DOCSLIB.ORG

70Th ANNIVERSARY GALA CASTING

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
70Th ANNIVERSARY GALA CASTING 70th ANNIVERSARY GALA CASTING Subject to change Friday 17 January 7.30pm Saturday 18 January 2pm Saturday 18 January 7.30pm Farruca (Three- Sergio Bernal Sergio Bernal Sergio Bernal Cornered Hat) Dust (Akram Khan) Erina Takahashi, Fabian Reimair Anjuli Hudson, James Streeter Erina Takahashi, Fabian Reimair Swansong Jeffrey Cirio, James Streeter, Miguel Angel Maidana, Henry Jeffrey Cirio, James Streeter, (Christopher Bruce) Matthew Astley Dowden, Victor Prigent Matthew Astley …Of What’s To Come ENBYouthCo ENBYouthCo ENBYouthCo (Richard Bermange) Apollo Francesco Gabriele Frola Aitor Arrieta Daniel McCormick (George Balanchine) Romeo & Juliet Alison McWhinney, Skyler Martin, Emma Hawes, James Forbat, Alison McWhinney, Skyler Martin, (Rudolf Nureyev) Daniel Kraus, Jane Haworth, Fabian Reimair, Stina Quagebeur, Daniel Kraus, Jane Haworth, Dominic In the roles of Juliet, Paris, Dominic Hickie, Laura Hussey Dominic Hickie, Laura Hussey Hickie, Laura Hussey Tybalt, Lady Capulet, Lord Capulet, Nurse Giselle (Akram Khan) English National Ballet School English National Ballet School English National Ballet School Broken Wings Tamara Rojo, Fabian Reimair Katja Khaniukova, James Streeter Tamara Rojo, Fabian Reimair (Annabelle Lopez Ochoa) Who Cares? Precious Adams Precious Adams Emma Hawes (George Balanchine) La Sylphide Francesca Velicu, Joseph Caley Anjuli Hudson, Henry Dowden Francesca Velicu, Joseph Caley (August Bournonville) English National Ballet School English National Ballet School English National Ballet School Casting continues… Friday 17 January 7.30pm Saturday 18 January 2pm Saturday 18 January 7.30pm The Sleeping Beauty Ken Saruhashi, Alison McWhinney Erik Woolhouse, Alison McWhinney Daniel McCormick, Katja Khaniukova (Kenneth MacMillan) Anjuli Hudson, Julia Conway, Alice Bellini, Francesca Velicu, Emilia Anjuli Hudson, Julia Conway, Carolyne Galvao Cadorin Carolyne Galvao Three Preludes Fernanda Oliveira Jia Zhang Fernanda Oliveira (Ben Stevenson) Junor Souza Skyler Martin Junor Souza Carmen (Roland Petit) Tamara Rojo Emma Hawes Tamara Rojo Francesco Gabriele Frola Aitor Arrieta Francesco Gabriele Frola Coppélia (Ronald Hynd) Shiori Kase, Brooklyn Mack, Adela Rina Kanehara, Junor Souza, Adela Shiori Kase, Brooklyn Mack, Adela in the roles of Swanhilda, Ramírez, Isabelle Brouwers, Ramírez, Tiffany Hedman, Michael Ramírez, Isabelle Brouwers, Michael Franz, Dawn, Prayer, Michael Coleman, Laura Hussey, Coleman, Laura Hussey, Fabian Coleman, Laura Hussey, James Inkeeper & Wife, James Streeter Reimair Streeter Burgomaster Strictly Gershwin Erina Takahashi, Isaac Hernández Fernanda Oliveira, Joseph Caley Erina Takahashi, Isaac Hernández (Derek Deane) Playlist (Track 2) Jeffrey Cirio, Joseph Caley, Barry Francesca Gabriele Frola, James Jeffrey Cirio, Joseph Caley, Barry (William Forsythe) Drummond, Joshua McSherry- Streeter, Miguel Angel Maidana, Drummond, Joshua McSherry-Gray, Gray, Noam Durand, Daniel Joshua McSherry-Gray, Victor Noam Durand, Daniel McCormick, McCormick, Rhys Antoni Prigent, Rentaro Nakaaki, Matthew Rhys Antoni Yeomans, Giorgio Yeomans, Giorgio Garrett, Henry Astley, Giorgio Garrett, Brooklyn Garrett, Henry Dowden, Erik Dowden, Erik Woolhouse, Aitor Mack, Erik Woolhouse, Rhys Antoni Woolhouse, Aitor Arrieta, Ken Arrieta, Ken Saruhashi Yeomans, Noam Durand Saruhashi Etudes (Harald Lander) Erina Takahashi, Shiori Kase Rina Kanehara, Katja Khaniukova, Erina Takahashi, Shiori Kase The female and male Isaac Hernández, Joseph Caley Alison McWhinney Isaac Hernández, Joseph Caley principal roles are shared, by Jeffrey Cirio, Francesco Gabriele Aitor Arrieta, Daniel McCormick Jeffrey Cirio, Francesco Gabriele special permission of Lise Frola, James Forbat Ken Saruhashi, Brooklyn Mack, Frola, James Forbat Lander Skyler Martin .
Load more

Recommended publications
  • Bill T. Jones / Arnie Zane Dance Company
    FALL 2018 DANCE SEASON B R AVO Bill T. Jones/ Arnie Zane Company OCTOBER 27, 2018 BALLETMET The Nutcracker NOVEMBER 24-25, 2018 Too Hot to Handel DECEMBER 1, 2018 The 2018–2019 Dance Season is made possible by the Lear Corporation ENGAGED IN THE ARTS. COMMITTED TO CULTURE. IMPACTING OUR COMMUNITY. The Community Foundation for Southeast Michigan proudly supports the Michigan Opera Theatre as part of our mission to assist organizations creating a lasting, positive impact on our region. CFSEM.org 313-961-6675 Fall 2018 BRAVO Contents Dance Season ON STAGE The Official Magazine of Michigan Opera Theatre FEATURE STORY: ‘Tis the Season for Holiday Performances ......... 6 Profiles from the Pit: All About that Bass ............................................... 7 Erica Hobbs, Editor Bill T. Jones/Arnie Zane Company ............................................................ 8 Jocelyn Aptowitz, Contributor BalletMet’s The Nutcracker ........................................................................14 Publisher: Too Hot To Handel .........................................................................................20 Echo Publications, Inc. Royal Oak, Michigan www.echopublications.com MICHIGAN OPERA THEATRE Tom Putters, President Boards of Directors and Trustees .............................................................. 4 Physicians’ services provided by Welcome ............................................................................................................. 5 Henry Ford Medical Center. MOTCC: A Winter Fantasy ..........................................................................19
    [Show full text]
  • Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
    edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P.
    [Show full text]
  • Lia Cirio's Quest to Modernize the Ballet World
    Lia Cirio's Quest To Modernize the Ballet World By Carly Lanning June 8, 2016 Lia Cirio performing in the Boston Ballet's production of "Swan Lake" Photo by Rosalie O'Connor Each week, Lia Cirio can go through over 30 pairs of pointe shoes. She has a full schedule: 9:45 a.m. workouts with the Boston Ballet company, followed by six-hour rehearsals, cross training, performances, and, once she gets home, coursework for her undergraduate degree at Northeastern University. But this year, the 30-year-old principal dancer of the Boston Ballet, who joined the company when she was just 16, is embarking on her greatest challenge yet: Running her own dance collective away from the politics of the traditional ballet world and helping to modernize the artform. "We founded [this group] to provide a place where all types of artists could feel safe to create and collaborate without boundaries of a feeling of self-consciousness," Cirio told NBC News. "We do not want to be bound by the politics that come that often come about in the ballet world, but instead make space for creation." "AUDIENCES NOW, THEY ARE NOT COMING TO SEE A PURE WHITE BALLERINA, THEY CAN IMAGINE AN ASIAN PERSON BEING A SWAN OR A BLACK PERSON BEING A GISELLE." Cirio fell in love with ballet when she was just three years old. Her parents had taken her to see "The Nutcracker" outside of Philadelphia and, in what she calls "a cliché ballet moment," Cirio instantly fell in love with the character of Clara.
    [Show full text]
  • English National Ballet Today Announces Promotions and New Joiners for the 2018/2019 Season
    English National Ballet today announces promotions and new joiners for the 2018/2019 season Tamara Rojo CBE, Artistic Director of English National Ballet, has today announced promotions within the Company and new joiners for the 2018/2019 season. Promotions The following promotions have been made within the Company. James Streeter is promoted to First Soloist Rina Kanehara is promoted to Soloist Henry Dowden, Sarah Kundi, and Jia Zhang are promoted to First Artist Fernando Carratalá Coloma is promoted to 4th Year Artist of the Company Joiners Following his recent guest performances with the Company in Song of the Earth, La Sylphide, Romeo & Juliet, Nutcracker and Akram Khan’s Giselle, Jeffrey Cirio, currently Principal at American Ballet Theatre, joins English National Ballet as Lead Principal. From The National Ballet of Canada, Francesco Gabriele Frola and Emma Hawes join the Company as Principal and First Soloist respectively, while remaining as members of The National Ballet of Canada. English National Ballet welcomes three Prix de Lausanne prize winners as Artists of the Company this year, Shale Wagman joins from Princess Grace Academy, Miguel Angel Maidana joins from Brussels International Ballet School, and Carolyne Galval joins from Itego in Artes Basileu Franca. Joining as Artists of the Company from English National Ballet School are Breanna Foad, Josue Moreno Lagarda, Rentaro Nakaaki, and Maria Del Mar Bonet Sans. Also joining as Artists of the Company are Rebecca Blenkinsopp from the Royal Ballet School, and Ivana Bueno from Academy Princess Grace. Leavers Following her sabbatical last season Laurretta Summerscales leaves English National Ballet, remaining Principal at Bayerisches Staatsballett.
    [Show full text]
  • ENB Annual Review 2017-2018
    Annual Review 2017–2018 Contents 4 About English National Ballet 30 ENB Philharmonic 6 A message from our Artistic Director 32 Nurturing Talent 8 A message from our Chairman 36 Reaching Audiences 10 A message from our Executive Director 40 Engagement 12 Highlights 44 Support 14 Artistic Programme Review 48 Financial Performance 22 Artistic Programme Credits 50 Looking Forward 24 Artistic Programme Awards 52 ENB Board & Advisors 26 ENB Dancers 55 ENB Staff English National Ballet Artists as Snowflakes in Nutcracker © Laurent Liotardo 2 3 About English National Our ambition is great ballet for everyone. Our Mission Our Objectives Ballet We bring world-class classical ballet to the – To present productions of classical ballet widest possible audience – delighting them of the highest quality within England and with the traditional and inspiring them with around the world; the new. We aspire to be the United Kingdom’s most exciting and creative ballet company. – To offer access to the widest possible audience through affordable pricing and Our Vision attractive repertoire in a variety of venues including theatres, schools, festivals and Under the leadership of Artistic Director digital platforms; Tamara Rojo, English National Ballet stands for artistic excellence and creativity. – To inspire, enlighten and uplift the public We are a world-class organisation; through performances, events, interaction flexible, collaborative, and enthusiastically and experience; engaging with our audiences. We celebrate the tradition of great classical ballet while – To develop the art form of ballet by embracing change, evolving the art form commissioning new choreography, for future generations and encouraging design, and musical composition as well audiences to deepen their engagement.
    [Show full text]
  • AMERICAN BALLET THEATRE Romeo and Juliet FEB
    WINTER/SPRING 2018 DANCE SEASON B R AVO AMERICAN BALLET THEATRE Romeo and Juliet FEB. 8-11 Dance Theatre of Harlem MARCH 24-25 Paul Taylor Dance Company APRIL 21-22 Isabella Boylston and JamesWhiteside. Photo: Gene Schiavone The 2017–2018 Dance Season is made possible by the Lear Corporation WELCOME elcome to the Michigan Opera Theatre (MOT) he Royal Opera House, La Scala, Palais Garnier W2018 winter/spring dance season, featuring the T— the greatest opera houses in the world have American Ballet Theatre (ABT), the Dance Theatre of long recognized the importance of presenting dance Harlem, and the Paul Taylor Dance Company! Since alongside opera. We at Michigan Opera Theatre (MOT) 1996, dance has been a key component of our artistic are proud to continue to prioritize this beautiful art offerings but one that would not be possible without form as well. Since opening the Detroit Opera House partnerships throughout the community. in 1996, MOT has presented more than 32 dance Following five sold-out performances of ABT’s The companies on its historic stage, including world- Sleeping Beauty in 2016, we are delighted to partner renowned companies such as the Joffrey Ballet, Alvin once again with University Musical Society (UMS) Ailey American Dance Theater and the Bolshoi Ballet. to present ABT’s exquisite This winter/spring season, we production of Romeo and Juliet. welcome the return of three This multi-year partnership three distinguished dance between MOT and UMS, with companies: American Ballet the support of the Community Theatre, the Dance Theatre Foundation of Southeast Michigan, of Harlem and the Paul Taylor has enabled us to present some Dance Company.
    [Show full text]
  • March 9, 2020 KC Ballet Presents New Moves
    FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.213.4355 [email protected] For Tickets: 816.931.8993 or kcballet.org Kansas City Ballet Presents “New Moves” Original Works in an Intimate Setting March 26 - 29 at the Todd Bolender Center for Dance & Creativity KANSAS CITY, MO (March 9, 2020) — Artistic Director Devon Carney today announced the choreographers chosen for New Moves, a unique performance event designed to search out, develop and showcase emerging choreographers, both from the national dance scene as well as locally within Kansas City Ballet. New provides time and space for choreographers to create world premiere works with accomplished professional dancers. New Moves features the works of choreographers Melissa Gelfin, Rasta Thomas, Melody Mennite, KCB Company Ballet Master Parrish Maynard and Dancers Christopher Costantini, Emily Mistretta, Courtney Nitting and James Kirby Rogers. Carney said, “Our 2019-2020 Season continues with another annual audience favorite, New Moves, a choreographic incubator for new and emerging creative voices from the local, regional and national dance scenes who will all be constructing brand new works for the highly talented Kansas City Ballet artists.” New Moves March 26-29, 2020 | Todd Bolender Center for Dance & Creativity Kansas City Ballet Presents New Moves March 26-29 at the Bolender Center Page 1 New Moves, one of Kansas City Ballet’s most popular performances, showcases contemporary ballet in an intimate setting. This limited-run production gives audiences a chance to see tomorrow’s sought-after choreographers today! It is a very up close and visceral experience for audience and dancer alike, with all performances held in the Todd Bolender Center’s Michael and Ginger Frost Studio Theater.
    [Show full text]
  • Mikko Nissinen Meredith Max Hodges Artistic Director Executive Director Hart Artistic Director’S Chair
    Mikko Nissinen Meredith Max Hodges Artistic Director Executive Director Hart Artistic Director’s Chair Assistant Artistic Director Russell Kaiser Ballet Masters Shannon Parsley Larissa Ponomarenko Anthony Randazzo Resident Choreographer Jorma Elo Principal Dancers PAULO ARRAIS KATHLEEN BREEN COMBES ANAÏS CHALENDARD LIA CIRIO PAUL CRAIG ASHLEY ELLIS SEO HYE HAN LASHA KHOZASHVILI MISA KURANAGA JOHN LAM ERIS NEZHA PATRICK YOCUM JUNXIONG ZHAO Soloists ISAAC AKIBA MARIA BARANOVA RACHELE BURIASSI JI YOUNG CHAE RODDY DOBLE DEREK DUNN FLORIMOND LORIEUX DALAY PARRONDO IRLAN SILVA Second Soloists DIANA ALBRECHT HANNAH BETTES CORINA GILL LAUREN HERFINDAHL LAWRENCE RINES ADDIE TAPP Artists MARIA ALVAREZ DAWN ATKINS JESSICA BURROWS EKATERINE CHUBINIDZE DANIEL COOPER DANIEL DURRETT EMILY ENTINGH SAMIVEL EVANS CHYRSTYN FENTROY BRETT FUKUDA ANDRES GARCIA SAGE HUMPHRIES GRAHAM JOHNS MAMUKA KIKALISHVILI SEUNG HYUN LEE SO JUNG LEE ALEXANDER MARYIANOWSKI NINA MATIASHVILI ABIGAIL MERLIS DREW NELSON PATRIC PALKENS ALEC ROBERTS MICHAEL RYAN REINA SAWAI HALEY SCHWAN MATTHEW SLATTERY DESEAN TABER Associate Director of Boston Ballet II Peter Stark BOSTON BALLET II Olivia Behrmann Caroline Buckheit Tyson Clark Thomas Davidoff Derek Drilon August Generalli Thomas Harrison Catherine Livingston Christian Pforr Gabriela Schiefer Children’s Ballet Master Miranda Weese Principal Guest Conductor Beatrice Jona Affron Senior Principal Company Pianist Principal Solo Pianist Freda Locker Alex Foaksman E. VIRGINIA WILLIAMS, FOUNDER BOSTON BALLET 19 CLARENDON STREET, BOSTON, MA 02116 TEL 617.695.6950 FAX 617.695.6995 BOSTONBALLET.ORG Boston Ballet 2017 – 2018 Season Summary Obsidian Tear | Nov 3–12, 2017 This program of contemporary works features the North American premiere of Wayne McGregor’s Obsidian Tear, a co-production with The Royal Ballet, and Fifth Symphony of Jean Sibelius, a world premiere by Boston Ballet Resident Choreographer Jorma Elo.
    [Show full text]
  • SOLSTICE Today We Dance Again
    SOLSTICE Today we dance again Sharing the joy as principal partner of English National Ballet. 2 President Dame Beryl Grey DBE Chair Sir Roger Carr Artistic Director Tamara Rojo CBE Executive Director Patrick Harrison Chief Operating Officer Grace Chan Music Director Solstice Gavin Sutherland 16 – 26 June 2021 Royal Festival Hall THE PROGRAMME WILL INCLUDE TWO SHORT WORKS AND SEVERAL EXCERPTS: Ronald Hynd’s Coppélia Akram Khan’s Dust Ben Stevenson’s Three Preludes Anna-Marie Holmes’ Le Corsaire Kenneth MacMillan’s The Sleeping Beauty Annabelle Lopez Ochoa’s Broken Wings Stina Quagebeur’s Hollow Derek Deane’s Swan Lake William Forsythe’s Playlist (Track 1, 2) Front cover: Erik Woolhouse in William Forsythe’s Playlist (Track 1, 2) © Laurent Liotardo Programme design: Gaëlle Löchner English National Ballet is a registered charity. 214005 No: 214005 Welcome to the Southbank Centre Southbank Centre’s Royal Festival Hall © Mike Massaro Hall © Mike Festival Royal Centre’s Southbank We hope you enjoy your visit. If you would like to get in touch with us following your visit, please write to the We have a Duty Manager available at all Visitor Contact Team at Southbank Centre, times. If you need any information or help, Belvedere Road, London SE1 8XX, or email please ask a member of staff. [email protected] Eating, drinking and shopping? Take in the We look forward to seeing you again soon. views over food and drinks at the Riverside Terrace Cafe, Level 2, Royal Festival Hall. Visit our shops for products inspired by our great cultural experiences, iconic buildings and central London location.
    [Show full text]
  • 2015 - 2016 YAGP Alumni Success Stories
    2015 - 2016 YAGP Alumni Success Stories As the world’s largest network of resources and opportunities for young dancers, Youth America Grand Prix offers its participants a chance to be seen and evaluated by the directors and representatives of the world’s leading dance companies. As a result, over 300 YAGP alumni have joined 80 dance companies around the globe. Below is a list of companies which YAGP alumni have joined. ALBERTA BALLET (CANADA) Garrett Groat - (JKO/ABT, USA; Dance Unlimited, CANADA) Taryn Nowels - (The School of Oregon Ballet Theatre, USA; Orange County Dance Center, USA) Nicolas Pelletier - (Canada’s National Ballet School, CANADA; San Francisco Ballet School, USA) AMERICAN BALLET THEATRE (NY, USA) Mai Aihara - (Sasaki Mika Ballet Academy, JAPAN; John Cranko School, GERMANY) Kathryn Boren - (JKO/ABT, USA; Ballet Academy of Texas, USA) Isabella Boylston - Principal (Harid Conservatory, USA; Academy of Colorado Ballet, USA) Skylar Brandt – Soloist (JKO/ABT, USA; Scarsdale Ballet Studio, USA) Puanani Brown - (School of American Ballet, USA; The Washington School of Ballet, USA) Jeffrey Cirio – Soloist (Boston Ballet; Orlando Ballet, USA; Central Pennsylvania Youth Ballet, USA) Gray Davis - (South Carolina Governor’s School for the Arts and Humanities, USA) Claire Davison - (Boulder Ballet School, CO) Scout Forsythe – (San Diego School of Ballet, USA) Patrick Frenette - (School of American Ballet, USA; Dmitri Kulev Classical Ballet Academy, USA) April Giangeruso - (JKO/ABT, USA; Valentina Kozlova's Dance Conservatory of New
    [Show full text]
  • When Mikko Nissinen Took Over As Artistic Director of the Boston Ballet, the Company Was Losing Money and Artistic Credibility
    Turning Point When Mikko Nissinen took over as artistic director of the Boston Ballet, the company was losing money and artistic credibility. Now, at the start of its 50th anniversary season, the company stands as one of the largest and most innovative in the country. But saving the ballet from itself wasn’t easy. BY ZAK JASON PHOTOGRAPHS BY NAME NAME TKTKTKTKTTK BOSTONMAGAZINE.COM 63 earnest this month, includes American tistic director, and held the position un- and world premieres in Boston, and also til 1983. Williams cultivated a modest performances at Washington’s Kennedy range of classics and Balanchine neo- Center and at Lincoln Center’s Koch classics—although Balanchine, an oc- Theater in New York next summer. casional artistic adviser, often poached When Nissinen, who is 51, took over Williams’s best dancers for his ballet in the company in 2001, a schedule of New York. this magnitude seemed unimaginable. Violette Verdy, Boston Ballet’s second Amid fumbled searches for a director, director, was hired from France as co- the Boston Ballet had turned to gaudy director in 1980, became head director and ill-choreographed story ballets, and in 1983, and promptly quit in 1984. On other than a single performance in New her way out, she lambasted the board of York, hadn’t performed outside Mas- trustees, telling the Globe that its mem- sachusetts in a decade. And little won- bers had their “own little, local, parochi- der. The Globe concluded that the 1999 al, cozy plans ... They do not come to the Backstage at the Boston Opera House, season’s repertory “was so dismal you studio or rehearsals.
    [Show full text]
  • Mikko Nissinen Meredith Max Hodges Artistic Director Executive Director Hart Artistic Director’S Chair
    Mikko Nissinen Meredith Max Hodges Artistic Director Executive Director Hart Artistic Director’s Chair Assistant Artistic Director Russell Kaiser Ballet Masters Shannon Parsley Larissa Ponomarenko Anthony Randazzo Resident Choreographer Jorma Elo Principal Dancers PAULO ARRAIS KATHLEEN BREEN COMBES ANAÏS CHALENDARD LIA CIRIO PAUL CRAIG ASHLEY ELLIS SEO HYE HAN LASHA KHOZASHVILI MISA KURANAGA JOHN LAM ERIS NEZHA PATRICK YOCUM JUNXIONG ZHAO Soloists ISAAC AKIBA MARIA BARANOVA RACHELE BURIASSI JI YOUNG CHAE RODDY DOBLE DEREK DUNN FLORIMOND LORIEUX DALAY PARRONDO IRLAN SILVA Second Soloists DIANA ALBRECHT HANNAH BETTES CORINA GILL LAUREN HERFINDAHL LAWRENCE RINES ADDIE TAPP Artists MARIA ALVAREZ DAWN ATKINS JESSICA BURROWS EKATERINE CHUBINIDZE DANIEL COOPER DANIEL DURRETT EMILY ENTINGH SAMIVEL EVANS CHYRSTYN FENTROY LAUREN FLOWER BRETT FUKUDA ANDRES GARCIA SAGE HUMPHRIES GRAHAM JOHNS MAMUKA KIKALISHVILI SEUNG HYUN LEE SO JUNG LEE ALEXANDER MARYIANOWSKI NINA MATIASHVILI ABIGAIL MERLIS DREW NELSON PATRIC PALKENS ALEC ROBERTS MICHAEL RYAN REINA SAWAI HALEY SCHWAN MATTHEW SLATTERY DESEAN TABER Associate Director of Boston Ballet II Peter Stark BOSTON BALLET II Olivia Behrmann Caroline Buckheit Tyson Clark Thomas Davidoff Derek Drilon August Generalli Thomas Harrison Catherine Livingston Christian Pforr Gabriela Schiefer Children’s Ballet Master Miranda Weese Principal Guest Conductor Beatrice Jona Affron Senior Principal Company Pianist Principal Solo Pianist Freda Locker Alex Foaksman E. VIRGINIA WILLIAMS, FOUNDER BOSTON BALLET 19 CLARENDON STREET, BOSTON, MA 02116 TEL 617.695.6950 FAX 617.695.6995 BOSTONBALLET.ORG Boston Ballet 2017-2018 Season Summary Obsidian Tear | Nov 3–12, 2017 This program of contemporary works features the North American premiere of Wayne McGregor’s Obsidian Tear, a co-production with The Royal Ballet, and Fifth Symphony of Jean Sibelius, a world premiere by Boston Ballet Resident Choreographer Jorma Elo.
    [Show full text]