Foro Romano E Palatino
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Does AACHEN Provide the Missing Urban Splendor for the Early Middle
69 Does AACHEN provide the missing urban splendor for the Early Middle Ages? For 300 years, Ravenna basically only shows San Salvatore ad Calchi – with a layout that fits the architectural styles of the 2nd/3rd or the 5th/ 6th century – in an otherwise ghostly wasteland. Ravenna's vivarium, although also dated in the 8th/9th century, does not help either, because structurally it resembles nymphaea of the 2nd/3rd century (Cerelli 2019, 294). But alas, Aachen also disappoints. For the 300 years of the Early Middle Ages, there are only Carolingian administrative buildings and one church. Early medieval wasteland of downtown AACHEN (8th-10th century AD), lacking residential quarters, latrines, streets, and baths etc., from which the monuments of Charlemagne stand out in splendid isolation. The small structures in the model represent primitive huts sunk into the dark earth (“dunkler Moder”) separating the High Middle Ages (10th/11th c. AD) from Roman civilization. [Photo G. Heinsohn from a video in Aachen's Centre Charlemagne with permission of the staff (2015). The video's co- author, Sebastian Ristow, points out that he plans to develop the model further; see also https://www.medieval.eu/charlemagne-aachen-2014/.] 70 Contemporary roads and latrines, housing for citizens and servants, lodgings for the warrior guards, stables, monasteries, water pipes, baths, parks for the peacocks, etc. have never been found. The famous monuments of Aachen protrude out of a death zone like broken teeth, reminding posterity of the magnificence of the once classically beautiful dentition: “Surprisingly, no excavation or construction site observation inside or outside the old town of Aachen has so far recorded clear settlement remains of Carolingian times, although tradition suggests the presence of merchants and numerous inhabitants as well as the existence of quite sophisticated aristocratic courts, some of whose buildings and material culture should be found in the ground. -
Ideazione Di Clementina Panella a Cura Di Alessandro D'alessio
Ideazione di Clementina Panella A cura di Alessandro D’Alessio Clementina Panella Rossella Rea ROMA UNIVERSALIS SEZIONE I SEZIONE II 206 Tombe e necropoli a Roma SEZIONE III L’IMPERO E LA DINASTIA L’IMPERO DEI SEVERI LA ROMA DEI SEVERI e dintorni ROMA E IL MEDITERRANEO VENUTA DALL’AFRICA Barbara E. Borg LA DINASTIA LA FORMA DELLA CITTÀ 210 Linguaggio architettonico e sistemi CITTÀ, TERRITORI, ECONOMIE 23 I Severi e i caratteri di un’epoca. 36 I Severi 132 Urbs Roma – Urbs Sacra: forma decorativi dei grandi complessi 264 La Sicilia Continuità e frattura nella storia Orietta D. Cordovana e immagini della Città di Roma Daniele Malfitana della popolazione di Roma Domenico Palombi L’IMPERO IN PACE Patrizio Pensabene, Francesca Caprioli 270 L’Africa e del suo impero mediterraneo 48 Moneta, economia e cittadinanza I LUOGHI SEVERIANI Alejandro Quevedo Elio Lo Cascio 220 L’industria laterizia e Marco Maiuro 142 Le “Terme di Elagabalo” l’organizzazione dei grandi 278 L’Egitto 28 Cronologia dell’età severiana. Clementina Panella 58 Società, cultura, religione cantieri urbani Jessica Montani 192-235 Cesare Letta 150 I reperti scultorei dalle Évelyne Bukowiecki, 282 Dal Mediterraneo a Roma “Terme di Elagabalo”: dall’età Ulrike Wulf-Rheidt † L’IMPERO IN GUERRA Clementina Panella augustea all’età severiana 64 Gli eserciti: riforme, campagne Massimiliano Papini L’IMPERATORE E LA PLEBE URBANA militari e nuove province 228 Intrattenere e sorprendere: ludi, 298 Abbreviazioni Cecilia Ricci 154 Il Tempio di Elagabalo munera e agones Françoise Villedieu 300 Bibliografia ARTE E ARCHITETTURA Silvia Evangelisti 72 Luoghi, monumenti, immagini: 158 La Domus Severiana sul Palatino. -
Thinking Big. Research in Monumental Constructions in Antiquity
Special Volume 6 (2016): Space and Knowledge. Topoi Research Group Articles, ed. by Gerd Graßhoff and Michael Meyer, pp. 250–305. Hagan Brunke – Evelyne Bukowiecki – Eva Cancik- Kirschbaum – Ricardo Eichmann – Margarete van Ess – Anton Gass – Martin Gussone – Sebastian Hageneuer – Svend Hansen – Werner Kogge – Jens May – Hermann Parzinger – Olof Pedersén – Dorothée Sack – Franz Schopper – Ulrike Wulf-Rheidt – Hauke Ziemssen Thinking Big. Research in Monumental Constructions in Antiquity Edited by Gerd Graßhoff and Michael Meyer, Excellence Cluster Topoi, Berlin eTopoi ISSN 2192-2608 http://journal.topoi.org Except where otherwise noted, content is licensed under a Creative Commons Attribution 3.0 License: http://creativecommons.org/licenses/by/3.0 Hagan Brunke – Evelyne Bukowiecki – Eva Cancik-Kirschbaum – Ricardo Eichmann – Margarete van Ess – Anton Gass – Martin Gus- sone – Sebastian Hageneuer – Svend Hansen – Werner Kogge – Jens May – Hermann Parzinger – Olof Pedersén – Dorothée Sack – Franz Schopper – Ulrike Wulf-Rheidt – Hauke Ziemssen Thinking Big. Research in Monumental Constructions in Antiquity Ancient civilizations have passed down to us a vast range of monumental structures. Mon- umentality is a complex phenomenon that we address here as ‘XXL’.It encompasses a large range of different aspects, such as sophisticated technical and logistical skills and the vast economic resources required. This contribution takes a closer look at the special interdependence of space and knowledge represented by such XXL projects. We develop a set of objective criteria for determining whether an object qualifies as ‘XXL’,in order to permit a broadly framed study comparing manifestations of the XXL phenomenon in different cultures and describing the functional and conceptional role of the phenomenon in antiquity.Finally,we illustrate how these criteria are being applied in the study of large construction projects in ancient civilisations through six case studies. -
(Michelle-Erhardts-Imac's Conflicted Copy 2014-06-24).Pages
ROME MMXV Piety, Pagans and Popes CLST 370: Seminar Abroad in Rome 2015 From its foundation through its expansion as an empire, to the rise of the papacy, Rome has served as a showcase of political and religious power through art, architecture and urban form. This course will examine the Eternal City’s most significant architectural and urban sites, moving roughly in chronological order. We will discuss how individual monuments assume symbolic importance, how they serve as models of architectural style, and how the sites take on a “sacred” quality both inside and outside of a religious context. This course is intended to offer students an introduction to the city of Rome that is architectural, artistic, and topographic in nature. Excursions to Etruscan tombs, Assisi and Florence help put Rome in a larger cultural context. " Tentative Itinerary" Friday, May 29th! Arrival in Rome Benvenuto a Roma! Check into the Centro - Piazzale del Gianicolo (view of Rome) -A walk through Trastevere: Sta. Cecilia, church and underground domus; S. Francesco a Ripa; Sta. Maria; S. Pietro in Montorio (Bramante’s Tempietto)." Saturday, May 30th! Cerveteri - Tarquinia Etruscan Influences on Early Rome. Half-Day Trip to Cerveteri or Tarquinia followed by afternoon visit to the Villa " Giulia (Etruscan Museum). ! Sunday, May 31st! Circus Flaminius Foundations of Early Rome, Military Conquest and Urban Development. Isola Tiberina (cult of Asclepius/Aesculapius) - Santa Maria in Cosmedin: Ara Maxima Herculis - Forum Boarium: Temple of Hercules Victor and Temple of Portunus - San Omobono: Temples of Fortuna and Mater Matuta - San Nicola in Carcere - Triumphal Way Arcades, Temple of Apollo Sosianus, Porticus Octaviae, Theatre of Marcellus. -
Severan Culture Edited by Simon Swain, Stephen Harrison and Jas´ Elsner Frontmatter More Information
Cambridge University Press 978-0-521-85982-0 - Severan culture Edited by Simon Swain, Stephen Harrison and Jas´ Elsner Frontmatter More information Severan culture The Roman empire during the reigns of Septimius Severus and his successors (ad 193–225) enjoyed a remarkably rich and dynamic cul- tural life. It saw the consolidation of the movement known as the Second Sophistic, which had flourished during the second century and promoted the investigation and reassessment of classical Greek culture. It also witnessed the emergence of Christianity on its own terms, in Greek and in Latin, as a major force extending its influ- ence across literature, philosophy, theology, art and even architecture. This volume offers the first wide-ranging and authoritative survey of the culture of this fascinating period when the background of Rome’s rulers was for the first time non-Italian. Leading scholars discuss gen- eral trends and specific instances, together producing a vibrant picture of an extraordinary period of cultural innovation rooted in ancient tradition. simon swain is Professor of Classics and Ancient History at the University of Warwick. His recent publications include Bilingualism in Ancient Society (2002) (with J. N. Adams and M. Janse), Approaching Late Antiquity (2004) (with M. Edwards) and Seeing the Face, Seeing the Soul: Polemon’s Physiognomy from Classical Antiquity to Medieval Islam (2007). stephen harrison is Professor of Classical Languages and Lit- erature at the University of Oxford and Fellow and Tutor in Classics at Corpus Christi College. His numerous publications include A Com- mentary on Vergil, Aeneid 10 (1991), Apuleius: A Latin Sophist (2000), Generic Enrichment in Vergil and Horace (2007) and, as editor, The Cambridge Companion to Horace (2007). -
Roman Art 12.1
THE SEVERANS • Marcus Aurelius = last of the “5 good emperors” • son Commodus deranged -megalomania -divine aspirations (Hercules and Jupiter) -no interest in statecraft or military -renamed himself “Hercules Romanus” -renamed Rome “Colonia Commodiana” • portraiture highly resembles father -beard, heavy eyelids, aloof gaze • assassinated with damnatio memoriae in 192 -later rescinded à Marcus Aurelius, d. 180 CE Commodus THE SEVERANS IN ROME Five Good Emperors (96-180) à Commodus (180-192) à Civil War à SEVERANS • Septimius Severus born in N. Africa (Leptis Magna, Libya) • assumes imperial throne in 193 CE after successful military career • two sons, Caracalla and Geta à à Caracalla (198-217) Commodus Septimus Severus (193-211) Geta (killed in 212) Forma Urbis Romae • Severan map of entire city • installed in Te m plu m Pacis • shows all buildings, streets, infrastructure, building heights • most important monuments labelled • function unknown http://formaurbis.stanford.edu Severan Palace (domus Severiana) on the Palatine • only substructures survive • included private bath complex • looms over Circus Maximus Septizodium • monumental structure attested in literary evidence • destroyed in late 16th c. • partially documented and labeled on Forma Urbis plan • elevation recorded in multiple drawings prior to destruction • 3 storeys of columns -resembles stages of Roman theatres Function of Septizodium • monumental fountain • visual anchor for those entering city from S “Septizodium” • name only attested for monuments in N. Africa • general -
Aqueducts for the Urbis Clarissimus Locus: the Palatine’S Water Supply from Republican to Imperial Times
AQUEDUCTS FOR THE URBIS CLARISSIMUS LOCUS: THE PALATINE’S WATER SUPPLY FROM REPUBLICAN TO IMPERIAL TIMES Dr. Andrea Schmölder-Veit, University of Augsburg [email protected] The Palatine hill, where Rome began, was already an to the Palatine’s water supply occurred under Nero, who important center of power long before Imperial palaces built the first unified palace building (not a collection of were built there. As early as the Republican period, elite several independent domus as Augustus had done).7 For residents had constructed monumental architecture on this this he needed more water; therefore, he sponsored a hill above the Roman Forum that publicly advertised their completely new branch that extended the Arcus Neroniani claims to leadership. Also at this time, the greatness of the (Arcus Caelimontani) on the Caelian to the Palatine. This res publica was demonstrated through monumental higher-level line could deliver water to every level of the building projects, which correlated with the gloria of hill, even to nymphaea in the highest courts and gardens. families who dedicated temples in Rome's honor.1 As nothing is known about the domus of this period, it can The first conduit for the Palatine in Republican times only be assumed that the Palatine was a residential area The Marcia was the only aqueduct to supply the Palatine populated by elite Romans in the fourth and third century hill during the Republican period. The Aqua Appia (312 BC. For example, Livy (8: 19. 4) tells us that Vitruvius BC) arrived at only about 15 masl (meters above sea level) Vaccus, a very rich Fundanian, had a property on the in the city.8 This was too low, even for the houses at the Palatine before 330 BC. -
Explanatory Or More Detailed References
606 BACKGROUND INFORMATIONINDEX INDEX 607 Apollo Belvedere 27, 358, 450 Aristeas and Papias, copyists 53 Apollodorus of Damascus, architect 114, Arnolfo di Cambio (c. 1245–1302) 47, 62, 124, 547 279, 280, 301, 297, 392, 425, 484 Apollonius, sculptor 314, 451 Arrigucci, Luigi (active 1620–30) 548 Explanatory or more detailed references (where there are many), or references to Apoxyomenos 450 Arx, citadel of Rome 35 places where an artist’s work is best represented, are given in bold. Numbers in italics Appartamento dei Conservatori 41–43 Aspetti, Tiziano (1565–1607) 135 are picture references. Dates are given for all artists, architects and sculptors. Ancient Appiani, Andrea (1754–1817) 364 Asprucci, Antonio (1723–1808) 355, 356 names are rendered in italics, as are works of art. Aprile, Francesco (d. 1685) 548 Asprucci, Mario (1764–1804) 355 Aqueducts, general 525 Auditorium, the 501 Acqua Felice 24, 36, 310, 312, 524, 525, Augustine, St 16, 526 A Allegrini, Francesco (1587–1663) 186 566 Augustus, Emperor 13, 14, 54, 66, 90, Abbazia delle Tre Fontane 485–86 All Saints, church of 349–50, 584 Acqua Paola 25, 413, 525 121, 161; Forum of 120–23; (house of) Abbot Luigi, talking statue 207 Altemps collection 181ff Acqua Vergine Nuova 343, 525 99–100, 99; (mausoleum of) 162; (as Accademia Nazionale dei Lincei 196, 385 Altemps, Roberto 188 Anio Novus 287, 525, 540 pontifex maximus) 314; (Prima Porta Accademia di San Luca 554–55 Amato, Orazio (1884–1952) 383 Anio Vetus 524, 525, 540 statue of) 55, 446–47; (other portaits of) Acqua Paola (see Fountains) American Academy 400 Aqua Appia 525 52, 446, 471, 479 Acquario Romano 559 Amici, Luigi (1817–97) 178, 426 Aqua Claudia 14, 287, 520, 524, 525, 564 Aula Isiaca 97 Acquisti, Luigi (1745–1823) 557 Ammannati, Bartolomeo (1511–92) 340, Aqua Julia 525, 566 Aulenti, Gae (b. -
A Novel Guide to Alric’S Rome AD 589-596 Rob Mackintosh
A Novel Guide To Alric’s Rome AD 589-596 Rob Mackintosh www.robmackintosh.net Scavengers from the Sea is first in a Series of three historical novels, set against one of the most dramatic backdrops that any author could wish for! THIS NOVEL GUIDE TO ALRIC’S ROME provides visual background to Scavengers from the Sea, an historical novel set in the late C6th, when Rome was struggling for its very survival. With all the sweeping power of an overwhelming flood, Rome in the late sixth century had lost nearly all hope of survival, believed they were about to experience the age of miracles at the end of the world. Like Noah’s Ark and the Flood, monasteries had sprung up all over Rome as shelters from a mounting storm, taking on board the little that was left of a once-great civilization. During the fourteen years that Gregory the Great was Pope, three thousand nuns and solitary recluses prayed a perpetual shield of prayer over this encircled, starving, diseased, and plague-ridden city. My three-part Series called A Legend of the English came about as I delved into an ancient Saxon story set in this C6th period, created at St Hild’s monastery in Whitby (a coastal town in present-day Yorkshire, England) in the seventh century. The Whitby story attempted to explain why Pope Gregory launched his mission to the Kingdom of Cantia (now the County of Kent). The Whitby story swiftly developed into a foundation legend to explain Pope Gregory’s reasons for the mission. -
Ancient Rome
PDF Rome Ancient Rome (PDF Chapter) Edition 9th Edition, Jan 2016 Pages 29 Page Range 50–69, 214–222 COVERAGE INCLUDES: Useful Links • Neighbourhood Top Five Want more guides? Head to our shop • Local Life • Getting There & Trouble with your PDF? Away Trouble shoot here • Sights Need more help? • Eating Head to our FAQs • Drinking & Nightlife Stay in touch • Shopping Contact us here • Sleeping © Lonely Planet Publications Pty Ltd. To make it easier for you to use, access to this PDF chapter is not digitally restricted. In return, we think it’s fair to ask you to use it for personal, non-commercial purposes only. In other words, please don’t upload this chapter to a peer-to-peer site, mass email it to everyone you know, or resell it. See the terms and conditions on our site for a longer way of saying the above – ‘Do the right thing with our content’. ©Lonely Planet Publications Pty Ltd 50 Ancient Rome COLOSSEUM | PALATINO | THE FORUMS | CAMPIDOGLIO | PIAZZA VENEZIA | FORUM BOARIUM Neighbourhood Top Five 1 Getting your first 2 Roaming the haunting 4 Exploring the basilicas, glimpse of the Colosseum ruins of the Palatino (p106), temples and triumphal (p52). Rome’s iconic ancient Rome’s birthplace arches of the Roman Forum amphitheatre is both an and most exclusive (p57). architectural masterpiece neighbourhood. 5 Surveying the city and a stark, spine-tingling 3 Coming face to face spread out beneath you from reminder of the brutality of with centuries of awe- atop Il Vittoriano (p66). ancient times. inspiring art at the historic Capitoline Museums (p61). -
Remaking Rome
Remaking Rome Andrew B. Gallia* 1. The emperors and their city The rulers of great empires tend to lavish special attention on their capitals. By shaping the fabric of urban life at the center of power, they can advertise the achievements on which their authority is founded, stake out the core values they claim to represent, and generally demonstrate the benefits that accrue from their control over the state. As Suetonius recognized, Augustus was the first to endow Rome with an ornamental splendor that accorded with the majesty of its empire, so much that he rightly could have claimed to have taken over a city of brick and left one of marble (Suet. Aug. 28.3; cf. Tac. Ann. 1.9.5). Contemporary scholarship is solid in its embrace of this assessment, with multiple studies demonstrating how Rome was transformed into a vehicle for a new Imperial ideology in the Augustan age (Haselberger 2007, Rehak 2006, Favro 2005). Although no one should doubt the profound impact of monarchy on Rome’s monumental and administrative character, a reign-by-reign approach to the study of the city’s development under the Caesars imposes certain limitations that need to be acknowledged. Unlike Persepolis or Khanbalikh, Rome was not a new foundation when it became the seat of imperial authority, much less when it fell under monarchical control. As such, the city did not offer a blank canvas upon which a ruler could project a discrete vision of his power. Indeed, Augustus was particularly adept at incorporating existing urban features into his new, marble Rome.