Ancient Rome

Total Page:16

File Type:pdf, Size:1020Kb

Ancient Rome PDF Rome Ancient Rome (PDF Chapter) Edition 9th Edition, Jan 2016 Pages 29 Page Range 50–69, 214–222 COVERAGE INCLUDES: Useful Links • Neighbourhood Top Five Want more guides? Head to our shop • Local Life • Getting There & Trouble with your PDF? Away Trouble shoot here • Sights Need more help? • Eating Head to our FAQs • Drinking & Nightlife Stay in touch • Shopping Contact us here • Sleeping © Lonely Planet Publications Pty Ltd. To make it easier for you to use, access to this PDF chapter is not digitally restricted. In return, we think it’s fair to ask you to use it for personal, non-commercial purposes only. In other words, please don’t upload this chapter to a peer-to-peer site, mass email it to everyone you know, or resell it. See the terms and conditions on our site for a longer way of saying the above – ‘Do the right thing with our content’. ©Lonely Planet Publications Pty Ltd 50 Ancient Rome COLOSSEUM | PALATINO | THE FORUMS | CAMPIDOGLIO | PIAZZA VENEZIA | FORUM BOARIUM Neighbourhood Top Five 1 Getting your first 2 Roaming the haunting 4 Exploring the basilicas, glimpse of the Colosseum ruins of the Palatino (p106), temples and triumphal (p52). Rome’s iconic ancient Rome’s birthplace arches of the Roman Forum amphitheatre is both an and most exclusive (p57). architectural masterpiece neighbourhood. 5 Surveying the city and a stark, spine-tingling 3 Coming face to face spread out beneath you from reminder of the brutality of with centuries of awe- atop Il Vittoriano (p66). ancient times. inspiring art at the historic Capitoline Museums (p61). 000000 00000000000000000 000000000000000000000Piazza 0 0000000000000000000000 e# 0200 m 000000000000000Venezia 0 00.1 miles 000000000000000000000000 0 000000000000rco000000000000 0 00000000n Ma 00000000000 0 Vi i Sa V ar 00000000di 00000000000 0 a ing V00000000ia 00000000000 0 i V i Z Al a egl 00000000000000000005# 0 i d Imperial a ia V000000000000000000000000000 0 es T 000000V 00000 0 o a 00000000ia 0000000000000000000 0 d 00000000000 0 000000000000000000000000000 0 sa r 00000000n000 0 d Forumsä# e ni 000000000000000000000000000 0 d 000000 Le00o 000 0 'A i Via 000000000000000000000000000 0 ndri e 00000000000 0 r V ina S 000000000000000000000000000 0 ' cc 00000000000 0 a ia C a ia B ti e 00000000c 0000000000000000000 P 0 d V on 00000000o 000000000 e n o M r e i i p 00000000000000000 e V i a n e 000000 l d i t F a e 00000000000000000 i or t n 000000 r a n 00000000000000000 o i Im i ado n000000 d t ale 00000000o 000000000 i a M 000000 S l n ell i e 00 00000000l 000000000 i p d 000000000000tt S ia e 00 e 00000000000000 C e V 000000000000e S 00 000000 a r 00000000 000000ell c a iali d 00 r 000000 n 00000000 ia Cavour 000000Via 00 a 000000 r 00000000Largo C V 000000 000000Piazza del c 0000000000000 000000 M 000000 e 0000000000000Ricci V 000000 i i Vi d 000000 r 0000000000000 a 000000 Campidoglio e o 000000 0000000000000 d a de tr 0000003# 000000000000Larg0o della e a 000000 0000000000000 l C e 000000 000000000000Sala0ra Vecchia o T 000000 0000000000000 lo gl 0000000000000 s el s i e d 00000 o Anni a i ä# V 4# V ia ba S 00000 ac l 0000di0 ra V 00000 Parco ia 00000 d 00000 del Colle ne e 00000 Oppio io i F 00000Vi 0000 laz Roman Forum 0000000000000000ori 00000a N Sa 0000 Conso 0000000000000000Impe lvi 0000000000Via 0 V 0000000000000000riali 00000000000 ia 0000000000000000 00000000000 dei 0000000000000000 00000000000 Fie 0000000000000000 0000000 nil 0000000000000000 Piazza000000 Bocca 0 i o 0000000000000000 0000000 r Vi 0000000000000000 0000000 o a Sa 0000000000000000 della Verità d cr 0000000 o 0000000000000000a P L0000000 e 0000000000000000 i 000000g 0 0000000000000000#ä# V 1 e T 000000t 0 0000000000000000 r 000000i 0 n 0000000000000000 l d a e 0000000 a 0000000000000000 000000e P 000000000 0000000000000000 o S i 000000e 000000000 0000000000000000Piazza del ni o i 000000t 000000000 000br 0000000000000000 la d r 000000000000000 00e 0 0000000000000000 o l V Colosseo 000000000000000 de000 a 2#ä# 0000000000000000 000000s 000000000Via 000 i 0000000000000000 000000e 000000000 000 V 0000000000000000Vibenna l o 000000l 0 0000000000000000li 000000i 0 0000 Palatino 0000000000000000Ce 0000000 0000 0000000000000000ia 0000000 0000Piazza di 0000000000000000V 0000000 Sa0000nt'Anastasia 0000000000000000Parco CAMPITELLI 0000 del Celio For more detail of this area see Map p300 A 51 Lonely Planet’s Explore: Ancient Rome Top Tip Located to the south of the city centre, this area contains The big sights in this part of the great ruins of the ancient city, all within walking Rome are among the city’s distance of each other. They start to get crowded mid- most visited. To avoid the morning and throng with tourists until mid- to late worst of the crowds try to after noon, although in peak season they can be busy all visit early morning or in the ROME ANCIENT day. Apart from the big sights, which you can comfort- late afternoon, when it’s ably cover in a couple of days, there’s little in the way of cooler and the light is much nightlife or after-hours action. better for taking photos. The area has two focal points: the Colosseum to the Bring bottled water and southeast, and the Campidoglio (Capitoline Hill) to the snacks with you as the bars northwest. In between lie the forums: the Roman Forum and snack trucks around the to the left of Via dei Fori Imperiali as you walk up from main monuments are a real the Colosseum, the Imperial Forums to the right. Rising rip-off. above the Roman Forum is the Palatino, and behind that the grassy expanse of the Circo Massimo. To the north- west of the Circo, you’ll find the Bocca della Verità and a 5 Best Places couple of early Roman temples in an area that used to be to Eat ancient Rome’s cattle market (Forum Boarium). To explore ancient Rome, the obvious starting point is ¨ Terre e Domus (p67) the Colosseum, which is easily accessible by metro. From ¨ San Teo (p67) there you could go directly up to the Roman Forum, but ¨ Ristorante Roof Garden if you go first to the Palatino (your Colosseum ticket Circus (p67) covers the Palatino and Roman Forum), you’ll get some For reviews, see p67.A wonderful views over the forums. From the Palatino enter the Forum and work your way up to Piazza del Campidoglio and the Capitoline Museums. Nearby, the mammoth white Vittoriano is hard to miss. 6 Best Places to Drink ¨ 0,75 (p69) Local Life ¨ Caffè Capitolino (p69) ¨ Cavour 313 (p69) ¨Exhibitions While tourists climb all over Il Vittoriano, locals head inside to catch an exhibition at For reviews, see p69.A the Complesso del Vittoriano (p66). ¨Celebrations Join Romans to celebrate the city’s Best birthday, the Natale di Roma, on 21 April. Events and 1 historical re-enactments are held in and around Rome’s Lookouts ancient sights. ¨ Il Vittoriano (p66) ¨Via Crucis Crowds gather at the Colosseum (p52) ¨ Orti Farnesiani, Palatino every Good Friday to witness the pope lead the (p106) traditional Via Crucis procession. ¨ Tabularium, Capitoline ¨Jogging Don your trainers and run with the Romans Museums (p61) on the Circo Massimo (p64), a popular jogging venue. ¨ Mercati di Traiano Museo dei Fori Imperiali (p65) For reviews, see p64.A Getting There & Away ¨Bus Many buses stop in or near Piazza Venezia, including numbers 40, 64, 87, 170, 492, 916 and H. ¨Metro Metro line B has stops at the Colosseum (Colosseo) and Circo Massimo. At Termini follow signs for Line B direzione Laurentina. COLOSSEUM LOG PHOTOGRAPHY / GETTY IMAGES © IMAGES GETTY / PHOTOGRAPHY LOG A monument to raw, merciless power, the Colosseum DON’T MISS… is the most thrilling of Rome’s ancient sights. It was here that gladiators met in mortal combat and ¨ The stands condemned prisoners fought off wild beasts in front ¨ The arena of baying, bloodthirsty crowds. Two thousand years ¨ The hypogeum on and it’s Italy’s top tourist attraction, drawing more than five million visitors a year. PRACTICALITIES Built by Vespasian (r AD 69−79) in the grounds of Nero’s vast Domus Aurea complex, it was inaugurated in AD 80, ¨ Colosseo eight years after it had been commissioned. To mark the ¨ Map p300 occasion, Vespasian’s son and successor Titus (r AD 79−81) ¨ %06 3996 7700 staged games that lasted 100 days and nights, during which ¨ www.coopculture.it 5000 animals were slaughtered. Trajan (r AD 98−117) later topped this, holding a marathon 117-day killing spree in- ¨ Piazza del Colosseo volving 9000 gladiators and 10,000 animals. ¨ adult/reduced The 50,000-seat arena was originally known as the Fla- incl Roman Forum & vian Amphitheatre, and although it was Rome’s most fear- Palatino €12/7.50 some arena it wasn’t the biggest – the Circo Massimo could ¨ h8.30am-1hr before hold up to 250,000 people. The name Colosseum, when sunset introduced in medieval times, was not a reference to its ¨ mColosseo size but to the Colosso di Nerone, a giant statue of Nero that stood nearby. With the fall of the Roman Empire in the 5th century, the Colosseum was abandoned and gradually became overgrown. In the Middle Ages it served as a fortress for two of the city’s warrior families, the Frangipani and the Annibaldi. Later, during the Renaissance and baroque periods it was plundered of its precious travertine, and marble stripped from it was used to make huge palaces such as Palazzo Venezia, Palazzo Barberini and Palazzo Cancelleria. More recently, pollution and vibrations caused by traffic and the metro have taken their toll.
Recommended publications
  • Does AACHEN Provide the Missing Urban Splendor for the Early Middle
    69 Does AACHEN provide the missing urban splendor for the Early Middle Ages? For 300 years, Ravenna basically only shows San Salvatore ad Calchi – with a layout that fits the architectural styles of the 2nd/3rd or the 5th/ 6th century – in an otherwise ghostly wasteland. Ravenna's vivarium, although also dated in the 8th/9th century, does not help either, because structurally it resembles nymphaea of the 2nd/3rd century (Cerelli 2019, 294). But alas, Aachen also disappoints. For the 300 years of the Early Middle Ages, there are only Carolingian administrative buildings and one church. Early medieval wasteland of downtown AACHEN (8th-10th century AD), lacking residential quarters, latrines, streets, and baths etc., from which the monuments of Charlemagne stand out in splendid isolation. The small structures in the model represent primitive huts sunk into the dark earth (“dunkler Moder”) separating the High Middle Ages (10th/11th c. AD) from Roman civilization. [Photo G. Heinsohn from a video in Aachen's Centre Charlemagne with permission of the staff (2015). The video's co- author, Sebastian Ristow, points out that he plans to develop the model further; see also https://www.medieval.eu/charlemagne-aachen-2014/.] 70 Contemporary roads and latrines, housing for citizens and servants, lodgings for the warrior guards, stables, monasteries, water pipes, baths, parks for the peacocks, etc. have never been found. The famous monuments of Aachen protrude out of a death zone like broken teeth, reminding posterity of the magnificence of the once classically beautiful dentition: “Surprisingly, no excavation or construction site observation inside or outside the old town of Aachen has so far recorded clear settlement remains of Carolingian times, although tradition suggests the presence of merchants and numerous inhabitants as well as the existence of quite sophisticated aristocratic courts, some of whose buildings and material culture should be found in the ground.
    [Show full text]
  • A Literary Journey to Rome
    A Literary Journey to Rome A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer A Literary Journey to Rome: From the Sweet Life to the Great Beauty By Christina Höfferer This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by Christina Höfferer All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7328-4 ISBN (13): 978-1-4438-7328-4 CONTENTS When the Signora Bachmann Came: A Roman Reportage ......................... 1 Street Art Feminism: Alice Pasquini Spray Paints the Walls of Rome ....... 7 Eataly: The Temple of Slow-food Close to the Pyramide ......................... 11 24 Hours at Ponte Milvio: The Lovers’ Bridge ......................................... 15 The English in Rome: The Keats-Shelley House at the Spanish Steps ...... 21 An Espresso with the Senator: High-level Politics at Caffè Sant'Eustachio ........................................................................................... 25 Ferragosto: When the Romans Leave Rome ............................................. 29 Myths and Legends, Truth and Fiction: How Secret is the Vatican Archive? ...................................................................................................
    [Show full text]
  • Ideazione Di Clementina Panella a Cura Di Alessandro D'alessio
    Ideazione di Clementina Panella A cura di Alessandro D’Alessio Clementina Panella Rossella Rea ROMA UNIVERSALIS SEZIONE I SEZIONE II 206 Tombe e necropoli a Roma SEZIONE III L’IMPERO E LA DINASTIA L’IMPERO DEI SEVERI LA ROMA DEI SEVERI e dintorni ROMA E IL MEDITERRANEO VENUTA DALL’AFRICA Barbara E. Borg LA DINASTIA LA FORMA DELLA CITTÀ 210 Linguaggio architettonico e sistemi CITTÀ, TERRITORI, ECONOMIE 23 I Severi e i caratteri di un’epoca. 36 I Severi 132 Urbs Roma – Urbs Sacra: forma decorativi dei grandi complessi 264 La Sicilia Continuità e frattura nella storia Orietta D. Cordovana e immagini della Città di Roma Daniele Malfitana della popolazione di Roma Domenico Palombi L’IMPERO IN PACE Patrizio Pensabene, Francesca Caprioli 270 L’Africa e del suo impero mediterraneo 48 Moneta, economia e cittadinanza I LUOGHI SEVERIANI Alejandro Quevedo Elio Lo Cascio 220 L’industria laterizia e Marco Maiuro 142 Le “Terme di Elagabalo” l’organizzazione dei grandi 278 L’Egitto 28 Cronologia dell’età severiana. Clementina Panella 58 Società, cultura, religione cantieri urbani Jessica Montani 192-235 Cesare Letta 150 I reperti scultorei dalle Évelyne Bukowiecki, 282 Dal Mediterraneo a Roma “Terme di Elagabalo”: dall’età Ulrike Wulf-Rheidt † L’IMPERO IN GUERRA Clementina Panella augustea all’età severiana 64 Gli eserciti: riforme, campagne Massimiliano Papini L’IMPERATORE E LA PLEBE URBANA militari e nuove province 228 Intrattenere e sorprendere: ludi, 298 Abbreviazioni Cecilia Ricci 154 Il Tempio di Elagabalo munera e agones Françoise Villedieu 300 Bibliografia ARTE E ARCHITETTURA Silvia Evangelisti 72 Luoghi, monumenti, immagini: 158 La Domus Severiana sul Palatino.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles the Orphan-Hero in Italian Renaissance Epic a Dissertation Submitted in Partial Satisfactio
    UNIVERSITY OF CALIFORNIA Los Angeles The Orphan-Hero in Italian Renaissance Epic A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Italian by Sarah Sixmith Vogdes Cantor 2020 © Copyright by Sarah Sixmith Vogdes Cantor 2020 ABSTRACT OF THE DISSERTATION The Orphan-Hero in Italian Renaissance Epic by Sarah Sixmith Vogdes Cantor Doctor of Philosophy in Italian University of California, Los Angeles, 2020 Professor Andrea Moudarres, Chair “The Orphan-Hero in Italian Renaissance Epic” investigates a commonplace present in epic poetry from antiquity to the Renaissance: the orphan-hero, a protagonist who grows up without the guidance of biological parents. The study traces this figure from its origins to the early modern period, beginning with classical epic in the introduction and focusing on 16th- and early 17th- century Italian poems in the body of the dissertation, namely Ludovico Ariosto’s Orlando furioso (1532), Torquato Tasso’s Gerusalemme liberata (1581), Tullia d’Aragona’s Il Meschino (1560), Moderata Fonte’s Floridoro (1581), Margherita Sarrocchi’s Scanderbeide (1623), and LucreZia Marinella’s L’Enrico (1635). Through analysis of these works, I address the following critical questions: 1) What links orphanhood and heroism? 2) Why might poets deem this tradition worthy of continuation? 3) Do modifications to the orphan-hero by different Renaissance authors reveal or emphasiZe shifts in thinking during the period? In particular, to what extent do the female authors fashion their orphan-heroes to fit an early modern feminist purpose? ii I propose that the vulnerability inherent in the parentless state is significant to the subsequent development of heroic qualities in Renaissance epic heroes.
    [Show full text]
  • Extraordinary Jubilee of Mercy 2015-2016
    EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary.
    [Show full text]
  • Recent Discoveries in the Forum, 1898-1904
    Xil^A.: ORum 1898- 1:904 I^H^^Hyj|Oj|^yL|i|t I '^>^J:r_J~ rCimiR BADDELEY '•^V^^^' ^^^ i^. J^"A % LIBRARY RECENT DISCOVERIES IN THE FORUM Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/recentdiscoverieOObadd ^%p. ji^sa&i jI Demolishing the Houses Purchased by Mp. L. Piitlltps (1899) Frontispiece RECENT DISCOVERIES IN THE FORUM 1898-1904 BY AN EYE-WITNESS S:i^ CLAIR BADDELEY BEING A HANDBOOK FOR TRAVELLERS, WITH A MAP MADE FOR THIS WORK BY ORDER OF THE DIRECTOR OF THE EXCAVATIONS AND 45 ILLUSTRATIONS LONDON GEORGE ALLEN, 156, CHARING CROSS ROAD 1904 [All rights reserved] -. s* r \ i>< ^^ARY# r^ ¥ ^ y rci/O FEB 26 'X_> Printed by BALLANTYNK, HANSON <5r» Co. At the Ballantyne Press TO LIONEL PHILLIPS, Esq, IN MEMORY OF DAYS IN THE FORUM PREFATORY NOTE 1 HAVE heard life in the Forum likened unto ' La Citta Morte/ wherein the malign influences of ancient crimes rise up from the soil and evilly affect those who live upon the site. I have also heard it declared to be a place dangerous to physical health. It is with gratifi- cation, therefore, after living therein, both beneath it and above, as few can have done, for considerable portions of the last six years, that I can bring solid evidence to belie both accusations. They indeed would prove far more applicable if levelled at certain other august centres of Rome. For I find it necessary to return thanks here for valuable assistance given to me without hesitation and at all times, not only by my personal friend Comm.
    [Show full text]
  • Foro Romano E Palatino
    Foro Romano e Palatino Visite guidate Bookshop La valle del Foro tra i sette colli di Roma era anticamente una palude. Dalla fine del VII secolo a.C. dopo la bonifica della palude nella valle fu realizzato il Foro Romano che fu il centro della vita pubblica romana per oltre un millennio. Nel corso dei secoli furono costruiti i vari monumenti: dapprima gli edifici per le attività politiche, religiose e commerciali, poi durante il II sec. a.C. le basiliche civili, dove si svolgevano le attività giudiziarie. Alla fine dell’età repubblicana, l’antico Foro Romano era ormai insufficiente e inadeguato a svolgere la funzione di centro amministrativo e di rappresentanza della città. Le varie dinastie di imperatori aggiunsero solo monumenti di prestigio: il Tempio di Vespasiano e Tito e quello di Antonino Pio e Faustina dedicati alla memoria degli imperatori divinizzati, il monumentale Panorama del Foro Romano Arco di Settimio Severo, costruito all’estremità occidentale della piazza nel 203 d.C. per celebrare le vittorie dell’imperatore sui Parti. L’ultimo grande intervento fu realizzato dall’imperatore Massenzio ai primi anni del IV secolo d.C. Massenzio fece costruire il Tempio dedicato alla memoria del figlio Romolo e l’imponente Basilica sulla Velia che fu ristrutturata alla fine del IV secolo d.C. L’ultimo monumento realizzato nel Foro fu la Colonna eretta nel 608 d.C. in onore dell’imperatore bizantino Foca. Luogo | Indirizzo Indirizzo: Via di San Gregorio 30 e Largo della Salara Vecchia 5/6 Cap: 00184 Comune: Roma Provincia: Roma (RM) Regione: Lazio Telefono: 06699841 0639967700 Fax: 066787689 Sito web: http://www.archeoroma.beniculturali.it/sar2000/palatino/palatino.htm Luogo | Galleria delle Immagini Panorama del Foro Veduta della Basilica Casa delle Vestali, Casa delle Vestali Via Nova Tempio di Venere Romano Emilia veduta ADArte | Sintesi di accessibilità Informazioni raccolte con un sopralluogo terminato il 12 ottobre 2012.
    [Show full text]
  • An Introduction to Roman Epigraphy an Inscription in the Lapis Niger
    To read or not to read: an introduction to Roman epigraphy An inscription in the Lapis Niger (‘Black Stone’) The Lapis Niger, an area of ill-omen and an early cult site in the Forum Romanum, was paved in black stone by Sulla around 80 BC. It provides the earliest evidence of Rome’s comitium (an assembly meeting-point) and contains one of the oldest surviving inscriptions in ancient Rome. The archaic inscription found within this area, often called a cippus (CIL 1.2.1), is an excellent case study, both for archaic Rome and for the use of inscriptions as evidence. This unassuming slab of grey tufa has the distinction of being one of the most confounding objects from antiquity. Even the name, Lapis Niger, often used by scholars for the inscription, is a term coined by the ancient sources for the area around Sulla’s pavement (not the inscription itself). To assess some of the mysteries behind this inscription one must examine it both as a text and as a monument. This involves looking not only at the writing but how it was displayed and in what context it was placed. In this respect the inscription falls within a number of fields, and requires literary, archaeological, geographic and sometimes geological analysis. This study will consider a number of different approaches to show to illustrate both the insights and the limitations of this source. The role of context: what can urban and archaeological contexts tell us about an inscription? The location of this inscription and the fact that it remains in situ provides a wealth of information (especially in Rome, a city that is notorious for ‘eating itself’: materials are often moved and reused).
    [Show full text]
  • De Ornanda Instruendaque Urbe Anne Truetzel
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2011 De Ornanda Instruendaque Urbe Anne Truetzel Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Truetzel, Anne, "De Ornanda Instruendaque Urbe" (2011). All Theses and Dissertations (ETDs). 527. https://openscholarship.wustl.edu/etd/527 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Classics De Ornanda Instruendaque Urbe: Julius Caesar’s Influence on the Topography of the Comitium-Rostra-Curia Complex by Anne E. Truetzel A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts August 2011 Saint Louis, Missouri ~ Acknowledgments~ I would like to take this opportunity to thank the Classics department at Washington University in St. Louis. The two years that I have spent in this program have been both challenging and rewarding. I thank both the faculty and my fellow graduate students for allowing me to be a part of this community. I now graduate feeling well- prepared for the further graduate study ahead of me. There are many people without whom this project in particular could not have been completed. First and foremost, I thank Professor Susan Rotroff for her guidance and support throughout this process; her insightful comments and suggestions, brilliant ideas and unfailing patience have been invaluable.
    [Show full text]
  • Thinking Big. Research in Monumental Constructions in Antiquity
    Special Volume 6 (2016): Space and Knowledge. Topoi Research Group Articles, ed. by Gerd Graßhoff and Michael Meyer, pp. 250–305. Hagan Brunke – Evelyne Bukowiecki – Eva Cancik- Kirschbaum – Ricardo Eichmann – Margarete van Ess – Anton Gass – Martin Gussone – Sebastian Hageneuer – Svend Hansen – Werner Kogge – Jens May – Hermann Parzinger – Olof Pedersén – Dorothée Sack – Franz Schopper – Ulrike Wulf-Rheidt – Hauke Ziemssen Thinking Big. Research in Monumental Constructions in Antiquity Edited by Gerd Graßhoff and Michael Meyer, Excellence Cluster Topoi, Berlin eTopoi ISSN 2192-2608 http://journal.topoi.org Except where otherwise noted, content is licensed under a Creative Commons Attribution 3.0 License: http://creativecommons.org/licenses/by/3.0 Hagan Brunke – Evelyne Bukowiecki – Eva Cancik-Kirschbaum – Ricardo Eichmann – Margarete van Ess – Anton Gass – Martin Gus- sone – Sebastian Hageneuer – Svend Hansen – Werner Kogge – Jens May – Hermann Parzinger – Olof Pedersén – Dorothée Sack – Franz Schopper – Ulrike Wulf-Rheidt – Hauke Ziemssen Thinking Big. Research in Monumental Constructions in Antiquity Ancient civilizations have passed down to us a vast range of monumental structures. Mon- umentality is a complex phenomenon that we address here as ‘XXL’.It encompasses a large range of different aspects, such as sophisticated technical and logistical skills and the vast economic resources required. This contribution takes a closer look at the special interdependence of space and knowledge represented by such XXL projects. We develop a set of objective criteria for determining whether an object qualifies as ‘XXL’,in order to permit a broadly framed study comparing manifestations of the XXL phenomenon in different cultures and describing the functional and conceptional role of the phenomenon in antiquity.Finally,we illustrate how these criteria are being applied in the study of large construction projects in ancient civilisations through six case studies.
    [Show full text]
  • Elenco Stazionamenti Taxi Del Comune Di Roma
    Elenco stazionamenti taxi del Comune di Roma Gli stazionamenti sottolineati sono dotati di colonnina di chiamata taxi. Per chiamare la colonnina comporre lo 06.06.09 e seguire le istruzioni automatiche. MUNICIPIO ZONA ATTIVA DI STAZIONAMENTO UBICAZIONE 1 PIAZZA BARBERINI DA CIV. 40 A 46 (solo riserva) 1 PIAZZA BARBERINI CIV. 23 - FRONTE HOTEL BERNINI BRISTOL 1 PIAZZA DELLA MADONNA DI LORETO FRONTE MILITE IGNOTO - NN. 17/26 1 VIA CAVOUR FR. CIV. 213M - ENTRATA HOTEL PALATINO 1 PIAZZA INDIPENDENZA CIVICO 24 1 PIAZZA DI SPAGNA CIVICO 52-54 1 PIAZZA DI SPAGNA CIVICO 93 1 VIA LIBERIANA CIVICO 18 1 PIAZZA SAN CARLO AL CORSO ANG. VIA DEL GROTTINO - FRONTE HOTEL PLAZA 1 PIAZZA ALBANIA CIVICO 35 1 VIA CAMPANIA ANG. VIA VENETO 1 VIA LUDOVISI 49 FRONTE HOTEL EDEN 1 LARGO CARLO GOLDONI 43 ANGOLO VIA TOMACELLI 1 LARGO DEGLI SCHIAVONI ANGOLO VIA TOMACELLI 1 PIAZZA DELLA REPUBBLICA CIVICO 10 1 VIA NAZIONALE CIVICO 194 - FRONTE PALAZZO DELLE ESPOSIZIONI 1 VIA MARSALA CIVICO 42. - ENTRATA STAZIONE 1 VIA GIOLITTI FRONTE CIV. 10 - ENTRATA STAZIONE 1 PIAZZA DI PORTA SAN GIOVANNI FR. BASILICA - ADIAC. CAPOLINEA AUTOBUS 1 PIAZZA DEL COLOSSEO STAZIONE METRO - ANG. VIA CLIVIO DI ACILIO 1 PIAZZA VENEZIA CIVICO 13/15 1 PIAZZA DELLE CINQUE LUNE CIVICO 109 - ANG. PIAZZA TOR SANGUIGNA 1 PIAZZA DELLA ROTONDA VIA DELLA ROTONDA CIV. 21/26 1 PIAZZA DELLA MINERVA PIAZZA DELLA MINERVA 1 PIAZZA PASQUALE PAOLI CIVICO 1 - 3 1 LARGO CHIGI CIVICO 12 1 PIAZZA DI PORTA MAGGIORE FRONTE VIA DI PORTA MAGGIORE 1 PIAZZA DELLA TRINITA' DE' MONTI CIVICO 18 - FRONTE HOTEL HASSLER 1 PIAZZA DEI CINQUECENTO FRONTE STAZIONE TERMINI 1 PIAZZA DEL POPOLO TRA CIV.
    [Show full text]
  • Cultura Della Trasformazione Della Città E Del Territorio|Storia E Conservazione Dell'oggetto D'arte E D'architettura|Cic
    Cultura della trasformazione della città e del territorio | Storia e conservazione dell’oggetto d’arte e d’architettura | ciclo XXIV Le protezioni delle aree archeologiche Architettura per l’archeologia Stefano Villani tutor prof.arch.Mario Panizza | coordinatrice prof.Barbara Cinelli LE PROTEZIONI DELLE AREE ARCHEOLOGICHE. ARCHITETTURA PER L‟ARCHEOLOGIA 0 Cultura della trasformazione della città e del territorio Storia e conservazione dell’oggetto d’arte e d’architettura ciclo XXIV Le protezioni delle aree archeologiche Architettura per l’archeologia Stefano Villani tutor prof.arch.Mario Panizza coordinatrice prof.Barbara Cinelli LE PROTEZIONI DELLE AREE ARCHEOLOGICHE. ARCHITETTURA PER L‟ARCHEOLOGIA 1 LE PROTEZIONI DELLE AREE ARCHEOLOGICHE. ARCHITETTURA PER L‟ARCHEOLOGIA 2 INDICE Ringraziamenti 4 Abstract / Riassunto 6 Introduzione 9 Brevi considerazioni sul metodo 1. Dalle origini all’affermazione di una coscienza critica 15 1.1 Antecedenti: rapporti con le preesistenze prima del „700. 1.2 Verso un interesse archeologico, tra accumulo e conservazione. 1.3 Dal collezionismo alla catalogazione in ambito vesuviano. 1.4 Dal valore storico al valore dell‟antico. 1.5 Tra manutenzione e innovazione: prassi sperimentazione nella prima metà del „900 1.6 Evoluzione delle idee: nascita di una coscienza critica. 1.7 Una soluzione “integralmente moderna e integralmente modesta” 1.8 Il dibattito, la sperimentazione e gli atteggiamenti recenti 2. La conservazione in situ 49 2.1 Scelte sulla “forma archeologica” 2.2 Il sito archeologico come museo
    [Show full text]