BROOKLYN ACADEMY OF MUSIC Letter from the President
~imes I wonder what "wrang with me. I keep hearing people soy that they have changed jobs because five or ten years in a job is enough. And here I am after 25 years, still at it, and still, for the most part, enjoying the ride.
BAM has changed over the years and yet remains steadily on course. The outpouring of new work by some of our "old-timers" and by young, developing artists trying their wings, and the pursuit of several new initiatives, plus the stimulation of my BAM colleagues, have managed to keep me (or part of me) virgin, available and interested.
The first major attraction of my initial season at BAM was Sarah Caldwell's newly formed American National Opera Company, which featured the first staged production in New York of Alban Berg's LULU. The next season, in 1968, had the return of The living Theater in four productions new to New York. In 1969, we introduced Jerzy Grotowski's Polish laboratory Theatre in three productions, and also Twyla Tharp's company on the Opera House stage, with the audience also onstage, seated on three sides. Robert Wilson's LIFE AND TIMES OF SIGMUND FREUD also appeared at BAM in 1969.
What is the point of view that informed those early years and that is still operative today? It may seem to be contemporary work by artists outside the mainstream. I think it is deeper and more inclusive than that. For me, it is the application of a critical approach informed by a contemporary sensibility, to what is being produced for the stage today. This way of looking at things has combined with BAM's position as an 'alternative' performing arts center in guiding BAM's direction. In other words, the idea is to do what is not being done in New York, while also doing what is done in compelling and unconventional productions. It is only by following what artists are creating today that we can understand how the 'classics' can be reborn.
During the past year, there was Aeschylus and Euripides, staged by Ariane Mnouchkine; Philip Glass' and Robert Wilson's EINSTEIN ON THE BEACH; Monteverdi's THE RETURN OF ULYSSES directed by Pierre Audi for the Netherlands Opera; Ibsen's PEER GYNT and Mishima's MADAME DE SADE in lngmar Bergman productions from Sweden's Royal Dramatic Theatre; Robert Lepage's staging of Bartok's BLUEBEARD'SCASTLE and Schoenberg's ERWARTUNG with the Canadian Opera Company; and concert performances of Rameau's LES IN DES GALANTES and CASTOR ET POLLUX by William Christie and les Arts Florissants. Also there were new works by David Rousseve, Anna Teresa de Keersmaeker, Mark Morris, Philip Glass, Saburo Teshigawara, Robert Lepage, Spiderwoman Theatre and others.
I want to salute not only the artists but also the BAM staff, who have provided the foundation for these glittering public displays. Need I mention Karen Brooks Hopkins and Joseph Melillo. Also thanks to a super Board of Trustees, led by Bruce Ratner and Fred Henry, and in charge of the BAM Endowment Campaign, Bettina Bancroft. Thanks to Richard Fisher for heading up the BAM Endowment Trust; and most of all to our patrons and to our loyal and growing audience, I say, hey there, thanks and ... Salud.
Editor: Seen Keepers Written by: Mono Heinze (C) 1993 BAM Design/Biezer Editoriallntem: Broil Lipsig
Cover photo: Tll61ter du Soleil's Ltrs Atrides. by Martine Froolc/Mognu• Plloto All other photos by Martha Swope Associates except where noted. Letter from the Chairman Board of Trustees I Officers
ChairMan OC a year of momentous evenh. from stoO to finish, the leadership Bruce C. Ratner support provided by the City of New York was an anchor. Likewise, I want to acknowledge President the generous support of state and federal agencies including the New York State Council on Harvey Lichtenstein the Arts, the Natural Heritage Trust, and the National Endowment for the Arts, which
ChairMan of the awarded BAM a new Challenge IV Grant in 1993 to support theater programming. I also Executive Co111111IHee want to thank our foundation, corporate and individual sponsors for their continuing commitment to special projects and Frederick B. Henry general operating funds.
Vice ChairMen Neil D. Chrisman* My thanks to the BAM Board of Trustees for its assistance and dedication. During the 1992-93 season, we were pleased to Rita Hillman* welcome to the BAM Board: Norman J. Buchan of The Chase Manhattan Bank, Henry Christensen Ill of Sullivan and Cromwell, I. Stanley Kriegel * Franklin R. Weissberg* Dr. Charles W. Meredith of New York City Technical College (CUNY), John Morning of John Morning Design, Inc., Jonathan Newcomb of Simon &Schuster , and David J. Peeker of Hachette Filipacchi Magazines. I also want to thank departing Trustees Honorary Trustees Me111lters Joanne Leonhardt Cassullo and Stephen Greenwald. Bettina Bancroft * Seth Faison Jenne K. Britell Leonard Garment Norman J. Buchan Paul Lepercq Ariane Mnouchkine's LES ATRIDES could not have been possible without the generous support of the French Government, Air Kevin Burke Arne Vennema William I. Campbell France, Elf Aquitaine, Inc., Fondation Elf, The Florence Gould Foundation, and many more. Bravo to former French Cultural Joanne Leonhardt Cassullo Ex-oHiclo Counsellor Annie Cohen-Solal for her boundless dedication to this project. Henry Christensen, Ill Hon. David N. Dinkins Beth Rudin DeWoody * Hon. Howard Golden Charles M. Diker Hon. Luis R. Cancel Most sincere thanks to Philip Morris Companies Inc. for continuing its sponsorship of the NEXT WAVE Festival and Gala for a Brendan J. Dugan seventh consecutive year. The Gala, featuring Mark Morris's THE HARD NUT, fell on December 11 : the day the great Arnold J. Eckelman Nor' easter hit New York City. After the performance, thanks to the NYC Transit Authority and MetroNarth, the "Pirlipat" Asher B. Edelman OFFICERS Chaim Edelstein express subway carried over 400 gala guests to Grand Central Terminal's historic waiting room, for a much-deserved dinner. Mallory Factor Harvey Lichtenstein Leading the brave souls were Gala Chairmen Anna Wintour of Vogue and Patrick McCarthy of W, Philip Morris Vice President Ronald E. Feiner President and Executive Stephanie French; Producers Council Chairman Michael Fuchs; and Associates Chairmen Maria Cuomo, Kenneth Cole, Cathryn Alan H. Fishman * Producer Robert L. Forbes Collins and Kim Hastreiter. Michael Fuchs Karen Brooks Hopkins Stephen R. Greenwald Executive Vice President Robert M. Johnson In May 1993, King Carl XVI Gustaf and Queen Silvia of Sweden attended the gala benefit on the opening night of PEER GYNT Sidney Kantor Joseph V. Melillo featuring the Royal Dramatic Theatre of Sweden. Christina Moliteus chaired the evening which was generously underwritten by Stanley H. Kaplan Producing Director Hachette Filipacchi Magazines. Our thanks also to Volvo and Procordia for their leadership support. Andrew K. Klink Edgar A. Lampert* Robert Bennett Marylin B. Levitt General Manager On June 15, BAM celebrated Harvey Lichtenstein's first twenty-five years at the Academy with a testimonial/roast at the BAM Eugene H. Luntey Majestic Theater. Many thanks to the special friends and former BAM Board Chairmen for underwriting the evening and to Laurie Mallet David Kleiser Charles W. Meredith Vice President New York Newsdayfor making possible "The Harvey Tabloid," which raised $100,000 for BAM. The most memorable gift Finance and Ad111lnlstratlon Martin F. Mertz presented to Harvey that night was when BAM Trustee Bettina Bancroft announced the formation of The Campaign for BAM, a John Morning Rick Thompson drive to establish a permanent endowment for the Academy, which she will chair. Johnathan Newcomb Evelyn Ortner VIce President Marketing ancl Pro111otlon David J. Peeker Bravo to you all and many thanks! David L. Ramsay Jonathan F.P. Ro se Robert C. Rosenberg * Mikki Shepard Vaughn C. Williams Bruce C. Ratner * Executive Committee Member Robert Lepage in NEEDLES AND OPIUM
How to celebrate the tenth anniversary of a festival dedicated to a spirit of innovation in the performing arts? The 1992 NEXT WAVE Festival did it in stride, assembling, once again, artists from all over the world whose vision inspired and entertained.
The 1992 season of ten events and 55 performances opened with FRIDA, a music-theater performance art piece based on the life of artist Frida Kahlo. Writer director Hilary Blecher, composer Robert Xavier Rodriguez and lyricist Migdalia Cruz captured the story of a woman and a country finding their respective voices. During FRIDA's run, the lobby of the Majestic Theater was devoted to an exhibition, "Pasion por Frida," featuring photographs, memorabilia and works inspired by the artist.
The Festival encompassed Native American artists Robert Mirabal and the vocal ensemble Pura Fe with NATIVE VOICES: MUSIC OF THE PUEBLO, SONGS OF THE CITY. Mirabal, master of the double-chambered Native American flute, performed "Simple Science," an improvisational work that made the audience a vocal participant in the piece. The ensemble Pura Fe performed "One Shield We Walk," crossing both historical and cultural boundaries by combining Native American "vocables" (vocals made up of syllables) with harmonies and jazz arrangements.
Spiderwoman Theatre, the oldest continually running women's theater in North America, presented the premiere of POWER PIPES. In a process described as "storyweaving," the company developed a piece that examined contemporary issues through the tradition of Native American storytelling.
David Rousseve and his company Reality added to the NEXT WAVE with the New York premiere of URBAN SCENES/ CREOLE DREAMS. The choreographer combined stories of his Creole grandmother with an EINSTEIN ON THE BEACH
exploration of racism and the losses caused by AIDS, through a fusion of performance art, African American traditional and pop art culture, and modern dance. The performance included Gospel legend B.). Crosby and Lavender Light Gospel Choir.
Anne Teresa De Keersmaeker and her company Rosas returned to the Academy with a new work, ACHTERLAND, which offered a profound exploration of gender issues. In addition, the juxtaposition of the classical score with the physicality of the dancers provided an exciting approach to the relationship between music and dance.
Offering yet another perspective on post-modern dance, BAM presented the New York debut of Saburo Teshigawara, whose company, Karas, performed his most recent choreography, DAH-DAH-SKO-DAH-DAH. While the piece remained faithful to the Butoh spirit, the addition of a new movement vocabulary provided an investigation of Japan's post-industrial society.
BAM and the Brooklyn Philharmonic Orchestra celebrated Philip Glass with an all-Glass program. GLASS REFLECTIONS offered a rare opportunity to survey the work of this composer, moving from the 1969 "Music in Similar Motion" to the New York premiere of "ltaipu," one of Glass' large nature portraits for symphony orchestra and chorus, and to "Low" Symphony, described by Glass as "a metamorphosis based on themes of David Bowie."
1992 marked the first revival in the history of the NEXT WAVE. EINSTEIN ON THE BEACH, the now-legendary opera by Philip Glass and Robert Wilson, was remounted for five performances. EINSTEIN had, once again, a profound effect on audiences and critics alike. 111-' ~g"· f~ Pfffltfflf~>.c#~~g#ggg•MM~~a·g~p~·~ ff.E.; iff·£ 5 ~ ~- . .,.,o .s: <( ~ ~ ~ 2-:. ~ ~ ~-gt ff~E.J~~ i-fft3 ~ ~ ~ 5-B-B£ ~"ff E~~<( § ~~ ,_-a: ;-gl¥~s.! c"' :~ £~~~~~~~~~ E~~5J£N~g~g~66<~2~g~[cJ§O a.co · if5-t =~ ~~-§- ~ 5 ., .. ~8. oggg~;gg.Eg 8j~·~z8_j[6665oo~~o:g;g~:t-3 >• - ~ ~ ~ - ~~ .,~ ~ ~~E-- ~c - ~- a ~~2 c"- -- z-., - c :E tr ... "'- .rtJ-iliff~ •> _~0u ~ ~ ff;~ c"i~ 5~ P-t 211 5;~Jt ~fi 3 EEfE~.g Eff! aa:pJf·! g:~~.,f~!f ~;: c £ u.. ~~i5c3.§§tij 1-Uo~,E~.c ~~tr~ ';:!E>'-~-::::JE>u.. ff !!!'! .P ~ 41 41 IV~ ... a tD g E ;?- ~tr OJ;::; 4J _; o ~ ... orr o ~ .E;f IV o a. > W IVCJ C ;.! ~ £-;o;;CJ !E U o~~I o 1V::::Jc3 c~ ;p~ ~-U:U .;~/5 [;~ 1- 41 :.: 41 tO ~2 ·- ·"'= O ::::J ._ Uz zw ;:Jt p!<~:=t 1:5 ~ ff ~~ 2.; ~ ~3 c:Jff"~ t1P o~ o g z CP ~ 1- .c 2 Eu g ~ 2 ~ff .£ t ;"' ~ 0> ! [;-E:l 2 ;E u..tO 1- ! .5 ~ &:J 8 pd)ua; z"' 1- 2 - g ; ~~ ~ ~ .. "' ~z J THE RETURN OF ULYSSES
The 1993 season marked the American debut of the Canadian Opera Company and the Netherlands Opera Company, as well as the second year of the French Baroque Opera Project. Paul Griffiths defined the excitement generated by BAM's re-discoveries in The New Yorker: "We might.. .feel the music to be new, to be happening now, because Ramea u, like Monteverdi, reaches us unsealed by a continuous history of performance; this is music that has only recently begun to come alive again."
BAM Opera's season opened with the Canadian Opera Company guest production of Arnold Schoenberg's ERWARTUNG and Bela Bartok's DUKE BLUEBEARD'S CASTLE, led by conductor Richard Bradshaw and 1992 NEXT WAVE artist Robert Lepage in his operatic directorial debut.
BAM Opera's fifth season included the American debut of the Netherlands Opera under artistic director Pierre Audi in their production of Monteverdi's 17th-century opera, THE RETURN OF ULYSSES.
BAM's French Baroque Project continued with a ]ea n Philippe Rameau Mini-Festival, comprising concert performances of LES INDES GALANTES and CASTOR ET POLLUX. The performances featured William Christie and Les Art Florissants, a Paris-based early-music ensemble. All of BAM OPERA's performances were performed with projected English titles above the stage. Agneta Ekmanner and Anita Bjork in MADAME DE SADE photo by Bengt Wanselius
BAM renewed its commitment to bringing acclaimed international productions to the United States, by presenting Ariane Mnouchkine's company in LES A TRIDES. The visit of the Theatre du Solei( marked their New York debut and the American premiere of a production that has been hailed as a triumph in Paris and on tour. In order to create an Olympian arena appropriate for this rendering of the Greek tragedy of the cursed House of Atreus, BAM virtually built a theater. The Park Slope Armory in Brooklyn, a 75-foot-high, vaulted building, became the spectacular setting for the 11-day run of Les Atrides-an event so eagerly anticipated that it sold out long before the first performance.
Continuing its association with lngmar Bergman and the Royal Dramatic Theatre of Sweden, BAM presented Ibsen's PEER GYNT and Yukio Mishima's MADAME DE SADE. BAM's relationship with Bergman dates back to 1988, when the world-renowned film and stage director had his New York stage debut with HAMLET, a visit followed by the expanded Bergman on Stage series of 1991, which comprised Ibsen's A DOLL'S HOUSE, Strindberg's MISS JULIE, and O'Neill's LONG DAY'S JOURNEY INTO NIGHT.
This season introduced audiences to Bergman's extraordinary stagings of Ibsen's grand romantic verse epic PEER GYNT and Mishima's MADAME DE SADE, a meditation on the infamous fi gure of the Marquis de Sade. The two productions turned out to be a resounding success both with audiences and critics.
HANSEL & GRETEL
For more than thirty years, BAM's Performing Arts Program for Young People (PAPYP) has provided youth and family audiences with programming that is both challenging and entertaining.
The 1992/ 93 PAPYP season presented 18 programs and 66 performances, providing more than 75,000 spectators with the opportunity to experience a variety of international programming, as well as a diverse selection of classic children's theater.
PAPYP programming was enhanced by teacher training sessions (attended by more than 140 educators), study guides, workshops and residencies, offering opportunities for the children to imitate the performance experience.
The Family Fun Series, now in its third season, once again brought together family audiences for select weekend afternoon performances. PAPYP expanded "Arts Bridge," an educational initiative that culminates in a BAM performance and a post-performance workshop. "Arts Bridge" developed a new program for two Brooklyn elementary schools, and set up a 12-week d rama curriculum at the Brooklyn alternative high school. Mark Morris in DANCES TO AMERICAN MUSIC photo: Tom Brazil
A a special event, BAM and Mark Morris Dance Group co produced DANCES TO AMERICAN MUSIC, a program featuring recent Morris choreography for his company and the White Oak Dance Project, a group of artists founded in 1990 by Morris and Mikhail Baryshnikov.
DANCES TO AMERICAN MUSIC opened with the New York premiere of "Mosaic and United," set to Henry Cowell's String Quartets Nos. 3 and 4. Mr. Baryshnikov and other White Oak members joined Mark Morris Dance Group for this piece, with special appearances by cellist Yo-Yo Ma. The company also performed the world premiere of "Home," which featured music by Michelle Shocked and Rob Wasserman performed by the composers.
DANCES TO AMERICAN MUSIC also presented "Three Preludes," a solo to music by George Gershwin, performed on alternating dates by Mark Morris and Mikhail Baryshnikov; and the New York premiere of "Grand Duo," set to a violin and piano work by Lou Harrison.
Anna Deveare Smith in FIRES IN THE MIRROR
The fifth season of 6511 Kings Majestic Corporation - an independent presenting organization affiliated with BAM - marked a significant expansion of programming: the 1993 season included 20 performances, ranging from theater and dance to music and literature. 651's season opened with Anna Deveare Smith's solo theater work, FIRES IN THE MIRROR, based on interviews with 26 people of African American and Jewish descent, in the wake of the Crown Heights riots.
Choreographer Donald Byrd and his company The Group presented the New York premiere of DRASTIC CUTS, Byrd's examination of racial and gender relations, disease, drugs and social isolation.
Together with Betty Carter, 651 developed JAZZ AHEAD, which brought together 17 young musicians for two performances with Ms. Carter's own trio, showcasing emerging U.S. talents.
As part of irs continuing Jazz and Blues Legacy series, 651 presented FOR MILES AND MILES, a tribute to Miles Davis. Jimmy Heath led a concert tracing the music of Davis's early years. THE MUDDY WATERS LEGACY, also part of the Legacy series, celebrated the musician who electrifi ed the Mississippi Delta blues, with performances by Junior Wells and Koko Taylor.
SOUL SISTERS celebrated the power of the blues in African American culture. Vocalist Cynthia Scott, dancer Kim Bears and Philadanco, and writer Terry McMillan participated. 651's season ended with the New York premiere of SHEILA'S DAY, a play written by Duma Ndlovu, performed by the Crossroads Theatre Company, and directed by accla im ed South African theater artist Mbongeni Ngema. Thegoal of BAM's Community Relations department In 1993, the Academy announced THE CAMPAIGN is to reach· out to the local community and to reinforce FOR BAM, its first-ever drive to establish an endowment the Academy's role as a community resource. As part fund to ensure the institution's financial stability and the of that mission, BAM and Brooklyn Borough President future of its innovative artistic mission. The endowment Howard Golden co-sponsored the 1993 Martin Luther drive was announced at a series of events on June 15, Kin g, )r. Day, commemorating the birthday of the civ il including a morning press conference at Brooklyn rights leader. The celebratio n included speeches by Borough Hall, and later at a party celebrating Harvey actress Regina Taylor and Mayor Dinkins, as well as Lichtenstein's 25 years as the Academy's chief executive, performances by Jazz violinist Mel Pointer and local held in the BAM Majestic Theater. school groups. Once again this annual event filled BAM's Opera House to capacity. Admission was free. The goal of the Campaign is to provide a total of $22.5 million over four years, giving BAM access to a BAM also participated in the annual State University of significant, dependable source of annual operating New York's College Fair, in celebration of African income. Since the start of the drive, to be conducted American Heritage Month. The Fair offers information from 1992 to 1995, BAM has received gifts and pledges about colleges to prospective minority college applicants totalling $10.5 million from nearly thirty donors. and reaches approximately 3,000 students from all five boroughs. Bettina Bancroft, a member of the board of directors of Dow )ones & Company and a BAM trustee, chairs the BAM continued its Ticket Assistance program, which Campaign. She is joined on the Steering Committee by distributes free tickets to Family Fun performances. The Dr. Jeffrey S. Borer, M.D., William I. Campbell, Robert B. program provides children and parents in lower income Catell, Neil D. Chrisman, Alan H. Fishman, F. Malcolm and temporary housing communities with the Graff, )r., Charles Hamm, Stanley Kaplan, Harvey opportunity to attend BAM performances together as a Lichtenstein, )ames H. Ottaway, )r., Bru ce C. Ratner, and fami ly. BAM worked with Red Hook Arts, Angels By Vaughn C. Williams, Esq. The Sea, the Kiddie Academy and the Auburn Shelter ro organize families interested in attending. In addition to In order to manage the endowment funds, BAM has also tickets, the Program offers roundtrip transportation to formed the Brooklyn Academy of Music Endowment the event, refreshments and a backstage tour. Trust, an independent foundation that will maintain, augment and supervise investment of endowment monies. Serving as chairman of the T rust is Richard B. Fisher. He is joined by Hamish Maxwell and Jeffrey Keil, as well as Bruce Ratner, Bettina Bancroft and Alan Fishman. BAM ARTISTS PRINT PORTFOLIO The BAM Artists Print Portfolios feature specially commissioned li mited-edition prints by renowned vi sual HARVEY LICHTENSTEIN AND DIRECTOR ROBERT WILSON AT THE PARTY artists. The Portfolios, published by Parasol Press, are in CELEBRATING MR. LICHTENSTEIN'S 25 YEARS AT THE ACADEMY. editions of 75 with 16 artists' proofs. The 1992 and '93 editions are special editions of 250 prints. PHOTO 0 MARGUERITE DEMARTINO AND ELENA OliVO
PRINT PORTFOLIO I PRINT PORTFOLIO II PRINT PORTFOLIO Ill 1987·1918 1988·1989 1 989·1 990 Jennifer Bartlett Christian Eckart Chuck Close Francesco Clemente Eric Fischl Richard Estes Roy lichtenstein David Hockney Peter Halley David Salle Barbara Kruger Claudia Hart Kenny Scharf Jonathan Lasker Sol LeWin Julian Schnabel Robert Mangold Will Mentor Donald Sultan Claes Oldenburg Suzan Pin Terry Winters Todd Wans Robert Ryma n BAM TR STEE BETIINA BANCROFT ANNOUNCES Tom Wesselmann THE CAMPAIGN FOR BAM. BAM PRINT EDITION BAM PRINT EDITION BAM PHOTOGRAPHY PHOTO 0 ~ RGUERITE DE MARTINO AND ELENA OLIVO 1992 1993 PRO.IECT 1 993 Julian Schnabel Donald Baechler Donated courtesy of Weegee. (published by Studio Heinricci Ltd.) (published by Studio Heinricci Ltd.) Kiki Smith (published by ULAEI THEIR MAJESTIES KING CARL XVI GUSTAF AND QUEEN SILVIA OF SWEDEN ATIENDED THE OPENING NIGHT ROYA L GALA BENEFIT CELEBRATING BERGMAN ON STAGE.
PHOTO 0 SONIA MOSKOWITZ
BAM COVER AND POSTER ARTISTS Karel Appel Keith Hari ng Ke nny Scharf Ross Bleckner David Hockney Frank Stella Francesco Clemente Alex Katz Philip Taaffe Papo Colo Sherrie Levine Todd Wans Willem de Koon ing Roy Lichtenstein Carroll Dunh am Rob ert Mapplethorpe David Hammons Susan Rothenberg
CHOREOGRAPHER MARK MORRIS AT THE 1992 NEXT WAVE GALA CELEBRATION FOR THE HARD NUT, HELD IN GRAND CENTRAL STATION. PHOTO 0 MARGUERITE DEMARTINO AND ELENA OLIVO BAM Patrons
LEADERSHIP The Edward John Noble Foundation The Grand Marnier Foundation Dorothy and lewis B. Cullman 1 992 ·93 NEXT WAVE Bettina Bancroft Lydia & Robert Forbes Scott C. McDonald ($ 100,000 or more) Bruce C. Ratner The Greenwall Foundation Foundation PRODUCERS COUNCIL Anne H. Bass Andrew J. Frackman Selma & Martin F. Mertz Republic National Bank Guess? Jeans Jeffrey Deitch Jayne Evelyn Bentzen & Betty Freeman Mr. & Mrs. Marvin Numeroff Air France of New York Heckscher Foundation for Children Details Corporate Chairman Benedict Silverman Stephanie French Evelyn & Everett Ortner AT&T Republic Bank for Savings Home Box Office, Inc. Dewar's White label Andy Birsh & Amory Houghton Ill Mary & Jim Ottaway The Government of Canada through the Samuel & May Rudin IBM Corporation Beth Rudin DeWo ody Michael A. Miles Department of External Affairs and foundation, Inc. Independence Savings Bank Max & Victoria Dreyfus Foundatior Bill Blass Peter Galien Ro nald & Claudia Perelman International Trade Diane & Stanley Person Toyota Motor Sales U.S.A.. Inc. lNG Bank Mr. & Mrs. Brendan Dugan 1Oth Anniversary Judith Williams Blumert Richard Gere Ell Aquitaine, Inc. Vogue Investor International (U.S.). Inc. Asher Ede lman Gary Bogard Stephanie George Lionel & Suzanne Pincus Fondation Ell Festival Chairman Volvo Kenneth Cole Productions, Inc. Elektra Entertainment Mr. & Mrs. Raymond Boyce Milly & Arnold Glimcher Barbara & Max Pine Richard B. & Emily H. Fisher Robert W. Wilson Andrew Klink The Equitable Foundation Michael Fuchs Willem Brans Morton Gould/ASCAP Cynthia & Leon Polsky The Ford Foundation The Norman & Rosita Winston KLM Royal Dutch Airlines Mr. & Mrs. Mallory Factor Home Box Office Valerie Braunschweig Yveta & Malcolm Graff John Michael Powers, Jr. French Ministry of Foreign Affairs Foundation Sydney & Frances lewis Foundation Forbes FYI through AFAA and the Cultural Anonymous Meet The Composer The Fribourg Foundation Tina Brown Eugene M. Grant Dr. David L. Ra msay 1992 NEXT WAVE Services of French Emba ssy NY Merrill lyn ch & Co. Foundation, Inc. Mr. Michael Fuchs Kevin Burke Ag nes Gund & Daniel Shapiro Julie & Bruce C. Ratner Benefit Chairmen French Ministry of Culture and GUARANTORS Joyce Mertz-Gilmore Foundation leonard Garment Mary Griggs Burke Charles Hamm Jonathan F. P. Rose Communication ($25,000 or more) Morgan Stanley Foundation. Inc. Gerla ch Arts Partners and Shippers Anna Wintour & Charles A. van Campenhout Frederick B. Henry & Diana Calthorpe The Howard Gilman Foundation Henry & lucy Moses Fund, Inc. The Getty Foundation The Florence Gould Foundation Patrick McCarthy Graydon Carter Cheryl Henson Robert C. Rosenberg ABN AMRO Bank N.V. and European The Netherland-America Foundation Will iam & Mary Greve Foundation The MetroT ech Downtown Fu nd Joanne Leonhardt Cassullo Rita Hillman & Fran Kaufman American Bank New York Community Trust Mary livingston Griggs & Mary National Endowment for the Arts Executive Vice William Chafin• Barbara Hoffman Clifford Ross Absolut Vodka The New York Times Company Griggs Burke Fou ndation Netherlands Ministry of Culture Foundation, Inc. Goldman. Sachs & Co. Chairmen Neil D. Chrisman Bianca Jagger Michel Roux New York City Department of Cultural American Airl ines The louis Calder Foundati on One World Arts Foundation Agnes Gund and Daniel Maureen & Marshall Cogan Linda Janovic Martha A. & RobertS. Rubin Affairs Allen McNeary & Carillon Importers ltd. Park Avenue Charitable Fund Shapiro Maria & Kenneth Cole Robert D. Joffe Ophelia & Bill Rudin New York State Council on the Arts Pri merica Foundation Harper's Bazaar Priscilla Campbell Mary Flagler Cary Charitable Trust Sam Cohn Mary & Sidney Kantor Shelly Leizman Scheuer The Province of Ontario through the Quaker Instant Grits Henri Bendel Ministry of Culture and Geo Prizm Anita Contini Miriam Katowitz & Joanne & Paul Schnell The Horace W. Goldsmith Foundation Quebec Government House; Wi lliam Josephson 1992 NEXT WAVE Communications Mary Sharp Cronson Arthur Radin Lavinia & Bri an Snyder Mrs. Alex Hillman The Cultural Affairs Dept. of The J. M. Kaplan Fund Poster Artist The Pew Charitable Trusts The Dorothea l. Leonhardt Quebec; the International Affairs Rita J. and Stanley H. Kap lan Anna Cryer George A. Kellner Ruth Cummings Sorensen Philip Morris Companies Inc. Philip Taaffe Foundation, Inc. Dept. of Quebec Foundation Joanne Toor Cummings Lylla & George Kleinman Patricia Tan The Rockefeller Foundation Morgan Guaranty Trust Company David l. Ramsay. MD Stanley H. Kaplan Educational Joseph R. Dalton Ted Kohl Niki Ta ylor Fan Fox & l eslie R. Samuels Jonathan F.P. Rose Center ltd. 1992 NEXT WAVE Foundation, Inc. Morgan Stanley Group Inc. Mr. & Mrs. Oscar de Ia Renta William D. Kornreich James Truman National Westminster Bank Helena Rubinstein Foundation Kellner. Dileo & Co. Journal Chairmen Starrett at Spring Creek, managed by Jeffrey Deitch Robert A. Krasnow Sue Erpf & Gerrit Natural Heritage Trust The Scherman Foundation, Inc. Rob in & Edgar Lampert Grenadier Realty Corp. Joseph E. Seagram & Son Inc. Fund liz Claiborne Foundation, Inc. Glenn E. Bourgeois Beth & James DeWoody Charlotte & I. Stanley Kriegel Va n de Bovenkamp l ila Wallace -Reader's Digest Fund Samuel I. Newhouse Foundation The Pfizer Foundation, Inc. The Evelyn Sharp Fou ndation Madamoiselle Mario Buatta Michael D. Dingman Rob in & Edgar Lampert Joan Vass Robert W. Wilson Procordia U.S. Inc. Simon & Schuster Maker's Mark Bourbon David Geffen Frederick N. & Nancy Lassalle Mr. & Mars. Joel Wechsler Skanska (U.S.A.), Inc. Marina Maher Communications Inc. Charles H. Revson Foundation Michele Oka Doner lara Lee & George Gund Steve Weitzman PRESIDENT'S CIRCLE Michel Roux Societe Generate Marsh & Mclennan Companies Me•bers Gabe Doppelt Jacques Leviant Robert W. Wilson ($50, 000 or more) Scandinavian Airlines System The Jules and Doris Stein Foundation Matra Tetra Pak Inc. McGraw-Hill, Inc. Bil Ehrlich Marylin & Arthur Levitt Martina Yamin The Shubert Foundation, Inc. Anonymous The Bohen Foundation Time Warner Inc. Allen McNeary & Priscilla Campbell Susan Falk l ouise & Fredric Levin Mary Anne & Richard Yancey TicketMaster Herbert Allen Brooklyn Union Gas Company lawrence We iner Trygg -Hansa SPP/Home Holdings Inc. Metropolitan life Foundation Neil R. Feldman Frances & Sydney Lewis L. Marshall Zeigen The Chase Manhattan Bank Giorgio Armani The lsak and Rose Weinman Michael Tuch Foundation, Inc. Mid Atlantic Arts Foundation Robert Feldman Beverly & Eugene H. Luntey Robert Sterling Clark Foundation Uris Brothers Foundation Mirabella Arthur G. & Diana Altschul Foundation. Inc. Madison Finlay l ewis Manilow •1n Memoriam Con Edison Wendy vanden Heuvel Netherlands Board of Tourism Robert J. Baker Th e Charles E. Culpeper Foundation Judy & Alan Fishman Paul Marciano PACESEnERS W/Fairchild Publications New York Design Center Inc. Aubrey & Harriet Balkind The Eleanor Naylor Dana Charitable ($ 1 0,000 or 111 oro) Vaughn C. Williams Northern Telecom Inc. Trust l. Marshall Zeigen Mr. & Mrs. Everett H. Ortner Dow Jones Foundation 1992·93 Mr. & Mrs. Henry Christensen, Ill William Josephson Rebecca Sullivan Abraham & Straus Anonymou s Oscar de Ia Renta Forest City Ratne r Companies BAM OPERA COUNCIL Cynthia F. Davis So crates Nicholas & Gerard Bell The lsak and Rose Weinman American Express Company Paramount Publishing Robert Michael Geisler/ Astra USA. Inc. PATRONS PAPER Magazine Members Catherine G. Curran Evelyn and Everett Ortner Foundation. Inc. John Roberdeau Rose M. Badgeley Residuary ( $5,000 or more) Mrs. Alice Holbrook Platt Mr. & Mrs. Anthony T. Dean John M. Powers. Jr. Mr. W. Loeber landau The Georgetown Company Bettina Bancroft Charitable Trust Polo/Ralph lauren Elizabeth de Cuevas Ted and Betsy Rogers Hachette Filipacchi Magazines The American-Scandinavian Revlon Anne H. Bass Bettina Bancroft Ms. Barbara Stanton The Harkness Foundations for Dance Foundation Yveta and Malcolm Graff Bear Stearns & Co .• Inc. RJR Nabisco The Francena T. Harrison Foundation Banque Francaise du Commerce Carlson Companies, Inc. The Rockefeller Group Trust Exterieur Herbert Construction New York City-Yours To Discover Chemical Banki ng Corporation The Billy Rose Foundation Estate of Marth a Zalles Champagne Veuve Clicquot Frederick B. Henry BICCorporation Mr. David D. Holbrook Tourism Grant Coca-Cola Bottling Company of New Arthur Ross Foundation. Inc. CONTRIBUTORS Club France The Will iam and Flora Hewlett Ms. Jenne K. Brite II Richard and Dorothy Hulbert Mary and Jim Ottaway, Jr. York Roya l Netherlands Embassy ($2, 500 or more) Club USA Foundation Canadian Consulate General in New Cynthia F. Davis ICM The Pace Gallery of New York Coca-Cola Foundation S.H. & Helen R. Scheuer Family Kaufmann, Feiner, Yamin, York American Express Travel Services District Councii37-AFSCME, Johnson & Higgins Point Music Coca-Cola USA Foundation Champagne Veuve Cliquot Anheuser-Busch Companies Inc. Mr. & Mrs. Sidney Kantor Polygram Records Gildin. & Robbins Credit lyonnais Securities Industry Automat ion AFL-CIO Arthur an d Marylin levitt Mr. Neil D. Chrisman An ne H. Bass Mrs. Betty Freeman Donna Karan Nicholas Polsky The Nathan Cummings Foundation Corporation Mr. and Mrs. Hamish Maxwell Mr. & Mrs. Henry Christensen, Ill Bloomingdale's David Geffen Foundation Mr. & Mrs. I. Stanley Kriegel Anne S. Richardson Fund The Aaron Diamond Fou ndation The Starr Found ation National Endowment for Citibank Judith Williams Blumert Charles A. Gifford lara lee & George Gu nd Ill Ted and Betsy Rogers Mr. & Mrs. Charl es Diker Jean Stein the Humanities Sam Cohn Botwinick-Wolfensohn Foundation The Green Fund Phyllis Holbrook lichtenstein Martha A. and RobertS. Rubin Mr. & Mrs. Alan Fishman Tribune New York Foundation New Street Foundation Inc. Columbia Financial Partners, l.P. Valerie Braunschweig Stephen R. Greenwald & Maersk Inc. Sa lomon Foundation Inc Forbes Inc. Vanity Fair New York Newsday Cover Girl Cosmetics William F. Chafin• Rebecca Sullivan John P. Meyer Sh iseido Cosmetics The 42nd Street Fu nd Mr. & Mrs. Ame Vennema Cravath. Swaine & Moore CBS. Inc. Jim Henson Productions Donald E. Newhouse Sterling Drug Inc. New York Tel ephone Company France Telecom Inc. Hon. Franklin Weissberg The New Yorker Magazine, Inc. Champagne Piper-Heidseick The Henson Founda tion Nobuko Takaha shi continued 1992·93 NEXT WAVE Jonathan & Catherine Bell Peggy Jacobs Jed Root Mr. & Mrs. Thomas Kolar William A. Bunch Norman Kaye Mary Richie Smith ASSOCIATES David & Amy Blumberg Ali & Peter Jennison Thaddaeus Ropac Mr. & Mrs. W. Loeber landau Joy F. Bunson Mr. & Mrs. Donald R. Kendall Peter Smith Alicia Bramhall Julie Jensen & Robert Bryan Helen Lee Schiller Harvey Lichtenstein Carleton Woolen Mills, Inc. Mr. William Kistler Ill Jane Socolow Anita Lobel Mr. & Mrs. Marvin Carlson Erika Kokesch Jack Soultanian Penny Britell Maira & Tibor Kalman Philip Shonberger Lord Day & lord, Barrett Smith Katherine F. C. Cary Patricia S. Konecky Cecile Springer John Brockenbrough Nina Kaminer Brooke Sheilds Mr. Michael A. McCarthy James Castello Mary Jane Koren, MD Samuel & Ellen Sporn J.B. Brown Gil Karson leslie Simitch Co-ChairMen Mr. & Mrs. Edward F. McDougal, Jr. Sara Chermayeff Mr. & Mrs. Daniel C. Knickerbocker Ellsworth G. Stanton Ill Antonia & Thomas Bryson Marilyn R. Kilinski Harry Slatkin Ms. Barbara Metzger Maria Cuomo & Kenneth Cole lewis G. Cole Mr. & Mrs. Herman Kravitz Axel Stawski Peter Moore Associates, Inc. E.J. Camp David Kuhn Howard Slatkin James Collins Arthur Kuypers Jane Steadman Cathryn Collins Tony E. Moore Sally & David Carroll Lise Lambert Robert Soros & Linda Collins Guy Lancaster Eliot Stewart Kim Hastreiter Dick & Carol Netzer David Cohan & Hugh & Betsy Lamie Melissa Schiff Soros Arlene C. Cooper Kim landsman Dr. Susan C. Stewart The New School for Social Research Stephanie & Samu el Lebowitz Mr. Thomas W. Streeter Deborah Fuller L. Bayly ledes Jon Sweet George M. Nicholson David M. Corwin VIce Chairmen Charles Sullivan Amy & Brad Collins Michael Lonergan IV Pamela Taylor Rolando Niella Donna J. Costa Mr. Robert E. Lee Ill Jonathan Lehman Michael M. Sweeley Peter Davis David Diamond & Karen Zukowski James long Catherine Vance Thompson John & Bonnie Nuzum Mr. Ralph Cox Mr. & Mrs. Paul Cronson Robert Lemen Rev. & Mrs. Gardner Taylor Julia Forster Adam Druhak Monica Lynch John E. Thompson Ms. Dorinda J. Oliver Dr. IIana B. Pachter & Denise Daubin-Bergh Jean Leo Mr. Willard B. Taylor Nicholas A. Polsky Mark Dunn Ann & Vincente Madrigal Lisa Vaamonde Bertha Daubert Mr. & Mrs. Harold levy Susan B. Thompson Dan Scheffey Dr. William Wynn Joan Fields John & Gretchen Mannix Wesley Wang Judy Peabody Mr. & Mrs. Robert W. Davenport Mr. & Mrs. Eric Levine Charlotte L. Thorp Robert Forrest ian McColough Madeline Weeks Mark E. Perkins Ruby Dee & Ossie Davis Dr. Jonathan Lorch David Tolley MeMbers Susan Freedman & Jeanne McCulloch Laura Weil Sandy & Steve Perlbinder Jill Dempsey N. Jb. Lovett Travel Plus International Anonymous Richard Jacobs Jill & Thomas Mullen Alan J. Wilzig/The Trust Company Alvin J. Rockwell Charitable Trust Mary Ann B. DeRosa John P. MacDonald Calvin Tsao Caroline Andoscia SamueiGen Hilary Peck of New Jersey James Q. Riordan Victoria Dinardo Laurie Mallet Valerie Valmont Ronald Feldman Fine Arts Doug Angstrom/lnvista Capital Naomi Susan Goldberg Gary Pini Ivan Wilzig Eugenia G. Dooley James Mansour Bernardette Vaskas Saks Fifth Avenue Mr. & Mrs. Bernard Manuel Mr. & Mrs. Richard Van Slyke Peter Bacanovic Peter Goldfarb Joan & Alexander Polsky Brana Wolf Mr. & Mrs. Gordon Douglas Ellin Saltzman Ms. Barbara Drescher Michael Massimilla Margo Viscusi Lisa Baeza Jennifer P. Goodale Maxene & Eugene Posman Eric L. & Trista S. Wright S.B. Graphics Marie Driscoll Mr. Stanley Mongin Monina Von Opel James Barondess Albert P. Hildebrandt Carolyn Reed Eve Yohalem Ben Schonzeit Joyce and Isaac Druker Charles W. Monheim Drs. B. &. E. Wainfeld Willow Bay David E. Schwab II Gerald Imber Restaurant Florent Karin Dubinsky Mr. Jonely Moy Meryl Waitz William F. Seegraber Dr. Tatsuji Namba Philip and Joan Wallick Mrs. louise Seymour Violet Eagan Rosamond Shannon Helen Jean Dunn James E. O'Neill Alan Wanzenberg James Silverman Ea st New York Savings Bank Andrea Harris Nelson Peter L. Washburn Patrick J. Smith Howard A. Ellins Janet Onnen Jessica M. Weber Theatrical Stage Employees Giorgio Armani Corporation Ruder Finn Ms. Judith Bass Kathryn Steinberg Yvonne Ericson-Dryden Barry Okun and Judith Fell Larry D. Weiman local4 -IATSE Ms. Edythe M. Holbrook Kalman Ruttenstein Bergdorf Goodman Nan G. Swid Nicolas Farr Barbara Petersen Charlene M. Weinstein & Mrs. Marjorie Isaac Sandalwood Foundation David Bither Treasurers and Ticket Sellers Union Cynthia Fitzgerald Rachel Pesner Laurence B. Molloy Ms. Ana Paula Jarowski Serino Coyne Inc. Charl es R. Bjorklund BENEFACTORS Local 751 Mr. & Mrs. William Pierce Andrea Weinzim er Interview Magazine Schieffelin & Somerset Co. Dr. & Mrs. Jeffery Borer Erica Forman ( $1 ,000 or Moret Dr. & Mrs. Arthur J. Vidich Eric Werthman Jujamcyn Theatres Mr. Harold L. Schiff Mr. & Mrs. Samuel Mandell Brody Ms. Gail Furman Ms. Susan Pines Mary G. Ward Allen & Company Incorporated Thomas Kempner lan Schrager B.T. Copy Eberhard Geffers Mr. Dale L. Ponikvar Carolyn S. Wiener Bernard & Jane Weinstein Arts lnternationai-I.I.E. Mr. & Mrs. Calvin Klein Martin E. Segal John & Barbara Chancellor Marit Gentele-Gruson Mr. & Mrs. John M. Powers. Sr. Travis L. Winfrey Yves Saint Laurent AS CAP Margot & Lewi s Komarmy Dana Seymour Ms. Selma Jeanne Cohen Michael J. Gillespie Mr. Henry C. Preston Richard Winger The Zeitz Foundation Association of Performing Arts Joan & Albert Kronick The Shapiro Family Foundation William David Cohan linda Gottesman Courtney Puffer Michael H. Yampol Michael & Barbara Zimmerman Presenters lincoln Center for the Performing C. W. Shaver & Company, Inc. John M. Conklin Ms. Kathleen S. Grant Ann Purtill Mr. & Mrs Arnold M. Zais Matthew & Myra Zuckerbraun Mr. Robert E. Beers Arts, Inc. Theodore & Carol Shen Donna Costa Mr. & Mrs. Harold Grimes John D. Rambert Michael Zimmer Bill Bla ss, ltd. Cecilia Loving -Sloane The Shubert Organization Mr. & Mrs. James Cox-Chambers Warren Grover Mr. Waldo Rasmussen SUPPORTERS Ross Bleckner Mr. & Mrs. Eugene Luntey Susan J. Tepper Charitable Trust Cuervo 1800 Tequila Allan Guggenheim Susie Raymond • In Memoriam Donald M. Blinken Lutz and Carr Mr. & Mrs. Robert Trump Hester Diamond ($250 or moret Gunilla Haac Arthur W. Reed For more information about the Bottega Veneta R.H. Macy's & Co .. Inc. 21 International Holding Inc. Dodger Productions Mr. & Mrs. C. Murray Adams Mr. & Mrs. Rene Harbison Rosemary Reed FRIENDS OF BAM. please call the Bowne of New York City, Inc. Maison de Ia France Union-Transport Corporation Mr. Seth Faison lgou & Needa Allbray The Haupt Foundation, Inc., in Susan Kahan Rifkin Membership Office, at Brooklyn College Marstrand Foundation Suzanne Vega Frederic Fekkai Amalgamated Programs Corporation memory of Stuart Haupt The River Cafe (7t8) 636-4194. The Brooklyn Hospital Center The Mannes College of Music Diane Von Furstenberg Floral Management Corp. Gale Hayman Michael F. Robinson Amanda Burden Marian McEvoy Peter L. Washburn Irving Friedberg Anchor Savings Bank Anthony Heilbut Susan Rowland & Tony Sitton Mrs. Mary Griggs Burke Dr. James & Jane McGroarty Suzanne S. Wei I Charles S. Gervais Catherine Andreozzi Buck Henry John R. Ryan Capezio-Ballet Makers Dan ce Mr. & Mrs. Richard L. Menschel Wertheim Schroder & Co. Inc. Gevalia Kaffe Rina Anoussis Heidi Hewes-Hollander Dr. & Mrs. Martin J. Sal wen Foundation Selma & Martin Mertz Wexner Center Foundation Gotham Elevator, Inc. Robert & Barbara Bachner The Carvvill Foundation Richard Mishaan Ms. Tracy A. White Gordon & Mary Gould Leslie Berglass Associates Mr. & Mrs. Harry Hinkle Eleanor Schwartz Mr. Allan Chasanoff Isaac Mizrahi Duane Wilder GreenPoint Savings Bank Hans Bertram-Nothnagel Barbara Horgan Robert E. Seaver Chatam Inc. John Morning Susan R. Witter Andre Gregory Penelope Biggs Deirdre Howley and Ira Eisenstadt Hidenori Sekita Ms. Peggy Cowles Netherlands-American Amity Trust Irene Worth Marisa Hagan-Buttery Jean Marie Blondeau Sue A. Hruby Jeanette & Ruben Selles Constans Culver Foundation Mrs. Annalee Newman Hardy Holzman Pfeiffer Associates Charles R. Blyth Ms. Susan Hum Ms. Noriko Sengoku Mr. & Mrs. Rohit Desai Richard & Joan Sexton Olympia Trails Bus Company SUSTAINERS William Hillman Foundation Ms. Claudette Boehm Warren !lehman Dime Savings Bank of New York Susan and Alan Patricof House of Bernstein, Inc. Elizabeth P. Borish Inter-Arts, N.Y. Company Rena Shagan E.J. Electric Installation Co. ( $500 or moret Paula Cooper Gallery Michael H. Howell Carin L. Boyer Mr. James P. Ivory Mr. & Mrs. John Shalam Mr. & Mrs. Dwight W. Ellis Perry Ellis Sportswear Ace Audio Visual Dr. Ursula Huebner Sally A. Brazil Bernard & Marlene Jaffe Judith L. Shipley The Excelsior Hotel Pfizer Pharmaceuticals IATSE 764 Mr. Gerald Agranoff Mrs. Elizabeth Brisbane Mr. & Mrs. George P. Jahn Max R. Shulman Ronald Finkelstein Harold Prince American Music Theater Festival David W. Jones Andrew Duncan Brown Mr. & Mrs. John W. James Ill Ms. Anne Sidamon-Eristoff Mr. Arthur J. Fleisch er, Jr. Remy Martin Fine Champagne American Stock Exchange Ms. Janet Fraser Jones D.J.R. Bruckner Howard A. Johnson Mr. & Mrs. John Simmons Freeman Wasserman Schneider Cognac Amstar Corporation Martha Yvonne Jones Ernst Brunswick James E. Jordan Ms. Gayle Sanders Sinclair The Friars Foundation Mr. & Mrs. David Rockefeller Matthew Annenberg Elias Kanner Jacques Brunswick Terry Kaplan Robert Sklar Mr. & Mrs. James Gillon Royal Bank of Canada Arts at St. Ann's Edward Kleinbard Consolidated Balance Sheet Consolidated State111ent of Operations Year Ended June 30, 1993 FY1993t FY1992t Year Ended June 30, 1993 FY1993t FY1992t
Assets Revenue Current Box Office, Rentals & Concessions $ 4, 505,356 $ 4, 380,259 Cash $ 265,523 $ 244,251 Appropriations & Contributions Accounts Receivable 475,684 544,881 New York City 2, 514,170 2,164,980 Grants Receivable 2, 213,089 1, 417,295 New York State 185,679 272,195 Prepaid Expenses 513,863 315,351 Federal Support 434,700 415,800 Marketable Securities &Works of Art 156,428 124,493 Private Support• 5, 625,562 5,525,442 Endowment Income 250,000 95,797 Total Current $ 3, 624,587 $ 2, 646,271 Total Revenue & Public Support s13 ,515,467 $12, 854,473 Non-Current Grants Receivable $ 0 $ 310,000 Expenses Fixed Assets (Net of Depreciation) 2, 280,157 2, 497,504 Program, Ren tals & Concessions $ 7, 543,561 $ 7,177.340 Artistic Development 618,787 456,620 Total Assets $ 5,904,744 s 5,453,775 Program Related Stage &Production 910,501 845,048 Liabilities Promotion, Advertising & Community Relations 645,799 619,384 Current House Management & Box Office 560,731 486,616 Accounts Payable $ 1,333,521 $ 850,931 Building Maintenance & Operations 962,719 974,340 Grants for Future Periods 1,783,992 1,110.700 Majestic Theater Operations 171,747 148,242 Note Payable 400,000 500,000 Supporting Services Advance Box Office &Rentals 191.332 4,770 Administration 1, 282,567 1,286,672 Capital Lease Obligation 28,920 19,091 Development 727,607 686,289 Total Current $ 3,737,765 s 2, 485,492 Operating Expenses $ 13,424,019 s 1 2. ~. 551 Long Term Grants for Future Periods $ 50,000 $ 560,000 Operating Surplus/(Defic it) s 91,448 s 173,922 Capital Lease Obligation 38,234 17,623
Total Liabilities s 3,825,999 $ 3,063,115 Depreciation and Adjustments 403,363 384,710
Surplus/(Deficit) After Depreciation s ( 31 1.915) s (210 ,788) Fund Balances $ 2,078,745 $ 2,390,660
Total Liabilities and Fund Balances s 5,904,744 $ 5.453,775 Additional Information Operating Surplus (Loss) Before Depreciation $ 91 ,448 s 173,922 Capital Acquisitions•• 79,676 159.202
Surplus/(Deficit) After Capital Acquisitions and Before Depreciation s 11,712 $ 14,720
The Brooklyn Academy of Music, Inc. is tax exempt under Section 501(c)(3) of the Internal Revenue Code, and is not a private foundation. Contributions are tax-deductible to the extent provided by law. t Summary of audited financial statements by the independent CPA firm of Lutz and Carr. Opinions on recent audits were The BAM facility is owned by the City of New York and its operation is made possible, in part, with public funds provided without qualification. through the New York City Department of Cultural Affairs, with support from the Brooklyn Delegation of the New York City Council and Brooklyn Borough President Howard Golden. • This includes benefit income net of direct expenses. **In addition to BAM's own capital purchases, during FY 93 the City of New York has made appropriations for building renovations in the amount of $5,061 ,216. BROOKLYN ACADIMY Of MUSIC 30 Lafayette Avenue , Brooklyn , NY 11217