memorial 1856–1921 >The Immaculate Conception with >River Landscape near St. Ives, God the Father and Angels, 1739, Poons, Larry, American, born 1937 Acquisition Fund Huntingdonshire, 1897, watercolor black and white chalks on gray- >The Art of the Fugue II, 1958–1959, Bianchi, Mosè, Italian, 1840–1904 with gouache, 2017.12.2, Ailsa green paper, 2017.88.1, Purchase oil on canvas, 2016.181.1, Gift of >Study of the Figure and Head of Mellon Bruce Fund as the Gift of Robert B. Loper Suzanne and Ted Fields Christ in “Christ on the Cross and Gardner, Daniel, British, 1750–1805 Marchionni, Carlo, Italian, Ruisdael, Jacob van, Dutch, Mary Magdalene,” c. 1879, charcoal >Charlotte, Lady Watkin Williams- 1702–1786 c. 1628/1629–1682 and black and gray wash with Wynn, c. 1775, pastel with black >Caricature of a Peasant with a >Dunes by the Sea, 1648, oil on white heightening on gray paper, chalk and gouache, 2016.162.1, Broad Hat, c. 1750/1770, pen and panel, 2017.55.1, The Lee and 2017.31.1, Joseph F. McCrindle Ailsa Mellon Bruce Fund brown ink with gray and brown Juliet Folger Fund Endowment Fund washes, 2017.52.2, Ailsa Mellon Gignous, Eugenio, Italian, Saftleven, Herman, Dutch, Bonheur, Rosa, French, 1822–1899 Bruce Fund 1850–1906 1609–1685 >Cattle in the Auvergne, 1867, black >A Village Street in Northern Italy, Millais, William Henry, British, >Imaginary River Landscape, 1670, and white chalk with stumping and 1874, watercolor, 2017.82.2, Pur- 1828–1899 oil on panel, 2016.147.1, The Lee touches of pastel, 2017.40.1, Ailsa chased as the Gift of the Joan and >On the East Lyn, North Devon, c. and Juliet Folger Fund Mellon Bruce Fund David Maxwell Fund 1865, watercolor with gouache and Whitten, Jack, American, born 1939 British 18th Century gum arabic, 2017.37.1, Purchased Guérard, Henri-Charles, French, >Sphinx Alley II, 1975, acrylic on >Studies of the “Figurine” (after as the Gift of Alexander M. and 1846–1897 canvas, 2017.74.1, Gift of the Salvator Rosa), 18th century, pen Judith W. Laughlin >Fan with Poppies, c. 1890, gouache Collectors Committee, Kyle J. and and ink, 2017.53.2, Gift of Thomas and stencil on blue silk, 2017.50.1, Mortimer, John Hamilton, British, Sharon Krause, Chris and Lois Vogler in Memory of His Brother Gift of Pia Gallo in Honor of Andrew 1740–1779 Madison, and Anonymous Donald J. Vogler Robison >Beatrice, 1776, pen and ink, SCULPTURES Callow, William, British, 1812–1908 2017.53.79, Gift of Thomas Vogler >A Gondola on the Grand Canal, Venice, Helmbreker, Dirk, Dutch, in Memory of His Brother Donald Andre, Carl, American, born 1935 1866, watercolor over graphite with 1633–1696 J. Vogler >64 Copper Square, 1969, copper, gouache, 2017.33.1, Purchased as >Head Study of a Young Man 2017.105.1, Gift of Virginia Dwan the Gift of Dian Woodner Looking Upward, 1660s?, red chalk, Mortimer, John Hamilton, 2016.176.1, Gift of Dian Woodner attributed to, British, 1740–1779 Barlach, Ernst, German, 1870–1938 Chéret, Jules, French, 1836–1932 >War Instigated by the Demon of >The Avenger, 1914, bronze, >Elegant Lady Seated in a Chair, c. Jouvenet, Jean-Baptiste, French, Discord and Restrained by the Virtues, 2017.104.1, Collection of Arnold 1900, red chalk with white height- 1644–1717 late 18th century, watercolor, and Joan Saltzman ening on blue paper, 2017.19.2, >Man Reaching Down and Two 2017.53.78, Gift of Thomas Vogler Ellwanger/Mescha Collection Studies of Heads (recto); Man on a in Memory of His Brother Donald Gonzalez-Torres, Felix, American, Ladder [Study for “The Martyrdom J. Vogler born Cuba, 1957–1996 Chéron, Louis, French, 1660–1725 of Saint Andrew”] (verso), before >“Untitled” (Ross in L.A.), 1991, print >Imaginary Classical Landscape, 1698, red and black chalks height- Naldini, Giovanni Battista, Italian, on paper, endless supply, 2017.51.1, 1690s, pen and brown ink with ened with white on brown paper, 1537–1591 Gift of the Collectors Committee brown wash and white gouache on 2017.86.1.a, b, Joseph F. McCrindle >Mercury and Aglauros, c. 1566?, and Emily and Mitchell Rales blue paper, 2017.85.1, Purchased Endowment Fund and Ailsa Mellon red chalk, 2016.180.3, Gift of as the Gift of Dian Woodner Bruce Fund Jeffrey Horvitz Morris, Robert, American, born 1931 >Untitled (Battered Cubes), 1966, Davis, Stuart, American, Leachman, Kristin, American, Nolde, Emil, German, 1867–1956 painted fiberglass, 2016.182.1, Gift 1892–1964 born 1966 >Hamburg Harbor with a Tugboat, of Virginia Dwan >Gloucester, 1917, watercolor and >February 1999, 1999, graphite, 1910, brush and black ink graphite, 2017.23.1, Gift of Jane 2017.24.1, Gift of the Artist >A Small Steamboat, 1910, brush Varkell in Memory of Paul Varkell and black ink on Japanese paper,

54 NATIONAL GALLERY OF ART

2016.150.1, 2, Purchased as the traces of black chalk, 2017.82.1, Allen, James E., American, >Man Attacking a Monster (after Gift of Ladislaus and Beatrix von Purchased as the Gift of Helen 1894–1964 John Hamilton Mortimer), 1803, Hoffmann Porter and James T. Dyke >Brazilian Builders, 1933, etching, etching 2017.19.7, Ellwanger/Mescha >Oriental Couple (after John Nutt, Jim, American, born 1938 Ribot, Augustin Théodule, French, Collection Hamilton Mortimer), 1782, etching, >Ethelinthesalads, 1968, graphite 1823–1891 2017.53.84–92 and 95–97, Gift of and colored pencil, 2017.20.1, >Old Woman Working, c. 1860, pen Andreani, Andrea, Italian, Thomas Vogler in Memory of His Purchased as the Gift of Jack and brown ink 1558/1559–1629 Brother Donald J. Vogler Shear and Gift of the Collectors >Head of an Old Woman, c. 1870, pen >Saint Francis of Assisi (after Committee and brown ink with brown wash on Casolani), 1591, Boccioni, Umberto, Italian, brown paper, 2016.180.5–6, Gift of woodcut in ocher 1882–1916 Pagliano, Eleuterio, Italian, Carol Horvitz and olive green from four blocks, >Mia madre che lavora, 1907, 1826–1903 2016.168.5, Ailsa Mellon Bruce Fund drypoint, 2017.30.2, Ailsa Mellon >A Seated Peasant Girl in Andrea Meldolla, called Schiavone, Bruce Fund Contemplation, 1871, watercolor Italian, c. 1500–1563 Barbault, Jean, French, 1718–1762 with white heightening over traces >Study of the Virgin for an >Alzata dell’Obelisco di Campo Marzio, Bonnet, Louis-Marin, French, of black chalk, 2017.75.1, Ailsa Annunciation, 1550s, brown wash after 1748, etching, 2016.198.1, 1736–1793 Mellon Bruce Fund with white heightening over red Purchased as the Gift of Vincent J. >Tête de Joseph (after Jean-Baptiste chalk, 2017.32.1, Purchased as the Buonanno Deshays), 1773, chalk manner Palmieri, Giuseppe, Italian, Gift of Ann and Matthew Nimetz >Martyrdom of Saint Peter (after printed from two plates in black 1674–1740 Pierre-Hubert Subleyras), c. 1750s, and white on blue paper >Vision of the Immaculate Conception, Semplice da Verona, Fra, Italian, etching, 2017.13.1, Ailsa Mellon >Tête de Putiphar (after Jean-Baptiste 1732, brush with brown wash and c. 1589–1654 Bruce Fund Deshays), 1773, chalk manner white gouache over black chalk, >A Monk Seated with Arms printed from two plates in black 2017.73.1, Pepita Milmore Memorial Outstretched [Study for the Virgin Bartolini, Luigi, Italian, 1892–1963 and white on blue paper, 2017.6.1–2, Fund and Andrea Woodner Fund in “The Vision of Blessed Felice da >Le conchiglie, 1939, etching, Purchased as the Gift of Ivan and Cantalice”], 1625, black, white and 2017.76.2, Ailsa Mellon Bruce Fund Phillips, Kandy Vermeer, American, Winifred Phillips in Honor of red chalk on blue paper, 2017.8.1, Margaret Morgan Grasselli born 1954 Ailsa Mellon Bruce Fund Bellange, Jacques, French, >Downy Woodpecker Wing Study, c. 1575–1616 Borofsky, Jonathan, American, 2017, goldpoint, 2017.48.1, Gift of Skarbina, Franz, German, >The Holy Family with Saint Catherine, born 1942 the Artist 1849–1910 Saint John the Evangelist, and an >Beyond good and bad, It’s amazing >The Beach at Marina Piccola, Capri, Angel, 1612/1616, etching with Pietri, Pietro Antonio de, Italian, to be alive., 1991, color lithograph 1883, watercolor and gouache, stipple, 2016.169.1, Ruth and Jacob and screenprint 1663–1716 2016.159.1, William B. O’Neal Fund Kainen Memorial Acquisition Fund >The Vision of Simon Stock >Beyond good and bad, It’s amazing (recto and verso), c. 1680/1700, red Ubeleski, Alexandre, French, Bewick, Thomas, British, to be alive. (State), 1991, color chalk, 2017.52.1.a, b, Ailsa Mellon 1628–1715 1753–1828 lithograph and screenprint Bruce Fund >The Annunciation, c. 1690, red >The Wild Bull of Chillingham, 1789, >Bronze Casting with Numbers, chalk with red chalk wash on three wood engraving 1991, cast bronze with black patina Piola, Domenico, Italian, joined pieces of paper, 2017.11.2, >Waiting for Death, 1828, wood and hand painting, 2017.54.14, 1627–1703 Ailsa Mellon Bruce Fund engravings, 2017.53.5–6, Gift of 15, 40, Gift of Gemini G.E.L. and >A Satyr Entertaining His Family, Thomas Vogler in Memory of his the Artist 1690s, pen and brown ink with Vetri, Paolo, Italian, 1855–1937 Brother Donald J. Vogler brown wash over traces of black >Young Woman Asleep, 1870s, pen Bracelli, Giovanni Battista, Italian, chalk, 2017.84.1, Joan and David and black ink with black wash, Bianchi, Mosè, Italian, 1840–1904 active c. 1624–1649 Maxwell Fund 2017.11.1, Ailsa Mellon Bruce Fund >I Fratelli sono al campo, 1870, >Attila at the Gates of Rome (after etching on chine collé (proof) Alessandro Algardi), 1649, etching Posi, Paolo, Italian, 1708–1776 Watts, James Thomas, British, >The Violin Lesson, c. 1874, etching [proof], 2016.151.3, Purchased as >Study for a “Macchina” of a 1853–1930 and aquatint on chine collé (proof), the Gift of Bert Freidus Fountain Pavilion, 1754, >A Winter Morning, Hoar Frost 2016.163.1, 2017.38.5, Ailsa Mellon British 18th Century graphite with pen and brown Melting, c. 1892, watercolor and Bruce Fund ink with gray wash gouache, 2017.37.2, Purchased >Nature and Genius Introducing >Study for a “Macchina” on a Nautical as the Gift of Alexander M. and Bléry, Eugène, French, 1805–1887 Garrick to the of Shakespeare Theme, 1769?, graphite with pen Judith W. Laughlin >The Great Thistle, 1843, etching on (after John Hamilton Mortimer), and brown ink, 2016.179.1–2, Gift chine collé 1779, etching of Vincent Buonanno in Honor of Zucchi, Antonio, Italian, 1726–1795 >Burdock in Bloom, 1858, etching on >An Answer to the Print of John Andrew Robison >A Roman Ruin, 1788, pen and chine collé Wilkes Esq. by Wm. Hogarth (after brown and gray ink with brown, >Oaks near a , 1852, etching William Hogarth), 1763, etching, Poynter, Edward John, Sir, British, gray, and red wash over black on chine collé, 2017.19.3, 6, 49, 2017.53.34 and 69, Gift of Thomas 1836–1919 chalk, 2017.28.1, Purchased as the Ellwanger/Mescha Collection Vogler in Memory of His Brother >Narcissus in a Blue and White , Gift of Vincent J. Buonanno Donald J. Vogler 1864, watercolor and gouache, Blyth, Robert, British, 1750–1784 2017.12.1, Ailsa Mellon Bruce Fund PRINTS AND >Boat in a Storm at Sea (after John Brizio, Francesco, ILLUSTRATED BOOKS Hamilton Mortimer), c. 1780, Italian, c. 1575–1623 Ramenghi, Bartolomeo, Italian, etching >Saint Roch with a Donor (after Agazzi, Carlo Paolo, Italian, 1484–1542 >Silenus (after John Hamilton Parmigianino), c. 1603, etching and 1870–1922 >Christ among the Doctors, 1520s, Mortimer), 1779, etching engraving, 2016.151.2, Purchased >Donna ignuda addormentata nel point of the brush and brown wash, >Banditti Variously Employed (after as the Gift of Bert Freidus parco [Naked Woman Asleep in heightened with white gouache John Hamilton Mortimer), 1779, the Park], 1890s(?), etching with Bruycker, Jules de, Belgian, over black chalk on paper washed complete set of six etchings aquatint 1870–1945 gray-green, on two joined sheets, >Two Soldiers and Child Holding >Little Girl Smiling, c. 1916, drypoint >Piccadilly Circus, London [Large 2016.180.4, Gift of Jeffrey Horvitz a Helmet (after John Hamilton in brown, 2017.30.1, 3, Ailsa Mellon Plate], 1916, etching and drypoint Mortimer), 1779, etching Ravier, François-Auguste, French, Bruce Fund on simili japan paper, 2017.7.1, Ailsa 1814–1895 >James Smithson and Alice Mellon Bruce Fund >La terrasse de la maison Ravier à Whitworth (after John Hamilton Morestel, 1880s, watercolor over Mortimer), 1780, etching

55 ACQUISITIONS

Buren, Daniel, French, born 1938 >Feste celebrate in Napoli per la Cuitt the Younger, George, (after Francesco Londonio), etching >The Missing Square, 1989, color nascita del serenissimo prencipe British, 1779–1854 and aquatint in red, 2017.19.57, lithograph on four panels di Spagna (, 1658), bound >The Refectory, Rievaulx Abbey, Ellwanger/Mescha Collection >The Rotating Square—In and Out of volume with one engraved title Yorkshire, 1822, etching >The “Giardin Scuro,” for Executions the Frame, 1989, color lithograph plate, one large engraved fold-out >The Chapterhouse, Abbey, by Strangling (after Francesco on four sheets, 2017.54.16.1–4, and four smaller etched fold-outs; 1822, etching, 2017.53.29, 30, Gift Galimberti), 1797, etching and 41.1–4, Gift of Gemini G.E.L. and woodcut headpieces and tailpieces of Thomas Vogler in Memory of his aquatint the Artist throughout, 2017.71.1, William Brother Donald J. Vogler >The “Ovens,” for Those Who B. O’Neal Fund Wouldn’t Admit Their Crimes Burgkmair I, Hans, German, Dalí, Salvador, Spanish, 1904–1989 (after Francesco Galimberti), 1797, 1473–1531 Clerk of Eldin, John, Scottish, >Fantastic Beach Scene, 1935, etching and aquatint >Peasants with a Cart, 1516/1518 1728–1812 etching in sepia on chine collé, >The “Well,” for Violators of State Law (published 1522, printed 1777 or >Etchings, Chiefly Views in , 2017.15.1, Ruth and Jacob Kainen (after Francesco Galimberti), 1797, 1796), woodcut 1825, bound volume of twenty-eight Memorial Acquisition Fund etching and aquatint, 2016.168.1–3, >Five Tilters on Foot, 1516/1518 etchings Ailsa Mellon Bruce Fund (published 1522, printed 1777 or >Roslin Castle III, c. 1770/1775, Davent, Léon, French, active 1796), woodcut, 2017.5.1, 2, etching with drypoint 1540/1556 Devéria, Achille, French, 1800–1857 Museum of Mathematics Fund >Tower at Pembroke Castle, >Venus and Mars Served by Cupid >Carnevale, 1830, lithograph on c. 1770/1782, etching and the Three Graces (after Luca chine collé Caraglio, Gian Jacopo, Italian, >Hill-head, near Lasswade, Penni), c. 1547, etching, 2016.160.1, >Victor Hugo, 1829, lithograph c. 1500–1565 c. 1770/1782, etching with drypoint Ruth and Jacob Kainen Memorial on chine collé, 2016.198.5 and >Pentecost (after Raphael), >Loch Orr Castle, c. 1770/1782, Acquisition Fund 2017.13.5, Ailsa Mellon Bruce Fund 1520/1539, engraving with etching, etching with aquatint on chine collé Demarteau, Gilles, French, 2016.139.1, Ailsa Mellon Bruce Fund >Blackness Castle, c. 1770/1782, Dijkstra, Siemen, Dutch, born 1968 1722–1776 >Noordenveld, 2006–2008, color Carracci, Agostino, Bolognese, etching >Head of a Young Woman Wearing a >Perth Bridge, 1775, etching reduction woodcut, 2017.98.1, Ailsa 1557–1602 Hat (after Antoine ), 1773, Mellon Bruce Fund >The Holy Family, 1597, engraving, >Dumfries Bridge, c. 1770/1782, chalk manner in black and red 2016.168.4, Ailsa Mellon Bruce Fund etching >Seated Nude Man, Seen from Dine, Jim, American, born 1935 >Melville Castle from Eldin, 1776, Behind, Pulling a Rope (after Carle >Paintbrush, 1971, etching, Castiglione, Giovanni Benedetto, etching Van Loo), c. 1760, chalk manner in 2017.25.1, Gift of Paul Kanev Italian, 1609–1664 >Borthwick Castle, c. 1770/1782, red-brown >Young Shepherd on Horseback, etching >Académie (457) (after Carle Van di Suvero, Mark, American, c. 1635, etching, 2016.166.1, >Stirling from Kinneil, 1776, Loo), 1774, chalk manner in red born 1933 Purchased as the Gift of Ann and etching touched with gray wash >Singerie with Four Vignettes of Dogs >Delivered Word, 1981, copper- Matthew Nimetz and Ailsa Mellon >Stirling from Kinnell, 1776, etching Hunting, 1773, etching and chalk plated aluminum Bruce Fund >Dalhousie Castle I, c. 1770/1782, manner in red >Moon Dog, 1981, nickel-plated etching with drypoint on chine collé aluminum Cermignani, Armando, Italian, >Head of a Young Woman Facing >Eddystone Lighthouse, Left (after François Boucher), >Rising (for Walt Whitman), 1981, 1888–1957 c. 1770/1782, etching and drypoint nickel-plated aluminum >Il Giardiniere, 1920s, chiaroscuro c. 1774, chalk manner in black, >Melville Milne, c. 1770/1782, red, and blue >Stainless, 1981, nickel-plated woodcut, 2017.38.7, Ailsa Mellon etching with drypoint aluminum Bruce Fund >Woman Playing the Guitar (after >Newark Castle II, c. 1770/1782, ), 1764, chalk >Longing, 1981, nickel-plated alumi- Chalon, Jan, Dutch, 1738–1795 etching and drypoint manner in red, 2017.19.39–41, 48, num, 2017.54.43–47, Gift of Gemini >Portrait of a Man Turned to the Left, >Crichton Castle from the Northeast, 58, and 59, Ellwanger/Mescha G.E.L. and the Artist 1773, etching with drypoint c. 1788/1793, etching with drypoint Collection Drevet, Pierre, French, 1663–1738 >Portrait of a Woman with Wide Brim >Borthwick Castle from the Southwest, c. 1770/1782, etching Demarteau, Gilles, French, >André Hercules, Cardinal de Fleury Hat, 1790, etching with drypoint, (after Hyacinthe Rigaud), 1730, 2017.53.7, 8, Gift of Thomas Vogler and drypoint 1722–1776, and Jean-Baptiste >Dairsie II, c. 1770/1782, etching and Hüet, French, 1745–1811 engraving on gold silk, 2016.161.1, in Memory of His Brother Donald Ailsa Mellon Bruce Fund J. Vogler drypoint, 2017.53.10–27 and 100, >Five Trophies with Themes of Gift of Thomas Vogler in Memory of Hunting, Love, and Folly, 1774, Dupont, Pieter, Dutch, 1870–1911 Charlet, Nicolas-Toussaint, His Brother Donald J. Vogler etching and chalk manner in red >Apple Trees along the Side of a French, 1792–1845 >Hunting Trophies and Vignettes with Collaert, Adriaen, Flemish, Ditch, 1894, etching, 2016.157.3, >Le Marchand de dessins Dogs Chasing a Boar and a Stag, Ailsa Mellon Bruce Fund lithographiques, 1819, lithograph, c. 1560–1618 1773, etching and chalk manner 2016.198.2, Ailsa Mellon Bruce Fund >The Four Elements, after 1587, in red Earlom, Richard, British, 1743–1822 complete set of four engravings, >Two Pastoral Vignettes, Two Hunting >The (after Cheesman, Thomas, British, 2017.38.1–4, Ruth and Jacob Vignettes, and a Trophy, 1774, Johann Zoffany), 1773, mezzotint 1760–1834 Kainen Memorial Acquisition Fund etching and chalk manner in red, >The Bird Chorus (after Mario Nuzzi), >Head of a Young Woman, 1797, color 2017.19.42–45, Ellwanger/Mescha 1778, mezzotint, 2017.53.59, 101, stipple engraving, 2017.53.9, Gift Conconi, Luigi, Italian, 1852–1917 >Portrait of a Young Woman in Collection Gift of Thomas Vogler in Memory of of Thomas Vogler in Memory of His His Brother Donald J. Vogler Brother Donald J. Vogler Profile, c. 1884, etching with Demarteau, Gilles-Antoine, French, monotype wiping 1750–1802 Fattori, Giovanni, Italian, Chéret, Jules, French, 1836–1932 >Solitudine, 1892, etching with >Academie (639) (after Edme 1825–1908 >Papier à cigarettes Job, 1895, monotype wiping Bouchardon), c. 1785, chalk manner >Artillery Soldier on Horseback, color lithograph on paper mounted >The Wave, 1896, etching with >Neptune (after Anicet-Charles- 1888/1890, etching [proof], on canvas, 2016.140.1, Evelyn monotype wiping, 2017.75.2, Gabriel Lemonnier), 1787, crayon 2017.38.6, Ailsa Mellon Bruce Fund Stefansson Nef Fund 2017.76.1, and 2017.99.1, Ailsa manner engraving in black and Mellon Bruce Fund Fortuny y Carbó, Mariano, Spanish, Cirino, Andrea (author), Italian, beige, 2017.19.46–47, Ellwanger/ Mescha Collection 1838–1874 1618–1664, Nicolas Perrei (engraver), Crutchfield, William, American, >Maréchal ferrant au Maroc, 1875, Italian, active mid-17th century, born 1932 De Pian, Giovanni, Italian, etching and aquatint on japan and Jusepe Martinez (engraver), >Riverboat, 1967, color lithograph 1764–1800 paper, 2016.163.2, Ailsa Mellon Spanish, 1600–1682 with watercolor, 2017.54.42, Gift of >An Old Man Leaning on a Sack Bruce Fund Gemini G.E.L. and the Artist

56 NATIONAL GALLERY OF ART

Francis, Sam, American, >L’Amour terrassant un lion (Personi- Kolbe, Carl Wilhelm, German, >Old, Bald-headed Shepherd, Seated 1923–1994 fication of Love Vanquishing a Lion), 1759–1835 Shepherd Boy and Flock, after >Cut Throat, 1971, color lithograph, 1825, lithograph, 2016.198.3, 4, >Plant Study with Burdock, c. 1820?, 1766, etching with white heighten- 2017.54.48, Gift of Gemini G.E.L. Ailsa Mellon Bruce Fund etching, 2017.19.44, Ellwanger/ ing on blue paper and the Artist Mescha Collection >Woman, Shepherd Boys, and Sheep Hockney, David, British, born 1937 near an Arch, 1759/1782, etching Gavarni, Paul, French, 1804–1866 >Henry with Cigar, 1977, lithograph Lalive de Jully, Ange-Laurent de, with white heightening on blue >Frédéric Sauvage, 1853, lithograph on newsprint French, 1725–1789 paper on chine collé, 2016.198.6, Ailsa >Maurice and the Flowers, >Louis Boucherat, Chancelier, Garde >Seated Old Man and Woman with Mellon Bruce Fund lithograph on Japanese paper, des Sceaux de France, , a Basket of Eggs, 1759/1782, 2017.54.58–59, Gift of Gemini etching, 2017.13.2, Ailsa Mellon etching heightened with white on Giani, Felice, Italian, 1758–1823 G.E.L. and the Artist Bruce Fund >Personification of Architecture with blue paper the Genius of the Fine Arts, 1797, Hogarth, William, English, Lepautre, Jean, French, 1618–1682 >Seated Shepherd before a Flock etching and aquatint in sanguine, 1697–1764 >Illuminations autour du grand Canal of Goats, after 1766, etching with 2017.56.2, Ailsa Mellon Bruce Fund >The Enraged Musician, 1741, de Versailles, 1676, etching with white heightening on blue paper engraving engraving, 2017.19.4, Ellwanger/ >Seated Shepherd Boy and Gillray, James, British, 1757–1815 >The Five Orders of Perriwigs as They Mescha Collection Woman Giving a Drink to a Child, >Wierd-Sisters [sic]; Ministers of Were Worn at the Late Coronation, 1759/1782, etching with white Darkness; Minions of the Moon, Measured Architectonically, 1761, Lepic, Ludovic Napoléon, Vicomte, heightening on blue paper 1791, etching, engraving and etching French, 1839–1889 >Seated Shepherd and a Peasant aquatint in sepia, with publisher’s >The Times of Day, 1738, complete >Programme de la représentation Woman with a Basket, 1759/1782, hand-coloring and inscriptions by set of four etchings with engraving, du 3 février 1878, salle Ventadour, etching with white heightening on Gillray, 2017.49.1, Anonymous Gift 2017.53.33, 35, 37–39, and 102, 1878, etching on gold silk, 2017.9.1, blue paper Ailsa Mellon Bruce Fund >Old Man Leaning against a Sack, Graham, Robert, American, Gift of Thomas Vogler in Memory of His Brother Donald J. Vogler probably after 1767, etching with 1938–2008 Lichtenstein, Roy, American, white heightening on blue paper >Untitled, 1975, screenprint Hoijtema, Theodoor van, Dutch, 1923–1997 >Peasant Man with a Sack and Two >Untitled, 1983, porcelain 1863–1917 >The Sower, 1985, color lithograph, Shepherdesses, after 1765, >Untitled, 1983, porcelain >Bosidylle, 1898, lithograph in green woodblock, and screenprint etching with white heightening >Untitled, 1983, porcelain on chine collé, 2016.157.4, Ailsa >Imperfect 67 5/8" x 91 1/2", 1988, on blue paper >Untitled, 1983, porcelain Mellon Bruce Fund color woodcut and screenprint >Sleeping Shepherd Boy and Woman >Untitled, 1983, porcelain with collage with a Child, 1759/1782, etching >Untitled, 1983, porcelain Hutin, Jean-Baptiste, French, >La Sortie, 1991, color woodcut on with white heightening on blue >Untitled, 1983, porcelain 1726–1786 paperboard, 2017.54.12, 13, 17, Gift paper >Untitled, 1983, porcelain, >The Annunciation (after Jean of Gemini G.E.L. and the Artist >Interior of a Stable with a Seated 2017.54.49–57, Gift of Gemini François de Troy), 1750, etching, Spinner and Sleeping Child, G.E.L. and the Artist 2016.139.3, Ailsa Mellon Bruce Fund Londonio, Francesco, Italian, 1723–1783 1759/1782, etching with white Grosz, George, German, 1893–1959 Italian 19th Century >Seated Shepherdess, a Ram, a heightening on blue paper >Attentat, 1915, lithograph, >Milan Cathedral, 1830s/1843, Sheep and a Goat, 1759, etching >Shepherd Wearing a Cape Driving 2017.100.1, Purchased as the Gift of lithograph touched with gouache, with white heightening on blue a Flock, after 1776, etching Richard A. Simms and Ailsa Mellon 2016.187.1, Gift of Hans P. Kraus Jr. paper, 2017.19.8 >Shepherd Resting on a Walking Bruce Fund >Horse, Ram, Goat with Kid; In the Stick with an Old Horse and a Johns, Jasper, American, born 1930 Distance a Shepherd with Flock, Reclining Bull, after 1767, etching Hagedorn, Christian Ludwig von, >Target, 1970, lithograph with 1759, etching with white with white heightening on blue paper German, 1712–1780 collage, displayed in a wooden box heightening on blue paper >Standing Cow and a Shepherd Boy >Landscapes and Heads, >Face Black State, 1974, lithograph >Seated Shepherdess, 1762, etching with Flock, 1760s, etching with 1743–1745, bound volume with on Japanese paper with white heightening on blue paper white heightening on blue paper forty-nine etchings on blue >HandFootSockFloor Black State, >Seated Shepherdess with Three >Seated Shepherd with Horse, Dog, paper, 2016.169.2.1–49, 1974, lithograph on Japanese paper Rams, 1762, etching with white Goats and Sheep, after 1776, etching William B. O’Neal Fund >Buttocks Black State, 1974, heightening on blue paper >Two Shepherds with a Cow and Calf, lithograph on Japanese paper after 1776, etching Haynes, British, active late >Standing Ox, Two Sheep, and a >Torso Black State, 1974, lithograph Goat, c. 1762, etching with white >Standing Shepherdess with a Child, 18th century on Japanese paper after 1776, etching >Banditti: Three Heads (after John heightening on blue paper >Feet Black State, 1974, lithograph >Sleeping Shepherd, Two Calves, >Peasant Woman with Two Children, Hamilton Mortimer), 1780, etching on Japanese paper 1764, etching heightened with >Pilgrims (after John Hamilton and a Peasant Woman, 1762/1763, >Knee Black State, 1974, lithograph etching with white heightening on white on blue paper Mortimer), 1780, etching, on Japanese paper >Shepherd Boy with Sheep, 1764, 2017.53.93, 94, Gift of Thomas blue paper >0 through 9, 1976, lithograph on >Shepherd in near a Pack etching heightened with white on Vogler in Memory of His Brother Japanese paper, 2017.54.60–67, blue paper Donald J. Vogler Horse, c. 1762, etching with white Gift of Gemini G.E.L. and the Artist heightening on blue paper >Boy and Girl with a Donkey, 1764, etching heightened with white on Hayter, Sir George, British, Kandinsky, Wassily, Russian, >Boy on a Donkey Driving a Flock, 1792–1871 1763, etching heightened with blue paper 1866–1944 >Woman Spinning Yarn by an Arch, >The Tribute Money, 1817, etching, >Composition in Red and Blue, white on blue paper 2016.139.2, Ailsa Mellon Bruce Fund >Seated Old Man about to Drink from 1764, etching heightened with 1939, color woodcut, 2017.19.5, white on blue paper Ellwanger/Mescha Collection a Gourd, c. 1763, etching with white Held, John, Jr., American, heightening on blue paper >Shepherd Playing a Flute with 1889–1958 Kelly, Ellsworth, American, >Reclining Shepherd with a Sack, Goats, 1764, etching heightened >The Enchanted Isle, Martha’s Vine- 1923–2015 c. 1763, etching with white height- with white on blue paper yard, 1934, color offset lithograph, >Red-Orange over Black, 1970, ening on blue paper >Shepherd Boy Speaking to a Farm 2017.22.2, Gift of Andrew Robison color screenprint >Seated Shepherd with a Bull and Girl, 1764, etching heightened with >Green/White, 1971, color lithograph Bullock, 1763, etching with white white on blue Hennequin, Philippe-Auguste, >Boy on a Donkey Watching over a French, 1762–1833 with embossing heightening on blue paper >Thoronet, 1975, lithograph with >Sleeping Peasant and Standing Group of Animals, 1763, etching >Délassement champêtre, 1825, >Study of Heads: Three Goats, an lithograph debossing, 2017.54.68–70, Gift of Spinner, 1763, etching with white Gemini G.E.L. and the Artist heightening on blue paper Ox, and a Ram, published c. 1783,

57 ACQUISITIONS

etching heightened with white Müller, Karl, Austrian, 1862–1938 >Study for Sneaker Lace—Black, >Don’t Think About Her When You’re on blue paper, 2017.19.8–35, >Ver Sacrum, 1903, illustrated 1991, color lithograph Trying to Drive, 1989, color 50–56, and 60, Ellwanger/Mescha magazine with eight color wood- >Study for Sneaker Lace—White, lithograph and screenprint Collection cuts, 2017.60.1.1–8, Purchased 1991, color lithograph >Western Sunset, 1993, color for the Virginia and Ira Jackson >Perfume Atomizer on a Chair Leg screenprint, 2017.54.80–87, Gift of Louis, Victor, French, probably Collection (line version), 1997, color lithograph Gemini G.E.L. and the Artist 1731–probably 1802 and screenprint, 2017.54.2, 76–79, >A Ruined Vault with a Vista of Saint Munch, Edvard, Norwegian, Gift of Gemini G.E.L. and the Artist Rauschenberg, Robert, American, Peter’s, late 18th century, etching, 1863–1944 1925–2008 2016.158.1, Purchased as the Gift >Stanislaw Przybyszewski, 1895, Ormsby, Waterman Lily, American, >Test Stone #6, 1967, color lithograph of Vincent J. Buonanno lithograph on japan paper 1809–1883 >Rack, 1969, color lithograph >Worker, 1902, probably printed >Self-Portrait of John Hamilton >Ghost, 1969, color lithograph Lützelburger, Hans, German, after 1906, etching in brown Mortimer “in Character” (after >Cardbird Box II, 1971, paper, died before 1526 >Head of a Man, 1906, drypoint John Hamilton Mortimer), 1840s, cardboard and wood with color >Battle of the Naked Men and >Young Women on the Beach II, etching, 2017.53.81, Gift of Thomas photo-offset lithograph Peasants (after Nikolaus Hogenberg), 1905, drypoint Vogler in Memory of His Brother >Earth Day 1990, 1990, color pochoir 1522, woodcut, 2017.21.1, Ruth >Hjørdis Gierløff, 1914, drypoint, Donald J. Vogler and screenprint and Jacob Kainen Memorial 2017.18.1–5, Gift of The Epstein >Spackle, 1991, color lithograph Acquisition Fund Family Collection Parrocel, Pierre, French, >Murmurs, 1991, color lithograph 1670–1739 Marot, Daniel, I, French, c. 1663– >Marmont Flair, 1991, color lithograph Murray, Elizabeth, American, >Apollo le Muse e Pegaso sul Monte >People for the American Way 1752, and Isaac de Moucheron, 1940–2007 Parnaso Prima Macchina, etching, Dutch, 1667–1744 Print, 1991, color lithograph and >Dictionary #1, 1994, color etching 2017.46.1, Gift of Vincent Buonanno screenprint >Nouveaux Livre de veue et and screenprint with hand coloring in Honor of Andrew Robison batiments en Perspectives propre >Rust Pursuit, 1992, color lithograph >Dictionary #4, 1994, color etching >Fest, 1992, color lithograph à peindre d’ans des Salles…, and and screenprint with hand coloring Piallat, French, active mid-19th Zaal-Stucken in’t huys van der century >Fence, 1992, color lithograph >Deep Night, 1995, color >Pressure Garden, 1992, color Hr. D. B. Mezquita, c. 1700, bound >Foggy Day, 1995, color intaglio >Advertisement for Edmond volume of twelve etchings from two Ganneron, Ingénieur Constructeur, lithograph >Deep Bite, 1995, color intaglio, >Viaduct, 1992, color lithograph series, 2017.58.1.1–12, William B. 2017.54.38, 39, 71–73, Gift of c. 1860, photolithograph [proof], O’Neal Fund 2017.57.1, Ailsa Mellon Bruce Fund >For Ferraro, 1992, color screenprint Gemini G.E.L. and the Artist >Bird Dock, 1993, color lithograph Mattioli, Ludovico, Italian, Nauman, Bruce, American, Piranesi, Francesco, Italian, >Lion Rhyme, 1993, color lithograph 1662–1747 born 1941 c. 1758–1810 >Lounge Fence, 1993, color lithograph >The Twelve Months, late 17th >Knot at the End of My Rope, 1995, >Interior of Saint Peter’s, with the >Chronosaur, 1993, color lithograph century, complete set of twelve drypoint, 2017.54.74, Gift of Gemini Illumination of the Cross of St. >Grid Gull, 1993, color lithograph etchings, 2017.76.3–14, Ailsa G.E.L. and the Artist Peter, 1787, etching, 2016.113.1, >Solitaire, 1993, color lithograph, Mellon Bruce Fund Purchased as the Gift of National 2017.54.18–20, 88–105, Gift of Niel, Gabrielle-Marie, French, Gallery of Art Staff in Honor of Gemini G.E.L. and the Artist Mortimer, John Hamilton, 1840–after 1875 Andrew Robison British, 1740–1779 >Ruines de l’Hôtel de Brentonvilliers, Reinhart, Johann Christian, >Four Etchings of Monsters, 1778, à la pointe de l’île Saint-Louis, Piranesi, Giovanni Battista, Italian, German, 1761–1847 complete set of four etchings on 1875, etching on blue paper 1720–1778 >The Mill at the Great Oaks, 1788, pale green paper [proof], 2017.13.6, Ailsa Mellon >Sig. Nicola Zabbaglia (after Pier etching, 2017.81.1, Von Hoffmann >First Set of Six Etchings of Bruce Fund Leone Ghezzi), 1764, etching Fund Characters from Shakespeare, [proof], 2017.26.1, Purchased as 1775, complete set of six etchings Nieuwenkamp, Wynand Otto Jan, the Gift of Vincent J. Buonanno Richardson, Jonathan, Jr., British, >Second Set of Six Etchings of Dutch, 1874–1950 1694–1771 Characters from Shakespeare, >De Gracht, 1912, etching in dark Pittoni, Giovanni Battista, Italian, >Self-Portrait, c. 1735/1745, etching, 1776, complete set of six etchings brown on japan paper, 2016.157.1, c. 1520–1583 2017.53.43, Gift of Thomas Vogler >A Captain of Banditti, 1778, etching Purchased as the Gift of Lawrence >Landscape with Two Trees, c. 1558, in Memory of His Brother Donald >Revengeful Monsters, 1780, etching Lawver etching with engraving, 2016.151.1, J. Vogler Ailsa Mellon Bruce Fund >Banditti Taking His Post, 1778, >Poplars, Santpoort, 1900/1902, Robinson, Robert, attributed to, etching etching in brown on japan paper, Playter, Charles Gauthier, British, active 1674–1706 >Banditti Taking His Post, 1778, 2016.157.2, Ailsa Mellon Bruce Fund British, died 1809 >Cattle Fording a Stream (after etching, 2017.53.60–68, 70–77, 80, >Second Part of King Henry the Nicolaes Pietersz Berchem), 98, 99, and 105, Gift of Thomas Norblin, Jean Pierre, French, 1745–1830 Sixth. Act I, Scene IV (after John 1680s/1690s?, mezzotint, Vogler in Memory of His Brother Opie), 1796, engraving, 2017.53.41, 2016.175.8, Ailsa Mellon Bruce Fund Donald J. Vogler >Susannah and the Elders, 1776, etching, aquatint and drypoint, Gift of Thomas Vogler in Memory of His Brother Donald J. Vogler Rosa, Salvator, Neapolitan, Various artists after John Hamilton 2017.13.3, Ailsa Mellon Bruce Fund 1615–1673 Mortimer, British, 1740–1779 Northcote, James, British, Potter, Paulus, Dutch, 1625–1654 >The Death of Atilius Regulus, >Etchings after Mortimer, 18th >The Cowherd, 1643, etching, c. 1662, etching with drypoint, century, bound of twenty-six 1746–1831 >Bacchus Accompanied by a 2017.19.36, Ellwanger/Mescha 2016.149.1, Purchased as the Gift etchings after John Hamilton Collection of Robert B. Loper Mortimer, 2017.53.83.1–26, Gift of Leopard and a Tiger, c. 1797/1799, Thomas Vogler in Memory of His etching, 2017.53.40, Gift of Thomas Price, Ken, American, 1935–2012 Rowlandson, Thomas, British, Brother Donald J. Vogler Vogler in Memory of His Brother >Club Atomica, 1988, photoengraving 1756–1827 Donald J. Vogler >Club Romance, 1988, photoengraving >The French Barracks, 1788, etching Mucha, Alphonse Marie, Czech, >Club XX, 1988, color etching with aquatint [proof], 2017.53.44, 1860–1939 Oldenburg, Claes, American, born Sweden, 1929 >Club Flamingo, 1989, color Gift of Thomas Vogler in Memory of >Biscuits Lefèvre-Utile, 1896, color lithograph and screenprint His Brother Donald J. Vogler lithograph on paper laid down >Geometric Mouse—Scale D, 1971, die-cut laminated photo-offset >At Club XX, 1989, color lithograph on linen, 2016.140.2, Evelyn and screenprint Runciman, Alexander, Scottish, Stefansson Nef Fund lithograph 1736–1785 >Sneaker Lace in Landscape—Line >At Club Flamingo, 1989, color lithograph and screenprint >Collection of Sixteen Original State, 1991, color lithograph Etchings, late 18th century,

58 NATIONAL GALLERY OF ART

bound album of sixteen etchings, Various Artists, after Julius Sharp, William, British, 1749–1824 Taylor, Isaac, the Younger, British, 2017.53.104, Gift of Thomas Vogler Schnorr von Carolsfeld, German, >Miller of Trompington and Two 1759–1829 in Memory of His Brother Donald 1794–1872 Scholars (after John Hamilton >Merry Wives of Windsor, Act V, J. Vogler >Biblia Sacra tabulis illustrata Mortimer), 1787, etching and Scene V (after Robert Smirke), (Leipzig, Paris 1853–1860), bound engraving, 2017.53.82, Gift of 1795, engraving and etching, Ruscha, Ed, American, born 1937 volume with 240 wood engravings Thomas Vogler in Memory of 2017.53.50, Gift of Thomas >Compass, 1990, color screenprint over yellow lithographic back- His Brother Donald J. Vogler Vogler in Memory of His Brother >Main Street, 1991, lithograph, grounds, 2017.80.1, Ruth and Jacob Donald J. Vogler 2017.54.21, 106, Gift of Gemini Kainen Memorial Acquisition Fund Simon, Pierre, II, British, 1750 or G.E.L. and the Artist before–c. 1810 Teyler, Johann, Dutch, 1648– Schön, Erhard, German, >Shakespeare, Tempest, Act I, Scene II, after 1697 Ryland, William Wynne, British, c. 1491–1542 1797, engraving, 2017.53.31, Gift of >The Neighing Horse, color 1732–1783 >Army Train and Death, c. 1532, Thomas Vogler in Memory of His etching, 1690s >Jacob Persuaded to Send Benjamin woodcut from four blocks, on four Brother Donald J. Vogler >The Pissing Cow, color etching, with His Brethren into , joined sheets, 2017.16.1, Pepita 1690s, 2017.19.37, 38, Ellwanger/ 1762, stipple etching, 2017.19.1, Milmore Memorial Fund and Smith, Benjamin, British, Mescha Collection Ellwanger/Mescha Collection Eugene L. and Marie-Louise 1775–1833 Garbáty Fund >The Infant Shakespeare, Attended Tiepolo, Giovanni Domenico, Sabatelli, Luigi, I, Italian, 1772–1850 by Nature and the Passions (after Italian, 1727–1804 >Et vidi alium angelum fortem…, Scolari, Giuseppe, Italian, active George Romney), 1799, engraving, >The Triumph of Hercules, 1760s, 1809/1810, etching, 2016.177.1, c. 1580–1607 2017.53.45, Gift of Thomas Vogler etching, Ailsa Mellon Bruce Fund Anonymous in Memory of Gaillard >The Rape of Proserpina, 1590/1607, in Memory of His Brother Donald Ravenel woodcut and wood engraving, J. Vogler Toulouse-Lautrec, Henri de, >Daniel’s Vision, 1809, etching, 2016.170.1, Ruth and Jacob Kainen French, 1864–1901 2016.178.1, Gift of Ramón Osuna Memorial Acquisition Fund Smith of Chichester, John, British, >May Milton, 1895, lithograph, 1717–1764, and George Smith of 2016.153.1, Evelyn Stefansson Saint-Non, Jean-Claude-Richard, Serra, Richard, American, Chichester, British, 1714–1776 Nef Fund Abbé de, French, 1727–1791 born 1939 >Woodland Village with a Woman on >Recueil de Griffonis, de Vues, >Fuck Helms, 1990, screenprint a Footbridge, 1757, etching with Tresham, Henry, Irish, 1751–1814 Paysages, fragments antiques et with embossing engraving >Le Avventure di Saffo (Rome, Sujets historiques, 1756, complete >Film Forum Print, 1990, screenprint >Landscape with Travelers, 1756, 1784), bound volume with etched set of six etchings after Jean- >Eidid I, 1991, etching etching with engraving, 2017.53.51, title page, etched introduction, Baptiste Le Prince, 2016.175.1–6, >Eidid II, 1991, etching 52, Gift of Thomas Vogler in Memory and eighteen aquatints in brown, Katharine Shepard Fund >Eidid III, 1991, etching of His Brother Donald J. Vogler 2016.171.1.1–20, William B. O’Neal >Vesturey II, 1991, intaglio Fund Sandby, Paul, British, 1731–1809 Steinberg, Saul, American, born >A New Book of Ruins, c. 1750, construction Watson, Caroline, British, >Vesturey III, 1991, intaglio Romania, 1914–1999 complete set of six etchings >Portrait of M, 1996, lithograph, 1760/1761–1814 >Part of the Remains of Llanphor construction >Second Part of King Henry the >Hreppholar I, 1991, intaglio 2017.54.11, Gift of Gemini G.E.L., near Pembroke, 1775, etching LLC and the Artist Sixth, Act III, Scene III (after Sir and aquatint construction Joshua Reynolds), 1792, engraving, >Manerbawr Castle from the Inward >Hreppholar II, 1991, intaglio Stella, Frank, American, born 1936 2017.53.42, Gift of Thomas Vogler Court, 1775, etching with aquatint construction >Furg (State I), 1975, color offset in Memory of His Brother Donald >Part of the Remains of Llanphor >Hreppholar IV, 1991, intaglio lithograph and screenprint J. Vogler near Pembroke, 1775, aquatint, construction >Furg (State II), 1975, color offset etching, and drypoint in sepia >Hreppholar V, 1991, intaglio lithograph and screenprint, Webb, Joseph, British, 1908–1962 >Manerbawr Castle from the Inward construction 2017.54.112–113, Gift of Gemini >Rat Barn, 1928, etching with Court, 1775, etching with aquatint, >Hreppholar VII, 1991, intaglio G.E.L. and the Artist drypoint [proof] in brown, 2017.53.1, 3, 4, 28, 32, construction >The Great Bridge, 1929, etching, 46–49, 103, Gift of Thomas Vogler >Hreppholar VIII, 1991, intaglio Strang, William, Scottish, 2017.53.107–108, Gift of Thomas in Memory of His Brother Donald construction 1859–1921 Vogler in Memory of his Brother J. Vogler >Iceland, 1991, intaglio construction >Cosmo Monkhouse, 1892, etching, Donald J. Vogler >Heimaey I, 1991, etching 2017.53.106, Gift of Thomas Vogler Schiaminossi, Raffaello, Italian, >Heimaey II, 1991, etching in Memory of His Brother Donald Welliver, Neil, American, 1572–1622 >Heimaey III, 1991, etching J. Vogler 1929–2005 >Bust of Christ, 1606/1607, etching >Videy Afangar #1, 1991, intaglio >Osprey’s Nest, 1979–1980, with engraving >Videy Afangar #3, 1991, intaglio Stubbs, George, British, 1724–1806 color woodcut, 2017.25.2, Gift >Bust of the Virgin, 1606/1607, >Videy Afangar #5, 1991, intaglio >Death of the Doe, 1804, mezzotint, of Paul Kanev etching with engraving, 2017.9.2, >Videy Afangar #9, 1991, intaglio 2017.17.1, Purchased as the Gift of the Krugman Family in Honor of J. Williams, William Thomas, 3, Purchased as the Gift of Jimmy >For Joni, 1996, etching American, born 1942 and Jessica Younger, Houston >Untitled, 1996, etching Sylvia Krugman and Ailsa Mellon Bruce Fund >HKL Portfolio, 1970, set of four >Inverness, 1996, etching color screenprints, 2017.47.1–4, Schiavonetti, Luigi, Italian, >Finkl Forge I, 1996, etching 1765–1810 Sullivan, Luke, Irish, 1705–1771 Gift of Rodney M. Miller Sr. and >Finkl Forge II, 1996, etching >Satire on False Perspective (after Billy E. Hodges >William Blake (after Thomas >Cool Down, 1996, etching Phillips), 1808, published 1813, William Hogarth), 1754, engraving >Broad Cove Marsh II, 1996, etching and etching, 2017.53.36, Gift of Wilson, Benjamin, British, etching on india paper (proof), >Dealer’s Choice, 1996, etching 1721–1788 2016.175.7, Ailsa Mellon Bruce Fund Thomas Vogler in Memory of His >Jump Start, 1996, etching, Brother Donald J. Vogler >Maria, Countess of Coventry, 1751, Schmidt, Georg Friedrich, German, 2017.54.1, 3–10, 22-37, 107–111, etching and drypoint 1712–1775 Gift of Gemini G.E.L. and the Artist Summers, Carol, American, >Gowin Knight, M.B., F.R.S., 1751, >Self-Portrait of Rembrandt (after 1925–2016 etching and drypoint, 2017.53.54, Shahn, Ben, American, 1898–1969 >Storm Over Mt. Meru, 1993, color 55, Gift of Thomas Vogler in Memory Rembrandt van Rijn), 1771, etching, >McCarthy Peace, 1968, color offset 2017.13.4, Ailsa Mellon Bruce Fund woodcut, 2017.25.3, Gift of of His Brother Donald J. Vogler lithograph, 2017.22.1, Gift of Paul Kanev Andrew Robison

59 ACQUISITIONS

Wilson, William Charles, British, silver prints, 2017.96.1–2, Pepita De Clercq, Louis, French, >Neal Cassady and Al Hinkle playing active 1750–1794 Milmore Memorial Fund 1836–1901 chess…, 1955 >As You Like It, Act IV, Scene III (after >Grenade, Alhambra, Cour des >William Burroughs, kitchen table…, Raphael Lamar West), 1798, etch- Avedon, Richard, American, Lions, 1850s, salted paper print, 1953, gelatin silver prints, printed ing and engraving, 2017.53.53, Gift 1923–2004 2017.101.2, Edward J. Lenkin Fund 1984–1997 of Thomas Vogler in Memory of His >Times Square, New York City, >Dr. R. D. Laing, friend & sympatico…, Brother Donald J. Vogler November 22, 1963, 1963, gelatin de Patta, Margaret, American, 1987 silver print, 2017.78.1, Gift of 1903–1964 >Paul Bowles in bed with Christmas Witsen, Willem Arnold, Dutch, Marlene Nathan Meyerson >Untitled presents…, 1993, gelatin silver prints 1860–1923 >Untitled >Philip Whalen visiting Lloyd >Oudezijds Achterburgwal, twee Babbitt, Platt D., American, >Untitled, 1939, gelatin silver prints, died 1879 Reynolds…, 1963, gelatin silver deuren in het midden, 2017.10.1–3, Alfred H. Moses and print, printed 1984–1997 c. 1905/1906, etching and >Niagara Falls, 1870s, glass Fern M. Schad Fund transparency, 2017.69.1, Pepita >Patrick Warner, Northhampton aquatint, 2017.27.1, Ailsa Mellon student, in basement of Ellie Bruce Fund Milmore Memorial Fund Eakins, Thomas, American, >Niagara Park Place, c. 1862, 1844–1916 Dorfman’s house…, 1985 Worlidge, Thomas, British, stereoscopic glass transparency, >William H. Macdowell, 1884, >Gathering at Henry Geldzahler’s 1700–1766 2017.79.3, Pepita Milmore platinum print, 2016.173.1, West 9th Street backyard patio…, >Mahomet, a Turkish Merchant, Memorial Fund Robert B. Menschel and the Vital 1985 c. 1741, etching and drypoint Projects Fund >John Giorno, Tibetan N’yingma >Rembrandt’s Head by Himself (after Baltz, Lewis, American, 1945–2014 Buddhist Practitioner…, 1987 Rembrandt van Rijn), 1758, etching >Docile Bodies, 1994, twelve silver Evans, Walker, American, >Wedding party, New York Municipal and drypoint dye bleach prints, 2016.195.1.1–12, 1903–1975 Building Marriage Chambers…, 1984 >Jan Cornelisz Sylvius (after Gift of David Knaus >Untitled, 1974, dye diffusion >Self-portrait in guest suite mirror, transfer print, 2016.164.1, Pepita University of Virginia, Charlottes- Rembrandt van Rijn), 1757, etching Bark, Jared, American, born 1944 and drypoint, 2017.53.56–58, Gift Milmore Memorial Fund ville…, 1985, gelatin silver prints >Untitled (JBARK PB 1116), 1975, >Alexei Ginzberg and Sergei of Thomas Vogler in Memory of His collage of twenty gelatin silver Fenton, Roger, British, 1819–1869 Brother Donald J. Vogler Yessenin-Vulpine, , prints, 2017.65.1, Pepita Milmore >Chapel, Wells Cathedral, 1860s, 1965, gelatin silver print, printed Memorial Fund PHOTOGRAPHS albumen print, 2017.101.1, Pepita 1984–1997 Milmore Memorial Fund Barker, George, American, born >Philip Whalen, sensei staying over Adams, Robert, American, Canada, 1844–1894 Frith, Francis, British, 1822–1898 in my bedroom…, 1987 born 1937 >Silver Springs, Florida, c. 1886, >The Mosque of Kaitbey, 1858, >Harry Smith, film-maker, folklore >Santa Ana Wash, Norton Air Force albumen print, 2017.61.1, Alfred H. albumen print, 2017.92.1, Pepita archivist…, 1985 Base, San Bernardino, California, Moses and Fern M. Schad Fund Milmore Memorial Fund >My aunt Edie Leegant (Uncle Max 1979, gelatin silver print, Frohman’s sister)…, 1985 2016.185.1, Gift of Paul Sack Beato, Felice, British, born Venice, Ginsberg, Allen, American, >John Wieners for me among top >Burns, Oregon, 1999, gelatin 1832–1909 1926–1997 ten American poets…, 1985 silver print >Curio Shop, c. 1865 >Father Pierre Riches at kitchen >John Hammond ill…, 1986 >Near North Powder, Oregon, 2000, >Street Refreshment Stalls, c. 1865, table…, 1992 >Ken Kesey’d come to New York…, gelatin silver print, 2017.45.1–2, albumen prints, 2017.70.1 and >John Murao in Shig’s bedroom…, 1989, gelatin silver prints Gift of Robert and Kerstin Adams 2017.70.3, Pepita Milmore 1985 >Downtown Jacksonville’s main Memorial Fund >Jack Micheline in front of street…, 1953, gelatin silver print, American 19th Century Cafe…, 1985 printed 1984–1997 >Portrait of a Man, c. 1850, Bierstadt Brothers, American, >Kaye McDonough, Nile, and Gregory >Nicanor Parra Anti-Poet, Professor daguerreotype, 2017.3.1, Robert B. 1819–1906 Corso…, 1985, gelatin silver prints of Newtonian Physics, University of Menschel and the Vital Projects >Ferry on the Big Blue, Kansas, 1859, >Peter Orlovsky handsome before he Santiago …, 1984 Fund and Pepita Milmore stereoscopic glass transparency, left for …, 1961 >Odalisque, my bedroom on East Memorial Fund 2017.79.1, Pepita Milmore >Peter Orlovsky age 23…, 1956, gelatin 12th Street…, 1985 Memorial Fund American 19th Century silver prints, printed 1984–1997 >Ancient Hemlock, oldest tree across >Portrait of a Sailor, c. 1850, Breslauer, Marianne, German, >Alan Ansen visiting from Greece…, new beaver pond…, 1987 daguerreotype, 2017.3.2, Alfred H. 1909–2001 1985 >Francesco Clemente taking a break Moses and Fern M. Schad Fund >Walter Menzel and Paul Citroen, >Tom Parkinson visiting upstairs from painting my portrait…, 1989 1927, gelatin silver print, 2017.89.2, office…, 1985 >Lois Snyder Hennessy in her living American 19th Century Alfred H. Moses and Fern M. >Rudi di Prima & William Burroughs room…, c. 1988 >Portrait of a Girl, c. 1860, Schad Fund with his cigarette lighter gun…, 1984 >Foyer & arcade at entrance to Josef ambrotype, 2017.34.1, Alfred H. >Gregory Corso embraced by Stalin Birthplace Museum…, 1985, Moses and Fern M. Schad Fund Broadbent, Samuel, American, intimate friend…, 1992 gelatin silver prints 1810–1880 >A. G. & Neeli Cherkovski kneeling…, >Jerry Heiserman (later Sufi American 19th Century >M. Edward Rogers, Robert E. Randall, 1985 “Hassan”)…, 1963, gelatin silver >Postmortem Portrait of a Girl, c. and Charles F. Lennig, 1861, >Dr. R. D. Laing, his residence office print, printed 1984–1997 1850, daguerreotype, 2017.36.1, albumen print, 2017.72.1, Pepita study…, 1985 >Museum of the Great Patriotic Alfred H. Moses and Fern M. Milmore Memorial Fund >Neeli Cherkovski & Jesse Cabrera…, War, Minsk, Belarus, Soviet Schad Fund 1985 Union…, 1985, gelatin silver print, Chambi, Martin, Peruvian, American 19th Century >George Condo in his studio 2016.184.1–44, Gift of Gary Davis 1891–1973 >Postmortem Portrait of a Girl, c. townhouse…, 1993 >Untitled (Portrait of Priests), Greene, John Beasley, American, 1850, daguerreotype, 2017.36.2, >Sandro Chia & William S. c. 1930–1950, gelatin silver print, born France, 1832–1856 Alfred H. Moses and Fern M. Burroughs…, 1995 2016.189.1, Gift of Joy Mileaf >Karnak, Temple du Sud, c. 1854, Schad Fund >Geoffrey Manough, day after salted paper print, 2016.185.2, Chevalier, Yvonne, French, 19th birthday…, 1995 American 20th Century Gift of Paul Sack 1899–1982 >Fine-bearded Ilya Kutik & his wife, >Buzz Aldrin, Lunar Module Pilot, >Nude, 1929, gelatin silver print, center, at home…, 1985 Hido, Todd, American, born 1968 becomes the second man to set 2017.62.1, Alfred H. Moses and >Dick McBride, returned from >#5437, 1996 foot on the Moon, July 21, 1969 Fern M. Schad Fund England…, 1985, gelatin silver prints >Neil Armstrong steps onto the Moon, July 21, 1969, 1969, gelatin

60 NATIONAL GALLERY OF ART

>#7373, 2008, chromogenic prints, >The Hollywood Suites (Bound >Texas Panhandle, 1930, gelatin >Death in the Doorway, Grayson, printed 2016, 2016.188.1–2, Gift of Door #3) silver print, printed c. 1950s San Joaquin Valley, California, Jamie Lunder >The Hollywood Suites (Bound >Nile Delta, Egypt, 1963 1938, gelatin silver prints Door #4) >Arkansas Farmers, Squatters near >Ex-Slave with a Long Memory, Higgins, American, 19th Century >The Hollywood Suites (Bound Bakersfield, California, 1935, Alabama, 1938, gelatin silver print, >Portrait of Two Men, c. 1850, Door #6) gelatin silver prints printed 1950s daguerreotype, 2017.3.3, Pepita >The Hollywood Suites (Bound >Stoop Labor in Cotton Field, San >Ex-Slave with a Long Memory, Milmore Memorial Fund Door #7) Joaquin Valley, California, 1938, Alabama, 1938, gelatin silver print, Horna, Kati, Mexican, born >The Hollywood Suites (Window #8) gelatin silver print, printed later printed c. 1960s Hungary, 1912–2000 >The Hollywood Suites (Window >Migratory Cotton Picker, Eloy, >Hands, Maynard and Dan Dixon, >Stairs to the Cathedral, Spanish #22), 1977, gelatin silver prints, Arizona, 1940, gelatin silver print, 1930, gelatin silver print, printed Civil War, Barcelona, Spain, 1938, 2016.190.1–8, Gift of Mary and printed 1950s c. 1960s gelatin silver print, 2017.90.1, Dan Solomon >Black Maria, Oakland, California, >Line-up at Social Security in Early 1957, gelatin silver print, printed Days of the Program, 1937, gelatin Alfred H. Moses and Fern M. Krull, Germaine, French, Schad Fund c. 1950s silver print, printed c. 1960s 1897–1985 >Church on the Great Plains, South >On the Great Plains, near Winner, Johnson, Thomas H., American, >Moulin Rouge, Paris, c. 1925, gelatin Dakota, 1949, gelatin silver print, South Dakota, 1941 1821–unknown silver print, 2016.172.1, Alfred H. printed c. 1965 >Untitled, c. 1940, gelatin silver >Von Storch Shaft Moses and Fern M. Schad Fund >Untitled, 1937 prints, printed c. 1960s >Von Storch Breaker Lange, Dorothea, American, >Migrant Mother Nursing, Nipomo, >Rebecca Chambers, Sausalito, >Scranton Terminus 1895–1965 California, 1936, gelatin silver prints California, 1954, gelatin silver print >Eaton and Co.’s Breaker. (Archbald.) >Tractored Out, Childress County, >Free Speech, Bakersfield, California, >St. George Highway and Brigham >Olyphant. , 1938 1938, gelatin silver print, printed Young’s Granddaughter, St. George, >Gibson’s Breaker. (Rushdale.) >Ex-Slave with a Long Memory, c. 1950s Utah, 1950s, gelatin silver print >Grassy Island Shaft. Alabama, 1938 >Street Demonstration, >Pledge to the Flag, 1942, gelatin >Carbondale. (Section 3.) >Migrant Mother, Nipomo, Chinatown, , silver print, printed c. 1965 >Birdsey Breaker. (Archbald.) California, 1936 California, 1934–1938, gelatin >Hoeing, Alabama, 1936, gelatin >Archbald. >White Angel Breadline, San silver print, printed 1960s silver print >On the Moosic. (East.) Francisco, California, 1933 >Young Girl, 1940, gelatin silver print, >Funeral Cortege. End of an Era in a >Pecks Crossing and Plane. E. >Woman of the High Plains, Texas printed c. 1950s Small Valley Town, California, 1938, >Providence. Panhandle, 1938 >Helen Vernalis, Outside Tracy, gelatin silver print, printed early >Breaker at Dickson. >Sharecropper’s Cabin and California, 1949, gelatin silver print 1950s >The Pockets. (Honesdale.) Sharecropper’s Wife, 10 miles >Ditched, Stalled and Stranded. >San Francisco Waterfront, 1934, >On the Moosic. (West.) south of Jackson, Mississippi, 1938 Missouri Farmer in San Joaquin gelatin silver print >Von’ Storch Breaker. >Spring in Berkeley, 1951 Valley, California, 1936, gelatin >Lap, 1953, gelatin silver print, >Carbondale. (Section 1.) >End of Shift 3:30, Richmond, silver print, printed c. 1965 printed c. 1965 >Honesdale. (Section 3.) California, 1943 >Child of Tenant Farmer Family, >Two Men Sitting, Visible from Neck >Honesdale. (Section 4.) >Filipinos Cutting Lettuce, Salinas Alabama, 1937 Down, c. 1940 >Honesdale. (Section 1.) Valley, California, 1935 >Children in Back of Wagon, Klamath >Mexican-American Girl, San >Waymart >Death in the Doorway, Grayson, County, Oregon, 1939 Francisco, California, 1928 >Racket Brook Breaker San Joaquin Valley, California, 1938 >Grandfather and Grandson, >Farm Woman, c. 1940, gelatin >Honesdale. (Section 2.) >Street Demonstration, Chinatown, Manzanar, 1942, gelatin silver prints silver prints >Lake View. (Near Waymart.), San Francisco, California, 1934, >Mexican Workers Leaving for the >Richmond, California, 1942 c. 1863–1865, albumen prints, gelatin silver prints Melon Fields, Imperial Valley >Family on the Road, Oklahoma, 2016.152.1–25, Alfred H. Moses >Filipinos Cutting Lettuce, Salinas California, 1935, gelatin silver print, 1938 and Fern M. Schad Fund Valley, California, 1935, gelatin printed c. 1940s >Untitled, c. 1940, gelatin silver >Providence, (Pa.), c. 1863–1865, silver print, printed 1940s >Rural Rehabilitation Client, Tulare prints, printed c. 1960s albumen print, 2017.63.1, Pepita >Young Widow, , 1960 County, California, 1938 > Church on the Great Plains, Milmore Memorial Fund >Two Workers with Mountains, >Vietnam, 1958 South Dakota, 1949 >Johnson’s Photographic Views in Imperial Valley, California, c. 1930 >Yazoo Delta, Mississippi, 1938, >May Day Listener, San Francisco, the Oil Regions of Pennsylvania, >Family of Nine, 1937, gelatin silver gelatin silver prints, printed 1965 California, 1934 c. 1865, eighteen stereoscopic prints >Richmond, California, 1942, gelatin >In a Migratory Labor Contractor’s albumen prints, 2017.93.1–18, >Rural Rehabilitation Client, Tulare silver print, printed c. 1965 Camp, Calipatria, California, 1937 Pepita Milmore Memorial Fund County, California, 1938, gelatin >Man with a Cap, 1935 >Mary Ann Savage, Toquerville, silver print, printed c. 1960 >City in Transition, 1942 Utah, 1933 Johnston, Frances Benjamin, >Ex-Tenant Farmer on Relief Grant in >Tractored Out, Childress County, American, 1864–1952 >One Nation Indivisible, San Francisco, California, 1942, gelatin silver print, the Imperial Valley, California, 1936 Texas, 1938 >Dressmaking, Tuskegee Institute, >Roadside Camp, Bakersfield, >End of Shift 3:30, Richmond, 1902, gelatin silver print printed c. 1965 >Country Road, County Clare, California, 1935 California, 1943 >History Lesson, Washington, DC, >Industrialized Agriculture, from >Demonstration, San Francisco, Schools, 1899, cyanotype Ireland, 1954 >Hand, Indonesian Dancer, Java, Texas Farmer to Migratory Worker California, 1933 >Learning about Rabbits, Wash- in Kern County, California, November, >Ex-Slave with a Long Memory, ington, DC, Schools, cyanotype, 1958, gelatin silver prints >Displaced Tenant Farmers, Goodlett, 1938 Alabama, 1938 2017.94.1–3, Pepita Milmore >One Hundred Years of Independence, >Plowing Field, 1937 Memorial Fund Hardeman County, Texas, 1937, gelatin silver print, printed 1950s 1937, gelatin silver prints >Portrait of William, c. 1929 Kahn, Steve, American, born 1943 >Lydia Wall, Berkeley, California, >Riley Savage, Utah, 1953, gelatin >Rebecca Chambers, Sausalito, >The Hollywood Suites (Window #10) 1944, gelatin silver print silver print, printed c. 1965 California, 1954 >The Hollywood Suites (Window >Young Girl, 1940, gelatin silver >On the Great Plains, near Winner, >God Bless Nora Kennedy, 1954 #1), 1977, gelatin silver prints, print, printed c. 1950s South Dakota, 1938, gelatin silver >Migratory Cotton Picker, Eloy, 2016.174.1–2, Pepita Milmore >River Town, Mekong River Delta, print, printed 1950s Arizona, 1940 Memorial Fund and Charina Vietnam, 1958 >War Babies, Richmond, California, >U.S. Route 54, the Road West, Endowment Fund >On the Plains a Hat is More Than a 1944, gelatin silver print, printed , 1938 >The Hollywood Suites (Mirror #7) Covering, 1938, gelatin silver prints, c. 1965 >Line up at Social Security in Early >The Hollywood Suites (Mirror #4) printed c. 1965 >County Clare, Ireland, 1954 Days of the Program, 1937

61 ACQUISITIONS

>Patrick Flanagan on Tubber Cooperative Dairy, c. 1935 >Jerry McMillan Paglen, Trevor, American, Green, 1954 >Untitled, 1934 >Neal Slavin born 1974 >Venezuela, 1960 >A Sign of the Times, Mended >Bill Jenkins >Untitled (Reaper Drone), 2010, >Arkansas Farmers, Squatters near Stockings, Stenographer, San >Emmet Gowin chromogenic print, 2017.64.1, Bakersfield, California, 1935 Francisco, California, 1934 >Barbara Morgan Pepita Milmore Memorial Fund, >Old Age near Washington, >Untitled, n.d. >Lionel Suntop Charina Endowment Fund, and Pennsylvania, 1936 >Untitled, n.d. >Bunny Yeager Heather and Jim Johnson Fund >Death in the Doorway, Grayson, San >Braided Hair, Bay Area, California, >Doug Prince Joaquin Valley, California, 1938 1952 >Eileen Cowin Parks, Gordon, American, >Hutterite Bible, West of Vermillion, >Pea Pickers, Nipomo, California, >Reg Heron 1912–2006 South Dakota, 1941 c. 1935 >Mike Bishop >Harlem Rooftops, c. 1948, gelatin >Riverbank Gas Station, 1940 >Ballet, Richmond, California, 1952, >Bob Fichter silver print, 2017.68.1, Alfred H. >Window–Self-Portrait, Saint gelatin silver prints, 2016.191.1– >Baseball Photographer Trading Moses and Fern M. Schad Fund George, Utah, 1953 143, Gift of Daniel Greenberg and Cards Checklist, 1975, offset litho- Plumbe, John, Jr., American, >Lovers, Richmond, California, 1944 Susan Steinhauser graphs, 2016.114.1–55, Black Dog 1809–1857 >Andrew at Steep , Marin Private Foundation Fund >Portrait of a Man County, California, 1957 Langenheim, Frederick and William, American, 1809–1879 Mann, Sally, American, born 1951 >Portrait of a Man, c. 1850, >Woman from the Far West daguerreotypes, 2017.35.1–2, Welcomes Friends Gathering on >General View from the American Side >Deep South, Untitled (Three Drips), (Niagara Falls), 1860, stereoscopic 1998 Alfred H. Moses and Fern M. Memorial Day in the Old Cemetery Schad Fund of Beryessa Valley, California, 1957 glass transparency, 2017.79.2, >Battlefields, Cold Harbor (Battle), >Woman Wearing Bonnet, n.d. Pepita Milmore Memorial Fund 2003, gelatin silver prints, Price, William Lake, British, 2016.194.1–2, Gift of the Collectors >Mary Ann Savage, Toquerville, Link, O. Winston, American, c. 1810–c. 1896 Utah, 1933 Committee and The Sarah and >Group with Horse and Carriage, 1914–2001 William L Walton Fund >Patrick Flanagan on Tubber >Maude Bows to the Virginia Creeper, 1850s, albumen print, 2016.167.1, Green, 1954 Green Cove, Virginia McClees, James, American, Pepita Milmore Memorial Fund >Young Widow, Venezuela, 1960 >Hawksbill Creek Swimming Hole, 1822–1887 >Don Quixote in his Study, 1857, >Old Woman, Egypt, 1963 Luray, Virginia, 1956, gelatin silver >Chesnut Street , photogravure, 2017.70.2, Pepita >Two Women, Egypt, 1963 prints, 2016.186.1–2, Gift of , 1850s, albumen Milmore Memorial Fund >Untitled, n.d. Norman S. and Carolyn K. Carr print, 2017.66.1, Pepita Milmore Rehn, Isaac, American, 1815–1883 >Texas Flood Refugees with their Memorial Fund Possessions, 1938 Mandel, Mike, American, born 1950 >Portrait of a Young Man, c. 1860, >Paul’s Flag, Stinson Beach, >Joe Deal McCurry, Steve, American, ambrotype, 2017.2.1, Robert B. California, c. 1955 >Don Drowty born 1950 Menschel and the Vital Projects >A Young Girl in Ennis, Ireland, 1954 >Ellen Brooks >Procession of Nuns. Rangoon Fund >Irish Child, County Clare, Ireland, >Dennis Hearne Burma/, 1994 Rogovin, Milton, American, 1954 >Elaine Mayes >Dust Storm. Rajasthan, India, 1909–2011 >Portrait of a Child Pea Picker, 1935 >Ed West 1983, inkjet prints, printed 2016, >Appalachia, 1960s >Untitled, South Dakota, 1939 >Leonard Freed 2016.183.1–2, Gift of Steve McCurry >Appalachia, 1962 >On the Great Plains, near Winner, >Harry Callahan Nixon, Nicholas, American, >Buffalo, East Side, 1960s South Dakota, 1938, gelatin silver >Gary Metz >Mexico, 1950s prints >Ansel Adams born 1947 >The Brown Sisters, Truro, >Mexico, 1950s >Migrant Mother Contact Sheet, >Ed Ruscha >Untitled (Storefront Churches) 1939, gelatin silver print, printed >Mike Mandel Massachusetts, 2016, gelatin silver print, 2016.165.1, Randi and Bob >Untitled (Storefront Churches) 1960s >Anne Tucker >Untitled (Storefront Churches), >Woman with Scarf, c. 1958–1962 >Phil Perkis Fisher Fund and Pepita Milmore Memorial Fund 1959–1961, gelatin silver prints, >Cotton Sharecropper, Gren County, >Michael Simon 2016.196.1–7 and 2016.196.12, Gift Georgia, 1937 >Manuel Bravo Norfolk, Simon, British, born of Dr. and Mrs. J. Patrick Kennedy >Portrait of an Elderly Indonesian >Nathan Lyons Nigeria, 1963 Woman, 1958 >Bill Arnold >The North Gate Baghdad, 2003, Rudolph, Charlotte, German, >Woman on Stairs, Indonesia, 1958 >Joyce Neimanas chromogenic print, printed 2004 1896–1983 >Death in the Doorway, Grayson, San >Judy Dater >Old Biplane on a Display Plinth at >Gret Palucca Dance Study I, 1925, Joaquin Valley, California, 1938 >Burk Uzzle the Exhibition Grounds in Kabul gelatin silver print, 2017.89.1, >Richmond, California, 1942 >Todd Walker >Bullet Scarred Outdoor Cinema at Alfred H. Moses and Fern M. >Vietnam, 1958 >Eva Rubinstein the Palace of Culture in Kabul Schad Fund >Demonstration, San Francisco, >Fred McDarrah >Victory Arch Built by the Northern Russell, Andrew Joseph, American, California, 1934 >Betty Hahn Alliance at the Entrance to a Local >Grandfather and Grandson, >Nick Hlobeczy 1830–1902 Commander’s HQ in Bamiyan, >Stone Wall Rear of Fredericksburg, Manzanar, 1942 >John Divola 2002, chromogenic prints, printed >Campesino, Venezuela, 1960 >Tom Barrow with Rebel Dead, 1863, albumen 2007, 2016.196.8–11, Gift of Dr. and print, 2016.154.1, Robert B. Menschel >Egypt, c. 1963 >Cal Kowal Mrs. J. Patrick Kennedy >Untitled, Ireland, 1954 >Robert von Sternberg and the Vital Projects Fund >Industrialized Agriculture, from >Jim Alinder Oldenburg, Claes, American, >The Great West Illustrated in a Texas Farmer to Migratory Worker >M.J. Walker born Sweden, 1929 Series of Photographic Views Across in Kern County, California, >Bill Parker >Sort of a Commercial for an Ice the Continent, Taken Along the Line of November, 1938 >Al Woolpert Bag, 1970, digital master of 16mm the Union Pacific Railroad, West from >Untitled, c. 1963 >Duke Baltz color sound film, 2017.54.75, Gift of Omaha, Nebraska, 1869, bound >Love and Marriage, 1952 >Gus Kayafas Gemini G.E.L. and the Artist volume of fifty albumen prints, >Grain Elevator, Everett, Texas, 1938 >Arnold Newman 2016.155.1, Avalon Fund and New >I Am An American, Oakland, >Andy Anderson Owen, Hugh, British, 1808–1897 Century Fund >Oyster Boats, 1860s–1870s, California, 1942 >Pete Bunnell Schulz-Dornburg, Ursula, German, >Death in the Doorway, Grayson, San >Bobby Heinecken albumen print, 2016.193.1, Gift of Hans P. Kraus Jr. born 1938 Joaquin Valley, California, 1938 >Micha Bar-Am >Erevan—Gymri, 2001 >Man Engaged in Self Help >Beaumont Newhall >Erevan—Sevan 09, 2004/2010

62 NATIONAL GALLERY OF ART

>Erevan—Sevan, 2002 >Erevan—Gymri 08, 2004 >Erevan—Gymri, 2000 >Erevan—Mezamor, 2000 >Erevan—Sevan 07, 2001 >Gymri—Erevan 07, 2000 >Sevan—Wardenis 02, 2002, gelatin silver prints, 2017.39.1–9, Charina Endowment Fund >Erevan—Gori (Tiflis), 2000, gelatin silver print, 2017.43.1, Gift of Ursula Schulz-Dornburg

Smith, Ming, American, born c. 1950 >Sun Ra Space II, New York, New York, 1978 >A Shopper at the Fair, Columbus, Ohio, c. 1980, gelatin silver prints, 2017.42.1–2, Charina Endowment Fund

Steinberg, Saul, American, born Romania, 1914–1999 >Untitled, 1950, gelatin silver print, 2017.91.1, Robert B. Menschel and the Vital Projects Fund

Steiner, Ralph, American, 1899–1986 >Louis Lozowick, 1929, gelatin silver print, 2017.97.1, Robert B. Menschel and the Vital Projects Fund

Taylor-Johnson, Sam, British, born 1967 >A Little Death, 2002, 35 mm film transferred to DVD, 2016.197.1, Gift of Heather Podesta Collection

Terris, Adolphe, French, 1820–1900 >Sculpture de griffon sur un chantier à >Sculpture de griffon sur un chantier à Marseille >Sculpture de griffon sur un chantier à Marseille, c. 1866–1868, cyano- types, 2017.41.1–3, Pepita Milmore Memorial Fund

Vignes, Louis, French, 1831–1896 >Two Men in Ruins near Beyrouth, Lebanon, 1860s, albumen print, 2017.67.1, Pepita Milmore Memorial Fund

Weems, Carrie Mae, American, born 1953 >Kitchen Table Series, 1990, twenty platinum prints and fourteen screenprints, printed 2003, 2017.4.1.1–34, Gift of the Collectors Committee and Robert B. Menschel and the Vital Projects Fund

Yamawaki, Michiko, Japanese, 1910–2000 >Ginza >Ginza >Ginza >Ginza >Ginza, c. 1932, gelatin silver prints, 2017.95.1–5, Alfred H. Moses and Fern M. Schad Fund

63 CHANGES OF ATTRIBUTION

The following changes of attribution are SCULPTURES DRAWINGS the result of scholarly research utilizing the latest art historical investigations and 1942.9.188 2006.11.4 Old: Donatello, Bacchante, n.d. The Presentation of the Virgin in the Temple scientific examinations. It is the policy of New: Master of the Martelli Mirror, A Bacchante, Old: Netherlandish 17th Century, after Federico the National Gallery of Art to publish these late 15th or early 16th century Barocci, c. 1610 changes regularly. The following changes New: Attributed to Federico Barocci, c. 1600 of attribution were proposed by Gallery 1942.9.192 curators and approved by the Gallery’s Old: Donatello, Satyr, n.d. 2005.145.21 New: Master of the Martelli Mirror, A Satyr, late Two Nudes Board of Trustees during fiscal year 2017. 15th or early 16th century Old: Auguste Rodin, c. 1900 Each list is arranged in alphabetical order New: Odilon Roche, 1918/1947 according to former attribution. Changes 1957.14.137 of title and/or date are included if they Old: Donatello, Ornamental Plaque, n.d. 1982.85.1 New: Italian 15th Century, Ornamental appliqué Studies of Nude Dancers were a part of the attribution change. with triton, dolphins, and seed-pods, possibly late Old: Attributed to Auguste Rodin, c. 1900/1905 15th century New: Odilon Roche, 1918/1947

1942.9.190 Old: Donatello, Playing Putti, n.d. New: Roman 15th Century, Infant Bacchants with Pipes, a Vase, and a Mask of Silenus, c. 1465/1471

1957.14.134 Old: Donatello, Saint Jerome, mid 15th century New: North Italian () 16th Century, Saint Jerome in Penitence before a Rustic Church, c. 1505/1510

1957.14.128 Old: Mantuan 15th Century, A Satyr (Making the Cuckold’s Sign), fourth quarter 15th century New: Master of the Martelli Mirror, A Satyr, late 15th or early 16th century

1957.14.129 A Bacchante Old: Mantuan 15th Century, fourth quarter 15th century New: Master of the Martelli Mirror, late 15th or early 16th century

1957.14.127 Old: After Mantuan 19th Century, A Satyr and a Bacchante, 19th century New: European 19th Century, after the Master of the Martelli Mirror, A Satyr and a Bacchante (Alle- gory of Reproduction), fourth quarter 19th century

1957.14.136 Old: North Italian 16th Century, Five at Play, early 16th century New: Roman 15th Century, Infant Bacchants with Pipes, a Vase, and a Mask of Silenus, c. 1465/1471

1942.9.191 Old: Paduan 16th Century, Saint Jerome, late 15th or early 16th century New: North Italian (Veneto) 16th Century, Saint Jerome in Penitence before a Rustic Church, c. 1505/1510

64 EXHIBITIONS AND LOANS

During the fiscal year, 279 Organized by the National Gallery >Rineke Dijkstra support of The Leonard and Elaine lenders from sixteen countries of Art December 10, 2016–July 16, 2017 Silverstein Family Foundation Molly Donovan, curator Organized by the National Gallery Major support provided through and thirty-four states loaned Supported by the Tower Project of of Art the generosity of the Virginia 1,557 works of art to twenty- the National Gallery of Art Sarah Greenough, curator Cretella Mars Endowment Fund for one exhibitions. The Gallery >Los Angeles to New York: Dwan >Della Robbia: Sculpting with Color the International Exchange of Art also worked on another thirty- Gallery, 1959–1971 in Renaissance Florence Additional funding provided by the four exhibitions scheduled Continued from the previous fiscal February 5, 2017–June 4, 2017 Exhibition Circle of the National Gallery of Art to open in the next five years year to January 29, 2017 Organized by the Museum of Organized by the National Gallery Fine Arts, Boston, in association Supported by an indemnity from and administered the tour of Art with the National Gallery of Art, the Federal Council on and of eight exhibitions. United James Meyer, curator Washington the Humanities States Government Indemnity Supported by the Robert and Alison Luchs, curator >America Collects Eighteenth- was secured for three exhibi- Mercedes Eichholz Foundation Made possible by Altria Group on Century French Painting tions on view in fiscal year >Photography Reinvented: The behalf of Ste. Michelle Wine Estates, May 21, 2017–August 20, 2017 and by Marchesi Antinori S.p.A. Organized by the National Gallery 2017, resulting in savings Collection of Robert E. Meyerhoff and Rheda Becker Major support provided by Sally of Art of more than $1,203,579 in Continued from the previous fiscal Engelhard Pingree and The Charles Yuriko Jackall, curator insurance premiums. year to March 5, 2017 Engelhard Foundation, and the >Matthias Mansen: Configurations Organized by the National Gallery Buffy and William Cafritz Family July 23, 2017–December 13, 2017 Foundation >Hubert Robert, 1733–1808 of Art Organized by the National Gallery Additional funding provided by the Continued from the previous fiscal Sarah Greenough, curator of Art Exhibition Circle of the National year to October 2, 2016 John A. Tyson, curator >Civic Pride: Group Portraits from Gallery of Art Organized by the National Gallery Amsterdam >Edvard Munch: Color in Context of Art, Washington, and the Musée Continued from the previous fiscal >The Urban Scene: 1920–1950 September 3, 2017–January 28, 2018 du Louvre, Paris year to August 28, 2017 February 26, 2017–August 6, 2017 Organized by the National Gallery Margaret Morgan Grasselli and Organized by the National Gallery Organized by the National Gallery of Art Yuriko Jackall, curators of Art of Art Jonathan Bober and Mollie Berger, Made possible through The Arthur Wheelock, curator Charles Ritchie, curator curators Leonard and Elaine Silverstein Made possible by the Hata Foundation >In the Tower: Theaster Gates: >Posing for the Camera: Gifts from Family Foundation Supported, in part, by public funds The Minor Arts Robert B. Menschel Additional funding provided by the from the Cultural Ser- March 5, 2017–September 4, 2017 September 17, 2017–January 28, 2018 Exhibition Circle of the National vices and through the generosity of Organized by the National Gallery Organized by the National Gallery Gallery of Art Mrs. Henry H. Weldon of Art of Art Supported by an indemnity from >Drawings for Paintings in the Age Sarah Newman, curator Sarah Greenough, curator the Federal Council on the Arts and of Rembrandt Made possible by the Tower Project the Humanities October 4, 2016–January 2, 2017 of the National Gallery of Art LENDERS TO >Damien Hirst: The Last Supper Organized by the National Gallery >East of the Mississippi: EXHIBITIONS Continued from the previous fiscal of Art, Washington, and the Nineteenth-Century American year to January 1, 2017 Fondation Custodia, Collection Landscape Photography Private Collections Organized by the National Gallery Frits Lugt, Paris March 12, 2017–July 16, 2017 of Art Arthur Wheelock, curator Organized by the National Gallery Eduardo Abush Judith Brodie, curator Made possible through the generous of Art, Washington, in association Kate Agius >Intersections: Photographs and support of Dr. Mihael and Mrs. with the Museum Ambassador of France, London Videos from the National Gallery of Mahy Polymeropoulos of Art Anne Anka Art and the Corcoran Gallery of Art Additional funding provided by the Diane Waggoner, curator Susan Bay-Nimoy Continued from the previous fiscal Exhibition Circle of the National Made possible through the gener- Rheda Becker year to January 2, 2017 Gallery of Art ous support of the Trellis Fund Ms. Katrin Bellinger The Honorable Max N. Berry Organized by the National Gallery >Stuart Davis: In Full Swing Additional funding kindly provided Mr. and Mrs. Leon D. Black of Art November 20, 2016–March 5, 2017 by Kate and Wes Mitchell Iwona Blazwick Sarah Greenough and Philip Organized by the National Gallery >The Woodner Collections: Master Jean Bonna Brookman, curators of Art, Washington, and the Drawings from Seven Centuries Mary Boone Supported by the Trellis Fund Whitney Museum of American Art, March 12, 2017–July 16, 2017 Matthias Brunner Additional funding provided by New York Organized by the National Gallery Chris Carter and Dori Pierson Brian and Paula Ballo Dailey Harry Cooper, curator of Art Rosemarie Castoro Made possible by Altria Group in Margaret Morgan Grasselli, curator >Recent Acquisitions of Dutch and Tony Cheng celebration of the 75th Anniversary Flemish Drawings >Frédéric Bazille and the Birth of Paula Cooper of the National Gallery of Art Continued from the previous fiscal Impressionism Mr. de Royere Major support provided by the year to January 2, 2017 April 9, 2017–July 9, 2017 Beth Rudin DeWoody Henry Luce Foundation Organized by the National Gallery Organized by the National Gallery Virginia Dwan Additional support provided by the of Art of Art, Washington; the Musée Sarah G. Epstein Terra Foundation for American Art Margaret Morgan Grasselli, curator Fabre, Montpellier; and the Musée Ernesto Esposito Supported by an indemnity from Supported in part by a generous d’Orsay, Paris Anne Faggionato the Federal Council on the Arts and grant from the Thaw Charitable Trust Kimberly Jones, curator Peter Fleissig the Humanities >In the Tower: Barbara Kruger Made possible by leadership Greg French Continued from the previous fiscal Glenn Fuhrman year to January 22, 2017 Tony Ganz

65 EXHIBITIONS AND LOANS

John and Jill Garcia Diane von Furstenberg : Bayerisches Staats- of Art; The Museum of Contemporary Theaster Gates H. Scott Wallace gemäldesammlungen- Art, Los Angeles Stephen Geiger Dr. and Mrs. John C. Weber Schwerin: Staatliches Museum Pasadena: David and Susan Gersh John Willenbecher Schwerin San Diego: Timken Museum of Art Mr. and Mrs. Ralph Goldenberg Daniel Wolf San Francisco: Fine Arts Museums Mr. and Mrs. Noam Gottesman Andrea Woodner IRELAND of San Francisco, de Young, Legion Mr. and Mrs. Bernard Greenberg Dian Woodner of Honor; San Francisco Museum of Mr. and Mrs. Kenneth Griffin Mary Zlot Dublin: National Gallery of Ireland Modern Art Agnes Gund Mr. and Mrs. Morris E. Zukerman Nancy Hackerman ITALY Diane and Bruce Halle Public Collections Hartford: Thomas Harris Florence: Galleria degli ; Museo Museum of Art Harry Waldron Havemeyer Nazionale del Bargello; Oratory of New Haven: Yale University Art Gallery San Tomasso Aquino Damien Hirst : Albertina; Kunsthistorisches Pistoia: San Giovanni Fuorcivitas, District of Columbia Maguerite Hoffman Museum Wien; Liechtenstein Pistoia Washington: Hirshhorn Museum Charles Isaacs Museum Rome: Galleria Lorcan O’Neill and Sculpture Garden; The Library of Mr. and Mrs. Conrad Janis Congress; National Gallery of Art Li- JAPAN brary; National Museum of American Nancy Reddin Kienholz History, Behring Center, Smithsonian Rotraut Klein-Moquay Sao Paulo: Museu de Arte de Sao Yokohama: Institution; Smithsonian American Paulo Assis Chateaubriand ; The Phillips Collection Henry R. Kravis NETHERLANDS Barbara Kruger CANADA Florida Jon Landau Amsterdam: Rijksmuseum Jacksonville: The Cummer Museum The Honorable and Mrs. Montreal: Candian Centre for Archi- : Stedelijk of Art & Gardens Ronald S. Lauder tecture; Montreal Museum of Fine Rotterdam: Museum Boijmans Van Palm Beach: Hall Collection Inc. Michael Lehr Arts; Power Corporation of Canada Beuningen West Palm Beach: Norton Gallery David Leventhal Art Collection The Hague: Royal Picture Gallery and School of Art Richard and Jeanne Levitt Ottawa: National Gallery of Canada Stephan Loewntheil Toronto: Illinois Lin Lougheed SPAIN Chicago: The Art Institute of Chicago W. Bruce and Delaney H. Lundberg DENMARK Phyllis and William Mack Madrid: Gallería Helga de Alvear; Indiana Linda and Harry Macklowe Copenhagen: Museo Thyssen-Bornemisza Indianapolis: Indianapolis Museum David Mahoney of Art Joel and Sherry Mallin FRANCE SWITZERLAND Muncie: David Owsley Museum of Art Michael Mattis Janet Mavec Le Havre: Musée Malraux Basel: Fondation Beyeler; Kentucky Robert B. Menschel Montpellier: Musée Fabre Kunstmuseum Basel Louisville: The Speed Art Museum Robert E. Meyerhoff Paris: Bibliothèque Nationale de Zurich: Dena Capital Holdings Inc.; Marlene Meyerson France; École Nationale Supérieure David M. Koester Gallery Louisiana The Honorable J. William Middendorf II des Beaux-Arts; Kraemer Collection; New Orleans: The Historic New Ron Miyashiro Musée Carnavalet; Musée de UNITED KINGDOM–ENGLAND Orleans Collection; New Orleans Robert Morris l’Orangerie; Musée du Louvre; Museum of Art Adam Nathanson Musée du Petit Palais; Musée Bedfordshire: The Philip Niarchos Marmottan-Claude Monet; Musée London: The Courtauld Gallery, Maryland Selmo and Genny Nissenbaum national d’art moderne, Centre Courtauld Institute of Art; Dulwich : The Diane Nixon Georges Pompidou Picture Gallery; The National Gallery; Potomac: Glenstone Museum Russell Norton Sceaux: Musée de l’Ile de France The ; Tate; Johnny Versailles: Musée national des Van Haeften Ltd. Massachusetts Mr. Ivan E. Phillips Châteaux de Versailles et de Trianon Manchester: Andover: Addison Gallery of Donn and Bob Poile Newcastle upon Tyne: Newcastle American Art Private collector GERMANY University Library Boston: Isabella Stewart Gardner David Rockefeller Sr. Museum; Museum of Fine Arts Deborah Ronnen Berlin: Staatliche Museen zu Berlin, UNITED KINGDOM–SCOTLAND Cambridge: Prentice and Paul Sack Gemäldegalerie; Staatliche Museen Newburyport: Museum of Old Photographic Trust zu Berlin, Kunstbibliothek : National Galleries Newbury Marissa Sackler Bremen: Kunsthalle Bremen of Scotland Williamstown: and Francine Michael Salcman, M.D. : Wallraf-Richartz-Museum Clark Art Institute Lord Harry Samuel Darmstadt: Hessisches Landesmu- UNITED STATES Worcester: Worcester Art Museum Lionel Sauvage seum Darmstadt William L. Schaeffer : Gemäldegalerie Alte Meis- Alabama Michigan Mrs. Douglas Scheumann ter, Staatliche Kunstsammlungen Birmingham: Birmingham Museum Detroit: The Detroit Institute of Arts Jean-Pierre Selz Frankfurt: Städelsches Kunstinstitut of Art Robert and Anna Marie Shapiro Frankfurt am Main Henry Silverman Hamburg: Hamburger Kunsthalle California : Minneapolis Institute Sheldon H. Solow : Staatliche Kunsthalle La Jolla: Museum of Contemporary of Art Stephen G. Stein Karlsruhe Art San Diego Thomas F. Sterling Mannheim: Städtiche Kunsthalle Los Angeles: California African Missouri Trustees of the 1990 Children’s Settlement Mannheim American Museum (CAAM); Fred- Kansas City: The Nelson-Atkins Allen and Lynn Turner erick R. Weisman Art Foundation; Museum of Art Neal Turtell Gemini G.E.L.; The J. Paul Getty Mu- St. Louis: Missouri History Museum; Celia Forner Venturi seum; Los Angeles County Museum Saint Louis Art Museum

66 NATIONAL GALLERY OF ART

Nebraska LENDERS OF WORKS Fioratti Collection Smithsonian American Art Museum Omaha: Joslyn Art Museum DISPLAYED WITH THE Giovanni Minello Sir NGA COLLECTION >Bust of a Woman >Marchesa Elena Grimaldi-Cattaneo New Hampshire French 13th Century Hanover: Hood Museum of Art, Collection of >Angel Holding a Cross and the Anonymous Foundation, Inc. Crown of Thorns Bernardo Bellotto Helen Frankenthaler >Bishop Blessing >Pima, The Fortress of Sonnenstein >Mountains and Sea >Heraldic Panel Nicolaes Pietersz Berchem Princeton: Art >Vita Contemplativa >An Italianate Landscape with Figures Museum Glenstone Museum, Potomac, Jan Anthonisz Ravesteyn Gerrit Adriaensz Berckheyde Maryland >Judith Langley >The Grote or St. Bavokerk in Haarlem New Mexico Katharina Fritsch Gerard ter Borch the Younger Santa Fe: The Holt-Smithson >Hahn/Cock Mrs. Frederick M. Stafford >The pressing invitation to drink Foundation Claude Lorrain German 18th Century Collection of the Artist >Landscape with and >Pair of Female Figures New York Jasper Johns Jacopo Palma il Giovane Brooklyn: Brooklyn Museum >Dancers on a Plane The Saul Steinberg Foundation >Venus and Cupid at the Forge of Vulcan Buffalo: Albright-Knox Art Gallery >Field Painting Saul Steinberg Jean-Antoine Houdon New York: The ; Hans >No >Awl/Screwdriver >Diana the Huntress P. Kraus, Jr., Inc.; The Metropolitan >Target >Bellhop Dog and Woman Georgia O’Keeffe Museum of Art; The Morgan Library >Camera (blue jar-cover lens) >A Black Bird with Snow-Covered & Museum; The Museum of Modern The Honorable and Mrs. >Camera (film-canister lens) Red Hills Art; Museum of the City of New York; Ronald S. Lauder >Camera (reflector-light lens) Charles Ethan Porter Estate of ; Solomon >Deco Skyscraper >Cherries R. Guggenheim Museum; The >Blue Green >Envelope Assadour O. Tavitian Trust U/A dated >Envelope Collection of Roger Arvid Anderson October 28, 2004; Whitney Museum The Leiden Collection, New York >Envelope Possibly Germain Pilon of American Art >Knife >Veiled Mourner with Torch Poughkeepsie: The Frances Lehman >Self-Portrait >Ledger Book (green) Loeb Art Center, Jan van Mieris >Low-rise Building Ambassador Elizabeth Frawley >A Traveler at Rest >Open Book (Death as Liberty and Bagley North Carolina Rembrandt van Rijn portrait of a woman) Rembrandt van Rijn Raleigh: North Carolina Museum of Art >Study of an Elderly Woman in >Open Spiral Notepad >Portrait of an Old Man a White Cap >Paintbox Ohio >Head of a Girl >Paint Brush The Morris and Gwendolyn Cafritz Cincinnati: American Premier Jan Steen >Pen (marked August 9, 1974) Foundation Underwriters; Cincinnati Art >The Prayer Before the Meal >Ruler David Smith Museum; Taft Museum of Art >Cubi XI : The The Metropolitan Museum of Art U.S. Department of the Interior, Columbus: Columbus Museum of Art Francesco di Giorgio Martini , Saint- Calder Foundation Oberlin: Allen Memorial Art Museum, >The Nativity Gaudens National Historic Site, Alexander Calder Cornish, New Hampshire >Aztec Josephine Baker Toledo: Toledo Museum of Art Robert and Jane Meyerhoff Collection Augustus Saint-Gaudens >Cheval Rouge Brice Marden >Study Head of a Black Soldier (6 works) >Cheval Rouge (maquette) Pennsylvania >Cold Mountain 5 (Open) >Preliminary Sketch for Shaw Memorial >Descending Spines Philadelphia: Library Company of >Shaw Memorial >Eucalyptus Philadelphia; Philadelphia Museum Musée du Louvre, Réunion des >Early Study of the Allegorical >Louisa’s 43rd Birthday Present of Art Musées Nationaux, Paris Figure for the Shaw Memorial >1 Red, 4 Black plus X White Pittsburgh: Venetian 16th Century >Rat >Boy on a Dolphin Rose-Marie and Eijk van Otterloo >Red Panel Rhode Island Collection >Small Feathers Providence: Rhode Island School of National Museum of Health and Caesar van Everdingen >Sphere Pierced by Cylinders Design Museum of Art Medicine, Institute of Pathology >Bacchus and Bacchantes >The Big Ear Thomas Eakins >An Offering to Venus >Tom’s Texas >Dr. John H. Brinton Aert van der Neer >Tower with Orange Band Dallas: Dallas Museum of Art >A Snowy Winter Landscape >Untitled Fort Worth: Amon Carter Museum; North Carolina Museum of Art Esaias van de Velde I >Untitled Kimbell Art Museum Paris Bordone >An Elegant Company in a Garden >Untitled Houston: Sarah Campbell Blaffer >Portrait of Man in Armor >Untitled Gallery; The Museum of Fine Arts The >Untitled Anita and Burton Reiner Paul Cézanne >Untitled Virginia Mel Bochner >Hamlet at Payannet, near Gardanne >Untitled Norfolk: Chrysler Museum of Art >Master of the Universe (Hameau à Payannet près de Richmond: Virginia Museum of Gardanne) The Catholic University of America, Fine Arts Candida and Rebecca Smith >Houses on a Hill, Provence Oliveira Library David Smith [Maisons sur un colline] Frans Post Washington >Aggressive Character >Still Life with Skull >Brazilian Landscape, Probably Seattle: Seattle Art Museum >Black-White Forward Pernambuco >Blue Construction Mr. and Mrs. Erving Wolf Anna Hyatt Huntington Cooper-Hewitt, National Design Robert H. Smith >Yawning Panther Museum, Smithsonian Institution Manner of Pugin Frederick William MacMonnies Giovanni Domenico Tiepolo >Marble Octagonal Pedestal (2 Works) >Nathan Hale >The Immaculate Conception >Pan of Rohallion

67 EXHIBITIONS AND LOANS

Paul Manship BRAZIL >The Letter >The Locomotive >Actaeon Elizabeth Catlett Johann Hürlimann, after Karl Bodmer >Atalanta São Paulo, Museu de Arte de São >Untitled () >Sih-Chidä and Mahchsi-Karehde >Briseis Paulo Assis Chateaubriand Vija Celmins Jasper Johns >Flight of Europa Henri de Toulouse-Lautrec >Concentric Bearings, D >Flags I >Flight of Night June 29, 2017–October 1, 2017 Jean Charlot William H. Johnson >Oriental Dancer: Vase Henri de Toulouse-Lautrec >Tortilla Maker >Blind Singer >Panther leaping at deer (Bronze >Lady with a Dog* Alfred Jones, after Richard Caton Relief from the New York Century >A la Bastille (Jeanne Wenz) >Leslie/Fingerprint/Silk Collé Woodville Association Flower Boxes) Stuart Davis >Mexican News >Salome CANADA >Barber Shop Chord Elbridge Kingsley Edward McCartan Dorothy Dehner >New England Elms >Bacchus Montreal, Montreal Museum of Fine Arts >Figures in Landscape >Nymph and Satyr Chagall: Colour and Music Willem de Kooning and Harold >Sol y Luna Elie Nadelman January 16, 2017–June 4, 2017 Rosenberg (author) Martin Lewis >Classical Head >Revenge >Stoops in Snow Augustus Saint-Gaudens >Houses at Vitebsk Charles B. J. Févret de Saint-Mémin >Arc Welders at Night >“The Puritan” (Deacon Samuel Chapin) >Folio 2 of Saint-Mémin Album >Samuel Gray Ward CZECH REPUBLIC >Folio 9 of Saint-Mémin Album >Sweet Dreams, Baby! >Robert Louis Stevenson (square format) >Folio 27 of Saint-Mémin Album Glenn Ligon >Robert Louis Stevenson Prague, Národní galerie v Praze >Folio 31 of Saint-Mémin Album >Untitled: Four Etchings [B] (horizontal format) Le Douanier: Le Richard Diebenkorn William Home Lizars, after John >Victory/Peace Douanier Rousseau. L’innocence >Green James Audubon archaique Jim Dine >Great American Cock Dian Woodner September 16, 2016–January 15, 2017 >Five Paintbrushes (third state) Louis Lozowick Louise Bourgeois Henri Rousseau Mabel Dwight >Still Life #2 >Germinal >Tropical Forest with Monkeys* >Queer Fish Josef Albers, Tlaloc >New York >Stick ’Em Up >Subway Construction Three Centuries of American Prints Michele Fanoli, after Richard Helen Lundeberg NGA LOANS TO from the National Gallery of Art Caton Woodville >Planets TEMPORARY October 5, 2016–January 8, 2017 >Politics in an Oyster House Brice Marden EXHIBITIONS Circulated to: Antiguo Colegio de >Ten Days (I) San Ildefonso, >The Gate (Das Tor) John Marin The department of loans and the February 7, 2017–May 2, 2017 William Forrest, after Frederic >Woolworth Building, No.1 National Lending Service adminis- Circulated to: Dallas Museum of Art Edwin Church >Woolworth Building (The Dance) tered the loans of 1,071 works of art May 28, 2017–September 3, 2017 >Heart of the Andes >Brooklyn Bridge #6 (Swaying) to 224 sites during fiscal year 2017. Josef Albers Helen Frankenthaler Reginald Marsh This number includes the loan of >White Line Square XII >Savage Breeze >Tattoo-Shave-Haircut 888 works to temporary exhibitions Peggy Bacon Valentine Green, after Thomas >Eltinge Follies at 184 institutions and the extended >Frenzied Effort Stothard, after Charles Willson Peale loan of 175 Gallery works to 32 after F. Bartoli >George Washington >’Tween the Gloaming and the Mirk sites. Six works from the Gallery’s >Ki-On-Twog-Ky, or Cornplanter Jolán Gross-Bettelheim collections were on short-term loan Leonard Baskin >Home Front >Mountain of the Holy Cross, to the permanent collections of four >The Hydrogen Man >The Much Resounding Sea museums. Romare Bearden >Do women have to be naked to get Eugene Morley >Home to Ithaca into the Met. Museum? >Jersey Landscape *Works in the National Lending George Bellows Robert Gwathmey Robert Motherwell Service >A Stag at Sharkey’s >The Hitchhiker >Harvest, with Orange Stripe >Splinter Beach John Hall, after James Bennett, after Jacob C. Ward >William Penn’s Treaty with the Indians >Why He Cannot Sleep >View of the Natural Bridge Childe Hassam Melbourne, National Gallery of William James Bennett, after >The Lion Gardiner House, >Magic Garden Victoria Easthampton >Magic Garden and the Seasons: Images >City of Charleston, S. Carolina, Robert Havell, after John James Albert Newsam, after Charles Bird King of Nature and Humanity looking across Cooper’s River Audubon >Ne-Sou-A Quoit, a Fox Chief April 28, 2017–July 12, 2017 Thomas Hart Benton >American White Pelican Claes Oldenburg >Departure of the Joads >American Flamingo >Profile Airflow >Farmhouse in Provence Albion Bicknell Frances Bond Palmer >A Sun-dappled Meadow by a River >Danse du Soleil >“Wooding Up” on the Mississippi AUSTRIA Isabel Bishop John Hill, after >A Midnight Race on the Mississippi >Noon Hour >New York from Weehawk Peter Pelham Vienna, Albertina William Bradford >View from Fishkill Looking to West Point >Cotton Mather “From End to Beginning”— >Among the Ice Floes Carl Hoeckner Joseph Pennell and Pointillisms George Loring Brown >Cold Steel >Hail America in Europe >A View Near Rome Jenny Holzer September 15, 2016–January 8, 2017 Bernarda Bryson >Truism >Untitled Camille Pissarro >Arkansas Sharecroppers >Untitled >Hampton Court Green Alexander Calder >Eight Bells Maurice Brazil Prendergast >The Big I >Saved >Central Park Raphael after Winslow Homer September 29, 2017–January 7, 2018 >Woman Bathing >The Army of the Potomac—A >Untitled Raphael >The Visitor Sharp-Shooter on Picket Duty Robert Rauschenberg >Bindo Altoviti >The Banjo Lesson Edward Hopper >Accident >The Coiffure >American Landscape >Booster

68 NATIONAL GALLERY OF ART

>Cardbird II José Clemente Orozco (displayed in Lyon, Musée des Beaux-Arts de Lyon Paris, Musée du Louvre Paul Revere Mexico City and Dallas only) Matisse en noir et blanc Edme Bouchardon de sanquine et >Buried with Him by Baptism >The Family (La familia) December 2, 2016–March 6, 2017 de marble Paul Revere, after Henry Pelham >Flag (Bandera) Henri Matisse September 12, 2016–December 5, 2016 >The Boston Massacre (The >Requiem >Still Life with Sleeping Woman Circulated to: The J. Paul Getty Bloody Massacre) >Corner of a House and Figures Museum (Esquina de casa y figuras) Montpellier, Musée Fabre January 10, 2017–April 4, 2017 >Viva Zapata Frédéric Bazille and the Birth of Edme Bouchardon Ed Ruscha DENMARK Impressionism >Cupid (displayed in France only) >Standard Station June 25, 2016–October 16, 2016 >Head of a Boy Copenhagen, Ordrupgaard Circulated to: Musée d’Orsay >Rocaille Fountain with Venus, >Study of a Seated Man Monet: A Step Beyond Impressionism November 15, 2016–March 5, 2017 Amorini, and Swans John Sartain, after George Caleb August 19, 2016–December 4, 2016 Circulated to: National Gallery of Art Bingham Claude Monet April 9, 2017–July 9, 2017 Vermeer and the Masters of Genre >The County Election >Bridge at on a Gray Day Jean-Baptiste-Camille Corot Painting: Inspiration and Rivalry Edward Savage, after Robert Edge Pine >The Artist’s Studio February 20, 2017–May 22, 2017 >Congress Voting Independence Pissarro. Between Danish Claude Monet Circulated to: National Gallery Richard Serra Golden Age Painting and French >Bazille and Camille (Study for of Ireland >Bo Diddley Impressionism “Déjeuner sur l’Herbe”) June 17, 2017–September 17, 2017 Dominic Serres March 9, 2017–July 2, 2017 >Sainte-Adresse Gabriel Metsu >The Phoenix and the Rose Camille Pissarro >The Intruder Engaged by the Enemy’s Fire >A Creek in St. Thomas (Virgin Islands)* >The Harbor at Lorient Gerard ter Borch the Younger Ships and Galleys >Bridge at Caracas Frédéric Bazille >The Suitor’s Visit Charles Sheeler >Young Woman with Peonies >Delmonico Building Copenhagen, Statens Museum for Kunst >The Western Ramparts at >Woman Holding a Balance John Simon, after John Verelst Fleeting Moments—Drawings by Aigues-Mortes* >A Lady Writing >Ho Nee Yeath Taw No Row, King of Auguste Rodin >Edmond Maître* Caspar Netscher the Generethgarick September 22, 2016–January 15, 2017 Paul Guigou >A Woman Feeding a Parrot, with a Page >Etow Oh Koam, King of the River Nation Auguste Rodin >Washerwomen on the Banks of >Sa Ga Yeath Qua Pieth Tow, King of >Nude Woman Carrying Vase on Head the Durance Paris, Musée du Luxembourg the Maquas >Figure Facing Forward Henri Fantin-Latour Henri Fantin-Latour (1836–1904) >Tee Yee Neen Ho Ga Row, Emperor >Two Figures >Pansies September 14, 2016–February 12, 2017 of the Six Nations Circulated to: Musée de Grenoble FINLAND Francis Bacon// March 18, 2017–June 18, 2017 >Reclining Nude Concept/Expression Henri Fantin-Latour >Black Woman (Dama negra) , Ateneum Art Museum, June 30, 2017–November 5, 2017 >Self-Portrait Finnish National Gallery Francis Bacon >Anshutz on Anatomy Alice Neel—A Retrospective >Study for a Running Dog* Paris, Musée du Quai Branly >Turning Out the Light June 10, 2016–October 9, 2016 The Color Line: African American >McSorley’s Circulated to: Gemeentemuseum Paris, Fondation Custodia, Collection Artists and Segregation >Mosaic Den Haag Frits Lugt October 4, 2016–January 15, 2017 David Smith November 5, 2016–February 12, 2017 Drawings for Paintings in the James Lesesne Wells >A Letter Circulated to: Fondation Vincent Age of Rembrandt >Looking Upward van Gogh—Arles February 3, 2017–May 7, 2017 Glenn Ligon >[untitled] March 4, 2017–September 17, 2017 Rembrandt van Rijn >Condition Report Benton Murdoch Spruance Alice Neel >Jan Cornelisz Sylvius, the Preacher >Condition Report >Riders of the Apocalypse >Loneliness Pieter Molijn Aaron Douglas Wayne Thiebaud >Hartley >Landscape with Open Gate >Into Bondage >Eight Lipsticks Nicolaes Pietersz Berchem Sylvia Wald Helsinki, Helsinki Art Museum >Four Sheep and a Cow Paris, Musée Marmottan Monet >Between Dimensions : In Infinity Abraham Bloemaert Camille Pissarro: Le Premier des Charles A. Walker October 7, 2016–January 22, 2017 >Head of an Old Man Impressionnistes >Evening on a River with a Boatman Yayoi Kusama Cornelis Bega February 23, 2017–July 2, 2017 Kara Walker >Infinity Nets Yellow >The Alchemist Camille Pissarro >no world Aelbert Cuyp >Peasant Girl with a Straw Hat Andy Warhol FRANCE >Landscape with Herdsmen >Two Women Chatting by the Sea, >Marilyn Monroe (Marilyn) St. Thomas* Max Weber Giverny, Musée des impressionnismes Paris, Musée d’Orsay >Prayer Giverny All that Glitters: Paris and the Dawn Monet, Collector James Lesesne Wells In Concert! (Tintamarre). Musical of Impressionism, 1852–1870 September 14, 2017–January 14, 2018 >Looking Upward instruments in art between the September 26, 2016–January 16, 2017 Auguste Renoir James McNeill Whistler 1860s and the 1910s Pierre Puvis de Chavannes >Madame Monet and Her Son >Florence Leyland March 24, 2017–July 2, 2017 >Rest Paul Cézanne >Rotherhithe Auguste Renoir >Work >Still Life with Milk Jug and Fruit* >Nocturne >Young Spanish Woman with a Guitar >Nocturne Cézanne Portraits Musée national d’art moderne, Charles White Le Cannet, Musée Bonnard June 13, 2017–September 24, 2017 Centre Georges Pompidou >We Have Been Believers Entre chiens et chats. Le Bestiaire Paul Cézanne Beat Generation Henry Wolf, after Alexander Harrison de Bonnard >The Gardener Vallier June 22, 2016–October 3, 2016 >Le Crépuscule July 2, 2016–November 6, 2016 >The Artist’s Father, Reading Robert Frank Grant Wood Pierre Bonnard “ L’ Événement” >From the Bus, New York >Shrine Quartet >Still Life with Basset Hound >Antony Valabrègue >From the Bus, New York >Fertility >Boy in a Red Waistcoat >From the Bus, New York >From the Bus, New York

69 EXHIBITIONS AND LOANS

>From the Bus, New York >Bridgeport, Connecticut Henri Matisse Tokyo, Mori Arts Center Gallery >From the Bus, New York >Bridgeport, Connecticut >Pianist and Checker Players —The queen who >From the Bus, New York >Bridgeport, Connecticut Pierre Bonnard loved art and France Allen Ginsberg >Bridgeport, Connecticut >Work Table October 25, 2016–February 26, 2017 >Herbert E. Huncke, author “The >Battlefield Monument, Vicksburg, after Élisabeth-Louise Vigée Le Brun Evening Sun Turned Crimson,”…, Mississippi Hamburg, Hamburger Kunsthalle >Marie-Antoinette* 1953. >Sixth Avenue El, New York City The School of Titian—Paris >Carl Solomon in his Prince Street…, Bordone and Tokyo, The National Museum of 1953. Réunion des Musées Nationaux and February 23, 2017–May 21, 2017 Western Art >Gary Snyder, his small house- Galeries nationales du Grand Palais Titian Lucas Cranach the Elder. A garden on Nishinomiya-cho, Rodin, l’exposition du centenaire >Portrait of a Lady Renaissance Master and his Legacy Kita-ku section…, 1963. March 20, 2017–July 31, 2017 October 15, 2016–January 15, 2017 >From roof of Brahmin’s house wherein Auguste Rodin Munich, Haus der Kunst Circulated to: The National we’d rented Third floor room six >Eve Eating the Apple Postwar: Art between the Pacific Museum of Art, Osaka months December to May 1963…, >La France and the Atlantic, 1945–1965 January 28, 2017–April 16, 2017 1963. October 14, 2016–March 26, 2017 Lucas Cranach the Elder >Gregory Corso, Paul Bowles, William Versailles, Musée national des Jean Dubuffet >The Nymph of the Spring Burroughs, behind him shades Châteaux de Versailles et de Trianon >La dame au pompon* of Ian Summerville, Cambridge Fetes et divertissements a la cour KOREA, REPUBLIC OF (SOUTH KOREA) mathematics student, Bill’s cut-up November 29, 2016–March 26, 2017 , Museum Barberini tech assistant, and Michael Portman, Jean-Baptiste Oudry Impressionism: The Art of Landscape Seoul, Seoul Museum of Art eighteen-year-old Public School >Henri Camille, Chevalier de Beringhen January 23, 2017–May 28, 2017 Renoir Image of Women aristocrat admirer of Naked Lunch…, Claude Monet December 16, 2016–March 26, 2017 1961. GERMANY >The Bridge at Argenteuil Circulated to: The Miyagi Museum >Allen Ginsberg, utility man,…, 1947. of Art >We went uptown to look at Mayan Berlin, Martin-Gropius-Bau ITALY January 14, 2017–April 16, 2017 Codices… 1953 The Luther Effect. Protestantism— Auguste Renoir >“Now Jack as I warned you…,” 1953. 500 Years in the World Rome, Museo Galleria di Villa Borghese >Woman with a Cat >Robert LaVigne, painter at April 12, 2017–November 5, 2017 The Birth of the Still Life >Child with Toys—Gabrielle and the 1010 Montgomery Street, Attributed to Frederick Kemmelmeyer November 16, 2016–March 12, 2017 Artist’s Son, Jean San Francisco…, 1955 >Martin Luther Pensionante del Saraceni >Neal Cassady and his love of that year >Still Life with Fruit and Carafe MEXICO the star-cross’d Natalie Jackson…, 1955 Berlin, Staatliche Museen zu Berlin >Jack Kerouac wandering along East “El Siglo de Oro.” Spanische Malerei Rome, Palazzo Braschi Mexico City, Museo Nacional de Arte 7th Street…, 1953 und Skulptur des 17. Jh and Her Times Desnudo en el paisaje. Felipe >Bob Donlon (Rob Donnelly, July 1, 2016–October 30, 2016 November 30, 2016–May 7, 2017 Santiago Gutiérrez. Kerouac’s Desolation Angels), El Greco (Domenikos Theotokopoulos) Bernardo Cavallino September 12, 2017–January 18, 2018 Neal Cassady, myself…, 1956 >Saint Martin and the Beggar >The Triumph of Galatea Jean-Baptiste-Camille Corot >Paul Bowles preparing mint tea…, 1961 >Italian Girl >My front room 1010 Montgomery…, Bremen, Kunsthalle Bremen Rome, Scuderie del Quirinale 1955 Max Liebermann: Riding, Tennis, Pablo Picasso between Cubism NETHERLANDS >Bill Burroughs and Jack Kerouac Polo. From Leisure Activity to and : 1915–1925 locked in Mortal Combat…, 1953 Modern Sports September 21, 2017–January 21, 2018 The Hague, Royal Picture Gallery >Jack Kerouac, Villa Mouneria October 22, 2016–February 26, 2017 Pablo Picasso Mauritshuis Garden Wall, Tangier…, 1957 Edgar Degas >Harlequin Musician Slow Food: Still Lifes of the >Peter Orlovsky legs crossed…, 1961 >The Riders Golden Age >Dr. Timothy Leary meeting Neal JAPAN March 9, 2017–25 June 25, 2017 Cassady…, 1964 . The World as a Stage Osias Beert the Elder September 30, 2017–February 4, 2018 Kyoto, The National Museum of >Dishes with Oysters, Fruit, and Wine Magritte, la trahison des images Max Beckmann Modern Art, Kyoto Pieter Claesz September 21, 2016–January 23, 2017 >The Argonauts [left panel]* Mary Cassatt Retrospective >Still Life with Peacock Pie Circulated to: Schirn Kunsthalle >The Argonauts [middle panel]* September 27, 2016–December 4, 2016 Frankfurt >The Argonauts [right panel]* Mary Cassatt SPAIN February 10, 2017–June 5, 2017 >Beckmann Sketchbook 23 >Children Playing on the Beach* René Magritte >Beckmann Sketchbook 39 Barcelona, Museu Picasso >The Blank Signature* >Beckmann Sketchbook 26 Sapporo, Hokkaido Museum of The Crystal in the Flame: Cubism >Beckmann Sketchbook 15 Modern Art and War Walker Evans >Beckmann Sketchbook 18 Van Gogh & Japan October 20, 2016–January 29, 2017 April 26, 2017–August 14, 2017 >Dancer and Male Audience August 26, 2017–October 15, 2017 Jacques Lipchitz Circulated to: San Francisco Vincent van Gogh >Bas-Relief, I Dusseldorf, Museum kunst palest >Still Life of Oranges and Lemons September 30, 2017–February 4, 2018 Before the Curtain, Behind the Veil, with Blue Gloves Madrid, Fundación Juan March >Tupelo, Mississippi Revelation and Concealment since Lyonel Feininger >Debris the Renaissance Sendai, The Miyagi Museum of Art February 17, 2017–May 28, 2017 >Ringling Bandwagon October 1, 2016–January 22, 2017 Renoir Image of Women Lyonel Feininger >Subway Portrait Edouard Vuillard January 14, 2017–April 16, 2017 >Zirchow VII* >Subway Portrait >The Yellow Curtain Auguste Renoir >Subway Portrait >The Dancer Madrid, Fundación MAPFRE, >Subway Portrait Frankfurt, Städelsches Kunstinstitut >Girl with a Basket of Fish Instituto de Cultura >Subway Portrait und Städtische Galerie >Girl with a Basket of Oranges Zuloaga in Paris of La Belle Epoque >Cover for The Passengers Matisse—Bonnard. “Long live (1889–1914) >Bridgeport, Connecticut painting!” September 28, 2017–January 7, 2018 >Bridgeport, Connecticut September 13, 2017–January 14, 2018 Paul Gauguin >Bridgeport, Connecticut >Self-Portrait Dedicated to Carrière

70 NATIONAL GALLERY OF ART

Madrid, Museo Nacional Centro UNITED KINGDOM–ENGLAND >Field Painting Los Angeles, The J. Paul Getty Museum de Arte Reina Sofía >No Eyewitness Views: Making History Marcel Broodthaers: A Retrospective London, The British Museum >Spring in the Capitals of Eighteenth- October 4, 2016–January 9, 2017 The American Dream: Pop to the Century Europe Circulated to: Kunstsammlung Present London, Tate May 9, 2017–July 30, 2017 Nordrhein-Westfalen March 9, 2017–June 18, 2017 Georgia O’Keeffe Circulated to: Minneapolis Institute March 4, 2017–June 11, 2017 Jasper Johns July 6, 2016–October 30, 2016 of Art Marcel Broodthaers >0 through 9 Circulated to: BA-CA Kunstforum September 10, 2017–December >Panneau de Moules (Panel >Figure 2 December 7, 2016–March 26, 2017 31, 2017 of Mussels) >Figure 5 Circulated to: Art Gallery of Ontario Antonio Joli >Figure 1 April 22, 2017–July 30, 2017 >Procession in the Courtyard of the Madrid, Museo Thyssen-Bornemisza >Figure 7 Alfred Stieglitz Ducal Palace, Venice* Caillebotte, Painter and Gardener >Figure 0 >From the Back-Window—291 Canaletto July 19, 2016–October 30, 2016 >Figure 9 (displayed in United Kingdom only) >The “Giovedì Grasso” Festival Gustave Caillebotte >Figure 3 >Paul Rosenfeld (displayed in before the Ducal Palace in Venice >Skiffs* >Figure 4 United Kingdom only) (displayed in California only) >Figure 6 >John Marin Renoir’s Caress: Tactile Sense >Figure 8 >Claudia O’Keeffe (displayed in Los Angeles, Los Angeles County and Intimacy Robert Rauschenberg United Kingdom only) Museum of Art October 18, 2016–January 22, 2017 >Page 2 >Rebecca Salsbury Strand The Serial Impulse at Gemini G.E.L. Circulated to: Museo de Bellas >Link (displayed in United Kingdom only) September 11, 2016–January 1, 2017 Artes de Bilbao >Preview >Barn & Snow David Hockney February 7, 2017–May 15, 2017 >Cardbird Door >Lake George >Rain Auguste Renoir >Tilt >Door to Shanty, Lake George >Sun >Mlle Charlotte Berthier >Sky Rite (displayed in United Kingdom only) >Wind >Medallion >Portrait of Georgia, No. 2 >Snow Venice: The Triumph of Beauty and Sam Francis >Lake George >Lightning the Destruction of Painting >Always In and Out of Need >From the Shelton, New York >Mist June 20, 2017–September 24, 2017 Ed Ruscha (Room 3003) Looking Southeast Michael Heizer Giovanni Battista Moroni >Big Dipper over Desert >New York from An American Place >Scrap Metal Drypoint #1 >“Titian’s Schoolmaster” >Hollywood (displayed in United Kingdom only) >Scrap Metal Drypoint #2 >From the Shelton, New York, >Scrap Metal Drypoint #3 SWITZERLAND London, The National Gallery Looking East (displayed in United >Scrap Metal Drypoint #4 Beyond Kingdom only) >Scrap Metal Drypoint #5 Basel, Fondation Beyeler October 12, 2016–January 15, 2017 >Georgia O’Keeffe at 291 (displayed >Scrap Metal Drypoint #6 Monet Circulated to: National Gallery in United Kingdom only) Frank Stella January 22, 2017–May 28, 2017 of Ireland >Georgia O’Keeffe >Club Onyx—Seven Steps Claude Monet February 11, 2017–May 14, 2017 >Georgia O’Keeffe >Arbeit Macht Frei >Waterloo Bridge, London, at Sunset Circulated to: National Galleries >Georgia O’Keeffe— (displayed >Clinton Plaza of Scotland in United Kingdom only) >Arundel Castle Bern, Zentrum June 17, 2017–September 24, 2017 >Georgia O’Keeffe—Torso (displayed >Die Fahne Hoch! 10 American Artists: After Paul Klee in United Kingdom only) >Marriage of Reason and Squalor September 14, 2017–January 7, 2018 >The Martyrdom of Saint Bartholomew >Georgia O’Keeffe >Tomlinson Court Park William Baziotes >Georgia O’Keeffe >Getty Tomb >Pierrot Michelangelo & Sebastiano >Georgia O’Keeffe—Breasts >Bethlehem’s Hospital >Untitled March 15, 2017–June 25, 2017 (displayed in United Kingdom only) Ellsworth Kelly >Untitled Sebastiano del Piombo >Georgia O’Keeffe (displayed in >Light Green Panel >Untitled >A Prophet Addressed by an Angel United Kingdom only) >Yellow Panel >Untitled >Ida and Georgia O’Keeffe >Gray Panel London, National Portrait Gallery >Georgia O’Keeffe >Red Panel Lugano, Museo d’arte della Howard Hodgkin—Absent Friends Georgia O’Keeffe >Red-Orange Panel Svizzera italiana March 23, 2017–June 18, 2017 >Line and Curve (displayed in >White Panel Sulle vie dell’illuminazione. Il mito Howard Hodgkin United Kingdom only) >Black Panel dell’India nella cultura occidentale >Souvenirs >Sky with Flat White Cloud >Dark Blue Panel 1808–2017 >No. 14 Special >Dark Green Panel I September 24, 2017–January 21, 2018 London, Royal Academy of Arts >Winter Road I >Dark Green Panel II Allen Ginsberg Abstract Express >Wall with Green Door >Dark Red-Violet Panel >Shambhu Bharti Baba…, 1962 September 20, 2016–January 2, 2017 Vija Celmins >Sea of Japan, returning after year Circulated to: Museo Guggenheim UNITED STATES >Concentric Bearings, B and half in India..., 1963 Bilbao >Concentric Bearings, D >From roof of Brahmin’s house February 2, 2017–June 4, 2017 Alaska >Concentric Bearings, C wherein we’d rented Third floor Mark Rothko Anchorage, Anchorage Museum >Concentric Bearings, A room..., 1963 >Interior* of History and Art Bruce Nauman >Peter Orlovsky smoking Indian >Untitled Camouflage: In Plain Sight >Untitled Hemp…, 1962 Robert Motherwell October 28, 2016–February 5, 2017 >Untitled >“Peter lying dressed up in pants >In ’s Cave No. 1 Jasper Johns >Untitled on mattress picking his red >Target [artist’s proof: white] >Untitled moustache…”, 1962 >Salut Tom >Untitled California >Untitled Martigny, Fondation Pierre Gianadda Jasper Johns: ‘Something Claremont, Pitzer College Art Galleries >Untitled Martigny Resembling Truth’ Juan Downey: Radiant Nature >Untitled Paul Cézanne September 23, 2017–December 10, 2017 September 6, 2017–December 15, 2017 >Untitled June 16, 2017–November 19, 2017 Jasper Johns Juan Downey >Untitled Paul Cézanne >Perilous Night >Against Shadows >Untitled >Montagne Sainte-Victoire, from >Between the Clock and the Bed >Nostalgic Item near Gardanne* >Seven Critics

71 EXHIBITIONS AND LOANS

John Baldessari Danny Lyon Washington, National Portrait Gallery Kentucky >Two Bowlers (with Questioning >Clifford Vaughs, Student Nonviolent America’s Presidents Gallery Louisville, Frazier History Museum Person) [left panel] Coordinating Committee (SNCC) April 11, 2017–September 4, 2017 Kentucky by Design: Material Cul- >Two Bowlers (with Questioning Photographer, Arrested by the ture, , and the New Deal Person) [right panel] National Guard, Cambridge, Maryland >George Washington (Vaughan portrait) August 6, 2016–February 12, 2017 >Jump (with Volcano) >George Washington Ada Barnes >One and Three Persons (with Two Colorado >Log Cabin Quilt Contexts—One Chaotic) Denver, Washington, Arthur M. Sackler Gallery Elbert S. Mowery >Money (with Space Between) The Art of American Dance The Power of Red >Silk Quilt >Accordionist (with Crowd) July 10, 2016–October 2, 2016 September 3, 2016–February 20, 2017 >Pioneer Salt Gourd >French Horn Player (with Three Circulated to: Crystal Bridges Mark Rothko >Shaker Rug Contexts—One Uncoded) Museum of American Art >Untitled (Seagram Mural sketch)* Ralph N. Morgan >Two Sunsets (One with Square October 22, 2016–January 16, 2017 >Silk Quilt (Hexagonal Pattern) Blue Moon) Thomas Eakins Florida Charles Goodwin >Keys (with Intrusion) >Study for “Negro Boy Dancing”: Sarasota, The John and Mable >Coverlet Julie Mehretu The Boy* Ringling Museum of Art >Sewing Table >Myriads, Only by Dark [entire polyptich] >Study for “Negro Boy Dancing”: A Feast for : Art and >Shaker Shirred Rug Susan Rothenberg The Banjo Player* Experience in Medieval Europe George V. Vezolles >Puppet Series #1 George Caleb Bingham February 4, 2017–April 30, 2017 >Corner Cupboard >Puppet Series #2 >The Jolly Flatboatmen Master of the Saint Lucy Legend >Corner Cupboard >Puppet Series #3 Abastenia St. Leger Eberle >Mary, Queen of Heaven >Shaker Rug >Puppet Series #4 >Girls Dancing >Bronze Powder Flask Winter Park, The George D. and >Shaker Sugar Chest Los Angeles to New York: Dwan Splendors of the Venetian Harriet W. Cornell Fine Arts Museum >Shaker Pegs and Candlestand Gallery, 1959–1971 Renaissance In the Light of Naples: The Art of Orville A. Carroll March 19, 2017–September 10, 2017 October 2, 2016–February 12, 2017 Francesco de Mura >Glass Bottle Circulated to: North Carolina September 17, 2016–December 11, Edward D. Williams >Untitled Museum of Art 2016 >Shaker Cabinet Jo Baer March 4, 2017–June 18, 2017 Circulated to: Chazen Museum of Art Lon Cronk >Horizontals Flanking (Small, Vittore Carpaccio January 20, 2017–April 2, 2017 >Shaker Dining Table and Chairs Thalo-Green Line) >The Flight into Egypt Circulated to: The Frances Lehman William Paul Childers >Horizontals Flanking (Small, Bartolomeo Veneto Loeb Art Center, Vassar College >Foot Warmer Thalo-Green Line) >Portrait of a Gentleman April 21, 2017–July 2, 2017 American 20th Century Carl Andre Francesco de Mura >Toy Bank >64 Steel Square Shade: Clyfford Still/Mark Bradford >Alexander Condemning False Praise Alois E. Ulrich Lawrence Weiner April 9, 2017–July 16, 2017 >Coverlet >Structure Poem Mark Bradford The Black Figure in the European Robert Smithson >Legendary Imaginary Maine >Glass Stratum January 20, 2017–May 15, 2017 Brunswick, Bowdoin College >A Nonsite, Pine Barrens, New Jersey Connecticut Henri Regnault Museum of Art >A Nonsite, Pine Barrens, , Bruce Museum of Arts >A Chief of Abyssinia This is a Portrait if I Say So: New Jersey [Photostat of map and Science Reimagining Representation in with typed text] Alfred Sisley (1839–1899): Georgia American Art, 1912–Today Robert Morris Impressionist Master Savannah, Savannah College of Art June 25, 2016–October 18, 2016 >Untitled (Battered Cubes) January 21, 2017–May 21, 2017 and Design Alfred Stieglitz Yves Klein Circulated to: Hôtel de Caumont, Lines of Influence >Portrait—K. N. R., No. 1 >L’eau et le Feu (F 113) Centre d’Art September 7, 2017–February 4, 2018 >Portrait—K. N. R., No. 2 June 10, 2017–October 15, 2017 Jacob Lawrence >Portrait—K. N. R., No. 3 Playing with Fire: Paintings by Alfred Sisley >Street to Mbari >Portrait—K. N. R., No. 4 Carlos Almaraz >Boulevard Héloïse, Argenteuil >Portrait—K. N. R., No. 5 August 6, 2017–December 3, 2017 >Flood at Port-Marly Illinois >Portrait—K. N. R., No. 6 Carlos Almaraz Chicago, The Art Institute of Chicago Jasper Johns >Europe and the Jaguar New Haven, Yale University Art Gallery Moholy-Nagy: Future Present >Viola Art and Industry in Early America: October 2, 2016–January 3, 2017 Byron Kim San Francisco, California Palace of Rhode Island Furniture, 1650–1830 Circulated to: Los Angeles County >Synecdoche (Aaron Dunkel) the Legion of Honor, The Fine Arts August 19, 2016–January 8, 2017 Museum of Art >Synecdoche Museums of San Francisco John Goddard February 12, 2017–June 18, 2017 >Synecdoche (Ada Mejicanos) The Brothers Le Nain: Painters of >Card Table László Moholy-Nagy >Synecdoche (Adalberto Arez) 17th-Century France >Q >Synecdoche (Adam Lowenbein) October 8, 2016–January 29, 2017 District of Columbia >Z VII >Synecdoche (Adayalise Caraballo) Circulated to: Musée du Louvre-Lens Washington, American University >Synecdoche (Adeline Kim) March 22, 2017–June 26, 2017 Museum at the Katzen Arts Center Gauguin: Artist as Alchemist >Synecdoche (Adriane Jaeckle) Louis Le Nain Val Lewton: From Hollywood to June 25, 2017–September 10, 2017 >Synecdoche (Agnieszka >Landscape with Peasants Breezewood Paul Gauguin Pienczykowska) >Peasant Interior June 17, 2017–August 13, 2017 >Mahana Atua (The Food of the >Synecdoche (Akiko Enokido) Val Lewton Gods) [recto] >Synecdoche (Alan Greenwood) Degas, Impressionism, and the >Dale City, Virginia >Père Paillard >Synecdoche (Alberto Batista) Paris Millinery Trade >Pair of Wooden Shoes (Sabots) [right] >Synecdoche (Alex Campos) June 24, 2017–September 25, 2017 Washington, Hirshhorn Museum and >Pair of Wooden Shoes (Sabots) [left] >Synecdoche (Alex Feldesman) Edgar Degas Sculpture Garden >The Invocation* >Synecdoche (Aleya Saad) >Woman Viewed from Behind Yayoi Kusama: Infinity Mirrors >Breton Girls Dancing, Pont-Aven >Synecdoche (Alfredo Maldonado) (Visit to a Museum) February 16, 2017–May 7, 2017 >Head of a Man with a Study of His >Synecdoche (Alice Yang) Yayoi Kusama Back; Various Sketches with a >Synecdoche (Alicia Beach) Danny Lyon: Message to the Future >Infinity Nets Yellow Peasant Woman and a Goose [recto] >Synecdoche (Alison Keane) November 5, 2016–April 30, 2017 >Synecdoche (Alison Loerke)

72 NATIONAL GALLERY OF ART

>Synecdoche (Alphonso O’Neill-White) Richard Diebenkorn Edgar Degas Max Beckmann and New York >Synecdoche (Altagracia Fernandez) >Seated Figure with Hat >Madame Dietz-Monnin October 17, 2016–February 20, 2017 >Synecdoche (Alton Gooden) Jean Béraud Max Beckmann >Synecdoche (Alyson Monaghan) Baltimore, The Walters Art Museum >Paris, rue du Havre* >Falling Man* >Synecdoche (Amy Hsu) A Feast for the Senses: Art and >Synecdoche (Amy Podmore) Experience in Medieval Europe New Jersey New York, The Morgan Library & >Synecdoche (Andrea Munoz) October 15, 2016–January 8, 2017 Montclair, Montclair Art Museum Museum >Synecdoche (Andrew Harper) Circulated to: The John and Mable Matisse and American Art Dubuffet Drawings, 1935–1962 >Synecdoche (Andrew Klein) Ringling Museum of Art February 4, 2017–June 18, 2017 September 30, 2016–January 2, 2017 >Synecdoche (Andrew Lyndon) February 4, 2017–April 30, 2017 Henri Matisse Circulated to: UCLA at the Armand >Synecdoche (Andrew Zimmerman) German 15th Century >Pianist and Checker Players Hammer Museum of Art and >Synecdoche (Andy Bality) >The Wounds of Christ with the Cultural Center >Synecdoche (Andy Goldstein) Symbols of the Passion New York January 30, 2017–April 30, 2017 >Synecdoche (Andy Hort) Brooklyn, Brooklyn Museum Jean Dubuffet >Synecdoche (Andy Prashad) Massachusetts Georgia O’Keeffe: Living Modern >Jean Paulhan >Synecdoche (Anita Guldimann) Boston, Museum of Fine Arts March 3, 2017–July 23, 2017 >Vache (Cow) >Synecdoche (Ann Torke) Della Robbia: Sculpting with Color Circulated to: Reynolda House >Café au damier >Synecdoche (Annette Lemieux) in Renaissance Florence Museum of American Art >L’Arnaque (The Swindle) (displayed >Synecdoche (Annmarie Maxwell) August 9, 2016–December 4, 2016 August 25, 2017–November 19, 2017 in New York only) >Synecdoche (Anthony White) Circulated to: National Gallery of Art Alfred Stieglitz >Cycliste Nue (Nude Cyclist) >Synecdoche (Antoine Wright) February 5, 2017–June 4, 2017 >Georgia O’Keeffe >Synecdoche (Arlan Huang) Andrea della Robbia >Georgia O’Keeffe New York, Museum of Arts and Design >Synecdoche (Arlette Hernandez) >Madonna and Child with Cherubim >Georgia O’Keeffe, Prospect Voulkos: The Breakthrough Years >Synecdoche ( McDonald) >The Adoration of the Child Mountain, Lake George October 18, 2016–March 15, 2017 >Synecdoche (Barbara Arledge) Giovanni della Robbia >Georgia O’Keeffe Circulated to: Renwick Gallery >Synecdoche (Barbara Lapcek) >Pietà >Georgia O’Keeffe April 7, 2017–August 20, 2017 >Synecdoche (Barbara Rigney) Luca della Robbia Georgia O’Keeffe Peter Voulkos >Synecdoche (Baruch Friedman) >The Nativity >Jack-in-the-Pulpit No. 3 >USA 41 >Synecdoche (Bing Lee) >Line and Curve >Synecdoche (Bissoon Persaud) North Adams, Massachusetts New York, The Museum of Modern Art >Synecdoche (Blair Thurman) Museum of Contemporary Art New York, American Folk Art Museum Bruce Conner (1933–2008) >Synecdoche (Bob Bojdak) Sol LeWitt: A Wall Drawing Securing the Shadow: Posthumous July 3, 2016–October 2, 2016 >Synecdoche (Bob Brady) Retrospective Portraiture in America Circulated to: San Francisco >Synecdoche (Bob Lee) November 14, 2008–November 14, October 6, 2016–February 26, 2017 Museum of Modern Art >Synecdoche (Bob Skerker) 2033 Joseph Goodhue Chandler October 29, 2016–January 29, 2017 >Synecdoche (Bobby Henry) Sol LeWitt >Charles H. Sisson* Bruce Conner >Synecdoche (Bobby Sneed) >Wall Drawing No. 681 C/A wall William Matthew Prior >Book Pages >Synecdoche (Brad Brooks) divided vertically into four equal >Baby in Blue >Synecdoche (Brian Lipke) squares separated and bordered by American 19th Century Robert Rauschenberg >Synecdoche (Brice Marden) black bands. Within each square, >Memorial to Nicholas M. S. Catlin* May 16, 2017–September 17, 2017 >Synecdoche (Bruce Reinoso) bands in one of four directions, each Joseph Whiting Stock Andy Warhol >Synecdoche (Bum Chan Oh) with color ink washes superimposed. >Mary and Francis Wilcox* >Let Us Now Praise Famous Men >Synecdoche (Byron Kim) American 19th Century (Rauschenberg Family)* >Synecdoche (Byung Chun Kim) Salem, Peabody Essex Museum >Innocence* >Synecdoche (C. W. Kim) American Impressionist: Childe New York, Neue Galerie New York >Synecdoche (Carlos Martinez) Hassam on the Isles of Shoals New York, Dominique Lévy Gallery Alexei Jawlensky >Synecdoche (Carmen Camacho) July 16, 2016–November 6, 2016 Joel Shapiro’s Sculpture February 16, 2017–May 29, 2017 >Synecdoche (Carmen Sanchez) Childe Hassam October 27, 2016–December 30, 2016 Alexej von Jawlensky >Synecdoche (Carol Greene) >Poppies, Isles of Shoals Joel Shapiro >Murnau >Synecdoche (Carol Wallace) >A North East Headland >Untitled >Frosty Day >Synecdoche (Caroline Fitzgerald) >Synecdoche (Carolyn Farris) Michigan New York, The Frick Collection New York, The New-York Historical >Synecdoche (Carolyn Yorston) Detroit, The Detroit Institute of Arts Divine Encounter: Rembrandt’s Society >Synecdoche (Cariane Worlund) Examining Political Expressions in Abraham and the Angels The First Jewish Americans: >Synecdoche (Charlayne Haynes) African American Art May 30, 2017–August 20, 2017 Freedom and Culture in the >Synecdoche (Charles Cochrane) July 23, 2017–October 22, 2017 Rembrandt van Rijn New World >Synecdoche (Charlie Banta) Norman Lewis >God the Father Supported by Angels October 28, 2016–February 28, 2017 >Synecdoche (Chris Karp) >Untitled (Alabama) >Abraham Entertaining the Angels Camille Pissarro >Synecdoche (Chris Parrott) [recto] >A Creek in St. Thomas (Virgin >Synecdoche (Christiana Shafidiya) Minnesota >Abraham Entertaining the Angels Islands)* >Synecdoche (Christine Forester) Minneapolis, >Two Women Chatting by the Sea, >Synecdoche (Bob Greene) : Common Time New York, The Metropolitan Museum St. Thomas* >Synecdoche (Charles Balbach) February 8, 2017–September 20, 2017 of Art Edward Steichen Valentin de Bologne New York, Pace Gallery >Mushton Shlushley, the Lyric >Music Walk (Notation Plan) October 4, 2016–January 22, 2017 Rothko: Dark Paintings Poet and Aestheticurean Circulated to: Musée du Louvre November 4, 2016–January 7, 2017 Missouri February 13, 2017–May 22, 2017 Mark Rothko Maryland St. Louis, Saint Louis Art Museum >Untitled* Baltimore, The Baltimore Museum Degas, Impressionism, and the >Soldiers Playing Cards and Dice of Art Paris Millinery Trade (The Cheats) Alexander Calder’s Constellation Matisse/Diebenkorn February 12, 2017–May 7, 2017 Works October 23, 2016–January 29, 2017 Circulated to: California Palace of April 20, 2017–June 30, 2017 Circulated to: San Francisco the Legion of Honor, The Fine Arts Alexander Calder Museum of Modern Art Museums of San Francisco >Vertical Constellation with Bomb March 11, 2017–May 29, 2017 June 24, 2017–September 25, 2017

73 EXHIBITIONS AND LOANS

New York, The Jewish Museum Philadelphia, Pennsylvania Academy Circulated to: California Palace of IRELAND Modigliani Unmasked of the Fine Arts the Legion of Honor, The Fine Arts September 15, 2017–February 4, 2018 and American Art Museums of San Francisco Dublin, United States Embassy November 4, 2016–April 9, 2017 February 25, 2017–May 29, 2017 Residence >Head of a Woman Circulated to: The New-York Claude Monet Gilbert Stuart Historical Society >Argenteuil >Counsellor John Dunn New York, The Met Breuer May 26, 2017–September 3, 2017 >The Cradle—Camille with the Kerry James Marshall: Mastry Artist’s Son Jean ITALY October 25, 2016–January 22, 2017 >Snow Flurries (displayed in Circulated to: The Museum of Pennsylvania only) The Pursuit of Pleasure: Florence, Casa Buonarroti Contemporary Art, Los Angeles John Marin Casanova’s Europe after Michelangelo March 12, 2017–July 2, 2017 >Abstraction (displayed in August 27, 2017–December 31, 2017 >Damned Soul** Kerry James Marshall Pennsylvania only) Canaletto >Voyager Edward Steichen >The Porta Portello, Padua UNITED KINGDOM—ENGLAND >Vaux (Chateau Thierry Sector) Jean-Antoine Houdon Marsden Hartley’s Maine >Voltaire London, United States Embassy March 14, 2017–June 4, 2017 >Where Do We Go? (displayed in Residence Circulated to: Colby College Pennsylvania only) Houston, The Museum of Fine Arts Sir William Beechey Museum of Art George Bellows Degas: A New Vision >Lieutenant-General Sir Thomas Picton July 9, 2017–November 12, 2017 >The Germans Arrive October 16, 2016–January 16, 2017 Francis Cotes Marsden Hartley Edgar Degas >Mrs. Thomas Horne >Maine Woods Philadelphia, Philadelphia Museum >Horses in a Meadow Thomas Gainsborough of Art >Fallen Jockey (study for “Scene from >William Yelverton Davenport Roslyn Harbor, Nassau County American Watercolor in the Age the Steeplechase: The Fallen Jockey”) Museum of Art of Homer and Sargent >Head of the Fallen Jockey (study for London, New York, New York February 23, 2017–May 14, 2017 “Scene from the Steeplechase: The Sir Thomas Lawrence July 21, 2017–November 5, 2017 Fallen Jockey”) >Francis Charles Seymour-Conway, Max Weber >The Harbor of Seville >Racehorses (study for “Scene from 3rd Marquess of Hertford >Rush Hour, New York* John Marin the Steeplechase: The Fallen Jockey”) >Marin Sketchbook >Scene from the Steeplechase: The UNITED STATES North Carolina Edward Hopper Fallen Jockey Durham, Nasher Museum of Art at >Haskell’s House >The Dance Class Alabama Stanton Macdonald-Wright Birmingham, Birmingham Museum Southern Accent: Seeking the >Generation Vermont of Art American South in Contemporary Art Thomas Moran Bennington, The Bennington Museum Anders Zorn August 25, 2016–January 8, 2017 >Mountain of the Holy Cross Milton Avery’s Vermont >Hugo Reisinger Circulated to: The Speed Art Museum Winslow Homer July 2, 2016–November 6, 2016 April 24, 2017–October 15, 2017 >Young Woman Sewing Milton Avery California William Christenberry >Mountain and Meadow Oakland, Oakland Museum >Coleman’s Cafe (I) >Avery Sketchbook (Jamaica, Vermont) Mark Rothko Greenville, Bob Jones University >Untitled Winston-Salem, Reynolda House Museum & Gallery Virginia Museum of American Art The Art of Sleuthing Richmond, Virginia Museum of Fine Arts District of Columbia Grant Wood and the American Farm October 23, 2015–March 24, 2017 Johns | Munch The September 9, 2016–December 31, 2016 Imitator of Johannes Vermeer November 12, 2016–February 20, 2017 Carl Milles Grant Wood >The Smiling Girl Jasper Johns >Head of Orpheus >Haying >Perilous Night >New Road Tennessee >Between the Clock and the Bed Meridian International Center Memphis, The Dixon Gallery and >Between the Clock and the Bed Léon Bonnat Ohio Gardens >Spring >Henry White** Cleveland, The Cleveland Museum Wild Spaces, Open Seasons: of Art Hunting and Fishing in American Art Williamsburg, Muscarelle Museum National Museum of American History 100th Anniversary of the Cleveland October 23, 2016–January 15, 2017 of Art Charles Peale Polk Museum of Art Circulated to: Joslyn Art Museum Building the Brafferton—The >General Washington at Princeton October 17, 2016–January 16, 2017 February 12, 2017–May 7, 2017 Founding, Funding and Legacy of Circulated to: Shelburne Museum America’s Indian School National Portrait Gallery >The Lute Player June 4, 2017–August 27, 2017 September 9, 2016–January 8, 2017 Irving R. Wiles Circulated to: Amon Carter Museum Pieter de Hooch >Miss Julia Marlowe Brand-New & Terrific: Alex Katz September 24, 2017–December >A Dutch Courtyard in the 1950s 17, 2017 U.S. Commission of Fine Arts April 30, 2017–August 6, 2017 William Tylee Ranney Alice Neel Alex Katz >The Retrieve EXTENDED LOANS >William Walton >Folding Chair FROM THE NGA >Portrait of Ada Texas COLLECTION Office of Senate Leadership, Dallas, Meadows Museum, Southern All works part of the National Lending Pennsylvania Methodist University Service unless indicated by ** Franklin C. Courter Chadds Ford, Brandywine River Between Heaven and Hell: The >Lincoln and His Son, Tad** Museum of Art Drawings of Jusepe di Ribera FRANCE Andrew Wyeth: In Retrospect March 12, 2017–June 11, 2017 Office of Vice President of the June 24, 2017–September 17, 2017 Jusepe de Ribera Paris, Musée du Louvre United States Andrew Wyeth >Head of a Man Severo da Ravenna John Wesley Jarvis >Snow Flurries >The Christ Child** >Commodore John Rodgers >Wind from the Sea Fort Worth, Kimbell Art Museum John Vanderlyn Monet: The Early Years >John Sudam October 16, 2016–January 29, 2017

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American 18th Century Charlottesville, The Fralin Museum >Attack on Bunker’s Hill, with the >Battle between the Jiccarilla of Art, University of Virginia Burning of Charles Town Apachees and Camanchees Jean Arp A. Hashagen >Making Flint Arrowheads—Apachees >Oriforme** >Ship “Arkansas” Leaving Havana >Falls of the Snake River John Neagle Charles Henry Granger >Colonel Augustus James Pleasonton >Muster Day TEMPORARY LOANS TO MUSEUM COLLECTIONS The White House Justice Kennedy George Catlin Berthe Morisot UNITED STATES >A Small Cheyenne Village >Girl in a Boat with Geese >Pawnee Indians Approaching Buffalo French 17th Century Illinois >An Ojibbeway Village of Skin Tents >Flowers in a Classical Vase Chicago, The Art Institute of Chicago >Buffalo Chase May 28, 2016–October 10, 2016 George Peter Alexander Healy, after Justice O’Connor Jacques-Louis David Gilbert Stuart George Catlin >The Emperor Napoleon in His Study >Thomas Jefferson >Buffalo Chase, Sioux Indians, at the Tuileries Upper Missouri Attorney General >After the Buffalo Chase—Sioux Massachusetts Edward Savage >A Crow Village and the Salmon Boston, Museum of Fine Arts >George Washington River Mountains September 18, 2017–September 3, >Two Blackfoot Warriors and a Woman 2018 Secretary of Agriculture >An Apachee Village Mark Rothko Attributed to John Woodhouse >Thru the Window Audubon Justice Sotomayor >Untitled >A Young Bull Mark Rothko >No. 17 American 19th Century >Street Scene >Farmhouse in Mahantango Valley >Untitled (subway) Cambridge, Harvard Art Museums >Twenty-two Houses and a Church >Untitled May 1, 2017–September 11, 2017 Georgia Timken Fry >Untitled (woman in subway)** Jean Honoré Fragonard >Flock of Sheep >Young Girl Reading American 18th Century Justice Stevens >Hunting Scene with a Pond Studio of Virginia >Queen Victoria Norfolk, Chrysler Museum of Art Administrator of the Environmental C. Gregory Stapko after John Constable October 18, 2016–December 29, 2016 Protection Agency >A View of Salisbury Cathedral** Johannes Vermeer American 19th Century Alphonse Legros >A Lady Writing >Abraham Lincoln >Hampstead Heath George Catlin LIBRARY LOANS Secretary of Housing and Urban >Scene from the Lower Mississippi Development Maurice Utrillo UNITED STATES Francesco Guardi >Street at Corté, Corsica >Fanciful View of the Castel American 19th Century New York Sant’Angelo, Rome >Portland Harbor, Maine New York, Museum of Modern Art : Our Heads are Secretary of the Treasury Maryland Round So Our Thoughts Can Change Mark Rothko Solomons, Annmarie Garden Direction >No. 3 Sculpture Park & Arts Center November 21, 2016–March 19, 2017 >Untitled James Rosati >391 no. 8, February 1919 >Olympian Play >Untitled** >Pensées sans langage, 1919 >Untitled George Rickey >Dada nos. 4–5, 1919 >Untitled >Cluster of Four Cubes** >Dada no. 6, 1920 >Untitled >Sept manifestes dada, 1924 Missouri Supreme Court of the United States Kansas City, The National World War 1 Museum Chief Justice John Roberts Robert Ingersoll Aitken Gilbert Stuart >Lambs Club Memorial** >George Washington George Cuitt the Younger Pennsylvania >Easby Abbey, near Richmond Doylestown, James A. Michener Art Museum Justice Ginsburg Edward Hicks Mark Rothko >The Landing of Columbus >Untitled Joseph Goodhue Chandler >The Omen >Girl with Kitten

Justice Neil Gorsuch Virginia American 19th Century Fairfax, George Mason University >Liberty Lila Pell Katzen Winslow Homer >Antecedent >Sunset Alfredo Halegua Alexander Helwig Wyant >America >Peaceful Valley

75 ACQUISITIONS

76 NATIONAL GALLERY OF ART

77 PUBLICATIONS AND MEDIA

During the fiscal year the Gallery released EXHIBITION CATALOGS >Drawings for Paintings in the Work of seven major publications, including three Frederic Bazille >America Collects Eighteenth-Century >East of the Mississippi: Nineteenth-Century exhibition catalogs, a special donor edi- French Painting American Landscape Photography tion to honor and document the gifts from Yuriko Jackall et al. Robert B. Menschel for the photography (348 pages, 232 illustrations, hardcover edition) >Mapping the Photographs collection, the third volume of the con- Published in association with Lund Humphries >America Collects Eighteenth-Century French Painting: An Illustrated Chronology servation journal Facture, and two CASVA >East of the Mississippi: Nineteenth-Century American Landscape Photography volumes. In addition, printed brochures Diane Waggoner In-Depth Features were prepared for two exhibitions. The (288 pages, 222 illustrations, hardcover edition) >Madonna and Child, written by Gretchen publishing office received fifteen awards Published in association with Hirschauer for nine publications. >Fragonard: The Fantasy Figures >Provenance Study: The Princely Collections of Yuriko Jackall et al. For National Gallery of Art Online Liechtenstein, written by Nancy H. Yeide Editions and other digital publications (176 pages, 140 illustrations, hardcover edition) Published in association with Lund Humphries devoted to the permanent collection, new EXHIBITION AUDIO TOURS entries were added to Dutch Paintings of the Seventeenth Century and work contin- CENTER FOR ADVANCED >Stuart Davis: In Full Swing narrated by Director STUDY IN THE VISUAL ARTS ued on American Paintings, 1900–1945; Earl A. Powell with commentary by curators (CASVA) PUBLICATIONS Harry Cooper and Barbara Haskell, produced Italian Paintings of the Sixteenth Century; by the department of exhibition programs Renaissance Plaquettes at the National >The Cubism Seminars >Frédéric Bazille and the Birth of Impression- Gallery of Art; and French Paintings of Edited by Harry Cooper (356 pages, 161 illustrations, softcover edition) ism narrated by Director Earl A. Powell with the Nineteenth Century. Work also con- Distributed by Yale University Press commentary by curators Kimberly Jones and tinued on the open-access web-based Paul Perrin, produced by the department of >Center 37 exhibition programs catalogue raisonné Mark Rothko: Works Annual report, print and online versions on Paper, documenting more than 2,600 DIGITAL AND SOCIAL MEDIA works from public and private collections EXHIBITION BROCHURES around the world. All are set to launch The digital media division continued to further the installments in 2018. >Della Robbia: Sculpting with Color in Renais- Gallery’s digital integration plans. The imaging and sance Florence, written by the departments of The department of exhibition programs visual services department continued to document sculpture and exhibition programs; produced NGA collections and promote access to high continued to produce documentary films, by the publishing office quality, color-accurate digital images. The web- brochures, and audio tours for exhibi- >In the Tower: Theaster Gates: The Minor Arts, site department continued its work to modernize tions. Shown at the Gallery and shared an interview with the artist, produced by the and improve the Gallery’s website. The media with other museums here and abroad, department of exhibition programs and the production department provided digital moving image media and audio to the public, staff, docents, the films are also broadcast nationally publishing office and volunteers. on public television stations, screened The education division continued to manage at film festivals and juried competitions, EXHIBITION FILM the Gallery’s social media accounts: Facebook, Twitter, Instagram, and Pinterest. Each platform and posted on the Gallery’s website, for >Stuart Davis: In Full Swing provides access to deep expertise, timely and which the department also produced ten Narrated by John Lithgow engaging content, and opportunities to participate. online features. The films, made possible Directed by Carroll Moore by the HRH Foundation, received eleven Edited by David Hammer Executive Producer, Susan M. Arensberg awards in 2017. Media Productions (30 minutes, color, captioned) Made possible by the HRH Foundation Throughout the year, NGA audio content was PUBLICATIONS RELATED TO played 405,711 times and NGA videos were viewed THE PERMANENT COLLECTION 889,074 times. These films and videos, among ONLINE FEATURES others, were posted to the website and aggregates: >Posing for the Camera: Gifts from Exhibition Features Robert B. Menschel >Jean Desmet’s Dream Factory, 1906–1916: Sarah Greenough >Underdrawings Revealed: Dutch Painters and Up in the Air! (232 pages, 612 illustrations, hardcover edition) Their Artistic Process >The Landmarks of New York >Facture: Conservation, Science, Art History >Drawings for Paintings in the Age of Rembrandt: Volume 3: Degas >Conversations with Artists: Theaster Gates Jan van Kessel’s Sketchbook Edited by Daphne Barbour and Suzanne >East of the Mississippi: Nineteenth-Century Quillen Lomax >Stuart Davis’s Reinventions American Landscape Photography (196 pages, 163 illustrations, softcover edition) >Materials and Techniques of Della Robbia >Frédéric Bazille and the Birth of Impressionism Distributed by Yale University Press Sculpture >David Maisel | nga >Della Robbia Sculpture in Florence >FAPE 2017: Roy Lichtenstein—Mexico— >Hidden Paintings in the Work of Frédéric Bazille The Mural Tradition

78 NATIONAL GALLERY OF ART

>Rackstraw Downes: a painter Film Awards >———, “Some Kind of Insane Structure of >Los Angeles to New York: Dwan Gallery, Painting,” in Nicholas Krushenick (Tang Museum, >Stuart Davis: In Full Swing 1959–1971, I: West Coast, East Coast Saratoga Springs, 2016). 58th Cinema in Industry (CINDY) Awards: Gold >Elizabeth Cropper, “Florence in the Late 16th >ConservationSpace Award in the museum category; 50th Worldfest, Century: a State of Beauty,” in The Cinquecento Houston International Film Festival: Remi Award; in Florence: “Modern Manner” and Counter- Social Media Statistics 20th Annual Long Island International Film Expo: Reformation, ed. Carlo Falciani and Antonio The Gallery continues to see an increase in follow- Official selection for screening at the Bellmore Natali (Fondazione Palazzo Strozzi/Mandragora, ers and engagement across its four social media Movies and Showplace; 2nd Annual New York Florence, 2017), 291–301. networks. The Gallery’s Twitter account saw a 90 Jazz Film Festival: Official selection; 51st Annual percent increase in likes, while the number of U.S. International Film & Video Fest: Certificate >John K. Delaney, Kathryn A. Dooley, Michelle Instagram followers increased by 37 percent. In of Creative Excellence in the category of Docu- Facini, and Francesca Gabrieli, “Mapping and total, the Gallery now serves an audience of more mentary (Arts) Identification of the Pigments Used in Two than 1.2 million users on Facebook, Twitter, Insta- Illuminations from the Laudario of Sant’Agnese >Los Angeles to New York: Dwan Gallery gram, and Pinterest. During the year, more than 69 Attributed to the Master of the Dominican 7th Annual New York Los Angeles (NYLA) million impressions were generated through so- Effigies,” in Manuscripts in the Making: Art and International Film Festival: Best Documentary cial media. The Gallery’s posts ignited more than Science (Cambridge, 2017). Short; 58th Cinema in Industry (CINDY) Awards: 2.3 million engagements, which include actions Gold Award in the museum over 15 minutes >John K. Delaney, Giorgio Trumpy, Marie Didier, such as comments, likes, shares, and retweets. category; 9th Annual SENE Film, Music, and Paola Ricciardi, and Kathryn A. Dooley, “A More than 12,000 public posts on Instagram Arts Festival: Official selection for screening at High Sensitivity, Low Noise and High Spatial have been tagged with #myngadc since the the Warwick Museum of Art, Rhode Island; 38th Resolution Multi-Band Infrared Reflectography launch of the hashtag in March 2016. This is a Annual Telly Competition: Bronze Award (2nd Camera for the Study of Paintings and Works 243 percent increase in hashtag use since fiscal place) in the General Documentary: Individual on Paper,” Heritage Science 5, no. 1 (August year 2016. This increase has been attributed for Non-Broadcast Productions; 50th Worldfest, 2017): 32. to increased onsite hashtag signage (including Houston International Film Festival: Remi Award; >C. D. Dickerson III, “The Art of Display,” in placement in the galleries and in exhibitions). The 20th Annual Long Island International Film Expo: Casanova: The Seduction of Europe, ed. Frederick Gallery reposts many visitor images to spark a Official selection for screening at the Bellmore Ilchman, Thomas Michie, C. D. Dickerson III, dialogue with the community. Movies and Showplace and Esther Bell (Museum of Fine Arts, Boston, 2017), 14–39. AWARDS STAFF PUBLICATIONS >———, “Butchers as Murderers in Renais- sance Italy,” in Murder in the Renaissance, ed. Print Awards >Lacey Baradel, “Mobility for the Masses: The Trevor Dean and Kate Lowe (Cambridge, 2017), Reception of Thomas Hovenden’s Breaking 289–309. >America’s National Gallery of Art Home Ties,” Journal 51 AAUP Book, Jacket, and Journal Show; American (Spring 2017): 4–23. >C. D. Dickerson III and Esther Bell, “Les frères Alliance of Museums Publication Design Competi- Le Nain dessinateurs?,” in Le mystère Le Nain, >Mollie R. Berger, “Centres of Energy,” in In tion, Honorable Mention, Books; Washington Pub- ed. Nicolas Milovanovic and Luc-Piralla-Heng Focus: Gift 1961–2 by Kenneth Noland, ed. lisher Design Awards, First Place, Illustrated Text Vong (Musée du Louvre-Lens, Lens, 2017), Alex Taylor (Tate, London, 2016), http://www. 79–90. >America Collects Eighteenth-Century tate.org.uk/research/publications/in-focus/ French Painting gift-kenneth-noland/centres-of-energy. >Teresa T. Duncan, Barbara H. Berrie, and Washington Publisher Design Awards, Richard G. Weiss, “Soft, Peelable Organogels >Barbara H. Berrie and Yoonjoo Strumfels, Third Place, Illustrated Text from Partially Hydrolyzed Poly (vinyl acetate) “Change Is Permanent: Thoughts on the Fading and Benzene-1, 4-diboronic Acid: Applications >Documenting the Salon: Paris Salon Catalogs, of Cochineal-Based Watercolor Pigments,” to Clean Works of Art,” ACS Applied Materi- 1673–1945 Heritage Science 5, no. 1. American Alliance of Museums Publication als & Interfaces 9, no. 33 (August 23, 2017): Design Competition, Honorable Mention, Books >Mattia Biffis, “Negotiating an Art Deal in Eigh- 28069–28078. teenth Century Europe: ’s Dispute and >Molly Donovan, “Vies Trouvées (Found Lives),” in >Dwan Gallery: Los Angeles to New York, Its Acquisition by Sir Robert Walpole in 1731,” Rachel Whiteread (Tate, London, 2017), 38–49. 1959–1971 Journal of the History of Collection (Fall 2017). AAUP Book, Jacket, and Journal Show; American >Molly Donovan and Ann Gallagher, ed. Rachel >Jonathan Bober, catalog entries on Lazzaro Alliance of Museums Publication Design Compe- Whiteread (Tate, London, 2017). tition, First Prize, Exhibition Catalog Tavarone and Tanzio da Varallo, in Galleria Portatile: Old Master Drawings from the Hoesch >Patricia A. Favero, Jennifer Mass, John K. >East of the Mississippi: Nineteenth-Century Collection, ed. Heiko Damm and Henning Delaney, Arthur R. Woll, Alyssa M. Hull, Kathryn American Landscape Photography Hoesch (Petersberg, 2017), 150–159. A. Dooley, and Adam C. Finnefrock, “Reflec- Washington Publisher Design Awards, Best of tance Imaging Spectroscopy and Synchrotron >Charles Brock, “George Bellows: Reviews and Show, Art Book, and Second Place, Illustrated Text Radiation X-ray Fluorescence Mapping Used Reflections,” in George Bellows Revisited: New in a Technical Study of by Pablo >Highlights from the National Gallery of Art Considerations of the Painter’s Oeuvre, ed. M. Picasso,” Heritage Science 5, no. 1 (2017): 13. AAUP Book, Jacket, and Journal Show Melissa Wolfe (Newcastle upon Tyne, 2016), >Hubert Robert 9–23. >E. Melanie Gifford, John K. Delaney, Suzanne Quillen Lomax, Rachel Morrison, and Marika AAUP Book, Jacket, and Journal Show; PROSE >———, “The Exhibition Game: Spring, “New Findings on the Painting Medium Awards, Honorable Mention and the Twelve,” in The World of William of the Washington Annunciation,” in Van Eyck >Stuart Davis: In Full Swing Glackens: The C. Richard Hilker Art Lectures Studies: Papers Presented at the Eighteenth AAUP Book, Jacket, and Journal Show; CAA Barr (New York, 2017), 121–163. Symposium for the Study of Underdrawing Award, Finalist >Silvia A. Centeno, Charlotte Hale, Federico Carò, and Technology in Painting (Brussels, 2017), >Three Centuries of American Prints from the Anna Cesaratto, Shibayama Nobuko, John K. 280–289. National Gallery of Art Delaney, and Kathryn A. Dooley, “Van Gogh’s >E. Melanie Gifford and Lisha Deming Glinsman, International Fine Print Dealers Association and Roses: The Contribution of Chemical “Style collectif et manière personnelle: Matéri- Book Award, Honorable Mention Analyses and Imaging to the Assessment of aux et techniques dans la peinture de genre,” in Color Changes in the Red Lake Pigments,” Vermeer et les maîtres de la peinture de genre Heritage Science 5, no. 1 (2017): 18. (Musée de Louvre, Paris, 2017), 114–145. >Harry Cooper, “Puryear’s Pictures: A Free Asso- >Margaret Morgan Grasselli, catalog entry on ciation,” in Martin Puryear: Big Bling (Madison Charles Nicolas Cochin drawing, in Spurenlese: Square Park Conservancy, New York, 2017).

79 PUBLICATIONS AND MEDIA

Zeichnungen un Aquarelle aus drei Jahrhun- >Christopher Maines, “Microfade Testing to >Arthur K. Wheelock Jr., entries on works derten (Hamburger Kunsthalle, Hamburg, and Predict Change,” 276–277. by Jan Lievens, Rembrandt van Rijn, Fondation Custodia, Paris, 2016). >Ronel Namde, “Platinum Printing on Rembrandt van Rijn and Workshop, Circle >Rudolf Gschwind, Erwin Zbinden, Giorgio Textiles,” 184–185. of Rembrandt van Rijn, Jan Steen, and Trumpy, and John Delaney, “Part A: Edge >Ronel Namde and Joan M. Walker, Johannes Vermeer. Markings—New Possibilities of Dating 35mm “Platinum Toning of Silver Prints,” 186–189. >Arthur K. Wheelock Jr., “Balthasar van der Ast Film,” in Photographic Materials ICOM-CC 18th >Andrea Nelson, “The Subtle Beauty of Plati- and the Artifice of Still Life,” in A Golden Age Triennial Conference (Copenhagen, 2017). num and Palladium Photographs,” 14–27. of European Art: Celebrating Fifty Years of the >Sarah S. Wagner, “Manufactured Platinum Sarah Campbell Blaffer Foundation, ed. James >John Oliver Hand, review of Jan de Beer. Gothic and Faux Platinum Papers, 1880s–1920s,” Renewal in Renaissance , by Dan Clifton and Melina Kervandjian (New Haven 144–183. and London, 2016), 55–66. Ewing, Historians of Netherlandish Art Reviews, >Vasilios Zatse and Constance McCabe, October 2017. “Irving Penn’s Platinum-Palladium Prints,” >Jennifer Henel, “New Approaches to Old Art: 404–431. The Launch of NGA Online Editions’ Dutch >James Meyer, “The Art Gallery in an Era of Paintings of the Seventeenth Century,” Visual Mobility,” Insider (Spring 2017): 24–29. Arts Research, vol. 43, no. 1, issue 84, (Summer 2017): 8–16. >Mary Morton, “Renoir/Caillebotte: Realist Relations,” in Renoir and Friends: Luncheon of >Amy Hughes, “Measurement of Surface pH of the Party, ed. Eliza Rathbone (Phillips Paper Using Agarose Gel Plugs: A Feasibility Collection, Washington, 2017). Study,” in Gels in the Conservation of Art, ed. Lora V. Angelova, Bronwyn Ormsby, Joyce H. >———, review of Gustave Caillebotte: An Im- Townsend, and Richard Wolbers (London, pressionist and Photography, by Karen Sagner 2017): 62–66. and , H-France Magazine, vol. 16, no. 136 (2016). >Eric Kirchner, Ivo van der Lans, Frank Ligterink, Ella Hendriks, and John Delaney, “Digitally >———, review of The Work of Art: Plein Air Paint- Reconstructing Van Gogh’s Field with Irises ing and Artistic Identity in Nineteenth-Century near Arles. Part 1: Varnish,” Color Research and France, by Anthea Callen, The Burlington Maga- Application (August 18, 2017): 1–8. zine 159 (March 2017). >Eric Kirchner, Ivo Van der Lans, Frank Ligterink, >———, “Paul Mellon, Private Collector for the Muriel Geldof, Art Ness Proano Gaibor, Ella Public,” in Collecting for the Public: Works Hendriks, Koen Janssens, and John Delaney, that Made a Difference, ed. Bart Cornelis, Ger “Digitally Reconstructing van Gogh’s Field with Luijten, Louis van Tilbourgh, and Tim Zeedijk Irises near Arles. Part 2: Pigment Concentration (London, 2016), 32–37. Maps,” Color Research and Application (August >Therese O’Malley, “The Floricycle: Designing 25, 2017): 1–19. with Native and Exotic Plants,” in Frank Lloyd >Molli E. Kuenstner and Thomas A. O’Callaghan, Wright: Unpacking the Archives, ed. Barry “The ‘Führerprojekt’ Goes to Washington,” The Bergdoll and Jennifer Gray (Museum of Modern Burlington Magazine 159 (May 2017): 375–385. Art, New York, 2017), 16–23. >Alexandra Libby, “Innovation and Identity in >———, exhibition reviews of Jardins, Grand Cornelis Gijsbrechts’ A Hanging Wall Pouch,” Palais, Paris, and Infinite Gardens, Centre Artibus et Historiae no. 75 (2017): 207–223. Pompidou-Metz, Site/Lines: A Journal of Place 13: 1 (fall, 2017): 20–21. >Joseph Francis Lomax, Suzanne Quillen Lomax, and Thomas J. T. Moore, “Synthesis of Historical >Helen Tangires, review of Feeding Gotham: Azo Pigments: The Challenge and Opportunity The Political Economy and Geography of Food of the Nearly Forgotten,” MRS Advances 2, no. in New York, 1790–1860, by Gergely Baics, 37–38 (2017): 2007–2019. Journal of American History 104: 2 (September 2017): 487–488. >Peter M. Lukehart, “Life Drawing Lessons: Ac- cademie and ‘Accademie dal vero’ at the Turn of >Nicholas A. Udell, Robyn E. Hodgkins, Barbara H. the Seventeenth Century,” in Il disegno dal vero Berrie, and Tyler Meldrum, “Physical and Chem- come prattica storica e sapere contemporaneo: ical Properties of Traditional and Water-mix- Accademia à l’Académie, ed. Sarah Linford able Oil Paints Assessed Using Single-sided (Pietro Canonica Museum at Villa Borghese, NMR,” Microchemical Journal 133 (2017): Rome, 2017), 33–41. 31–36. >Constance McCabe, ed., Platinum and Palladi- >Arthur K. Wheelock Jr., ed., The Leiden Collec- um Photographs: Technical History, Connois- tion Catalogue (New York, 2017). seurship, and Preservation (Washington, 2017). >Alexandra Libby, entries on works by >Sarah Greenough, “A Great Day for Palladio: Jacob van Loo, Rembrandt van Rijn, and Alfred Stieglitz’s Palladium Photographs,” Peter Paul and artist biographies 348–355. on Cornelis Bisschop, Maria Schalcken, >Constance McCabe, “Distinguishing Plati- Pieter Brueghel the Younger, and Willem num Prints from Photogravures,” 302–303. de Poorter. >Constance McCabe, Christopher Maines, >Henriette Rahusen, entries on works by Mike Ware, and Matthew L. Clarke, “Alfred Gerard ter Borch the Younger, Jan Brueghel Stieglitz’s Palladium Prints: Treated by the Younger and Circle of Peter Paul Steichen,” 356–371. Rubens, , Leiden School, Leiden >Constance McCabe, Christopher Mc- School possibly Jan Lievens, Cornelis de Glinchey, Matthew L. Clarke, and Christo- Man, Pieter Cornelisz van Slingelandt, and pher A. Maines, “Satista Prints and Fading,” Pieter Verelst. 124–127.

80 STAFF LIST Staff as of September 30, 2017

OFFICE OF Senior Audiovisual Exhibits Shop Development Associate Special Events Curator of Nineteenth- Production Specialist Specialists for Major Gifts Century Paintings THE DIRECTOR Chief of Protocol and Carroll Moore Lester Dumont Kate Conrad Kimberly A. Jones Special Events Director William Ferguson Carol W. Kelley Earl A. Powell III Audiovisual Production George Grello Development Associate Assistant Curator Specialist George McDonald for Stewardship and Yuriko Jackall Executive Assistant Chief of Staff & David Hammer Robert Motley Communications Annie Gray Miller Executive Assistant Sarah Hyde Curatorial Assistant Angela M. LoRé Museum Specialist (Art) Head of Lighting Shop Michelle Bird Senior Event Planner Elizabeth Laitman Robert Johnson Development Associate Maria E. A. Tousimis Staff Assistants Hughes Eowyn M. Mays Graduate Intern Carson Adkins Lighting Shop Nina Goodall Event Planner Celina B. Emery Office Manager for Specialists Development Associate Chelsea Souza Exhibition Programs Michael Daniels for Database Italian and Chief Internal Auditor Nicholas Velez Juan Garedo Management and Budget Specialist Spanish Paintings Christie Johnson Analytics Benjamin Masri-Cohen Staff Assistant for Head of Paint Shop Melissa Brashear Curator and Head of Internal Auditor Film Production Frank Conto Department Invitations and Steve Elsberg Sarah Turner Development Assistant David Alan Brown Protocol Painters/Finishers for Operations Rachel Henderson Wilber Bonilla Wayne Henson Associate Curator Special Projects Design and Amy Pigulski Derrick Duarte Gretchen Hirschauer Congressional Liaison Installation Development Associate Officer and Director of Senior Curator and for Research OFFICE OF Curatorial Assistant Special Projects Development Chief of Design Elise Roberts THE DEPUTY David Essex Delia Gerace Scott Mark Leithauser Chief Development and DIRECTOR/ Corporate Relations Development Assistant CHIEF CURATOR Exhibition Research Special Projects Deputy Chief and Officer for Major Gifts Assistant Associate Deputy Director and Head of Exhibition Christine Myers Frances Gurzenda Susannah Rutherglen Sarah Bohannan Chief Curator Production Franklin Kelly Gordon Anson Senior Development Development Assistant Modern Art Special Projects Officer for Major Gifts for Annual Gifts Administrator for Assistant Cathryn Dickert Scoville Senior Curator and Office Manager Laura Hyson Policy and Programs John W. Hobson Head of Department Bryant Johnson Elizabeth Driscoll Senior Development Harry Cooper Corporate Pochter Exhibitions Architects/Designers Officer for Major Gifts Donna Kirk and Foundation Giving Relations Curator of Art, Chief of Exhibitions Administrative Patricia A. Donovan 1975–Present Brian Sentman Senior Corporate Assistants D. Dodge Thompson Molly Donovan Relations Officers Nancy Moncure Deiss Design Assistant Senior Development Jeanette Crangle Beers Exhibition Officers Kerry Rose Wallin Rachel Schechtman Officer for Major Gifts Cristina Del Sesto Curator of Art, Jennifer F. Cipriano and Individual Giving 1945–1974 Naomi R. Remes Design Coordinator Hilary Fry American and James Meyer Ann B. Robertson Communications Deborah Clark- British Paintings Kirkpatrick Senior Development Chief of Communications Research Associate Office Manager/ Curator and Head of Officer Anabeth Guthrie Jennifer Roberts Assistant to the Chief Department Production Giselle Larroque of Exhibitions Nancy K. Anderson Coordinators Obermeier Publicists Curatorial Assistants Wendy Battaglino Christina Brown Kerry Rose Linda Daniel Associate Curators Elizabeth Parr Development Officer for Isabella Bulkeley Paige Rozanski Exhibition Associates Charles Brock Database Management Sarah Edwards Holley Elizabeth Dent Sarah Cash Armature Maker and Analytics Laurie Tylec Caroline McCune Northern Andrew Watt Katherine Ramish John Wilmerding Intern Baroque Paintings Olivia Wood Web Designer/Systems in American Art Developer Curator and Head of Photographer Development Officer Olivia Armandroff Department Exhibition Rob Shelley for Annual Giving Dwayne Franklin Arthur K. Wheelock Jr. Programs McGowin Ey Anderson Volunteer Communications Head of Department Graphic Design/ Ellen Layman Coordinator Assistant Curator Susan MacMillan Silkscreen Production Development Officer Domini LeNoir Artis Alexandra Libby Arensberg Lisa Farrell for Special Projects French Paintings Christopher Lempke Stephanie Ross Office, Finance, Curator and Head of Curatorial Assistant Deputy Heads of Jeffrey Wilson Archives Manager Department Kristen Gonzalez Department and Stefan Wood Development Associate for Annual Giving Shana Condill Mary Morton Associate Curators Researcher Margaret Doyle Head of Exhibits Shop Deborah Berg Intern Henriette Rahusen Lynn Matheny Randy Payne Nabila Rizek-Acebal

81 STAFF LIST

Northern Old Master Drawings Registrar for Exhibitions Academic Programs Senior Educator and Education Assistant, Renaissance Curator and Head of Theresa Beall Acting Department Head Manager of High Family Programs Paintings Department Ali Peil School Programs Christopher Rusinko Margaret Morgan Collections Information Elisa Patterson Curator and Head of Grasselli Systems Coordinator Program Administrator Senior Lecturer and Department Susan Finkel for Internships and Education Assistant, Manager of Gallery John Oliver Hand Associate Curator Fellowships High School Programs Talks and Lectures Stacey Sell Collections Information Mattie M. Schloetzer Marjorie Johnson Eric Denker Photographs Systems Assistant Senior Curator and Assistant Curator Elizabeth Concha Program Assistant for Senior Educator and Senior Lecturers Head of Department Amy Johnston Lectures Manager of School Diane Arkin Sarah Greenough Registrar for Loans Sarah Battle Tour and Docent David Gariff American and Modern Judith Cline Programs Curator of Nineteenth- Prints and Drawings Program Assistant Elizabeth Diament Adult Programs Tour Century Photographs Curator and Head of Assistant Registrar Washington Scheduler Diane Waggoner Department for Loans Senior Educator and C. Arlette Raspberry Judith Brodie Shannon Schuler Graduate Intern Manager of Adult Associate Curator Jiete Li Program Volunteers Film Programs Andrea Nelson Associate Curators Senior Loan Officer Dianne Stephens Department Head and Carlotta Owens Lisa MacDougall Interpretive Resources Film Curator Consulting Curator Charles Ritchie Department Head Museum Educator and Margaret Parsons Philip Brookman Associate Registrar for Sarah Durkee Coordinator, School Curatorial Assistant Exhibitions Tour and Docent Film Programmer Collections Mary Lee Corlett Melissa Stegeman Senior Publications Programs Joanna Raczynska Management Manager Deirdre Palmer Luce Cataloger for Associate Registrar for Donna Mann Associate Publishing Office Andrea Hackman Corcoran Collections Collections Supervisor, Art Mason McClew Lehua Fisher Writer and Interpretive Information Volunteer Acting Editor in Chief Curatorial Assistant Projects Manager Operations and Production Assistant Registrar for Marta Horgan Anne Davis Sculpture and Jennifer Riddell Manager Collections Chris Vogel Curatorial Research Holly Garner Writer Administrator, Docent Associate Curator and Head of Rachel Trinkley and Volunteer Programs Design Manager Anna Wieck Department Registration Assistant Katherine Gottschalk Wendy Schleicher C. D. Dickerson III Meredith Kablick Associate Projects Exhibition Research Manager School Tour Scheduler Managing Editor of Associate Curator of Early Supervisory Art Services Melanie Spears Harper Jennifer Cross CASVA Publications Anjuli Lebowitz European Sculpture Manager Cynthia Ware and Deputy Head of Daniel Shay Associate Projects Senior Educator and Stieglitz Online Project Department Manager, Digital and Manager, Art Around Senior Editors Cataloger Alison Luchs Senior Art Services Media the Corner Tam Curry Bryfogle Amanda Summerlin Specialists Reema Ghazi Sara Lesk Julie Warnement Curatorial Assistant James Clark Dumbarton Oaks Emily Pegues Joan Ganzevoort Social Media Manager Museum Educator Associate Senior Editor Humanities Fellow Andrew Krieger Meagan Estep and Coordinator of for the Permanent Adela Kim Joseph F. McCrindle Daniel Randall Professional Collection Foundation Graduate David Smith Head, Education Development, Art Emily Zoss Prints and Curatorial Intern William Whitaker Resources Around the Corner Drawings Julia Vazquez Leo J. Kasun Julie Carmean Associate Senior Editor Art Services Specialists John Strand Andrew W. Mellon Special Projects Francis Adams Manager, Education Museum Educator, Senior Curator of in Modern Art Carson Bhatia-Murdach Resources Operations, Art Around the Corner Editor Prints and Drawings Joseph Hoffman Meghan Lally Keaton Senior Curator and Affiliate Loan Caroline Weaver Jonathan Bober Michael Russell Lynne Cooke Coordinator Lewis Schlitt Lillia Abt Education Assistant, Assistant Editors Office Manager Art Around the Corner Exhibition Assistant Katie Brennan Susanne L. Cook Emily Mendonca Meryn Chimes Education Media Program Lisa Shea Technician Curatorial Assistant Division Head Alastair McPherson Studio Assistant, Senior Designer Lynn Pearson Russell Mollie Berger Curatorial Art Around the Corner Bradley Ireland Records and Files School, Family, and Sarah Caruso Old Master Prints Administrator Head of Department Adult Programs: Designer Associate Curator Kim Hodges Nancy H. Yeide Gallery and Studio Senior Educator and Rio DeNaro Gregory Jecmen Learning Manager of Family and Staff Assistant Associate Department Head Teen Programs Image Manager Assistant Curator Carolyn Bevans Anne L. Halpern Heidi Hinish Nathalie Ryan Sara Sanders-Buell Ginger Hammer Manager of Accessible Curatorial Coordinator Senior Educator and Museum Educator and Budget Coordinator Andrew W. Mellon Programs for Digital Content Manager of Teacher Program Coordinator, Jaime Lowe Postdoctoral Lorena Bradford Jennifer Henel Programs Adult Workshops Curatorial Fellow Julie A. Springer Gwendolyn Fernandez Print and Digital Manager of Planning Jamie Gabbarelli Production Associate Registration and Evaluation Museum Educator, Museum Educator and John Long and Loans Paula Lynn Teacher Programs Program Coordinator, Chief Registrar Justina Yee Family Programs Michelle Fondas Dena Rapoport

82 NATIONAL GALLERY OF ART

Production Assistant Gallery Website Reference Librarian for Conservation Photograph Conservation Scientists Mariah Shay Interlibrary Loan Conservation Lisha Deming Glinsman Website Designer Chief of Conservation Tessa Brawley-Barker Kathryn Morales Guillermo Saenz Mervin Richard Head of Department Mark Rothko Catalogue and Senior Conservator Michael R. Palmer Raisonné: Works on Interlibrary Loan Website Developer Conservation Constance McCabe Paper Assistants Photographic Carolyn Campbell Administrator Gillian Grossman Materials Scientist Managing Editor Michael Skalka Senior Conservator Judy Metro Website, Special Faye Karas Sarah S. Wagner Joan M. Walker Projects Conservation Program Rare Book Librarian Charles E. Culpeper Associate Curator John Gordy Assistants Conservator Yuri Long Advanced Training Adam Greenhalgh Michelle LeBleu Ronel Namde Fellow Media Production Nicola Wood Project Coordinator Supervisory Audiovisual Supervisory Librarian Object Conservation Xiao Ma Technician and Contributing Production Systems Painting Conservation Head of Department Author Rodrick McElveen Samuel H. Kress Specialist Head of Department and Senior Conservator Laili Nasr Imaging Fellow Brian Dooda and Senior Conservator Shelley Sturman Circulation Assistants Francesca Gabrieli Jay Krueger Research Associates Audiovisual Production Charlotte Donvito Senior Conservators Jessica Stewart Ian Roberts Specialists Senior Conservators Daphne Barbour CENTER FOR Ingrid Yeung John Conway Judy L. Ozone Ann Hoenigswald ADVANCED Adam Enatsky Reference Librarian Michael Swicklik STUDY IN THE Digital Media Olivia Anne Simmons Conservator Elizabeth Walmsley VISUAL ARTS Division Frank Tutko Katherine May Vertical Files Student Dean Chief, Imaging, Adam Williams Conservator Assistant Elizabeth Cropper Website, and Media Joanna Dunn Research Conservator, Anna Tomlinson Alan Newman Information Technology Robert H. Smith Associate Deans Manager Associate Conservator Bronze Study Project Serials Assistants Peter M. Lukehart Department Head, Suzanne Sarraf Dina Anchin Dylan Smith Tammy Hamilton Photographic Services Therese O’Malley Bruce B. Hebblethwaite Lorene Emerson Library Conservation Technician Conservation Technician Center Administrator Douglas Lachance Mira Patel Executive Librarian Department of Image Department Head, Web Helen Tangires Roger C. Lawson Collections and Imaging Services William R. Leisher Andrew W. Mellon Chief, Library Image Assistant Administrator Peter Dueker Memorial Fellow Advanced Training Library Systems Collections for Budget and Erin Stephenson Fellow Manager Gregory P. J. Most Accounting Chief, Media Robert Price Karen P. Cassedy Jeannette Shindell Productions Charles E. Culpeper Deputy Chief and Vicki Toye Advanced Training Textile Conservation Library Systems Image Specialist for Program Staff Fellow Head of Department Specialist Architecture Chelsea Cole Imaging and Visual Kari Rayner and Senior Conservator Yuning Zhou Andrea R. Gibbs Elise Ferone Services Julia Burke Danielle Horetsky Graduate Intern Office Manager Image Specialist for Preventive Elizabeth Kielpinski Photographic Services Joanna Strombek Jennifer Smith Modern Art Conservation Jen Rokoski Color Management Meg Melvin Catherine Southwick Paper Conservation Head of Department Specialist Technical Services Head of Department and Senior Conservator Ken Fleisher Acquisitions Assistants Image Specialist for Research Staff and Senior Conservator Bethann Heinbaugh David Diaz American and British Art Lacey Baradel Photographers Kimberly Schenck Amanda Kim Andrew L. Thomas Senior Conservator of Mattia Biffis Ric Blanc Mary Lazarenko Lara Langer Senior Conservator Frames Lee Ewing Jeffrey Leone Image Specialist for Lorenzo Pericolo Marian Dirda Richard Ford Greg Williams Silvia Tita Tricia Zigmund Acquisitions Student Melissa Beck Lemke Benjamin Zweig Conservator Associate Preventive Assistant Conservator Visual Information Michelle Facini Andrea Britten Image Specialist for James Gleason Members, Center for Specialists Special Projects Advanced Study in the Debbie Adenan Matting and Framing Catalogers Lisa M. Coldiron Scientific Research Visual Arts, Academic Christina Moore Specialists John P. Heins Department Year 2016–2017 John Schwartz Caroline Danforth Bary Johnson Image Specialist for Samuel H. Kress Shan Linde Head of Department J. Bryan Lane French Art Professor Laura Neal and Senior Conservation Imaging Services Cathy F. Quinn Nicholas A. Martin Dale Kinney Jenny Ritchie Scientist Permissions Coordinator Paula L. Zech Barbara H. Berrie Barbara Goldstein Wood Image Specialist for Andrew W. Mellon Conservation Cataloging Assistants Professor Technician Senior Imaging Scientist Image Permissions, Gretchen Berkman Thomas A. O’Callaghan Jr. Estelle Lingo Michelle Stein John K. Delaney NGA Collections Vada Komistra Peter Huestis Image Specialist for Edmond J. Safra Andrew W. Mellon Research Conservator Bindery Assistant Northern European Art Visiting Professor Advanced Training for Paintings Technology Digital Imaging Cataloger Jane E. Higgins Molli E. Kuenstner Antoinette Le Fellow E. Melanie Gifford Kate Mayo Normand-Romain Amy Hughes Reader Services Circulation Desk Senior Conservation eDAMS Coordinator Technician Head of Reader Scientists Paul Mellon Senior Jaime McCurry Carrie A. Scharf Services Suzanne Quillen Lomax Fellow John Hagood Christopher A. Maines David Young Kim

83 STAFF LIST

William C. Seitz Predoctoral Fellows Program Analyst Property, Logistics, Facilities Custodians and Senior Fellow not in Residence Cheryl Miller and Transportation Management Laborers Hagi Kenaan David E. Finley Fellows Supervisor Wendy Contreras Chief Andrew P. Griebeler Systems Manager Anthony Thomas Rosario Cordero David Samec Samuel H. Kress María Lumbreras G. Lee Cathey Michael DeVeaux Senior Fellows Lead Support Services Carris Fields Office Manager Claudia Bolgia Paul Mellon Fellows CAD Team Specialists Doris Fowler Hilary Evans Giancarla Periti Ravinder S. Binning Martin Livezey Mohamed Gasmi Oliver Fowler Magdalene Breidenthal Larry White Anthony Sean Hilliard O’linda Harris Staff Assistant Ailsa Mellon Bruce Carolyn Harvey Qula Wilder Senior Fellows Samuel H. Kress Staff Assistant Motor Vehicle Operators Alice Holloman Lisa Claypool Fellow (CASVA housing) Frank Armstrong Sharon Jenkins Engineering Sarah Elizabeth Fraser Grace Chuang Gwendolyn Murphy Ottis Johnson Michon Jenkins-Savoy Deputy Chief Fred Scott Teresa Lee Shelly Arnoldi Millon Architectural Wyeth Fellow Administrative Paul Marshall History Guest Scholar Caitlin Beach Services Materials Handlers Gail Maxfield Basile C. Baudez Assistant Deputy Darryel Parker Chief Jose Aviles Michael Smith Tambra Parks Ittleson Fellow Winifred E. Turner Jorge Johnson Ailsa Mellon Bruce Allison Caplan Cassandra Smith Senior Mechanical/ National Gallery of Art Support Services Anthony Stewart Deputy Chief Physical Plant Engineer Sabbatical Curatorial Andrew W. Mellon Fellow Specialist Angeline Sutton Arlington Walker Ngoc (Ted) Huynh Fellow Fatima Quraishi Kevin Grays Kenneth Tenwalde Mary G. Morton Dawn Thompson Administrative Officer Engineers Twenty-Four-Month Supply Technician Angelica Williams Scott Stephens James Cromwell Paul Mellon Visiting Chester Dale Fellow Nathan Howell Leora Wilson Senior Fellows Chris Lovejoy Tasha Wilson Catherine Damman Program Specialist Renzo Baldasso Architecture and Ronald Winston Tyrese Davis Engineering Technicians Karen Koehler Twelve-Month Chester Engineering Bryan Allen Lawrence Wells Nichols Dale Fellow Building Maintenance Program Specialist Senior Engineer/Senior Wade Brightwell Tom Nichols Andrianna Campbell Deputy Chief (Travel Coordinator) Program Manager Michael Ottmers Lisa Pon David Houser Marie Joy Borja Alison Hunt Shigebumi Tsuji Robert H. and Clarice Facilities Services Smith Fellow Assistant Deputy Program Assistant Senior Architect/Senior Ailsa Mellon Bruce Oliver M. Wunsch Deputy Chief Miguel Rodriguez Christy Williams Program Manager Visiting Senior Fellows Dan Hamm Carl M. Campioli Cynthea J. Bogel Ailsa Mellon Bruce Printing, Mailroom, Production Center Julia Bryan-Wilson Predoctoral Fellowships Special Projects Foreman Records, Supply, and Fire Protection Judit Geskó for Travel Abroad for Coordinator Charlie DiPasquale Telecommunications Engineer/Program Rachel E. Perry Historians of William Cabeza Supervisor Manager Nancy S. Steinhardt American Art Carpenter Shop Dionne Page Robert Wilson Special Projects Reva Wolf Lee Ann Custer Supervisor Jessica Flores García Workers Lead Support Services Architects/Program Allan Scheufele A. W. Mellon Paul Cotton Jill Vaum Specialist Managers Postdoctoral Fellows Anthony Givens Bryan Durham William H. Cross Jr. Wood Crafter Leader Fernando Loffredo OFFICE OF THE Michael Gavula Carl Sturm Megan C. McNamee Entomologist ADMINISTRATOR Support Services Judy Renfrew Darryl Forest Specialists Wood Crafters Predoctoral Fellows Administrator Janine Davis Construction Project Lynn C. Edwards in Residence Darrell R. Willson Work Control Center Lemuel Jamison Manager José Guerra David E. Finley Fellow Facilities Management Burt Parks Deputy Administrator Anthony Mearite Juan Radulovic Phil Taylor Processes Specialist–IT Howard Thompson John Robbins Frances Moffatt Vasily Lazarenko Anthony Proctor Construction Field Paul Mellon Fellow Paint Shop Deputy Administrator Kenneth Saunders Representative Work Control Seth Estrin Supervisor for Capital Projects Abby Frankson Coordinators Printing Services Paul Zappulla Samuel H. Kress and Chief Architect John Platt Specialist Interior Designer Fellow Susan Wertheim John Todd Michael Austin Irwin Gueco Paint Leader Denva Jackson Victor Bercian Gallery Business Engineering Technician Advisor Printing Services Clerk Program Analyst Fernando Restrepo Wyeth Fellow Painters Erin Fisher Anushirvan Aazami Lauren Huh Michael Kubo Steven Brady Building Services Lead Program Specialist Dennis Garner Ittleson Fellow Staff Assistant Supervisors Telecommunications Hillary Lord James Miller Michelle McCoy Katherine White Anthony Dickey Specialist Troy Patterson Sylvia Dorsey Daniel Ryntz Equal Andrew W. Mellon Assistant to the Deborah Hamilton Employment Mason Shop Fellow Administrator for Angela Lee Telecommunications Supervisor Aaron M. Hyman Budget Analysis Opportunity Specialists Gino Ricci Jill Dunham Equal Employment Leaders Frederick Braxton Twenty-Four-Month Opportunity Officer Gerald Carthorne Asheley McDonald Mason Leaders Chester Dale Fellow Budget Analysts Marisa Marinos Devigar Dozier Haywood Turnipseed Tony Lowe Salima McClain Andre Gordon Leslie Wilson Patrick Verdin Melanie Smith Sheldon Malloy Darlene Middleton

84 NATIONAL GALLERY OF ART

Masons Electricians Personnel Assistant Chief Safety and Police Officers Dennis Colella Troy Cahill Genia Reaves Occupational Health Michael Auls Chief Daniel DePaz Curtis Headlee Specialist Ronnie Baker Douglas Goodell Mauricio Diaz Charles Simonds Deputy Chief for Robert Casper Allen Billingslea Silvio Girolami Richard Thomson Programs and Policy Hosea Bynum Deputy Personnel Miguel Jimenez Ellen Bryant Fire Protection Timothy Carter Sr. Officer Leonard Pagliaro Electrical Worker Specialist Edwin Diamola Jr. Luis Baquedano Conrad Solomon Earl Ashford Staff Assistant Glenn Hnatt Ernest Higginbotham Charles Sydnor Lori Allen Rodney Madison Supervisory Human Continuous Operations Jason McCowin Resources Specialist Building Operations Conditioning Shop Investigations Javier Medina Terri Sosa-Gayles Major Deputy Chief Engineering Technician Investigator Larry Kaylor Calvin Roberts Abdul Sharif Rodney Stringer John Yasem Personnel Systems Enis Pinar Brian Sumner Specialists Captain Kevin Taylor Assistant Operations Mechanical Engineering Michele Caputo Investigative Technician Karen Perry Manager–Mechanical Technician Darryl Cherry Keith Hightower Noel Ashton Seong-Mo An Security Specialist Special Police Officers Wayne Alexander Staffing Specialists Administration and Steven Butler Jr. Energy Manager and Horticultural Visitor Services Calvin Allen (Union Jamaal Carrington Representative) Assistant Operations Services Kathy Sutton Davis Deputy Chief Command Center Lead Manager–Electrical Operators Roger Allen Chief Terrence Snyder Elizabeth Thomas David Matthews Philip Arnett Irene Anderson-Thomas Cynthia Kaufmann Leonard Bashful Gallery Representative Program Specialist Johanna Speight Assistant Energy David Weston Jr. Charles Berkley Jr. Deputy Chief Sarah Montgomery Andrea Bajrami Manager Vander Blount Julianna Goodman Neil Braithwaite Brock Manville Human Resources Gallery Support Command Center Operators Roy Brown Jr. Horticulturists Specialists Specialist Supervisory Engineering Chester Hall Jr. Vincent Brown Solomon Foster David Bachrach Dina Mukhutdinova Technician Denise Milburn George Burgess David Gentilcore Miriam Berman Larry Smith Keith Roseburough Slats Carter Kimberley Mead Todd Wheeler Office Assistants Altina Sumter Edward Chapman Chris Myers Mendi Cogle Wingfield Jesus Jimenez Jr. Supervisors James Townsend Venus Cristwell Jeff Nagle Winifred Riley James Gant Eugenio Velazquez Dominic Dangerfield Human Resources Larita Dodson James Hamilton Supply Technician Laverne Whitted Gardener Leader Assistant James Doye Anthony Ferrell Annette Brown Michelle Cameron Leaders Commanders Robert Edwards Wayne Atchison Timothy Fortt Edward Foster Gardeners Training Officer Supply Clerk Artemas Edwards Quellan Josey William Gill Charles Bauduy Judith Frank Paul Gresham David Trent David Lee Ryan Goolsby Wayne Buckner Quinyardo McClain Peter Henderson Jr. Craig Hall Training Specialist Exhibition Aides A/C Equipment Jeroboam Powell Donna Hinton Shaun Kelsey Nikkia Anderson Michelle Bond Mechanics Mildred Holeman Devin Sampson Kami Farrie Richard Cleveland Lieutenants David Jackson Christian Sherlock Staff Assistant Elizabeth Moore Gregory Curry Alphonso Brown III Eliot Jones Willie Townes Jaki Johnson Amy West Jerry Dicks Thomas Gorman Felisha Jones Dale Wimberly Aaron Kinchen Jerry Dobbs Procurement Technical Services Dennis Hill Anthony Dyer Joseph Hudson Jr. Albert Lawrence Volunteers and Contracts Deputy Chief Joseph Green Vernon Morton Franklin Lewis Frederick Abbey William Cato Jr. Sahlu Tekletsadik Chief Dexter Moten David Logan Martha Davidson Wilbert Thompson Rodney C. Cartwright James Murphy Richard Lydick April Gifford Supervisor Jeremy Wojciechowski Marlene Tucker Rodney Mathew Randy Harris William Shaw Deputy Chief Gerald Walker Isaac Mathis III Yvon Jensen Maintenance Helper Michael Benavides Sheila Wright Oumar Mbodj Hannah Mazer Senior Electronics Barron Henson Wayne Morris Jr. Lourine Musto Technician Contracting Officers Sergeants Darrin Moyer Susan Nerlinger Louis Wagner Jr. Insulators Ethan S. Premysler Brian Bowman Jacob Neal Georgiana Rosen David Reindl Beverly North James Deal Electronics Technicians Wesley Branon LaVonne Shingler Marcus Reeves Dewayne Queen Ty Cullins Jerry Doss Sr. Music Geoffrey Spotts Linda Roché Christian Havecker Alonzo Fountain Music Program Janet Wu Loretta Roy Controls Shop Dontae Mariano Carolyn Groce Michael Simpson Supervisor Specialist John Eric Jackson Danielle DeSwert Hahn Financial Management Timothy Smith Anthony Brooks IT Specialist Franklin Jess Analyst Michael Strong Bradley Hnatt William McLaughlin Bawasim Tchalim Technicians Music Specialist Kenneth Baksys John Rogers Robert Hanson Joselito Tungcod Nicholas Carter Identification Gregory Tyson Purchasing Agents Larry Turner Eugene Givens Reppard Powers III Andre Vaughn Music Program Gregory Champlin Marian Vaughn Anthony Hayes Brannock Reilly Ricardo Watson Coordinator James Wortham Gregory Watson Vladimir Solomykov Willie Wright Raymond White Electric Shop Kathleen Chau Mitchell Wright Jr. James Wilcher Supervisor Protection Risk Management Philip Young Jr. Concert Aides John Wilcher Chris Fioravanti Services Deputy Chief Vrejoohie Armenian Harold Williams Alton C. Limbaugh Jr. Security Driver Mary Carter Chief Lee Williams Leader Carlos Dubose Cathy Kazmierczak Mark E. Wallace Lynn Williams Timothy Maxwell Bruno Nasta

85 STAFF LIST

Gallery Protection Tyrone Lewis Office Manager Marnier Manley Financial Systems Instructional Officers Joseph Loy Laura A. Fitzgerald Devonia Matthews Administrator Technologist Anani Abalo Ramesh Malhotra Bonnie McBride Lynn Li Christina Waldron Rukan Ahmed Charles Manuel III Staff Assistants Kristofer M. O’Bryant Aaron Alexander Rusty Mason Miriam Dameron Kim Peacock Financial System New Initiatives Belinda Anderson Eric McCollum Therese Stripling Aaron Seaboch Specialist IT Program Manager Kurt Austin Toi-Lynn McKenzie Mildred Shivers Steven Wilson Laszlo Zeke Robert Baker Jr. Henry McKinnon Jr. Culinary & Catering Renee Slighter Roan Bascoe Lawrence Meyers Contracts Manager Monique Turner Financial Reporting Architect, Lead Brian Bates Margaret Nelson Paul Flickinger Timothy Turner Manager Applications Developer Jules Bell Willie Norman Aubrey Vinson Julianne Ehrman David Beaudet Robert Bell Jr. Robert Olekszak Service Contracts Bruce Watkins Casiano Benicio Roy Ottley Manager General Principal Developer Zurriane Bennett Joyce Palmer Anne Valentine Web Store Manager Accounting Cindy Peng Kathryn Boyd Theodore Panglao Ryan Sloneker Comptroller David Bradley Sr. Antwon Paris Product Development David J. Rada Senior Applications Jacqueline Brown Marian Parker Manager Product Photographer/ Developer Shaun Brown Stewart Parker Noriko Bell Web Fulfillment Deputy Comptroller Svetlana Reznikov- Michael Bryant Forrest Pitt III Assistant Myles Burgess Velkovsky Richard Byrd Pamela Pitts Book Buyer Bridgit Day Kieran Carter Carey Porter Jr. Donald L. Henderson Accounts Payable/ IT Project Managers Paul Cawley Oliver Pugh III Warehouse Manager Retail Accounting Eli Bhattacharyya James Chase Jr. Robert Pugh Jr. Buyers Kenny Sykes Manager Katherine Blackwell David Clark Willie Pugh Nancy A. Sanders Michael Chapman William Clark Jr. Kelvin Richmond Rachael Valentino Lead Materials Handler Operations Cheryl Coach Johnny Ridgeway Marvin M. Walton Accounts Receivable & Manager Ivy Cooper Michael Robinson Inventory Control/ Investment Specialist Alex Wu Larry Dailey Sean Rohe Reorder Buyers Materials Handlers Johann Jose William Daniels Eric Sadler Candler Hunt James B. Everett Infrastructure Manager Samuel Dauzat George Scott Lisa P. Perkovich George Sparrow Accountant Katherine Green Randolph Davis Willie Sims Sarah Thomas Vashaun Trotter William French Stephen Dobbs Marc Sloan Network Engineers Antonio Dorsey Wayne Small Systems Analyst/ Fulfillment Specialist Accounting Orlando Lewis Robert Dudley Andrew Smith Programmer Tonia Dawes-Minnis Technicians Nobel Philip Patrick Dumsch Alexander Stephens Alexander Bloshteyn Nicole Glaude Nivek Epps Christopher Stuart OFFICE OF THE Kevin C. Oberman Database Engineer Benito Eusantos Jaime Sullivan Visual Presentation TREASURER Brenda M. Stevenson Yilong Wang Charles Faulkner Anthony Teague Manager Treasurer Stephanie L. Thorpe Jerry Foley Damien Toler S. Kendall Bradford William W. McClure Valerie M. Wright Applications Raynard Forte II Jonathan Torres Administrators David Fortunoff Albertus-Hugo Visual Presentation Executive Assistant Payroll Wenling Bao Armaund Fowler Van Den Bogaard Technicians Judy Shindel Payroll Personnel Getachew Michael Frazier Paris Vaughn Melissa Cherry Specialist Tameka Gaines Donald Ward Jr. Noelle E. Wigginton Staff Assistant Emma G. Moses OFFICE OF THE Sherice Garedo Terry Ward Sr. Brittany Bordeaux SECRETARY Russell Gaskins Jr. Sean Watson Store Manager Payroll Technician AND GENERAL Jonathan Gehrkin Verda Whitlow Nancy G. Vibert Chief of Investments Margaret Myers Lita Goings Agnes Whittle COUNSEL Christine Kelleher Debra Graham Anthony Whorley Assistant Store Secretary and General Richard Green Barry Williams Managers Technology Counsel Manager of Fine Arts Rodrigo Gutierrez Stephen Williams Frenzetta Coward Solutions Nancy Robinson Breuer Risk and Special Dennis Hairston Vincent Williams Kelly Song Guziewski Chief Information Projects Dorothy Harper Phillip Williamson Coy K. Mayle Jr. Officer Senior Associate Nancy Hoffmann Burley Harris Andre Wilson Naomi Morgulis Linda K. Stone General Counsel Jamal Hassan Chantay Wilson Julian F. Saenz Chief Planning and Lemuel Hillian Gerald Wilson Category Specialists Information Systems Budget Officer Allen Hodgdon Steven Wimbush Mary Heiss Security Officer Associate General James Gaglione Fred Holmes Jr. Anthony Wright Mary Powell Nabil Ghadiali Counsels Priscilla Hopkins Patricia Wright Christopher Siron Carolyn Greene McKee Senior Budget Analysts Ronald Horne Information Security Lakshmi Mohandas Vicki Zobisch Cundiff Harold Hunter Gallery Aides Lead Cashiers Engineer Isabelle Raval Frank McCarthy Robert Hyer Marie Akridge Nanci Fox-Miller William Nguyen Darrel Jackson Kristyn Hodges Linda Peterson Legal, Administrative Budget Analysts David Jakes Karima Hurt IT Planning & Budget and Governance Richard Eckert Victor Jamison Derrick Johnson Cashiers Analyst Specialist Eileen Ng Darrell Johnson Symphony Johnson Maria Aragon Susan Farr Joanna Gatta David Johnson Joel Ulmer Anthony Bremer Senior Manager Gabriel Kelley Patricia Valdez Laura Brown User Services Staff Assistants Financial Reporting, Joe Kelly Michael Wallover Pamela Coleman Manager Carol Christ Analysis and Policy Tania Cooks Chris Usher Alexandra Liopiros Kelly Liller Tameka Kyles Retail Steven T. Corbin Lauren Wheeler Marketa Lassiter Operations Mary Eaglin Technical Lead Senior Financial Marian Lee Lara Ghelerter Kristhian Senzano Chief Systems Manager Michael Lewis Terry Gibson David A. Krol Leslie Braxton Robert Lewis Isaac Kamara

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Gallery Archives Joan Gottfried Eileen Romano Aimee Cipicchio Marion H. Lebanik Carol Snyder Gail Gregory Janet Ross Lynn Cleary Barbara Lenhoff Molly Snyder Chief of Gallery Donna Grell Susan Rudy Angela Clexton Barbara Lesser Claire Southerlin Archives Annie Gubser Sheila Ruffine Pat Clopper Guenter Lewy Mary K. Stoufer Kathleen Williams Judith Hadley Cathy Ryan Evelyn Coburn Ilse Lewy Sheridan Strickland Alyson Hardy Lois Sacks Shannon Cockett Marlane Liddell Linda Sundberg Deputy Chief and Mary Harms Joel Salmons Carolyn Codamo Susan Lightsey Bonita Sutler Senior Archivist Jan Haugen Angelika Sasin Michael Crowley Yingqi (Ying) Liu Michele Sutton Michele Willens Beth Herman Arlene Schuchner Deborah Davenport Karen Livornese James (McKim) Camille Hersh Joyce Schwartz Elaine Dawes Mary Ann Lucey Symington Jr. Archivist Shannon Hobbs Catherine Seibert Susan Dawson Pat Lynagh Ann Szabo Kurt Helfrich Sally Hojvat Diane Sekelsky Joanne DeSiato Marion Macdonald Barbara Szoradi George Holliday Steven Selden Clare Donelan Theresa Maciejewski June Tancredi Archivist Adriana Hopper Katy Senkus William Eddy Cynthia (Cindy) Major Ragan Tate Shannon Morelli Marta Madrid Horgan Judy Shulman Sibyl Nye Erdman Rikki Marshall Judith Terry Marilyn Horwood Ruth Sickel Rose Evans LeeAnn Matthews James (Jim) Thurston Archives Assistant Merry Hunt Claire Simon Elizabeth Fagan Roy Matthews Marylee Tinsley Laura Pavona Jennifer Jacobs Trudi Small Susana (Susi) Marshall McBeth Alicia Tisnado Michaela Johnson Marie-France Smith Fainbraun-Shapiro Chuck McCorkle Anna Tucker Volunteer Judith Kane Sara Smith Omid Fattahi Joan McCormick Barbara Twigg Sarah Rouse Deborah Kant Kimberly Snyder Ileana Fernandez Carolyn McDevitt Garry Tyran John (Jack) Ferry Kathy Udell Volunteers Christie Kramer Celia Steingold Deborah McDonald Nancy Keefe Christine Stinson Barbara Fisher Margaret McDonald Adrienne Umansky Docents Carolyn Kelloff Elizabeth Sullivan Marjorie Fisher Sarah Beth McKay Jeanette Van Wormer Sue Adams Marney Kennedy Traer Sunley Marcy Ford Irma Jean (I. J.) McNelia Ward Van Wormer Ann Allen Carol King Laura Symcak Alan Friedman Susan Mekkawi Suzanne Vaughn Lee Allen Ann Klein Diedre Tillery James Furnish Deborah Mendelson Gene Venzke Janet Auten Audrey Kramer Paula Tosini Betty Sue (Suzi) Barbara Meyers Ellen Villa Gallagher Joan Barkin Andrea Kraus Michelle Trahan Mary Ellen Michel Shawn Vreeland Joyce Gentile Sue Beddow Naomi Kulakow Shu Chen Tsai Alejandro Milberg Catherine Wagner Bowen Gerry Carol Bellonby Olga Kushnir Susan Van Nice Elaine Miller Linda Wagner Martin Gerstell Valerie Bernat Julien LeBourgeois Eleanor Wang Lena Molander Haley Wallace Marcia Gibson Anu Bhatia Susan Lewis Josephine Wang Amelia Montjoy Harry Walsh Carolyn Gichner Susan Bollendorf Paula Litvak Maria Elena Weissman Carolyn Morse Diane Wapner Brenda Gierhart Marlene Bolze Dianne Maffia Pamela Wells Flavia Thomsen Mostazo Tracy Ward Bernard (Benny) Glenn Irene Bortolussi Renee Mahoney Margaret Wesbecher Elizabeth (Betty) Mullen Michael Weaver Joan Goldwasser Marina Bradfield Barbara Mandel Sue Wickwire Diane Munro Jean Weber Gretchen Goodrich Carol Bradwell Barbra Mann Brooke Wilding Luzie Nahr William Weber Lucille (Lucy) Gordon Jill Brett Anne Marie Marenburg Natalie Wilensky Rebecca Neumann Virginia Weschler Natalya Gosteva Maureen Fallon Patricia Martin Michael Winer Sherry Nevins Joan Wessel Judith Hadley Bridgeland Marylin Mathis Maria Wood Mary Niebuhr Alexandra Wilson Janice Hallman Gail Briggs Patricia Mattimore Constance Wynn Joan Novell Diane Wood Helen Haltzel Florence Brodkey Ursula McKinney Anka Zaremba Anne Odland Maria Ilona Wood Tawney Harding Ana Maria Brown Patricia McMurray Joan Zeizel Carol O’Shaughnessy Yuzhu (Quinnie) Xiang Jean Hay Debra Brown Linda Meer Kathryn Zoeller Arnold Palley Vinnie Zagurski Jo Ann Hearld Richard Burke Sandra Mitchell Gianna Zucchi Athena Papamichael Erin Heffernan Karen Campbell Margaret Morrison Katrina Parker Linda Hicks Valerie Carleton Joan Morton Art Information Susan (Suzi) Pease Maria Higgins Leonard Coburn Melanie Morton Volunteers Camille Pellegrino Dawn Hill Carol Cochran Joan Mulcahy Liane Atlas Stephen Pelszynski Nancy Hirshbein Theresa Daly Patrick Murtaugh Rosalie Baker Mary L. Regan Barbara Hodges Nancy Deck Laurie Nakamoto Jay Ball Gail Ridgway Celia Hoke Gerard de la Cruz Cate Newman Valerie Ballard Arlene Ring Elizabeth (Betsy) Holmes Bela Demeter Dianne Niedner Anika Belinfanti Eugene Ritzenthaler Charlotte Hrncir Susan DeMuth Akemi Nishida Carol Belovitch Martha Rogers Gail Huh Anna Dixon Olga Nosova Margaret Ann Booth John Thomas Rooney Kathleen Jackson Cynthia Dormont Nur Nossuli Pamela Brancaccio Gabrielle Rooz Irene Jacoby Margaret Downey Yasuko Okuno Ann Breiter Emily Roper Pinette Joan Janshego Sandra Dugoff Mary O’Neill Elizabeth Buchanek Eugene (Gene) Rosenfeld Paula Kahn Alice Ellington Julia Overton Arthur Bugler Jr. Shirley Rosenfeld Herb Kaplan Marilyn Farrington Patty Owens Diane Cabe Carol Russell Henrietta (Henri) Keller Sharon Feldman Hedwig Pasolini Josephine (Jody) Kalina Schneider Rosemary Kelly Victoria Feldman Deborah Pietras Cabezas Susan (Sue) Schneider Susan Kilpatrick Paula Ferdinand Karen Piper Dianne Callan Roberta Schneidman Hyeran (Alissa) Kim Karen Feuerstein Yvonne Porter Elizabeth (Beth) Callsen Sonja Schulken Stephen Klatsky Brooke Fink Ludmila Pruner Nancy Cammack Suzanne Scott Deborah Klein Harriet Finkelstein Maria Amelia Ramaciotti Ann Carroll Nancy Searles Bonnie Kleinhans Virginia Flavin Patricia Ramirez-Gomez Colleen Casey Arlene Selber Michael Kolakowski Howard Fogt Pickett Randolph Catherine Chae Anastasia Sheveleva Peter Koltay Stephenie Frasher Lucia Jean Reynolds Joan Chapin Kathleen Shuman Ruth Kurzbauer Barbara Freeman Augusta Ridley Zie Wei (Susan) Chen Chaya Siegelbaum George Lader Christine Freidel Cynthea Riesenberg Sara Williams Cherner James Silverwood Stephen Lake Laura Germain Janet Roberson Rhonda Chocha Esther Slaff Rosary Lalik Maureen Gevlin Michael Robinson Vivian Chu Ann Snuggs Thomas Gilday Emily Lanza

87 GIFTS/DONORS

The support of the federal Vincent Buonanno in honor of Library Gifts $1,000,000 or more Andrew Robison Anonymous government and private sector The following individuals and insti- enables the Gallery to fulfill its Norman A. and Carolyn K. Carr tutions made significant gifts to the The Lee and Juliet Folger Fund mission to collect, exhibit, in- Gary Davis National Gallery of Art Library and The Andrew W. Mellon Foundation its image collections department in Virginia Dwan terpret, and preserve works of fiscal year 2017: Victoria and Roger Sant art at the highest possible Ellwanger/Mescha Collection Clarice Smith standard. While the federal The Epstein Family Collection Library Michelle Smith government provides an annual Suzanne and Ted Fields Liane Atlas Robert H. Smith Family Foundation appropriation for the Gallery’s Pia Gallo in honor of Andrew Robison Harry Cooper Christiane and James Valone operation and maintenance, Gemini G.E.L. and Jonathan Borofsky, Sarah Greenough The Walton Family Foundation Daniel Buren, William Crutchfield, works of art in the collection, Christine Kermaire , Sam Francis, the two buildings, and the Robert Graham, David Hockney, D. Dodge Thompson $500,000–$999,999 sculpture garden are made Jasper Johns, Ellsworth Kelly, Jo Ann and Julian Ganz, Jr. Roy Lichtenstein, Elizabeth Murray, possible through private gifts, Image Collections Kenneth Griffin Bruce Nauman, Claes Oldenburg, as are numerous educational William Craft Brumfield Ken Price, Robert Rauschenberg, Robert and Arlene Kogod and scholarly programs. The Ed Ruscha, Richard Serra, and Elizabeth Cropper Samuel H. Kress Foundation Gallery extends its gratitude to Frank Stella Amy De Salvatore both the federal government Gemini G.E.L., LLC and Claes Andrea Gibbs $250,000–$499,999 and the many generous donors Oldenburg, Richard Serra, and Saul Steinberg John Hand Anonymous listed here who made gifts Daniel Greenberg and Susan Gregory P. J. Most Robert & Mercedes Eichholz during fiscal year 2017. These Steinhauser Charles Schwartz Foundation private contributions have Grinstein Family, in Honor of the Dr. Helena Wright HRH Foundation allowed the Gallery to enhance 50th Anniversary of the National The Leonard and Elaine Silverstein its art collections, build its Gallery of Art Family Foundation Corporate Gifts library holdings, present special Carol Horvitz Mallory and Diana Walker The Gallery is grateful to the exhibitions, undertake conser- Jeffrey Horvitz Ruth S. Willoughby Foundation following national and international vation and research, offer com- The Jay Family corporations for their generous prehensive educational initia- Paul Kanev support in fiscal year 2017: $100,000–$249,999 tives, and pursue scholarly Alex Katz Anonymous endeavors. Thanks to the ongoing Dr. and Mrs. J. Patrick Kennedy Altria Group/Ste. Michelle Mr. William S. Beinecke Wine Estates commitment of its supporters David Knaus Buffy and William Cafritz BP Family Foundation and the federal government, Hans P. Kraus Jr. Marchesi Antinori S.p.A. The Morris and Gwendolyn the Gallery continues to serve Kristin Leachman the American people. Cafritz Foundation Jamie Lunder Charina Endowment Fund Steve McCurry Benefactors GIFTS TO THE Sally Engelhard Pingree and The Marlene Nathan Meyerson† Benefactors are those who have Charles Engelhard Foundation NATIONAL GALLERY made cumulative gifts of art and/ Joy Mileaf Hakuta Family OF ART or funds at the level of $5,000,000 Rodney M. Miller Sr. and or more. The following names were Hata Foundation (October 1, 2016–September 30, 2017) Billy E. Hodges added to this distinguished list Henry Luce Foundation Ramón Osuna during fiscal year 2017: Virginia Cretella Mars Gifts of Art Kandy Vermeer Phillips Joan and David Maxwell The Gallery’s collection is the result Heather Podesta Virginia Dwan Alan and Marsha Paller of private generosity. Unlike other Andrew Robison The Scharffenberger Family national museums throughout the Dr. Mihael and Mrs. Mahy Christiane and James Valone world, the Gallery receives no gov- Paul Sack Polymeropoulos ernment funds for the acquisition Collection of Arnold and Sharon Percy Rockefeller and of art. Works of art were added to Joan Saltzman Individual and John D. Rockefeller IV the Gallery’s collection in fiscal year Ursula Schulz-Dornburg Foundation Gifts Mr. and Mrs. Robert M. Rosenthal 2017 through the generosity of the friends listed here. Mary and Dan Solomon Gifts of $1,000 or more for art acqui- Trellis Fund sition, special exhibitions, education, Jane Varkell in memory of Mrs. Robert M. Weidenhammer outreach, conservation, research Paul Varkell Anonymous initiatives, and unrestricted support Wyeth Foundation for American Art Thomas Vogler in memory of his Anonymous in memory of were received from the following gen- brother Donald J. Vogler erous donors during fiscal year 2017: Gaillard Ravenel $50,000–$99,999 John Walker in honor of Robert and Kerstin Adams Barry Berkus† Anonymous Dian Woodner The Ahmanson Foundation

88 NATIONAL GALLERY OF ART

Max N. Berry Ms. Margaret B. Parsons Mr. and Mrs. E. B. Smith Jr. Tony Podesta Estate of Kathryn Brooke Estate of Lila Q. Perkins Hedrick Smith and Susan Zox-Smith Cynthia Hazen Polsky and Leon Polsky Louise and John Bryson Quadrangle Development Corporation Mr. and Mrs. Roger D. Stone Prince Charitable Trusts Bernard and Sarah Gewirz George C. Ryman Dr. Shailendra S. Vaidya Mr. and Mrs. Mitchell P. Rales Robert B. Menschel and the Vital James D. and Kathryn K. Steele The J. and H. Weldon Foundation Burton Reiner Projects Fund Matthew A. & Susan B. Weatherbie Jimmy and Jessica Younger Sharon and John D. Rockefeller IV George L. Ohrstrom Jr. Foundation Charitable Foundation Michele Rollins and Monique Rollins Park Foundation The Tulgey Wood Foundation The Collectors Committee Don and Mary Beth Roth Wes† and Jackie Peebles, in honor Andrea Woodner of the National Gallery of Mr. and Mrs. C. Arthur Rutter III of Neal Turtell Art Victoria and Roger Sant Prince Charitable Trusts $1,000–$9,999 The Collectors Committee serves a Louisa Stude Sarofim Mr. and Mrs. B. Francis Saul II Anonymous vital role in broadening the scope of the Gallery’s modern collection. Mr. and Mrs. Andrew Saul Jack Shear Andrew Athy Jr. Committee members provide Jon Shirley Mr. and Mrs. Albert H. Small Charles M. and Gertrude S. Best, invaluable support with their Michelle Smith The Sperry Fund in honor of Edwin L. Cox annual gifts of $20,000, $40,000, and more for the acquisition of Leopoldo Villareal Victor K. T. and Susan Tang In loving memory of Shirley Casstevens modern art. William and Sarah Walton Eugene V. and Clare E. Thaw Mrs. Aldus H. Chapin Mr. and Mrs. Stanford S. Warshawsky Charitable Trust Thomas and Robin Clarke Chair Christopher V. Walker CN Kyle J. Krause Berry R. Cox Family Foundation, The Exhibition Circle of $25,000–$49,999 in honor of Edwin L. Cox the National Gallery of Art Anonymous Hester Diamond Members The Gallery wishes to thank the Anonymous members of the Exhibition Circle Adrienne Arsht Patricia A. Donovan Howard and Roberta Ahmanson for their generous support at the Joseph M. Cohen Marjorie and Anthony Elson level of $20,000 or more, which Adrienne Arsht Grega and Leo A. Daly III Fund for Sarah G. Epstein provides funding for special Mr. and Mrs. E. William Aylward exhibitions each year. Architectural Books Randi and Bob Fisher Mary-Randolph Ballinger Susan and Whitney Ganz Sarajane Foster Anne T. and Robert M. Bass Mr. and Mrs. Frederick W. Beinecke Johnson Family Foundation Mr. and Mrs. Vicki and Rob Frazer Calvin and Jane L. Cafritz Ronald M. Bradley Foundation Kyle J. and Sharon Krause Peter A. and Barbara W. Freeman Constance R. Caplan Evelyn T. Brandt Gerard B. Lambert Foundation Gamblin Artists Colors Co. Joseph M. Cohen Brown-Forman Corporation Reid and Ann MacDonald Professor Joseph L. Gastwirth Mr. and Mrs. Michael M. Connors The Clark Charitable Foundation and Chris and Lois Madison David and Lorna Gladstone Foundation Ricki Gail Conway A. James† & Alice B. Clark The David Minkin Foundation Michael A. Glass Bonnie and Louis Cohen/Rubenstein Wes and Kate Mitchell Edwin L. Cox Gregory and Aline Gooding Charitable Foundation Matthew and Ann Nimetz Barney and Rebecca Ebsworth Henry† and Alice H. Greenwald Mr. and Mrs. Michael M. Connors Billy Rose Foundation Mrs. Donald G. Fisher Dr. John C. Harbert Ron and Barbara Cordover The Honorable Secretary of Norma Lee and Morton Funger Harman Cain Family Foundation Louisa C. Duemling Commerce and Ms. Hilary Geary Ross Mr. and Mrs. Carl S. Gewirz William L. Hopkins and Richard B. Irwin and Ginny Edlavitch Dian Woodner Anderson† Pam and Bob Goergen Dr. Mark Epstein and Amoretta Mark and Carol Hyman Fund Peggy and Richard Greenfield Hoeber $10,000–$24,999 Mr. James A. Johnson Jr. and Agnes Gund Shannon Fairbanks Anonymous Mr. Frank L. Spencer Mr. and Mrs. Andrew S. Gundlach Greg and Candy Fazakerley The Gladys Krieble Delmas Foundation Judith Keenan Mrs. Frederic C. Hamilton Ms. Denise Gwyn Ferguson The Max and Victoria Dreyfus Henry B. and Jessie W. Keiser Mr. and Mrs. Richard C. Hedreen The Lee and Juliet Folger Fund Foundation Foundation, Inc. C. Boyden Gray Louisa C. Duemling Lawrence Lawver Robert and Arlene Kogod Monica Lind Greenberg Merritt P. Dyke Karen and Sue Lee and the Lee Wendy and John Kostrencich Peter and Rose Edwards Family Sylvia Greenberg Jill H. Kramer Samuel Freeman Charitable Trust Mr. and Mrs. Jan W. Mares Mr. Newman T. Halvorson Jr. Kyle J. and Sharon Krause Ann and Gordon Getty Foundation Mr. and Mrs. John F. Mars Mrs. Amos B. Hostetter Jr. Mary M. Looker The Gottesman Fund in memory of Lynne Martin Gail and Benjamin Jacobs Chris and Lois Madison Milton M. Gottesman John M. McDonough and Susan J. Mr. and Mrs. Reuben Jeffery III Mrs. George M. Kaufman Moran, in honor of Linda Smith and Joan and David Maxwell Betsy Scott Kleeblatt Vincent J. Buonanno Thomas and Kathleen Koepsell Mr. and Mrs. Edwin Van R. Milbury Michael R. Klein and Joan I. Fabry C. Jay Moorhead Foundation The Krugman Family in Honor of Mary V. Mochary Robert and Arlene Kogod Arnold and Augusta Newman J. Sylvia Krugman H. Tony & Marti Oppenheimer and Jo Carole and Ronald S. Lauder Foundation The H. Tony and Marti Oppenheimer Alexander M. and Judith W. Laughlin The Leonard and Evelyn Lauder Ivan E. and Winifred Phillips Foundation Edward Lenkin and Roselin Foundation William and Karen Prezant John and Mary Pappajohn Atzwanger Dr. and Mrs. LaSalle D. Leffall Jr. Mr. Robert C. Rea Catherine C. Partridge Robert B. Loper Larry and Dee Levinson Mr. and Mrs. Joseph S. Sambuco Sally Engelhard Pingree Estate of Julienne M. Michel Marlene A. and Fredric V. Malek

89 GIFTS/DONORS

Jacqueline B. Mars Mrs. Barbara K. Gordon Marshall B. Coyne Foundation, Inc. Supporting Members Virginia Cretella Mars Dr. Cheryl Gorelick Andrea B. Currier ($2,500−$4,999) Anonymous (9) James H. and Zoe Moshovitis Mr. and Mrs. Temple Grassi Mr. and Mrs. Gary Davis Susan L. Agger† and Mrs. Pat Munroe Patrick W. and Sheila Proby Gross Lisa and Porter Dawson Richard D. Budson Scott Nathan and Laura DeBonis The Heinz Family Dr. Joseph P. DiGangi Carolyn Small Alper Alan and Marsha Paller Mr. and Mrs. Joseph W. Henderson III Elizabeth W. Edgeworth William B. Alsup III and John and Mary Pappajohn Lynne and Joe Horning Anne and Gus Edwards Sunny Jung Alsup Jackie Peebles Mr. Clark F. Hoyt and Ms. Linda Kauss Lionel Epstein† and Ruth and Sam Alward Elizabeth Streicher Sally Engelhard Pingree J. W. Kaempfer Leslie S. Ariail Elinor K. Farquhar Dr. Mihael and Mrs. Mahy Linda H. Kaufman Joseph Asin and Beryl Gilmore Polymeropoulos Mr. and Mrs. Alan H. Fleischmann Nancy and Jorge Kfoury Dr. and Mrs. Maxwell Barus Prince Charitable Trusts Keith Forman and Mary Morton Ann and Mark Kington Ms. Babs G. Beckwith Sharon and John D. Rockefeller IV Sarajane Foster Lee G. Kirstein Linda and Jim Beers Mr. and Mrs. Robert M. Rosenthal Susan and John Klein Gerry and Lynne Gabrys, Guest Services, Inc. Mr. and Mrs. Robert S. Bennett Victoria and Roger Sant Judith and Alexander Laughlin Elizabeth and Michael Galvin Richard Ben-Veniste and Mr. and Mrs. B. Francis Saul II The Lemon Foundation Donna Marie Grell Professor Joseph L. Gastwirth The Leonard and Elaine Silverstein Edward Lenkin and Roselin Philip Berlin and Olivia Adler Family Foundation Honorable Joseph and Alma Atzwanger Lili† and Jon Billings Robert H. Smith Family Foundation Gildenhorn Mr. and Mrs. Richard E. Marriott Miss Elizabeth S. Bizic Dr. Abigail Spangler Martha Gil-Montero and The Honorable and Mrs. Joseph A. Page Mr. and Mrs. James I. Black III Mr. Benjamin F. Stapleton III Thomas F. McLarty III Mr. and Mrs. Henry H. Goldberg Susan Bloom and Dr. Benjamin Shannon and Bennett C. Stichman/ Robert E. Meyerhoff and Natovitz Stichman Family Foundation Rheda Becker Susan Sachs Goldman Barbara D. Boggs George Wasserman Family Foundation Mrs. G. William Miller Graham Holdings Company Joan and Jack Bray Diane B. Wilsey The Honorable and Mrs. Helen Lee Henderson Fleur S. Bresler Donald and Barbara Zucker Family William A. Nitze Mr. and Mrs. Richard deCourcy Hinds Foundation Dr. James D. Parker Mr. and Mrs. William A. Homan III Robert D. Broeksmit and Susan G. Bollendorf Dr. and Mrs. Jerold Principato William L. Hopkins and Richard B. Anderson† Mr. and Mrs. Vincent Browning The Circle of the National Grace Ritzenberg John K. Hoskinson and Ana I. Fábregas Frances and Leonard Burka Gallery of Art Ellen and Gerry Sigal Charitable Fund Mrs. Sherrill M. Houghton The Gallery extends thanks to the Dick and Jane Stoker Mrs. Mary C. Burrus members of the Circle for their Barry S. and Evelyn M. Strauch The Fannie and Stephen Kahn generous annual gifts of $1,000, Charitable Foundation Ms. Kay L. Casstevens Leila Straus $2,500, $5,000, or $10,000 or more, LaSalle D. Leffall III M. Challinor and H. Richardson which provide unrestricted funding Mr. and Mrs. Eugene V. Thaw Mrs. Aldus H. Chapin for a range of activities throughout Jack and Betty Lou Ludwick Anne and Peter Thomas the Gallery. John and Mary Lee Malcolm The Honorable John E. Chapoton Mr. and Mrs. John V. Thomas and Mrs. Chapoton Tom and Charlene Marsh Family Mallory and Diana Walker Marion Oates Charles Patron Members Foundation Marvin F. Weissberg Lindsay Kudner Coates ($10,000 and above) The Honorable John J. Medveckis Anonymous Frederica Wheeler and Laurel and Robert Mendelsohn, M.D. Annetta J. Coffelt Charles E. Johnson Ms. Debbie K. Alex and Mr. Robert B. Menschel Robert M. Coffelt Jr. Mr. David Harris Ms. Suzanne Wilczynski Jim and Tracy Millar T. A. Cox Gay and Tony Barclay Mr. and Mrs. Erving Wolf and Lawrence Miller Warren and Claire Cox Terri and Tom Barry Ken and Dorothy Woodcock A. Fenner Milton Joan Danziger Grace and Morton Bender Joan and Dan Mulcahy Mr. Dale Dean Mr. and Mrs. Douglas J. Besharov Sustaining Members Diane A. Nixon Dr. Jean Karle Dean Marc H. and Vivian S. Brodsky ($5,000−$9,999) The Charles Delmar Foundation Anonymous Mr. and Mrs. David D. Norton Mr. and Mrs. Landon V. Butler Jr. John and Anne Dickerson L. Anderson Rachel Tinsley Pearson Russell and Anne Byers Ginger H. and H. Richard Dietrich III Aileen Athy Mr. and Mrs. Gerald Petitt Mr. and Mrs. Carter Cafritz Dean and Margarita Dilley Andrew Athy Jr. The Honorable Stephen W. Porter Giuseppe and Mercedes Cecchi and Mrs. Susan Porter Edith R. Dixon Jamie Baldinger Judy and Richard Cohen Jacqueline Rizik The William H. Donner Foundation Miriam and Eliezer Benbassat The Cordish Companies Ms. Amy Sabrin and Mr. Evans Witt Dorchester Towers and Apts., on Sylvia Blake Virginia Dwan Mr. and Mrs. Charles C. Shelleman Jr. Columbia Pike—Lola C. Reinsch Marshall and Anne Brachman The Roger S. Firestone Foundation Mr. and Mrs. Anthony F. Shelley Douglas and Elaine Drysdale Anna Brooke Nancy M. Folger Mr. and Mrs. Robert Bland Smith Mr. and Mrs. Merritt P. Dyke Andrew Brown Betsy and Pete Forster David G. Speck and Marcia Neuhaus Louise Engle Frances Ann Bufalo Marina Kellen French Speck Sarah C. Epstein and Elizabeth C. Burke Joseph P. Junkin Dale and Suzi Gallagher Eileen and Michael Tanner Mr. and Mrs. Richard I. Burnham Mr. and Mrs. James Evans Mr. and Mrs. Gordon P. Getty Mr.† and Mrs. Maurice B. Tobin Thomas and Robin Clarke Mrs. John Dwight Evans Jr. Dr. Margaret A. Goodman Mr. and Mrs. Dennis Weitzel Tom and Tania Evans

90 NATIONAL GALLERY OF ART

Tony and Kathryn Everett Mr. and Mrs. Worth D. MacMurray Paul and Chandler Tagliabue Contributing Members Frank and Mary Fahrenkopf The Honorable John D. Macomber Jay and Toshiko Tompkins ($1,000–$2,499) Anonymous (6) Barbara G. Fleischman Wendy W. Makins Emily and Antoine van Agtmael Iris Aberbach Mr. and Mrs. David Morgan Frost Paul Malamud in memory of Michael and Victoria Vergason Mr. and Mrs. Dana T. Ackerly II Anne and Paul Gambal Ann and Bern Malamud Mr. and Mrs.† G. Duane Vieth Mr. and Mrs. Timothy D. Adams Steven B. and Katrina H. Gewirz Tim and Jane Matz Emily and Frank Vogl Thomas R. Gibian and Drs. Isaak and Deborah Mayergoyz Harold G. and Barbara B. Walsh Mr. and Mrs. Tom Adams Christina G. Grady Darina and Allan McKelvie Mr. John W. Warner IV Theo Adamstein Mr. John R. Gill III Irma Jean and John F. McNelia Peggy and Ted Weidlein Ross and Judy Ain Nancy Glassman Catie Meyer Virginia A. Weil James and Lynn Alexander Richard and Mary L. Gray Jane S. and James K. Mitchell The Honorable E. Allan Wendt Dr. Katherine Alley and Dr. Richard Flax Nicole Alfandre Halbreiner Mr. and Mrs. F. Joseph Moravec and Que D. Nguyen Clement and Sandra Alpert Designated Endowment Fund Deborah Harsch and Mark Colley Bailey Morris-Eck Charles C. and Helen C. Wilkes Mr. and Mrs. Robert Anderson Patti and Mitchell D. Herman Catherine Murray Edwin and Kathe Williamson Mr. Jesse Arbogast and Mr. and Mrs. Robert N. Herman Michael and Sharon Nemeroff Professor John Wilmerding Ms. Rochelle Rosenfeld Ms. Maria C. Higgins Mr. and Mrs. Robert B. Newlin Vickie and Ken Wilson Judith Areen and Richard Cooper Louise Hilsen and Donald Foley Dane A. Nichols Alan F. Wohlstetter Alexandra Armstrong and Dr. and Mrs. John W. Holaday Mr. and Mrs. Larry Nicholson Wolfensohn Family Foundation Jerry J. McCoy James and Diana Holman Ms. Evelina Norwinski and Mr. Jacob Yaniero Linda Arret Ms. Hallie Pence Rosemarie Russi Howe Lenore G. Zinn Tom and Mary Arseneault Melanie and Larry Nussdorf Robert and Elizabeth Huffman Hank and Joanne Asbill Leslie and John Oberdorfer James and Lisa Hunt Tower Project Members Allie and Ellen Ash Stanley and JoAnn Pearlman John Peters Irelan ($2,500 and above) Lila Oliver Asher Mr. and Mrs. John E. Pflieger Jr. Rory and John Ackerly Lorna Jaffe Ann M. Askew Mr. and Mrs. John Ely Pflieger Sr. Jamie Baldinger Dr. Dirk C. and Lois U. Jecklin Mrs. Martin Atlas Mr. David C. Pierce Helen B. Bechtel Pamela Jenkinson Miss Gillian Attfield Dr. and Mrs. Alan G. Pocinki Miss Elizabeth S. Bizic Anne Hale Johnson Ms. Merribel S. Ayres Sydney M. Polakoff and Christopher R. Boutlier and Mr. James A. Johnson Jr. and Mr. and Mrs. James Bachmann Mr. Frank L. Spencer Carolyn Goldman James S. Meyer Mr. and Mrs. John W. Bachmann Mrs. Ford A. Kalil The Honorable Trevor Potter and Faya Causey Mr. Dana Scott Westring Thayer and Kevin Baine Sheldon and Audrey Katz Paula Cooper and Jack Macrae Whayne and Ursula Quin D. James Baker and Emily Lind Baker Dr. Jay and Lynn Katzen Brian and Paula Ballo† Dailey Dr. Carol M. and Dr. Earl C. Ravenal Mr. and Mrs. Geoffrey B. Baker Mrs. Myrtle Katzen Joan Danziger Ms. Cary Ridder and Mr. David Dr. Joseph P. DiGangi Colonel Owen C. Baker and Mr. and Mrs. Robert Taylor Alberswerth Barbara Baker Scott Keith Jr. Myrna L. Fawcett Douglas and Katherine Rigler Marion Scattergood Ballard Margot Kelly Charles and Lisa Claudy Fleischman Mrs. Mary W. Roddy Mr. and Mrs. Michael Baly III Helen and David Kenney Kimberly Hoover and Lynn Hackney Mr. and Mrs. Frederick S. Rolandi Mary and Ed Bartlett Robin and Carol King Mr. and Mrs. Christopher Landau Mr. and Mrs. Bruce C. Ross-Larson Mr. and Mrs. Edward Basile William and Ilze King Bruce and Leslie Lane Roberta O. Roumel Patricia Bauman and Prince John Lila W. Kirkland Mr. and Mrs. J. Stuart Lemle Landrum Bryant Jim Rowe and Lisa Adams Michael Kolakowski James A. and Marsha Perry Mateyka Mr. Carl G. Becker and James J. Sandman and Ms. Christine Gutleben Carl Kravitz and Elizabeth Werner Elizabeth D. Mullin Ms. Sophia McCrocklin and Mr. William Isaacson John and Priscilla Becker David A. Krol Mrs. Frances Way Schafer Mark and Melissa Myers William and Virginia Becker Mr. and Mrs. Michael Landow Mr. Christopher M. Schroeder and Mrs. Anthony A. Lapham Ms. Alexandra H. Coburn Cheryl G. Numark Carl Bedell Arthur Lazarus Jr. Ambassador and Mrs. Theodore Ms. Michelle Patrick and Elizabeth R. Benson Ms. Teresa Walrath Virginia Lee Sedgwick Anne S. Bent Rachel Tinsley Pearson Leon Fund of The Community Mr. and Mrs. William Sheehan Mr. and Mrs. Raymond Benton Mr. Robert C. Rea Foundation Serving Richmond and Judy and Jerry Shulman The Honorable Kenneth E. Central Virginia Sylvia and David Silver Mr. and Mrs. Marc Salama-Caro Bentsen Jr. and Mrs. Bentsen Elissa Leonard and Jay Powell Devereux and James Socas Ryan and Cindy Schwarz Mr. Robert Berendt and Ms. Leslie Buhler Willee and H. Finlay Lewis Barbara Spangenberg Judith Seligson and Allan Greenberg Kathleen Bergen and Rob Liberatore and Debra Kraft Peter and Jennie Stathis Ms. Mary Snider and Ms. Laurie Shedler Alexander Bastos Jerome and June Libin Mrs. Christine J. Steiner Paul So Ms. Dava Berkman Mr. and Mrs. Daryl A. Libow Robert Stockho and Ms. Ellen R. Berlow Dr. and Mrs. Keith M. Lindgren Dr. Veronika Jenke Kathryn and Robert Stewart Dr. and Mrs. A. David Bernanke Carol and Eugene Ludwig Mrs. Richard L. Storch Suzanne Sullivan Richard D. Bernstein Dr. and Mrs. Michael Maccoby Michele and Glenn Sutton Mr. and Mrs. Peter Toren The Honorable and Mrs. Stuart Dr. and Mrs. Bruce K. MacLaury Ms. Barbara H. Szoradi Bernstein

91 GIFTS/DONORS

Mr. and Mrs. Michael R. Beschloss Mrs. Carolyn Cason Joanna and John Driggs David L. Gardner and Pete Williams Mark Betts and Shelley Slade Major General and Mr. and Mrs. Larry D. Droppa Mary Garner Mr. and Mrs. Albert J. Beveridge III Mrs. George Cates John and Elizabeth Dugan Wendy and William Garner Gene Bialek and Arlene Brown Mr. and Mrs. James F. Caughman Sandra Dugoff and Richard Geltman Thomas and Gabrielle Gerth Mr. and Mrs. Mark Bierbower Faya Causey Mr. and Mrs. F. John Duncan Jr. Mr. and Mrs. Michael K. Gewirz Elaine and Richard Binder Caroll J. Cavanagh Jennifer Duncan and Richard Bach Mrs. Barbara J. Gibby Janet Whitehurst Binder Mr. and Mrs. J. Patrick Cave Alan and Becky Dye Ann Gilbert Mrs. Alison B. Birney Amira and Richard Chadwick E & B Family Trust Mr. and Mrs. G. S. Beckwith Gilbert Richard and Suzanne Bissell Mr. Steve Champlin and Mr. and Mrs. LeRoy Eakin III Gardner and Stevie Gillespie Ms. Mary Beth Cahill Dr. Helen E. Blumen and Daniel and Jamie Edwards David and Lorna Gladstone Ms. Cynthia Chase Mr. Jan P. Acton Daniel and Marina Ein Foundation Helen and Craig Chason William C. and Posey Boicourt Marjorie and Anthony Elson Denise and Peter Glassman Dr. and Mrs. Alexander C. Chester Elizabeth H. Bolen Ms. Catherine B. Elwell Mr. and Mrs. Ian Glenday Countess Clarissa Bonde Ms. Tracy Church and Alan Glenn Mr. Dominic Mancini Anne L. Emmet Kathy Borrus Gene and Patricia Godley Kate Clark and Miles Carlisle Ms. Claire Emory Mr. and Mrs. Lawrence K. Bou Pat Garcia Golding and Ken Golding Barbara Clemens Ms. Lenore A. England Mr. and Mrs. Stephen A. Bou Mary Anne Goley Suzanne F. Cohen Epstein Becker & Green/The Blair and Josh Bourne Honorable Stuart M. Gerson Mr. John L. Goodman and Nancy and Andrew Colb Mr. Jan Bove and Ms. Kathy Tilmans Jacqueline and Christian Erdman Ms. Laurie Effron Mr. Robert Cole and Mrs. Gretchen Goodrich Dr. Rosemary T. Bowes Ms. Phuong-Hoa Do Richard and Sibyl Erdman Barbara Gordon and Stephen Cannon Susan Boyd Paul and Ana Collins Brent Erickson Elizabeth Marsteller Gordon Charles and Maureen Brain Mr. and Mrs. Terence Winslow Collins Mrs. John Esswein Lucile M. and Jack B. Gordon Robert and Hilary Brandt Elizabeth R. Consolvo and John and Elizabeth Ey Mr. and Mrs. Raymond E. Brann Jr. Wilson N. Krahnke Tere and Doug Ey J. Gottfried Rita Braver and Robert Barnett Donna Marshall Constantinople Mrs. Rodney E. Eyster Drs. David S. Granite and Mary Lou Oster-Granite Edith H. Brewster Ambassador Frances D. Cook Mr. and Mrs. Charles J. Farver Mr. and Mrs. Skip Grant Suzanne S. Brock Mr. Robert T. Coonrod and Ms. Karen Fawcett and Alexandra and John Graubert Jere and Bonnie Broh-Kahn Ms. Martha R. Johnston Mr. Pedro Ortiz William S. and Betty K. W. Greenberg Dr. Peter F. Bross Dr. and Mrs. John Cooper Reed and Elizabeth Fawell Nelse L. Greenway Mr. and Mrs. Andrew Brown Mr. and Mrs. William Cooper Jean Taylor Federico Dee Ann Gretz Elizabeth and Ben Brown Jay and Margaret Costan Mr. and Mrs. Vankirk E. Fehr Mr. and Mrs. Carter Griffin Ira Don Brown Mr.† and Mrs. John Courtright Robert and Betsy Feinberg Elisabeth Griffith Anthony and Collette Bruce Debbie Cowan and Mike Berman Mrs. Marcia Feinstein Mr. and Mrs. Robert Craft Deborah B. and Gerald B. File Mr. Vincent J. Griski and Mr. and Mrs. John G. Buchanan III Mr. Cameron W. Knight Teresa Yancey Crane Mrs. Carl Finkelnburg Elizabeth Buchbinder Anjali and Arun Gupta C. Benjamin and Virginia Crisman Will Fischer Mr. and Mrs. Edward Buchholz Corbin and Pamela Gwaltney Ms. Nancy Crisman Leslie and Tony Fitch Deborah and Jeremiah Buckley Mrs. Mary Ann B. Hale Dr. and Mrs. Robert Cucinotta Ms. Gail S. Fleder Susan Buffone Jill and Ridgway Hall Janet C. Bullinger The Honorable and Mr. Michael Fleischer and Mrs. Walter L. Cutler Ms. Giovanna Casalino Leda McIntyre Hall Ms. Betty Bullock and James and Kristina Hamilton Mr. John Silton Mrs. Stuart C. Davidson Col. C. Ray Flynn, USAF (Ret.) and James M. Shamberger Joseph Handwerger David Bushnell and Ellen Bloom Philip and Sara Davis Sharon and Donn Davis John and Eleanor Forrer Ms. Heather Hanks and Mr. and Mrs. James Butler Mr. Paul Foster The Honorable and David and Jackie Fowler Mr. L. Headley Butler and Mr. and Mrs. Paul Hanley Ms. Noa Gimelli Mrs. Whitney Debevoise Florence Bryan Fowlkes Tamzin Harding and Michael Weaver Mr. and Mrs. C. Michael Buxton Ms. Jill DeGraff Ann Franke and Dan Alpert John and Gail Harmon William E. Cain and Barbara Harman Mrs. Frauke de Looper Mark Frantz and Megan McNelia Frantz Mr. and Mrs. Peter D. Hart The Honorable John Thiers Calkins Cristina Del Sesto Frank and Judy Franz Andrea Hatfield and Buck O’Leary Dr. and Mrs. Christopher Cannova Joy de Ménil and Laird Reed Howard and Shirlee Friedenberg Larry Hawk Jerome W.† and Dorothy A. Canter Mr. Bosworth Dewey and Ms. Liz Barratt-Brown Ms. Pam Friedler Mr. and Mrs. Robert Hefferon Miss Jane-Scott Cantus Mr. and Mrs. James F. Dicke II Friends of Florence Michael S. and Ricki T. Helfer Vince Careatti Mrs. C. Douglas Dickerson Jr. Mr. and Mrs. N. Rickard Frisbie Sally M. and Stephen A. Herman Ms. Mary Ann Carey Carole Dickert-Scherr and Cynthia Fry Anita G. Herrick Ms. Courtney Carlson and Jacob Scherr Mr. David Yarkin James T. Fuller III and Christy and Fred Hertz Robert and Allison Cryor DiNardo Catherine T. Porter Mr. and Mrs. Stephane Carnot Mr. and Mrs. Fred Hessick Dr. Cynthia Doell and Ms. Virginia Fulton Shaye Hester Mr. and Mrs. Keith Armistead Carr Ms. Margaret Kuk Ms. Bonnie L. Gallagher Mr. and Mrs. Frank J. Hevrdejs Mr. and Mrs. Robert O. Carr Mr. and Mrs. Joseph Dorn Mr. David Gallalee Joe Higdon and Ellen Sudow Fund Mr. and Mrs. Henry C. Cashen II Kitty and Robert Mr. and Mrs. David H. Gardner Mr. and Mrs. Peter High

92 NATIONAL GALLERY OF ART

J. Catherine Hirsch Mr. and Mrs. Richard Landfield Edward and Tessa McBride Ms. Susan S. Norwitch Lisina M. Hoch Jean and John Lange Dr. Lucy McBride and Mr. Thad McBride Jeffrey Nuechterlein Ingola and John Hodges Ms. Dina R. Lassow Patricia M. McCarrick Charles and JoAnn Nulsen Christian and Nora Hohenlohe Col. Mark LaViolette, USMC (Ret.) Camilla McCaslin Giselle Larroque Obermeier and Wilhelmina Holladay and Mrs. Tracy LaViolette April McClain-Delaney and Stephen J. Obermeier Leigh and Patrick Holley Ms. Emily Lawson and John Delaney Deedy Ogden Mr. R. Thomas Amis Mr. and Mrs. Stephen A. Hopkins Dennis K. McClellan and Roger H. Ogden Mr. and Mrs. Mark P. Lay Steven E. Deggendorf The Horchow Family Sydney J. Olson Barbara and Robin Lee Mark McConnell and Leslie Delagran Charles Horn and Jane Luxton Nancy Bradford Ordway Hillary and Wayne Lee Cathy and Scot McCulloch Sari Hornstein Caroline and John Osborne Lewis and Pat Leibowitz Ms. Margaret McDonald and Ms. Carol V. O’Shaughnessy Mr. and Mrs. Stephen Hosea Mr. William Gruen Jacqueline and Marc Leland Mr. and Mrs. David Osnos Mr. Ken Howard and Ms. Nellie Liang Foundation Anne and Bill McDow Patty and Carroll Owens Philip and Fiona Huber Emily Lenzner and Peter Cherukuri Carol and Mike McGarry Mr. and Mrs. Tony Parker Mr. and Mrs. Richard M. Huber Jr. Jonathan Lenzner and Matea Gold Tracy and Gregory McGillivary Gail Kern Paster Betty Hudson and Boyd Matson Mr. and Mrs. Terry F. Lenzner John D. and Martha Benson McGrane Judy L. Patterson Major General and Mrs. Ira A. Hunt Jr. Ms. Marie Lerch and Mr. Jeff Kolb Cynthia McGrath Alma and John Paty Carolyne T. Hyde Herb and Dianne Lerner Ms. Elizabeth McGrath Judge and Mrs. Michael T. Paul Harris and Stephanie Hyman Jennifer L. Levin Ms. Cynthia Adler McKee Ernestine Pauley Mr. and Mrs. William K. Ince Leon Levy Foundation Roderick McKelvie and Malcolm and Pamela Peabody Mr. and Mrs. Adam Isles Mr. and Mrs. Michael M. Levy Claire McCarthy Jonathan and Jill Pearlman Joan and Garry Jewett Richard H. Levy and Lorraine Gallard Caroline and Hollis McLoughlin Mr. and Mrs. Charles Pease Carolyn Johnson Allen Lewin Mr. and Mrs. Christopher McMurray Dr. and Mrs. David C. Johnson B. A. McNamara Robert Andrew Peccola and Clayton and Susan Lewis Patrick Dupre Quigley Barbara J. Jones Amy and Marc Meadows Mr. and Mrs. John Van Dusen Lewis Mr. and Mrs. Ronald H. Peele Jr. Boisfeuillet and Barbara Jones Rona and Allan Mendelsohn Mr. and Mrs. Stan Lillie Simmy and Haven Pell Hal Jones and Anne-Lise Donald V. Lincoln David and Anne Menotti Auclair-Jones Jean Perin Mr. Thomas Lipski Ms. Sabina Menschel and Mr. and Mrs. Peter H. Jost Mr. Edward Priestap Mr. and Mrs. Bruce Coleman Perkins Ms. Katharine Lister S. Kann Sons Co. Foundation Mrs. James G. Mersereau James Peva Bill and Elizabeth Livingston Ann and Julius Kaplan Salma G. Mikhail, Ph.D. Malcolm and Margaret Pfunder Joe and Pat Lonardo Sally B. Kaplan Maxine Whalen Millar Mr. and Mrs. Devereaux Phelps Ms. Wendy Luke Mr. and Mrs. Russell Katz Dennis and Patricia Miller Mr. and Mrs. Franklin C. Phifer Tamera Luzzatto and David Leiter Joëlle M. Kayden Edward and Noël Miller Ms. Robin Phillips William and Barbara Lynch Ms. Kitty Kelley Mr. and Mrs. Karl S. Miller Dr. and Mrs. David A. Pistenmaa Jed and Blythe Lyons Anne and David Kendall Henry A. and Judith R. Millon Mr. and Mrs. Harvey L. Pitt John and Susan Magill Mrs. Roger G. Kennedy Frederick W. and Linda K. Moncrief Liz and Greg Platts Mr. and Mrs. Peter L. Malkin Edward and Arleen H. Kessler Mr. and Mrs. John H. Montgomery Mr. and Mrs. R. Alan Plishker Dave and Cyndy Manke Andrea and James Kiernan Mr. and Mrs. Robert L. Moore Jr. Mr. and Mrs. Scott S. Plumridge Barbra Mann David Kiernan and Mandy Locke Mr. and Mrs. David B. Morgan Warren and Janice Poland Mr. and Mrs. Richard Mann Mr. and Mrs. Paul W. Killian David A. Morowitz, M.D. Mr. and Mrs. Donald R. Pongrace Mr. and Mrs. Jan W. Mares Michael and Evelyn Kitay Mr. and Mrs. Jarrett M. Morrell Helen Porter and James T. Dyke Mr. and Mrs. John F. Mars Mr. and Mrs. Steven Klebanoff Teresa and Grant Morris Jeff Powell Frank Marshall and Florence Auld Mr. and Mrs. Lyle Kleinhans Kent and Dale Morrison Mr. and Mrs. Roger S. Pratt Jennifer L. Marshall and Judy Lynn Prince James and Mary Frances Koltes Neal H. Flieger Pearl and Seymour Moskowitz Mr. and Mrs. Stuart S. Prince Mr. and Mrs. Daniel Korengold Lydia Micheaux Marshall Mrs. Deborah Motley Mr. and Mrs. Steven J. Quamme Matt Korn and Cindy Miller Christine Martin Ms. Diane H. Munro Charles W. Quatt, Ph.D. Patricia and John Koskinen Mr. and Mrs. I. Guyman Martin III James J. and Susan D. Murphy Mr. and Mrs. Paul Raffensperger Stephen P. Koster, Esq. Mr. and Mrs. James B. Martin Shaun Murphy Wanda Rappaport and George Mueller Mary Lynn and Nick Kotz Judith and Harry Martin Mr. and Mrs. Donald B. Myer Mary Tinsley Raul and Alan Raul Audrey and Kenneth Kramer Mr. C. Raymond Marvin Jane and Marc Nathanson Mr. and Mrs. John Daniel Reaves Mr. and Mrs. M. Kipp Kranbuhl Charles T. Matheson Dahlia I. Neiss Cynthia T. Redick and Robert Brent Mel and Andrea Kraus Colvin and Mary Ellen Matheson Christine Neptune and Robert Brown Mr. and Mrs. R. Reynolds Mr. and Mrs. Gary Arthur Kret The Pierre and Tana Matisse Louis and Sherry Nevins Edith and John Kuhnle Foundation Mr. and Mrs. Gregory Nikodem Mrs. Lynn Rhomberg The Honorable Philip Lader and Roy and LeeAnn Matthews Akemi Nishida and S. Paul Selavko John and Nina Richardson Mrs. Lader Marshall and Debbie Matz Ms. Susan Sack Norby Colman and Richard Riddell David A. Lamdin Eileen C. Mayer Gail and Gary Nordheimer Mr. and Mrs. David B. Ritchey Mr. and Mrs. François M. J. Lampietti Michael and Hannah Mazer Floyd L. Norton and Robert R. and Madeleine Rix Barbara Lanahan and James G. Mauro Mr. and Mrs. O. Louis Mazzatenta Kathleen F. Patterson Gretchen and Michael Robbins

93 GIFTS/DONORS

Mrs. Katharine Roberts Edward Howard Smith Jane Stuart Vander Poel and The Legacy Circle Edoardo Lenzetti Cara W. Robertson Hayes and Jill Smith Legacy Circle members are those Dr. William W. Robertson Jr. and Hedrick Smith and Susan Zox-Smith The Honorable Margaret G. who have decided to include the Vanderhye and Robert Vanderhye Gallery in their estate plans through Karel Dierks Robertson Howard and Page Smith Mr. and Mrs. George D. Vassiliou various means. Jane Washburn Robinson Mr. and Mrs. Matthew C. Smith Mr. and Mrs. Michael E. Vaughn Michaela and Robert Robinson Mr. and Mrs. T. Eugene Smith Melanne and Philip Verveer Anonymous (42) Mr. and Mrs. Richard Roeckelein Dr. Sarah B. Snyder and The Adels Family Wynefred W. Rogerson Mr. Daniel M. Fine Ellen and John Villa Seena and Joseph Aisner, M.D. Anne and John Rollins Mr. W. Cannon Spotswood and Barbara S. Wahl and Charles D. Ossola Carolyn Small Alper Eileen Dugan Romano Mr. William Allen The Honorable Jenonne Walker Dennis Alter Shirley and Bill Rooker S. S. Steiner, Inc. Dr. and Mrs. Ken Walker Lynn K. Altman Family Trust Mrs. Milton Rose Joanne M. Sten Bill and Irene Wallert Mrs. Martin Atlas Mr. and Mrs. James S. Rosebush Samuel A. Stern Diane and Marty Wapner Merribel S. Ayres Mr. and Mrs. David Rosener Mr. and Mrs. Edward R. Stettinius Carol Warden Ann M. and Thomas W. Barwick Helen G. Ross Mr. and Mrs. Guy Steuart Mr. and Mrs. William E. Warren Mr. and Mrs. Frederick W. Beinecke Ms. Margaret Ross Elizabeth and George Stevens Jr. Anne Webb Mr. L. Graeme Bell III Nancy L. Ross Betsy Stewart Amy Weinberg and Norbert Hornstein Dava Berkman David and Carolyn Ruben Mr. and Mrs. Terence P. Stewart Mrs. Eric W. Weinmann Philip D. Berlin and Olivia P. Adler Dr. and Mrs. J. R. Rudzki Whitney Stewart Amy Weiss and Peter J. Kadzik Professor John Andrew Bernstein Dr. Beatriz P. Runkle Mr. and Mrs. Richard P. Stifel Jr. Angela Caveness Weisskopf The Honorable Max N. Berry and Lindsey Rupp Mr. H. Scott Stillings Maria Elena Weissman Mrs. Berry† Lois† and David Sacks Linda Klieger Stillman Georgia E. Welles Robert Hunt Berry in memory of Mr. and Mrs. Robert D. Stillman Susanne and W. Harrison Wellford Louise and Arnold† Sagalyn R. K. Mellon, Ormond E. Hunt, and Mr. and Mrs. Robert Salomon Dr. Bayard T. Storey† Judge Thomas B. Wells and Paul Mellon Mrs. Mary Jo Wells Betty H. Sams Mr. and Mrs. Donald A. Stoufer Thomas T. Bishop and Joan S. Wessel Clifford L. Gregory Ms. Ann Satterthwaite Douglas Struck Amy and Peter Sturtevant Eileen Shields West The Honorable† and Mrs. William Savitt Family Fund of McCormick Blair Jr. Tides Foundation Mr. and Mrs. John Sukenik Mr. Larry J. West and Ms. Diana King Mr. and Mrs. Thomas B. West Ambassador and Mrs. Donald Blinken Edith Schafer Mr. George H. Sullivan in memory of Maurice H. Blinken Dorothy B. Wexler Bob and Patricia Schieffer Lila and Brendan Sullivan Deidre Bosley Frances C. Wheeler Mr. and Mrs. Richard H. Schoenfeld Nuzhat Sultan and Anil Revri Jay Bowyer and Christopher Greer Mr. and Mrs. Charles Whitley Mr. and Mrs. Samuel A. Schreiber Steven M. Sumberg Andrew Brown Jill A. Schuker Martin and Meredith Sumner Mrs. Natalie Wilensky and Mr. Robert B. Bellinger Ruth H. Buchanan Mr. and Mrs. Guillermo M. Schultz Frank and Hilary Swain Mr. and Mrs. John Wilkinson Frances Ann Bufalo Dr. and Mrs. Andrew Schwartz Ms. Margery Anne Swanson and Vincent J. Buonanno Mr. Charles G. Brown Linda and Stephen Willard Fred Scott and Karen Turner Gilbert Butler Mr. and Mrs. Edward Symes III Suzanne and Richard Willett Mr. and Mrs. Mark Scott Mr. and Mrs. W. Russell G. Byers Jr. Jake and Carrington Tarr Williams Family Foundation of Cathryn Dickert Scoville and Georgia, Inc. Buffy and William† Cafritz Thomas Scoville Ragan S. Tate and Bobby Stone Elsa B. Williams John P. Cahill Professor R. Mark Scowcroft Ralph A. Taylor Jr. and Louise and Bev Williams Norman and Carolyn K. Carr Ann and Tom Scully Joanna Moorhead Joanne S. and Walter C.† Wilson Kay L. Casstevens Joan Searby Topsy Taylor David and Page Winstead Faya Causey Mr. and Mrs. Stephen R. Senkus Mrs. Waverly Taylor Robert and Fielding Winters Dr. Gerald Cerny Jill Shaffer Dr. Stanley Tempchin Mr. and Mrs. Harry Teter Jr. Mr. Joseph J. Wolfe and Chuck L. Chandler Linda and Stanley Sher Dr. Ronald J. Koshes Mr. and Mrs. Robert H. Thompson Bruce and Sharyn Charnas Mrs. Stephen F. Sherwin Sharon Wolpoff Ms. Joy A. Thornton A. James Clark† and Alice B. Clark Mary Shockey Ms. Diane Wood William R. and Norma K. Tiefel Thomas and Robin Clarke Joan Shorey Mr. and Mrs. James Wright Margaret L. Tomlinson Keith and Ann Conrad Dr. Irwin Shuman and Mr. Steven J. Wunder and T. A. Cox Mrs. Elaine Feidelman Lalie and Mike Tongour Mr. Rod Hastie Ian and Annette Cumming Hugh and Ruth Sickel Jessica and Henry Townsend Ms. Catherine Wyler and Nancy and Simon Sidamon-Eristoff Ms. Laura Travis-DePrest and Mr. Richard Rymland Ted Dalziel Fanchon Silberstein Mr. Geert DePrest Mavis L. Wylie, Ph.D. Joan Danziger Mr. and Mrs. John Simms William E. Trueheart and Robert and Linda Yahn Muriel G. Davidson Carol A. Word Barry and Beth Simon Ms. Susan Yashar Roy† and Cecily Langdale Davis Dr. Anna Tucker and Judge John Shirley Ross Davis Madlen and Marc Simon Rooney Lois and Ira Young Virginia L. Dean J. L. H. Simonds John and Susan Ulfelder Mr. and Mrs. Anthony Zelano Alexandra D. de Borchgrave Charles J. Simpson Jr. and Jennifer Urquhart and Elliott Jones Margot and Paul Zimmerman Pamela Raymont-Simpson Cristina Del Sesto Mr. and Mrs. Semih Ustun Dario and Gió Zucchi Mr. and Mrs. Robert Smart Bob Van Heuvelen

94 NATIONAL GALLERY OF ART

Dr. Lois de Ménil and Dr. Georges Jeffrey E. Horvitz Ivan E. and Winifred Phillips Mrs. Patricia A. Walters de Ménil Timothy and Suzanne Hyde Judith D. Pomeranz David Warnock Mr. Harry DeMott and Arthur C. G. Hyland Helen Porter and James T. Dyke Jane P. Watkins Dr. Samantha Aldred Earle Hyman in memory of Rolf Sirnes The Honorable Stephen W. Porter Michael H. Weaver Marion F. Deshmukh Pamela Jenkinson and Mrs. Susan Porter Mrs. Robert M. Weidenhammer Mr. and Mrs. James F. Dicke II Mr. James A. Johnson Jr. Richard and Jeanne Press Angela Caveness Weisskopf Dr. J. Robert DiFulgo Paul M. Kanev Richard J. Price The Honorable Allan Wendt and Dr. Joseph P. DiGangi Linda Lichtenberg Kaplan Judy Lynn Prince Que D. Nguyen Roger and Barbara Ditman Betsy Karel Francis H. Rasmus Larry J. West and Diana King Patricia A. Donovan Kasper Carol Bird Ravenal, Ph.D. Mr. and Mrs. J. Bruce Whelihan Robert W.† and Louisa C. Duemling Jak Katalan Mary L. Regan Elizabeth A. White Virginia Dwan Gift of Kaufman Americana Anita† and Burton Reiner Malcolm Wiener Merritt P. Dyke Foundation in honor of George M.† Paul Richard Professor John Wilmerding Mr. Barney A. Ebsworth and Linda H. Kaufman Mr.† and Mrs. George W. Riesz Christopher and Beverly With in Joan M. Eckert Richard and Elaine Kaufman The Rizik Family memory of Karl and Gerda With Jean Efron Judith Keenan Susan Roberts Andrea Woodner Anne and Joel Ehrenkranz Thomas and Kathleen Koepsell Mary and David† Robinson Dian Woodner Mr. and Mrs. Gerry Elliott Robert and Arlene Kogod Andrew Robison David F. Wright in memory of my good friend, John Taylor Arms IV Ms. Jane Engle Michael W. Kolakowski David Rockefeller† Judy and Leo Zickler The Epstein Family Collection Alice S. and William K. Konze† Sharon Percy Rockefeller Charles S. and Elynne B. Zucker Dr. K. Bolling Farmer Christie Kramer and Charles Kirby Diane Rosacker Lee and Ann Fensterstock Julie LaFave Trina and Lee G. Rubenstein † Deceased Aaron I. Fleischman Evelyn† and Gwendolyn Russell Peter T. Foley Jo Carole and Ronald S. Lauder The Honorable Arnold A.† and Michael C. Forman and Alexander M. and Judith W. Laughlin Joan Saltzman Every effort has been made to create Jennifer S. Rice a complete and accurate list of con- Arthur Lazarus Jr. Irving and Lucy Sandler tributors. Due to limited space, gifts Douglas and Pamela Fowler Virginia Lee in memory of Dr. and Douglas Schaller under $1,000 are not listed. Barbara W. Freeman Mrs. Chai-Chang Choi Deanna J. Schupbach, Ph.D. Howard and Shirlee Friedenberg The Honorable and Mrs. David P. Schuyler Gifts to the Gallery may be made in Marc E. Leland Maryann and Alvin† Friedman Charles and Helen Schwab the form of cash, securities, or real David Morgan Frost Lynne R. Levin and personal property, and may be Joyce Pomeroy Schwartz directed toward specific programs or Simon and Bonnie Levin Morton and Norma Lee Funger Cathryn Dickert Scoville be designated as unrestricted. Some Donald V. Lincoln donors make outright gifts, while Suzi Gallagher Deborah and Ed Shein others elect to make deferred gifts Jo Ann and Julian Ganz, Jr. Robert† and Mary Looker Ruth and Hugh Sickel to help provide for the future. Angela M. LoRé in memory of her William H. Gerdts and Abigail All gifts and bequests are deductible, parents, Charles and Alice LoRé Gerald and Ellen Sigal Booth Gerdts within the limits prescribed by law, Iris Silverman Mr. and Mrs. Carl S. Gewirz Nan Gillies Lower for applicable federal tax purposes. Leonard and Elaine Silverstein For further information, please Kay Giddens Glenday Jack and Betty Lou Ludwick call the development office at Susan and Peter MacGill Albert and Shirley Small Milly and Arne Glimcher (202) 842-6372. Robert H.† and Clarice Smith Mary Anne Goley Joan and David Maxwell Mary and Dan Solomon Dr. Margaret A. Goodman Ellen McPeake Robert M. Stana and William T. Judy Jr. Cheryl O. Gorelick Marlene Nathan Meyerson† James D. and Kathryn K. Steele Joyce Z. Greenberg in memory of Julie Middleton her husband, Jacob Greenberg Mr. Harvey Shipley Miller and Stephen G. Stein Lenore and Bernard Greenberg Mr. J. Randall Plummer Robert Stockho Sarah Greenough Kent and Marcia Minichiello Mrs. Walter J. Stoessel Jr. Harry Grubert Diane L. Morris Donald D. Stone Agnes Gund Ann Mosca Robert T. and Bonnie Sweet Helena Gunnarsson The Honorable Alfred H. Moses Stanley and Barbara† Tempchin and Fern M. Schad The Stephen Hahn Family Collection Eugene V. Thaw Robert B. and Tanni D. Newlin Denise Hale Ann Van Devanter Townsend and Jeffrey Hugh Newman Lewis Raynham Townsend† John C. Harbert, M.D. Ann K. Richards Nitze Christiane and James Valone Harry W. Havemeyer Diane A. Nixon Daniel and Winifred van der Rijn Richard C. and Elizabeth A. Hedreen Stephen and Claudine Ostrow Jack and Margrit Vanderryn Helen Lee Henderson Mary and John Pappajohn André-François H. Villeneuve Dennis E. Henley and Nora L. Shea Mr. and Mrs. J. B. Riggs Parker Dorothy and Herbert† Vogel Judith F. Hernstadt Elisa M. Patterson Bettye S. Walker Maria C. Higgins Ainslie and Keith Peoples Ambassador Jenonne Walker William L. Hopkins and Richard B. Anderson† Dewayne and Faith Perry Mallory and Diana Walker

95 Copyright ©2018 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington

www.nga.gov

ISBN 978–0–89468–411–1

Photograph of Frederick W. Beinecke: Shannon Finney

Photograph of the Chief Justice of the United States: Steve Petteway, Collection of the Supreme Court of the United States

Photographs by Rob Shelley: front cover, inside front cover, pages 2–3, 6–7, 10–11, 20−21, 22, 24, 25, 26, 27, 28, 29, 30–31, 32, 35, 36 (top), 37, 40−41, 42, 44, 45, 47, 48−49, 76−77

Photograph by Ed Berger: page 34

Photographs by Denis Doorly: page 36 (bottom), 38

Photograph by Shelley Sturman: page 46

Works of art in the collection of the National Gallery of Art have been photographed by the division of imaging and visual services.

Design: Pentagram

96 COLLECTING EXHIBITING EDUCATING PRESERVING NATIONAL GALLERY OF ART WASHINGTON, DC