L(30 '11 II. ACADEMY OF MUSIC

BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; , President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L. Hickethier Director Lee Chizman Assistant to the Director COMMUNITY DEVELOPMENT Mikki Shepard Director Mahmoudah Ali Assistant to the Director Rudy Stevenson Music Consultant Jennie Gonzalez Secretary PERFORMING ARTS PROGRAM FOR YOUNG PEOPLE Leonard Natman Director Hessie McCollum Program Coordinator Sarah Walder Sales Coordinator PRODUCTION I , L Malcolm J. Waters Production Manager 111111111111111111111111116. '3,- 1111111111111111111111111111111 William Mintzer Lighting Consultant to RAM Robert L. Foreman Assistant Production Manager o Sarah Stuart Production Assistant Martin Green Crew Chief Robert Sniecinski Wardrobe Supervisor Naaman Griffin, Steve Greer, John Fuller, William Horton, James Kehoe, Howard Larson, Patrick McDonald, Bernard Gilmartin, Donald Riordan THEATRE MANAGER John J. Miller Theatre Manager Leonard Natman Associate Theatre Manager Ken Farris, Lauren Scott, Alan Tongret BUILDING MANAGEMENT Stan Mongin Building Manager Norman MacArthur Assistant Building Manager Lazarro Curato Parking Facilities Supervisor Frank Abbruscato, Leonard Abbruscato, Jahue Cooper, Nick Curato, Ray Dorso, Donald Farr, Angel Guadalupe, Steve Lanza, Bernard Lawrence, Michael Marayentano, Sheraf Moustafa, Nunzio Orlando, Joseph Patterson, Frank Percaccia, James Postell, Gloria Simon, Sadie Vinson James Victor, Angelos Voudouris, Robert Wells BOX OFFICE Saheed Baksh Box Office Treasurer Michael Glassman, Joseph Nekola

DIRECTORY Box Office: Monday through Friday, 10:00am to 6:00pm; Performance days till 9:00pm; Saturday and Sunday, Performance times only. Lost and Found: Telephone 636-4150 Restroom: Opera House Women and Men: Mezzanine level and 5th floor; Handicapped: Orchestra level. Lepercq Space: Women and Men: Theatre level 5th Boor. Public Telephones: Main lobby, Felix Street Entrance. For information about group rates on tickets call 636-4126. The taking of photography or the use of recording devices in this theatre is strictly forbidden. Brooklyn Academy of Music, 30 Lafayette Ave., Brooklyn, NY 11217. (212) 636-4100. The Brooklyn Academy of Music is a Charter Member of The League of Historic American Theatres. o '13o

BROOKE BRIDGE TM CE\TE\ ALCELEBRATIO\ 1883-1983

Tuesday Evening, November 30, 1982 at 8:00 PM

THE 1983 BROOKLYN BRIDGE CENTENNIAL COMMISSION, INC. And The Brooklyn Academy of Music

present the

NEW YORK CITY in

A STAR-SPANGLED SALUTE TO BROOKLYN ,

in honor of the 100th Anniversary of the Brooklyn Bridge at the Brooklyn Academy of Music

GERSHWIN CONCERTO Intermission

SELECTIONS FROM WHO CARES? Intermission STARS & STRIPES

Cover photo by Martha Swope. 77th NEW YORK SEASON BALLET in General Director: Ballet Masters: Assistant Ballet Masters: Rosemary Dunleavy A STAR-SPANGLED SALUTE TO BROOKLYN Sara Leland John Taras Bart Cook New York City Ballet Orchestra Music Director: Robert Irving Conductor: HUGO FIORATO Conductors: Robert Irving, Hugo Fiorato Associate Conductor: Gordon Boelzner THE COMPANY JACQUES d'AMBOISE IB ANDERSEN KARIN von AROLDINGEN MERRILL ASHLEY BART COOK DANIEL DUELL ALLEGRA KENT DARCI KISTLER SEAN LAVERY SARA LELAND ADAM LUDERS PETER MARTINS PATRICIA McBRIDE KYRA NICHOLS HELGI TOMASSON

CHRISTOPHER d'AMBOISE MARIA CALEGARI VICTOR CASTELLI JOSEPH DUELL JEAN-PIERRE FROHLICH JUDITH FUGATE Gershwin Concerto SUSAN HENDL LISA HESS DENT LAMONT LOURDES LOPEZ ROBERT MAIORANO Music by George Gershwin (Piano Concerto in F) (Music used by permission of Warner Bros. Music) DAVID McNAUGHTON SHAUN O'BRIEN FRANK OHMAN STEPHANIE SALAND MEL A. TOMLINSON Choreography by Jerome Robbins Set and Costumes by Santo Loquasto BAILEY TONI BENTLEY HELENE ALEXOPOULOS MICHELLE Lighting by Thomas Skelton ELYSE BORNE VICTORIA BROMBERG STACY CADDELL MARISA CERVERIS LISA CHALMERS REBECCA DEMPSTER MARIA CALEGARI JUDITH FUGATE CAROLE DIVET RENEE ESTOPINAL NINA FEDOROVA FLORENCE FITZGERALD ANTONIA FRANCESCHI WILHELMINA FRANKFURT SUSAN FREEDMAN SUSAN GLUCK CHRISTOPHER d'AMBOISE MEL TOMLINSON VICTORIA HALL LAUREN HAUSER JULIE HAYS ALEXIA HESS NICHOL HLINKA LINDA HOMEK DARLA HOOVER and ELIZABETH IRWIN LISA JACKSON KATRINA KILLIAN Helene Alexopoulos, Victoria Bromberg, Carole Divet, Antonia Franceschi, JULIE KIRSTEN MARGO KRODY JERRI KUMERY Susan Freedman, Alexia Hess, Linda Homek, Lisa Jackson, CYNTHIA LOCHARD MIRIAM MAHDAVIANI Jerri Kumery, Catherine Morris, Leslie Roy, Diana White CATHERINE MORRIS RITA NORONA CATHERINE OPPENHEIMER DELIA PETERS SABRINA PILLARS TERESA REYES LESLIE ROY Paul Boos, Comel Crabtree, Christopher Fleming, Paul Frame, Espen Giljane, MELINDA ROY SIMONE SCHUMACHER SHELLEY SCOTT Douglas Hay, Laurence Matthews, Afshin Mofid, David Otto, BARBARA SEIBERT ROMA SOSENKO MARJORIE SPOHN Michael Puleo, Jock Soto, Ulrik Trojaborg SHAWN STEVENS DIANA WHITE GARIELLE WHITTLE Pianist: RICHARD MOREDOCK DEBORAH WINGERT Music composed: 1925 JOHN BASS TRACY BENNETT PAUL BOOS STEVEN CARAS Ballet Premiere: February 4, 1982 HERMES CONDE CORNEL CRABTREE RICHARD DRYDEN CHRISTOPHER FLEMING TIMOTHY FOX PAUL FRAME PETER FRAME ESPEN GILJANE DOUGLAS HAY INTERMISSION KIPLING HOUSTON DAVID KEARY LAURENCE MATTHEWS CARLO MERLO AFSHIN MOFID PETER NAUMANN DAVID OTTO BRUCE PADGETT MICHAEL PULED DAVID RICHARDSON FRANCIS SACKETT PAUL SACKETT PETER SCHETTER JOCK SOTO ULRIK TROJABORG SELECTIONS FROM Who Cares? Stars and Stripes Music by George Gershwin Ballet in Five Campaigns Adapted and orchestrated by Hershy Kay Music adapted and orchestrated by Hershy Kay after music by John Philip Sousa (By special permission of New World Music Corp., the copyright owner of the (By arrangement with Boosey & Hawkes, Inc., publishers and copyright owners) Gershwin songs and of the ballet arrangement) F Choreography by George Balanchine Choreography by George Balanchine Scenery and Lighting by David Hays Scenery and Lighting by Jo Mielziner Costumes by Karinska Costumes by Karinska FIRST CAMPAIGN Pianist: JERRY ZIMMERMAN 1st Regiment: Corcoran Cadets MERRILL ASHLEY PATRICIA McBRIDE ELYSE BORNE Michelle Bailey, Toni Bentley, Stacy Caddell, Susan Gluck, Julie Hays, LOURDES LOPEZ SEAN LAVERY Alexia Hess, Darla Hoover, Katrina Killian, Margo Krody, Melinda Roy, Roma Sosenko, Shawn Stevens ALEXOPOULOS SUSAN FREEDMAN HELENE SECOND CAMPAIGN DIANA WHITE VICTORIA HALL JERRI KUMERY 2nd Regiment: Rifle Regiment CHRISTOPHER D'AMBOISE CHRISTOPHER FLEMING VICTORIA HALL KIPLING HOUSTON FRANCIS SACKETT MEL TOMLINSON Helene Alexopoulos, Lisa Chalmers, Florence Fitzgerald, Antonia Franceschi, and Elizabeth Irwin, Lisa Jackson, Jerri Kumery, Catherine Oppenheimer, Toni Bentley, Stacy Cadell, Antonia Franceschi, Susan Gluck, Alexia Hess, Sabrina Pillars, Simone Schumacher, Shelley Scott, Diana White Julie Hays, Darla Hoover, Leslie Roy, Melinda Roy, Roma Sosenko THIRD CAMPAIGN Strike Up The Band (1927) Ladies and Gentlemen 3rd Regiment: Thunder and Gladiator The Man I Love (1924) Patricia McBride and Sean Lavery DANIEL DUELL I'll Build A Stairway To Paradise (1922) Lourdes Lopez You (1930) Merrill Ashley and Sean Lavery Embraceable Cornel Crabtree, Christopher Fleming, Paul Frame, Espen Giljane, Fascinatin' Rhythm (1924) Patricia McBride Douglas Hay, David Keary, Carlo Merlo, Afshin Mofid, David Otto, Lourdes Lopez and Sean Lavery Who Cares? (1931) Bruce Padgett, Michael Puleo, Jock Soto My One and Only (1927) Merrill Ashley Liza (1929) Sean Lavery FOURTH CAMPAIGN I Got Rhythm (1930) Entire Cast Liberty Bell and El Capitan Ballet Premiere: February 5, 1970 HEATHER WATTS ADAM LUDERS "LYRICS BY IRA GERSHWIN" Who Cares? is both the name of a new ballet in the classical idiom by George FIFTH CAMPAIGN 1931 for "Of Thee I Sing:' Balanchine and an old song George and Ira Gershwin wrote in Stars and Stripes The dictionary says 'classic' means standard, leading, belonging to the highest rank or authority. Once it applied mainly to masterpieces from Graeco-Roman antiquity; now we All Regiments have boxing and horse-racing classics, classic cocktail-dresses and classic cocktails. Among classic American composers we number Stephen Foster, John Philip Sousa and marches and used George Gershwin (1898-1937). First heard fifty years ago, the best of the Gershwin songs Mr. Balanchine and Mr. Kay have selected several of Mr. Sousa's or movements of this maintain their classic freshness, as of an eternal martini-dry, frank, refreshing, tailor- them in working out a kind of balletic parade. The Five Campaigns Rifle Regiment (2nd made, with an invisible kick from its slightest hint of citron. Nostalgia has not syruped ballet use the following marches Corcoran Cadets (1st Regiment), and El Capitan (Pas de their sentiment nor robbed them of immediate piquancy. We associate them with time past, Regiment), Thunder and Gladiator (3rd Regiment), Liberty Bell but when well sung or played, or preferably both at once, they not only revive but transcend Deux), Stars and Stripes (Finale). their epoch. Ballet Premiere: January 17, 1958 The Gershwins' beautiful manners and high-style, their instant melange of insouciance and shrewd innocence, their just estimation of the imaginative elasticity of an elite audi- ence which they had developed, have left a body of words-and-music which lives, unblurred by vulgar rhetoric or machine-made sentiment. To combine an intensely per- sonal attitude with a flagrantly popular language is a feat which few popular artists manage, and it is appropriate that Balanchine has used the songs not as facile recapitulation of a lost epoch, but simply as songs, or melodies for classic, undeformed, traditional academic dances, which in their equivalence of phrasing, dynamics and emotions, find their brotherly parallel.

INTERMISSION

B NEW YORK CITY BALLET NEW YORK CITY BALLET ORCHESTRA PRODUCTION STAFF Turk Company Manager Patricia Avedon Orchestra Personnel listed Press Representative Leslie Bailey Press Assistants Maitland McDonagh, William Lawson alphabetically after principals Solo Pianists Gordon Boelzner, Jerry Zimmerman, 1ST VIOLINS OBOES Richard Moredock Lamar Alsop, Randall Wolfgang, Principal Rehearsal Pianists Helio De Soto, Boris Poliakine, Concertmaster Jane Cochran Paulina Barkagan Alan Martin-Assoc. CM Oboe & English Horn Orchestra Manager George Michelmore Joyce Flissler James Byars Assistant to Orchestra Manager Arnold Goldberg 4 Jean Ingraham CLARINETS Orchestra Librarian Theodore Flowerman Bira Rabushka Concert Master Lamar Alsop David Weber, Principal Murray Schnee Lawrence Harr Stage Managers Ronald Bates, Perry Silvey, Kevin Tyler, Helene Shomer Clarinet & Bass Roland Vazquez Sabina Skalar Milton Moskowitz Regisseur Deni Lamont Dominic Vaz Asst. Regisseur Richard Dryden Marilyn Wright BASSOONS Supervisor of Women's Wardrobe Dorothy Fugate Donald MacCourt, Supervisor of Men's Wardrobe Leslie Copeland 2NDS Principal Leon Goldstein, Wardrobe Mistress Krishna Kaiser Jack Knitzer Principal Wardrobe Master Larry Calvert Richard Lawson Make-up Consultant Norma Gerson Janet Berman, Assoc. Orthopedic Consultant William G. , M.D. Nancy Elan HORNS Physical Therapist Marika Molnar Jack Katz Paul Ingraham, Principal Piano Technician Fred Hitchcock Joseph Schor Michael Martin Joseph Siegelman Kathleen Wilber ADMINISTRATION Michael Spivakovsky Harold Carlisle General Administrator Betty Cage Eleanor Waalen Manager Edward Bigelow TRUMPETS Ronald Anderson, Personal Assistant to George Balanchine Barbara Horgan VIOLAS Principal Finance Administrator Stephen Lisner Warren Laffredo, Robert Haley Executive Assistant Deborah Koolish Principal Theodore Weis Administrative Assistants Sandra Limoncelli, Kim La Reaux, Laurance Fader, Assoc. Joanna Schachman Herbert Fuchs TROMBONES Ticket Sales Linda Cioffoletti, Margaret della Cioppa Liane Marston John Swallow, Principal Subscription Rita Golden Susan Pray Robert Biddlecome Carolyn Voigt DEVELOPMENT Ronald Borror George F. Michelmore, Director Anthony Riolo CELLOS Fred Zlotkin, Principal Orchestra Manager Assistant to the Director Michael Hampson Administrative Assistant Jacquelyne King (on leave-winter season) TUBA Eugene Moye, Principal Special Events /International Committee Diana Beattie, Jane Emerson Thompson Hanks, Jr. (winter season) Benefit Records Isobel Mahler HARP Honorary Chairman, Robert Gardner Jerry Grossman Cynthia Otis, Principal International Committee Finance Gary Redding Esther Gruhn PIANO Aaron Shapinsky Research and Reports Leslie Gorder Jascha Zayde Ballet Guild Marjorie Lewin BASSES TYMPANI Donor Records Bill Mitchell, Sandra Davis, Liz Ferris Theodore Flowerman, Arnold Goldberg Word Processing Marilee Eckert Librarian & Principal Gift Bar Coordinator Rosalie Lewis James Brennand PERCUSSION Principal EDUCATION Harold Schachner Ronald Gould, David Walter Robert Bush Chairman Nancy Lassalle Joseph Volpe Administrator Michelle Audet FLUTES Lecture Demonstrations Suki Schorer Andrew Lolya, Principal Administrative Assistant Tom Savage Victor Harris, Flute & Piccolo Paul Dunkel NEW YORK CITY BALLET, INC. Board of Directors Orville H. Schell, Chairman Gillian Attfield, President

Marvin A. Asnes Robert A. Gottlieb Frederick W. Beinecke Mrs. Nathan L. Halpern Mrs. Thornton F. Bradshaw Winthrop Knowlton Randal R. Craft, Jr. Edward M. Kresky Mrs. Mary Sharp Cronson Mrs. Norman Lassalle Mrs. Catherine G. Curran W. McNeil Lowry D. Ronald Daniel David H. Mortimer Ralph P. Davidson Donald G. Ogilvie Charles H. Davison Mrs. Patricia S. Patterson Mrs. Ahmet Ertegiin William W. Reese Mrs. Irving Mitchell Felt John S. Samuels, 3rd John N. Ferguson Frances B. Schreuder

THE SCHOOL OF AMERICAN BALLET Official School of the New York City Ballet President Lincoln Kirstein Executive Director Natalie Molostwoff Associate Director Nathalie Gleboff Director of Development Mary Porter

ii ACKNOWLEDGEMENTS The 1983 Brooklyn Bridge Centennial Commission, Inc. Honorary Chairmen: The 1983 Brooklyn Bridge Centennial Commission would like to express its Mayor Edward I. Koch deepest gratitude and appreciation to the following persons and organizations Borough President Howard Golden who have so generously contributed to this evening: Brooklyn Manhattan Borough President Andrew J. Stein Thanks to our SPONSORS... Richard G. Perry, Commission Chairman Friends of the Brooklyn Bridge AMERICAN EXPRESS Louis V. Gerstner, Jr., Chairman, THE BROOKLYN ACADEMY OF MUSIC NEW YORK CITY BALLET WARNER AMEX CABLE COMMUNICATIONS, INC. Commissioners* Anton Aigner David Levine And our Chairpersons ... Anthony Ameruso t Samuel H. Lindenbaum V. Lindsay Stanley H. Kaplan Russell Bastedo t John Frank Lourenso Marion Scotto Henry Bing, Jr. Earl Blackwell Eugene H. Luntey Donald L. Thomas t Eugene J. Bockman Norman Mailer Phyllis Cerf Wagner Michael Botwinick t Donald B. Marron Delores J. Bowens Jesse Masyr And special thanks to ... Peter Brennan t John F. McGillicuddy Coastal Dry Dock Repair Corporation Neil D. Chrisman Ronay Menschel Mortola Cumberland Packing Corporation Thomas Clarkson Edward J. Justin Murphy Frederick W. Richmond Foundation Jonathan Clayton Warren Coburn Joseph V. Noble Edward Cohen t Mollie Parnis and to our Patrons and all of you who, by your presence here tonight, have Raymond Corbett t Mrs. Milton J. Petrie generously contributed to The Brooklyn Bridge Centennial Celebration. Dan Curll t Donald C. Platten t Anthony G. DiFalco Vincent Quinn Frank Drozak t Felix G. Rohatyn Additional thanks to ... Kenneth F. Duchac t Lewis Rudin Harvey Lichtenstein and the entire staff of The Brooklyn Academy of Music who Jonathan D. Farkas t Benno Schmidt W. Schultz have been so helpful in support of our evening. Special thanks to the Stagehands t William Denis Fugazy Harvey t Marion Scotto IATSE Local for their contribution to this evening's performance. Harold L. Fisher of #4 Martin E. Segal Mayor Edward I. Koch, Brooklyn Borough President Howard Golden, and Sidney J. Frigand Henry Geldzahler t Constantine Sidamon-Eristoff Borough President Andrew Stein, for their leadership and Manhattan support. Newton Glekel t George M. Steinbrenner Ill Thomas W. Gleason Judith St. George And our special friends ... t Hart Robert Tammero t Carol W. Haussamen t Peter F. info Abraham & Straus, for their in-kind contributions to this event. Harry B. Helmsley t Harry Van Arsdale, Jr. The Daily News, for their spectacular promotion of this centennial celebration t Marife Hernandez t Phyllis Cerf Wagner t Robert F. Wagner, Sr. event. William Hill Eloise Hirsh t John C. Whitehead Glenora Wine Cellars of Dundee, New York for their 1980 Chardonnay, Howard Hornstein Elliot Willensky, Jr. distributed by Winebow, Inc. t Evelyn Lauder t John E. Zuccotti Evelyn and Leonard Lauder, Estee Lauder, Inc., for their special contribution Coordinator to this event. Linda H. Adams, Project Joseph Victori Wines, Inc. for generously donating Codorniu Blanc de Blanc In process of formation. 1979 champagne and Marques de Riscal 1978 Rioja. Member of the Executive Board, Brooklyn Bridge Centennial Commission t Friend of the Brooklyn Bridge

Event Management by Hemming & Gilman, Inc.; Nancy Bonwit, Betsy Bromberg, Robin Richards. BROOKLYN ACADEMY OF MUSIC I 0030 _ ..

BOARD OF TRUSTEES Hon. Edward I. Koch. Hon. Howard Golden. Seth Faison, Paul Lepercq. Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman. I. Stanley Kriegel. Ame Vennema. Franklin R Weissberg. Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W Albright, Jr.. Henry Bing. Jr., Warren B. Coburn, Charles M. Diker. Jeffrey K. Endervelt, Mallory Factor. Harold L. Fisher, Ll Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor. Eugene H. Luntey. Hamish Maxwell, Evelyn Ortner, John R. Price. Jr.. Richard M. Rosan, Mrs. Marion Scotto. William Tobey. Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio.

OFFICERS Harvey Lichtenstein President and Chief Executive Officer Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development LTh Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk FINANCE Perry Singer Accountant Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION BARI Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L. Hickethier Director Lee Chizman Assistant to the Director

COMMUNITY DEVELOPMENT - Mikki Shepard Director Mahmoudah Ali Assistant to the Director Rudy Stevenson Music Consultant Jennie Gonzalez Secretary PERFORMING ARTS PROGRAM FOR YOUNG PEOPLE Leonard Natman Director Hessie McCollum Program Coordinator A Sara Walder Sales Coordinator PRODUCTION Malcolm J. Waters Production Manager William Mintzer Lighting Consultant to BAM if Robert L. Foreman Assistant Production Manager Sarah Stuart Production Assistant Martin Green Crew Chief Robert Sniecinski Wardrobe Supervisor Naaman Griffin, Steve Greer, John Fuller, William Horton, James Kehoe, Howard Larson, Patrick McDonald. Bernard Gilmartin, Donald Riordan THEATRE MANAGER John J. Miller Theatre Manager Leonard Natman Associate Theatre Manager Ken Farris, Lauren Scott, Alan Tongret BUILDING MANAGEMENT Stan Mongin Building Manager Norman MacArthur Assistant Building Manager Lazarro Curato Parking Facilities Supervisor Frank Abbruscato, Leonard Abbruscato, Jahue Cooper, Nick Curato, Ray Dorso, Donald Farr, Angel Guadalupe, Steve Lanza, Bernard Lawrence, Michael Marayentano, Sheraf Moustafa, Nunzio Orlando, Joseph Patterson, Frank Percaccia, James Postell, Gloria Simon, Sadie Vinson James Victor, Angelos Voudouris, Robert Wells BROOKLYN BOX OFFICE Saheed Baksh Box Office Treasurer Michael Glassman, Joseph Nekola ACADEMY DIRECTORY Box Office: Monday through Friday, 10:00am to 6:00pm; Performance days till 9:00pm; OF MUSIC Saturday and Sunday, Performance times only. Lost and Found: Telephone 636-4150 Restroom: Opera House Women and Men: Mezzanine level and 5th floor; Handicapped: Orchestra level. Lepercq Space: Women and Men: Theatre level 5th floor. Public Telephones: Main lobby, Felix Street Entrance. For information about group rates on tickets call 636-4126. The taking of photography or the use of recording devices in this theatre is strictly forbidden. Brooklyn Academy of Music, 30 Lafayette Ave.. Brooklyn, NY 11217. (212) 636-4100. The Brooklyn Academy of Music is a Charter Member

. of The League of Historic American Theatres.

W74.1 fr, . 4 ' 4t.

'6.1* qiiiiAAH41 rtgoz-A. olq30 BROOKLYN ACADEMY OF MUSIC BROOKLYN ACADEMY OF MUSIC BAM'S CHAMBER

EXECUTIVE PRODUCERS MUSIC SERIES PATRONS $1,000$2,499 Ms. Joan Bieder & NICKRENZ, 1982-83 Mr. William Josephson SCOTT MUSIC DIRECTOR Mary Griggs Burke Mary Livingstone Lepercq Space The Brooklyn Academy of Music is Griggs and Mary Griggs Burke Foundation owned by the City of New York and Saturday, November 20, 1982, 8:30 pm Richard W Hulbert administered by the Brooklyn Acad- The Irvine Foundation Sunday, November 21, 1982, 2:00 pm emy of Music, Inc. The Brooklyn I. Stanley Kriegel Academy of Music's operation is Phyllis Holbrook Lichtenstein supported in part with public funds Hamish Maxwell provided The Netherlands through the New York America Community Joseph Swensen Scott Nickrenz Stephen Kates City Department of Cultural Affairs Association, Inc. Frederick and with grants from the National W Richmond Foundation violin viola cello Richard & Dorothy Rodgers Endowment for the Arts and the Foundation. Inc. New York State Council on the Arts. The Starr Foundation David Singer Seymour Lipkin In addition, the Board of Trustees William Tobey clarinet piano wishes to thank the following foun- Michael Tuch Foundation dations, corporations, and individ- John T Underwood Foundation uals who, through their leadership The Vinmont Foundation and support make these programs Harold Weitz possible. The Robert and Mari Ilyn Wilson Foundation CHARLES IVES Largo INDIVIDUALS AND PRODUCERS Joseph Swensen, violin; David Singer, clarinet; FOUNDATIONS $500-$999 Seymour Lipkin, piano Robert H. Arnow Neil D. Chrisman LEADERSHIP $25,000 and above Robert Davenport Ms. Virginia Dwan Louis Calder Foundation from Partita No. 2 in D Minor Edna McConnell Clark Foundation Mr. Jeffrey K. Endervelt The Henry Goldberg Doll Lepercq International Dance Fund Foundation Joseph Swensen, violin Simarka Run Foundation Mr. & Mrs. Philip S. Jessup J.M. Kaplan Fund. Inc. Mr. Jack Lawrence Mr. & Mrs. Richard Menschel Andrew W. Mellon Foundation National Endowment for the Arts Mr. & Mrs. Martin Segal New York City Youth Board Mr. & Mrs. Norman Segal Piano Quartet in E Flat Major, Op. 16 Mrs. The New York Community Trust Dan Seymour ma non Troppo The Zeitz Foundation Allegro New York State Council for the Arts Mr. Edward John Noble Foundation Sanford J. Zimmerman Andante cantabile Rockefeller Brothers Fund Allegro ma non troppo Mr. & Mrs. Ame Vennema ASSOCIATE PRODUCERS Joseph Swensen, violin; Scott Nickrenz, viola; $250-$499 Stephen Kates, cello; Seymour Lipkin, piano PACESETTERS Mr. & Mrs. M. R. Berman $10,000-$24,999 Institute for Retired Professionals Charles Ul rick & Josephine Bay & Executives Foundation Mr. Steven H. Case Henri & Eugenia Doll Foundation Mr. & Mrs. Donald H. Elliott (intermission) Alex Hillman Family Foundation Mr. & Mrs. Paul Esserman Henry & Lucy Moses Fund Mr. & Mrs. Al Kronick Christopher Norwegian Information Service LiGreci & Shubert Foundation Robert Ohlerking Dr. & Mrs. James McGroarty Quatuor pour la fin du Temps-Quartet for the End of Time Bernard M. Manuel Liturgie de cristal-Crystal Liturgy BENEFACTORS Rev. Francis J. Mugavero Mr. Vocalise, pour l'Ange qui annonce la fin du Temps- $2,500-$9,999 & Mrs. Arthur J. Radin Mr. & Mrs. Rubin Raskin Vocalise for the Angel who announces the end of Time Philippe Braunschweig Stephen H. Scheuer Max and Victoria Dreyfus Foundation Mr. & Mrs. Irwin Schneiderman Abime des oiseaux-Abyss of the Birds Mallory Factor Joanna & Norman Sher Intermede Intermezzo The Hochschild Fund, - Inc. Mr. & Mrs. Harry Silverstein The Louange a l'Eternite de Jesus-In praise of the Eternity Heckscher Foundation for Children Mr. & Mrs. Robert K. Smith Valerie Manuel of Jesus The National Opera Institute Danse de la fureur, pour les sept trompettes- Mr. & Mrs. Everett Ortner SPONSORS Alice Holbrook Platt $100-$249 Dance of Fury, for the seven trumpets Prospect Hill Foundation Fouillis d'arcs-en-ciel, pour l'Ange qui annonce la fin Martha Baird Rockefeller Fund for Music Dr. Edward W. Altman The Helena Rubinstein Foundation R. Steven & Jan C.K. Anderson du Temps-Cluster of rainbows for the Angel who The Scherman Foundation Mrs. Anne Barsky announces the end of Time Seth Sprague Educational and Charitable Mr. & Mrs. Werner Barusek Foundation William & Julia Beadenkopf Louange a l'Immortalite de Jesus-In praise of the Swedish Council of America John Beaton Immortality of Jesus Uris Brothers Foundation Mr. Walter E. Beer Mr. & Mrs. H. Gerald Bissinger, II Seymour Lipkin, piano; David Singer, clarinet; Dr. Robert D. Blank Jean Marie & Neita Blondeau Joseph Swensen, violin; Stephen Kates, cello Dr. & Mrs. Martin Bodian William B. Bolton Mr. & Mrs. John Castaldi Mrs. John Chancellor Arthur W. Cohen Mr. & Mrs. Ira Cohen This program is supported by funding from the Edward John Noble Founda- Dr. & Mrs. A. Norman Cranin Judith Daykin tion, the National Endowment for the Arts and The New York State Council Thomas A. Donnelly on the Arts. Broadcasts on WNYC-FM 94 and stations of the American Public Mr. & Mrs. Issac E. Druker Radio Network are sponsored by BANKERS TRUST COMPANY. Mr. & Mrs. Jerome Dubroff Lorin Duckman Baldwin is the official piano of the BAM Chamber Music Series. There will be a reception for the artists immediately following the Saturday evening (continued on inside back cover) performance.

AL. Scott Nickrenz, violist, is Music Director for BAM's Chamber ABOUT THE ARTISTS Music Series. He divides his time between New York and Hartford, where he is chairman of the string department of the University of Hartford. David Singer, clarinetist, has performed as soloist with orchestra, Together with his wife, flutist as soloist with chamber music and as a concert recital- Paula Robison, he directs chamber ensembles music for the Spoleto Festivals, ist and member of some of America's most outstanding chamber both in the and Italy. Long a performer in his own right, Mr. Nickrenz attended the music groups. His appearances at the Marlboro Festival resulted in a Curtis recording with Rudolf Institute and was a founding member of both the Lenox and Serkin on the Marlboro Recording Society Vermeer label. His performances with Music Quartets. While he was a member of the Claremont Quartet the Chamber he formed the Society have led to numerous re-engagements esteemed New Chamber Quintet and later created the Quartet with that Series at the organization. His concerts in in the fall of 1981 of Mozart's University of Chicago. He also began the Chamber Series at Northwestern Clarinet Concerto brought numerous requests for orchestra engage- University. ments in the United States and on the Mr. Nickrenz has appeared extensively in concerts in the United Continent. States Mr. Singer's 1982-83 Carnegie and all over the world. He has played with the Music from season will include appearances at Marlboro Hall with , a at the Spoleto tours, the Casals, Aldeburgh, and Spoleto Festivals. He has repeat engagement appeared Festival U.S.A., and a tour of of 1983. He has frequently with the Chamber Music Society of Lincoln Europe in the spring Center appeared at the White House at the invitation of President Jimmy and performs and tours regularly with the Trio. Carter, at the Metropolitan Museum of Art in New York both in solo recital and with the Cleveland Quartet, at the Library of Con- gress in Washington, D.C., and in , Philadelphia, Pittsburgh Joseph Swensen, American-born violinist, is rapidly emerging as a and Baltimore. Honors have included the Introductions Series musical personality of great power, virtuosity and sensitivity. So (recital) at the Metropolitan Museum of Art, Rockefeller Award remarkable was his New York debut in March 1982 that in reviewing (solo) in New York, Naumburg Award (chamber music) in New the recital used words like "impressive ... pro- York, and the Coleman Award (chamber music) in . digious ... awesome!" Born in 1960, the native New Yorker began his violin studies at the age of five and gave his first public performance in New York two years Q tephen Kates, a native New Yorker, represents the third genera- later. Mr. Swensen won his first competition when he was ten tion in a family of musicians. His first seven years of study were years old performing with the Rockland Symphony of New York. By with Marie Rosanoff, followed by scholarships to study with Leonard age thirteen he had won competitions at both the Aspen Festival and Rose at The and Gregor Piatigorsky in his Master the Juilliard School where he studied with Dorothy DeLay. In 1978 Class at the University of Southern California. Having won six major Joseph Swensen was awarded Sponsorship by the Leventritt Founda- competitions at home, he represented the United States at the Third tion which led to numerous appearances with symphony orchestras Tchaikovsky International Competition in 1966, competing against and in recital throughout the United States and Canada. fifty cellists from around the world. He was awarded the Silver Medal Mr. Swensen's widely acclaimed European debut with the Copen- and, returning home, was further honored with a command perform- hagen Philharmonic was at Tivoli Gardens in 1980. Shortly there- ance at The White House, playing before a select audience of the after, he was invited to perform in a chamber concert with nation's conductors and performing musicians. Since that time, he at honoring the Maestro's 60th birthday. Since then, has appeared as guest soloist with many of the country's leading he has performed with the Amsterdam Philharmonic at - orchestras. Recently, at the invitation of , Mr. gebouw, the Montreal Symphony and the St. Louis Symphony, among Kates gave the premiere performance of Meditation from , as others, and is a regular in the Festivals of Marlboro, Spoleto and arranged for cello and piano. On this occasion, Mr. Bernstein accom- Aspen. Recently, Mr. Swensen appeared as soloist in a 13-concert panied Mr. Kates at the piano. The past seasons have also heard him tour with the Rochester Philharmonic under the baton of David present the New York premiere of Claus Adam's Cello Concerto in a Zinman, which included his debut at the Kennedy Center. performance at Carnegie Hall, a recital at Lincoln Center's Alice Joseph Swensen was born into a musical family with the unusual Tully Hall, and a return engagement of three performances with the ethnic background of Norwegian and Japanese. Both his parents are Chamber Music Society of Lincoln Center. Stephen Kates plays a professional musicians and his younger brother and sister are per- magnificent Montagnana cello made in 1739. forming musicians as well.

Seymour Lipkin, critically acclaimed as "one of the finest, most sensitive conductors this country has at present:' is the former music director of both the Long Island Symphony and the Company. He has appeared as guest conductor of numerous symphony orchestras throughout the country, including the , the Cleveland Orchestra, and the Detroit Symphony. In his early twenties, he was appointed assistant to at the Berkshire Music Center, and remained there after Koussevitzky's death as assistant to Leonard Bernstein. A distinct success as the conductor of Bernstein's opera "Trouble in Tahiti" led to his appointment as Assistant Conductor of the New York Philhar- monic. He travelled with Bernstein and the orchestra to the and Europe. During thirteen years with the Joffrey Ballet, he conducted many of the great orchestras of the world, including the Vienna Symphony and the orchestras of Chicago, , Cleveland, Seattle, Detroit, Buffalo, Houston and Vancouver. Mr. Lipkin also ranks as one of the finest pianists of his generation, having won first prize in the Rachmaninoff Piano Competition in 1948. He has performed as soloist with most major American orches- tras, including the Boston and Philadelphia, and has been recorded playing with the New York Philharmonic. He will be heard again as soloist with the last-named orchestra in March 1983, and will per- form chamber music at the Spoleto Festivals in summer 1983. Mr. Lipkin is a graduate of the Curtis Institute, where he studied the piano under , and Tanglewood, where he was instructed by Serge Koussevitzky; he served as apprentice conductor to and the Cleveland Orchestra. He is presently a member of the major piano faculties of the Curtis Institute, the Estate Wines of Italy are the house wines of the Brooklyn Academy of Manhattan School of Music, and New York University. Music. Piano Quartet in E Flat Major, Op. 16 ABOUT THE PROGRAM LUDWIG VAN BEETHOVEN Originally scored for oboe, clarinet, bassoon, horn, and piano, Beethoven, as with many of his early works, got his inspiration for the Opus 16 from Mozart. In this case it was the great Quintet for Largo piano and winds, K. 452. In its present form, this Quartet is so CHARLES IVES (1874.1954) Beetho- His Mozartean that one would have difficulty recognizing it as Charles Ives was born and raised in Danbury, . ven's work at all, even his early work. a band father, who had been the leader of a military band, was Beethoven the year of this composi- in music, toured as a pianist in 1796, conductor there. After graduating from Yale University tion, visiting Prague, Berlin, Dresden, and Leipzig. Still, he did a lot Ives moved to New York and went to work for an insurance company. composing, his belt in order to of his of getting many of the basics under During his successful career in insurance, he composed most free style. It was a cautious success his mind for the development of his own works between the ages of 22 and 44. He didn't have much for in he had to cater to the to run period, order to get early acceptance, getting any of his works performed, but he hired musicians Viennese musical society. He dedicated all of the works he had the age of 44, through them when he wanted to hear his pieces. At published to very important people, and they were written in the style him in ill health Ives developed heart trouble- a condition that left that was most popular time, the strictly classical. If this is not a premiere of his at that throughout the rest of his long life. With the New York characteristic picture of tempestuous Beethoven, it is nonethe- He is still the Concord Sonata for piano, Ives became suddenly famous. less understandable. Beethoven lived in the era of Prince Metternich music and much of his considered the grand old man of American and the Congress of Vienna. He was sophisticated, realistic, and music was influenced by Americana. thoroughly acquainted with the uses of diplomacy. not a trace of a The Largo is atypical in that aspect- there's This work never steps out of line; it has none of Beethoven's is a melancholy hymn, march, or any discernible American strain. It characteristic fire. The composer precedes the first movement with a of melodic content. work that can be appreciated from the standpoint slow introduction. was a technique used in overtures and and organ This Largo would sound very different played by violin -the symphonies and may have served the purpose of allowing the audi- for use in a Sonata for original scoring. Ives also arranged this piece ence to get settled so they could be attentive when the Allegro theme for violin, clarinet, and 4 violin and piano. The present incarnation, was played. Zerlina's aria "Batti, batti" from Mozart's Don Giovanni his own list of works he has a Trio piano, was Ives' last version, but in is used almost note for note with a change in rhythm as a theme in the may have intended the (1902 -3) for these instruments which he slow movement. The work is closed by a jaunty, but routine Rondo. Largo to be part of. In form, the Largo is reminiscent of the slow movement of a classical sonata. The first page of the work comes back in an exact recapitulation. In the Largo, composed just three years after he left Yale, Ives already started using polymeters; the piano part is replete with them. Ives was truly avant-garde: he had gotten rid of exhibits symmetry and repetition in melody. Even today his score Quatuor pour la Fin du Temps very contemporary counterpoint between the violin and clarinet OLIVIER MESSIAEN (1908- ) melodies and rich piano accompaniment. Olivier Messiaen once said that his music was "at the service of the dogmas of the Catholic Church!' At 31, he was a church organist when World War II broke out. He was drafted into the army and as a soldier was taken prisoner in 1940. In the prisoner-of-war camp in Saxony there were three other French musicians: violinist Jean Le Boulaire, clarinetist Henri Akoka, and cellist Etienne Pasquier. The "Chaconne" from Partita No. 2 in D Minor for violin and clarinet had miraculously been retained by Boulaire and unaccompanied violin Akoka and a broken down cello and piano were found at the camp. JOHANN SEBASTIAN BACH (1685.1750) Messiaen composed the Quartet originally for the trio of violin, This Chaconne is sometimes called "the symphony for one clarinet, and cello, later adding the piano part, and it premiered in violin," and rightly so; its contrapuntal ingenuity, sonorous chords, January 1941 before an audience of 5,000 prisoners. He prefaced that and variety of textures have been a challenge to violinists for over 250 performance with an explanation of what he was trying to say with years. Most violinists don't bother with the other three "dance" the work. Messiaen declared that he had never had so attentive and movements of the Partita, although they are certainly worthy, because understanding a public. A touching comment, but ironic perhaps, this last movement holds such a strong attraction to performers and inasmuch as he was addressing, literally, a "captive audience' audiences alike. The Quartet for the End of Time is a deeply religious work based The form of a chaconne is governed by an harmonic progression on a passage from the Revelation of St. John, Chapter 10: "I saw a in triple meter which is then varied and embellished until all the mighty angel descending from heaven, clad with a cloud and having a possibilities are exhausted. This idea, along with the passacaglia rainbow over his head. His face was like the sun, his feet like columns form, are perfect examples of one of the ideals of the Baroque: to do a of fire. He set his right foot on the sea, his left foot on the earth and, lot with only a little. A stroke of genius is added by Bach in that each standing on the sea and on the earth, he raised his hand toward variation has progressively smaller and smaller note values, exhibiting heaven and swore by Him that liveth forever and ever, saying THERE greater virtuosity and creating more excitement until, at the end, we SHALL BE TIME NO LONGER, but on the day of the seventh hear an intense recapitulation of the original theme. angel's trumpet the mystery of God shall be accomplished." Messiaen The series of chords is first stated in just two measures and must have remembered the quote when he saw the Northern Lights immediately begins the course of modification with only a minimum from his wooden bed in the Stalag. The phrase THERE SHALL BE of embellishment. With the second variation Bach gets the ball TIME NO LONGER is quite controversial among theologians - rolling and, after using every conceivable violin technique played Messiaen gave his opinion in words as well as music. He wrote quite with the longer note values, he arrives at thirty-second notes played at a lot about the Quartet and his comments on each of the movements an astonishing rate. Jumps in register from one moving line to shed a unique light upon the work: another produce a counterpoint effect and a thickening of texture. 1. Crystal Liturgy: "Between three and four in the morning, the The most elaborate bowing is required to leap from the bottom to the awakening of the birds: a blackbird or a nightingale improvises, top of the instrument's range. The number of notes in each beat is surrounded by a sonorous cloud of dust, by a halo of trills, lost high increased from four to six when triplet figures are used in ever up in the trees!' quicker scales. After 16 variations in D Minor come 10 in D Major and a return to the home key for a moving conclusion. (Continued) 2. Vocalise for the Angel who announces the end of Time: "The first, second, and third sections, very short, evoke the power of this mighty angel... On the piano, soft cascades of blue-orange chords envelope in their distant chimes the song of the violin and cello, which is almost like plainchant" 3. Abyss of the birds: "For clarinet solo. The abyss is Time, with its sorrows and lassitudes. The birds are the opposite of Time: our desire for light, for stars, for rainbows and jubilant vocalises!" 4. Interlude: "A Scherzo, more extrovert than the other move- ments, but attached to them by several melodic reminiscences." 5. In praise of the Eternity of Jesus: "Jesus is here considered as the Word. A long and infinitely slow phrase on the cello magnifies, with love and reverence, the eternity of this powerful and mild Word, `whose years shall not be consumed:" 6. of Fury, for CRAM Dance the seven trumpets: "Rhythmically this is ER the most characteristic movement. The four instruments in unison imitate the charm of bells and trumpets ...Listen especially to the terrible fortissimo of the theme in augmentation and changed register toward the end of the movement!' MUSIC 7. Cluster of rainbows for the Angel who announces the end of at the Time: "Certain passages from the second movement return here mi.. ... In my dreams I hear and see groups of chords and melodies, colors and familiar shapes. Then, after this transitory stage, I pass into the Brooklyn Academy of Music unreal and experience with ecstasy a whirling, a dancing interpene- tration of superhuman sounds and colors. These swords of fire, these streams of blue-orange lava, these sudden stars -this is the glow, these are the rainbows!" 8. In Praise of the Immortality of Jesus: "This praise is love. Its SCHEDULE OF EVENTS slow rise towards the climax traces the ascent of men toward God, of the Child of God toward His Father, of the human-made-God toward Paradise" December 11 at 8:30pm/December 12 at 2:00pm The fact that Messiaen could express, in words, the most abstract details of the creative process sets him apart from most composers. PAULA ROBISON, flute With his music, Messiaen clearly communicates his faith, the strength LAURENCE LESSER, cello of spirit that helped him through a long, bitterly cold winter in Stalag , piano VIIA. -Jerri Brown December 18 at 8:30pm/December 19 at 2:00pm BEAUX ARTS TRIO

di. January 22 at 8:30pm/January 23 at 2:00pm BEVERLY HOCH, soprano Me CRFE WILLEM/1 4.ft STEPHEN BURNS, trumpet e) RUT/WORT- WM DANIEL PHILLIPS, violin DELI -PFITMERIE ROBERT COHEN, cello sa;7"-"Nr KENNETH COOPER, harpsichord February 5 at 8:30pm/February 6 at 2:00pm The only caf6 in New York where MIRIAM FRIED, violin you can enjoy a NATHANIEL ROSEN, cello deliciously different dessert GARRICK OHLSSON, piano each day of the year. Our pastries & cakes March 19 at 8:30pm/March 20 at 2:00pm are the winners of the EMERSON QUARTET "Grand Prix" award SCOTT NICKRENZ, viola at New York's International Culinary COLIN CARR, cello Exposition. We also feature exotic coffees April 9 at 8:30pm/April 10 at 2:00pm from around, the world. MARVIS MARTIN, soprano CAFE GALLERIA MASUKO USHIODA, violin a great place anytime- SCOTT NICKRENZ, viola before, during or after LAURENCE LESSER, cello the performance. , piano

Open seven days . April 30 at 8:30pm/May 1 at 2:00pm Mon-Thurs 8.11, Fri 8.12, Sat 8.1, Sun 9.10 174 Montague St., Bklyn Heights ' THE WAVERLY CONSORT Reservations (212) 625-7883 ALL MAJOR CREDIT CARDS BROOKLYN ACADEMY OF MUSIC BAM CHAMBER MUSIC WNYC-FM 94 BROADCASTS SPONSORS $100 -$249, con't. THE CORPORATE Mr. & Mrs. Albert H. Eaton The Valhal Pub FUND FOR BAM Dr. Eugene Edelman Mr. Stephen D. Edelman LEADERSHIP $25,000 and above Mr. & Mrs. Robert Ehrenbard Music will Richard Engquist American Telephone and Telegraph This season BAM's Chamber concerts be Gail Erickson Bankers Trust Company broadcast on WNYC-FM 94 on Thursday evenings at 8 Sergio Escuadra Consolidated Edison Company by Arthur T Farhood of New York pm, beginning December 2, 1982. Sponsored Mr. & Mrs. Frank Finnel Morgan Guaranty Trust Company Banker's Trust Company, the BAM Chamber Music Richard B. Fisher Warner Communications. Inc. Dr. & Mrs. Leonard I. Flug broadcasts are hosted by Martin Bookspan. Mr. & Mrs. Darko V Frank PACESETTERS $10,000424,999 Derene Frazier Abraham & Straus Dr. & Mrs. Herbert Freedner Brooklyn Union Gas Company Mr. & Mrs. John T. Gallagher Chase Manhattan Bank Mr. & Mrs. Daniel Geller Pfizer Foundation The Gilmour Foundation Philip Morris Incorporated Mr. Lawrence Goodstein Schlumberger-Horizons Mr. & Mrs. Sheldon S. Gordon Swiss Bank Corporation Mr. Ronald Greene Broadcast dates: Mr. Herman Greitzer $5,000-$9,999 Kenneth Griffin American Express Foundation Rev. & Mrs. Howard G. Hageman CBS Inc. Scott M. Hand It Chemical Bank Ms. Elizabeth Hanson Citibank, N.A. Mr. & Mrs. Richard C. Hayes Ciba-Geigy Mr. & Mrs. J. K. Concert #1 December 2, 1982 Hendricks Freeport McMoRan, Inc. John P Hodgkin Hoffmann-La Roche Marvin Hoffman IBM Mr. & Mrs. Alfred Concert #2 December 9, 1982 H. Horowitz International Paper Company Calvin House Foundation John W James. III Manufacturers Hanover Trust #3 23, 1982 Mr. William F Concert December Jankun Company Mr. Alex Jay Marsh & McLennan Companies Inc. Charles N. Johnson Mobil Foundation, Inc. Concert #4 December 30, 1982 Mary E. Jollon New York Times Company Foundation Frank Kazeroid New York Telephone Mr. John Kindred. III Newsweek Inc. Concert #5 April 7, 1983 Mr. & Mrs. Samuel Klein Sandoz, Inc. Mr. & Mrs. James Konkel Time Inc. Mr. & Mrs. Roland A. Labine 14, Vereins-Und Westbank A.G. Concert #6 April 1983 Bruce Lacher New York Office Mr. & Mrs. Irwin Lainoff Concert #7 April 21, 1983 Mr. & Mrs. Seymour Lampert $2,50044,999 Dr. Robert L. Leslie Steven H. Lipsitz Exxon Corporation Grace Concert #8 April 28, 1983 Dr. Edmund Lipton Foundation Dr. Esther Lopato Metropolitan Life Foundation Norman MacArthur & RCA Concert #9 May 5, 1983 Bill Novak John Wiley & Sons, Inc. Mr. & Mrs. Anthony Manheim Tom Massotti $1,00042,499 Concert #10 May 12, 1983 Edward F McDougal Avon Products Foundation Barbara Metzger Bank of New York Mr. & Mrs. John Mullins. III Cities Service Foundation Dr. Tatsuji Namba Columbia Pictures Industries Dick Netzer Conoco, Inc. Mr. Marvin Numeroff Dime Savings Bank of New York Donald Owings International Telephone & Telegraph Samuel J. Paul, III Corporation Arthur Pinchuck Irving One Wall St. Foundation Ms. Gertrude Reich Johnson & Higgins Edward Reid Macy's New York Beginning September 4, 1983, the BAM Chamber Stephen M. Reid McGraw-Hill Foundation Music concerts will be broadcast nationally on the James Q. Riordan Nordic American Banking Corp. Dr. Robert & Margaret Wenig Penn Central Corporation stations of the American Public Radio Network, Ruberstein Rabobank Nederland evenings at 6:00pm. Mr. & Mrs. William Ruder Readers Digest Foundation Sunday Reade H. Ryan Salomon Brothers Inc. Henry Sabatell Western Electric Fund Dr. & Mrs. Hershel Samuels Mr. Paul E Sanders $100 -$999 Mr. & Mrs. Henry A. Schaeffer Amax Foundation Mr. & Mrs. Jerome Schlapik Amstar Corporation Mr. & Mrs. Irwin Schniederman Anchor Savings Bank Mr. & Mrs. Sol Schreiber Barclays Bank International Ltd. Mr. William E Seegraber Bowery Savings Bank May Shandalow Foundation Mr. & Mrs. John Sharnik Constitution Reinsurance 4 Corporation Mr. & Mrs. Theodore Shen Cullen & Dykman Ms. Barbara Simmons East New York Savings Bank Marion Smith Eugene Doll & Novelty Company Roland Stebbins, Jr. LAT.S.E. WNYC Mr. & Mrs. Herb Steiner Independence Savings Bank Ms. Mary H. Swift Kings Highway Hospital Center Utopia Lodge-400 New Brooklyn Magazine Knight of Pythias NYC,eX4441. J. Henry Schroder Bank and Trust Co. Mr. & Mrs. John S. Wadsworth, Jr. Seaman's Bank for Savings Drs. Stanley & Eleanor Wallace J.B. Slattery and Brothers, Inc. Dr. Andrew B. Weinberg Stash Records, Inc. Mr. & Mrs. Earl D. Weiner Stern Bros. Fuel Oil Co. Mr. & Mrs. Erwin Weisberg William Morris Agency The Esther & Morton Wohlgemuth Williamsburgh Savings Bank Foundation, Inc. Peter J. Yanello