A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E

Total Page:16

File Type:pdf, Size:1020Kb

A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L. Hickethier Director Lee Chizman Assistant to the Director COMMUNITY DEVELOPMENT Mikki Shepard Director Mahmoudah Ali Assistant to the Director Rudy Stevenson Music Consultant Jennie Gonzalez Secretary PERFORMING ARTS PROGRAM FOR YOUNG PEOPLE Leonard Natman Director Hessie McCollum Program Coordinator Sarah Walder Sales Coordinator PRODUCTION I , L Malcolm J. Waters Production Manager 111111111111111111111111116. '3,- 1111111111111111111111111111111 William Mintzer Lighting Consultant to RAM Robert L. Foreman Assistant Production Manager o Sarah Stuart Production Assistant Martin Green Crew Chief Robert Sniecinski Wardrobe Supervisor Naaman Griffin, Steve Greer, John Fuller, William Horton, James Kehoe, Howard Larson, Patrick McDonald, Bernard Gilmartin, Donald Riordan THEATRE MANAGER John J. Miller Theatre Manager Leonard Natman Associate Theatre Manager Ken Farris, Lauren Scott, Alan Tongret BUILDING MANAGEMENT Stan Mongin Building Manager Norman MacArthur Assistant Building Manager Lazarro Curato Parking Facilities Supervisor Frank Abbruscato, Leonard Abbruscato, Jahue Cooper, Nick Curato, Ray Dorso, Donald Farr, Angel Guadalupe, Steve Lanza, Bernard Lawrence, Michael Marayentano, Sheraf Moustafa, Nunzio Orlando, Joseph Patterson, Frank Percaccia, James Postell, Gloria Simon, Sadie Vinson James Victor, Angelos Voudouris, Robert Wells BOX OFFICE Saheed Baksh Box Office Treasurer Michael Glassman, Joseph Nekola DIRECTORY Box Office: Monday through Friday, 10:00am to 6:00pm; Performance days till 9:00pm; Saturday and Sunday, Performance times only. Lost and Found: Telephone 636-4150 Restroom: Opera House Women and Men: Mezzanine level and 5th floor; Handicapped: Orchestra level. Lepercq Space: Women and Men: Theatre level 5th Boor. Public Telephones: Main lobby, Felix Street Entrance. For information about group rates on tickets call 636-4126. The taking of photography or the use of recording devices in this theatre is strictly forbidden. Brooklyn Academy of Music, 30 Lafayette Ave., Brooklyn, NY 11217. (212) 636-4100. The Brooklyn Academy of Music is a Charter Member of The League of Historic American Theatres. o '13o BROOKE BRIDGE TM CE\TE\ ALCELEBRATIO\ 1883-1983 Tuesday Evening, November 30, 1982 at 8:00 PM THE 1983 BROOKLYN BRIDGE CENTENNIAL COMMISSION, INC. And The Brooklyn Academy of Music present the NEW YORK CITY BALLET in A STAR-SPANGLED SALUTE TO BROOKLYN , in honor of the 100th Anniversary of the Brooklyn Bridge at the Brooklyn Academy of Music GERSHWIN CONCERTO Intermission SELECTIONS FROM WHO CARES? Intermission STARS & STRIPES Cover photo by Martha Swope. 77th NEW YORK SEASON NEW YORK CITY BALLET NEW YORK CITY BALLET in General Director: Lincoln Kirstein Ballet Masters: Assistant Ballet Masters: George Balanchine Rosemary Dunleavy A STAR-SPANGLED SALUTE TO BROOKLYN Jerome Robbins Sara Leland John Taras Bart Cook Peter Martins New York City Ballet Orchestra Music Director: Robert Irving Conductor: HUGO FIORATO Conductors: Robert Irving, Hugo Fiorato Associate Conductor: Gordon Boelzner THE COMPANY JACQUES d'AMBOISE IB ANDERSEN KARIN von AROLDINGEN MERRILL ASHLEY BART COOK DANIEL DUELL SUZANNE FARRELL ALLEGRA KENT DARCI KISTLER SEAN LAVERY SARA LELAND ADAM LUDERS PETER MARTINS PATRICIA McBRIDE FRANCISCO MONCION KYRA NICHOLS HELGI TOMASSON HEATHER WATTS CHRISTOPHER d'AMBOISE MARIA CALEGARI VICTOR CASTELLI JOSEPH DUELL JEAN-PIERRE FROHLICH JUDITH FUGATE Gershwin Concerto SUSAN HENDL LISA HESS DENT LAMONT LOURDES LOPEZ ROBERT MAIORANO Music by George Gershwin (Piano Concerto in F) (Music used by permission of Warner Bros. Music) DAVID McNAUGHTON SHAUN O'BRIEN FRANK OHMAN STEPHANIE SALAND MEL A. TOMLINSON Choreography by Jerome Robbins Set and Costumes by Santo Loquasto BAILEY TONI BENTLEY HELENE ALEXOPOULOS MICHELLE Lighting by Thomas Skelton ELYSE BORNE VICTORIA BROMBERG STACY CADDELL MARISA CERVERIS LISA CHALMERS REBECCA DEMPSTER MARIA CALEGARI JUDITH FUGATE CAROLE DIVET RENEE ESTOPINAL NINA FEDOROVA FLORENCE FITZGERALD ANTONIA FRANCESCHI WILHELMINA FRANKFURT SUSAN FREEDMAN SUSAN GLUCK CHRISTOPHER d'AMBOISE MEL TOMLINSON VICTORIA HALL LAUREN HAUSER JULIE HAYS ALEXIA HESS NICHOL HLINKA LINDA HOMEK DARLA HOOVER and ELIZABETH IRWIN LISA JACKSON KATRINA KILLIAN Helene Alexopoulos, Victoria Bromberg, Carole Divet, Antonia Franceschi, JULIE KIRSTEN MARGO KRODY JERRI KUMERY Susan Freedman, Alexia Hess, Linda Homek, Lisa Jackson, CYNTHIA LOCHARD MIRIAM MAHDAVIANI Jerri Kumery, Catherine Morris, Leslie Roy, Diana White CATHERINE MORRIS RITA NORONA CATHERINE OPPENHEIMER DELIA PETERS SABRINA PILLARS TERESA REYES LESLIE ROY Paul Boos, Comel Crabtree, Christopher Fleming, Paul Frame, Espen Giljane, MELINDA ROY SIMONE SCHUMACHER SHELLEY SCOTT Douglas Hay, Laurence Matthews, Afshin Mofid, David Otto, BARBARA SEIBERT ROMA SOSENKO MARJORIE SPOHN Michael Puleo, Jock Soto, Ulrik Trojaborg SHAWN STEVENS DIANA WHITE GARIELLE WHITTLE Pianist: RICHARD MOREDOCK DEBORAH WINGERT Music composed: 1925 JOHN BASS TRACY BENNETT PAUL BOOS STEVEN CARAS Ballet Premiere: February 4, 1982 HERMES CONDE CORNEL CRABTREE RICHARD DRYDEN CHRISTOPHER FLEMING TIMOTHY FOX PAUL FRAME PETER FRAME ESPEN GILJANE DOUGLAS HAY INTERMISSION KIPLING HOUSTON DAVID KEARY LAURENCE MATTHEWS CARLO MERLO AFSHIN MOFID PETER NAUMANN DAVID OTTO BRUCE PADGETT MICHAEL PULED DAVID RICHARDSON FRANCIS SACKETT PAUL SACKETT PETER SCHETTER JOCK SOTO ULRIK TROJABORG SELECTIONS FROM Who Cares? Stars and Stripes Music by George Gershwin Ballet in Five Campaigns Adapted and orchestrated by Hershy Kay Music adapted and orchestrated by Hershy Kay after music by John Philip Sousa (By special permission of New World Music Corp., the copyright owner of the (By arrangement with Boosey & Hawkes, Inc., publishers and copyright owners) Gershwin songs and of the ballet arrangement) F Choreography by George Balanchine Choreography by George Balanchine Scenery and Lighting by David Hays Scenery and Lighting by Jo Mielziner Costumes by Karinska Costumes by Karinska FIRST CAMPAIGN Pianist: JERRY ZIMMERMAN 1st Regiment: Corcoran Cadets MERRILL ASHLEY PATRICIA McBRIDE ELYSE BORNE Michelle Bailey, Toni Bentley, Stacy Caddell, Susan Gluck, Julie Hays, LOURDES LOPEZ SEAN LAVERY Alexia Hess, Darla Hoover, Katrina Killian, Margo Krody, Melinda Roy, Roma Sosenko, Shawn Stevens ALEXOPOULOS SUSAN FREEDMAN HELENE SECOND CAMPAIGN DIANA WHITE VICTORIA HALL JERRI KUMERY 2nd Regiment: Rifle Regiment CHRISTOPHER D'AMBOISE CHRISTOPHER FLEMING VICTORIA HALL KIPLING HOUSTON FRANCIS SACKETT MEL TOMLINSON Helene Alexopoulos, Lisa Chalmers, Florence Fitzgerald, Antonia Franceschi, and Elizabeth Irwin, Lisa Jackson, Jerri Kumery, Catherine Oppenheimer, Toni Bentley, Stacy Cadell, Antonia Franceschi, Susan Gluck, Alexia Hess, Sabrina Pillars, Simone Schumacher, Shelley Scott, Diana White Julie Hays, Darla Hoover, Leslie Roy, Melinda Roy, Roma Sosenko THIRD CAMPAIGN Strike Up The Band (1927) Ladies and Gentlemen 3rd Regiment: Thunder and Gladiator The Man I Love (1924) Patricia McBride and Sean Lavery DANIEL DUELL I'll Build A Stairway To Paradise (1922) Lourdes Lopez You (1930) Merrill Ashley and Sean Lavery Embraceable Cornel Crabtree, Christopher Fleming, Paul Frame, Espen Giljane, Fascinatin' Rhythm (1924) Patricia McBride Douglas Hay, David Keary, Carlo Merlo, Afshin Mofid, David Otto, Lourdes Lopez and Sean Lavery Who Cares? (1931) Bruce Padgett, Michael Puleo, Jock Soto My One and Only (1927) Merrill Ashley Liza (1929) Sean Lavery FOURTH CAMPAIGN I Got Rhythm (1930) Entire Cast Liberty Bell and El Capitan Ballet Premiere: February 5, 1970 HEATHER WATTS ADAM LUDERS "LYRICS BY IRA GERSHWIN" Who Cares? is both the name
Recommended publications
  • Jacob's Pillow Dance Festival 2018 Runs June 20-August 26 with 350+ Performances, Talks, Events, Exhibits, Classes & Works
    NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK ​ FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] JACOB’S PILLOW DANCE FESTIVAL 2018 RUNS JUNE 20-AUGUST 26 WITH 350+ PERFORMANCES, TALKS, EVENTS, EXHIBITS, CLASSES & WORKSHOPS April 26, 2018 (Becket, MA)—Jacob’s Pillow announces the Festival 2018 complete schedule, encompassing over ten weeks packed with ticketed and free performances, pop-up performances, exhibits, talks, classes, films, and dance parties on its 220-acre site in the Berkshire Hills of Western Massachusetts. Jacob’s Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Meal of Arts recipient. Founded in 1933, the Pillow has recently added to its rich history by expanding into a year-round center for dance research and development. 2018 Season highlights include U.S. company debuts, world premieres, international artists, newly commissioned work, historic Festival connections, and the formal presentation of work developed through the organization’s growing residency program at the Pillow Lab. International artists will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States includes New York City, Minneapolis, Houston, Philadelphia, San Francisco, and Chicago, among others. “It has been such a thrill to invite artists to the Pillow Lab, welcome community members to our social dances, and have this sacred space for dance animated year-round. Now, we look forward to Festival 2018 where we invite audiences to experience the full spectrum of dance while delighting in the ​ magical and historic place that is Jacob’s Pillow.
    [Show full text]
  • Csoa-Announces-November-2020
    For Immediate Release: Press Contacts: October 22, 2020 Eileen Chambers 312-294-3092 Dana Navarro 312-294-3090 CHICAGO SYMPHONY ORCHESTRA ASSOCIATION ANNOUNCES NOVEMBER 2020 DIGITAL PROGRAMS Highlights include Two New Episodes of CSO Sessions, Free Thanksgiving Day Digital Premiere of CSO/Solti Beethoven Fifth Symphony Archival Broadcast, Veteran’s Day Tribute Program from CSO Trumpet John Hagstrom, and More CSO Sessions Episode 7 features Former Solti Conducting Apprentice Erina Yashima Leading Stravinsky’s The Soldier’s Tale with Actor James Earl Jones II New On-Demand Recital from Symphony Center Presents features Pianist Jorge Federico Osorio NOVEMBER 5-29 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) announces details for its November 2020 digital programs that provide audiences both locally and around the world a way to connect with the Chicago Symphony Orchestra online. Highlights include the premiere of two new episodes in the CSO Sessions series, two archival CSO television broadcast programs, a new piano recital from Symphony Center Presents and a Veteran’s Day digital premiere of a tribute to veterans that highlights the trumpet’s key role in military and orchestral music. Programs will be available via CSOtv, the new video portal for free and premium on-demand videos. A chronological list of November 2020 digital programs is available here. CSO Sessions The new digital series of on-demand, high-definition video recordings of chamber music and chamber orchestra concerts feature performances by Chicago Symphony Orchestra musicians filmed in Orchestra Hall at Symphony Center. Programs for the CSO Sessions series are developed with artistic guidance from Music Director Riccardo Muti.
    [Show full text]
  • Mark Seto New Director of Orchestra at Brown University
    Brown University Department of Music Box 1924, Providence, RI 02912 Press Contact Drew Moser / 401-863-3236 Academic Program & Outreach Coordinator May 10, 2018 / For Immediate Release Mark Seto Hired as the New Director of the Brown University Orchestra Providence, RI—The Department of Music is proud to announce conductor, musicologist, and violinist Mark Seto as Director of the Brown University Orchestra effective July 1, 2018. In addition to bringing his vast experience as an educator and orchestra director to the classroom and stage, Seto will assist in the development of Brown’s new Performing Arts Center. Seto comes directly from Connecticut College where he was Associate Professor of Music and director of the Connecticut College Orchestra. He also holds the position of Artistic Director and Conductor of The Chelsea Symphony in New York City. Seto earned a BA in Music from Yale University and an MA, MPhil, and PhD in Historical Musicology from Columbia University. About Mark Seto Mark Seto leads a wide-ranging musical life as a conductor, musicologist, teacher, and violinist. In addition to his new appointment at Brown University, he continues as Artistic Director and Conductor of The Chelsea Symphony in New York City. At Connecticut College, Seto directed the faculty ensemble and the Connecticut College Orchestra, and taught music history, theory, conducting, and orchestration. During Seto’s tenure at Connecticut, he helped double student enrollment in the orchestra. Furthermore, the ensemble assumed a greater role in the College’s cultural and intellectual life. Seto aimed to connect the learning he and his ensembles undertook in rehearsal to themes that resonate with them as engaged global and local citizens.
    [Show full text]
  • National Arts Awards Monday, October 19, 2015
    2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States.
    [Show full text]
  • Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs
    Extreme Art Film: Text, Paratext and DVD Culture Simon Hobbs The thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 Declaration Whilst registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in this thesis are the work of the named candidate and have not been submitted for any other academic award. Word count: 85,810 Abstract Extreme art cinema, has, in recent film scholarship, become an important area of study. Many of the existing practices are motivated by a Franco-centric lens, which ultimately defines transgressive art cinema as a new phenomenon. The thesis argues that a study of extreme art cinema needs to consider filmic production both within and beyond France. It also argues that it requires an historical analysis, and I contest the notion that extreme art cinema is a recent mode of Film production. The study considers extreme art cinema as inhabiting a space between ‘high’ and ‘low’ art forms, noting the slippage between the two often polarised industries. The study has a focus on the paratext, with an analysis of DVD extras including ‘making ofs’ and documentary featurettes, interviews with directors, and cover sleeves. This will be used to examine audience engagement with the artefacts, and the films’ position within the film market. Through a detailed assessment of the visual symbols used throughout the films’ narrative images, the thesis observes the manner in which they engage with the taste structures and pictorial templates of art and exploitation cinema.
    [Show full text]
  • The Caramel Variations by Ian Spencer Bell from Ballet Review Spring 2012 Cover Photograph by Stephanie Berger, BAM : Silas Riener in Merce Cunningham’S Split Sides
    Spring 2012 Ball et Review The Caramel Variations by Ian Spencer Bell from Ballet Review Spring 2012 Cover Photograph by Stephanie Berger, BAM : Silas Riener in Merce Cunningham’s Split Sides . © 2012 Dance Research Foundation, Inc. All rights reserved. 4 Moscow – Clement Crisp 5 Chicago – Joseph Houseal 6 Oslo – Peter Sparling 9 Washington, D. C. – George Jackson 10 Boston – Jeffrey Gantz 12 Toronto – Gary Smith 13 Ann Arbor – Peter Sparling 16 Toronto – Gary Smith 17 New York – George Jackson Ian Spencer Bell 31 18 The Caramel Variations Darrell Wilkins 31 Malakhov’s La Péri Francis Mason 38 Armgard von Bardeleben on Graham Don Daniels 41 The Iron Shoe Joel Lobenthal 64 46 A Conversation with Nicolai Hansen Ballet Review 40.1 Leigh Witchel Spring 2012 51 A Parisian Spring Editor and Designer: Marvin Hoshino Francis Mason Managing Editor: 55 Erick Hawkins on Graham Roberta Hellman Joseph Houseal Senior Editor: 59 The Ecstatic Flight of Lin Hwa-min Don Daniels Associate Editor: Emily Hite Joel Lobenthal 64 Yvonne Mounsey: Encounters with Mr B 46 Associate Editor: Nicole Dekle Collins Larry Kaplan 71 Psyché and Phèdre Copy Editor: Barbara Palfy Sandra Genter Photographers: 74 Next Wave Tom Brazil Costas 82 London Reporter – Clement Crisp 89 More Balanchine Variations – Jay Rogoff Associates: Peter Anastos 90 Pina – Jeffrey Gantz Robert Gres kovic 92 Body of a Dancer – Jay Rogoff George Jackson 93 Music on Disc – George Dorris Elizabeth Kendall 71 100 Check It Out Paul Parish Nancy Reynolds James Sutton David Vaughan Edward Willinger Cover Photograph by Stephanie Berger, BAM : Silas Riener Sarah C.
    [Show full text]
  • MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
    The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Jeffrey Kahane
    JEFFREY KAHANE Equally at home at the piano or on the podium, Jeffrey Kahane is recognized around the world for his mastery of a diverse repertoire ranging from Bach and Mozart to the music of our time. Kahane has appeared as soloist with major orchestras such as the New York Philharmonic, Cleveland Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra, and the Chicago and San Francisco Symphonies, and is also a popular artist at all of the major US summer festivals, including Aspen, Blossom, Caramoor, Mostly Mozart, and Ravinia. In August 2016 he was appointed Music Director of the Sarasota Music Festival, which offers master classes and chamber music coaching by a distinguished international faculty, and features chamber music performances and orchestral concerts performed by highly advanced students and young professionals, as well as faculty members. Since making his Carnegie Hall debut in 1983, he has given recitals in many of the nation’s major music centers including New York, Chicago, Boston, San Francisco, Los Angeles, and Atlanta. A highly respected chamber musician, Kahane collaborates with many of today’s most important chamber ensembles and was the Artistic Director of the Green Music Center Chamberfest during the summers of 2015 and 2016. Kahane made his conducting debut at the Oregon Bach Festival in 1988. Since then, he has guest conducted many of the major US orchestras including the New York and Los Angeles Philharmonics; Philadelphia and Cleveland Orchestras; Saint Paul Chamber Orchestra; and the Chicago, Detroit, St. Louis, Baltimore, Indianapolis, and New World Symphonies. In May 2017 Kahane completed his 20th and final season as Music Director of the Los Angeles Chamber Orchestra.
    [Show full text]
  • Imes I Wonder What "Wrang with Me. I Keep Hearing People Soy That They Have Changed Jobs Because Five Or Ten Years in a Job Is Enough
    BROOKLYN ACADEMY OF MUSIC Letter from the President ~imes I wonder what "wrang with me. I keep hearing people soy that they have changed jobs because five or ten years in a job is enough. And here I am after 25 years, still at it, and still, for the most part, enjoying the ride. BAM has changed over the years and yet remains steadily on course. The outpouring of new work by some of our "old-timers" and by young, developing artists trying their wings, and the pursuit of several new initiatives, plus the stimulation of my BAM colleagues, have managed to keep me (or part of me) virgin, available and interested. The first major attraction of my initial season at BAM was Sarah Caldwell's newly formed American National Opera Company, which featured the first staged production in New York of Alban Berg's LULU. The next season, in 1968, had the return of The living Theater in four productions new to New York. In 1969, we introduced Jerzy Grotowski's Polish laboratory Theatre in three productions, and also Twyla Tharp's company on the Opera House stage, with the audience also onstage, seated on three sides. Robert Wilson's LIFE AND TIMES OF SIGMUND FREUD also appeared at BAM in 1969. What is the point of view that informed those early years and that is still operative today? It may seem to be contemporary work by artists outside the mainstream. I think it is deeper and more inclusive than that. For me, it is the application of a critical approach informed by a contemporary sensibility, to what is being produced for the stage today.
    [Show full text]
  • FOR IMMEDIATE RELEASE CONTACT Mary Lugo 770-623
    FOR IMMEDIATE RELEASE CONTACT Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Voleine Amilcar, ITVS 415-356-8383 [email protected] For downloadable images, visit itvs.org/pressroom/photos For the program companion website, visit pbs.org/independentlens/waterflowingtogether/ GWENDOLEN CATES’S “WATER FLOWING TOGETHER,” AN INTIMATE PORTRAIT OF DANCER JOCK SOTO, TO HAVE ITS BROADCAST PREMIERE ON THE EMMY AWARD–WINNING PBS SERIES INDEPENDENT LENS ON TUESDAY, APRIL 8, 2008, AT 10:00 PM (San Francisco, CA)—Poignant and revealing, WATER FLOWING TOGETHER tells the story of one of the most influential modern ballet dancers—New York City Ballet’s Jock Soto. The debut film by acclaimed photographer Gwendolen Cates, WATER FLOWING TOGETHER will have its broadcast premiere on the Emmy Award–winning PBS series Independent Lens, hosted by Terrence Howard, on Tuesday, April 8, 2008, at 10:00 PM (check local listings). Called “one of ballet’s most creative personalities” by New York Times dance critic Anna Kisselgoff, Soto graced the stage of the New York State Theater for an amazing 24 years, partnering with such great ballerinas as Heather Watts, Darci Kistler and Wendy Whelan. When we meet Soto in WATER FLOWING TOGETHER, he is 40 and facing the daunting prospect of retiring from the only life he has ever known or desired. Soto was born on the Navajo Indian reservation in 1965, to a Navajo mother and a Puerto Rican father. And at that time and in that place, ballet dancing for boys was virtually unheard of.
    [Show full text]
  • The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
    The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours.
    [Show full text]