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Towards a Muslim Poetics of Nature*
* preprint version; forthcoming in a volume on religion and ecology edited by Munjed Murad Towards a Muslim Poetics of Nature Mohammed Rustom I would like to begin with an autobiographical account which takes us back to the fall of 2000, when I was a secondyear undergraduate student at the University of Toronto. Like many of my classmates in philosophy, I had a fairly naïve understanding of what I was doing studying this discipline. I would eventually come to learn that there were different kinds of traditions of philosophy, and where one would end up focusing really had to do with a number of factors, not least one’s interests, predilections, and ultimate concerns. But, in the fall of 2000, as I sat in a very popular course on Kierkegaard and Nietzsche, such things were not entirely clear to me. I signed up for the course, to be honest, because the two authors who were its focus had names that sounded “cool.” The course description promised to give students a sense of the important and enduring themes in Kierkegaard and Nietzsche’s writings—themes which, in one way or another, helped define a number of pressing problems in several contemporary forms of philosophy. Little did I know that the course would be a catalyst for something else, and that in a profound way. One day, through the lens of Nietzsche, the professor was passiveaggressively emphasizing how there is no such thing as truth, how everything is an interpretation largely governed by contexts and received canons of understanding, etc. -
Rubai (Quatrain) As a Classical Form of Poetry in Persian Literature
INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 2, Issue - 4, Apr – 2018 UGC Approved Monthly, Peer-Reviewed, Refereed, Indexed Journal Impact Factor: 3.449 Publication Date: 30/04/2018 Rubai (Quatrain) as a Classical Form of Poetry in Persian Literature Ms. Mina Qarizada Lecturer in Samangan Higher Education, Samangan, Afghanistan Master of Arts in English, Department of English Lovely Professional University, Punjab, India Email – [email protected] Abstract: Studying literature, including poetry and prose writing, in Afghanistan is very significant. Poetry provides some remarkable historical, cultural, and geographical facts and its literary legacy of a particular country. Understanding the poetic forms is important in order to understand the themes and the styles of the poetry of the poets. All the Persian poets in some points of the time composed in the Rubai form which is very common till now among the past and present generation across Afghanistan. This paper is an overview of Rubai as a classical form of Poetry in Persian Literature. Rubai has its significant role in the society with different stylistic and themes related to the cultural, social, political, and gender based issues. The key features of Rubai are to be eloquent, spontaneous and ingenious. In a Rubai the first part is the introduction which is the first three lines that is the sublime for the fourth line of the poem. It represents the idea if sublet, pithy and clever. It also represents the poets’ literary works, poetic themes, styles, and visions. Key Words: Rubai, Classic, Poetry, Persian, Literature, Quatrain, 1. INTRODUCTION: Widespread geography of Persian speakers during the past centuries in the history of Afghanistan like many other countries, it can be seen and felt that only great men were trained in the fields of art and literature. -
Discourse on the Significance of Rituals in Religious Socialization
Journal of Islamic Thought and Civilization (JITC) Volume 9, Issue 2, Fall 2019 pISSN: 2075-0943, eISSN: 2520-0313 Journal DOI: https://doi.org/10.32350/jitc Issue DOI: https://doi.org/10.32350/jitc.92 Homepage: https://www.umt.edu.pk/jitc/home.aspx Journal QR Code: Discourse on the Significance of Rituals in Indexing Article: Religious Socialization Partners Muhammad Rasheed Arshad Author(s): Farid Bin Masood Published: Fall 2019 Article DOI: https://doi.org/10.32350/jitc.92.10 QR Code: Arshad, Muhammad Rasheed, and Farid Bin Masood. “Discourse on the significance of rituals in religious To cite this socialization.” Journal of Islamic Thought and article: Civilization 9, no. 2 (2019): 194–211. Crossref This article is open access and is distributed under the Copyright terms of Creative Commons Attribution – Share Alike Information: 4.0 International License For more Department of Islamic Thought and Civilization, Publisher please School of Social Science and Humanities, University Information: of Management and Technology, Lahore, Pakistan. click here JOURNAL OF ISLAMIC THOUGHT AND CIVILIZATION 194 Volume 9 Issue 2, Fall 2019 Discourse on the Significance of Rituals in Religious Socialization Muhammad Rasheed Arshad Department of Philosophy University of the Punjab, Pakistan Farid Bin Masood Department of Sociology University of Karachi, Pakistan Abstract The reformist movement initiated by the Waliullah family mainly focusing upon the prevailing rituals took a new turn in the last quarter of the twentieth century, when Sir Syed started his own movement against certain rituals under the banner of Tahzib ul Akhlāq (Mohammedan Social Reformer). Not only did the modernists, but also the traditional scholars joined his movement. -
Boctor of $F)Ilos(Op})P I Jn M I I
SUFI THOUGHT OF MUHIBBULLAH ALLAHABADI Abstract Thesis SUBMITTED FOR THE AWARD OF THE DEGREE OF Boctor of $f)ilos(op})p I Jn M I I MOHD. JAVED ANS^J. t^ Under the Supervision of Prof. MUHAMMAD YASIN MAZHAR SIDDiQUi DEPARTMENT OF ISLAMIC STUDIES ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2006 Abstract The seventeenth Century of Christian era occupies a unique place in the history of Indian mystical thought. It saw the two metaphysical concepts Wahdat-al Wujud (Unity of Being) and Wahdat-al Shuhud (Unity of manifestation) in the realm of Muslim theosophy and his conflict expressed itself in the formation of many religious groups, Zawiyas and Sufi orders on mystical and theosophical themes, brochures, treatises, poems, letters and general casuistically literature. The supporters of these two schools of thought were drawn from different strata of society. Sheikh Muhibbullah of Allahabad, Miyan Mir, Dara Shikoh, and Sarmad belonged to the Wahdat-al Wujud school of thought; Shaikh Ahmad Sirhindi, Khawaja Muhammad Masum and Gulam Yahya belonged to the other school. Shaikh Abdul Haqq Muhaddith and Shaikh WalliuUah, both of Delhi sought to steer a middle course and strove to reconcile the conflicting opinions of the two schools. Shaikh Muhibbullah of Allahabad stands head and shoulder above all the persons who wrote in favour of Wahdat-al Wujud during this period. His coherent and systematic exposition of the intricate ideas of Wahdat- al Wujud won for him the appellation of Ibn-i-Arabi Thani (the second Ibn-i Arabi). Shaikh Muhibbullah AUahabadi was a prolific writer and a Sufi of high rapture of the 17* century. -
Notes on Musical Imagery in the Poetry of Jāmi Alessia Dal Bianco Independent Scholar
e-ISSN 2385-3042 Annali di Ca’ Foscari. Serie orientale Vol. 57 – Giugno 2021 Notes on Musical Imagery in the Poetry of Jāmi Alessia Dal Bianco Independent Scholar Abstract The poet Nur-al-Din ʿAbd-al-Raḥmān Jāmi (1414-92) is known to have been proficient in music theory; he also wrote a Resāla-ye musiqi (Treatise on Music Theory). In his poems he displayed an extensive and precise use of musical terms. To probe fur- ther into the elements of musical imagery, I scanned through his maṯnavis Haft awrang (The Seven Thrones) in search of lines dedicated to musical modes, instruments, and performers. Considering that musical imagery had a long-established tradition before his time, I pursued a comparative investigation and commented on some lines by way of examples. Finally, I argue that literary conventions shaped Jāmi’s poetry more than his expertise in music theory did. Keywords Nur-al-Din ʿAbd-al-Raḥmān Jāmi. Persian poetry. Resāla-ye musiqi. Musi- cal instruments. Poetic imagery. Summary 1 Introduction. – 2 Method. – 2.1 Musical Modes. – 2.2 Musical Instruments. – 2.3 Performers. – 3 Conclusion. Peer review Submitted 2020-08-13 Edizioni Accepted 2020-09-17 Ca’Foscari Published 2021-06-30 Open access © 2021 | cb Creative Commons Attribution 4.0 International Public License Citation Dal Bianco, A. (2021). “Notes on Musical Imagery in the Poetry of Jāmi”. Annali di Ca’ Foscari. Serie orientale, 57, 171-196. DOI 10.30687/AnnOr/2385-3042/2021/01/008 171 Alessia Dal Bianco Notes on Musical Imagery in the Poetry of Jāmi 1 Introduction1 Music is commonly perceived as one of the main sources of imagery in poetry. -
Devotional Literature of the Prophet Muhammad in South Asia
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2020 Devotional Literature of the Prophet Muhammad in South Asia Zahra F. Syed The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3785 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DEVOTIONAL LITERATURE OF THE PROPHET MUHAMMAD IN SOUTH ASIA by ZAHRA SYED A master’s thesis submitted to the Graduate Faculty in [program] in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 ZAHRA SYED All Rights Reserved ii Devotional Literature of the Prophet Muhammad in South Asia by Zahra Syed This manuscript has been read and accepted for the Graduate Faculty in Middle Eastern Studies in satisfaction of the thesis requirement for the degree of Master of Arts. _______________ _________________________________________________ Date Kristina Richardson Thesis Advisor ______________ ________________________________________________ Date Simon Davis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Devotional Literature of the Prophet Muhammad in South Asia by Zahra Syed Advisor: Kristina Richardson Many Sufi poets are known for their literary masterpieces that combine the tropes of love, religion, and the Prophet Muhammad (PBUH). In a thorough analysis of these works, readers find that not only were these prominent authors drawing from Sufi ideals to venerate the Prophet, but also outputting significant propositions and arguments that helped maintain the preservation of Islamic values, and rebuild Muslim culture in a South Asian subcontinent that had been in a state of colonization for centuries. -
Copyright by Mohammad Raisur Rahman 2008
Copyright by Mohammad Raisur Rahman 2008 The Dissertation Committee for Mohammad Raisur Rahman certifies that this is the approved version of the following dissertation: Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India Committee: _____________________________________ Gail Minault, Supervisor _____________________________________ Cynthia M. Talbot _____________________________________ Denise A. Spellberg _____________________________________ Michael H. Fisher _____________________________________ Syed Akbar Hyder Islam, Modernity, and Educated Muslims: A History of Qasbahs in Colonial India by Mohammad Raisur Rahman, B.A. Honors; M.A.; M.Phil. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2008 Dedication This dissertation is dedicated to the fond memories of my parents, Najma Bano and Azizur Rahman, and to Kulsum Acknowledgements Many people have assisted me in the completion of this project. This work could not have taken its current shape in the absence of their contributions. I thank them all. First and foremost, I owe my greatest debt of gratitude to my advisor Gail Minault for her guidance and assistance. I am grateful for her useful comments, sharp criticisms, and invaluable suggestions on the earlier drafts, and for her constant encouragement, support, and generous time throughout my doctoral work. I must add that it was her path breaking scholarship in South Asian Islam that inspired me to come to Austin, Texas all the way from New Delhi, India. While it brought me an opportunity to work under her supervision, I benefited myself further at the prospect of working with some of the finest scholars and excellent human beings I have ever known. -
World Monuments Fund and Partners Convene Watch Day Event at the Takkiyat Ibrahim Al-Gulshani in Cairo
For Immediate Release World Monuments Fund and partners convene Watch Day event at the Takkiyat Ibrahim al-Gulshani in Cairo Takkiyat Ibrahim al-Gulshani is a major Sufi monument in Historic Cairo that is subject to a conservation project by the World Monuments Fund Event convened by World Monuments Fund, Ministry of Antiquities, Ambassadors Fund for Cultural Preservation, Art Jameel, and Arab Academy for Science, Technology and Maritime Transport Alumni from the Jameel House of Traditional Arts in Cairo participated in the Watch Day Cairo, Egypt | July 3, 2019 -On June 29, the World Monuments Fund (WMF) convened a Watch Day event at the Takkiyat Ibrahim al-Gulshani, an important Sufi monument in the heart of Historic Cairo. The event was held with support from the Ministry of Antiquities and the Ambassadors Fund for Cultural Preservation, and in participation with Art Jameel, an organisation that supports heritage, education and the arts, the Arab Academy for Science, Technology and Maritime Transport, and Turath Conservation Group (TCG). The Takkiyat Ibrahim al-Gulshani was the first religious foundation established in Cairo after the Ottoman conquest of 1517 and was built between 1519 and 1524 by the eponymous Sufi sheikh from modern Azerbaijan. The complex was designed around a freestanding Mamluk-style mausoleum in the middle of a courtyard, framed by Sufi cells, mosque, kitchen, shops, and apartments for his devoted followers and family members. Until recently, the Takkiyat Ibrahim al-Gulshani was abandoned and lay in a state of disrepair, a victim of neglect, looting and the 1992 Cairo earthquake. Listed as a World Monuments Watch site in 2018, emphasising the urgent need for rehabilitation, the Takkiyat Ibrahim al-Gulshani is the subject of a major ongoing conservation effort by the WMF, supported by the Ministry of Antiquities and the Ambassadors Fund. -
Iranian Leadership Ideals: a Culturally-Based Leadership Approach Azadeh Davari University of San Diego
University of San Diego Digital USD Dissertations Theses and Dissertations 2018-05-20 Iranian Leadership Ideals: A Culturally-based Leadership Approach Azadeh Davari University of San Diego Follow this and additional works at: https://digital.sandiego.edu/dissertations Part of the Arts and Humanities Commons, Business Commons, Education Commons, and the Social and Behavioral Sciences Commons Digital USD Citation Davari, Azadeh, "Iranian Leadership Ideals: A Culturally-based Leadership Approach" (2018). Dissertations. 113. https://digital.sandiego.edu/dissertations/113 This Dissertation: Open Access is brought to you for free and open access by the Theses and Dissertations at Digital USD. It has been accepted for inclusion in Dissertations by an authorized administrator of Digital USD. For more information, please contact [email protected]. IRANIAN LEADERSHIP IDEALS: A CULTURALLY-BASED LEADERSHIP APPROACH by Azadeh Davari A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2018 Dissertation Committee Afsaneh Nahavandi, Ph.D. Zachary Gabriel Green, Ph.D. Touraj Daryaee, Ph.D. Kaveh Abhari, Ph.D. University of San Diego © Copyright by Azadeh Davari All Rights Reserved 2018 University of San Diego School of Leadership and Education Sciences CANDIDATE’S NAME: Azadeh Davari TITLE OF DISSERTATION: IRANIAN LEADERSHIP IDEALS: A CULTURALLY-BASED LEADERSHIP APPROACH APPROVAL: _____________________________________, Cha ir Afsaneh Nahavandi, PhD- _____________________________________, M -
Hafiz (Ḥāfiẓ) (D. Ca. 792/1390)
Hafiz (Ḥāfiẓ) (d. ca. 792/1390) “Every great work of poetry tends to make impossible the production of equally great works of the same kind” (T. S. Eliot) Hafiz was both a great lyric poet, a writer of ghazals (ghazal-sarā), and a man of great spirituality. Hafiz was born in Shiraz some time between 710/1310 and 720/1320, and died ca. 792/1390, so his life spans the 8th/14th century. He wrote a Dīwān of some 500 extraordinary poems over a period of 50 years, some of which were considered by the great Jami as “downright miraculous”. He has been called “the Tongue of the Unseen” (lisān al-ghayb) and “the Interpreter of Secrets” (tarjumān al-asrār). To be educated, in the eyes of a Persian or an Afghan, even today, is to have a copy of Hafiz’s poems on the shelf (and know many of them by heart). As Peter Avery, one of Hafiz’s modern translators (who by his own admission studied Persian in order to be able to read the poems in the original), recalls a visit to Iran: “I asked a slightly, if at all, literate youth whence he came. When he replied ‘Shiraz’, I immediately recited the famous verse “If that Shirazi Turk were to get hold of my heart…”, whereupon he proceeded to recite the rest of the poem. Literate or not, he knew his Hafiz. Imagine giving a London cab driver the first line of a Shakespeare sonnet. It is unlikely that he would reply with the rest of the poem.”1 In other words, Hafiz today in Iran is a living entity, and his poems are often used for bibliomancy, taking an omen (fāl) from the verses where the book falls open, like the Quran or I Ching. -
Hadhrat's Advices
ےہزعم نیسح ا دمح ےس اپب اگنہہم ريگو د ا ر اہيں ل ب ا لط ےک ےيلولتا ر اہيں شا وخں یک چ ک نب اجیت ےہ Anthem of Darul Uloom Deoband Shaikhul Islam, Hadhrat Moulana Sayyid Husain Ahmad Madani (rahmatullahi alayh) خ ي خ خ خ ش اﻻالسم رضحت ومﻻنا دیس يسح ادمح دم ين اص بح رحمة اہلل علييہ The life and Mission of Shaikhul Islam, Hadhrat Moulana Sayyid Husain Ahmad Madani (rahmatullahi alayh) No Copyright (ɔ) Permission is granted for reprinting this book without any alterations. A humble appeal is made to the readers to offer suggestions, corrections, etc. to improve the quality of future publications. May Allah Ta‟ala reward you for this. The translators, editors, compilers and typesetters humbly request your duas for them, their parents, families, asaatizah and mashaaikh. Title: The Life and Mission of Hadhrat Moulana Husain Ahmad Madani (rahmatullahi alayh) Compiled and Published by: Jamiatul Ulama (KZN) Ta‟limi Board 4 Third Avenue P.O.Box 26024 Isipingo Beach 4115 South Africa Tel: (+27) 31 912 2172 Fax: (+27) 31 902 9268 E-mail: [email protected] Website: www.talimiboardkzn.org ISBN: 978-0-6399008-3-4 First Edition: Muharram 1439 / October 2017 Contents Map of India .......................................................................................... I A Glimpse into the life of Shaikhul Islam ..................... I Introduction .............................................................III Foreword ................................................................ VII Chapter 1 ................................................................... -
Persian Manuscripts
A HAND LIST OF PERSIAN MANUSCRIPTS By Sahibzadah Muhammad Abdul Moid Khan Director Rajasthan Maulana Abul Kalam Azad Arabic Persian Research Institute, Tonk RAJASTHAN MAULANA ABUL KALAM AZAD ARABIC PERSIAN RESEARCH INSTITUTE RAJASTHAN, TONK 2012 2 RAJASTHAN MAULANA ABUL KALAM AZAD ARABIC PERSIAN RESEARCH INSTITUTE RAJASTHAN, TONK All Rights Reserved First Edition, 2012 Price Rs. Published by RAJASTHAN MAULANA ABUL KALAM AZAD ARABIC PERSIAN RESEARCH INSTITUTE RAJASTHAN, TONK 304 001 Printed by Navjeevan Printers and Stationers on behalf of Director, MAAPRI, Tonk 3 PREFEACE Maulana Abul Kalam Azad Arabic Persian Research Institute, Rajasthan, Tonk is quenching the thirst of the researchers throughout the world like an oasis in the desert of Rajasthan.The beautiful building of Maulana Abul Kalam Azad Arabic and Persian Research Institute Rajasthan, Tonk is situated in the valley of two historical hills of Rasiya and Annapoorna. The Institute is installed with district head quarters at Tonk state Rajasthan in India. The Institute is 100 kms. away at the southern side from the state capital Jaipur. The climate of the area is almost dry. Only bus service is available to approach to Tonk from Jaipur. The area of the Institute‟s premises is 1,26,000 Sq.Ft., main building 7,173 Sq.Ft., and Scholar‟s Guest House is 6,315 Sq.Ft. There are 8 well furnished rooms carrying kitchen, dining hall and visiting hall, available in the Scholar‟s Guest House. This Institute was established by the Government of Rajasthan, which has earned international repute