Seutonius: Lives of the Twelve Caesars 1
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An Unknown Sixteenth Century Topography of Rome
anxa 87-B 27134 H UNKNOWN SIXTEENTH CENTURY TOPOGRAPHY OF ROME. BY THOMAS ASHBY, D.Litt., F.S.A. Reprinted from The Abohaeological Jouenal, Vol. LXV., No. 259, pp. 245-364. LONDON: HARRISON AND SONS, ST. MARTIN'S LANE. • Printers in Ordinary to His Majesty. 1908. K aery cow [Reprinted from The Archaeological Journal, September, 1908.] AN UNKNOWN SIXTEENTH CENTURY TOPOGRAPHY OF ROME. 1 By THOMAS ASHBY, D.Litt., F.S.A. In the summer of 1906 I had the good fortune to visit the extensive and valuable library of Mr. C. W. Dyson Perrins at Malvern. I found among the books that he had recently acquired was a volume that I had myself seen (but failed to buy) at the sale of Sir A. Fountain's books, at Messrs. Sotheby, Wilkinson, and Hodge's in June, 1902. It was there purchased by Messrs. Pickering and Chatto, the well-known booksellers, who sold it to Mr. Corfield ; and at his sale it was acquired by Mr. Perrins. The earlier history of the volume is not known to me. The leaves are of vellum, and used on both sides, the size of the single page being 248 by 200 mm. : but many of the drawings are on the double page ; and from the existence of a fragmentary marginal contents note on V f. 8 , we may infer that the leaves have been cut. From the sumptuous " get-up " of the volume it may legitimately be supposed that it was made, not for the press, but for presentation to some wealthy patron of the artist and author. -
Introduction
Cambridge University Press 978-1-107-00949-3 - The Art of Caesar’s Bellum Civile: Literature, Ideology, and Community Luca Grillo Excerpt More information Introduction “Such force dwells in him, such sharpness, and such passion that it seems that he spoke with the same vigor with which he fought” (tanta in eo vis est, id acumen, ea concitatio, ut illum eodem animo dixisse quo bellavit appareat, Quint. 10.1.114). In expressing this judgment about Caesar, Quintilian famously set forth an old truism: besides being a general and a politician, Caesar was also an orator and a man of letters.1 For instance, Cicero, who no less famously praised the style of the Commentarii (Brut. 262), anxiously awaited Caesar’s remarks on his verses: “but ho there!” – he asked his brother Quintus – “I feel you are concealing something from me: what did Caesar really think of my poetry?” (Sed heus tu! Celari videor a te. Quo modo nam, mi frater, de nostris versibus Caesar? QF 2.16.5). And Caesar, responding from Gaul, praised that poetry no less than Quintus’ service in his army, thus acting as a general, intellectual, friend, and, of course, a politician. During the Gallic war letters, the Commentarii de Bello Gallico (BG)andtheDe Analogia, which was dedicated to Cicero, helped Caesar to remain present to the aristocratic circles of leading politicians and intellectuals while appealing to the imagination of the Roman people.2 Caesar’s proven oratorical skills assisted his ambitions also at the time of the civil war: when he was working on the Commentarii de Bello Civili (BC), he kept engaging in the politico-literary debate by composing the Anticato and by appealing to his friends and to the senate with letters, which he was the first statesman to collect in book format (Suet. -
Cicero's Life
Cicero Philippic II Cicero’s Life Lives of Cicero of all lengths and depths abound; what follows is intended to highlight the main landmarks in Cicero’s career. A separate table chronicles the events of 44 BC in more detail. Date (BC) Cicero and his circle Rome 107 Marius elected consul for the first time 106 Birth of Marcus Tullius Cicero and Gnaeus Pompeius (Pompey), later called ‘Magnus’; both equestrians. 104 – 100 Marius consul for five successive years. 104/2 Birth of Cicero’s brother, Quintus. 90s Cicero is educated at Rome in house of L. Licinius Crassus and later continues his studies with the augur Q. Mucius Scaevola. 91 – 88 Cicero and Pompey both serve under The Social War, in which Rome’s Sulla, Pompey as a successful Italian allies fight against Rome’s general. predominance and win citizenship. 88 – 84 Occupation of Rome first by Sulla (88) and then by Marius and Cinna (87 – 6). Marius dies in 86, Cinna continues to control affairs until his death in 84. ?86 Cicero writes a rhetorical treatise, de Inventione. 82 Sulla marches on Rome and is made dictator. Proscriptions follow (in 81). He retires from office in 79 and dies in 78. Date (BC) Cicero and his circle Rome 81 Cicero’s first civil case, pro Quinctio Sulla’s reforms curtailing powers of (which he probably loses). tribunate, increasing size of senate and constituting seven senatorial courts. 80 Cicero’s first criminal case, pro Roscio Amerino (which he wins). 79 – 77 Cicero marries Terentia and travels abroad, including to Athens for six months to study rhetoric under Apollonius Molo. -
Narratology and the End of Monarchy in AVC 1
Luke Patient Classics Department [email protected] University of Arizona Narratology and the End of Monarchy in AVC 1 I. The section of the narrative text to be considered ( AVC 1.59.1, 6-11): 1. Brutus illis luctu occupatis cultrum ex volnere Lucretiae extractum, manantem cruore prae se tenens, "Per hunc" inquit "castissimum ante regiam iniuriam sanguinem iuro, vosque, di, testes facio me L. Tarquinium Superbum cum scelerata coniuge et omni liberorum stirpe ferro igni quacumque dehinc vi possim exsecuturum, nec illos nec alium quemquam regnare Romae passurum." … Vbi eo ventum est, quacumque incedit armata multitudo, pavorem ac tumultum facit; rursus ubi anteire primores civitatis vident, quidquid sit haud temere esse rentur. Nec minorem motum animorum Romae tam atrox res facit quam Collatiae fecerat; ergo ex omnibus locis urbis in forum curritur. Quo simul ventum est, praeco ad tribunum celerum, in quo tum magistratu forte Brutus erat, populum advocavit. Ibi oratio habita nequaquam eius pectoris ingeniique quod simulatum ad eam diem fuerat, de vi ac libidine Sex. Tarquini, de stupro infando Lucretiae et miserabili caede, de orbitate Tricipitini cui morte filiae causa mortis indignior ac miserabilior esset. Addita superbia ipsius regis miseriaeque et labores plebis in fossas cloacasque exhauriendas demersae; Romanos homines, victores omnium circa populorum, opifices ac lapicidas pro bellatoribus factos. Indigna Ser. Tulli regis memorata caedes et inuecta corpori patris nefando vehiculo filia, invocatique ultores parentum di. His atrocioribusque, credo, aliis, quae praesens rerum indignitas haudquaquam relatu scriptoribus facilia subicit, memoratis, incensam multitudinem perpulit ut imperium regi abrogaret exsulesque esse iuberet L. Tarquinium cum coniuge ac liberis. -
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin Text, Study Aids with Vocabulary, and Commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119
INGO GILDENHARD Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary CICERO, PHILIPPIC 2, 44–50, 78–92, 100–119 Cicero, Philippic 2, 44–50, 78–92, 100–119 Latin text, study aids with vocabulary, and commentary Ingo Gildenhard https://www.openbookpublishers.com © 2018 Ingo Gildenhard The text of this work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the author(s), but not in any way that suggests that they endorse you or your use of the work. Attribution should include the following information: Ingo Gildenhard, Cicero, Philippic 2, 44–50, 78–92, 100–119. Latin Text, Study Aids with Vocabulary, and Commentary. Cambridge, UK: Open Book Publishers, 2018. https://doi. org/10.11647/OBP.0156 Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. In order to access detailed and updated information on the license, please visit https:// www.openbookpublishers.com/product/845#copyright Further details about CC BY licenses are available at http://creativecommons.org/licenses/ by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume are available at https://www. -
First Triumvirate and Rise of Octavian BY: Jake, Eliza and Maheen First Triumvirate
First Triumvirate and Rise of Octavian BY: Jake, Eliza and Maheen First Triumvirate • An alliance of the three most powerful men in Rome, Marcus Licinus Crassus, Gaius Julius Caesar, and Gneaus Pompey Magnus. Rome was in chaos and the 3 seized control of the Republic. • The three would dominate Roman politics for personal gains throughout the territories of the Republic. Julius Caesar • In Rome, Julius Caesar was elected as the tribune of the Plebs, military tribune, and governor of many provinces throughout the Republic. • Believed Crassus helped Julius Caesar win the election to become the Propraetor or governor of Hispania in 63 B.C.E. • Julius returned to Rome after his term as governor. Caesar had a business or political agreement with Pompey and Crassus in 60 B.C.E. Caesar was the consul while Pompey and Crassus were in the senate. • Created the First Triumvirate • After his term, Julius was in deeply in debt politically and financially to Crassus and desperately needed to raise money. Marcus Crassus • Crassus was the richest man in all the Roman Republic. He was sharp and clever in Roman politics. He would be a senator and even become consul a few times. • He was a mentor to Julius Caesar in his early career. • Gained much fame during the Spartacus rebellion but much of it was stolen by Pompey. • He was a longtime rival to Pompey Magnus and this would be his eventually downfall. He would ally with Caesar and Pompey, but strived for military victory over Pompey. He went to Parthia where he was defeated at Carrhae. -
Pagan-City-And-Christian-Capital-Rome-In-The-Fourth-Century-2000.Pdf
OXFORDCLASSICALMONOGRAPHS Published under the supervision of a Committee of the Faculty of Literae Humaniores in the University of Oxford The aim of the Oxford Classical Monographs series (which replaces the Oxford Classical and Philosophical Monographs) is to publish books based on the best theses on Greek and Latin literature, ancient history, and ancient philosophy examined by the Faculty Board of Literae Humaniores. Pagan City and Christian Capital Rome in the Fourth Century JOHNR.CURRAN CLARENDON PRESS ´ OXFORD 2000 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's aim of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York # John Curran 2000 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same conditions on any acquirer British Library Cataloguing in Publication Data Data applied for Library of Congress Cataloging in Publication Data Curran, John R. -
Ancient Betrayals 6 X 1 Hour
Ancient Betrayals 6 x 1 Hour MAIN CONCEPT We aim to bring to life the full and until now, little-known story of the conspiracies, murders, and acts of treason behind some of the greatest betrayals in ancient history. The traitors who lived in a shadowy underworld of politics, intrigue and revenge, trusting no-one as they watched their backs to survive. One person's treachery was another's smart political move.There are many types of betrayals not always a knife in the back or the rope around the throat, but also political and personal betrayal which can be worse than torture. In this series we will look into some major pivotal acts of betrayal and with the help of ancient history experts, dig into their background, unravel the sequence of events with such dire consequences and understand their impact on history. FORMAT 6 x 48 minutes documentary series from the creators of The Secrets of the Knights Templar, Warrior's Way, Footprints of Civilization and Empire Games. Each episode will be dedicated to one act of betrayal from Ancient history, rarely documented on television. We uncover the real stories and motivations behind the acts of betrayals. The series can easily be scalable and many more betrayals can be examined in future gripping seasons. In each episode and with help of experts, state of the art CGI and high quality recreations, we will look at the roots of the betrayals, how they happened and changed history. Ancient Betrayals 6 x 1 Hour KEY ELEMENTS . A fresh look at some of the notorious traitors and betrayals of the ancient world . -
The Via Appia Southwards to Via Di Tor Carbone
The Via Appia southwards to via di Tor Carbone Via Appia Antica The Appian Way up to via di Tor Carbone has a timeless feel, which still amazes visitors today as it did in the past. Southwards, after the Capo di Bove Complex, you come to one of the most evocative stretches of the ancient Roman road. The monuments lining this stretch of the road are the result of the restoration work carried out by the architect Luigi Canina, in the mid-19th century, commissioned by the papal POI Distance government, who created an “open-air museum”. Canina created walls near the ruined 21 2.23 Km monuments, incorporating fragments of sculptures, reliefs and inscriptions found littered in the countryside, forming an evocative and uninterrupted sequence of ancient remains, against the natural backdrop of centuries-old pine trees. Poi 1 The Via Appia Antica 2 Capo di Bove Site - Cederna Archive 3 Tower Tomb 4 Tomb of the Equinoxes Scan the QrCode to access the navigable 5 The "flint core" tomb mobile version of the itinerary 6 Casale Torlonia 7 The Cecchignola Water Tower 8 The Appia Fort 9 High relief with a male figure 10 Tomb of Servilius Quartus 11 Tomb of Seneca 12 The Round Tomb 13 Tomb of the children of Sextus Pompey 14 Tomb of St. Urban 15 Doric Tomb - Tomb of Hilarus Fuscus - Tomb of Gens Licinia 16 The Horseshoe Columbarium 17 Tomb of Tiberius Claudius Secundus Philippianus 18 Temple-shaped tomb 19 Tomb of Rabirii 20 Tombs of the Garlands and Tombs the Frontspiece 21 Via Appia Antica – Tor Carbone (South) Poi 1 The Via Appia Antica Roma / Place to visit - Ancient streets The long story of the Via Appia unfolds in space and time. -
3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome
Anna Bortolozzi 3 Architects, Antiquarians, and the Rise of the Image in Renaissance Guidebooks to Ancient Rome Rome fut tout le monde, & tout le monde est Rome1 Drawing in the past, drawing in the present: Two attitudes towards the study of Roman antiquity In the early 1530s, the Sienese architect Baldassare Peruzzi drew a section along the principal axis of the Pantheon on a sheet now preserved in the municipal library in Ferrara (Fig. 3.1).2 In the sixteenth century, the Pantheon was generally considered the most notable example of ancient architecture in Rome, and the drawing is among the finest of Peruzzi’s surviving architectural drawings after the antique. The section is shown in orthogonal projection, complemented by detailed mea- surements in Florentine braccia, subdivided into minuti, and by a number of expla- natory notes on the construction elements and building materials. By choosing this particular drawing convention, Peruzzi avoided the use of foreshortening and per- spective, allowing measurements to be taken from the drawing. Though no scale is indicated, the representation of the building and its main elements are perfectly to scale. Peruzzi’s analytical representation of the Pantheon served as the model for several later authors – Serlio’s illustrations of the section of the portico (Fig. 3.2)3 and the roof girders (Fig. 3.3) in his Il Terzo Libro (1540) were very probably derived from the Ferrara drawing.4 In an article from 1966, Howard Burns analysed Peruzzi’s drawing in detail, and suggested that the architect and antiquarian Pirro Ligorio took the sheet to Ferrara in 1569. -
The Via Appia, from Via Di Tor Carbone to Capo Di Bove
The Via Appia, from Via di Tor Carbone to Capo di Bove Via Appia Antica This itinerary runs between the 5th and 4th milestones of the Appian Way, from the junction with Via di Tor Carbone to the complex of Capo di Bove. This is one of the most evocative sections of the ancient road, the result of the restoration of many archaeological remains by the architect Luigi Canina, in the mid-19th century, as part of a grandiose renovation project spearheaded by the pope. In what is, to all intents and purposes, a magnificent open-air museum, you can admire POI Distance numerous tombs, statues, inscriptions and architectures carefully restored by Canina, in an 18 2.07 Km attempt to restore the road to a part, at least, of its ancient splendour, highlighting its historical and archaeological importance. Unlike in other areas of the Roman countryside, here the names of most of the owners of the tombs lining the road are known: Marcus Servilius Quartus, Hilarus Fuscus, the sons of Poi Sextus Pompeius Justus, Tiberius Claudius Philippianus, Quintus Apuleius, the Licinii and Rabirii families. Lacking the name of the owners, the tombs are imaginatively called based on 1 Tombs of the Garlands certain architectural features, such as the Doric tomb, the tomb of the Garlands and of the and Tombs the Frontispiece. Frontspiece Walking along this section of the Way you really do feel that you are retracing the steps of the 2 Tomb of Rabirii 3 Tomb of Tiberius many people, armies and popes who passed here through the centuries, like pope Pius IX, Claudius Secundus who stayed at the Torlonia farmhouse nearby on his way back from Terracina, which even Philippianus features a plaque commemorating the first telegraph transmission experiments conducted 4 The Horseshoe here. -
THE ROMAN EMPEROR CALIGULA (Reign 37 - 41 A.D) Caligula Was Not Quite 25 Years Old When He Took Power in 37 A.D
Emperors of Rome -- The Bad Side of Monarchy THE ROMAN EMPEROR CALIGULA (Reign 37 - 41 A.D) Caligula was not quite 25 years old when he took power in 37 A.D. At first, his succession was welcomed in Rome: He announced political reforms and recalled all exiles. But in October of 37, a serious illness unhinged Caligula, leading him to spend the remainder of his reign exploring the worst aspects of his nature. For much of human history, emperors and kings called themselves gods and ruled by what eventually came to be called ‘Divine Right.’ Divine means relating to heaven, god, or gods, depending on the culture and the religious beliefs of that culture. By claiming to either be a god or to be god like, kings throughout history increased their power, making it seem that if anyone questioned their power, they were questioning god(s). Roman emperor Caligula lavished money on building projects, from the practical (aqueducts and harbors) to the cultural (theaters and temples) to the downright bizarre (requisitioning hundreds of Roman merchant ships to construct a 2-mile floating bridge across the Bay of Bauli so he could spend two days galloping back and forth across it). In 39 and 40 A.D he led military campaigns to the Rhine and the English Channel, where he ordered battles for theatrical displays, commanding his troops to “plunder the sea” by gathering shells in their helmets). His relationships with other individuals were turbulent as well. His biographer Suetonius quotes his often repeated phrase, “Remember that I have the right to do anything to anybody.” He tormented high-ranking senators by making them run for miles in front of his chariot.