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The History of Egypt Under the Ptolemies
UC-NRLF $C lb EbE THE HISTORY OF EGYPT THE PTOLEMIES. BY SAMUEL SHARPE. LONDON: EDWARD MOXON, DOVER STREET. 1838. 65 Printed by Arthur Taylor, Coleman Street. TO THE READER. The Author has given neither the arguments nor the whole of the authorities on which the sketch of the earlier history in the Introduction rests, as it would have had too much of the dryness of an antiquarian enquiry, and as he has already published them in his Early History of Egypt. In the rest of the book he has in every case pointed out in the margin the sources from which he has drawn his information. » Canonbury, 12th November, 1838. Works published by the same Author. The EARLY HISTORY of EGYPT, from the Old Testament, Herodotus, Manetho, and the Hieroglyphieal Inscriptions. EGYPTIAN INSCRIPTIONS, from the British Museum and other sources. Sixty Plates in folio. Rudiments of a VOCABULARY of EGYPTIAN HIEROGLYPHICS. M451 42 ERRATA. Page 103, line 23, for Syria read Macedonia. Page 104, line 4, for Syrians read Macedonians. CONTENTS. Introduction. Abraham : shepherd kings : Joseph : kings of Thebes : era ofMenophres, exodus of the Jews, Rameses the Great, buildings, conquests, popu- lation, mines: Shishank, B.C. 970: Solomon: kings of Tanis : Bocchoris of Sais : kings of Ethiopia, B. c. 730 .- kings ofSais : Africa is sailed round, Greek mercenaries and settlers, Solon and Pythagoras : Persian conquest, B.C. 525 .- Inarus rebels : Herodotus and Hellanicus : Amyrtaus, Nectanebo : Eudoxus, Chrysippus, and Plato : Alexander the Great : oasis of Ammon, native judges, -
A Literary Sources
Cambridge University Press 978-0-521-82860-4 — The Hellenistic World from Alexander to the Roman Conquest 2nd Edition Index More Information Index A Literary sources Livy XXVI.24.7–15: 77 (a); XXIX.12.11–16: 80; XXXI.44.2–9: 11 Aeschines III.132–4: 82; XXXIII.38: 195; XXXVII.40–1: Appian, Syrian Wars 52–5, 57–8, 62–3: 203; XXXVIII.34: 87; 57 XXXIX.24.1–4: 89; XLI.20: 209 (b); ‘Aristeas to Philocrates’ I.9–11 and XLII.29–30.7: 92; XLII.51: 94; 261 V.35–40: XLV.29.3–30 and 32.1–7: 96 15 [Aristotle] Oeconomica II.2.33: I Maccabees 1.1–9: 24; 1.10–25 and 5 7 Arrian, Alexander I.17: ; II.14: ; 41–56: 217; 15.1–9: 221 8 9 III.1.5–2.2: (a); III.3–4: ; II Maccabees 3.1–3: 216 12 13 IV.10.5–12.5: ; V.28–29.1: ; Memnon, FGrH 434 F 11 §§5.7–11: 159 14 20 V1.27.3–5: ; VII.1.1–4: ; Menander, The Sicyonian lines 3–15: 104 17 18 VII.4.4–5: ; VII.8–9 and 11: Menecles of Barca FGrHist 270F9:322 26 Arrian, FGrH 156 F 1, §§1–8: (a); F 9, Pausanias I.7: 254; I.9.4: 254; I.9.5–10: 30 §§34–8: 56; I.25.3–6: 28; VII.16.7–17.1: Athenaeus, Deipnosophistae V.201b–f, 100 258 43 202f–203e: ; VI.253b–f: Plutarch, Agis 5–6.1 and 7.5–8: 69 23 Augustine, City of God 4.4: Alexander 10.6–11: 3 (a); 15: 4 (a); Demetrius of Phalerum, FGrH 228 F 39: 26.3–10: 8 (b); 68.3: cf. -
Oriental Inspirations in Russian Opera at the Time of Catherine the Great
Anna GIUST Institute for Russian and Eurasian Studies Uppsala University Sweden ORIENTAL INSPIRATIONS IN RUSSIAN OPERA AT THE TIME OF CATHERINE THE GREAT Abstract: During the reign of Catherine the Great (1762–1796) the problem of the Turkish threat over Europe had become an excuse for ne- gotiations aiming at stabilizing the geopolitical balance between the Euro- pean countries . This preoccupation was present in the diplomatic discourse, where after its ‘decline’, the Ottoman Empire was evaluated as a fake giant, incapable of representing a serious military menace . However, the presence of ‘The Turk’ in the mind of Western audiences is attested by the diffusion of Oriental themes in different works of art . In the field of musical theatre, these can be found, among others, in such operatic performances as the opéra comique La rencontre imprévue, ou Les pèlerins de la Mecque by Christoph Willibald Gluck (1763), and Mozart’s Singspiel Die Entführung aus dem Serail (1782) . In Russia, the response to the Eastern Question was the ‘Greek project’ – a series of geopolitical plans that the Empress developed with her counsellors Alek- sandr Bezborodko and Grigory Potyomkin, which foresaw the occupation of the Ottoman Empire, and its subsequent passing over to the rule of Catherine’s grand- son Konstantin Pavlovich . According to those plans, in 1781 Catherine signed a secret alliance with the Austrian emperor Joseph II, which was to be confirmed by the subsequent journey of her son Pavel Petrovich to the Habsburg Court . While creating secret coalitions at international level, Catherine under- took a propagandistic campaign putting an emphasis on her policy . -
On the Way: a Poetics of Roman Transportation
On the Way: a Poetics of Roman Transportation by Jared McCabe Hudson A dissertation in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ellen Oliensis, chair Professor Maurizio Bettini Professor Dylan Sailor Professor Carlos Noreña Spring 2013 On the Way: a Poetics of Roman Transportation © 2013 by Jared McCabe Hudson Abstract On the Way: a Poetics of Roman Transportation By Jared McCabe Hudson Doctor of Philosophy in Classics University of California, Berkeley Professor Ellen Oliensis, Chair The first chapter examines the role played by the litter (lectica) and sedan chair (sella) in Roman literature and culture. The portrait of the wealthy freedman, lounging in his deluxe octaphoros (litter carried by eight imported slaves), is one which appears repeatedly, taking shape in the late Republic and reaching a climax of frequency in the satires of Juvenal and the epigrams of Martial, in the late first century CE. While by this stage the conveyance undeniably functions as a satirical symbol, the origins and constructedness of its role as such have been surprisingly under-examined by modern scholars. In order to excavate the litter’s developing identity, I first unravel Roman accounts of the vehicle’s origins. The lectica was repeatedly framed by Roman authors such as Cicero as an exotic import from the near east (Bithynia, in particular), only available to Romans upon their exposure, through the process of imperial expansion, to eastern softness. However, such a projection involved carefully distinguishing this “decadent” litter from already existing, sanctioned litter use: thus the lectica also encompasses a category closer to our “stretcher.” Indeed, the litter’s status as a newfangled import is belied by coexisting narratives of republican-era patriarchs riding in the lectica, usually because of injury, old age, or disability. -
Contents More Information
Cambridge University Press 978-0-521-82860-4 — The Hellenistic World from Alexander to the Roman Conquest 2nd Edition Table of Contents More Information Contents List of illustrations xix List of maps xxiii Preface to the second edition xxv List of abbreviations xxvii Introduction 1 Chapter 1: The Reign of Alexander (texts 1–25) 18 1 The Parian Marble (264/3): Alexander’s reign and the age of the Successors to 301 19 2 The origins of Alexander’s war on the Persians 23 3 The beginning of Alexander’s reign and the sack of Thebes (336/5) 24 4 The start of the expedition to Asia (spring 334) 26 5 Alexander in Asia Minor, administration and politics (334) 28 6 Letter of Alexander to Chios (332?) 30 7 Alexander’s manifesto to Darius after Issus (332) 31 8 The foundation of Alexandria (332/1) 33 9 Alexander’s visit to the oracle of Ammon (332/1) 35 10 The destruction of Persepolis and its palace (May 330) 36 11 The triumph of the Macedonians: a contemporary Athenian view (summer 330) 38 12 Alexander’s attempt to introduce obeisance (‘proskynesis’) at his court 40 13 The mutiny at the Hyphasis (326) 43 14 ‘Maladministration’ in Alexander’s empire 44 15 Cleomenes of Naucratis 45 16 Harpalus 46 17 The marriages at Susa and Alexander’s generosities (324) 47 18 The mutiny at Opis and the feast of reconciliation (324) 50 v © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-82860-4 — The Hellenistic World from Alexander to the Roman Conquest 2nd Edition Table of Contents More Information Contents -
The Greek Anthology with an English Translation by W
|^rct?c^tc^ to of the Univereitp of Toronto JScrtrani 1I-1. iDavit^ from the hoohs? ot the late Hioncl Bavie, Hc.cT. THE LOEB CLASSICAL LIBRARY EDITED BY E. CAl'PS, Ph.D., LL.D. T. E. PAGE, Lut.D. W. H. D. IWUSE, LnT.D. THE CiREEK ANTHOLOGY III 1 *• THE GREEK ANTHOLOGY WITH AN ENGLISH TRANSLATION BY W. R. PA TON IN FIVE VOLUMES III LONDON : WILLIAM HEINEMANN NEW YORK : G. P. PUTNAM S SONS M CM XV 1 CONTENTS BOOK IX. —THE DECLAMATORY EPICRAMS 1 GENERAL INDEX 449 INDEX OF AUTHORS INCLUDED IN THIS VOLUME . 454 GREEK ANTHOLOGY BOOK IX THE DECLAMATORY AND DESCRIPTIVE EPIGRAMS This book, as we should naturally expect, is especially rich in epigrams from the Stephanus of Philippus, the rhetorical style of epigram having been in vogue during the period covered by that collection. There are several quite long series from this source, retaining the alphabetical order in which they were arranged, Nos. 215-312, 403-423, 541- 562. It is correspondingly poor in poems from Meleager s Stephanus (Nos. 313-338). It contains a good deal of the Alexandrian Palladas, a contemporary of Hypatia, most of wliich we could well dispense with. The latter part, from No. 582 07iwards, consists mostly of real or pretended in- scriptions on works of art or buildings, many quite unworthy of preservation, but some, especially those on baths, quite graceful. The last three epigrams, written in a later hand, do not belong to the original Anthology. ANeOAOriA (-) EnirPAM.M ATA RTIIAEIKTIKA 1.— 110ATAIX(;T :::a1'A1AN()T AopKuSo^; upTiroKoio Ti6i]i')]T)'ipioi' ovdap efjLTrXeov r)p.vaav ^ 7rifcp6<i erv^ev e)(i<;. -
Thucydides Homericus and the Episode of Mycalessus (
Histos Supplement ( ) – THUCYDIDES HOMERICUS AND THE EPISODE OF MYCALESSUS (. %– ): MYTH AND HISTORY, SPACE AND COLLECTIVE MEMORY * Maria Fragoulaki Abstract : Mycalessus, a city in Boeotia which Thucydides describes as ‘not big’, becomes the stage of one of the most atrocious episodes in the History of the Peloponnesian War . The question, ‘Why does Thucydides pay so much attention to this local incident?’ has been dealt with in the bibliography, together with that of the position and role of the episode in the narrative of the Sicilian expedition. This chapter suggests that the mentions of Mycalessus in the Homeric Catalogue of Ships and the Homeric Hymn to Apollo must be viewed as significant intertexts for Thucydides’ interaction with epic material, and for the shaping of his historical narrative as a document of panhellenic memory. Keywords: Thucydides, Homer, intertextuality, audience, Thracians, Euripus, Aulis, Sicilian Expedition . Introduction his chapter examines the intertextual relation between two archetypal figures of Greek literature and war narrative, Thucydides Tand Homer. It focuses on the episode of Mycalessus (. %– ), perhaps the most shocking description of death and destruction in Thucydides. The main idea proposed here is that the prominence of the Boeotian city of Mycalessus in Thucydides, as the stage of an atrocious episode of the Peloponnesian War, can be explained by the author’s allusive use of Mycalessus’ presence in Homer and the city’s mytho-religious background. Boeotia as a whole was a region of panhellenic significance, on * At different stages of preparation of this chapter, I have benefited from discussions with colleagues and students in London, Crete (Rhethymno), and Cardiff, and feedback on written versions by Peter Agócs, Christy Constantakopoulou, Simon Hornblower, David Konstan, and Chris Pelling. -
Ancient Macedonians
Ancient Macedonians This article is about the native inhabitants of the historical kingdom of Macedonia. For the modern ethnic Greek people from Macedonia, Greece, see Macedonians (Greeks). For other uses, see Ancient Macedonian (disambiguation) and Macedonian (disambiguation). From Wikipedia, the free encyclopedia ANCIENT MACEDONIANS ΜΑΚΕΔΌΝΕΣ Stag Hunt Mosaic, 4th century BC Languages. Ancient Macedonian, then Attic Greek, and later Koine Greek Religion. ancient Greek religion The Macedonians (Greek: Μακεδόνες, Makedónes) were an ancient tribe that lived on the alluvial plain around the rivers Haliacmonand lower Axios in the northeastern part of mainland Greece. Essentially an ancient Greek people,[1] they gradually expanded from their homeland along the Haliacmon valley on the northern edge of the Greek world, absorbing or driving out neighbouring non-Greek tribes, primarily Thracian and Illyrian.[2][3] They spoke Ancient Macedonian, a language closely related to Ancient Greek, perhaps a dialect, although the prestige language of the region was at first Attic and then Koine Greek.[4] Their religious beliefs mirrored those of other Greeks, following the main deities of the Greek pantheon, although the Macedonians continued Archaic burial practices that had ceased in other parts of Greece after the 6th century BC. Aside from the monarchy, the core of Macedonian society was its nobility. Similar to the aristocracy of neighboring Thessaly, their wealth was largely built on herding horses and cattle. Although composed of various clans, the kingdom of Macedonia, established around the 8th century BC, is mostly associated with the Argead dynasty and the tribe named after it. The dynasty was allegedly founded by Perdiccas I, descendant of the legendary Temenus of Argos, while the region of Macedon perhaps derived its name from Makedon, a figure of Greek mythology. -
Lucian‟ S Paradoxa: Fiction, Aesthetics, and Identity
i Lucian‟s Paradoxa: Fiction, Aesthetics, and Identity A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics of the College of Arts and Sciences by Valentina Popescu BA University of Iasi June 2009 Committee Chair: Kathryn J. Gutzwiller, Professor of Classics Abstract This dissertation represents a novel approach to the Lucianic corpus and studies paradox, with rhetorical, philosophical, and aesthetic implications, as Lucian‟s distinctive discursive mode of constructing cultural identity and literary innovation. While criticizing paradoxography - the literature of wonders - as true discourse, Lucian creates a novel, avowed false, discourse, as a form of contemplation and regeneration of the Greek literary tradition. Paradoxography is Lucian‟s favorite self-referential discourse in prolaliai, rhetorical introductions, where he strives to earn doxa through paradoxa - paradigms of exoticism applied to both author and work. Lucian elevates paradox from exotic to aesthetic, from hybrid novelty to astonishing beauty, expecting his audience to sublimate the experience of ekplexis from bewilderment to aesthetic pleasure. Lucian‟s construction of cultural identity, as an issue of tension between Greek and barbarian and between birthright and paideutic conquest, is predicated on paradoxology, a first- personal discourse based on rhetorical and philosophical paradox. While the biography of the author insinuates itself into the biography of the speaker, Lucian creates tension between macro- text and micro-text. Thus, the text becomes also its opposite and its reading represents almost an aporetic experience. iii iv To my family for their love, sacrifices, and prayers and to the memory of Ion Popescu, Doina Tatiana Mănoiu, and Nicolae Catrina v Table of Contents Introduction 1 1. -
1 Ion of Chios the Case of a Foreign Poet in Classical
ION OF CHIOS THE CASE OF A FOREIGN POET IN CLASSICAL SPARTA ABSTRACT This paper aims to reassess one piece of evidence for the performance of music and poetry in classical Sparta: an elegy by the Chian poet Ion (fr. 27 West). It is argued here that this poem evokes the atmosphere of a Spartan festival and, specifically, a symposium held as part of that festival. Ion was present in Sparta not merely as a friend of prominent Athenians, as is often claimed, but as a professional travelling poet. This suggests that Sparta remained an important centre for μουσική in the classical period and, moreover, was part of a broader Panhellenic network of festivals and contests. χαιρέτω ἡμέτερος βασιλεὺς σωτήρ τε πατήρ τε· ἡμῖν δὲ κρητῆρ’ οἰνοχόοι θέραπες κιρνάντων προχύταισιν ἐν ἀργυρέοις· †ὁ δὲ χρυσὸς οἶνον ἔχων χειρῶν νιζέτω εἰς ἔδαφος.† σπένδοντες δ’ ἁγνῶς Ἡρακλεῖ τ’ Ἀλκμήνηι τε, Προκλεῖ Περσείδαις τ’ ἐκ Διὸς ἀρχόμενοι πίνωμεν, παίζωμεν· ἴτω διὰ νυκτὸς ἀοιδή, ὀρχείσθω τις· ἑκὼν δ’ ἄρχε φιλοφροσύνης. ὅντινα δ’ εὐειδὴς μίμνει θήλεια πάρευνος, κεῖνος τῶν ἄλλων κυδρότερον πίεται. May our king rejoice, our saviour and father; let the attendant cup-bearers mix for us a crater from silver urns; †Let the golden one with wine in his hands wash to the base † 1 Pouring libations piously to Heracles and Alcmene, Procles and the sons of Perseus and Zeus first of all, let us drink, let us play, let our song rise through the night. Dance someone, willingly begin the festivities. And anyone who has a fair girl waiting to share his bed will drink more like a man than all the others. -
And 926(G) PMG Within the Context of the New Music
UDC 80 Philologia Classica. 2021. Vol. 16. Fasc. 1 A Reading of Fragments 926(a) and 926(g) PMG within the Context of the New Music* Vasiliki Kousoulini National and Kapodistrian University of Athens, Faculty of Philology, School of Philosophy, University Campus Zografou, Athens 15784, Greece; [email protected] For citation: Kousoulini V. A Reading of Fragments 926(a) and 926(g) PMG within the Context of the New Music. Philologia Classica 2021, 16 (1), 18–31. https://doi.org/10.21638/spbu20.2021.102 There has been much controversy regarding the date, the performative context, and the gener- ic quality of fragment 926 PMG, which has been preserved on papyrus (P. Oxy. 9 + P. Oxy 2687) in a rhythmical treatise by an unknown author. The verse fragments on this papyrus were composed in iambic dactyls (∪ — ∪ –) and used as examples of the occurrence of syncope in various lyric meters. Fragments 926(a) and (g) PMG are from a composition performed by a maiden chorus which bear similarities to Alcman’s partheneia and have affinities with archaic epic and lyric poetry. Supposedly, these fragments might have been fragments of partheneia composed in the time of the New Music. Nonetheless, they are not shaped according to the bulk of the aesthetic values and the compositional rules of the New Music. These fragments seem to belong to cultic songs created for maiden choruses, possibly, to honor Dionysus. The alternative is that they imitate such songs within a dramatic context. We may assume that these quasi-dithyrambic partheneia were composed to serve religious needs or at least imi- tated cultic songs. -
I UNIVERSITÉ PARIS IV
UNIVERSITÉ PARIS IV - SORBONNE ÉCOLE DOCTORALE MONDES ANCIENS ET MEDIEVAUX |__|__|__|__|__|__|__|__|__|__| (N° d !enregistrement attribué par la bibliothèque) T H È S E pour obtenir le grade de DOCTEUR DE L'UNIVERSITÉ PARIS IV Discipline : Lettres Classiques présentée et soutenue publiquement par Pauline Anaïs LeVen le 25 novembre 2008 LES NOUVEAUX VISAGES DE LA MUSE AU IVe SIÈCLE AV. J.-C. (THE MANY-HEADED MUSE: TRADITION AND INNOVATION IN FOURTH-CENTURY B.C. GREEK LYRIC POETRY) Co-directeurs de thèse: Monique Trédé et Andrew Ford Jury: M. Claude Calame M. Eric Csapo M. Paul Demont M. Dider Pralon i ii TABLE OF CONTENTS Table of contents iii Acknowledgments v Introduction 1 Chapter 1 A collection of Unrecollected Authors? 13 1. The corpus 14 2. The methods 35 Chapter 2 New Music and its Myths 43 1. Revisiting newness 43 2. New Music from the top 63 Chapter 3 Poet and Society: the “lives” of fourth-century poets 91 1. Mousikê and middlenesss 94 2. Opsophagia and philo -xenia 103 3. Poetry and parrhêsia 115 Chapter 4 Poetics of Late-Classical Lyric 137 1. Stylistic innovations 139 2. Thematic features 164 3. A case-study: Philoxenus’ Cyclops or Galatea 190 Chapter 5 Sympotica: Genre, Deixis and Performance 203 1. Changing sympotic practices 204 2. Nouvelle cuisine and New Dithyramb 213 3. Deixis and performance context in Ariphron’s paean 231 4. Aristotle’s hymn to Hermias 239 Chapter 6 A canon set in stone? 250 1. The new classic: Aristonous 258 2.