Curriculum Vitae Anjali Austin
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Work of Committees in 2007
House of Commons Liaison Committee The work of committees in 2007 Third Report of Session 2007–08 HC 427 House of Commons Liaison Committee The work of committees in 2007 Third Report of Session 2007–08 Report, together with appendices and formal minutes Ordered by The House of Commons to be printed 27 March 2008 HC 427 Published on 4 April 2008 by authority of the House of Commons London: The Stationery Office Limited £0.00 The Liaison Committee The Liaison Committee is appointed to consider general matters relating to the work of select committees; to advise the House of Commons Commission on select committees; to choose select committee reports for debate in the House and to hear evidence from the Prime Minister on matters of public policy. Current membership Mr Alan Williams MP (Labour, Swansea West) (Chairman) The Chairmen for the time being of the Select Committees listed below: Administration – Mr Frank Doran MP (Labour, Aberdeen North) Business and Enterprise – Peter Luff MP (Conservative, Mid Worcestershire) Children, Schools and Families – Mr Barry Sheerman MP (Labour/Co-op, Huddersfield) Communities and Local Government – Dr Phyllis Starkey MP (Labour, Milton Keynes South West) Culture, Media and Sport – Mr John Whittingdale MP (Conservative, Maldon and Chelmsford East) Defence – Mr James Arbuthnot MP (Conservative, North East Hampshire) Environmental Audit – Mr Tim Yeo MP (Conservative, South Suffolk) Environment, Food and Rural Affairs – Mr Michael Jack MP (Conservative, Fylde) European Scrutiny – Michael Connarty MP (Labour, -
A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E
L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L. -
Monetary Policy Oversight in Comparative Perspective: Britain and America During the Financial Crisis
Political Science and Political Economy Working Paper Department of Government London School of Economics No. 3/2014 Monetary Policy Oversight in Comparative Perspective: Britain and America during the Financial Crisis Cheryl Schonhardt-Bailey (LSE) Monetary Policy Oversight in Comparative Perspective: Britain and America During the Financial Crisis Cheryl Schonhardt-Bailey Government Department London School of Economics and Political Science Houghton Street London WC2A 2AE [email protected] http://personal.lse.ac.uk/schonhar/ This study examines deliberation on monetary policy oversight in the US and UK between 2006 and 2009. It employs reciprocity as the key criterion for judging the quality of monetary policy oversight deliberation (i.e., committee participants are expected to engage with one another, taking up and responding to the reasons offered by other participants). Using automated content analysis, the empirical finding is that reciprocity is clearly evident in the parliamentary oversight committee, but much less so in the two congressional committees. The two country cases represent very different approaches to legislative oversight, with the UK demonstrating a committee approach both in terms of the testimony of the monetary policy body and of the behaviour of the legislative committee, while the US demonstrates a focus on a series of individual contributions both from the Fed chairman and Members of Congress. In the US, this appears to allow greater scope to divert discussion away from the primary focus of hearings (i.e., monetary policy). 1 I. Introduction In normal economic times, clashes between politicians and central bankers in legislative oversight hearings on monetary policy are not typically considered worthy of headline news coverage. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Alvin Ailey American Dance Theater
DANCE ALVIN AILEY AMERICAN DANCE THEATER Gaillard Municipal Auditorium May 25 at 7:00pm; May 26 at 8:00pm; May 27 at 2:00pm Founder Alvin Ailey Artistic Director Emerita Judith Jamison Artistic Director Robert Battle Associate Artistic Director Masazumi Chaya Company Members Guillermo Asca Yannick Lebrun Kirven James Boyd Alicia Graf Mack Hope Boykin Michael Francis McBride Sean A. Carmon Rachael McLaren Sarah Daley Aisha Mitchell Ghrai DeVore Akua Noni Parker Antonio Douthit Briana Reed Belen Estrada Samuel Lee Roberts Renaldo Gardner Renee Robinson Vernard J. Gilmore Kelly Robotham Jacqueline Green Kanji Segawa Daniel Harder Glenn Allen Sims Demetia Hopkins Linda Celeste Sims Michael Jackson, Jr. Jermaine Terry Megan Jakel Marcus Jarrell Willis Guest Artist Matthew Rushing Executive Director Sharon Gersten Luckman The 2012 Dance Series is presented by BlueCross BlueShield of South Carolina. Additional support for the 2012 Dance Series is provided by The Harkness Foundation for Dance. Major funding for Alvin Ailey American Dance Theater is provided by the New York State Council on the Arts, the New York City Department of Cultural Affairs, American Express, Bank of America, Bristol-Myers Squibb, Diageo, FedEx Corporation, Ford Foundation, The Hearst Foundations, J.P. Morgan, Prudential Financial, Inc., The Shubert Foundation, The Starr Foundation, Target, and Wells Fargo. Toyota Motor Sales U.S.A., Inc. is the Official Vehicle Partner of Alvin Ailey American Dance Theater. 36 DANCE ALVIN AILEY AMERICAN DANCE THEATER PROGRAM A May 25 at 7:00pm ARDEN COURT (1981) Choreography by Paul Taylor Music by William Boyce Restaged by Cathy McCann Buck Set and costumes by Gene Moore Lighting by Jennifer Tipton First performed by the Paul Taylor Dance Company in 1981 Dancers Linda Celeste Sims, Glenn Allen Sims, Antonio Douthit, Kirven James Boyd, Rachael McLaren, Alicia Graf Mack, Michael Francis McBride, Samuel Lee Roberts, Jermaine Terry Generous support for this Company premiere was provided by Harlan B. -
Cran Ballet De Montecarlo Compañía, Del Marques De Cuev As Medjcamentos Con La
GRAN TEATRO DEL LICEO TERPORADA DE PRIBA 't'Jo;RA 1950 EMPRESA : JOSE F . ARQUER BABC¡¡;LONA CRAN BALLET DE MONTECARLO COMPAÑÍA, DEL MARQUES DE CUEV AS MEDJCAMENTOS CON LA I.A -~CA Of CONFIANZA LA QUÍMICA COMERCIAL Y FARMACÉUTICA, S. A. BARCELONA lo'AOJIO - ti\IAO - SEVIllA - v¡.UNCIA - VIGO Nombre• y Morc'ot reghttodot I GRAN TEATRO DFL UCEO El tono de Elegancia B & R CELOIW& EMPRBSA : DESU DISTINCION PE~SONAL JOSÉ F. ARQUER EXTIENDALO AL HOG~ EMBE DIRECCIÓ~ ARTÍSTICA : LLECIENDO SU AMBIENTE CON tA NAPOLEONE ANNOVAZZI Lencerla Arltslica Bordada TEMPORADA CALASANZ DE PRIMAV ERA DE 1950 q_UIEN LE OF&ECB DESDEt.ADE USO COR,&IENTE HASTA LAS GRAN BAL L ET MAS SELfCTAS CREA CI ONES PR.ESENTADAS EN EL MARCO DE MONTECA RLO UN ICO DESUS NUEVOSSA.l.ONES ~ RAMBLA DE CATALUÑA 1~1•Tet 27 9078 COMPAÑÍA DEL BAR e E L.,QNA MARQUÉS DE CUEVAS ORQUESTA SINFÓN1CA DEL GRAN TEATRO DEL LICE.O GRAN BALLET DE MUNIECARLD CDMPARIA DEL MARQUÉS llf CUEVAS Como el ba· llet es un arte expresivo <:n el que no existen obstaou)os d e i di om a, su aprcciación e s universal, y por ello es un arte de gt·an acepta. oión en estos mementos. La significación del ballet consiste en que no es un pretexto pa ' u bttilar, si no que la danza en un bulkt es el medio para ex pre:;ur una ides, o lo que es lo mismo, un arte rítmico y plas tico a la vez, nn movirniento en simbiosis completa con el rit mo, y con la música, y t·esultado o sumn de tres clementos: la música, la coreografia y PI dt>corado a través del movirniento y de la plastica. -
NEA-Annual-Report-1992.Pdf
N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992. -
'Marsh Exposes the Basic Problem of the Euro: No One's in Charge
‘Marsh exposes the basic problem of the euro: no one’s in charge. Monetary union was a colossally risky experiment launched without adequate crisis management precautions and without centralised political oversight. Unlike the other countries, Britain properly analysed the risks and decided, rightly, to stay out. It’s a pity that other Europeans didn’t show similar caution.’ —Lord (John) McFall, member of the House of Lords Economic Affairs Committee, former chair, House of Commons Treasury Committee ‘David Marsh has once again placed his finger on the gaping wounds that continue to afflict the European Monetary Union. While not everyone will agree with his conclusions – and a great many more will hope that he is wrong – he has built a cogent case for being very worried about the future of the single currency.’ —Prof. Michael Burda, School of Business and Economics, Humboldt University of Berlin ‘Europe is brilliantly right because it has achieved zero prospect of war, an achievement no other region can match. Yet it’s also brilliantly wrong because it has tried to achieve an impossible dream: monetary union without fiscal union. Marsh explains well the European mess and even suggests a solution. His book is a must-read for European policy-makers. Even Asians may learn a lesson or two.’ —Prof. Kishore Mahbubani, dean, Lee Kuan Yew School of Public Policy, National University of Singapore ‘A brilliant and incisive analysis of the intractable practical and political problems facing the euro and why the hopes of its founders have been disappointed.’ —Lord (Christopher) Tugendhat, chair, House of Lords EU External Affairs Committee, former European commissioner ‘The fate of the euro area is the most momentous public issue of our times and there is no better guide than this gripping, well-informed study by the leading expert on its genesis and development.’ —Prof. -
The Future of Banking Commission
The Future of BankingThe Future Commissionof Banking Commission 2 Commissioners RT HON DAVID DAVIS MP (CHAIR) David is chairing the Future of Banking Commission. He is Conservative MP for Haltemprice and Howden and is a leading campaigner on civil liberties. His former roles include Shadow Home Secretary, Conservative Party Chairman and Chairman of the Public Accounts Committee. RT HON JOHN MCFALL From 2001-10, when he retired as Labour MP for West Dunbartonshire, John McFall was Chair of the influential House of Common’s Treasury Committee. In January, he was presented with the award of Which? Consumer Champion for 2009 for his role in improving financial services for consumers. RT HON DR VINCE CABLE MP It was in his capacity as the Liberal Democrat Shadow Chancellor of the Exchequer that Vince served on the Commission. In May 2010 Vince was appointed Secretary of State for Business Innovation and Skills. PETER VICARY-SMITH Peter is the Chief Executive of Which?, the UK’s largest consumer body. Peter’s experience has been gained in both the charity and commercial sectors. He took up his appointment at Which? in August 2004. PHILIP AUGAR Philip is formerly a Group Managing Director at Schroders’ and now a writer on the financial services industry. He is the author of The‘ Death of Gentlemanly Capitalism: The Rise and Fall of London’s Investment Banks’. CLARE SPOTTISWOODE Clare is currently the Chair of Gas Strategies Limited. Her career started as an economist with the Treasury before establishing her own software company. Clare is perhaps best known for her role as Director General of Ofgas between 1993 and 1998. -
Alvin Ailey American Dance Theater
Tuesday through Friday, April 10 –13, 2018, 8pm Saturday, April 14, 2018, 2pm and 8pm Sunday, April 15, 2018, 3pm Zellerbach Hall Alvin Ailey American Dance Theater Alvin Ailey, Founder Judith Jamison, Artistic Director Emerita Robert Battle , Artistic Director Masazumi Chaya, Associate Artistic Director CompAny memBeRs Hope Boykin Jacquelin Harris Akua Noni Parker Jeroboam Bozeman Collin Heyward Danica Paulos Clifton Brown Michael Jackson, Jr. Belén Pereyra-Alem Sean Aaron Carmon Megan Jakel Jamar Roberts Sarah Daley-Perdomo Yannick Lebrun Samuel Lee Roberts Ghrai DeVore Renaldo Maurice Kanji Segawa Solomon Dumas Ashley Mayeux Glenn Allen Sims Samantha Figgins Michael Francis McBride Linda Celeste Sims Vernard J. Gilmore Rachael McLaren Constance Stamatiou Jacqueline Green Chalvar Monteiro Jermaine Terry Daniel Harder Fana Tesfagiorgis Matthew Rushing, Rehearsal Director and Guest Artist Bennett Rink, Executive Director Major funding is provided by the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs; American Express; Bank of America; BET Networks; Bloomberg Philanthropies; BNY Mellon; Delta Air Lines; Diageo, North America; Doris Duke Charitable Foundation; FedEx; Ford Foundation; Howard Gilman Foundation; The William R. Kenan, Jr. Charitable Trust; The Prudential Foundation; The SHS Foundation; The Shubert Foundation; Southern Company; Target; The Wallace Foundation; and Wells Fargo. Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. pRoGRAm A k -
Mccarter THEATRE CENTER FOUNDERS Arthur Mitchell Karel
McCARTER THEATRE CENTER William W. Lockwood, Jr. Michael S. Rosenberg SPECIAL PROGRAMMING DIRECTOR MANAGING DIRECTOR presents FOUNDERS Arthur Mitchell Karel Shook ARTISTIC DIRECTOR EXECUTIVE DIRECTOR Virginia Johnson Anna Glass BALLET MASTER INTERIM GENERAL MANAGER Marie Chong Melinda Bloom DANCE ARTISTS Lindsey Donnell, Yinet Fernandez, Alicia Mae Holloway, Alexandra Hutchinson, Daphne Lee, Crystal Serrano, Ingrid Silva, Amanda Smith, Stephanie Rae Williams, Derek Brockington, Kouadio Davis, Da’Von Doane, Dustin James, Choong Hoon Lee, Christopher McDaniel, Sanford Placide, Anthony Santos, Dylan Santos ARTISTIC DIRECTOR EMERITUS Arthur Mitchell Please join us after this performance for a post-show conversation with Artistic Director Virginia Johnson. SATURDAY, FEBRUARY 8, 2020 The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Support for Dance Theatre of Harlem’s 2019/2020 professional Company and National Tour activities made possible in part by: Anonymous, The Arnhold Foundation; Bloomberg Philanthropies, The Dauray Fund; Doris Duke Charitable Foundation; Elephant Rock Foundation; Ford Foundation; Ann & Gordon Getty Foundation; Harkness Foundation for Dance; Howard Gilman Foundation; The Dubose & Dorothy Heyward Memorial Fund; The Klein Family Foundation; John L. McHugh Foundation; Margaret T. Morris Foundation; National Endowment for the Arts, New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; New England -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries.