Iranian Leadership Ideals: a Culturally-Based Leadership Approach Azadeh Davari University of San Diego
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Ancient Iran and the Premodern Persianate World, Graduate Specialization 1
Ancient Iran and the Premodern Persianate World, Graduate Specialization 1 Ancient Iran and the Premodern Persianate World, Graduate Specialization Matthew P. Canepa, Director 2000 Humanities Gateway 949-824-3532 [email protected] The graduate specialization in Ancient Iran and the Premodern Persianate World is University of California, Irvine’s interdisciplinary platform for graduate study in premodern Iranian studies. It is designed to provide Ph.D. students with the interdisciplinary training they need to conduct advanced research in the art, archaeology, architecture, history, literatures, and religions of Iran, as well as those peoples, regions, and empires whose destinies were intertwined with Iran, or impacted by its cultures (e.g. ancient Greece and Rome, Armenia, or Islamic Western or South Asia). UCI boasts unparalleled faculty and programmatic resources for the study of ancient Iran and the wider premodern Persianate world, including the highest concentration of endowed chairs in ancient Iranian studies of any North American institution. With especial faculty strengths in ancient Iran, the specialization’s broader historical scope encompasses the Bronze Age cultures of the Iranian Plateau, Mesopotamia, and Central Asia up to the early modern empires of the Mughals, Safavids, and Ottomans (ca. 3500 BCE – ca. 1740 CE). The specialization’s broad conception of premodern Iranian Studies is paralleled in, and supported by, the extensive programming of UCI’s Samuel Jordan Center for Persian Studies and Culture (https:// www.humanities.uci.edu/persianstudies/), which provides the primary focus of the specialization’s graduate workshop. Prospective students who wish to pursue a Ph.D. in Iranian Studies at UCI must first apply (https://www.humanities.uci.edu/persianstudies/program/ grad_admit.php) and be admitted to the doctoral program through which their potential advisor accepts students, for example, the Ph.D. -
MA Iranian Studies Programme Specification 2018/19
Programme Specification I. Programme Details Programme title Iranian Studies Iranian Studies & Intensive Language (Arabic or Persian or Turkish) Final award (exit awards will be made as BA ☐ MA ☒ outlined in the Taught Degree Regulations) BSc ☐ MSc ☐ Other ... ☐ Mode of delivery Distance-learning ☐ On-campus ☒ Professional body accreditation (if applicable) n/a Academic year this specification was created 2016/17 Dates of any subsequent amendments II. Programme Aims: What will the programme allow you to achieve? 1. Critically assess the historical development of Iranian society, economics and culture within the context of the wider west Asian area. 2. Appreciate the complexity of the history and cultural make up of Iran. 3. Analyse Iran in accordance with an interdisciplinary curriculum and a flexible study programme. 4. Enhance their knowledge about the religious and politico-cultural influences affecting contemporary Iran and the region it is embedded in. 5. The programme allows students to cultivate or further develop a basic expertise in particular aspects of Iranian Studies. 6. The programme allows students to choose modules that meet their own needs, with respect to their interest in Iran and future career plans. 7. The programme allows students to develop their abilities to synthesize information, to think critically, to manage a complex research project and to present their results in verbal and written form. 8. In the two-year Intensive Language pathway, the student will also be expected to achieve a certain level of language proficiency, depending on language chosen and entry level (in the case of Arabic). III. Programme Learning Outcomes: What will you learn on the programme? There are four key areas in which you will develop: Learning Outcomes: Knowledge 1. -
Rubai (Quatrain) As a Classical Form of Poetry in Persian Literature
INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 2, Issue - 4, Apr – 2018 UGC Approved Monthly, Peer-Reviewed, Refereed, Indexed Journal Impact Factor: 3.449 Publication Date: 30/04/2018 Rubai (Quatrain) as a Classical Form of Poetry in Persian Literature Ms. Mina Qarizada Lecturer in Samangan Higher Education, Samangan, Afghanistan Master of Arts in English, Department of English Lovely Professional University, Punjab, India Email – [email protected] Abstract: Studying literature, including poetry and prose writing, in Afghanistan is very significant. Poetry provides some remarkable historical, cultural, and geographical facts and its literary legacy of a particular country. Understanding the poetic forms is important in order to understand the themes and the styles of the poetry of the poets. All the Persian poets in some points of the time composed in the Rubai form which is very common till now among the past and present generation across Afghanistan. This paper is an overview of Rubai as a classical form of Poetry in Persian Literature. Rubai has its significant role in the society with different stylistic and themes related to the cultural, social, political, and gender based issues. The key features of Rubai are to be eloquent, spontaneous and ingenious. In a Rubai the first part is the introduction which is the first three lines that is the sublime for the fourth line of the poem. It represents the idea if sublet, pithy and clever. It also represents the poets’ literary works, poetic themes, styles, and visions. Key Words: Rubai, Classic, Poetry, Persian, Literature, Quatrain, 1. INTRODUCTION: Widespread geography of Persian speakers during the past centuries in the history of Afghanistan like many other countries, it can be seen and felt that only great men were trained in the fields of art and literature. -
British Persian Studies and the Celebrations of the 2500Th Anniversary of the Founding of the Persian Empire in 1971
British Persian Studies and the Celebrations of the 2500th Anniversary of the Founding of the Persian Empire in 1971 A thesis submitted to The University of Manchester for the degree of Master of Philosophy in the Faculty of Humanities. 2014 Robert Steele School of Arts, Languages and Cultures Contents Abstract ........................................................................................................................................................................ 4 Declaration .................................................................................................................................................................. 5 Copyright Statement ................................................................................................................................................ 5 Acknowledgements .................................................................................................................................................. 6 Introduction .......................................................................................................................................................................... 7 Objectives and Structure ............................................................................................................................................. 8 Literature Review .......................................................................................................................................................... 9 Statement on Primary Sources............................................................................................................................... -
Persianism in Antiquity
Oriens et Occidens – Band 25 Franz Steiner Verlag Sonderdruck aus: Persianism in Antiquity Edited by Rolf Strootman and Miguel John Versluys Franz Steiner Verlag, Stuttgart 2017 CONTENTS Acknowledgments . 7 Rolf Strootman & Miguel John Versluys From Culture to Concept: The Reception and Appropriation of Persia in Antiquity . 9 Part I: Persianization, Persomania, Perserie . 33 Albert de Jong Being Iranian in Antiquity (at Home and Abroad) . 35 Margaret C. Miller Quoting ‘Persia’ in Athens . 49 Lloyd Llewellyn-Jones ‘Open Sesame!’ Orientalist Fantasy and the Persian Court in Greek Art 430–330 BCE . 69 Omar Coloru Once were Persians: The Perception of Pre-Islamic Monuments in Iran from the 16th to the 19th Century . 87 Judith A. Lerner Ancient Persianisms in Nineteenth-Century Iran: The Revival of Persepolitan Imagery under the Qajars . 107 David Engels Is there a “Persian High Culture”? Critical Reflections on the Place of Ancient Iran in Oswald Spengler’s Philosophy of History . 121 Part II: The Hellenistic World . 145 Damien Agut-Labordère Persianism through Persianization: The Case of Ptolemaic Egypt . 147 Sonja Plischke Persianism under the early Seleukid Kings? The Royal Title ‘Great King’ . 163 Rolf Strootman Imperial Persianism: Seleukids, Arsakids and Fratarakā . 177 6 Contents Matthew Canepa Rival Images of Iranian Kingship and Persian Identity in Post-Achaemenid Western Asia . 201 Charlotte Lerouge-Cohen Persianism in the Kingdom of Pontic Kappadokia . The Genealogical Claims of the Mithridatids . 223 Bruno Jacobs Tradition oder Fiktion? Die „persischen“ Elemente in den Ausstattungs- programmen Antiochos’ I . von Kommagene . 235 Benedikt Eckhardt Memories of Persian Rule: Constructing History and Ideology in Hasmonean Judea . -
Encyclopaedia Iranica
KINGS, WHORES AND CHILDREN www.mehripublication.com www.mehripublication.com www.mehripublication.com www.mehripublication.com TOURAJ DARYAEE KINGS, WHORES AND CHILDREN Passing Notes On Ancient Iran And The World That We Live In www.mehripublication.com www.mehripublication.com MEHRI PUBLICATION Research * 1 Kings, Whores And Children Passing Notes On Ancient Iran And The World That We Live In By: Touraj Daryaee British Library Cataloguing Publication Data: A catalogue record for this book is available from the British Library | ISBN: 978-1-64255-267-6 | |Second Edition. 224.pages | |Printed in the United Kingdom, 2018 | | Book Design: Christian Rezaie | | Cover Design: Parsua Bashi | Copyright © Touraj Daryaee, 2018 © 2018 by Mehri Publication Ltd. \ London. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photograpying and recording, or in any information storage or retrieval system without the prior writen permission of Mehri Publication. www.mehripublication.com [email protected] www.mehripublication.com CONTENTS Introduction 9 1 On the Earliest Reference to Stoning in 13 Iran 2 Šābuhr I’s New Gold Coin Depicting the 17 Roman Emperor 3 Dura-Europos, Jews, Middle Persian 21 Graffiti and the Sasanians 4 How to Banquet in Late Ancient Iran 25 5 The Caspian World: Borj-e Lājīm and a 43 Post-Sasanian Tomb Tower with Pahlavi and Arabic Inscriptions 6 Cyrus & Mithra: On the Religion of 47 Teispids 7 Dancing in Sasanian -
Persian Studies at the University of Cambridge
Persian Studies at the University of Cambridge • 4 year course including a year abroad in a Persian-speaking country • Intensive language training and a wide range of content courses • Combine with Arabic, Hebrew or a modern European language UCAS Course Typical A Persian Studies Code duration Level offer: Studying Persian will give you access to one of the TT46 BA/ Four years A*AA world's great languages and literary traditions in the AMES (Year 3 spent IB: 40-41 points, context of the culture and history of its region of origin. abroad) with 776 at Knowing Persian enables you to read the poetry of Higher Level Rumi, Hafez, Saʿdi, and Ferdowsi, along with modern writers like Forugh Farrokhzad, Simin Behbahani, and Required subjects for entry Sohrab Sepehri. Persian is one of the main languages of No previous knowledge of Persian is required to study the Middle East and variations of the language are with us. If you want to combine with a modern spoken today in Iran, Afghanistan, and parts of Central European language you need to be taking the Asia. Historically, it was a lingua franca of the eastern European language at A-Level/IB Higher Level or Islamic world, second in importance only to Arabic. equivalent. Our course is not suitable for native speakers of At Cambridge you will learn Persian in a way that Persian. mirrors its use across this varied world: • Persian is spoken in contemporary Iran, Afghanistan, Subject combinations and parts of Central Asia Arabic, Hebrew and Persian can be combined with each other or with modern European language which • Learning modern Persian is an excellent entry into you have studied to A Level/IB Higher Level or both classical and modern Persian literature, one of equivalent*. -
Touraj Daryaee Food, Purity and Pollution: Zoroastrian Views on the Eating Habits of Others
Iranian Studies, volume 45, number 2, March 2012 Touraj Daryaee Food, Purity and Pollution: Zoroastrian Views on the Eating Habits of Others This article discusses the use of food as a mode of differentiation and identification according to Zoroastrian Middle Persian and Persian texts of the late antique period. In these texts, the list of foods consumed by Arabs and Indians are juxtaposed with that of the Iranian diet, and each group is given anthropological treatment. The article contends that the Zoroastrian dietary law, based on the Middle Persian texts, provides a mode of purity and impurity vis-à-vis others. Finally, the article touches upon the idea of moderation and the consumption of wine as dealt with in some Middle Persian sources. Tell me what you eat, and I will tell you what you are. Brillat-Savarin1 Different societies have different codes and laws and dietary restrictions with regard to food consumption. These codes and laws reflect a set of values which usually dis- tinguishes one civilization from another. These codes, rules, and laws which provide a collective mentality are slow to change,2 even when there is the adoption of a new set of religious laws as in the case of the Iranian civilization in the medieval period. Iranian civilization before the Islamic conquest received its dietary laws mainly from the Zoroastrian religion. Zoroastrian law was not really concerned Touraj Daryaee is Howard C. Baskerville Professor of the History of Iran and the Persianate World and the Associate Director of the Dr. Samuel M. Jordan Center for Persian Study and Culture at the University of California, Irvine. -
FEZANA Journal Do Not Necessarily Reflect the Feroza Fitch of Views of FEZANA Or Members of This Publication's Editorial Board
FEZANA FEZANA JOURNAL ZEMESTAN 1379 AY 3748 ZRE VOL. 24, NO. 4 WINTER/DECEMBER 2010 G WINTER/DECEMBER 2010 JOURJO N AL Dae – Behman – Spendarmad 1379 AY (Fasli) G Amordad – Shehrever – Meher 1380 AY (Shenshai) G Shehrever – Meher – Avan 1380 AY (Kadimi) CELEBRATING 1000 YEARS Ferdowsi’s Shahnameh: The Soul of Iran HAPPY NEW YEAR 2011 Also Inside: Earliest surviving manuscripts Sorabji Pochkhanawala: India’s greatest banker Obama questioned by Zoroastrian students U.S. Presidential Executive Mission PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 24 No 4 Winter / December 2010 Zemestan 1379 AY 3748 ZRE President Bomi V Patel www.fezana.org Editor in Chief: Dolly Dastoor 2 Editorial [email protected] Technical Assistant: Coomi Gazdar Dolly Dastoor Assistant to Editor: Dinyar Patel Consultant Editor: Lylah M. Alphonse, [email protected] 6 Financial Report Graphic & Layout: Shahrokh Khanizadeh, www.khanizadeh.info Cover design: Feroza Fitch, 8 FEZANA UPDATE-World Youth Congress [email protected] Publications Chair: Behram Pastakia Columnists: Hoshang Shroff: [email protected] Shazneen Rabadi Gandhi : [email protected] 12 SHAHNAMEH-the Soul of Iran Yezdi Godiwalla: [email protected] Behram Panthaki::[email protected] Behram Pastakia: [email protected] Mahrukh Motafram: [email protected] 50 IN THE NEWS Copy editors: R Mehta, V Canteenwalla Subscription Managers: Arnavaz Sethna: [email protected]; -
Women Musicians and Dancers in Post-Revolution Iran
Negotiating a Position: Women Musicians and Dancers in Post-Revolution Iran Parmis Mozafari Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music January 2011 The candidate confIrms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 2011 The University of Leeds Parmis Mozafari Acknowledgment I would like to express my gratitude to ORSAS scholarship committee and the University of Leeds Tetly and Lupton funding committee for offering the financial support that enabled me to do this research. I would also like to thank my supervisors Professor Kevin Dawe and Dr Sita Popat for their constructive suggestions and patience. Abstract This research examines the changes in conditions of music and dance after the 1979 revolution in Iran. My focus is the restrictions imposed on women instrumentalists, dancers and singers and the ways that have confronted them. I study the social, religious, and political factors that cause restrictive attitudes towards female performers. I pay particular attention to changes in some specific musical genres and the attitudes of the government officials towards them in pre and post-revolution Iran. I have tried to demonstrate the emotional and professional effects of post-revolution boundaries on female musicians and dancers. Chapter one of this thesis is a historical overview of the position of female performers in pre-modern and contemporary Iran. -
Influence of Literature Developed by Hafez Shirazi on Poems of Mohammad Ali Shams- Al-Din Revista Publicando, 5 No 16
Influence of literature developed by Hafez Shirazi on poems of Mohammad Ali Shams- Al-Din Revista Publicando, 5 No 16. (2). 2018, 186-200. ISSN 1390-9304 Influence of literature developed by Hafez Shirazi on poems of Mohammad Ali Shams- Al-Din Dr. Soudabeh Mozafari1; Dr. Abdollah Hosseini1; Dr. Zohreh Naemi1; Vahid Mousa Nataj2 1 Member of faculty in Kharazmi University, Arab Language and Literature Department, Iran, [email protected] 2 PhD Student, Kharazmi University, Arab Language and Literature Department, Iran Abstract Hafez Shirazi has influenced on most Arab-speaking scholars. Mohammad Ali Shamsaldin, Leonean poet had maximally influenced by Hafez. When we read book “Fi Shirazat” complied by Mohammad Ali Shams-Al-Din, we will found this important issue that he and Hafez smashed together. His odes in this book has indeed occurred by using his natural creative force. When reader looks at the volume of book “Fi Shirazat”, he can see the name of Hafez Shirazi in the right side of the book and name of Mohammad Ali Shas-Al-Din in the left side and expression “Shirazat” at the middle of both; consequently, he would find the clear technical and spiritual cooperation between both poems. This paper aims to prove the influence of Hafez on Mohammad Ali Shams- Al-Din according to French School; for this purpose, the author has sought for required references and books in national and international libraries; by analytical methodology, the poems of Mohamamd Ali Shams-Al-Din were analyzed and compared to Persian Poems of Hafez to prove that he has influenced by Hafez’s Poets. -
The Nature of Maussollos's Monarchy
The Nature of Maussollos’s Monarchy The Three Faces of a Dynastic Karian Satrap by Mischa Piekosz [email protected] Utrecht University RMA-THESIS Research Master Ancient Studies Supervisor: Rolf Strootman Second Reader: Saskia Stevens Student Number 3801128 Abstract This thesis analyses the nature of Maussollos’s monarchy by looking at his (self-)representation in epigraphy, architecture, coinage, and use of titulature vis-a-vis the concept of Hellenistic kingship. It shall be argued that he represented himself and was represented in three different ways – giving him three different ‘’faces’’. He represented himself as an exalted ruler concerning his private dedications and architecture, ever inching closer to deification, but not taking that final step. His deification was to be post mortem. Concerning diplomacy between him and the poleis, he adopted a realpolitik approach, allowing for much self-governance in return for accepting his authority. Maussollos strongly continued the dynastic image set up by his father Hekatomnos concerning the importance of Zeus Labraundos and his Sanctuary at Labraunda, turning the Sanctuary into the major Karian sanctuary. This dynastic parallel can also be seen concerning Hekatomnos’s and Maussollos’s burials, with both being buried as oikistes in terraced tombs, both the inner sanctums depicting Totenmahl-motifs and both being deified after death. Hekatomnos introduced coinage featuring Zeus Labraundos wielding a spear, representing spear- won land. Maussollos adopted this imagery and added Halikarnassian Apollo on the obverse depicting the locations of his two paradeisoi. As for titulature, the Hekatomnids in general eschewed using any which has led to confusion in the ancient sources, but the Hekatomnids were the satraps of Karia, ruling their native land on behalf of the Persian King.