2018/2019 Season
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2019-2020 Season Overview JULY 2020
® 2019-2020 Season Overview JULY 2020 Report Summary The following is a report on the gender distribution of choreographers whose works were presented in the 2019-2020 seasons of the fifty largest ballet companies in the United States. Dance Data Project® separates metrics into subsections based on program, length of works (full-length, mixed bill), stage (main stage, non-main stage), company type (main company, second company), and premiere (non-premiere, world premiere). The final section of the report compares gender distributions from the 2018- 2019 Season Overview to the present findings. Sources, limitations, and company are detailed at the end of the report. Introduction The report contains three sections. Section I details the total distribution of male and female choreographic works for the 2019-2020 (or equivalent) season. It also discusses gender distribution within programs, defined as productions made up of full-length or mixed bill works, and within stage and company types. Section II examines the distribution of male and female-choreographed world premieres for the 2019-2020 season, as well as main stage and non-main stage world premieres. Section III compares the present findings to findings from DDP’s 2018-2019 Season Overview. © DDP 2019 Dance DATA 2019 - 2020 Season Overview Project] Primary Findings 2018-2019 2019-2020 Male Female n/a Male Female Both Programs 70% 4% 26% 62% 8% 30% All Works 81% 17% 2% 72% 26% 2% Full-Length Works 88% 8% 4% 83% 12% 5% Mixed Bill Works 79% 19% 2% 69% 30% 1% World Premieres 65% 34% 1% 55% 44% 1% Please note: This figure appears inSection III of the report. -
The Nutcracker
American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth. -
Spring Performances Celebrate Class of 2018
Fall 2018 Spring Performances Celebrate Class of 2018 The Morris and Elfriede Stonzek Spring Performances, presented last May, served as a fitting celebration of the 2018 graduating class and a wonderful way to kick off Memorial Day weekend. In keeping with tradition, the performances opened with a presentation of the fifteen seniors who would receive their diplomas the following week—HARID’s largest-ever graduating class. Alex Srb photo © Srb photo Alex The program opened with The Fairy Doll Pas de Trois, staged by Svetlana Osiyeva and Meelis Pakri. Catherine Alex Srb © Alex Doherty sparkled as the fairy doll, in an exquisite pink tutu, while David Rathbun and Jaysan Stinnett (cast as the two A scene from the Black Swan Pas de Deux, Swan Lake, Act III pierrots competing for her attention) accomplished the challenging technical elements of the ballet while endearingly portraying their comedic characters. The next work on the program was the premiere of It Goes Without Saying, choreographed for HARID by resident choreographer Mark Godden. Set to music by Nico Muhly and rehearsed by Alexey Kulpin, this work stretched the artistic scope of the dancers by requiring them to speak on stage and move in unison to music that is not always melodically driven. The ballet featured a haunting pas de Alex Srb photo © Srb photo Alex deux, performed maturely by Anna Gonzalez and Alexis Alex Srb © Alex Valdes, and a spirited, playful duet for dancers Tiffany Chatfield and Chloe Crenshaw. The Fairy Doll Pas de Trois The second half of the program featured Excerpts from Swan Lake, Acts I and III. -
2019 YAGP KOREA Sunday, August 25, 2019
2019 YAGP KOREA Sunday, August 25, 2019 * 경연 시간은 현장 진행상황에 따라 변경될 수 있습니다. 프리 1 Open Stage 9:00-9:30 Competition 9:30-9:50 # 이름 Name Sex Title School 소속 605 신올리비아 Olivia Shinn F Blue Bird The ballet academy 더발레 아카데미 606 우수린 Su Rin Woo F I'm a Little Ballerina K-BALLET K발레(고은경발레학원) 607 전지원 Jiwon Chon F Flora IDT Tanz Academy IDT 탄츠 무용학원 608 배수현 Su-Hyeon Bae F Talisman Leewonju Ballet Academy 이원주발레아카데미 609 김초아 CHO A KIM F Coppelia Jung's Ballet Academy 정스 발레 아카데미 610 장유원 YU WON JANG F Harp Story Royalballetdance 인천로얄발레학원 611 윤하랑 HARANG YUN F Coppelia Pose ballet academy 포즈발레학원 612 김서영 Seo young KIM F Black Swan Royal ballet academy 로얄발레학원 613 이도은 DO EUN LEE F THE PHARAOH'S DAUGHTER Grand Ballet Academy 그랑발레학원 614 신올리비아 Olivia Shinn F Sky Lark The ballet academy 더발레 아카데미 615 우수린 Su Rin Woo F Cupid from Don Quixote K-BALLET K발레(고은경발레학원) 616 전지원 Jiwon Chon F The sleeping beauty Lilac Fairy IDT Tanz Academy IDT 탄츠 무용학원 617 이현수 Hyun Soo Lee M Marine Boy The ballet academy 더 발레 아카데미 618 배수현 Su-Hyeon Bae F A pleasant outing Leewonju Ballet Academy 이원주발레아카데미 프리 2 Open Stage 9:00-9:30 Competition 9:50-10:50 # 이름 Name Sex Title School 소속 508 신아라 ARA SHIN F Odalisque Variations The Ballet Academy 더발레아카데미 509 변재희 JaeHee Byun F Paquita Polonaise Sejong Miso Ballet Academy 세종미소발레학원 510 권도희 DO HEE KWON F Grand Pas Classique NEW Ballet Academy 뉴 발레아카데미 511 김채은 chae eun kim F Esmeralda Nonhyeon Bolshoi Dance Academy,Incheon 인천 논현 볼쇼이 무용학원 512 허승비 SEUNGBI HEO F Paquita Polonaise Namyangju Lausanne Ballet Academy 남양주 로잔발레아카데미 513 권서연 SEO YEON KWON F coppelia -
Cockerel, Pierrette in Harlequinade, Blanche Ingram in Jane Eyre
Founders Stella Abrera is the Artistic Director of Kaatsbaan and a Principal Dancer with American Ballet Gregory Cary Kevin McKenzie Theatre. Ms. Abrera is from South Pasadena, California, and began her studies with Philip and Bentley Roton Martine van Hamel Charles Fuller and Cynthia Young at Le Studio in Pasadena. She continued her studies with Lorna Executive Director Diamond and Patricia Hoffman at the West Coast Ballet Theatre in San Diego. She also spent three Sonja Kostich Artistic Director years studying the Royal Academy of Dancing method with Joan and Monica Halliday at the Stella Abrera Halliday Dance Centre in Sydney, Australia. Board of Trustees Kevin McKenzie, Chair Stella Abrera Ms. Abrera joined American Ballet Theatre as a member of the corps de ballet in 1996, was Christine Augustine Gregory Cary appointed a Soloist in 2001, and Principal Dancer in August 2015. Her repertoire with ABT includes Sandy Choi Sonja Kostich the Girl in Afternoon of a Faun, Calliope in Apollo, Gamzatti and a Shade in La Bayadère, The Chris Omark Bentley Roton Ballerina in The Bright Stream, Cinderella and Fairy Godmother in Frederick Ashton’s Cinderella, Martine van Hamel Moss and Cinderella in James Kudelka’s Cinderella, Aurora in Coppélia, Gulnare and an Odalisque Board of Advisors in Le Corsaire, Chloe in Daphnis and Chloe, She Wore a Perfume in Dim Lustre, the woman in white Dancers Isabella Boylston in Diversion of Angels, Mercedes, the Driad Queen and a Flower Girl in Don Quixote, Helena in The Gary Chryst Herman Cornejo Dream, the first -
Nicolle Greenhood Major Paper FINAL.Pdf (4.901Mb)
DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Nicolle Mitchell Greenhood Major paper submitted to the faculty of Goucher College in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration 2016 Abstract Title of Thesis: DIVERSITY EN POINTE: MINIMIZING DISCRIMINATORY HIRING PRACTICES TO INCREASE BALLET’S CULTURAL RELEVANCE IN AMERICA Degree Candidate: Nicolle Mitchell Greenhood Degree and Year: Master of Arts in Arts Administration, 2016 Major Paper Directed by: Michael Crowley, M.A. Welsh Center for Graduate and Professional Studies Goucher College Ballet was established as a performing art form in fifteenth century French and Italian courts. Current American ballet stems from the vision of choreographer George Balanchine, who set ballet standards through his educational institution, School of American Ballet, and dance company, New York City Ballet. These organizations are currently the largest-budget performing company and training facility in the United States, and, along with other major US ballet companies, have adopted Balanchine’s preference for ultra thin, light skinned, young, heteronormative dancers. Due to their financial stability and power, these dance companies set the standard for ballet in America, making it difficult for dancers who do not fit these narrow characteristics to succeed and thrive in the field. The ballet field must adapt to an increasingly diverse society while upholding artistic integrity to the art form’s values. Those who live in America make up a heterogeneous community with a blend of worldwide cultures, but ballet has been slow to focus on diversity in company rosters. -
Throw Together a Night of Performances by International
Throw together a night of performances by international dancers, sprinkle in some teenage competition winners’ solos, and call it something cute: That would seem to be the recipe for Youth America Grand Prix’s “Stars of Today Meet the Stars of Tomorrow” gala, happening this Thursday and Friday at the Brooklyn Academy of Music. Except, the name of this annual program is eerily prescient. When you look back at the lists of YAGP medalists from the past 15 years, that “Stars of Tomorrow” moniker is spot-on. They read like something of a Who’s Who of ballet—including several top names who’ve been highlighted in Dance Magazine. Back in 2002, Sarah Lane nabbed the senior bronze medal with an unforgettable performance: After her music stopped 20 seconds into her Paquita variation, she finished the rest in silence. In the audience (which erupted into a spontaneous standing ovation) was American Ballet Theatre artistic director Kevin McKenzie. We ended up putting Lane onDance Magazine‘s cover in June 2007 just before he promoted her to soloist. Jim Nowakowski won the Youth Grand Prix in 2002 before joining Houston Ballet, then took a star turn on “So You Think You Can Dance.” We named him one of Dance Magazine‘s “25 to Watch” this year. That same year, Brooklyn Mack placed third in the classical dance category for senior men. Today, he’s a standout dancer at The Washington Ballet, and partnered Misty Copeland in her first U.S. performance of Swan Lake. Hee Seo took the Grand Prix in 2003. -
ARTS Announces New Partnership with American Ballet Theatre
Press Contact: Titi Oluwo, WNET 212.560.4906, [email protected] Gabrielle Torello, Grand Communications 917-312-2832, [email protected] Press Materials: allarts.org/pressroom ALL ARTS Announces New Partnership with American Ballet Theatre Principal Dancer Isabella Boylston for Ballerina Book Club Launching with “The City We Became” by bestselling sci-fi fantasy author N. K. Jemisin Features new digital content including author interviews with Misty Copeland, a dedicated newsletter, original videos and more (NEW YORK – August 3, 2020) ALL ARTS, the free broadcast and digital platform dedicated to the arts, announced today a new partnership with Isabella Boylston and her Ballerina Book Club. Boylston, best known for her role as Principal Dancer at the American Ballet Theatre in New York, is one of the world’s most popular dancers as well as an avid reader. ALL ARTS will enhance her monthly book club through new digital content including original videos, a monthly newsletter, author interviews with Boylston and ongoing editorial support. The first Ballerina Book Club selection with ALL ARTS is “The City We Became” by New York Times- bestselling and three-time Hugo Award-winning author N. K. Jemisin. Boylston will present an interview with the author, featuring reader questions, on August 20 and host the first Instagram live book club discussion on August 26. The book club will also feature additional author interviews with special guests each month, including a video interview with Misty Copeland on September 18. Copeland will be discussing her memoir, “Life in Motion: An Unlikely Ballerina,” her picture book with Christopher Myers, “Firebird,” and her upcoming children’s book, “Bunheads,” slated to release September 29 from G.P. -
ABT Across America Playbill
Rachel Richardson, American Ballet Theatre. Photo: Alex DiMattia. Outdoors ontheHancher Green July 4,2021, 8:00pm Sunday, Rachel Richardson, American Ballet Theatre. Photo: Alex DiMattia. Hancher is grateful to our wonderful partners for this event: Anonymous Family Foundation Jeffrey and Kristine Nielsen Bill Rubright in loving memory of Karen G. Rubright and Emilie J. Rubright Joseph Markey in Indestructible Light. Photo: Todd Rosenberg Photography Kevin McKenzie Kara Medoff Barnett Artistic Director Executive Director David G. Lansky General Manager LAUREN BONFIGLIO* · JACOB CLERICO · MICHAEL DE LA NUEZ CARLOS GONZALEZ · KIELY GROENEWEGEN · SUNG WOO HAN · CATHERINE HURLIN ANABEL KATSNELSON · KANON KIMURA · MELVIN LAWOVI · TYLER MALONEY JOSEPH MARKEY · ABBEY MARRISON · HANNAH MARSHALL · BETSY MCBRIDE DUNCAN MCILWAINE · JOÃO MENEGUSSI · CHLOE MISSELDINE CORY STEARNS · DEVON TEUSCHER Clinton Luckett Associate Artistic Director Irina Kolpakova Principal Répétiteur Carlos Lopez Director of Repertoire *2021 Jennifer Alexander Dancer ABT Across America is generously supported by Bloomberg Philanthropies. American Ballet Theatre recognizes Dalio Philanthropies and one anonymous donor for their champion support of ABT Across America. Additional major support provided by John Rallis and Mary Lynn Bergman-Rallis. ABT ACROSS AMERICA 20 dancers. 8 cities. 21 days. 3,100 miles. In the 1950s, American Ballet Theatre’s tour bus, “The Pioneer,” introduced world-class ballet to cities and towns across America. In Summer 2021, ABT’s extraordinary artists will continue that tradition. American Ballet Theatre is delighted to share ABT Across America, a unique tour traveling by a caravan of six sleeper buses and three production trucks, bringing the artistry and vitality of ABT’s dancers to outdoor venues. After months of virtual performances and digital channels, ABT will inspire audiences across the country through the joy of live performance. -
Ballet Notes
Ballet Notes Mozartiana & Other Dances & In The Upper Room June 15 - 19, 2011 Aleksandar Antonijevic in In The Upper Room. Photo by Bruce Zinger. Orchestra Violins Bassoons Benjamin BoWman Stephen Mosher, Principal Concertmaster JerrY Robinson LYnn KUo, EliZabeth GoWen, Assistant Concertmaster Contra Bassoon DominiqUe Laplante, Horns Principal Second Violin Celia Franca, C.C., Founder GarY Pattison, Principal James AYlesWorth Vincent Barbee Jennie Baccante George Crum, Music Director Emeritus Derek Conrod Csaba KocZó Scott WeVers Karen Kain, C.C. Kevin Garland Sheldon Grabke Artistic Director Executive Director Xiao Grabke Trumpets David Briskin Rex Harrington, O.C. NancY KershaW Richard Sandals, Principal Music Director and Artist-in-Residence Sonia Klimasko-LeheniUk Mark Dharmaratnam Principal Conductor YakoV Lerner Rob WeYmoUth Magdalena Popa Lindsay Fischer JaYne Maddison Trombones Principal Artistic Coach Artistic Director, Ron Mah DaVid Archer, Principal YOU dance / Ballet Master AYa MiYagaWa Robert FergUson WendY Rogers Peter Ottmann Mandy-Jayne DaVid Pell, Bass Trombone Filip TomoV Senior Ballet Master Richardson Tuba Senior Ballet Mistress Joanna ZabroWarna PaUl ZeVenhUiZen Sasha Johnson Aleksandar AntonijeVic, GUillaUme Côté*, Violas Harp Greta Hodgkinson, Jiˇrí Jelinek, LUcie Parent, Principal Zdenek KonValina, Heather Ogden, Angela RUdden, Principal Sonia RodrigUeZ, Piotr StancZYk, Xiao Nan YU, Theresa RUdolph KocZó, Timpany Bridgett Zehr Assistant Principal Michael PerrY, Principal Valerie KUinka Kevin D. Bowles, Lorna Geddes, -
American Ballet Theatre Returns to New York City Center for Digital Program Filmed Live on Stage
FOR IMMEDIATE RELEASE: American Ballet Theatre returns to New York City Center for digital program filmed live on stage Four works by ABT Artist in Residence Alexei Ratmansky; including a World Premiere created in a “ballet bubble” Available on demand March 23 – April 18 $25 Digital Access on sale March 1 at noon Patrick Frenette, Skylar Brandt, and Tyler Maloney in Bernstein in a Bubble. Photo by Christopher Duggan Photography February 26, 2021 (New York, NY) – New York City Center President & CEO Arlene Shuler today announced a new digital program, ABT Live from City Center | A Ratmansky Celebration, featuring American Ballet Theatre (ABT) premiering Tuesday, March 23 at 7 PM, and available on demand through Sunday, April 18. Filmed live on the City Center stage, the program marks ABT’s much anticipated return to the historic theater for their first full evening program at City Center since 2012. Co-presented by American Ballet Theatre and New York City Center, the program will feature many of the company’s renowned dancers in works by acclaimed choreographer and ABT Artist in Residence Alexei Ratmansky. Hosted by author and American Ballet Theatre Co-Chair of the Trustees Emeriti Susan Fales-Hill, highlights include excerpts from The Seasons (2019), Seven Sonatas (2009), and The Sleeping Beauty (2015), and Bernstein in a Bubble, a World Premiere set to the music of legendary composer Leonard Bernstein. The new work, Ratmansky’s first since March 2020, was created in January and February of this year during a quarantined “ballet bubble” in Silver Bay, New York. The program features ABT dancers Aran Bell, Isabella Boylston, Skylar Brandt, Herman Cornejo, Patrick Frenette, Carlos Gonzalez, Blaine Hoven, Catherine Hurlin, Tyler Maloney, Luciana Paris, Devon Teuscher, Cassandra Trenary, and James Whiteside. -
Compton Stage
Compton Stage 10:30 AM Bear Hill Bluegrass Bear Hill Bluegrass takes pride in performing traditional bluegrass and gospel, while adding just the right mix of classic country and comedy to please the audience and have fun. They play the familiar bluegrass, gospel and a few country songs that everyone will recognize, done in a friendly down-home manner on stage. The audience is involved with the band and the songs throughout the show. 11:10 AM T-Mart Rounders The T-Mart Rounders is an old-time trio that consists of Kevin Chesser on claw-hammer banjo, vocalist Jesse Milnes on fiddle and Becky Hill on foot percussion. They re-envision percussive dance as another instrument and arrange traditional old-time tunes using foot percussion as if it were a drum set. All three musicians have spent significant time in West Virginia learning from master elder musicians and dancers. Their goal with this project is to respect the old-time music tradition while pushing its boundaries. In addition to performing, they teach flatfooting/ clogging, fiddle, claw-hammer banjo, guitar and songwriting workshops, and call/play at square dance. 11:50 AM Hickory Bottom Band Tight three-part harmonies, solid pickin’ and lots of fun are the hallmarks of this fine Western Pennsylvania-based band. Every member has a rich musical history in a variety of genres, so the material ranges from well-known and obscure bluegrass classics to grassy versions of select radio hits from the past 40 years. No matter the music’s source, it’s “all bluegrass” from this talented bunch! 12:30 PM Davis & Elkins College Appalachian Ensemble The Davis & Elkins College Appalachian Ensemble, a student performance group led by string band director Emily Miller and dance director William Roboski, is dedicated to bringing live traditional music and dance to audiences in West Virginia and beyond.