THE DIAPASON AN INTERNATIONAL MONTIILY DEVOTED TO THE ORGA.\", THE HARPSICHORD AND CHURCH MUSIC

S;';,y·Fi/th Year, No.

ST. THOMAS CHURCH, NEW YORK AUGUSTANA COLLEGE SPONSORS CONFERENCE SPONSORS FIRST ANNUAL ORGAN CONFERENCE A three-tlay conference entitled "Boys' Voices: Repertory and TOllc" will be The First Annual Organ and Choir I lporuored by St. Thomas Episcopal Conference sponsored by Augustana Church. New York City from April 28 Collt:gt: will be ht:ld on the school's through April 30. l>e$igned for choir­ campus in Rod Jsland. Illinois. April masters and organists, the conference 21 ·23. The conference will feature a full will feature Barry Rose, organist and schedule of concerts, lectures, and di,.. : ... - ~ er of the choristers at Guilford cussions among the participants. Fea­ Cathedral in England. The boys of the tured in the program this year will be St. Thomas Church Choir School will Charles Benbow, 1972 winner of the also be: involved in the program, as Chartres organ competition in France will Dr. Lee: Hastings Bristol. Jr., and and a native of Dayton who now lives Gerre Hancock. organist and master of in England; C. Griffith Bratt, chainnan the choir at St. Thomas Church. of the org-dn department. at Boise State The conference will begin on the af­ College, Boise. Idaho, a well known ternoon of April 28 with an open reo romposer, teacher, Ilnd organist; Bar­ hearSOll with Mr. Rose. E,'cnsong and bara Owen, associatc of the C. B. Fisk an organ recital by Dwight Onrr ' will Organ Company of Gloucester, Mass.. and noted authority on American ol1@n follow, and the early evening will be building, and Robert Schuneman. Also ginm over to a reception. included on the progntn will be the Dr. Bristol will open Monday morn· AUJ,rtlstana Choir under the direclion ing's session with a talk on "More 'More of Don Morrison, ;md the Augustana Hymns and Spiritual Song:s.''' Later in Chamber Ordleslra under thc dlrcction the morning Mr. Rose will work with of Bill HenigbauUt, and students of the boys of the choir. In the afternoon Mr. organ department. Hanrod will run a 5eS.5ion on service playing and improvisation, ;).nd further The schedule of c,'ents is as follows. Sunday. April 21; Registration; Reci­ sessions with the boys and men will be talon the new Brunzema·Casavant l'un by Mr. Rose. The day will close ( 1974) mechanical action organ at Trin· "'itb Evensong. it)' Lutheran Church, Moline, C. Grif­ Tuesday will be J,riven over to further fith Bratt playing Bach's Clav;erUbun~ sessions with the boys and men of the Pari Ill. choir, and will also include ;1 morning Monday, April 22: "ReOection and talk, "How On Earth Do You Get That Reaction" ou the previous evening's re. Beauliful Tonc ~ ", and an afternoon <.ital with Mr. Brau; lecture by Barbara tal'-, " How to I\.take the Most of What O\'\'ClI. "History of the Organ 111 Amcri­ We All NCCtJ More of; Rehearsal ca;" student trotal; Augustana Choir Time''', by Mr. Rose. A seminar in open rehearsal; recital by Charles Ben­ which the conren.'Cs talk will be in· bow at Centennial Hall. cluded, and the day will again be con· TUesday, April 23: Lecture by Rob­ cludt.-d with Evensong. ert SdlUneman. "Tht: 19th Century further infonnatioll about the con· Gennan Organ;" lecture by Barbara ference may be obtained from St. Uwen; "Toward a Better Understand­ Thomas Church, I:ifth Ave. and 53rd ing of National Idioms:" lectun.. ·dcmon­ St., ~e" York City, N.\'. 10019. Itralion, by Robert Schunt:man "Brahms - A New Approacll;" a "rap" scssion by all on sudl subjt."ClS as the job market, the graduate !IeIlool, the European scene. W/UlAM SCHUMAN ELECTED tlte churCh job, and the futurc of the TO AMERICAN ACADEMY profession; open rt:hcanai by Augusta­ OF ARTS AND LETTERS lIa Choir; a concert of works including Motets 2 and 6 by Badl with the Au. gusuna Choir, and Concertos I and 4 '1 he cll.'(tioll of William Schuman, by Handel for organ and orchestra American mmposer, to the American (Keith Glavash and Barbara Brownlee, Academy of Arts and Letters was an· soloists); a recital of old music played nounced by the Academy at its annual by Robert. Schuneman at Trinity Luth­ meeting. The Academy's fifty memoos eran Churdl, Moline. arc chos.en from 250 members of the Montreal Church Gets New Wilhelm Organ FurtJter details and reservations may i':ational Institute of Arts and Letters be obtained. from TOIil Robin Harris. for further distinction. Now the fiftll ))epartment of Music, Rod:. Island, Illi. composer in the Academy. SchUman has Karl Wilhcllll Inc, of Sl. H)·acinthe. Sllil;r.noete ,,' nolS 61201. been a leader in educational and artis­ Quebec, Canada, has built and installed Quilile 2~ ' tic affairs for the last three decades. He a new organ in S1. Mattllias Church, Superoklave 2' THE LONDON ORGANIST it the Dtw was president of Lincoln Center for the Afll:tur IV·V I~' journal published by tlle London (EDIIaDd) Montreal, Quebec, Canada. The organ Tromptte 8' l'crforminc; Arts III Nc:w York City from comprises 3 manuals and pedal and Association of Orpnutl. blue No. I, Janu. rosmv :I.fy HIB. conlAilUl an intcrestinJ artide by 1002·69, and he served as presidt:nt of consists or 33 stops. Pedal towers on lIohlflotle 8' thc Juilliard School of Music from 1945· Lady Susi J ~ entitled " Male and Female COIch side of the white oak case frame Prinlipal ". 'Klalls·l'yramiden' or Johanna Kepter Mit­ 62. Hi. IIIwic indudes nine symphonies, thc Grt:at dil'ision in the center of the Kopptlnocle of ' undcntood," It i.t .bolIt H2lU1 Henny Jahan, choral works. dlamber music, composi­ case, while the Positiv division siu atop NiUOU'd 2W Il prominent fiSUrt or the t.:lrly da,. of the tions for voice and piano, the dance and the Grcilt and the Swell is directly in Watdnocle 2' Orpn Rdorm Movement in Germany, and upera. His selection by the Academy front or tIle player. The action or the Tierce 1%' how a. misuniknbndin, 01 Kepler'. theory Larigot IW comCS on lOp of numerous othcr honon. organ is enlil'Cly mechanical, ilnd one I~d him to classify various orJan ,topa .. Scharf IV I' "male" or "fema.le" .tops. The subjcct is im­ As onc of six of the newest members mechanical \'entil is provided for the Cromorne 8' of thc Academy, William Schuman will ponant, for Jahnn', idea ltd to the fouod&. Pedal Pleno. The design of the hutru· Tremolo tiona of present-day "Werlr.llriMip" idtat. The occupy Chair 7, which was first held ment was the work of Karl Wilhelm in SWELL new journal abo includa news And reviews of by t.dwanl MacDowell. His induction consultation with Stephen A. Crisp, or· Salidonal 8' London orpn evenu, into the prestigious Academy will taJ.;.c branist and choimlaster of the church. Holzgedadr.t 8' place in May, 1974. Blodr.nocle ". Voicing and tonal finishing was done RAY URWIN, a rtcent sn.duate 01 Obuli.a by Christoph Linde of the Wilhelm GetmluJI'lI 2' Mialurc III I' ConscrvatOf}' 01 Musk, pbytd Me:ut..co'. (inn. The dedication recital was held " Medital;ona on the Holy Trinity" at Chritt Till:: l'OCONO BOY SlNGIDlS directed by Dulti.an 16' on Nov. 4. 1975, and featured Allan Church Cathedral, Indiomapolit on Jan. 15 .:.. Benl:U'd Schade wert participantl aloDI SchaJmei 8' Wicks. A second recital of dedication Tremolo for the Indiauapolil: Chapter of the A.G.O. witb the College Choir of wt Stroucbburs Tht recital wu pan of the Chapter', 1973·74 ( Pol. ) SLatt College and the Coneuto Soloista was playtd on Nov. 28 by Raymond PEDAL Artin Recital Seria. of Phila:tdpbia on St. David', Day (March 1) Daveluy. The manual compass is 56 Prinv pal 16' in the Filth Welsh Musie Patival at East notes, the pedal 32 notes. Subba. 16' Strouchbul'B State Colle8e, The fatival in· Offennoete 8' JERALD HAMILiON w.u the orpnitt for eluded. tlae fint performance of :II commia. GREAT Octave '" • prog1llm or music: for OrpD and imtru_ • Ioaed work, "Welsh Folk Sons Cycle," by Bourdon 16' Rauschpfdfc IV 2' menu on Feb, 3 'at the University of ruinoil• Arwd HUJha, former head of the: Welsh DBC l'rimipal S' PtIiSOiIune 16' Urbana·Champaip, Illinod, Included 00 the Srmphony. The ptrlonnance wall tooducttd by RohrOocle 8' Trompete .' pmJl'2m wuc "orb by Haller, Sowero" MDa­ the compcMU', son, OwaiD H\I,ha. O6Itave ". Clarion '" an, Reyer aM Robert KcUy. Restore or Rebuild?- Readers Reply THE DIAPASON In our January rdilorial, we pointed to nn ad\'crtisemcnt by the 1\1. P. MUller Established in 1909 Company in another magazine which was conccmw. with the rrbuilding of the organ at Emmanuel United Church of Christ, Hanover, Pa. The fonner organist o( the church, Dorothy Ballingcr (sa first 1t~uer, below) suggeilS that it would be An International Montlll, Devoted to lI,e Organ interC5ting to compare the stoplisl of this organ from thl! time it was built with Ihe Harpsichord and Church Mluic the two succesin rebuilds. The three Jloplis15 are therrfore printed here in luccrssion, showing the c\'olution whid! she points DuL - The Editor MARCH, 1974 fditor ROBERT SCHUNEMAN E. M. SKINNER, 1929 ~I. I'. MOLI.ER REBUILD, 19i2 GREAT FEATURES Bourdon 16' (Pedal) GREAT lu.;n... MaMII.r Quiuladc 16' A SU"_r oj Drqaa Lit_tatun Diapason I 8' Edll1oru: G_rmaar aad Aulrla ••• DOROTHY ROSEIT Diapason II 8' Prillcillal 8' SiDe_ 1100 1IIIItgedackt 8' Clar-abella 8' bY" Madlau Krutz_lUt_la 3.6, 10-12 A.. i.'a ..' fdl'ar Principal 4' Octave 4' Mixlure llMV s"icZnale 4' WESlEY VOS Tuba 8' (Choir) Fiheenth 2' Frl'ncb 110m 8' (Choir) Mixture I11.IV Iv,' Con,riou';n. Editors Tnlmpet 8' LARRY .AIMER SWELL Clarion 4' LETI'EIlS TO THE EDITOR 2. 111·11 Horpslcltord Geigcn Diapa5Qn 8' Rnd Tremulant Rohr Flute S' Flute Cdole II SWEI.1. HARPSICHORD NEWS VICTOR WEBER Salicional 8' Vinla l'mnlluS;! 8' • Choral Mu.k Vox Cdelle 8' Viula Celeste 8' Gei~n Octave 4' Sllitzgedadll 8' APPOINTMENTS 15 -, Flnle Ccll!Ste II Milllun! III Prices: Oboe 16' liratant 4' • TrumlJeI Koppelfliile 4' r yr. - $7.50 8' SUMMER ACTIVInES USTED 16·17 O~ 8' (exl.) Octavin 2' 2 yr •• -$13.00 TrTlUulanl Mixillre 111 I' 51"",. Capr - $1.00 Conlre lIautboil IIi' CHOIR Hauthois 8' NUNC DIMITTIS I. 8adr Number - $I.7S Concert Flutl! 8' TromJlelte 8' (more ,lKrn 2 yr•• old, Gamba S' Schalmei -I' Duleiana 8' Trcmulant CALENDAR 20-21 1'HE DIA.PA.SON Flute 4' Tuba 8' CIIOIR 454 Soul', Wabash Avenue... Ruhrfliite 8' Clarinet 8' ORGAN BECITAL PROGRAMS 22·25 Cllieago, III. 60605. P/.one (312) 421·3149. French lIorn 8' Dulciana 8' Second·c1ass postage paid al Trcmulant Gemshorn 4' Nasat 2%' CI,icago, III., and al additional ANTIPHONAL n10ckUiile 2' CLASSIFIED ADVERnSEMENTS 26·27 mailing ol/ice. Dial);lJ()n 8' Tin.:e I~' Issued montlll,. Chimney Flute R' Sifllote I' The DiafHJs0n Ol/ice Publication ... Cor D'Nuit 8' Clarinet a' 01 Octave 4' T",nlulant 454 South Wabash Avenue. Dole!! Comet III All .ubscri~rs are urged 10 send Chicago, III. 60605. Tlumpet 8' ANTlI'IIONAL changes addrrss promptly 10 Ihe Diapa5UU 8' or Vox: Huntan3 8' o(fice or The Diapason. OUlRgcs Trcmulant Cur D'Nuit S' Ilouti"e items lor Public.tion IH' Octave of' must resch us before the 10th of the mUl' PEDAL Chimney Flute 4' monlh prrceding the dale of the received not later than the 10lh 01 the Resultant 32' (from CtlnU~ Bus) Dolce Curnet III 2%' first issue 10 be mailrd 10 the new mmlt" 10 assure insertion in lI,e issue Contra Bass 16' Tnllliliel 8' addres.t. The Diapason cmnot pm­ lor tile next month. For recital pro­ Bourdon 16' Tn'mulant grams and adverlising copy. lI,e e1en­ Oclave 8' (ext.) vide duplicale coptel mbsrd because Bounlon 8' (ext.) PF..DAL of a subscribe .... fallure to notify. ing date is tI.e 5l1,. Materials lOT re· Trombone 16' Itesultallt 32' view shOUld reacll the aI/ice by tile 1st. Oboe 16' (Swell) Quilltacle 16' (Great) Tromba 8' (ext.) Contrehasse 16' Bouroon 16' AEOLIAN·SKINNER REBUILD, 1965 Octave 8' (ext.) GREAT Gedackl 8' (ext.) Quintade 16' Gedackt 8' (ext.) Principal 8' Choral Bass 4' January 12, 19i-1 slorc an organ to an original or formcr Clarabclla 8' Sllitzf)ote 4' To Ihe Editor: slatc, cither because of curiosity ar be· Octave 4' Spitznole 2' (ext.) I want to commcnd )"ou for youI' cause onc rcmcmbers how it was and Mixture III-IV Mixture III 2' hOllcsty alll.l couragc as expressed in wants it that way, thcn successfully car­ English Trumpet 8' Grand Comet IV 32' the January DIAI'ASON cditol'ial, ricd out, thc projcct is a rcstoration Rohr Schalmci .... Contrc Hautbois Hi' (Swell) "Rcstoration and History." I too was c\"cn though somc rcbuilding lIIay be Reed Tremulant I'osaune 16' dismaycd to sec that Mollcr had joined necessary to achie\'c it. l£ one intcnds Chimes Posaune 8' (CJlt.) R"hrKhalmei 4' thc list of organbuildcrs who misuse the to improve the organ by altering its SWELL tcrlll "restoration." Ccrtainly their re· cxisting charaCler, then it is not are· Viola PompD$a 8' build oC Ule E. M. Skinncr ol"g3.n will sloration, e\'en though no rebuilding Voix Celeste 8' bc in their usual (inc Cashion (al· may be involved, but rathcr some re­ Spitz Gedcckt 8' Ihough I sharc your conccrn that at voicing, or changing the wind pressure, Flute Celeste 8' lcast a fcw of the bcllcr cxamples of or whatc\'er. Pratant 4' Koppel Flole .... Letters Skinncr's work hc prcscn:cd hllact) and Rcstoration is thc atlempt. nevcr Octavin 2' thcre is 110 rcasoll that Mollcr should completcly successCul. 10 prescrve or Mixture III January 21, 19i4 not take pride in ulis projcct. But rcturn to the jtalw quo. Rebuilding. Contre Hautbois 16' To the Edilor: "restoration" it is not ilnd one is often successrul. i~ to attcillpt 10 ad­ Haulbois 0' (ext.) YOUI' al'licle in the January 1974 i5sue tcmptcd to intcl'est Ihc Fcdcral Trade vauce bcyond the jtatw quo. On the Trompelle 8' oC TI-IE DIAP,\SON explaining restor· C.ommission in the "Calse and mislead· face of this slatcment. it would seem Tremulant ing ad\'ertisemcnt" aspccts of this case. Chimes atioll and I"chuilding was rcad with that rebuilding is to be preferred over great intclcst. I ha\"e elljo)'cd the othcr rccent Mollcr 11.'Storatioll. This would no doubt be CHOIR ath"cl"lisemcn15 and felt th:lt scveral of truc if it wcre also Irue that Ule history May I Cmther clariCy the develop. them wcre inCormative anti useCul as Rohr Flote 8' ment of the pipe organ at Emmanuel of :lrt is an cvolutionary process where· Dulciana 8' wcll, I hope, as being cffcclh'c in pro­ in things are always gClling bettcr and Gemsllom .... Unitcd Church DC Christ, Hanovel', Pa. dcscribed in the M. P. Moller Company lIluting the well·being of the Moller hctter. The truth of the matter, how­ Nasal 2%' (irm. I also carnestly hope that the advcrtisemcnt on pagcs 26·27 of the c\"cr, is that UIC fincst organs of Silber· Block Flole 2' Moller firm will not take umbrage at Tien:e 1%' mann, Schllilgcl'. et ai, are just as ncar· i\'m'cmbcl' issuc of MUSIC. The 1929 Ihis justified criticism. I also respect Simote I' E. ~1. Skinller organ was first rebuilt by Iy perCcct in their way as our most rc· and Clarinet 8' the Acolian·Skillner Organ Company in apprcdale their conlributions to ccnt accomplishmcnts arc. Furtllcnnorc. American organ culture, and I wish Tremulant 1965 with 22 ncw ranks of pipes added in ordcr to 111051 Cully undcrstand and to replace outdatcd SlOpS and modern­ them wcll in thcir endeavors. appreciatc the compositions of compo· ECHO Uoth "rebuilding" and "rcstoration" Diapason 8' ize thc instrument. The stop list for SCI'S who wrote for tllese instrumcnts are tcrms Cull of possibilities for cnd· we must ha\"e these instrumcnts. unal­ Chimney Flute 8' this OI"gall appeared 011 page I of the less disclIS5 ion. "Rcbuilding" is a timc· Cor de Nuit 8' Dccemhcl' I9W; issue oC THE DIAPA· tcrcd and in Uleir original conditions. Octave 4' SON. honored praclicc. so old in f:lct that to play them on. Mixture III it crcatl.OS problclIIs for "restorcrs." The In 1972 thc Mollcr Company COIII­ America is fortunate to have a spokcs· Trompette 0' old organ in Sion, Switzcrland, was JUall such as you to speak out on this Vox I1umana 8' pelely relcathered the organ, replaced huilt ill the 14th century and rcbuilt subjcct. Schweitzel' said that thc search Tremulant the 1929 4-malilial cOllsole with a 3· in thc 18th. Should the rcslOration in Chimes manual Moller console, and made fur­ for the good organ is part of lhe seardl rcccnt ycars attemptcd 10 ha,"e rctunlcd for truth. Part of the search Cor truth ther tonal changl.'S adding 8 ranks of it to thc 14th ccntury condition (about IIEDAL pipes. in good organs is the honcst use of Resultant 32' which little is known. thus making a tcrms. Surcly things al'e not too black Quintade 16' (Great) It would bc of intcrcst to readers 10 successful restoration a qucstionable as long as we havc people wiul the Contre Basse 16' compare the three stoplists and realize possibility at bcst) or wcre the rcslorers Bourdon 16' courage to be outspokcnly honcst. rhe actual c"olution of the instrumcnt corrcct in rcturning it as ncarly as Sincerely, Octave 8' {ext. } 10 its prcscnt statc. possiblc to its 18th century state? Gedcekt 8' (est.) Sinccrely, I Georgc Bozeman, Jr. Choral Bass 4' You suggest. correctly think, that Contre Hautbois 16' (Swell) Dorothy Ballinger it is often di((icuit 10 dctermine wheth­ Bozeman-Gibson and Co. Trombone 16' Organist·Choir Direclor (1954-1969) cr an organ has been rcbuilt or reo Organbuildcrs Tromba 8' (en.) Emmanuel United Church of Christ stmcd. I feci thai probably thc mallcr Lowell, Mass. Chimes Hanover. Pa. hinges on intcnt. If onc intcnds to rc· (Conlinued, page 18)

2 THE DIAPASON ~

1 he leading figure in Gennan organ Ji(urgical renewal was In progress dur­ literature at the beginning of the 20th ing the same period. The movement century was Max Regtt (1873-1916) •• gave added dignity to the organ pro­ ASurvey Of Organ Literature & Editions: musical giant whose reputation and in­ fession and stimulated the creation of Ducote continued to mount in the yean .. large quantity of liturgical organ following his death. As his works repre­ music. sent the culmination of the German Ro­ Johann Nepnmuk David (1895- ) mantic school, they have already been comributcd an enormous body of organ Germany And Austria Since 1900 discussed in an artide treating organ music incorporating the ideals of the music of Germany and Austria between Orgelbewegung and the liturgical re­ 1750 and 1900 .. Reger's Kyle was imi­ ronn. His monumental $Cries entitled lalec.l. directly or with modifiCil.tioru, by Das Ciloralwcrlt, numbering 19 vol· By Marlloll Kratzensfeln numerous composers, capedally during Umcs, is tbe core of his organ produc­ the first three decades of this century. tion. The early volumes contain shorter Max Gulbin. (1862-1932). Sigfrid Garg­ chorale compositions of every conceiv­ Elerg (1877-1953). J-ph Haas (1879- able type. a veritable encyclopedia of 1960). and Karl Hoyer (1891-1936) are work in this genre. One finds plain and a few of the men who emulated the ornamented cantus firmi chorale prel­ Reger style. Like Reger, they employed udes, the chorale fantasy. the chorale rich harmonies. but wrote contrapunt­ partila (in which canonic writing ap­ amI tone rcpetition (Reperltwsionsmt:l­ sonatas ror nearly every existing instru­ ally. Their music: hu that panicular pearl with great frequency), introduc­ odik) _ ment. The Hindemith sonatas, and the brand of chromaticism which bean tion and fugue. prelude and (ugue, toe· AnmmermtlSik Nr. 7 for organ and (Example 2) Reger's &tamp. They also utilized the ala, fantasy. passncaglia, and other chamber orchestra (1928), stand some· wide dynamic possibilities of the Ro­ fonns, all of them based on chorale Another pathfinder was Emst Pep­ what apart from other organ works of mantic organ. Their works have sudden. c.hemes. David's early Clioralbearbeitun­ ping (1901- ). He, too, was most this period, since they have no connec­ dramatic drops from III to pppp, as gen rank among the most important successtul as a choral composer. yet held Lion with the Orgelbewegung. the Prot­ well as expansive aescendi and decre­ productions of the Gennan organ at the same time a prestigious position estant chorale, or with any liturgy. A scmdi, achieved through a skillful use school in the 1930's. His well-known in Lhe organ world. Inspired by the study of Hindemith's compositional of the Rollschweller (the German preoccupation with canon and other Orgdbewegu'lg. the church music reo !ltyle would exceed the scope of this counterpan to our crescendo pedal). contrapuntal l.Cchniques. stimulated by form. and developments in the musical article, but one would like to recall a In the period following the First his stUd), of Bach's Kunsl der Fuge, is world at large, he wrote a great number single fact - often forgotten - that. World War, the Reger style continued ;tlready apparent in these works. but of orga:n works employing Baroque Hindcmiul, in his organ mwic. built tu dominate, althougb it was frequent­ tlle Kverity which is characteristic of (orms and techniques ID a modern wn­ upon certain elements of the Reger ly combined with new compositional hi!! late compcWUoru is lacking. The text. As illustrated by his Grosses Or­ tradition. A close cx;a.mimluon of die methods to form a transitional style. (ullowing example is taten from his gelbucll, Kleines Orgelbucll , niilunisclles organ works of these men would reveal Heinrich Kaminski (1886-1946) wrote Parlita: Acll, wie lliichtig. adl wit " iel,­ Orgelbucll, etc., Pepping devoted him­ traits which tbey have in common. The in this manner. deady indebted to tig (Das CllOralwerlt, \'01. HI). self far more to CI'Gf'atbtarbeitungen reader is hcre rcferred to Hans·Ludwig Rrger. yet experimenting with Neo­ than to free Olgan works. He especially Sdlilling's article, "Hindemiths Orgel­ Baroque techmques. Kaminski is be­ (Example I) preferred the cantus linnw chorale prel. sonatell" in Musik and Kirclle, XXXIIII lieved to have been the first 20th-cen­ Anotber central figure in tJle church ude and the chorale partita. Unlike Dist· 5, p, 202(1. tury composer to employ terrace dynamo music renewal movcment was Hugo Dist­ IeI', Pepping did not specify c\·ery de· As for the performance of Hinde­ ia_ In his Toccata, published in 1923. ler (1908-1942) _ Although hi. organ tail of tJle registration. Still, he obvi­ mith's works, one should remember the: be gave the following instruction: "The piecl!S are nol as suollg as bis choral ously had Baroque, or Nco-Baroque, composer's instruction: "Organists wbo author urgently requests that one limit compositions, his organ style (onned a sonorilies in mind. Pepping's works ha\'c crescendo amI swelt pedals at their onaeU during the entire work to the in­ point of departure for much liubse­ ha\'e 5OII1ctimes lK:cn criticized as being disposal are free to intensify the ex­ dicated manual changes and that one quent organ composition, especially in more idiomatic to the pia.no than the pn.-s.sion beyond the prescribed volume completely forego c.he usc of the cres­ l' rotestant circles. While organist at the organ. In some cases (lDc1uding some indications ulrough the use of richer cendo and swell pedals, as well as all Jat.obikirche in LUbeck, he composed of his most famous pieces) this critidsm coloring and dynamic transitiODl:" The 'colorfulness,' sinee that would contra­ 1iC\'erai CliorDlbearbeitungen for the side is justified, but it docs not hold U'ue sonatas, seen (rom the standpoint of dict the Ipirit of the work:" Hermann organ of this church, a particularly ex· for all of his works. their form, call basically (or terrace dy· Grabner (1886-1969). prominent theo­ qUisite insU'ument dating in part from nalilies. Yet Hindemitll, as the, pn::vioul rist, 01150 employed eiementl of the tlle 15th cemury and cnlargtd in 1636. (Example ! ) quotation indicates, was not a purist in Reger Ityle, such at his chromalidlm, These piCCCl a.re belieVed to be the Several other composers made wntri­ this respect. in combination with techniques of the earliest examples of NCO-Baroque com· butions to organ literature during ule The sonala. of Hindemith immediate­ pon-war era. positions specifying precise rqistration 1930's, among tlu~m, Wolfgang Fortner ly attained iUl authoritative position in Franz Schmidt (1874-1939) . Viennese on a specific instrumcnt. Inspired, on (1907-) . Karl HaUer (1907-) . the org::1.11 world, Nearly all Gennan or­ composer and pedagogue, produced the • one: hand, by historic instrumc:ntl, and Gilnther Raphael (1903-1960)_ gan composers of tlle next two decades large quantities of Romantic organ mu­ Distler was equally motivated by his The 1930'5 also witnessed the birth (and several Austrians) were influenced sic during the 1920'1 and '30's: Influ­ study of pre· Bach music, especially Bux· o( Hindemith's first two org:m aonatas, to a grCilter or lesser extent by these enced by Bruckner and other late Ro­ tehude. Distler's treatment of chorale with the third sonata appearing in 1940. works. One 5C:CS this in the rhythmic mantics, Schmidt wrote organ composi ~ melodies recalls Buxtehude', chorale These works wcre produced during Ule and melodic patterns, in the form, the tions of symphonic 6COpe, intended for preludes, with their octave figuration time that Hindemith wal composing hanllonies, the phrase divisions. etc. an orchestral organ. With a few excep' Two oUlcr giants of modern mwic. tions. hi, works wander without an ape Arnold Schonberg (1874-1951) and parent goal and seem virtually endless. Ernst Krenek (1900- ) wntributed Schmidt's style of writing W3I nOl Ex. 1. David, Parti/a: J4cll, wit IlUchlig, ach wie niclltig, movt. I. m.I""'. and to organ lituature. but only in a peri­ typical for this period. By the late: movt. 3. m.1·2. pheral way. Schonberg'. I'analioru on 1920's and early '30's, mOlt organ wm­ a ilecitative is not idiomatic to the or­ posen had adopted either a transitional ~.f, . -~,~ bran and, in this author's opinion. would or a true Nco-naroque Ityle. Several de­ attract little attention if it had been velopmentl were relponsible for thil. = composed by someone less famous. Doth Chief among these was the movement the Sdlonberg work and tbe one-move­ known as the Orgelbewtgung, which / ment Sorlata (1941) of Krenck were began with the rediscovery of old iD~ .. wriuen aher the composers had moved Ilrumenll and their subsequent restora­ to the United ~tates. tion. The eJSeDtial characteristia of The bulk of German organ mwic of Baroque organ building. particularly of ~1" .. IlLJJ( Lhis period came, not from wor1d - fam~ the north Gennan type. then became ous composers like Hindemith. but the model for nto w organ construction. from orgauistl and dlurdl musicians. Albert Schweizer, WUibald Gurlin, Hans J Hans Friedrich Micheelscn (1902·1973), Henny JanD. and Oscar Walker, were who wrote CI,oraibearbtilungen during " lbe 19~O's, began in the following dcc­ leaden of this movement. Karl Straube. Ex. 2. Distler, Yorspiel: "Christe, Du Lamm GOlles," m.1-3. in addition. was one of the fint musi· ade a series of works which he entitled cians to prepare new. practical editionl Orgelkollurle. Usually based on chorale of Baroque organ works, thw acquaint. H!"'~,- ~~ .. J ~ tunes, these extended compOsitiona are o ~_{. ROt. " .1. ~ ing tJle organ public with an enormoul - for organ alone. Under Pepping's and, repertory of neglC'Ctrd music. A, a re­ a~ particularly, Distler's influence. Helmut sult of intense racareb activity and Ip-L...-, Jlornefehl (1006- ) and S i cgfr~ publications, there ilrosc an overwhelm· Iled. (1916-1968) .upplied .fOnsider.lble 109 interest in Baroque mUlic. ID (t.£ Gebrauclulliusilt for tbe Proicstan~ lit­ AI seen within a broader framework, urgy. Reda also wrote a number of the ideals of the Orgdbtwegung co· -r larger works whicll he called ofgan ordinated beautifully with the search concerti, although they are for organ for clarity and objectiVity which waJ alone. The mode:! for Reda', concerti sweeping over the European musial -p was obvioully the Hindeinith IODaW. world in the 1920·s. For producing dar­ Eberhard Wenzel (1896- • ) , Jobannel ity in all the pana and for delineating " Weyr.lucb (1897- ). Kurt Tho.,.. Ex. 5. Pepping, Yorspiel: Wir wollen aile Ir'iihlicll scin," m.l-6. contrapuntal lines, the Genom Baroque (1904- ). Reinbard Schwan-SCbiUing organ was certainly uD.lurpaaed. (1904- ). and Kurt Fiebig (1908- In the Protestant church, and to a " Aofo" .....1 ··· ~ ~ ) also added to organ literi.ture at leuer atent in the Catholic church, a •- =1-==v)J: this time. . - I T be o\'cnvhelmillg majority of Ger· , IJ • I" ~ _. -- mall organ composers were ProtClitant. Mrs. Kral:enstt:in is a gradwde 01 -- but some lUusicians connected with the ~ .J • I Calvin College a"d Ollio Stale Univer· I II~ ~,Ull Catholic churdl are also worthy of note. sity. She has also studied with Andre Hermann Schroeder (1904- ) and MarclJal as a Fulbrigh' grantee. Slle I,as taught at Calvin Collegt and Sam Joseph Ahrens (1904- ) each fur­ Houslon State University. TI,e present ~ nished the Catholic liturgy with a coo­ article is the ei,hth in a r:ontinuing siderable amount o( new music. In ad- seriCj. .f (Continued, /JG,e 4)

1MRCK 19U- ,3 (Continued from page S) Ex. 4. Schroeder. No. VI of Kleine Praeludien und Intermeui, m.I-G. In Vienna, Anton Hemer (IY2S. ) • active as a concert organist since 1940, dition to liturgical pieces, Schroeder has began to acquire recognition as a com­ written several handsome concert works. poser in the 1950's. His spiritual kin­ ship with Hindemith and David is par­ (Ex.mple 4) ticularly evident in his early works. Ahrens. besides his works (or tbe Cath­ Later compositions. such as the Ecce olic church. wrote a 3-volume cycle of lignum crucis and the Tan%' Toccata, Protestant chorale settings for the lit­ were partially inspired by the French urgical year, J .N. David, one would like school, especially Messiaen and Alain. to point out. was also a Catholic. His church arfiliation did not hinder him (Example 10) from making the single most voluminous Franz Augustinus Kropfreiter (19S6- contribution to Cluwalbearbeitung liter­ Ex. 5. David. Partita: "Da Jesw an dem Kreure stund," movt. 8. m.1·6. ) . organist at the St. Florian mon· ature in the 20th century (Das C/lOrtJl­ astery near Unz, has written a number werh). Obviously, the chorale had be· of organ works which frequently appear come a general regenerative force for or­ on recital programs. For organists and gan music. Its significance was not lim­ listeners whose experience with modern ited to Protestant circles. , In the 1950's and 'OO's, many of tbe music is limited, Kropfreiler's composi­ tions are quite accessible. His manner composers who had been prominent in of writing is oflen gentle. yet he usually the previous two decades continued to 'I..J..U I IJ.-I I I I r r Ij.. I~ I manages to avoid cliches. One o( his make substantial contributions. Some­ favorite (onns is the partita. times their late compositions were mark­ edly dif£erent from those which they (Ex.mple 11 ) had writlen earlier. Ernst Pepping con­ - tinurd to write C/lCwalbearbeitungen As other Austrians who have contrib· J. N. David pursued his interest in Ex. 6. Genzmer. Die Tages:eiten, part I: Der Ab ~ nd, m.I·S of the Coda. uted to organ literature. one mentions chorale composition. as well as free com· lIt ~ .. l! ;-(~ Karl Sch i5ke (1916-1969), Paul Angerer poSition. His late works are sometimes T_...,...... -.... ~ ,... ~ (1927· ), Herbert Tachezi (1930. severely cerebral. exploring the most ). and Peter Planyavsky (1948- abstract types o( polyphony. The poly· ) , ~' ~ .,. tonal excerpt (rom Da Jesw an dem " . - I .~ In Germany, a country proud of its Kreu:.e sllmd is a good example of his organ tradition. the number of com­ mature style before it became exces­ ,f posers who have written for organ in sively abstract. .."r--r r r '" r r....~ the last (ew decades is staggering. As is (Example 5) usual with the Gennans, good crafts­ mamhip is virtually taken for granted. Wolfbrang Fortner. who had not written Thus, the list of names would be most for organ since the mid-SO's, made a (j(',') I'" " impressive. if one were to mention all noteworthy contribution witb his three the German composen who have writ­ Intermezzi (1965). serial compositions Ex. 7. Kraft. Fantasia: Dies Irae, m.1-3. ten well·constructed organ pieces. If all employing tonc clwters, pedal glissandi. of their works - or even the majority and complex rhythms. Paul Hindemith, -,. of them - were inspired. one would whose most recent organ work had rejoice at such a caclle. This, unfor· datrd from HMO, made a welcome addi­ lunately. is scarcely the case. For my tion in 1962 with his Concerto for or· own list o[ modern German organ com­ gan and orchestra. Weyrauch. Wenzel. Bo..t ...., posers, including those already men· MiclleeIsen, Ahrens, Schroeder, and tioned and those about to be discussed. Raphael continued to make hequent , I bave restricted myself to composers contributions to organ literature. I' ~.'''fl who. in my opinion, have somethmg to Several new names also rose to the .,'" • offer beyond good craftsmanship. The foreground at. or after. mid·century. , choice is admittedly subjective. since I One of these was Harald Genzmer find it impossible to be otherwise when (1909- ) . Basing his style on the Ex. 8. Baumann, Toccata, m.15-16. the subject matter is so close in time. Hindemith tradition. he has written , . ..: Among composers not yet discussed, organ sonatas and other attractive works Jllrg n.ur (1918. ) and H.ns·lud· for organ alone or with instrumental wig Schilling (1927- ) are worthy o( combinations. note. Baur. whose works are concise and (Ex.mple 6) rhythmically alive, has composed in a dodci:aphonic style (rom the 1950's un· Walter Kraft (1905· ). whose early '. til recently. when he appropriated cer­ works were destroyed during the war. tain avant-garde techniques in his published in recent years three large Choral-Ttiptycllon. The following ex­ organ compositions. His Dies lrae, cerpt is taken from the Partita: AIlS rhythmically subtle and hannonically 'ieler Not, whidl dates from 1965. \'aried, recalls the north Gennan Clu1f"al· (Example 12) fatJIasie tradition. Ex. 9. Eder. Partita uber ein Tllema von J. N. David, movt. 2, m.1 -4, 6. (Ex.mple 7) n O,ti.4t•. u..,i. (J C Uo. If,) Schilling. who has inlegtat.ed elements of tile Hindemith tradition and of the Max Baumann (1917· ) has also modern French school into his Ityle. provided some enjoyable pieces. IUch as lP'e ...... R;,.".~ likewise has a flair for rhythmic organi­ his popular Concerto for organ and ...... zation. Counterpoint plays an important string orchestra with timpani and his - role in his music. and he has a parti­ SOrlatirle for organ alone. J ~ cularly fine understanding of organ (Example 8) J "-_J '-J color possibilities. The following ex· .... ,f' cerpts illustrate certain aspects of bis Johannes Driessler (1921· ) has con· '" work, which deserves to be better known tributed 20 organ sonatas fQr use 0) ' than it is . throughout the liturgical year. Heinz I-'{ '.;r ... , ~ ~ i + '": ... Werner 7.immennan (1930. ) • of the (Example 13., 13b) Spandau church music school in Derlin, wrote a set o( Orgelpsalmen, attempting Wolfgang Stockmeier (1931. ) h", to translate into sound the psalm texts. produced a large number of organ word for word. Two other Berlin musi- works of varying types (serial composi. cians, Helmut Barbe (1927- ) and tions, works graphically notated, and Frank Michael Beyer (1928- ). have morc conservative pieces) . The (ollow­ also added to the literature. both for ing example, taken froID the Variation­ organ alone and with instrumental com­ en fur Orgel "nd Blec/,bliiser, ahowli binations. Also active were Helmut Wal· one of his works based on the 12-tone ch. (1907· ) and Kurt Hessenberg tecllllique. (1908· ). In Austria. Helmut Eder (1916. ) (Ex.mple 14) and Josef Friedrich Doppelbauer (1918· ) • professors at the Salzburg Mour­ In addition to several concert works, teum, have written some successful or­ Stockmeier has composed an impressive gan works, including cOrletrti. The Ex. 10. Heiller, Ecce lignum crucis, m.52-26. amount of organ music for the church rhythmic organization (sometimes serial service. organization) of Eder's works is perhaps ~T Serial composition has figured quite the strongest single element of his style. prominently in Gennan organ literature, The example which follows is taken especially of the 1960's. In this regard. from the delightful Ostinato movement one think.s of tbe works of Konrad Lech· of his Partita uber ein Tllema von J.N. ncr (1911. ), Giselher Klebe (1925· David. ), and several others. Complex rhythmic patterns and frequently chang­ (Ex.mple 9) ing registration have become trademarks Doppelbauer's works. some for concert. of this type of organ composition. others for liturgical use, often show a marked influence of Hindemith and Aleatory works for organ. partially or David. complelCly graphically notated, began .. THE DIAPASON to appear in the 1960's and have be­ for himself there, .. Mauricio Kagel with a reed chorus appropriate, though SCHWELLWERK come fairly common in the present dec· (1951- ). An ImfJroviS4Uon ajoutie not ideal, fOf Romantic music. Large Gcdadr.tpommer 16' ade. P~udo·electronic sounds are pro­ (1961/62) and a pj,antIJJie lur Orgel imtruments sometimes have variety Blciprimipal 8' duced on the organ through manipula· mit Obbligati (1967). in which tape reo stops. such as 1 1/7'. 8/9'. Ten:none Spillpreire B' Unda maN 8' tion of the motor. the stopknobs. and corders provide the obbligato pans. are (I 3/5' + 8/9') or ObeT/6.e (I 3/5' Ontave 4' through other unconventional tech­ his contribution to organ literature. + I 1/5' + 8/9' + 8/15'). prized for Querlliile 4' niques. In this type of composition, lsang Yun (1917- ). who likewise their usdulness in modem improvisa­ Nasal 2~' many factors are left to the perform­ is not Gennan. but has been living in tion. The Nee-Baroque organ was an F1autino 2' er's discretion. so that the element of Berlin, has written a work entitled instrument perfect (or the music of Tcn t'"'" chance is an essential ingredienL Tu)'aux sonores. This appean to be Bux.tehude. Bach, and Distler, but it Obcrtl)nc t~'. 1!Ij'. II/~, 8/l5' Through these qUiUi-improvisational one of the more successful organ works was iIl-witm to Romantic music and 10 Mistur V-VII ranu, I~' almost all (on:ign literature. The mod­ Tcruymbel [II rub, tl6' compositions, the sonaroll possibilities of in the aleatory pre. An aleatory work Fagott 16' the organ have been greatly enlarged. more easily approachable than most is em Gennan organ, on the other hand. Trompelc 8' It appears. however. that other mU5icai the Myriaden II of Dieter Acker (1940. is designated for Gennan music fint of F ranwsisc:hc Oboe 8' values have been 311 too frequently neg· ). a Rumanian (from German­ all (including Reger). but it accommo­ Klarine 4' lected. One assumes that successful speaking Transylvania), who took up dates fairly well much of the French Tremolo works in this genre will be forthcoming residence in West Gennany in 1969. ]t rrp~rto;re and the literature of other in the next few yean. since several b. significant that Germany has o(fered countries as well. The following speci­ BRUSTWERK German composers have recently tried more encouragement to composers of fication is of the "Marienorgel" built Hobredackt 8' their hand at onc or more compositions avant.garde music than has probably by the Rieger firm - one of four new BlockOote 4' Prinlipal 2' of this type. any other country. organs in the MOnster of Freiburg in Gedacktfl5te 2' The work. which. more than :llny Other composen who have made note­ Brcisgau. Tcna.n t~' + I~' other, launched aleatory composition worthy contributions to modern organ OIttave I' into the organ world was Ligeti·. fam­ literature are: Kurt Bossler, Dietrich HAUPTWERK Glodceuymbel 11 tuu, v,' ous (or infamous. depending on one'. ,,'on Bausznem. Harald Heilmann. Rein­ PriruilMl 16' Vox huftlaDa 8' hold Finkbeiner, Werner Jacob. Rudolf Oktave 8' Cembalo-RqaI 4' point of view) Yo/umina (1961/62, reo Rohrnate II' Tremolo vised 1966). which consists exclusively Kelterborn. Manfred Kluge. Berthold SpiWl&tc 4' Hummel, Aribert Reimann. Walter of tone clusters. both stationary and Oktave 4' PEDAL moving. Schindler. Joachim Schweppe, and Wolf· Spitzquinte 2~' gang Wiemer. There is no particular OktaYe 2' Prinzipallwt 16' (Example 15) connection between the various compo­ Mixture VIII ranks. 2' Subbau 16' sen just mentioned. A wide variety of Cymbd 111 mnu. ~' Okla" ft' styles and teclmiquc5 b represented in Komen V ranu Gcdackt ft, Gyihgy Ligeti (1925. ). who took Tn:unpcte 16' KoppeUlOtc 4' up fe:sidence In Austria in 1956 and their wods. the range extending from Trompete 8' N.c:bthom 2' later In Gennany. has sub.5equently con­ Hindemith·innuenced compositions to Klarine 4' RauschpfcUe III n.nu, 5~'. '~'. 2.2n' tributed two additional org:1O works, extremely modem pieces. Mistur VI nnb. 2~' Harmonies and Coulie. The latter of The organ type which predominates POSITIV ContralalOll 32' the two tests the composer's theory that today in Germany. and to lOme extent Prinzipal 8' Trompcte 16' extremely rapid figurations will be in Austria. is no longer the strict, north Metallpdackt 8' Trompete 8' Gennan Nco·Baroque organ favored by Prinzip&i 4' Zink 4' heard as being almost static. While Lt­ Rohtfl6te 4' Tremolo geti is not a Gennan. his impact on the Orgelbewegung. The current organ Gcmshom 2' modem German organ music has been type. although based upon the same Gemsquinte 1!1' EDmONS 50 remarkable that a survey of Gennan· principles as the Nco· Baroque instru· Sesquwlt.cra II raw Awtrian Jiterature i. not complete: with· ment. h;u been modified to accommo· Scharf IV-VI ranb. I' Acker: Myriade. II (1972). Cologne. out reference to him. Another foreigner date a larger range of organ literature. Duldan 16' Gerig Verl.g. ORG. .. INSTRU· Three.manual organs usually bave one Schalmq 8' who has lived in Germany most of the (Corllinfled, page 6) time since 1957 and has made a name division under expression and furnished Tnmolo Ex. Ub. Schilling. Cllaconne nouvelle, m.3I-M. Ex. 11. Kropfrelter, Aroria durcll ein DOffllllald ging, movt. 5. m.6·IO, 16·18. LQ-ftd.' ...... J -u --- r:-n

Ex. 14. Stockmeier. J'arialiolJen lar Orgel find Blecllbliiser, m.l-2. 8-12. Wi. ~ilC, Z .... "../'s..u .... ",.<1/ Ex. 12. Daur. Parli'o: "Jfw lieler Nol/' rno ... ,. I. m.4-8. - ~

b,.;4 51- f ...... !'I -=- ,'-: '-

... ; , ,,-.:., > -;~ pjC \f- IT iff Ex. Hla. Schilling, FantIJJ;e 63 aber Veni creator spiritw, 1· 10. < •. 11&. r.\ , 7 3 J_' ~" - . ~-,- "':':"':.oJ .., ,,; . =-:.. - ~ J . - Ex. 15. Ligeti. VoluminG, reheanal no. 34. ® • ""I.Iw., , ,,,

.' ~"f .. i..... tt-f ... "' ... ",.,ft.>. ..,...... r ... 4 ..... 1\0..-, '...... Ii__ (... "-': tl~ ~ ~ -f·- ...... i ...... ,..i~·' • -1 II.""' ••of • ...... ,..1._ ~-'.', fei" ...... ,.,..... _"t ,""") ...... ".,lrj~ .. - .I. ", .. L II"." . ~ ...... 1 ... 1...... If ~... ~. .. •• w, ...... ')- " '/.k,. N• ..! A., u;"'" J':ttc.. If,.-./. A&/ ",:, ...... 1wI.r.. JIf.....t. 1 ...... I"t.~ • '" ...... "i 1M./'; ... J,;',! . " ... N ".!- J ~ .. oS .-.. ,01,... .. { ... ~

MARCH 1974 5 (Continued from page 5) I'elon. Ol!.G. Ii< INSTRUMENTS: cated.. 5 SliJche, op. 40. Parti", fiber ein Hellmann: Meditation fiber B-A~C-H, MENTS: Myriaden 1 (1971) ror organ ChornlJoraate1: Lful meintm lieben Gott, Tllemd von J. N. David, op. 42. Wies~ Heidelberg. Willy MOner, 1959. Dipl,­ and ~rcu5Sion adJib., Cologne, ~ i g. fOf Oute and org. (or positive organ, baden. B~itkopf &: H!Ertel. Partt'la: 0 ChOf1, Wiesbaden, B~itltopr I: H!lrtel. piano. or harpsichord). Heiland, reiu die Himmel au/, op. 47/ 1. 1960. Partila ilber "e/trist ist erJUlnden," Ahrens: Puhlishen are A. Dohm (Augs­ Parliln: Ad, wie fliJchtig, op. 47/2. Par­ Wiesbaden. Breitkopf &: HArtel. 1961. burg). B. Schott's Sahne (Mainz) and Bossler: Publishers are Merseburger lila: Es sungen drei Engel, op. 47/ 3. Pen/asia. Wilhelmshaven. Heinrichshol­ Willy Mnllcr (HeIdelberg) . Kleine (Rerlin), Kistner "Siegel (Lippsllldt/ Parlila: Gell H immd (Jufgefahrm ist, en's Verlag. TWO ORGANS: PlWaCllg­ Weilmaciltspartita, Bilhm, 1929. Can ­ Cologne), .nd Willy MOiler (Heidel· op. 47/ 4. Choral·Suite, op. 48. Pox me­ lia. Heidelberg, W. MOiler. ORG. &: IN­ :zone (F) . Biihm. '950. Prneludium. berg). 3 OrgelstOcke, Mer., 1956. 8 di • • op. 53. ORG. I< INSTRUMENTS: STRUMENTS: FanttlJie lilr Violoncello A, rie lind Tocc:ala., BOhm. 1951. Toccata Chornlvorspiele, 2 bu., Mer. Partita: KonUTI, "L'hornme armi," op. 50. (or ,md Orgel, Berlin. Sirius Verlag. Sirius eroicn, Sch., I 93g .. Pa~tJmer.z.o tlnd Fuge. lIeut singt die Iiebe ChriJtenheit (Die org. &: orchestra. Mement" for positive publications are now by Helnrichshol· BiShm, 1953. RicerctJre, Babm, 1954. Orgtd 1/6) • K &: S, 1961. Freiburger Or­ organ and 2 string groups. en's Verlag <,Vilhe1mshaven). PaTtitn: CIJrisius isl erslnnden, Sch. o f,!ellmcl. (Die Orgel, 1/9), K 3= S. 1005. Fiebig: Pr81udium und Fuge, Leipzig. Hessenberg: 2 Choralpartiten, op. 45/ 1935. HymnUl! J'angc Lingua, Sch .• 1935 . Heidelberger Orgelbuch (Die Orgel 1/ 5 kleine StUcke, B6hm. 1956. Reginn C. F Peten , 1948. T r;osonale, Leipzig. 1&2. Mainl, SchotL Triow nau, op. 56, 20) , K &: S. 1968. E.scllatologiuhe Ko"­ C. F. Peters, 1949. Choralfantasie: In Mainz. Schott. 1955. Praeludium und coeli. B6hm, 1957. Dorische TocctJln l lemfJlation (1969/10). ,V. M., in prep­ Rahm. 1958. FatJlasie, Gr4Vt: una Toc­ dicl, hab' ich gehoffet, HetT, Berlin. FII, e, op. 65/1 (1952), Frankfurt, G. F. aralion. ORG. &: INSTRUMENTS: Kon· Sirius Verlag (now Wilhelmshaven, Peters. Toccala, Fuge und Ciacona, op. cata, nahm, 1940. -Kleine Musil in a­ lrOOt!Tle for orgot" and flute and piccolo, rn all, nahm. 1940. K01IUTt in e-moll, Heinrichsho(en's Verlllg) . OrgeichOf'a/­ 6' 12 (1952) . Frankfurt. C. F. Peten. performed alternately by one flutist (2 btlcl, (

The giant concert organs, with their vast consoles, and hundreds upon hundreds of ranks, have an undeniable thrill about them. Where else, indeed, can one find sounds of such diversity, organization, and power, all under the direct control of a single indlvidual1 But gather together that many ranks of pipes (or oscillators, for that matter) and there are problems: cost problems, maintenance problems, tuning problems, and more; so many, apparently, that no one has had the resources, or the stamina perhaps, to build one in decades. But times are changing: Someone has produced an organ free of such problems. It can be built as large as anyone ever dreamed, say 500 ranks, for example, with none of the periodic voicing, main­ tenance, and tuning require'n~!!!~ ofJth~ others. Funds are still needed, naturally, but, comparatively ~peakihg; substantially fewer than one might expect. The "someone," of course, is Allen. The instrument we describe is our Digital Computer Organ. Already highly successful in "smaller" versions·, it awaits only that special person - one with a dream for an instrument that goes beyond anything done before. r------I Allen Organ Company Department 0374 Macungie, Pa. 18062 • up to about 100 ranks, that is o Send information on the Allen Digital Computer Organ. o The project you describe intrigues me. Please get in touch. AUtu NAME ORGAN COMPANY ADDRESS ______. Macungie, Pa. 18062 L ______C 1t 7 4 .- Toccata in F-sharp minor, Bach: Sana· last appcaranCt! $Cheduled for May 16 harpSichord workshop will ~ featured. las in G, n minor, E, and D. Domenico at New York's Pierpont Morgan Li­ The dalC3. August 20 to 27th. During HARPSICHORD NEWS Scarlatti. brary (or Ihe inlcrnational Pelrach the CIltlrsc of Ihe week Keith Hill, pro. The Dallas Chamber Music Society convocation. Citing "uncertainty of C('~sjon:ll h3rpsichoriJ maker fro m Memorial Presb)'terian Church, Mont. pracnted the NEW LONDON SOLO­ hookings and the resignation of George Grand RapidS. will supenise the final gomery, A1abama, was the scene of a ISTS ENSEMBLE from England on Houle. the current music director" 311 asscmldy of a two-m3l1ual Hubbard kit Bach Fcstind Concert on September 29, January 14 in Caruth Auditorium. ronlrlbuting facton. Mrs. Noah Green­ harpsit:hord. He will gi\'1! dOlily lectures 1975. The program. Concerto in C Ala­ SMU. Baroque works on the program IJerg. wiiJow of the group's founder, an· iIIuSlrating each step of the work: such jor fur Three Harpsichqrds (5. 1064). included Symphony I . Boyce: Concerto nounced that the library and insuu­ item~ as soundboard preparation and Ilrnndetlburg Co,w:rto 4. (5. 1049). and in E Major lor Violin. Bacll; Concerto mellts will be sold and tl13t the group's installation, finishing 3nd decoration. COrlen-to i" A mi"or for Four Harps;­ in F lor Four J1iolins, Vivaldi: and 10 musicians wHi be "on their own." proper metliCKh ~r. stringing, 3ctio.n in­ d,m-d, (5. lOGS), wo. pl.yed by FRED· Brandeuburg Concerto Five, J. S. Bach. stallation and vOlong. tonal consldera· ERICK H\'DE, BETTY LOUiSE LUM· H;:arold Lester was harpsichordist with Features and new. ikm. (or these tions during Olnd afler mnsuuction, BY, J. WARREN HUTTON, and Lhe ensemble. pages are alwayl welcome. Addnss them and conccting problems IIlat develop GENE JARVIS, harpsichordists. The in­ to Dr. Urry Palmer. Division o( Muaic, while building an instrument will be struments used. were a Hubbard and LARRY PALMER played Ibis pro­ (Overed. gram (or the 51. Cecilia Music Society Soulbern Melhodl<' Uabenlty. Da1l;u, Dowd (1956l' two DowdJ (1964, 1966, Tex:u 75275 George Ludt.enbcrg. harp, ichord in­ arl.er Tawn • and a 1967 Sperrbake. and the Grand Rapids Chapter. Ameri­ can Guild o( OrganisU. at St. Cecilia structor Cor the national musIc camp. Eighteenth century German mwic Hall. on January 14: Prelude in F Ma­ will hold daily scssions on performancc for flute and harpsichord was played jor (L'Art Toucher Ie Clavecin) and pructicc and atlldy; he will coach per. by DARLENE DUGAN and KElTH Ordre 2! in F Major, Franmis Couper. Summer Workshops [onnances by the participants. and will HILL at the Grand Rapids Public Mu­ in; Sonata 1M Harpsichord, Pe:nichetti; alsu cover IUch topics ou adapting a seum on November 11 . The program: "Chromatic" Fantasy and Fugue, J. S. piano or organ teChnique to tllC harp­ Suite in F Major, Boehm; Sonala in G Bach; Toccata Terz.a. Michelangelo sichord, good editions of harpsichord 1II;'lOr, Tc1cmoann: Flute Sonata, C.P.E. The Aston Magna School or Baroque music. ornamentation and embellish· Rossi; Sonatina pro clDvicimbalo com· J\.Iusie and Dance has IChtduled fts Uach; Sonata in E'liat, J. S. Bach. podia, Busoni; "Italian" Concerlo, Bach. ment, fingering and phrasing. rhythmic second ,ummer workshop from June. B conventions, and national styles o( THE LUCKTENBERG DUO (George The harpsichord .... by Ibe Grand through June SO. 1974. Applications for Luck,enberg. harpsichord and fortcpi- Rapids maker Keith R. Hill and was harpsicllord playing. the fifty places in insttumental and For further inConnation, writt" Dr. 61110, and Jerrie Cadck Lucktcnberg. patterned after the hafp'ichord by J. D. ,"ocal mU1ic and d3nce arc now being "jolin) was pre~nted by the Norfolk. Dulcken (1745) in the Smithsonian In­ George Lucktenberg, 207 Beechwood accepted; the dcadline (or appliC:llioru Drive, Spartanburg. South Carolina (Vi'Klnia) Society of Am at Chrysler stitution. Washington. Dr. Palmer is April lst. 1\1 useum on October 22. The program: played the same program on January Located on a 50-acre estate over· 29302. SO'Ii,la in F-sllarp minor~ opus 9, num­ 16 at McKendree College. Lebanon, looking tJIC Derkshirn in Great Bar­ A !lCoond harpsichord (estival week. ocr 10, Leclair; fA Livri and Les C,­ Illinois, whtre the instrument was a rington. Massachusetu, ASlon Magna of­ c1opcs, Rameau; Wonder Mwic, Jere is listed for this summer at Wesuo1nstcr 197~ William Dowd. fers master classes, coached ensembles, Cboir College, Princeton. New Jersey, Hutcheson; Sonala in D Major, opus M, Austin College, Sherman. Texas, spon· lecture·demonstrations, and concert per­ Haydn; Sonata in B-Ilat Major, K. !7B, The dates, June 17-21. 1974. Headlinen sored a week of mout.er classes by Chi· formances. The artist-faculty, under Cor tJle week. include harpsichordists MOUTt. The harpsichord was by E. O. ago harpsichOrdist ROBERT CON· the direction of hllfpsichordist Alben Win; the (ortepiano, a Philip Bell rep­ Frances Cole, Igor Kipnis, Gwtav Leon· ANT, January 21 tllrough 25. Mr. Con· Fuller, includes Fortunato Arico and hardt, and Fernando Valenti; and harp­ lica o( an instrument by Johann An­ ant played lhis public recital in the John Hsu (viola da gamba and baroque dreas Sieitl, assembled (rom a kit. sichord makers Bannister, Challis, Dowd. college's Ida Green Theatre: on Janu· violoncello) . Bcrnard Kraillis (record­ and Herl. ary 24: l'occala 8. Dook 1, Frescobaldi: The LONDON SINFONIETTA, H.n. er), Michel Piguet (baroque oboe). For further information write Char· l.ender. conducting, presented an Amer­ A New GrolHid. Selaucl!i's Farewell, Lil­ Stanley Ritchie and Jaap Schr&.ler (ba· Ics Schislcr, Director of the Summer ican concert on December 7. Featured liburlero. "Crown 'lie Altar," Pun:ell; roque violin) , John Solum (baroque Partita in n·/lat, J. S. Bach; Fanta.sia Session, Wl"Stminster Choir College. was Elliott Carter's Double Concerto flute) • Ro~rt White (tenor), and Princeton. N.J. 08540. lor Piano and Har/JsichO'rd with Da.vid in C minor, J. S. Dach; Continuum, Shirley Wynne (baroque dance) . Wilde, piano. and Harold Le!ter, harp­ Ligeti: l'essarae-FtmlCUY (1971), Brian For [urther infoTm4ltion and applica. SHALLWAY FOUNDATION baa c.olDpletccl sichord. Fennelly; Suile in D minor, Marchand; tion fonns. write the Admissions Direc­ a bulleun Iiltins asencies ,,"hich ollu CODCen ALEXANDER SUNG, (or (our years Three Sonal4f, Domenico Scarlatti. The tor, Aston Magna Foundation for Mu· booL.ins lelVica along with travel arrana:t-o a student of Isolde Ahlgrimm in Vi­ instrument, a WillialD Dowd, sic, [nc., 333 West 70th Street. New menU lor choin withina: to make concert toun The harpsidlord made (rant page York, New York 1002!. Telephone (212) abroad. Boychoin which have wed thoe alea­ enna and now resident in Virginia, c.ia (or tJleir 10niaD touR ha..-e aperlmce4 playrd tllis program (or the Richmond news in Ole WALL STREET JOUR. 586·7&19. a wide variety of resultl, DOlinl from escd· Chapter. Americ::m Guild of Organists, N/\L (or January 25 with an article on lenl 10 very poor, although molt of the ..eo­ at St. James EpilCOpal Church on Janu­ the do-it-yourself craze of harpsichord. Inkriodlco, Michigan. long famous eta have done a sood job of both CODCel1 ary 8: Jllon come kisse me now, Byrd; making by Stallley Siom. for its national music c;amp for high­ bookins and travel pb nning and reKrVatiou. Les Foiles Irancoises. au lu Dominos, The NEW \'ORK PRO MUSICA is school students, also has Ii post·camp The bulletin b avaitalHe free from SbAllwaJ Francois Couperin; Parlim in E minor, disbanding after twenty years, with its confercnce (or adui!.!. This year a Foundation, Connelbvillr, J'a. 15425.

This is a picture of our guarantee:

LAWRENCE PHELPS AND ASSOCIATES BOX 1421 ERIE PENNSYLVANIA 16512 (814) 454 - 0193

8 THE DIAPASON THE YEARS WORK 1973

St. Francis in tIle Fields Churcll, Louisville, Kentucky

First Congregational Church, Billings, Montana

Christ Memorial Reformed Churcll, Holland, Michigan

Overbrook Presbyterian Church, Richmond, Virginia

University of Oklahoma, Norman, Oklahoma

Peace College (Restoration), Raleigh, North Carolina

Arlington Unit!'fl Methoflist Churcll, Bridgeton, Missouri

tall State University, Logan, Utah

HOLTKAMp· CLEVELAND (Continut!d from pa&t! 6) linnischt!n C/lorat, or. 41/5, 1959. 7 Or­ Kra(t: Parti,a iJbt!r' "Nun w." sich gelchordle ilber /innuchen Chorilt!n, op. schdden Nacht und Tag," Ka.sse1, B5r· 42. Helsinki, Westerlund. Toccata, Chor­ enreiter. Fantas;t!: D;t!s Irat!, Mainz, al und rariotiont!n, op. 55, Heide1berg, AUfJUSiANA COllBfJB Schott. Toccata: I't! m;un t!st. Mainl. W. I\,£nUer. Smultt!, op. 68, 1949. K/dne Schott. Partilo: Hn-r }t!tU Chrid, Minne3poHs, Augsburg, 1958. Fatltasit! und Fug~ iJbt!r Krenek: Sonata. op. 92 (1941) (Con ­ "Christw, dt!r' 1st mdn Lt!bt!n," ORG. Organ & Choir Conference, Umporary Organ St!r;t!s No. 10), New k INSTRUMENTS: SOMte (C) [or vio· York. H. W . Gray, 1942. lin and org., up. 36. SOndtt! for cello and org.. Stuttgart, H5nssler Verlag. Kon· April 21-23 Kropfreiler: Publications, ·except when UTt : Ein lesle Burg. [or org., 5 trpts., indicated otherwise. are by Doblinger strings. timpani, op. 57. Heidelberg, W . (V i e n n a). Drt!i/alt;ght!its· Triptychon MOiler. Rock Island, nlinois (1959) . Partila: Maria durcll t!in Dorn· wald ging (1959). I",roduhtion und Retia: All publications by Ba~nreiter Passacnglia (1961). Partito: Wenn rn(!in (K ....I). Ch,,,ol.!ui/e (1941). Ch01'o/' SlI1ndleirl vorJrandt!n ist (1961). ParlittJ: SPit!I·Buch. fur keyboard instrument. Charles Benbow - from Dayton, Ohio, nOW living in England, Icll woW, dass ich dtJhejrne war (1961). 1946. ChoralJrouurt: 0 Traur;ghit, 0 winner o[ the 1972 "Grand Prix de Chartres". (Recital) Der grimmig Tod mit s~int!m Pleil Herzeldd. ChoralkoflUTt: 0 wie selig. (1962). Partita: Ach wit! nic/ltig, ach CilorallconUT': GoUt!s Sohn isl Jrommen. wie liachtig (1964). Avt! Rt!gina Coe/o· ChorallconUTt: Christ unsu Herr zum C. Griffith Bratt - head o[ organ dept., Boise State College, Idaho. rum (1964). Toccata /ranct!se, London, Jordan lam. "J'r;ptychon abt!r 0 Wt!It, (Recital featuring Bach's ClauieriibuIIC, Part III) Oxford University Press. Sona't! I. Son· ich muss Dich llWtm (1951). Marit!n· alt! 1/. J'ariatiouen: Freu D;ch Du bildt!r'. Advents/Jartila: Mit Ernst, 0 H;mmelsIc6";gen, Copenhagen, W. Han. lUt!nschenlcindt!r' (1952). 7 Monologe Barbara Owen - associate o[ Charles Fisk, organ builder, and not­ sen. Tripl"m super "J'e"i Crt!ator Spiri. (1955). Prdlud;utn, Fugt! und Quadrup· ed authority on early and contemporary American organ build­ tus:' (1900). Parlita: E.s homnu ~;n lem (1957). f'nr.spide zu Psa'mlit!dt!m ing. (Lectures, "History of tlle Organ in America", "Toward Scllill geloden. ORG. k INSTIlU. des EKG (1956). Suno'. (1960). Con'w· Better Understanding o[ National Idioms In Organ Music") MENTS: Concerto responsorialt! [or Firmw·SWde tU den WochenUt!dem harpsichord and positive organ. 4 Sillde dt!s Fastt!n:eit, Choratvorspidt!. Toccata lur FlOtt! und Orgd. Dialog /l1r Piolon­ nCIVt!nnr;o motlns vt!rtnu. M~dit(Jljont!n: Robert Schuneman - Editor, Tile Diapason. (Recital o[ early ct!lIo "rid Orgel. 5 SUlch liir Oboe und Ein Ummlein geht (1964). C/,oral· music; lectures, "The 19th Century German Organ", "Brahms Orgel, 1971. Colloquia ,ar Oboe und pl.antasit!: Ht!rdich Iieb hab ich Did., Orgel. o Herr (1965) . Choralhon:ert: Ie/I weiss - A New Approach" ) t!in Ut!blich £ugelspid. Laudamw tt!. Lechner: nrei Orgels,acllt!, Cologne, ORG. i< INSTIlUMENTS: Or,e1hon. The Augustana Choir directed by Don Morrison, the Augustana Edition Gerig. 1962/ 65. OIlG. kIN· ...., I (1947). Orgelhon"rt II (1947). Chamber Orchestra directed by Bill Henigbaum, students o[ the STRUMENTS: Requiem for oboe. cello. for manuals alone. OrgetlconztTt III &: org. (1952), Fr:mlduTl, C. F. Peter!. 1948). AdditiulIlJi publications by Bar· organ department. enrClter. Ligeti: Vo/uminl2, Frankfurl. C. F. Reimann: Dinlog I, Mainz, Schott. The organs will be the large Moller organ in Centennial Hall, and Peters, 1961/62, revised 1966. 2 EtiJdt!n (No. Harmon;t!s; No.2, CouUt!) , I, Schilling: Publications by B~itkop[ &: the new Casavant mechanical aclion organ at Trinity Lutheran Mainl, Schott. Church, Moline, designed by Gerhard Brunzema, installed in 1974. H5.rtel (Wieshadcn), unless otherwise indicated. I. Pmtita in 4 Satun und 4 :\Iichcclscn: Major publications by B!1r· Ritomt!lIe" (1!.I54/64). II. Partita: Can· cnreiter (Kassel) and W. Muller (Hei. For details and Reservations, please write: oniscllt! J'aridtionen ubt!r' "Singd, pt't!i· delbel-g). Orgt!llcon:ert in tJ·moll, B5.r. Jt!t Colt mit Frt!udt!n" (1958). 1/1. Par· Orgt!lkonl.f!rl abt!r tiEs Jungt!n drei En· Tom Robbin Harris I;'a : Integratiun b·a-c·h (1961). VOIII Ct!I," B5.r. Orgellron:erl III, Bar. Orgel. Himmel hod. (Kleine Suite) (1962) . Department of Music k(mz(!T1 JI ubt!r' "Cllriste. d(!T du bist Augustana College Fantasia e Ricercare 63 uber "Yen; crt!a­ Tag m.d Licht," Bar. Orgelko,,:ert 1'1 tor spiritw" (1963). Chdconne nouvelle Rock Island, illinois 61201 iiber "0 doss ich t4uund Zungen hiWt!," (1968). Vt!rsttlen iJber "0 Welt, iell W. M., Orgelkoruert I'll: Dt!r' Morgen. muss d;ch las~en" (1968). Clloralvor• .(lem, W. M. Das Holste;,aise/.t! Orgel. spide (1969). l.uleme. Cron. Orgt!l. Mic"'~i", Bar. Das Grencllt!"u Orgt!l. ",ess~, Augsburg, A. Bohm u. Sohn. :1Ilc/•• 2 \'015 .• W. M. Additional publica. (971. ORG. k INSTRUMENTS/VOICE: lions by 8arcnrciter ami by Hullen· PJal,n 150 in Form einer Ciacona for hagen &: Griehl (Hamburg). sopr.ano/tenor and organ (1963). Can· t~II;IIIf;III'III;1 zolla uber "Chr;st ist (!f'Standt!n," for ~(ohJer: 2 Carlwne,., op. 17 (1941). trumpet and organ (1966). Drt!i Choral· Heidelberg, W. PrUilIcr, 1964. vorps;ele liir 1',·ompete und Orgd, Stutt· gart. H5ussler. 1973. ~um!ll!'J I'epping: Major publishers are Schott (Mainz) and B5.renreiter (Kassel). PaT· Schindler: Publications by Kistner &: ~hool lita: lI'er nur dt!n Ueben Colt liUst ",al· Siegel and by Sirius Verlag (now Hein· len (1932), Sch. To Korallorspil, Copen· richsho(ell's Verlag. Wilhelmshaven). 1974 CENTENNiAl ha~n. W. Hansen, 1932. Partita: Wie schij" leuchtet dt!r' Morgt!nstt!rn (1953), Schiske: Publications by Doblingcr. SEASON 5ch. Grosses Orgelbuch, 3 vob., (1939· 41), Seh. Kleines Orgdbuell (1940), Schmidt: Fnnla;sie und Fuge (D). VieR· JULY '-AUG. 23 Sdl. l·occata und Fugt!: Mittt!n utir ;m u", L. Kern (now Unh'ersal Edition), CHAUTAUQUA NEW YQRK Lt!be', sind (1941), Sch. Conurto I 1924. Toccata (C), Vienna, L. Kern (1941), Sch. Cone.. 'o II «(942), Sch. 4 (1I0W Univcrs:tl Ed.) 1924. Prat!ludium Fugt!II (1942). Sch. 2 Fugen (1943·46), und Fuge (Eb) , Leipzig, Leuckart. CI,., ~~~:fIrt·o...nce 5eh.3 Fugen ilb .. B·,f·C·H (1943). 5ch. co,,,,e (~), Leipzig. Leudan. 1926. 4 Pnrtita: Ach wie jluclUig (1953), B5.r. Jrlei,re Clwrnll1o,·spie/e. Leipzig. Leuck· Cflqputnities.~ ....te~t·~vre Pnrtita: Wn' wt!in, wie naht! (1953), art, 19'27. 4 klt!i"e Praeludit!n und Fu· Har. Parl;ta: Mit Fried und Fum/ gt!n , Vienna, O'eslcneichischer Dundes­ Chautauqua off..., • variety or courses for all age IlNels. Distinguished at.in­ l'Y53), B5r. Bij/un;sches OTgelbucll, 2 \'crlag, 1951. Praellld;um und Fuge (C), 'aculty. $35,000 in schol.Mips. 700 acre shoreline colony with raident sym­ phony orchestra, opera company. play house, art gallery, nightly amphithNt ... \'Ois. (1953), B5.r. Hym"en (1954), Bar. Vienna. Weinberger, 1955. Toccata lind programs by great entertainen. America', original and most complete summer So"att! (1958), Bar. 12 Choralvorspiele Fuge (Ab) , Vienna. Universal Ed •• 1955. school and festival. (1958). B5r. 2.5 Orgelchorlilt! nacll Slit· Fugt! (F), Vicnna, Weinberger Verlag, un dt!J Spandauu ChorbucJu!J (1960), SPECIAL WORKSHOPS 1956. 2 Orgt!lz.wischenspide aus dem Seh. Praeludia·Postludia tu 18 C/lortIlt!n, "Duell mit 7 Sit!geln," Vienna. Univer· JAZZ· George Shearing. Aug. 12-16 CHORAL· Elaine Brown. July 15-21; Paul Christiansen, hJU. 1 a..23 Icredit offered' 2 vols. • Sch. sal. ORG. i< INSTRUMENTS: Yario· ELECTRONIC MUSIC· Stephen Blair, July 8.12 liont!n und Fuge iJber t!in t!igmes ORGAN· Fredtlfk:k SWinn. Aug. 21,22,23 PlanyaVJky: SOflata pro organo, Vienna. Tht!ma for org., 14 brass ilUtrumentJ DICTION FOR SINGERS ·Ja".. Benner, July 1·Aug. 16 Doblinger. Toccata alln Rumba, Vienna, and timpani, Leipzig, LeuckarL Fuga OPERA· Clifford HaNUot, July 1·Aug. 16 Doblinger. solemtl;s for org., 6 horns, 3 trpts., 3 CHAMBE R MUSIC · Clara SiegellAIl instruments including piano), July '·Aug. 16 trbns., tuba and percussion. Vienna, CLASSICAL INDIAN MUSIC· Kumud Ranjan Banerjee, July 1-Aug. 16 Ramin: Publications by Breitkopf &: Doblinger, 1959. ChUf'alvorsp;d: Coli (credit olferl1:tl Hartel (Wiesbadcn). GUITAR· Sunyan Webb, July 6-13 (!Thall for organ with braSr.S ad. lib., Vienna, lVeinberger. 1959. NEXUS PERCU5SION,July29·Aug.2 KOOALY,July 29-Aug.9 (credit offeredl Raphael: Publications by Breitkopf &: WRITING FOR VOICES· Alice Parker, July 15-20 I PIANO TEACHERS, A FRANCES CLARK PIANO CLINIC with Roger Grove, Hartel (Wiesbaden) . unless otherwise Sehneidt: Publications by LeucQrt and June 25-21 indicated. 5 Choraivorspit!It!, op. 1 Uiirenreiler. MUSIC SCHOOL FESTIVAL ORCHESTRA· Nath.n Gottschalk, conductor (1922) • Fon'asie (e) , op. 4 (1924) . Par· YOUTH PREPARATORY ORCHESTRA • Russell L. Johnson. conductor lila: Ach GoU, vom Himmd, op. 22/1. Schonberg: J'ariations on a: Recitativt!. STUDIO BAND· Norbert J. Buskey. director ARTS AND CRAFTS CENTER Fantasie (c) , op. 22 f.!. Praeiudium und op. 40 (HMO) (Co"temporary Organ SUNY (FREDONIAI CREDIT COURSES AND WORKSHOPS Fug. (G), op. 22/3 (t930) . In'roouh· Scriu, No. 13), New York. H. W. Gray. DANCE DEPARTMENT· Statl' Sublette. Director tion und Cllaconne (CI). op. 27/1 Instruction in all instruments and voice by master teachers. (1950) . J' ar;ati01Jt!n ubeT dt!n Basso Schroeder: Praeludium und Fugt!: Christ Continuo des 8ocllcllorals "D u r c h lag in Todt!sbandt!n, DO. a lei d 0 r f. Adams Fall," op. 27/2 (1951). Toc(dta 19'0. DOueidorf. For 108 page catalog, write: Schwann, Toccatd (c). (e) , op. 27 t! (19M). 12 Orgelehora/., Schwann. 19!O. Fanlasie (e), Maim, BOX 28, DEPT. SOO op. 57, 2 ,·ols. Fdnlasie und Fuge tiber Schott. 1951. 6 Icleint! Prat!iudien und CHAUTAUQUA INSTITUTION, CHAUTAUQUA, NEW YORK 14722 eint!n linnischt!n Choral. op. 41/1, 1959. Intermt!Zl.i. Mainl, Schott, 1932. 6 Orgel­ Partita abt!r dnen /innischt!n ChortJ I, cllortilt! ilbt!r alldeul.Jche geiJllidle Pollu­ 0p. 41/2. 1959. PtW4caglia iJbeT e;nt!n liedu. Mainl. Schott. 1934. Prdt!iudia.

10 THE DIAPASON Mainz, Schou. 19!5. 4 Cilorilivorspieie, bingen. Schultheiss. Sanale aber ein Freiburg. Chri$lophorllS Verlag. 1948. 2 Thema. BtrHn. Meneburger, 196!J. Fan· ChortJ/vorsf}ieie, Munldl, I.cuckart. 1952. tmie uod Fuge in d, TQbingt:n, Schul· 4 Marianisc1u: Anliplwtle, !\fainz, Schou, theiss. Plus chorale preludes and other 195~. FtmttJ.Jie: 0 heiligHe DrtdJaltig. works. heil, Druse/dor/. SChW31111 . 1955. Orgel. J"orlole 1, Mainz, S<.:hott. IHr,G. Liturgisc1lt! Weyrauch: Prat:ludium, Aric e Fuga I'orspide tUT Aleut! "1'",'" trallu ell," (1935). Leipzig, Breitkop( &: Hartel. Frc:iburg. Christophorlls Verlag. 1957. 1938. 2/ 1952.7 Partiten aul das Kirchen. Pnrtila: J'en; crealor Ipirilw, Mainz. jahr, Ltipzig, Breitkopf &: H5rtel, 1938· Schott, 1958. 7 Icleiru: [utraden, Mainz, 40. Sonatc. Leipzig. Peters, 1955. ORC. Schott, 1959. Liturgiulw J' orspiele rur &: 1NS'I'RUMENTS: PlU!;ons~onale: RECENT ADDITIONS . . . Alesse XliI. Sonntag "neh Pfingsten, Her:.licbstt:r Jelu (or viola and organ t:reiburg. Christophorus Verlag, 1959. ( 932), Stuttgan. Han5!ller. 1963. Plus for Organ Solo, unless otherwise indicated Pen; piccolo, Bergamo, Carrara, 1961. chornle preludes. Otgd·Mosailet!n, ])Ussl.'hlurf. Schwann. Praeludirml in E. MClhclcn. Verl3!; Wiemer: All publications by Breitkopf Adagio. 1962. Org,eillrdinarium II', k Hartel (Wiesbaden). Parti/lt: Jesw ~flft88 nORRIS. S.- 3 Call1onas, Op. 91 $6.00 Mainz, Schott, 1962. Orgelbuch lU Christw, utuer Heiland (1900). 6 CI'or· Uhlenbergl Plalmliederu, Dusseldorf. a/llorspiele (1961). Cllorallanlalic: Er· Schwann. 1962.8 Orgclc/u;riile im Kircl,· halt um. Herr (1961). Priiludium, Trio il82 COOKE. A,-Sonala No. I 5.00 (mjnl,,., Mainz. Scholt. Hl63. Orgeuoflate und Fuge (1963). Evoca,io'l I, 1965. 11, Mainz. Scholt. Hlli·'- 2 Clroralvor. I~vocalio" II, 1969. Evocation 111, 1971. NI370 K.RE8S, J .- 8 Chornles for Oboe (Trp) jlnd Organ 7.50 s/Jide, Cologne, Biehlcr. 1965. Gregor. P;lIerari. 1969. CI,oralvoTJpiele II, 1969. ianuche Miniaturen, AlcfKting, Coppen. roth, 1965. Praeambelu I/Ild Inlerludien, Yun: Tuyaux sonoreJ (1007) . Bcrlin, rHILLIPS. G. (editor) - EN(.I.IM·I ORGI\N MlSIC of the Mainz. Schott. Sonnte III, Mainz, Schott. Bote &: Bock. 18th Century Orgtdchoriilc im Kircl,enjnlrr, Mainz, 11180A -Val. I: 6 Voluntaries by Boyce. Dupuis. James. Stanlcy, Travers. Schott. Quadrinon, Cologne, Gerig. Zimmerman: 4 OrgellJJtlime", Berlin, 1971. 12 Orgelcl,oriile liir die Weil,· ~rcrscburger. Walond uo noclltneit, Dusscldorf, .~: hwann, ORC. &: INSTRUMENTS: 1\wnl:rt for org. &: There arc many liol1ea.ion.s or modem 1"129;\,\ - Vol. 11: G Vollinlarics by Berg, Boyce. Greenc. Keeble. Stanley. orch •• op. 25, Maim:, St:hott, 1938. 5 Gennan organ mwic. The following list Walond: Introduction and Fugue by ~an.'S 4.50 Stude for violin :md organ, MaiOl, is represcnutive. Schott. Pradudium, Ka'llmle urid Ron· Cllordlvorlpieie %u gebrtiuchlicllen Mel­ do for violin and organ, Mainz, Schou. odit:n del Evangelise/,en Kircllcngl!Sang­ 0566 RUITER, W. dc-Four Mini·Picces - 2.50 Concertino for violin, nhoe and org .• blle/,es, Berlin. Merseburger. Chorale 0567 -Music _._. __ 2.50 Mainz. Schott. ! Dialnge for oboe: and preludes on common melodio of the org., Mainz. Schott. 5fmate for a!llo Protestant hymnal. Published in con· and org., Mainz, Schull. Duplum for nection with the church music division ZMI885 SOLER, }.-O lux beata trinicas 5.00 organ and harpsichord (or for 2 posi· of the Prolestant church in Hessen and tive org.ms) , Mainz. Schott, 1970. Na5S3u. 7164 WEGWEISER (cd. Becchey)-A 17,h·Ccn'ury Gennan Organ Tulor (Augsburg 1689) . 2 Staves _. ______._. ___._ 5.00 Schwarz· Schilling: l'ubllcltions for or' ChoralvorJpicle Rheinland, Westlalcn, gan alone by H5renrcilcl' (Kassel) and Lippc, ed. GottschicklSchwarz, Berlin, A collection o( short pieces which may be used berore and during Mersch"rgor (Berlin) . ORG. &, IN· Merseburger. 1ntroductioIU and thorale 5Crvices and recitals as matcrial [or voluntaries. MENTS: Da JCllU an deut Kreuz. !lund preludes (or the EvangeJiscbe Kirchen· for flute. viola and oll;aIl (or (or organ gesangbuc.h o( Rheinland, WestfaUen alone), Bllrenreiter, 19 .. 9. Concerto per and Lippe. Composen: Acker, Kluge. Organo, (or organ :lIId orch., Mene· Koch, Stockmeier. Wellmann, etc. burger. 1959. C. F. PETERS CORPORATION CI,aralvorJpieic zum Kirthmlied, vols. Schweppe: Tocada UJUI Fuge (1965). JV. V. VI, VII, cd. Nellss, Freiburg. Wiesbaden, Breitkorf I: Hartel. 8 Orgel· ChrutophoruJ'Verbg Herder. Chorale 373 Park Avenue South New York. N. Y. 10016 Clloriilc (1005), Wicsh.uJclI. Breitkop( &: preludes on melodies sung in the Cath­ l-Hirlel. olic church. Composers: Ahrens. Baur, Kickstat. Schwarz.Schilling. Schroeder, Stocklllcier: Major puhHshers arc Kist· Quack. etc. Vois. 1·3 of this series ha,·e ncr &: Siegel (Cologne/ now localed in works b)' the old maslers. "on am Rhein) and Muscler Verlag: (Wol£cllhflltel). SUI/ale I, MOs.. 1005. ;;) Idelile ClwraIVOTJ/"cle. 2 \'015 .. Frank Taylor plays works by Sonnle II, MOs. Sonate III, MOs. 10 Or· c:d. l-ieiJig/ "·lei.sclier, Lcir,zig/ Munich. gi!lsliicllt!, Dusseldorf. S<.hwann. Medila· Leud:.art. 1941,2/1952. C 'orale prel· tiotl, Oaisseldorf. Schwann. I'onat;ollen udes b)' old and IICW lIIa.l. ters, including iiber eiu Thellla va" Juhann KuJlllalL Da,·id. Degcn. Distlcr ••;i cbig. Genzmer. (Die Orgel, 1/10), K &: S, HUH. 3 lru'en­ Grabner. HCS5Cnbcrg, HOgner. Marx. du Mage & Dandrieu llOnen (Dic Orgel 1/ 11) , K &: S. 1965. Metzler, Michecl5en. Pcpping. Rcda. ·roU.,. I (Die Or~e/, 1/12), K " S. Rohwer. \Vcmel. \\'elllcr. We)!auch. 1963. r'ar;a';o"ell "ber " HcfTJChcr liller Ted .md Lcbcn," (Die Or,el, l/U) • K M,u;ca Org~lIIi, "01.11. cd. Weman. Stock.· ,~ S. 2 Orgelslilcke (Uie Orgel, 1/14). holm, Nordiska MusikfOriaget, 195·1. K &: S. 1966. Pastural·Suite liir Orgel Works by Reger (op. :'j9). Schmidt, on the nach Klavier·sWckeri vuu Anlonio Soler Raphael. I'epping, Midlecl~n. aud by (Die Orgel, 1/17). K &: S, 1965. C/loral­ mudern composers from ulher countries. vOrl/lielc IHIeI Deg/dbiit:e (Die Orgel, 1/19) , K &: S. Tokknla 11 (Die Orgel. .\cue ChOfulvorspide. \·uls. II, III. 00. Fisk Organ 1/23), K &: S. CJlOralliollpide tHld neg· Metzger. Tilbingcn, C. C. Schultheiss. l,.ilSiilu w Advetll!{· und l'auiom/iedern ClwralbearbciulIIgcn baM!t.i on the melo· (Die Orgel, 1/24). K & S. ORG. & IN· dies o( the [ 'KG. Compmcrs represented at STRUMENTS: Kouu:" for org. &: string arc gellcrally unknown oUl"ide or Ger· ordt., Mos. Parlila: Jllucl, .. el aile Lande, IIIany. Gou "I Ehren ror org. anti unison choir atl. lib. (Die Urgel, 1/18), K Ie: S. Pan.­ Old ¥fest Church .vclte Orgc:lJUrspiele. 2 mls., l."(1. HaagJ ,iurle" for org. &: hrass. Kassel. ' 6aren· Ilennig. Bc:rJin. l\Icrscburgef. Chorale reiler. preludes ror some or the less common melodies or the EKG. Boston Tadlezi: Partila: Ve,,; Sancle Spiritw, Vienna, Doblinger. Wlifi. Ludus Organi Price: $5.95 Cuntempcrarii, part I, Vicnna. Dobling. Nellc Jl'eilwacl,bmwik, ed. Baum, Kas­ cr. 1913. (A pedagogical study consisting sci, Barcnmler. Short Christmas pieces of cOIflp03itions which explore technical b)' BorneCeJd, Rein. Marx. Kid:..stal. Program: Livre d'Orcuc by Pierre du ?vlagc. Reda. Schwarz. Distler. Walcha. elC. and ",u3ical proble",~ o( contcmporary Suite from the Premier Livre d' Orgue by j. F. orbran musiC.) Dandrieu. (Includes Dialogue, Basse de Trompetle, Dcu Organislenamt, Part 11 , in 2 "·015 .• 811 de Thoma.s: Publications by Brcitk.opf &: cd. Ramin. Wiesbaden. Brcitkop( Ie Tierce laille, COllccrt flutes, Alllzete, Duo en Hartel. Hartel. A new edition by D. Hellmann Cors de chasse sur la trompctte, Olertaire, Alarque, is in preparation. Conten15: choral~ prel. and Suile de rOferloire.) Ties.scn: Werle ·16. Pauacaglia uod Fugc~ udes by composers of the 17m·2O th Leipzig. Kistncr &: Siegel. MwU, lar centurics. Among 20th c. composen are:: Frank Taylor is on the faculty of Wellesley College Music De· rioltt mit Orgt:l, op. 59. Berlin, Musik.­ Gmbuer. Ha505C, M05Cl', S. W. MOller, parment, a student of the late Melville Smith. "erlag Rics &: Erler. Ramin. Reger, Thomas. Weymuch. Distler. Hoyer, Karg-Eleft. Raphael, F. Recording Edited and Engineered by David Griesinger Walcha: ChoralvorJpit:le, 3 \'ois .• Frank· Schmidt. and Slephen Fassett. rurt. C. F. Peters. 1945. 1003. 1966. Organum in "'ina Canta'a, , ,·ols., cd. Quack/Walter. Freiburg, Chrinophorus. Wenzel: Choral",e~Je, Leipzig, Kiltner Elysee Editions, Inc. &: Siegel. 1939. 1'occala (d), Wiesbaden, Verlag Herder. Vol. I: Ad"ent through Breitkop( &: Hartel. Fuga variata, Kassel. Ascension: II: Pentecost through the 88 Lowell Road, WcUesley Hills, Mass. 02181 Blrenreiter. Orgt:lmesse (Orgelbuch tum end of the church year; Ill: Feast Days (617) 235·6766 EKG, cd. Broddc. vol. IX), Kassel. and postludes on the various "he miasa B!ireureiler. 3 Icanoniscl,e PartHrn, TU· (Collrinuf!d, page 12)

MARCH 1974 n ~ t,..nntm Iled Irom p. 11) MUSICAL SOURCES Ex_ I. David: Choralwn", III, pp. I, 4. Ex. 2. Distler: Kleine Orgdchoralbear. cst." The Gennans/Austrians represent· beitungen, p. 18. WESTMINSTER CHOIR COLLEGE cd include: Docrr, Doppc:lbauer, Gin· FoX. 5. Pepping: Croun Orgelbuch III, dele, Heiller. Jaeggi. Roesling. Quack, p. 18. SchroedCT. H. Schubert. Trexler. eLe. Ex. 4. Schroeder: Kleine Prdludien und Works by COlllposeR of seven1 other na· bltermeui, p. 14. Two Organ Weeks tionalities arc also included (A. de Ex. 5. David: Choralwerlt XI, p. 14. Klert. Fl. Pc:c:tcrs. J. Langlais. ele.) Ex. 6. ~nzmcr : Die Tagesuilen, p. 5. • Ex. 7. Kraft: FanldS;a: Dies Irae, p. 5 . Orgelbuc/l %lUn EVtJngelischen Kirchen· Ex. 8. Baumann: Sonatine flir Orgel, p. For High School Students gesnngbuch. 25 vols .• ed. Brodde, K~s­ 10. sci, Biircnreiler. Each volume contalDS Ex. 9. Edcr: Parlila uber ein Thema C~rlsbad, California: June 17-21 2.7 chor:llc settings. Composers: Baur, tlon J. N. David, p. 5. Rornefeld, Barbe, Distler, Drlcssler. Fie­ Ex. 10. Modem Organ Mwic. BI;.. 2, Princeton, New Jersey: July 29-August 2 big, GJabller. Hessenberg. Micheelscn. London. Odord Univenity Press, p. 21. \\'cnzel. etc. Ex. II. Kropfreiter: Parlila: Mar i a Joan lippincott, Donald McDonald, Eugene Roan durc/. e;n Dornwa'd gin" p_ 11. Ex. 12. Baur: Pnrlila: "Aw tieler No''', Concentrated organ study with emphasis on technique, Orgelvorspiele %um EVtJngelischen Kirch· engesnngbuch. cd. Pop p e n/Reichl p 2. how to practice, understanding the instrument, Strube:. Berlin, Meneburgn-. Chorale Ex. 13a. Schilling: FanldS;a 65 uber and interpretalion. Fee: $65; Room-Board: $60. I'en; cuator lpiritw, p. I. preludes by Barbe. Beyer, ~ler. Fie­ Ex. Ub. Schilling: Chaconne Floul/tlle, big. Grabner. Hessen~rg, MlcheelJen, Princeton applicant. writ.: Carlsb.d applicant. writ.: p. 5. Raphael, 'Venz.el. Ztpp. and many Ex. 14. Slock.meier: J'ar;alionen liJr Or· others. Charles Schisler Robert Carl gel und Dlechbliiser, p . ... Director of Summer Session Westminster Choir College Ex. 15. Ligeli: I'olumina. p. 17. l·l.e Parisi. Organist, 12 vots.. cd. Westminster Choir College Summer Session Fie i sc her/Goldschmidt/Gieschen. St. Princeton, New Jersey 08540 P.O. Box 960 Louis, Concordia. A number of 20th Carlsbad, California 92008 cenlury Gennan composers are repre­ M!nted. although there are many com­ posers from other COl(l1tries and other OTHER SUMMER WORKSHOPS ROBERT FINSTER conducted the Cathe­ NOTES tlnl Sinten of SI . Joh,,'t ~thedraJ. l)eIWU', Prince.... : Ilath Motets; Herpskhord Festivel Week; Introductory Otff; Col. on Feb. 10 in a prognm that inducted Art Song Festival Week; Chore! Repertoire; Introductory Kodaly; t Sec THE DIAPASON, Jan. 1975. pp. 4·5. "Pwm 90" by Charlrs Ives, "Canticwn Sime­ Music: In Speda! Education; Fundementitll Of Chore I Conducting; 14·15. onis" for chol'Ul, lenor soloist. Imop and per· cUlion by Hdmllt Barbe, "Salll" br EsU Hew· Humanities Approach In MUlk Education; Introductory Orff, Recorder t "Der Vcrfasscr ersucht dringcnd, Jich 11",,1. and the "Lord Ndsoft Mast" by Haydn. Workshop; Advanced Kod.ty; Choral Arranging, Intennedlate Orlf; im ganzcntl Werk auf den jewells ange­ Male Chorus Repertoire; Vocal Ped~Yl Advanced '?'oral Con;ductlng, gebenen Manualwechsc:l beschdnken Advanced Orff; Child,enl Chotr.; Church Music: Seminar; Approaches HANDEL'S "AClS AND GALATEA" was und auf die Anwendung des Roll· odcr pl'dclMned at the Univcnalist Unitarian To Ethnic MUllc; Guitar Workshop; HandbeU Worbhop: Renlllsince Jalowiesc:hwcl1en sowN: auf jc:glicbe Chota I Werature; Music In Th. Open Cleuroom; Seminar For Musk Cbun:h. Brocklnn, Mali. Oft Jan. Xl . The 'Farbigkeit' Obc:rhaupt vcnicbten %u church's choir was jDincd br toIoilb Ma,., AdministratOR; Robert Shlw Workshop; Vocal Camp. For J-Ugh School Student•. wollen. da 501ches dem Geist des Werke. Slr~hinB , Louis Cdona. and David Arnold durchaus widersprlche," under the dirutioft or H arold Heeremant, or· Carlsbad: Chorll Arr.nging; Choral Conducting; Church Music Symposium; • "Spielern \'on Orgeln mit Wal.zen und sanil' :lnd dirn:lor of the church • Introductory Kod.IYI Vocal PedagogYI Childre,.. Choirs, Handbell Jalousic:schwellem sieht C5 frea, d.urch Workshop; Introdudofy Orff; Organ Malter ae,,; Practical Siudies reichere Farbgebung und dynaIDlsdte CONCERTOS BY POULENC AND HtN· For The Choral Musiclln; Vocal Camp For High Sc:hool Studenll. nEMITH for orsan and orchrstn. were per· iibergange den AUsdruck nber das in fonned by David Richanbon (Hindemith) den St3rkcgradvorschriflen angegebene and Riduml Hus (Poulenc) with the Iowa M355 zu verst5rken," - Foreword to Chamber Orch",tra at the Untvenity of Iawa. SoMle 1. Iowa City. Iowa 00 Feb. 12.

Member: Associated Pipe Organ Builders of America

LARGE SPACE OR SMALL, THE AUSTIN SYSTEM IS COMPLETELY ADAPTABLE.

COMPLETE ACCESSIBILITY PLENTIFUL SPEAKING ROOM UNSHAKABLY STEADY WIND

SIMPLICITY RELIABILITY

CNlar TOP CAN 4!U AUSTIN ~. '0 W 0\1 J.'·Z" 'ItOM ORGANS INC. rill. '''00,.. HARTFORD, CONNECTICUT

12 THE DIAPASON representatives for performing musicians ~~ ArtsWOimag! til ~ , Suite 515. Gateway I. Newark. N. J. 07102 . -_., (201) 624·3308

Rieger Builds for Iowa City Church

Mass. Couple Get ,\11 II·stop organ was recently in· Noack Residence Organ stalled in St. Mark's United Mdhodb t Church, Iowa City. 10W3 by 11le Rieger BARBARA Dr. and Mrs. John Clark of Weston, Orgelbau o[ Sdnvanach/Vorarlberg, Ma SSilt'husctts have recently rcceh'ed a ..\mtri::l. The consultant [or the new HARBACH·GEORGE small I-manual and pedal residence or­ organ Wots Gcrh::lrd Krap[ o[ the Uni· gan dcsignctl. built and \'oiced by Fritz. versity or Iowa. Both SLOp and key Ole· organist at the Church of the Noack oC tJle Noack Organ Company, tions :uc tnl"ChaniClI. ::lnll Ule case is Ascension, Rochester, N. Y., Inc., Georgetown, Massachusetts. The made of oak, The Pedal chest is directly behind the semi·nat pcdalboard with and a faculty member at Alfred organ contains three stops. is completely University encased, and h:'5 a wedge·shaped bellows the holtom octave or the Pedal Subbass and a non·rloating action that functions placed at either side o( lhe case. Rich· /I • • , a brilliant young musician in similarly to a "mcchaniques suspendue." ard H::lM is organist o[ the church. an impressive organ recital." The pc:dalboard is struight and contains MANUAL I -Scranton Tribune, Penna. 110 noles. The luning is according to Metal1sc:dackl 8' .'rincillal .t' Kirnberger JI. The SlOpS included are Sc:squiah cr.l. II as Collows: Mixture: III I' MANUAL AND PEDAL MANUAL II C~ackt 8' (lead. soldered caps) lfollsedatkl S' Open Flute 4' (lin) Rohrfloele 4' I'rinci"al 2' ("lotted metal) Genuhom 2' SifRoete )' PEDAL M/\RK MILOSEVICH, tenioor mpn major Subbass 16' from Adanu Slate Collcle in Alamma, Colo· Gedackt s' Ddo, ""as the winner of the fint annual 1111- rommc:t 4' dent organisu' contest held by the Denver Chapter of the A.G .O . The award has been J. MARCUS Rn"CHIE, oraanist al Trinit,. a lons·time dream of memben or the Chapter, EpiscoJW Clllln::h, New Orleans. will be (ca­ and l\1U in the form of a $250 sc:holanhip. tured in perfonnllnce on a one·ltOlU' special JOHN ROSE Mr. Milotevich ls a It\Kknt or Kart Wirnand, Itrogram entitlni "J. Man::us Ritchie, orpnilt" and hall .tudied with Kenneth Osborne: at 0\ er Wn'NO.FM. New Oriel"', April 26 at IIMr. Rose demonstrated what the: Univenity o( Arkanu. in Fayette\'i11e. 8 p.m. a tn'ly great and richly vesatile instrument the organ MORNING PRAYER 0 HOLY SPIRIT OF GOD can be In such gifted hands," ~ Trndilional choral prayer (or both adult Unison accompanied and of ·part hannony -West Lancashire Evening ami youth choirs that combines aho unaccompanied add variety to this ex- Gazette. Blackpool. England aolo:md of ·part hannony. Moderal~. cerpt from A DIARY OF PRIVATE Albert Ream. SATR. APM·7ofJ. 0451 PRAYER. Moderate. Ray Davidson. SATB. APM·R27. ·15( THE KING OF GLORY Traditional. yet mildly contemporary COMMUNION HYMN Ad\'ent anthem to be sung A Cap~lla . A welcome addition Cor communion Vigorous ;:and spirited chords. Model1ltely anthems. this familiar telU is let 10 a new easy. Stanley Glarum. SA TB. APM .. 46{t 35, tune. Moderately easy. Hal Hopson. SATR. APM·767. 45( I HEARD THE VOICE AppcoIling to young and old. this folk PRAISE YE THE LORD rock lune enhanced by optional guitan is Contemrorary and appcaUng Choral singable and easy to learn. Moderately Cycle 0 Praise utilizmg children's voices casy, Virgil Ford. SA·TB. APM·' 18. 25, and natT3tor. Moderate. Bob Burroughs. U·SA. APM·7S!. 6O( PRAISE THE LORD. o MY SOUL ORGAN SOLOS Accompaniment and singable vocal lines TWO PRELUDES FOR all in pop idiom fit the needs of the HOLY WEEK contemporary church. Optional inum­ These mildly dis.'mnant preludes, "The menu. Moderate. Eu~ne S. But1er. ("'.ross or Jesus" and "So Lowly Doth the APM · ~IR . 50r Son-ionr Ride," enhance Holy Week Services with their appealing qualitirs. Moderatc. V. Earle C~. Organ solo. APM·911. $2 Songs of ~ • ROBERT SMITH

"AN IMMENSELY SKILLFUL MUSICIAN ••• TECHNICALLY. EVERY­ THiNG WAS SPOTLESSLY PLAYED ••• NEVER GIMMICKY OR UN­ MUSICAL • .• IMPECCABLE PLAYING." -THE NEW YORK TIMI'S

Mr. Smith, a student of Sylvia Marlowe and Blanche Winogron and a 1968 graduate of the Mannes College of Music in New York. is cur­ at your book or rru5IC stare rently performing the complete harpsichord works of Couperin in a abingdon New York series at Camesie Recital Hall.

MARCH 1974 13 GETHSEMANE LUTHERAN

CHURCH

BUFFALO,

Reginald f . L"n' eel_al.tI hi. 25th an­ N. Y. ni".rsary .t Ngonis. and Ithoirma.t.r of the Firs' Pr •• byt.rion Churd! of Lancast.r, Po. on Noy. 4, 1973. The .....n. was com­ memorated by a recital given by Mr. Lun. Marsha Foxgrov.r hal bun added t. which included mu,ic by Dupre, Langlais, .h. ro.f.r of oraanlst. ,.pr••• nted by Unit Organ and Durufl'. meld.,. with whom Mr. Lunt Ruth Plummer, .x.lNliv. djredor for Arti•• hat •• udied. A r«epttoa foUowed at which Recital .. Ms. Faxgrover I. currently orilina Mr. lUi'll r."ind, antOng many other gift. i.t in r.lldence at Radrfard Conege, Rock. 9 Stops and tributes. a two-YDlume ••t of conlraf­ ford, lIIinoi.. and organid of the Fint ulatory le"en from many .f America', Evanll.lical Cav.nant Chum. In Rockfanl. and Europe'. mo.t distingui.hed .fganists. Far 11 yean .h. was organist of Lake 11 Ranks A.... nu. Cangr.gational Church, Pasad.na, California, and .h. was an indrvdor at SAMUEL JOHN SWARTZ will perlonn and Azusa·Pacirtc College from 1"1-70. Pnor narrate the KCcion devoted to O'T-IIU on a 2- to her mov. to Calif"rftia, Ike was cwgan­ ft'COrd ;slbwn cntilkd "Keybo.a.rd Instruments" beinl produud by the Standard OU Company ilt at Buena Memorial Presbyterian Church, for educational distribution to IChoob. colle!~ Chlcallo, Ulinal. from 19Sa..s9. and radio ltatioN in the wcstern .tatdl. lie has M.. Faxgro ... ., hoW. the diploma fn Schlicker Organ Co., Inc. recorded representative eJ:terpls frum the organ sacred mUlic from Moody Bible Indhu.. , literature to demonstrate ..... rio"' .Iyla and Chicalla, a IA dogr" from WhlHler Col­ periods 01 «Imposition on the Flentrop organ fege In California, and the MM dog .... fro.. For the church with limited .pace or re.trictive budgets, the Schlicker at All ~ints ' Churd., Palo Aho, Clall., where the University .f Southem CalUonda, hr d orpnisL The records will include a dit­ where sh. hal bee .. acc.pted currently for DIPn Company offe .. pipe PlIlIn. of unit design Which provide gT8at C'WSw,n of the hiltory and development ol the the DMA program. H.r teach.rs have be•• flexibility from minimal respurc.s. nrpn between Mr. Swartz and Wlliiam Rab.rt Rayfield, R.bert Prichard, Ladd Schnecker of KQED.TV. San Francixo. Thomas Ir.... She was Other pulonnert featured in the album are and Rabemon. the .f Dillin. for All Situations harpsichordist Marpret Fabrizio and pianiltl winner the Lana INCh Chapter A.G.O. Herbie Ihnc:oc.k and Georze Shearin •. contest In 1970.

Buffalo. N. Y. 14217 KARL WIENAND, ..utant prolaaor of WILLIAM P. HALLER. raculty member music IlIt Adams State Collqe in Alamosa. at Capital U nivenitJ, wu fotum! m. a Icc· Col., has be~n awarded the DMA deP'ICIC br BrochuTe AvtJilabte - Member APOBA. lure·rccital on "Olle Hundred Yean of Amen· the Univenity of Colot'3do, Boulder. lIis de· can Organ Mwic" by the Dayt"n. Ohio gtee in org",n performance included .tudy Chapter of the A.G.O. em Feb. ~ . with Evetc:1t Hilty ane! Toady Susi Jean..

In 1893,Casavant Opus 38. a two· manual tracker organ of sixteen scops. was installed in the Parish Church of St. Eugene, Ontario.

In 1973 , Casavant was commissioned co clean the instrument and co refur­ bish its mechanism.

The onl)' change made to this organ during its eighty ),ear life was the addition of an electric blower in 1931.

THE DIAPASON Appointments ~~ re~ June 24-28 ~

Michael Conine hot Me" appointed Stephen A. Rumpf has ,ean",. bnn ap­ Catharine Crozier, Harold Gleason, auls.ant pro'... or of music at the School pointed araanitt and chalrmatter of St. ~f MUlic, .Iorida St.I. Univenity, Talla .. Lulee'. Lutheran Chureh, New Roch.lle, Joan lippincott, Donald McDonald, ho.... , Florida. a. of September. 1973. N.w York .. and T.mpJ. Emonu.1 of Great HI, duti.. the,. Indud. teachlns a lor,. Necle, New Yorle. H. hat held similar po­ cla'i of undergraduate and graduate or­ sition. In Waba.h. Indiana, Grand Haven. Ladd Thomas gan .tudent., and a coune in Dt1Ian rep­ Michigan, La G,ang.. Ohio and also In ertCH"Y. H. ho, .k. bHn named organ'lf PaN', CoIDfM ami Mon.,.. 1. of the Fir.t .r.... yt.riGn Church of Tana .. M,. Rumpf. a g,aduat. of .h. InterJochen ReCitals, lectures, Class Demonstrations ho.... . Arts Academy, did his und.rgraduat. worle M,. Corzine hold. cI .., ••• from the Uni­ at Hop. ColJeste and Ob.rlin ConurYotory versity of Wi.consln. Superior, and the of Music. Lot.r h. .tudled pr;vat.ly with Eastman School of Mu.lc, where h. ha. Andr' Marehal. Nadia loulan•• r and Ann­ Westminster Choir College compl.,.d cou,.. worlc 'or the DMA d ... e». DIMldonn. In 'a,is. In addition h. "... HI, tCKhe,. have bnn l.\KIII. Hom. hal studied with Hilla Ruf, Kenne.h GIl­ California Summer Session mlH W.bb and RUSlen Saunden. b.rt. Raymond Daveluy, and Atbett Fune,. Mr. Conine was the winner of the ,e-­ M" Rumpf p,.Mnfly , ..i d •• in N.w York glonal competition of the New York City City wh.,. h. ha. formed the Rlv.rside I At Carlsbad A.G,O. in 1969, and won Hcond place Consort. an Inttrumen.al en"mbl. speclaJ. hano,. In the ha,lonal comp.titlon at the izing '1'1 authentic p.rformantes of Baroque Write: 197D A.G.O. lI:onventfan In BuHalo. H. and Renal.sanc. music. Robert Carl WOft .ewnd pIac. In the '973 competitlon of .~. Fin' lap.itt Church, Wore ...... Westminster Choir College No ••.• and h. was .h. winner of the com. Gillian Weir haa been appointed to Summer Session IN'i,Jon .pon.ored by first Pr.sbyt.,Ian the faculty of Cambridge University, P.O. Box 960 Church, Fort Wayn., Indiana In 1973. H. Cambridge, England. has s.rved church" In Duluth. Minn., and Ikthe1 E. Zuablno has been ap­ C.rlsbad, California 92008 Roch ••••r. N.w Yarlr, and wa. visiting 11'1- pointed church musician of the 'Vest strudor of organ of the Unlvenlty . f Presb)'lerian Church, Binghamton, N.Y. Evanlvilt., Incliana fa, the academrc y", ~rs. Zucchino began her duties on Feb. • 1972·73. I, 19i1. Fee: $125 Room-Board $60

HE FINEST compliment a competitor can give you is to copy your product. All too often, though, T imitators simply copy appearance, and fail to build in hidden features that make the original so popular. So it is with Reisner's Relay Magnet, praised by organ builders throughout the world for its reliabil ity. Bases, for instance, are made on our own die·casting machines for strength and precision, as well as absolute quality control. Contact fingers are sterling silver, and armatures are mounted on bush ing felt to virtually eliminate action noise. Until features like these are copied, your best assurance of genuine relay magnet reliability is to specify REISNER . oWE~~n$t W~#JV MFG. CO. lHigliififi.f;W~n, , ultra-dep{nd~ble Relay ,Magnets INC. lDrigjiIatiJ{J fiji Reisner. Small but rugged, tlfese 1Ila9¥ti)n. SIIal/able with 10, 15, or 18 con tB,£ts. '$rJii@liflJ1 m/stance 70 ohms, other resistances P. O. Box 71, Hagerstown, Maryland 21740, phone 301·733·2650 ;Jyaila5le lm spec/al Ofder.

MARCH 1974, .5 SUMMER, 1974

An Assortment 01 Workshops, Sununer Institutes, Festivals, and Other Activities. (To be continued• in the April and May issues.)

Lutheran lnu.ic ImtJtula LA.O. Congress 1974 Plans are now complete for 20 work· Newcastle Upon Tynt, Engbnd shops for parish musicians to be held Aug. 5-10, 1974 in the U.S. and Canada. They are spon· sored by the American Lutheran The annual SUQlmer congress of the Church, the Lutheran ChUrch in Amer· Incorporated AssocIation of Organ isis ica, and the Lutheran Church·Missouri (England) moves northward this year Synod. Each &day session wiU ,eek to to Newcaslle Upon Tyne. The under· ramiliarize musicians with new devel· lying theme of this year's meeting will opmc.·nts in choral and organ music, b(' "The Church and the Composer." A liturgy and hymnody; they wilt be prac­ lack of communication. coupled with tiell in nature, especially oricnted to suspicion and occasionally hostility, mmi, ians of sll)all parishes. Over -40 tcnds 10 create misundcntanding which. nationaUo:·known music and workshop in its tum, leads 10 an undesirable gap Jt'adcB will scn'e as instructors in the between today's pcrfomu~n and today's 20 institutes. Authors of the course ma­ composen. t('nab are Carl Schalk. Frederick Jack­ With this in mind, five composers heh, Herbert F. Lindemann, and Alan h3VC been invited 10 participate in the C. }-'rectl. Thc following is the geo. congrcss - Prtrr Aston. FrAncis Jackson, graphic listing. John McCabe, Paul Patterson and Calif.: CalHomia Lutheran CoIlc.'Sc, ,\rthur Wilb. Each will participate in Thousand Oaks, Aug 4-9; the congttss and two have been com­ Colo.: Colorado State Unh'enity, Fort missioned to wrile works which they Collins, June 16-21; will study and perronn with the Con· Fla.: Eckerd College, 5,- Petersburg, gress choir. July IH9; The program will include musical Ind.: V41lparaiso University, Valparai. programs, the RCO lecture, and Vi5il~ !oo41 July 14-19; 10 Durham and Hcxham (where the luwa: Luther College, Dccorah, July new American built Phelps organ will .. I'" be demonstrated by Gillian Weir) . ,. ~;ns.: Bethany College, Lindsborg, .·urther inronnation: Mr. Trevor luly 7·12: Tildsley, Hon. General Treasurer. In­ Mich.: Suomi College. Hancock, Aug. corporated Association of OrganiSts. 9 11·16; Hill View. Milton, Stoke-on-Trent, ST2 Minn.: Concordia College, Moorhead, 7AR. England. THE REUTER ORCAN COMPANY 0 BOX 486 AC July 21·26; and Concordia College, St. LAWRENCE,. KANSAS 66044 • PHONE (913) 843·2622 I'aul, Aug 4-9; ,.(w.n ANI'A MORL: College of Great Falb. Great Conference for Church )(wicians Fall •• June 25-28; Green Lake, Wisconsin N.Y.: Concordia College, Bronxville, July 20-27 July 21·26; N.C; Lutherldge. Arden. Aug. +9; The tenth annu:tl conference spon· Ohio: Wittenberg University. Spring. sored by the Fellowship of American field. July 7·12; Baptist Musicians will be held at the Pa.! ~utheran Theo. Seminary, Get· American Baptist A!!i5Cmbly in Green Valparaiso University tysburg, June 25-28; ami Thiel College, Lake. The adult section of the conrer­ Greenville. July 21·26; enee is geared to all who work in S.D.: Augustana College, Sioux Falls, church music whether on a volunlccr June 16-21; or proressional level. The youth section Church Music Seminar Tex.: Texas Lutheran College, Se· is designro for youth who are involved guin, June 25-28; in any way in church music. Wash.: Pacific Luthcran University, Conference leaders include John Tacoma. July 7-12; Kemp (adult choral clinician), Helen HYMNS AND SPIRITUAL SONGS Wis.: Carthage College, Kenosha, Kemp (children'S choirN), Bob Bur· July 1+19. roughs (youth choin): John Harvey Jan Bender, M. Alfred Bichsel, Herbert Brakering, DaYld Craig­ An institute wilt al50 be held at the (organ class and recitalist). A highlight head, Hugo Gehrke, Gerald Knight, The St. John's Chorale, The Lutheran Thcological Seminary. Sub· of the conference will be the p~miere toon, Sask., Canada. June 25·28. pedormance of a work by Bob Bur· Western Wind, and many other features • Further inronnation: '74 Church Mu· TOughs commissioned by the Fellow­ sic Institutes, 426 South Firth St., Min· ship in honor of its tenth year. Eve· neapOlis, MN 55415. ning concerts, daily repertory sessioml. workshops for h3.ndbells. organ and APRIL 18 - 21 Roxhill I\(wic Festival 1974 \'oice will be held. Write: Dr. Philip Gehring Dorldng, England Further informntion: James en\'en, June 7.g, 1974 Preddent. FeJ1ow5hip of American Bar' Valparaiso University lisl Musicians, Valley Forge, PA 1948 Valparaiso, IN 46383 The annual Boxhill Music Festival will once again be held at Cleveland Lodge ill Dorking, the home of Lady 4th Annual Organ Camp Susi Jl'ans. Cleveland Lodge and Lady University o[ IDinoiJ J~ruo coUectJon of imtruments pro· Urbana-Champaign, dL "ides a most gracious ~nvironmcnl (or July 1+26 NORTHWESTERN this mmi·festival. '111 opening coi\cen on June 7 will Illinois Summer Youth Mwic, a pro· UNIVERSITY be "A Maske: 'Jkauty Retire of Mr. gram of the Office of Continuing Edu· Pepys and his Musique'to compiled by Cltion and Public Service in Music or SCHOOL OF MUSIC Charles Cudworth, and featuring Sylvia Ihe Univenity of Illinois, has an· Eaves, John Pouer. and Hugh Mellor Ifouncrd the fourth annual Organ Baroque: Sights and Sounds April 17 and 18, 1974 as VOClI 5010ists with Mr. Cudworth Camp. 10 he held July 14-26 on the Ur· sen'ing as narrator. The instrumental bana.Champaign campw of the Univer­ msemble will consist of Dca Fondyke sity or Illinois. It is open to all junior (violin). Christopher Monk (recorder), and senior high school students inter· GUSTAV Elizabeth Page (bass ,·iol). and Elwyn ested in the pipe organ and desiring an Davies (harpsichord). opportunity to develop or C'Xp3.nd a On June 8 Max Martin Stein of DUs­ knowledge of the instrument. Students LEONHARDT Sf!ldorf, 'VOL Gennany will playa piano at :til levels are invited 10 apply. Pror. redtal roosi!ting of worb by Mozan, Jerald Hamilton of the University will Recitalist and Lecturer Beethoven, Schubert and Reger. serve aJ advisor to the camp, with An. The June 9 concert will be given by drew Soli aJ headmaster. In addition to For inronnation write: Lady Jean •• who will play 17th and 18th individual and group instruction in or· Concert Manager century music for virginal. harpsichord gan playing. daily classes will be given and chamber organ. She wiD be assisted in music theory. organ literature. and School 01 Music on the prograll1 by oboUl David Jones. organ construction and design. Northwestern Uni""nity Further inronnation: The Festival Further inronnation: lliinois Summer Evanston, nrmois 60201 Secretary. Bomill Music Festival, Cleve. Youth Music. Univenity of Illinois, 608 land Lodge. Dorking. Surrey. England. South Mathews. Urbana. lllinob 61801.

16 THE DIAPASON Swnmrr Worbhops Joan Lippinmu, Donald McDonald, \Vesuninstn Choir Collq;r and l..add Thomas. PrinCt'tonl N.J. For further information, Carlsbad workshops: Robert Carl, Westminster ~ 'Vestminster Choir College. Princeton, Choir College Summer Session, P.O. MUSIC FOR New Jersey, Orrel'S one of the fullest nox 960. Carlsbad. CA 92008. 1 programs of summer workships and spe. cialized courses available anywhere. THE CHURCH Vi Thry are too numerous to drscribe in Church l\Iwic Workshop detail hrre, but :l skrlrton lut is in· Dra"e Unlvenity ~...... '~ cluded for refcn:nCt' purposes. Thb Des Moines, Iowa YOUNG VOICES - REPERTORY AND TONE year, courses and workshops will be of· June 11·15. 1974 ~ (ered not only on the school's Princeton Barry Rose campus, but also at Carlsbad, Cali£or· A practical workshop designed for Gulldford Cathedral, England nia, thw splitting the orrcrings between choir diredors and orpnists will be Boys of the Saint Thomas Choir the east and west coasu, t:lught by Allan tehl (voice), and Carl Staplin (orpn and church music). Spe· Lee H. Bristol, Jr. At Printtton: cialized sessions wilt cover new choral Gerre Hancock June 17-21: Bach Motets with Wil· repertory whidl is practical for the Begin. with &.nlOng on Sunday, April 28, 1974, ot 4 p.m. helm Ehmann: HarpsichOrd Festival small to medium size choir, and organ Week, which includes a galaxy of per. Ends with Enn.ang on Tuesday, April 30, ot 5;30 p.m. publications suitable for worship usc. For Information: Write fonners, demonstrations and displays of Dr. Lehl will emphasize techniques of innmments, and workshops. Louiw Meyer, Music Secy. rehearsal, choral develorment and con· Saint Thomas Churc:h, June 24-28: Choral Repertoire with wil wilh ducting. Dr. Siaplin deal aea­ 1 W ... .53rd Stre.t D3.niel Moe. th'e service playing, accompaniment New York, N, Y. 10019 IInrrv R", July 1-5: Fundamentals of Choral adaptation, and organ technique, Joint Conducting with Charles HilL sessions will focus on e((cctive materials July 8·12: Cho ...1 Arranging wilh of modcrate difficulty, planning for the • Alice Parker; Male Chorus Repertory church year, and other topics of mutual with r.lorris Hayes; Vocal Pedagogy interest. Displays of frcent choral and with Herbert Pate. org:m publications will he available. July 15·19: Advanad Choral Conduct· Further information: Dr. Carl Staplin, CHOATE ORGAN/HARPSICHORD SEMINARS ing with Joseph Flummerfelt: Chil· Chairman, Dept. of Organ and Church Paul Mellan Arts Center, Walllngfard, Connecticut dren's Choirs with Helen Kemp: Church Music, Drake Unh·crsity. Des Moincs, Music Worbhop with John Kemp. Iowa 50511. July 22·26: Handben Workshop wilh Robert [vey; Robert Shaw Workshop JUNE 23 - JULY 6 (Ihrough Aug. 5). July 29·Aug. 2: Organ Week lor High Orpn.H.:up.ichord Seminar One Week/Two Weeks of Concerts and Master Classes School Student.. with Joan Lippincott Southern Mrthodist UniYeTIity Casavant, Flentropt Wilhelm Tracker Instruments and Eugene Roan. Dallas, Texas Professionnl. and Students For further information, Princeton June 24.July 5 workshops: Charles Schisler, Director of Organ Repertoire BERNARD LAGACC Summer Session, Westminster Choir This year's seminar will feature or· 't. ROBERTA GARY College. Prinrelon. NJ 08540. ganist Jean Guillou of Paris and harp­ Organ Technique sichordlst Isolde Ahlgrimm of Vienna. Harpsichord Repertoire • MIREILLE LAGAC' A, Carhbad, Calil~ Each artist will teilch daily master class­ Church Musicianship RICHARD GRIFFIN June 17-21: Choral Arranging with ~ and will play two public concerts. Student Preparation DUNCAN PHYFE Alice Parker: Choral Conducting with Mr. Guillou will feature his own works Elaine Brown: Church Music Work. as well as Romantic and mntemporary shop; Organ 'Veek for High School Stu­ organ pieces in his classes. Mme. Ahl­ Contact: Duncan Phyfe, Director dent.. with Joan Lippinmtt and Donald grimm will feature Bach's Well Tem­ The Choate School . McDonald. pered Clavier, Booh 1 and II . Wallingford, Ct. 06492 June 24·28: Children'. Choin with Further information: Dr. Eugene Helen Kemp; Handbell Workshop with Bonelli. Chainnan. Division of Music, Telephone: 203·269·7722 ext. 331, 403 Itobert Ivcy; Organ Master Class With Mcadows School of the: Arts. Southern Catharine Crozier, Harold Gleason, Methodist University, Dallas, TX 75275. YOUR ORGAN AND THE ENERGY CRISIS SCHOENBERG INSTITUTE all of Schoenberg's correspondence will FORMED AT U.S.C. he a part of the legacy in duplicate CUHing the heat (even completely eff) form. The furnishings. plano, and other KEATES to WIve fuel will not hurt your pipe e(· The trustecs of the University of objects in his studio will also be part gon. It will probobly help to prolong Southern California. 1.05 Angeles, have of the gift. Schoenberg'5 paintings will Its life. Most heating systems dry the authorized the establishment of the be loaned to USC from time to time for ORGAN COMPANY air ond drying do.s hurt organs and Arnold Schoenberg Institute as a center study and exhibit. anything else mode ef wood with glue for study and research in the contribu­ LIMITED folnt .. tions of the great composer who lived Tuning is aff.cted by temperoture, but and worked in Los Angeles for 17 years U. OF WISCONSIN TO only femporarily_ It returns to normal until his death in 1951. The creation • when the temperature Is restored to the of the Institute wilt bemme the focal HOLD ORGAN COMPETITION level where the organ was tuned. resource for all subsequent scholarly and performance research aclh·ities of TIle music department of the UnivCT­ 0","" B.. ;/J'N Methanicol-odian organs use eledri. Schoenberg's e,.hallsli,·c Ieg:acy. sity of Wisconsin·Pbuevilie will hold city aRty to blow the pipes, thus reqult. ing mU'Ch fels powe" ond .Heding 0 The Institute was made possible an org:J.n competition on Satllnlay, April 20, 1974 at Ihc Congregational Church ,eal energy sovings. If It co",es to that, through the great generosity of the • h.!-nd.pumping con be inlfaUedl heirs of Amold Schoenberg, who will of LanClster, lViscomin. The competi­ provide their father's extensive library tion is open to high school seniors and A public service m.noge from and archives to USC pending the con- students inlerested in attending U'V· ACTON, ONTARIO 51.J'Uction of an appropriate structure Platteville in the fall. and appointment oC requisite profes­ Organ sc:holarships of $500 and $300 sional sta[[. Toward this end, Adrian each to attend the school wiII be award. Wilson Associates, architectural and ed to two outstanding organists by Rob­ planning subsidiary of TICOR in Los ert I. VeJzt. Winners will be determined AngeJes. has assisted USC in securing on the basis of perfonning ability and tour perJOfHJ' whit•• panial funding for the Institute. Simul· musicianship, and the dedsion of the taneously, a consortium of educational jlld~s will be final. alii I" good hand. 68 WASHINGTON STREET. institutions has been created to under· Jud~ for the contest will be Dr_ LOWEll. MASSACHUSmS 01851 "'rite a portion of the operating ex· Rosemary Clarke. profC550r of music at Fa. Jacq. Stlnh.. %EIST penses of the Institute. including Cali­ IT'V·P: Dr. William Knaus, minister of Organ pi,. rnoken Holland fornia State University at Los Angeles. music at Westminster Presbyterian Discussions with the University of Cali· Church. DUbuque. Iowa; and Sister fornia at Los Angeles, where Schoen· Mary Lois 'Vessels, dirtctor of music berg taught for several )'ears, are con· at Mount St. Frances, Dubuque, Iowa.. unuing mncerning their participation In addition to the competition the ~J\lr~~~~. in the consortium. It is hoped that judges wilt present an organ reciuJ on ROCHE ORGAN ground may be broken and mmtruction April 21 at the LanClster Congregation· fiNEST IN NATURAL PERCUSSION under way in time for Schoenberg's al Churd!. lOO,h birlhday on Sep'. 13. 1974. For additional infonnation, write Dr. When established. the Schoenberg In· Joseph Estock. Chairman of the Music CO., INC. Solid stitute will contain virtually all the Dept., University of Wisamsin-Plaue­ Cathed,al Chimes original writings of Schoenberg ( sketch~ ville. Plalteville. WI S!818. Deadline for Electric c!. short scores, finished manuscript.., applications is April 10, 1974, builders or custom AdJGin. editions. essays, books, articles, etc.) as AMPlifiED TOWER CHIMES well as hundreds of annotated and ana· d.. igned pipe orgam THE SOUTIlERN CATHEDRALS FESTI. lyzed SCOfCS and books of other mmpo­ VAL will be held at Chichester Cathedral, sen and writers. While the Schoenberg LAKEVILLE England from Jul,. 25 throup Jul,. 28. ne P.O. Box 971 TauntoD, Mala, 02780 letten are not yet included in the pro­ prosram will rollow much lbe same liDei _ CONNECTICUT 06039 posed gift, it is minimally expected that previow 'aLinh.

MARCH 197" 17 Readers Reply Mr. McNeely ;s referred to Ihe prcced­ ing letler by Durolhy Dollinger, former (Cnnrinutd /ro," page 2) organist 0/ Emmanuel Churcl, in Han· rwer, ;u regard 10 llis tUSfmlptions in January 21. 1974 I,;s last paragraph, Till! organ in ques· To the Editor: tim, IIad already "ee" rebuilt by Ileo­ We wcre "cry much interested in your linn-.'iltilU,cr i" lI'l! mid 60's. be/ore t:ditorial "ResloT31ion ,11111 History" Miiller cOIllJ,/ded tile rebuild. And Mo'­ published In the Jan. iunc. The con­ ler reJ,lnced lI,e old console will, a fusion you mention has ulIl~ occurred completely new oue. Tllis, 01 COUTSI!, Jcccntly as morc and InOtC churches are says "otlling nbout whetlll!r it is a line realizing tbe potential merits of older i"strulllerl' to lislen 10 or "ot. orgoans. Furl/ler, a few words are irl Cf'dcr An org;m restoration cnrolnpar.ses two abOid problems will, cone ,,,,led pi/leS , basic, definable areas. First. the me­ Wlren there nre problems witll cone chanical portions of the instrument. limed pipes, it ;s usually lor one 0/ This includes replacing wurn oul puts, lwo reruo"s (or bOlll): the flipe has leather (in the willdchesLS, bellows, bUll poorly madl! (100 lhin a pipe etc.) . magnets. tr.u:l;;cn. etc., and to It'nll, poor soldering. poor or de/edil'e generally thoroughly repair these me­ mnterinl) • or ti,e I,ipe lias bUrl improp. WICKS ORGAN COMPANY chanical portions so that they function erly timed by a Umer wllO does nol 35 they did when they werc new. New k,lO." ''ow to use a COrle tuner. Mosl Highland, Illinois 62249 parts may be added as replacements, 0/ ti,e problems that 1 IIave seen willI but in essence it is still Ofe Jame organ. cmu:' timed pipes rl!Jult /rorn 'he laUer. Pipe Organ Craftsmen Second, the tonal pan of the instru· In my experience, cone trilling is wun/. Peoria, illinois Since 1906 ment, namely. the pipes. A tonal re­ Iy 'lie most stable and bes' way to "'ne stot41tion includes the renSe of pipes ope,. metal pipes, provided lhat it is on the original wind pressure (on oldcr done with care and knowledge. tr.:J.cker organs. the pres.~urc is ollen - Till! Editor CHESTER A. RAYMOND, INC. lowered to lighten the kcy touch. how­ e\'er). The pipes are carerully n."gu , Ja1l1l31)' 12. 19i4 PIPE ORGAN BUILDERS Jatcd and y:nnetimes it is necessary to To the Editor: rebuild pipes lliat lIave [Ieeu coue IUllcd I highly commend you for delineat­ over the years to get them to work at ing the ,'cry important difference be· Rebuilding, Maintenance and Addltlon~ I alii (An QCCa!ional rebuilt pipe docs tween "r~toring" and "rebuilding" an nol meall the church organ has been organ. However. you do place the onus rebuilt! Olpn technicians usually find (or this so·called confwion o[ semantics P.O. lox 55 Princeton, N.J. 08540 Olis a pllrt of the upkeep of older or­ upon the shoulders of the org3n build~ g:lns,) Reed pipes mwt be disassembled iug industry. and that I (eel is not quite Phone: 609·924-0935 to be properly cleaned and usually need the wholc picturc. to be revoicoo so they will work againt Though 1 "'ST« that no org:mbuildc:r Organs can also be rehuilt tonally should advertise the (3et that his finn and/or mechanically. Smaller regulator:>. "restored" an instrument when in (act new windchests, new pipe top boards they did make physical modifications. for older chests and a new or com· I maintain that it is a word lhal is DELAWARE pletely dissccted and reasscmblal con· often misused so a.s to provide a con­ sole can be added. During this process. ,·enient cloak. ror orgauisu who wish to remodel the organ to their own parti­ ORGAN COMPANY, INC. it is less complex to make tonal chang!'s or alterations than when the organ is cular tastes while carrying the banner of the so-called "organ reform move­ a progressive company with traditional Ideals being u~. Often old windchcsts arc ment." By doing this sort o[ a.dvertising designing and building custom pipe organs completely disassembled ':l1n.l reworkrtl and/or mooificd to bener suit tlle new the orgoanbuHder is facilitating these specification or to pennit the reanange­ organists by allowing them to use a 252 FILLMORE AYE. TONAWANDA, N. Y. ment of ranks, etc. Oflell. at this time relilth'cly unabrilsl\'e tenn. in this age it is dcsir.tble to relocate :, whole dh'i­ of Lhe arts, while they go about alter­ siolt such as a buried Choir or Solo. ing instruments in the name of "re­ etc, Older components Illay ha"c Ucen storing" the work of iln age gone by. uscd. bllt technically it is not /Ire sallie In conducting "rebuilding" or ill1 Olgnn as it wn,s lIe/ore. A tUllal rebuild olcler instrument, I think that organ· includes reworking and/or repitching ists should consider the initial truth McMANIS ORGANS that organs are not such flexible ap­ Incorporated lower mixtures (if any) and substitut­ ing new ranks (or some of the countless par.:J.Ul5eS that can be ill\\,a.,..5 successfUlly wing mnks (ound in ohler instrumenu. made into facsimiles of an age of 01"­ gilnbuilding that they were not a prod­ lOth &< Garfield etc. Ry adding new, carefully planll(~ d registers, a versitile (,sic) organ can re­ nct of. If the church committee is ill­ KANSAS CITY, KANSAS mll'cd in seeking work done to their sult especially if it is exculed (sic) by 66104 church's instrument. the organist there a capablc £inn. The o~all is not 31t should encour.:J.gc tllCIU to respect the old organ but a new or~:l1l containing original illtcgTity of the instrument ir rebuilt parts and reused pipes. along the situation warrants; or if finances with new componets. Builders of Fine Tracker and allow, they should consider building a More and More Churches (sic) arc new instrument dcsigllt.-d to accommo­ Electro·Pneumatic Pipe Organs adopting the "rebuild" plan detailed date their musiC31 intentions. abo,'e, The COlit is usually .:I.ro"nd one­ If that much is acoomplished. per. Inquirits art Cordially lnviltd haU thoU of .:I. totally new organ nnd. a haps we can prevent any more of tJ.e major ponioll of our major organ build· older organs that still exist from being ers' income is derived rrom rebuilding unnecessarily ruined. and dc\'ote 0111 W. ZiIllIller & Sons their own e!ulier instruments, nol n'­ attentions to the restoration of more I N CO RPORA T ED .storing thcltt. Often to restore an old de5Cf',jng exampk'S. If this is lIot done, instrument to its original playing con­ thcn a rcal crime has surely been per· dition and 5Ound. I'cbuilthng becomes petr31cd UpOIl the future gener.:J.tions of M.lllng Add,.. , : p. 0, Box 11024 • Charto"', N. C. 21201 a neces.~ity to remme other additions loung organists and organbuildcf5, NATIONS FORD ROAD' CHARLOTTE, N. C. rormerly added. etc.! (Le. the ramolls Must this situation colltinue to exist or .schnitger organ in Zwolle, Honand. will it take another St. Thomas, New O\'er the ),c.:I.n, ncw stu(ls were .:I.ddcd York City. for cxample. to reinforce tJlis LOUIS F. MOHR & COMPANY and the Schnitger pipe mouths were argument?

THE DIAPASON heyday. The console shell, to my dis· task of identifying organs that have m~)', was nowhere in sight; after a historic value. Once identified, the in­ feo hie allentpt had been made to sell struments should be properly restored it it was summarily junked, as far as 1 and maintained at co\'ernment expense ruuld learn. The old keyboards, regret­ a!il national monuments, Although many lallly, ha\'e mct wilh a similarly bizarre Americans might find it difficult to ac· fale since thcn. c('pt go\'ernmcnt im'oh'emcnt in this My ruminations add nothing to the area, it is the only organization with (.hilosophical Ulnlst of your fine edi· the mcans of sustaining a national ef­ torial. Indeed, I ha\'e long felt that fort. Until the time, if evcr. whcn the la ndlllarks of all periods should be kept go\'Crnmcnt will accept a lcading role illtad that others, c\'en those yet un­ in preserving Americana, organizations born, upon hearing and playing these such as the A.G,O. and O.H.s. should organs, lIIay form thcir own vicwpoints, seek private and go\'ernment grants so Thcre is somcthing of Fahrenheit 451 that the task of true restoration and in those who would dcny others the preservation can be startcd. chance to be "wcll playcd" or "well Sincerely, listened," much less well read. Organ Dr. Edmund Shay builders mtlst be more tolerallt, even Columbia College when entrusted with restoration of or· Columbia, S.C. gans of ideals and traditions different from their own. Better one should de· 1 agree that it would be nice iJ gov· cline the job that someone truly sym· ernment money were available occasion· pathetic might appear. ally to support preservation projects on To conclude on an optimistic note, organs and buildings. But I am not so ak9dINCORPOR ATED a fine, large E. M. Skinner in my care SIIre that a government agency would has been undergoing (a little at a time, be any more productive in this regard Hager'lown, I\'\aryland 21 7·10 Phone 301-733-9000 sUllllllers mostly) an ongoing restora· than the situation that we have now. tion in THE DIAPASON's truest sense. Experience in European countries which It is a job takcn on not merely with have government agencies lor the pres· CHARLonE and WilliAM smirking affection as if for a senile r.roation 01 national monuments (or­ First Presbyterian Church grandfaulcr. but with solemn lo\'e and gans) would tend to make one wary Oceanside, California dcvotion as if (or a revered anccstor. at the very least. This is nowhere more Sincerely, t:Vident Ilian in France, where the bat· Army and Navy Academy Norman Ryan, Orbran Builder tle over which organs should be pre· Carlsbad, California \Vinston-Salem. N.C. ATKINSON served has been raging lor well over a de.cade, and where the light lor poli. January 29. 1974 tical position on the government's com· To the Editor: mittee has been lierce and at times Congratulations on an excellcnt edi­ totally counterproductive. Perhaps other ARTHUR C. BECKER, Mus D., A.A.G.O. torial concerning organ restoration and cOlmtries have lared better (notabl)' rebuilding. Many fine instruments have Holland), but a certa;rI amount 01 DE PAUL UNIVERSITY been lost through rebuilding, and lack France's trouble with government con· uf apprcciation of esthetic principles of lrol oj such projects has also been evi­ ST. V/NCENTS CHURCH, CHICAGO foriller generations. often in the name dent in Germany lor well over a hall of progress. Unfortunately, many cities century. Political power arid its benefits ha\'e alrcady destroyed their architcc­ (f;rlancial) lor 1)lOse who manage to tural past. get it are not always compatible with Edward D. Benyman, SMD War... n L IerryaMHl, SMD What is needed, perhaps. is a govern­ artistic and llistoric concern. ment org-.lIIization that would have the - The Edit01' BERRYMAN Organbt.choll'fttOlter Head, O'1l"..chuRh MusIc Dept. City College. He won the Pittsburgh WESTMINSTER I'fIESBYTERIAN CHURCH ....LDWINoYlAUACI COUIOI Art Society prizc in composition four Mlnneapalll Berea, Ohio times. For 20 ycars he was conductor of NUNC DlMllTlS the Harbison Orchestra, now the Se· wickl)' Civic Orchestra, and he also taught piano and organ privately. Margaret Melvin CARL A. JENSEN Mr. Johnson is survived by his wife. Carl A. Jensen, for many yean chair· Mary Davison Johnson, a daughter and man of the department of music at two brothcrs. Memorial scn'ices were DICKINSON Macalcster College, St. Paul. Minn., held at the Sewickl)' Presbyterial'! Unlvon/ty of louisville died Sept. 13, 1973. He was 87. Churdl. Ioulsyln. Iach SocIety Professor Jensen became a member C.lvary Epilcepal St. Fr.nds-in-th...neW, EpIscopal of the MacaleslCr faCility in 1925 and ALEXANDER KARCZVNSKI was actively associated with the college Alexander Karaynski. noted Polish for the next 31 years. 25 of thcm as composer, organist and choir director chainnan of the music department. He died Dec. 23. 1973 in Pelplin, Poland, was known as a kindly. scholarly man, where he Ih'cd in retirement. He was WAYNE FISHER and had the respect and love of his 92. At one time organist and choir di· mati)' students. At the time of his reo rector of Holy Innocents Church. Chi· Chairman, Organ Department tirement in 1956, he held tlle rank of cago. Ill., Mr. Karaynski's Kantala a110ciate professor of musical thcory Skargosha ,""as perfonncd under his di· University of Cincinnati 45221 and organ. rection during the Chicago World's I'rofessor Jensen was elcctcd a life Fair. Other works were perfonned in member of the A.G,O. and a Licentiate Chicago at variuus Polish festivities. A of Trinity Cullege of Music, London. major work. the Siabat Mater# impressed In 1958 he was made professor emeritus Ignace Jan Padcrewski, but has never of music h}' the Macalaster Trustct.'S. been premiered. Professor Karczynski GEORGE In additIOn to his teaching, Profes­ MARKEY has been the recipient of numerous sor Jenscli sef\'ed as organist and choir awards for his compositions. Record. Markey Enterprises 201·762·7674 director at Macalcsler Presbyterian He is sUHived by a son, Alexander, Recitals 42 Maplewood Avenue Church. St. Paul, and at Temple Israel, Jr., of Pelplin. Poland. Minneapolis. for 25 years. He also served Instruction Maplewood, N.J. 07040 for shorter periods of time at Plymouth, St. Mary's, Messiah, and Olivet church. es, all in St. I'aul, and he was associated witl. the MacPhail School of Music. STEINER Minneapolis, and the Orpheus Club of St. Paul. He is survived by his wife Helen, and ORGANS pOCOI2O BOq SIOOeRS by one brother who is also a faculty Incorporated STATE COLL£GE, £ASTSTROUDS8URG, PENNSYLVANIA 11301 member at Macalcsler College. K. BERNARD SCHADE. FOUNDER AND MUSICAL DIRECTOR 1138 GaMn Place r------~ ALFRED H. JOHNSON louisville, Kentucky 40203 Alfrcd H. Johnson, retircd organist PELCA RECORDS and choinnaster of Sewickly Presbyter· Th. finel' in European organ recordln... G. F. ADAMS ian Church, Sewickly. Pa., died Nov. Many Items In stadt. Write for n ... cata­ 28. 1973 in Sewickly Hospital. He was logue. S. H. Demltlnlky. 103.5 lroquota 73. Dr. S.E., Grand Rapldl, MIchigan .(9506. Mr. Johnson, a residcnt of Edge­ Organ Builders, Inc. worth, Pa., held bachelor's and master's vVOAO<- degrees from Carnegie Institute of Technology, and was on the faculty of 204 West Houston Street Pittsburgh Musical Institute. For nine ANDOVER ORGAN COMPANY, INC. years he was head of the music de· THE NOACI:: ORGAN COo. INC. .... 36 New York, New York 10014 parunent of Geneva College. Beaver, MAIN AND SCHOOL STREETS Pennsyl\'ania. GEORGETOWN. MASS, 01833 Methuen, Mauachuseth 011144 T... ,hone ORlllon 5-6160 In 1953 Mr. Johnson was awarded an modem mechankal action honorary doctorate of music by Grove

MARCH 1974 . ~9 John Weaver, U of Kon"», Lowrence. '" March Lenora Stein, Busch-Re"'ngor MUNum, KS CALENDAR Cambridge, MA 12: 15 pm Charle, 0 Frost. St Thomas Church, New 19 March York City 12110 pm lee Malone, Fifth Ave Presbyterian, New MARCH Betty Milham, Grace Church, New York York City 12.10 pm 1 2 City 12:30 pm Douglas Miller, clatlnet, Trinity Church, Harvey Burgett, All Salnb Church, New New York City 12:45 pm 3 4 5 6 7 8 9 York City 12:30 pm larry A Smith, Cathedral of the Sacred Timothy Albrecht, Trinity Church. New H. al1, Newark, NJ 8:30 pm 10 11 12 13 14 15 16 Yot'k City 12,.5 pm t Rkhard Birney Smith. all-Bach, SI An­ David Lowry, Larry Smith, Winthrop C~­ drew's Episcopal, Kan501 City, IK) 8 pm 17 18 19 20 21 22 23 lege, Rockhill, SC 8 ~ John Rose, for Sioux Falh, SO AGO 30 15 March 20 March 24 25 26 27 28 29 Ermt-Ulrlch von Kameke, Grote Episcopal, Mu,k of Henry Purcell, St Thomas Newark, NJ 8 pm Church, New York City 12,10 pm 31 Virgil Fox. Chrysler Hall. Scope Plaza, Vieuxtemps String Quartet, All SaInts Norfolk, VA Church, New York City 12,30 pm Morllov Kralzensleln, St Vincent dePoul Samuel John Swartz, St Paul's Chapel, AP RIL Church, Houslon, TX 8 pm Trinity Parish, New York City 12!30 pm Concerto. for Orgon and Orchestra by Ernst-Ulrich von Kameke, Tabor Lutheron, 1 2 3 4 5 6 Rheinberger, E Powor BIgg" First Congro. Phlladelphlo, PA 7130 pm gallanol Church. Los Angoles, CA (01$0 Marie-loulse Joquet, Longwood Gorden,. 10 11 12 13 Ma, 17) Kennelt Square, PA 8:30 pm 7 8 9 Musica Saaa, John$On Mom United i\1oth­ 16 March odi,t, Huntington. WV 12120 pm 14 15 Vidor Hill, harpsichord, Williams College, Wooster College Chorus, Chester Alwes, Williamstown, MA 8:30 pm (also Mar 17, dir; Fairmount PresbYlerlan, Cleveland DEADLINE FOR THIS CALENDAR WAS FEB. 10 8:30 pm) Heights, OH 8 pm Marie-LouiN Jaquet, workshop, Market Nicolas Kynoston, Albion College. Albion, Square Presbyterian, Harrisburg, PA MI 8 pm 5_ Jepltthe by Carisslml, Ave Ma,la by Doni­ Cklire Cod, Sligo Seventh-day Advenlbt, John Weaver. St Peter Church of Clwbl. Jef. Farroh. Flhh Aye Presbyterian, New ~tti, Mbsa I,.vl. by BellinI; Church of Ovr Takoma Pork, MD loh Zurich. IL York City 12:10 pm Savior, New York City 7130 pm Daniel in Babylon, Frederkk Swann and James Moeser. for M1NA oonvenlion, Choral Concert, Trinity Church, New York Music of the Frenc:h Cathedrab, First John Stuart Anderson, organ and actor; Emmanuel PresbyterIan, Los Angele" CA CUy 12,45 pm Presbyterian, Orange, NJ 5 pm RLOS Aud, Independence, MO Frederick Swann, AGO workshop, first Marl.loube Jaquet, St Timothy Lutheran, Samuel John $wal1%, All Saints Epl~pal, 21 March Presbyterian, Ridgewood. NJ 8:30 pm Wayne, NJ 8 pm Palo Alto, CA 8 pm John Holtz, Busch.Rebinger Museum, Marl ..loulse Jaquat, Cathedral of the Cherry Rhodes, St Paul's M.thodlst, WI!. David Brillan, California State U. North­ Cambridge. MA 12115 pm Sacred Heart. Newark, NJ 8130 pm minglon, DE 8 pm ridge, CA 8 pm Dennl, lCeene, St Thomas Church. New David Craighead. MeS310h College. Gran. Randall S Mullin. Calhedral of MellY Our York City 12,10 pm thom, PA Queen, Soilimore, MO 5130 pm 17 March Roger Evans, All Saints Church. New WIlHam Golf. Heinz Chapel, PtH.burgh. Mary Fenwick, Beaver College, Glenslde. Oonokl Spies, Congregotlonol Church, YOlk City 12:30 pm PA 12 noon PA 4 pm Naugatuck, CT 8 pm William Entriken, Groce Church, New Virgil Fox. Revelation Lights. Boyfront Robert MacDonald, Brainerd Bapti't, Chat­ Timothy L Zimmerman, Cathedral 01 All York City 12130 pm Arena 51 Petersburg. FL lanooga, TN Saints, Albany, NY 4:30 pm John Doney, Trinity Church, New York George H Pro, Cornell College, Mt V.r­ Allen G Brown, Flnt Congregational, Co­ Schola Cantorum and Bran Choir of Del­ City 12:30 pm non, IA lumbus, OH 8 pm barton School, St Mary's Abbey, Morris­ Richard Birney Smith, all-Both, St James Gerre Hancock. Seventh.cfay Adventist town, NJ 4:30 pm Church, Dundas, Ontario 8115 pm 6 Match Church, Kenetlng, OH Baroque conlotas. Trinity Church. Prince­ Works by 5 S Wesley, 51 Thomas Church. Schela Cantarum, frederkk TelKhow, dlr; ton, NJ 22 March New York City 12.10 pm Valparaiso U, IN 4 pm Canlatas • and 1'58 by Bach, Caneel10 13 Samuel John Swarh:, Church of the Ascen­ Singers and Concert Choir, Oovki A Roger Cavis, Cathedral of Chrbt the by Handel, Tenth Presbyterian, PhUodeiphla, sion, Roch.,ler, NY 8 pm Wehr. dlr; Ecntern Kentucky U. Richmond, tcing, KolomalOO, MI 4130 pm PA 5 pm Marilyn Mason, Sllrlne of 'he Immaculale KY 8 pm Contota 21 by 8ocJoI. Groc:. Lutheran, Marle-Loulse Jaquet. Market Squore Pres­ Concepllon, Wod1ington, DC River Forest, IL 4 pm byterian. Harrisburg, PA MorUou and Klaus Krat~nsteln, St VlflQInt 7M..... Paul Manz. Hymn Fe,tlval, St Paul'. Luth­ Hymn Sing, Rivenlde Church. New York dePaul Church, Hou,ton, TX 8 pm Timothy Albrecht, Busch-Reblng., MuMum. eran, Aurora, Il 4 pm City 2:30 pm Virgil Fox, Bethel College, Mishowa"a, Cambridge, MA 12145 pm E Power Biggs, First United Methodbt, Al­ Samuel Morris, Cultural Center, New York IN Ellen Nord, Sf Thomas Church. New York buquerque, NM City 3 pm Nicolo, Kynaston, St louis, MO City 12110 pm David lennox Smith, St Mark's Episcopal. Ernst-Ulrich von Kameke, St Michael', Arthur Poister. workshop for Minneapo­ David Higgs, Groce Church. New York Glendale, CA 4 pm Episcopal, New York City 4 pm lis, MN AGO (01$0 Mar 23) City 12,30 pm The Creation by Haydn, SI Bal1halamow's David Stilton. First Congregational. Bok· RoQer Evons, All SaInts Church, New 11 March Church, New York City 4 pm enfield, CA 8 pm York Oty 12130 pm Marie-louise Joquet. Millon Academy, Calvin Hampton, Calvary Eplscopal, New Richard Birney Smith. all·Boeh. harpsi­ Lorry King. Trinity Church, New York. Milton, MA 7t30 pm York City 4 pm chord; Glendon College, Toronto, Ontario City 12145 pm Mcm by G A Pertl, Bethesda by the Sea Man in G by Schubert, Firth Ave Presby­ 8:30 pm Lodd Thomos, Broodmoor Boplilt, Jock­ Episcopal, Palm Beach, fL 8 pm letian, New York City 4:30 pm son )lIS Gerre Hancock, AGO workshops, Dayton, Judith and Gerre HoncocJc, duo organ 23 March OH recllal, St Thomas Church. New York City, frederick Swann. workshop, Central United 8Ma«h Ted Alan Worth, Jackson HS, Jackson. MI 5:15 pm Methodist, Phoenix, AZ St Paul', Bays Choir, United Congrega­ Xavier Carosse, Rice U, Hau,tan, TX 8 pm Miriam Burton, soprano, Cathedral of tional Church, Norwich, CT Mary Our Queen, Baltimore, MD 5 30 pm 24 March Lebanon Valley College Concart Choir, 1 12 March Claire Coc:l, Sligo Seventh.cfoy Adventbl Vidor Hill. hotpskhord, Trinity Eplscapol, Pierce A GeIZ, dlr, CongrevatJonoI Church, Ermt-Ulrlch von Kamelte, Fifth Ave Prei-­ Church, Takoma Par", MD Ware, MA 3 pm NougatllCk, CT 8 pm by1erion, New Yot'k City 12.10 pm Hendricks Chapel Choir, Brent Hyhon. Corolyn Skelton, CongregaUonal Church, • Ma«h Plngry School ChorllS and Bra" Choir, dirl Stodley Hills Presbyterian, Bethesdo, Auburndale. MA Al1hur Pol,ler, warbhop, Hol11 CoUege, Trinlly Church, New York City 12145 pm MD 110m brael in Egypt by Handel, St Mark's HOl1ford, CT JONph Wozniak, Cathedral of the $ocred Houghton College Choir. Donald Bailey, Episcopal, New Canaan, CT 7130 pm Morl.t..oulse Jaquet, workshop, American Heart, Newark, NJ 8130 pm dlr; Holy Ttinity Lutheran. Buffalo, NY 5 Robert McNulty, Cathedral of All Saints, Academy of Mu,ic, Tenafly, NJ 2130 pm Robert MacDonald, workshop and t.dtal, pm Albany, NY 4:30 pm Virgil fox. Revelation Lights, Civic Center First Baptist, Nashville, TN Stations of the Cro" by Dupr6; Alexander Carlene Neihart, for 81nghamtan, NY Aud, Atlanta, GA Station. of the Cross by Dupr6, Clarence Boggs Ryan, organ; Davis Gloff, narrator; AGO 7130 pm Notional Organ Playing Competition, Watters, St Michael and All Angels Church, Holy Cross Lutheran, DetrOit, MI 7 pm Mass In G by Schubert, St Luke's Church, fll'lf Presbyterian, fort Wayne, IN 1-5130 Oollos, TX 8115 pm Requiem by Verdi, Pork Congregational, forest HUh, New YOlk City 11 am p. Grand RapkQ, MI 4:30 pm Wostchester Baroque Chorus. 0 Dewitt Ted AJan Worth, Ottowa MS, Ott~ II 13 MaRIo frieda Cp'I Holt Vogan. First Presbyter. WOWMI, dlrl Rlvel'llde Church, New Yotk 3rd Organ SymposJuml "Max Reger - lon, KalomolDO. MI 5 pm City 2:30 pm 10 MaRIo exploring the Differing InterpretaUons of the John Palmer, SI Procoplus Abbey, LI,Ie, Robert Cane, Cultural Center, New York Rildalf Scheidegger. St Paul" Cathedral, Masler"s WorkJ" Michael Schneider, Robert Il 3 pm City 3 pm Burlington. VT Bailey, Philip Prince, Benn Gibson, Robert Richard Birney Smith. oil-Bach, Chrl,t Dwight Oarr, St Michael's Church, New Marilyn Hoare. Cathedral of All Saints, Schuneman, Jock Hennigan, JamN Wyly, Church Cathedral, St LOUis, MO York City 4 pm Albany. NY 4130 pm Charles Krigbaum; Yale U, New Haven, CT Klaus Kratzensleln, Rice U, Houston, TX Late wng' of the Renalssanc:e, Marc A n.... of fJre by francis JocbonJ John (thru Marth 15.) 3:30 pm Prensky and Phillip "'rd. tenorsJ St Sto­ StflQrt Anderson, adar; Th. Riverside Choir; Mu,k of Edward Solntow. St Thomas James Moeser, first Congregational, Fre .. phen's Church. New York City 4 pm Riverside Church, New Yorle. City 2130 pm Church, New York City 12:10 pm no, CA 4 pm St Paul's Choir of Men and Boys (Akron, Colvin Hampton, CaNary Eplscopol, New George BeMetle, piano, All Solnts RKk Rcns, First BapUst, Santo Ana, CA 4 OHJ; at Cathedral of St John the Divine, Y.. k City 4 pm Church. New Yot'k Oty 12:30 pm pm New York City 4 pm Manun' Iteq."m by Verdi, SI Boriholo­ Peter Rosenfeld, cello, John Upham, harp­ 1he Peoce Ringers, handball choir (First Samuel John Sworlz, St Pol rick's Cathe­ mew's Church, New York City 4 pm ,khord; St Paul's Chapel. Trinity Parish. Methodist, Orange, CAli ot La Jolla Pre,.. dral, New Yot'k City" pm Anthony Newman, Cathedral of St John New York City 12130 pm bylerian. La Jolla, CA 4 pm Stabat Mater by Paulenc, St Bartholo­ the Divine. New York City. redtol 4,15 pm, John W Helzer, University Baplbt, Baltl. mew's Church, New York City .. pm mosterclcw 7130 pm more, MD 12 noon 18 March Colvin Hampton, Calvary Eplscopol, New Elilah by Mendeluahn, Fifth Ave Pre,by­ Harriet Tucker, John~n Mem United Robert Anderson. first and Second Churda. York City 4 pm terlon, New York City 4.30 pm Methodist, Huntington, WV 12.20 pm 80,ton, MA Cedar Crest College Concert Choir. Wil­ Contata 106 by Bath, Holy Trinity Lut~ Mari.Loulse Jaquat. Cleveland Museum Randall Mullin, Woolsey Hall, Yale U, bur Hollman, dlr; at Fifth Ave Presbyterian, eran, New York City 5 pm of Art. Cleveland, OH 8130 pm New Haven, CT New York City 4:30 pm fl~en M Guenthe1', SI Thomas Church, Rudolf Scheidegger, Sf Matthias Churda, Marie-louise Jaquat, for Indiana U st~ Canlata 127 by Bach, Holy Trinity luth­ New York. City 5115 pm Monlreal, Quebec:: 8 pm dent chapter AGO. Bloomington, IN eran, New York Oty 5 pm '. THE DIAPASON Stephen Hamilton, St Thomas Church, Samuel John Swartz, Trinity Church, New Roger Wagner Chorale, first Presby­ Virgil Fox. Vlendal. Presbyterian, Glen­ New York City 5115 pm York City 12:45 pm telian, fort Wayne, IN 8 pm dale, CA • Marie-louise Jaque., Ridgewood United Nicolas Kynaston, Immaculate Heart Wilma Jensen, "Passion Story In MusIc Seven Last Words by Dubois, Church of Methodist, Ridgewood, NJ Church, Maplewood, NJ 8 pm and Art," first Presbyterian, Oltumwa, IA the Blessed Sacrament, Hollywood, CA 4 pm Music for ancien. Instruments and organ, 8 pm Occidental College Glee Club, la Jolla First Presbyterian, Orange, NJ 5 pm 29 March Ted Alan Worth, PCUS Collegiate Instl· Presbyterian, La Jolla, CA 3 pm Collegium Musicum, members of Prince.on Ernst·Ulrich von Kameke, Cen.er Church, tute, Peterborough, Ontario Community Orchestra, lee H Bristol Jr, Hartfard, CT 8 pm 8 April piano soloish at All Saints Church, Prince­ Virgil fox, Revelation lights, lyric 2 April Passion Music. St Thomas Church, New Ion, NJ Theatre, Baltimore, MD Mervin Wallace, voice recital, Trinity York City 12: 10 pm Donna lerew, Cathedral of Mary Our MotHo u and Klaus Krotzensteln, Sauth­ Church, New York City 12:45 pm Musica Sacra of New York, Central Queen, Baltimore, MD 5,30 pm side Baptist, Birmingham, Al 8 pm John R0$8, Cathedral of the Sacred Presbyterian, New York City (also Apr 9' Ernst·Ulrich von Kameke, Bradley Hills James Moeser, St Anne's Church, Atlanta, Heart, Newark, NJ 8,30 pm The Early Music Players, St Mary's Abbey, Presbyterian, Bethesda, MD 4 pm GA Nicolas Kynaston, Market Square Pres­ NI.orristown, NJ 8 pm Paint Branch Pro Muslca, Robert Berg, United Methodist, Knoxville, TN 8115 pm byterian, Harrisburg, PA dlrl St Timothy's Episcopal, Herndon, VA Cherry Rhodes, Westminster Presbyterian, Robert S lord, Heinz Chapel, PIHsburgh, 9 April R.qulem by Brahms, Independent Pret· Akron, OH PA 12 noon Passion Music, St Thomas Church, New byt.rlan, Birmingham, Al 04:30 pm William Teague, far Jackson, TN AGO York City 12110 pm Evensong and choral concert, SI Michael's 30 March James Moeser, mastereloa, Georgia Col­ Rose Moskowitz, piano, Trinity Church, EpiscopaL Barrington, Il 6 pm Marilou and Klaus Kratzensteln, mast.r· ~. Milledgeville. GA 10 am New York City 12:45 pm Stations of "'e Cross by Dupre, Lloyd c1asse5 for Birmingham, AL AGO Occasional Singers Concert, Perkins Nicolas Kynaston, Cathedral of the Sa­ Davis, Bryn Mawr Community Church. Chi­ Cherry Rhodes, maslerciass, U of Akron, Chapel, Southern Methodist U, Dallas, TX cred Heart, Newark, NJ 8130 pm cago, Il 3 pm OH 8:15 pm DePaul U Concert Choir, Center Theatre, Jerald Hamilton, first United Methodist, Chicago Chamber Choir, Chicago Public DePaul U, Chicago, Il 8:15 pm Champaign, IL 3 pm library, Chicago, Il 12 noon 3 April 10 April Gladys Christensen, organ and harpsi­ Michael Corzine, U of Wlsc:onsln, Su­ Janet frank, voice recital, Interchurch Passion Music. St Thomas Church, New chord, Ebenezer Lutheran, Chicago, IL perior, WI 4 pm Center, New York City 12,05 pm 4130 pm Wilma Jensen, First Presbyterian, York City 12:10 pm Music of Malcolm Williamson, St Thomas Choral music for Paniontide, All Saints Nicolas Kynastan, St Mary's Cathedral, Oltumwa, IA Church, New York City 12:10 pm Peoria, IL 3,30 pm frederick Geoghegan, Oakville, Ontaria Church, New York City 12;30 pm Julian fifer, cellist, All Saints Church, St Matthew Passion by Bach, St Borthe> 1974 Annual Organ Workshop, U of New York City 12130 pm Jomew's Church, New York City 8:15 pm Iowa, Iowa City, IA - Jon Bender, Arthur 31 March Jenneke Barton, soprano, St Paul's Chapel, Poister, leonard Rover. (thru Mar 26) H Wellington Stewart, Cathedral of All Dwight Oarr, Aurora Presbyterian, Aurara, Trinity Parish, New York City 12,30 pm NY 8 pm David Herman, United Church of Christ, Saints, Albany, NY 4:30 pm Slations of .... Crau by Dupre, Antone Ames, IA 8 pm Crucifixus Pro Nobil by leightan, Grace Godding, Oklahoma City U, Oklahoma 11 April Paul Anderson, Rice U, Houston, TX Church, New York City 11 am City, OK 10 am Cambridge Musica Antiquo, Busch-Rei­ 5tabat Mat.r by Poulenc, Trinity Episco­ Messiah by Handel, Brick Church, New Ted Alan Worth, Korah Collegiate ane!: singer Museum, Cambridge, MA 12115 pm pal, Portland, OR 4 pm York City 2:30 pm Vocotlonal School, Sault Ste Marie, Ontario Tenebrae Service, Interchurch Center, New John Kuzma, 51 Mark's Episcopal, Glen­ Atlantic Union College Chamber Orches­ York City 12:05 pm dale, CA 4 pm tra, Riverside Church, New York City 2:30 "" April Passion Music. St Thomas Church, New pm " Beverly Schelbert, Busch·Reislnger Museum, York City 12:10 pm 25 March Robert MocDonald, Cultural Center, New Cambridge, MA 12115 pm lorry Wolf, architect, lecture on "Church Dennis Michna, All Saints Church, New York City 3 pm lorene Banta, mosterclass and recital, York City 12:30 pm Architecture as Related to Worship," for Missa Brevis KV 220, 256 by Mozart, Atlantic Union College, lancaster, MA James A Simms, Trinity Church, New York Pittsburgh AGO, Bower Hill Community Madison Ave Presbyterian, New York City Clarence l Cloak, St Thomas Church, Cily 12:45 pm Church, Pittsburgh, PA 4 pm New York City 12110 pm I enebrae Service, Riverside Church, New Ted Alan Worth, Mercy College, Detroit, German Requiem by Brahms, St Barthe> Roger Evans, All Saints Church, New York City 8 pm MI lomew's Church, New York City 4 pm York City 12:30 pm Requi.m by faure, Christ Church, Cin­ Robert Boker, Texas Christian U, Fort Coronation Anthems by Handel, St Thomas Larry King, Trinity Church, New York cinnati, OH 8 pm Worth, TX Church, New York City 4 pm City 12145 pm Psalm 42 by Eric Werner (premiere) at 26 March Evensong, Cathedral of St John the Divine, 12 April Virgil Fox, City Aud, Portland, ME New York City 4 pm; fallowed by Alec 5 April The Crucifixion by Stainer, Brick Church, Convent of the Sacred Heart Chapel Wyton, 4130 pm Clarence Watters, Trinity College, Hart· New York City 12:10 pm Choir, Trinity Church, New York City St John Passion by Bach, fifth Ave Pres­ fcrd, CT 8115 pm Choral Service, Riverside Church, New 12,45 pm byterian, New York City 4,30 pm Michael Corzine, St Paul's Episcopal, York City 2:30 pm S. MaHhew passion by Bach, John Harms Nicolas Kynaston, Ascension Church, New Cleveland Heights, OH 8 pm Seven Last Words by Haydn, Bethesda Chorus; St Thomas Church, New York City York City 8 pm Virgil fox, Glendale Presbyterian, GI.n­ by the Sea Episcopal, Palm Beach, fl 2 pm 8 pm Candlelight Concert, Bergen Baroque dole, CA Music for Good friday, fairmount Pres­ Samuel John Swartz, Cathedral of the Ensemble, Old North Reformed Church, byterian, Cleveland Heights, OH 8 pm Sacred Heart, Newark, NJ 8130 pm Music for Goad friday, first Congrega­ Dumont, NJ 7 pm 7 April Music for church weddings, David lowry, tional, Columbus, OH 8 pm Mary fenwick, organ, Robin Mallor, oboe, New York Kantorel Soloists, Riverside Winthrop College, Rockhill, SC 8 pm Stations of the Cross by Dupre, Antone first Presbyterian, Tenafly, NJ 8 pm Church, New York City 2130 pm James Moeser, for Spartansburg, SC AGO Godding, Oklahoma City U, Oklahoma City, Ruth Drucker, sprano, CathMlral of Mary William B Cooper, Cultural Cenler, New Nicholas Kynaston, Trinity Episcopal, OK 12 noon Our Queen, Baltimore, MD 5130 pm York City 3 pm Toledo, OH 8 pm Karel Paukert, All Souls Unitarian, Wash­ S. John Panion by Bach, Church of the AII.Monteverdl program, Chicago Cham· ington, DC 4 pm Heavenly Rest, New York Ctty 4 pm 14 Aprilt ber Choir, for Chicago AGO, Church of Crucifixus Pro Nobis by leighton, Miua Melliah (lenten portion) by Handel, St The Way to Emmaus by Weinberger, Our Saviour, Chicago, Il 8 pm Brevis by Wienhorst, fairfax UnltMl Metho­ Bartholomew's Church, New York City 4 pm Riverside Church, New York City 2,30 pm frederick Swann, Central United Metho­ dist, fairfax, VA 7130 pm Calvin Hampton, Calvory Eplscopol, New Mark Adams, Cultural Center, New York dist, Phoenix, AZ Ralph Webb, CalhMlral of St Philip, York City 4 pm City 3 pm Carlene Neihart, Christ's Church Cathe-­ Atlanta, GA 5 pm Requi.m by faure, fifth Ave Presbyterian, Wilmer Welsh, Cathedral of St John dral, Hamilton, Ontario 8,30 pm Evensong and Concert by choirs of St New York City 4:30 pm the Divine, New York City 3130 pm, fol­ Richard Birney Smith, oil-Bach, harpsi­ John's Cathedral (Jacksonville), at St luke" Dennis Michna, SI Thomas Church, New lowed by processions, drama, music, and chord, McMaster U, Hamilton, Ontario 12 Cathedral, Orlando, fL York City 5115 pm readings for the festival of Easter, 4 pm noon Cantatas by Buxtehude and Bach, Trinity St John Passion by Bach, Church of the Calvin Hampton, Calvary Episcopal, New Church, Swarthmare, PA 4 pm Ascension, New York City 8 pm York City 4 pm 27 March Eileen M Guenther, Christ Church, CIn­ Messiah (Part 11) by Handel, first Pres­ Te Deum by Dvorak, St Bartholomew'S Samuel John Swartz. Interchurch Center, cinnati, OH 5 pm byterian, Orange, NJ 5 pm Church, New York City 4 pm New York City 12:05 pm Arthur Lawrence, Grace United Mathe> Music by Handel, Cathedral of Mary Our Easter Oratorio by Bach, Holy Trinity Music of Palestrina, St Thomas Church, dist South Bend, IN 4 pm Queen, Baltimore, MD 5:30 pm Lutheran, New York City 5 pm New York City 12:10 pm William Teague, Christ Church Cathedrol, Choirs of St Andrew's School (Boca Ratonl, Nicolas Kynaston, St Timothy Lutheran, Marcia Griglak, flutist, All Saints Church, St louis, MO 4:30 pm at Bethesda by the Sea Episcopal, Palm Wayne, NJ 8 pm New York City 12:30 pm S. John Passion by Bach, St luke'S Epis­ Beach, fL 4 pm Craig Campbell, First United Methodist, Anita Randolfl, flute; Louise Basbas, copal, Dollas, TX 8 pm Bach Hours, Holy Trinity Lutheran, Buffalo, Johnson City, TN 10130 am harpsIchord; St Paul's Chapel, Trinity David McVey, Sf Mark's Eplsc:opol, Glen­ NY 5 pm James fallatin, Cathedral of Christ the Parish, New York City 12:30 pm dale, CA 4 pm Nicolas Kynaslon, Westminster Presbyter­ King. Ka:amazoo, MI 4:30 pm David Hart, Shadyside Presbyterian, Requi.m by faunt la Jolla Presbyterian, Ian, Buffalo, NY Plltsburgh, PA B pm La Jolla, CA 9:30 and II am Lenten Choral Vespers, Concordia Senior Rodney l Barbour, Johnson Mem United Richard Birney Smith, all-Bach, harpsi­ College, fort Wayne, IN 8 pm Methodist, Huntington, WV 12,30 pm chord, Oakville Public Library, Oakville, University Choir, l L fleming, dir; Val­ CANNARSA Ontario 3 pm paraiso U, IN 8:15 pm 28 March Richard Morris and Marlin Berlnbaum, Stations of the Croll by Dupre; Alexander ORGANS Thomas Murray, Busch·Relslnger Museum, Scarborough College, Ontario Boggs Ryan, organ; the Rev Lewis Brimer, Cambridge, MA 12:15 pm Narrator; Western Michigan U Dancers; INC. Musica Sacra of New York, Metropolitan April Cathedral of Christ the King, Kalamazoo, NEW SELECTIVE Museum of Art, New York City James Moeser, for Augusto, GA AGO MI 4130 pm ORGANS REBUILDING Dennis Michna, All Saints Church, New George Boker III, Southern Methodist German Requiem by Brahms, St Michael P.O. BOX 238 York City 12:30 pm U, Dallas, TX 8:15 pm and All Angels Church, Dallas, TX 8,15 pm Hollidaysburg, Pa. 16648 larry Rootes, Groce Church, New Yark Renzo BlIfa, Roxy Hall, Baylor U, Waco, Koren McKinney, St Mark's Episcopal, 814-695·1613 City 12:30 pm TX 8115 pm Glendale, CA 4130 pm

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MARCH 1974 21 JACK ABRAHAMSE robert anderson SMD -",51.... U.MooI '1.00 Organ Recitals '...,...... h, Oaf. CoM". SouthlHlll Methocllst UnlY.,..., _II (Or1Io./''''') 0.1Ia., '.XCII 75275 Ludwig AltMan, San Francisco, CA - Philip Clem.nl - Goshen CoU.ge, Got­ First Presbyterian, Son Rafael. CA Jan 13: hen. IN Jan 'I I Pr.lud. in E minor. ConCErto In A minor (VivaldI) BWV 593, Bru hns; Plein chonl du premier Kyrle en HEINZ ARNOLD John Barry Parlito on Ho ~ The. kind Jews BWV 768. loil!e, 8enedlctln Chromharne en taill., 2 settings When In the hour of utmo51 need Ky ie Fugue sur les jeux d'onches (Parish 'AO.O. D_ ST. LUKE'S OiURCH BWV 641 , 668, Bach; Adesle fidol lt. Ive.; Mo·s). Cooperin: Fantasy and Fugue on STEPHENS COLlfGE VarIations on From all that dwell benealh BACH, Uszt; Wer nur den Ueben Gatt BWV LONG BEACH, CALIFORNIA the skies (premiere), Altman; Allegro for an 691 , Wir glouben all BWV 680, Prelude and COLUMBIA, MO. Organ Clock, Beethoven; Fanlo,y in f Fugue In E·fial BWV 552, Bach. minor KV 608, Mozart. David Coh.n - SI Paul's Cathedral, Buf· Robert Andenan, Dalla.. TX - Kawai· 1010, NY Jan 25: Sonala II in C minor, ohao Chvrch. Honolulu, HI Dec 29: Prelude B-:.ch: CtM)ral in B minor, Franck. ROBERTA BITGOOD and FlIIgue In A minot BWV 543, 6och: Peter J. Basch Fantasia on Nun kamm der Heiden Heiland. Fin' ConlrelatlonoI Church Bruhn., Fantasia In F minor KV 608. Mozort; Wolloce M Co,,, ..n - Christ Episcopal, Wild_od Road Fantasia on Halleluia Gatt zu Ioben Opus Bloomfield, NJ Jan 27: Prelude and Fugu. BAmE CREEK, MICHIGAN 52/3, Reger; Recitative, Interlogue and in C, Bach , 6 Christmas and Epiphany Califon, New Jersey 07830 Torque, lsele, Theme and Variations (Hom· Chorale Preludes, Peeters, Es ist ein Ros, moge a Fres.cobaldO, Fina l (Symphanie II, Brahms; In duk i iubilo, Es 1st eln Ros, langlois. Sch roeder; Greensl.eves, Wright, Wi. CHARLES BOEHM schon leuchlet, Pochelbell Prelud.. Fugue Wm.G. BLANCHARD Carli", R Arnold - Michigan State U, and Variation. Franck l Carillon d. West· OIlOANIST nlNITY LUntERAN CHURCH East lansing, MI Jon 81 Prelude and Fugue minster, Vlerne. POMONA COUEO£ Hlckrriile, N.Y. In C awv 547, AI~ j n Goll awv 6n, 664 , CLAUMONT GRADUAlE SCHOOl Men s.c h bewilin BWV 622, Boch; Noel o Jame. A Dal. - US ND'lol Academy, lit! CLAIEMONT CHURCH NASSAU COMMUNITY C;0UfGf X in G, Doquln; Three Pictures of Salem Annapolis. MD Jan 201 Prelude and Trum.­ cto ...... California Oanlon City, N.Y. fot trumpet and organ (premiere), Hutche· pelings, Roberh , Adorn Ihyself dear soul. son, Venlte Adoremus, Gehrenbeck; La P,elude and Fugu. In B minor BWV Nalivlte, Meuioen, 544, Bach, Ven! sond e splt ltus, Van Koert; Adagio {Symphony VI. Widorl Carillon de DAVID BOWMAN ETHEL SLEEPER BRETT Richard M Babcock - Groce Episcopa l. W.stmlnster, Vierne. D.M.A. Tucson, AZ Jan 20, 2 settings In dulci Organist and Recitalist jubllo, Bach; Three Noels, Daquin; Quem Alabama Slate Unlv.rslty pastores. Warners Morch of the Magi, Xavier DerasM, Toulouse, france - Rice Oubols, The french CkKk. BOfluch.ln; .s U, Houston, TJ Mar " I Sulle du Deux""ne Montgomery, Alabama "'" ii""'" 0.-. -.a.t. Hymn Preludes, Wy1on; 3 Versets on Oi'lO lon, Cf6rambault, Sulle G~hique, Boil1- Servotrix, Butcher. mann; Choral in A minor. Franck, le iardln sUipendu, Alain; Prelude and Fugue In B, G Oene Ba,nard - First Congregotio"al, Dupr'. JOHN BULLoUGH Columbus, OH feb 101 Fantasia on Wie schon leuchtet, Buxtehude; Sanata for WlLFRm BRIGGS A.B. M.S.M. Ch.M. George Decker - St Paul's Cathedral. lIute a nd organ In f, Handel; Passacaglia M.S., CH.M- ,.,I_lgh DkldnlOn Unlv.nity Syracuse, NY Jon 22 . Toccata ond Fugue 'Hneclc, New Jersey and Fugue in C minor BWV 582, Boch, 51. John's In the Village Nova, Roberts, Sonata do Chiesa fOl" flute In 0 minor, Bach; Andont. Cantabile Memorial Methodlot Church (Symphony IV ), Widor; Piece Heroique. New York 14, N.Y. Whit, PIa." NIW Y.rk and a rgon, Martin; Theme and Variallons (Hommog e a FreKObaldO. langlois; ChOl'ol Franck. In E, Franck. Aul~ed by !lulist Randall He$ler, Rabert Delcamp - Buena Vista College, ARTHUR CARKEEK EARL CRAMMRLAlN Storm lake, IA Jan 241 Prelude and Fugue MoI.M. A.A.O.O. Earl Barr - MI Carmel lutheran, Mlnne-­ in F·shorp minor, Buxtehude, Voluntary in f.T.C.L opolis, MN Jan 201 Toccata in E minor, f, Stanley; Come Thou Jesus from heaven, DePauw University Organist Pachelbel; The Musical Clocks, Haydn; Pro· Prelude and Fugue In 0, Boch. Choral In Gobin Memorial Church ST. mPHEN'S CHURCH lude a nd Fugue In 0 BWV 532, Boch, B minor, Franck, Pastorale, Tournemire; GremcutJe, _ Toccota opus 59/S, Reger; Blessed are y., Scherzo (Symphony 11) , Vierne; Pageant, C...... McaIIOChuMtb Brahms, Partita for English horn and orgl:m, Sowerby. loetsier (assisted by Julio Madura); Two Intermezzos, Andrlesseni Toccalo, Near. Rlchord P Oelon~ 001101. TX - Flrll GnIMetamorphosls on From Deborah Calhoun - student of Walde,.. heaven above, Genzm.r; Partita on lo how KATHRYN ESKEY B Cox, First United Methodist, MiII ... iIIe, NJ a rose and From heaven abov., Praise to GEORGE ESTEVEZ Jon 201 Sonata In E minor, Rogers, Toccata Ihe lord the almighty, David. The University of clo.no. and Fugue In 0 minor, Bach; Th. lillie red DI ...... r lark, C~key ; Caprke, Matthews; Elegle North Caroline Heroique, Miles; Greensleeves. Purvi5; March CHoroid Einecke - Cathedral of SI Pontifical", Tombelle. John the E'IOngeIW. Spokan., WA Jon 271 lit Oreenaboro CHICAGO CHAMBER CHOIR Partita on Wer nur den Ueben Gatt, AI· bright; Fantasy, Shastakovlch.NevIM; Toc· Raymond Chenault - College-Conserva· cata and Fugue In D minor (choreo­ tory, U of Cincinnati, OH Feb I: F.stival graphed), Bach; See that ya loy. one GEORGE FAXON Fanfare, leighton; Chaconne in E minar, another, Pinkham; Jesu ioy of man's de-­ EARL EYRICH tcomm heillger Geist, Nun komm der Held.n siring (choreographed, with solo), Bach; Flrst Unitarian Church Heiland; Prelude and Fugue In F·sharp Fantasy on Nursery Tunes, Elmor.; Th. TRINITY CHURCH minor, Buxtehude; Sketch.s in C major and FIf.", Dandrl.v; Fugue In C (chor.o­ Rhode Island College minor, Schumann; Sonata I. Mendels.sohnl graphed), Bach; Variations d. Concert, Providence BOSTON Ave Marla, langlois; Resurredion (Passion Bonn.t. Assisted by tho Thelma Young Symphony), Dup,i. Dance Theatr• •

' 22 THE DIAPASON ;r.d Elder - L\oston Ave Church, tullO, Klaus-thrllthart Kratnn.,,'n - Rica U, OK Jon 17, Fontasla In F minor KV 608, Houston. TX Feb 17r Concerto Tn C minor. Mozartl Concerta In G awv 592, Pcnaa· VorlaUoM on 0 Theme by Coreill. Wallher, THE DIAPASON A MUST FOR EVERY ORGANIST c09llo and Fugue In C minor BWV 582, Consolotlo, Scherzo opus 65, Reger, fan.­ ($7.50 • ,..,-$13.00 for two yeonj Bach; Prelude on lam sol racedlt, Simonds; tasia II (Sunday Music), Eben; Kal Nldre. De nat ..,.d ca.h Prelude and Fugue In B, Oupr'. Berlins"" Lltonel·Ave Marla "lore. Schilling; Toccato an Nun danket all und bringer Robert M Flnst.r, D.n"r, CO - Grace Ehr. Bauasn.rn; Improvisation. Send THE DIAPASON for yearls) to Episcopal. Elmira, NY Jon 21. 0 Gott du Nom. ______End~I.$,------frommer Golf BWV 767, Sonata IV BWV Marllou Krcm.Melr, - Rke U, Houston. 528, Nun komm der Heiden Helland BWV TX Feb 10, Prelude and Fugue In 0 minor, 659, Prelude and Fugue In 0 BWV 532, 6 LUbeck, Voter unser, B6hm; 5 Glorlo VIIr· SltHt THE DIAPASON Schubler Choralel. Toccata In F BWV 540. sels (Parish Mass), Couperln, VarIations on Bach. o fltlli et fIIlae. oandrieu; Dialogue sur los grands 'eux. de Grlgny, Prelude and City 434 South Wabalh Ave. Thomas FCHler. Jachonvil5e, Fl - Flagler Fugue In B minor BWV 544. Boeh, Ach Gatt Mem Presbyterlan. St Augu,llne. fl F.b 3, erh&r meln Seufzer. Krebs; Partila an Stale Zlp ______Chicago, 111.60605 TOCCQ'a In 0 mInor OpU3 5915. aeger; Wenn meln StOndlein vothanden lst. Krcp­ ParUla on lobe den Herrn, Ahrens; P,elude frelter, Toccata. Jongen. and Fugue In A minor BWV 543. Boch; Intermezzo (Symphony VI), Wldor; Cruel· a...... H. Ph. D. '.A.O.O. Kenneth Kroth - Cathedral of All Saints. fixon and Resurrection (Passion Symphony). Albany. NY feb 24: Concerto In G (VIvaldI) SUSAN INGRID FERRE Dupr~. BWV 592. Bad>, 0 God Thou f.Uhful God, FINNEY Brahms; Romance (Symphony IVl. Vlerna, T... chIng Fellow CItaImoaft. DI ...... 0/ _ & "" Jon Church of tfle Ascenlkm, Gif5odc: - Toccota, Reger, New York City Jan 5, M6c:lltatlans sur 10 North TexOI Slate UnlvenHy H.u..... 11 c.n.. .. H ...... , N.Y. Myst6re de la Saint. TrlnUe, MeS$loen. Denton H... _ w..r.ya. Moth..rht a..... Fin' New York Performance. Mark Kruezek, Whiting. IN - Holy Angel. Cathedral. Gary. IN Jan 13, Prelude and arlKe Gingrich - SI Paul's Cathedral. Fugue In F.sharp minor. Buxtehude, Jesus Buffalo, NY Jan .(, Fanlasy In A, Franck; Ch,lstus unser Helland. Wir glauban all. Sulle 8rtve, langiolL Boch, Allegro (Symphony 11), Vlerne, Varia­ Robert Finster HENRY FUSNER tions on Venl Creator. ouruf16; Variations on DMA S.M.D., A.A.G.O. Ronald Gould. Youngltown, OH - SI a Noel. Oupr'l Dlau parmi nou" Messiaen. FI .... p,..lIyterian Church Paul's Cathedral, 8uffalo, NY Jan 8t 5•• J ....'. c.tHtI,.1 Prelude (Symphony' I). Vlerne, Wle scMn Arthur laMirande, New York, NY - Nashvme, Tenll ..... 37220 lauchtel, Buxtehude, Sonata 111, Hlndemilh. Cathedral of the Sacred Heart, Newark. ... NJ Jan 22: Prelude and Fugue Tn E·flot, - ! lyle Hagert - Cathedrol of St Mark. Prelude and Fugue In 0 (Hallelujah). Minneapolis. MN Jon 27. Prelude and Schmidt LESTER GROOM Fugue in E·flat, Saint·Satns; Variations on Antone Godding America. Ives, Adagio In [)'flat. lhzt; Judith lobe - student of Wolter A Seattle ScM.! 0/ Motlc Allegro (Sonata In G). Elgar; Variations on Eichinger. U of Washington. Seattle Jon 20t Seallle P.clfi. Church or tbe the Austrian Hymn Tune. Paine, Canan In Suite du Second Ton, Gullol..., Sonata V BI.h.p W. A.. 1e _ CIto""' Collefle Aacen.lon B minor, Schumann, Sooota on the 941h In C BWV 5:29, Bach; Concertante, Pinkham; 0ItIt01toooa CIty UoI• ....., 98119 98199 PlOlm, Reub"e. Prelude on Ama~h)9 Groce (premiere), PtOYlx; Poem of Happiness, langob. Stephen Hamilton, .riltol, VA - Flnt Baptist. LafayeHe. IN Jan 31: litanies, Kathryn Loew, Kalamazoo, MI - Calvin DAVID S. HARRIS Aloin; Partilas on 2 Christmas Corals, College. Grand Rapids, MI Jon II, Allegro. E. LYLE HAGERT ori$chner; Wachet auf BWV 645, Fantasy Church of Our SavIour 23/4. Howells; Psalm 120, Psalm 131. and Fugue In G minor BWV 542. Boeh, Scherzo (Symphony 11). Vlerne, Psalm, G ...... ·pe Eplocopol Ollmb Choral In E. Franck, Prelude and Fugue In Akron, Ohio Zimmermann, Prelude and Fugue In E Mlaaapollo, M""'-

:MARCH- 1974 23 John Oben, Independ.lKe, MO. - Christ Rob.rt A Schilling, Indlanapoh., IN - Church Calhedral. SI louis, MO Jan 20, Fan­ First PresbyterIan, Danville. IL Jan 151 Par· RICHARD W. LlTTERST tdsy on Komm helUgar G.bt Herr. Gott. tita on Wake awake. Kropf; CanonIc Varia­ William MacGowan Wochet a uf. Bach, Fantasy an Wacke. auf. tions on from heaven above, Bad'l Prelude M. S. M: Reger, Fi rst light and the Quiet Volco. Kam· hthesdoolty-th... s.a on a morning star, Buxtehude; Fantasy a nd SECOND CoNGREGA noNAl CHURCH nar; Aria. AlalnJ Incantation pour un jour Fugue an a morning star, Reger; Rl gaudon. ROCKFORD. rWNorS ,oint, Langlois. Campral eanlHene Pastorale. Gullmanh Jay· Palm Beach, FlorIda A Sune for Organ. Peloquin. Arthur Phillips - Riverside Church. New Vrak City Jan 271 Toccata in f. Bach; John A Schultz Jr, Champaign, It - Fifth SchmOek. dlch, Brahms; Suit. fqr a Musical Ave Pretbyterlan. New Yor\: City Jan 81 MARRIOTT Hinson Mikell Clod:, Handel; Ovlbum of Joy, MeukJen; Prelude and Fugue In B minor 8VN 544. The Detroit Institute Andante sostenuto (Gothic Symphony), WI­ Bach: 3 selllngs How brightly ,hines the Recitals dar: Pi~ce HlIrolque. Franck; Nobody knows of Musical Art, Detroit. morntng star, Pepping. Pachelbel and Reger; the troub ~ I see, orr Gillette, Choral, Varlo. Allelyuos, Preston. Organist, The Detroit Symphony St. Mark's Church, Frankford tlon, Canon and Fugue in C minor, Phillips; Philadelphia, Pennsylvania 19124 The Wind and the Grass, Gaul; Concert keith Shafer - student of Robert Ander. Study, Yon. son, senior recllar. Southern Methodist U. Dalla s. TX Jon 27: Prelude and Fugue In G Leland Ralph. Sacramento, CA - Placer­ C BWV 5047. Herr Jesu Christ dlch zu un. HAROLD MUELLER WILLIAM H. MURRAY ville Seventh·day AdVentist Church, Placer­ wend BWV 655. Bach; Rlcercar del duadecl· F.A.G.O. ville. CA Oec 29, Processional. Shaw; Minu­ mo lana. Anlegnali: Fantada prlml toni. M..,.. M F.A.G.O. Trinity Episcopal Church etta ontko e musaHa, Yon, Nool grand leu Zelechowskl; Fantado an Wle Khan leuchtet. et duo, Oaquln; Improvisation on Green· BuxtehudeJ Fugue on the Nome BACH opus Temple Sherith Israel Church of the Medlo'or sleeves, Toccata and Fugue In 0 minor. 60 /2, Schumann: FlJ9ue In A·flat mInor, SAn Francisco ChJcOlo, 111. Bach; Concerto In F OJXIs 415, Handel; Brahms, Prelude and fugue on AtAIN. AdagIo, Nyquist; Bring a Torch, orr Ellsas­ Ourun,. ser; Amazing Grace. orr Howard; The Night of the Star, Elmore: Fanfare. Cook. David Allan Sheetz and Samuel Jolin CARLENE Swartz - music for two organs, All Saints NORLING Edwin Rieke, Rochester, NY - First United Episcopal Church. Palo Alta. CA Jan 19: NEIHART Methodist, Santa Barbara, CA Jan 7, Sonata Sonata In B-flat over a figured baH. Pas­ St. Andrew's Epff(opal church SI. lohn's Episcopal Church on the First Tone, UdoRJ 0 Lamm Golles quinI; fuge f(lr die Orgel zu vku Handen Mey.r and Wornall IInschuldlg BWV 656, Toccata, Adagio and Gber das Thema " Abbe Stadler" opUs 54. Kanlas City, Millouri 64113 Jorsey City Heights New Jnt

K. BERNARD SCHADE RUSSELL SAUNDERS S.M.M. STATE COLLEGE LARRY PALMER Eastman School of Music EAST STROUDSBURG. PA. MARTHA FOLTS Worhhopt and led."., Harpsichord _ Organ University of Rochester Th. Kodal, Choral Method Traditional Southern Methodist Unlverllty Recital •• john h. schneider EDMUND SHAY Avant-garde Organl.t.Cholrmaat.r DMA StI'nt Luko's Epllcopal Ch.rch Calvary Presbyterian Church Columbia Colleg. MY. Dept., low. UnlvNWty s.... Dallas, To.al River.;ide, Califomia Columbia, s. C. A...... Iowa 50010 Mel ..... Cia""

Faculty, Unlvenlty of Miami. Musical Arts 1MITEMPLE cr...... 01110 44106 Diane BISH - recitals Organist, Coral Ridge Presbyterian "The organist that has it all together" l'!. Lauderdale DAVID

ALEXANDER BOGGS Recitals and Master Claa.. GOODING Organ Consultation THI ClEVELAND ORCIIISIRA RYAN Cathedral Church of Christ the King MUSICAL HERITAGE soclm CONCERT ARTIST Western Michigan Unlvenlty at Kalamazoo RECORDINGS

THE DIAPASON Uavkf LlnCMI& SMith - Pomona Callege. dina Batfagtra, StOlCktl, Pastorale, Pasqui­ CA Jon 91 Toc:cata. Acrogia and Fugue In nI, Tlento de quarto lana a modo candon, C 8WV 564, Allein Gatt in der Hoh 8WV de Arauxol Pastorale, Franck; Prelude and Robert Shepfer L. ROBERT SLUSSER 662. Canonic Variations on Yom Himmel Fugue In E-llat BWV 552, Bach. Organist • Ch.t,,"a".r MUS. M., A.A.G.O. hoch BWV 769, Bach; Prelude and Fugue SECOND PRESBYTERIAN CHURCH In B, Duprll, Trio Sonata opus 18/2, Distler, Herben White, Chlca"o, IL - First United LA JOltA PRESBYTERIAN CHURCH Indianapolis, Indlano 46260 Fantasy on Hallelujah Gatt zu Ioben opus Methodist, Hammond, IN Dec 181 Psalm XIX. 52/3. Reger. Marcelia, 2 settings Nun bllten wlr. Buxte­ Recital. LA JOLLA, CAUFORNIA hude, Prelude and fugue In E, lObeck, Pas­ Mark s..&th - Old Fir" Presbyterian, Son torale Symphony, Handel, Concerto In G. Francisco, CA OK J I, PrellXle and Fugue Boeh, Retit de Nozo,d, Clerombault. Dla­ on a Theme af Vlttaria, Brillen; Sanota IV ROBERT SMART logue sur les grands i.uK, de Grlgny, An­ in F, C P E Boeh, Silent Night, Barber, Vom dante cantobile. Widor; Greensleeves, Swartiunore, Pmruylvania Himmel hach. Wakho; In dulci jubilo, Drlsch. Wright; Aria, Peeters, Piece Heraique. Trinity Epbmpal CbIUCh ROLLIN SMITH ner; Vam Himmel hoch, Ave Marla, Reger, Franck. Sw .. rtlunore Collq;e Vom Himmel hoch, J B Bach; Prelude Gnd Congregation Rod~b Sbalom Fugue III. Bodingsl Dos alte Johr vergongen RECITALS William Whitehead - Fifth Ave Presby· Philadelphia 1150 Forty.nnc Street, Brooklya. NY 11218 ist, Bach. terlan, New York City Dec; 18, Fast and William T Slone, Walnut Creele, CA - Sinister (Symphony In G). Sowerby, Three St John's Lutheran, Sacramento, CA Jon ChriSlmos Pieces opus 19, Milford, Prelude Mus. Doc .• F.A.G.O. 20: Tactola and Fugue In 0 minar, Fan- on Whot Child Is This. Purvis. Wright, Im­ Carl Staplin ADOLPH STEUTERMAN 1,"10 and fugue In G mil'K)r, Panila on 0 provisation on Good Christian men reJoice. l

fred Tulan, Stockton, CA - St Andrew's Cathedral, Honolulu, HI Dee 261 Proelu· Itecital pragraml f.r Inclusion In sally slade warner dlum, Bliss, Petit BerceuM dans I'ombre CLARENCE WATTERS the.. pages must reach THE DIAPASON ...... g.o. ch.m. d'une Grotte, BenneU, Elegy for Sir Wol· CHURCH RECITALS ford Davies. Thalben-Ball, Rlcercar. Bodings, within three weeb of perf.rmance date. or ST. JOHN THE EVANGELIST 51. John's Church Amherst (Spirits and Places), Ernst Bocon; bcftals entoelng more than thrN ar­ W. Hartford, Connecticut In Retrosped, Maceral Suite Pastoral, laniats will ••t be Ind".d. Th. pro­ _nHUl _on Purvis. era'" mutt aterle the clat ••IUI pla~ of tho perform ...ce .1 wen In the ...m. aenjamin Van Wye. Saratoga Springs, C. GORDON DAVID A. NY - first Presbyterian. Glens falls, NY of the pert.rm.r• ..,....,...--__~ ~- . ~.- .- Jan 27, Sanalo In G opus 28, Elgar; Ballo WEDERTZ WEHR 2554 w ..t 118tb SL E:astcm Kentucky Unlnnity George Wm. Volkel LAWRENCE CHICAGO 60655 Richmond, Kentucky SAC. MUS. DOC. F.A.G.O. ROBINSON HARRY ARTHUR WELLS tBIJ.IJ fJJJzillfll1 POMPANO lEACH VI.SINIA CO ...... ON'NEALlH UNIVElSllY Washington Slat. University ROilIDA FOX CHAPEL EPISCOPAL CHURCH Firlf Presbyterian Church RICHMOND, VIRSINIA Pullman 99163 fo. Chapel, PiHsburgh, Pa. 1523.

DAVID HEWLETT RUSSELL G. WICHMANN HARRY WILKINSON Chatham College Ph.D. FAG.O. MARSHALL BUSH ST. MARTIN.IN.THE.'IELOS "aaristopbenoa PlaceN Shadysld.1ir•• byterian Chelfnut Hill, Phllad.lphla Rlchmoad, R.P.D. 3, N.H. 03470 Pittsburgh, Pa. 15232 WEST CHESTER STATE COLLEGE, PA. -,. '.'·I' __ mnllllflllllll'"l1.. ' .... r- r !---, HOLTZ JOHN E. WILLIAMS DONALD WILLING ' ..JOHN $ •• AncIt.wt Prubyt.dan CeI .... foevlty Fa'culty: HARn COLLEGE, University of Hartford - N.rth Tu•• Stat. Ualvenfty .= ...L Lavrinbure Pr.... yt.rlan Church Org~nist: CENTER CONGREGATIONAL CHURCH, Hartfard o...on [.-.:., Laurinburg, North Caronna -----, -~ MARILYN MA·SON Gory Zwicky CHAIIMAN, _AIITMENT OF OIGAN bar~lay wood DMA FAGO UNIVWITY OF MICHIGAN ANN .1.1101 FIRST BAPTIST CHURCH Eallem I.... UnlYenJty .. AUt. MaMNt ".,.. wit' au ... r.., 0fHI -....:rv., iI.,...,..,rofhtg ..... Char...... IN, ..,roorcIlttary ,adIity ...... Des Molne...... r, Octob.r 5, 1964 w...... M ...chuaetlJ

Oswald G. D. M. A. THOMAS :MURRAY - R A -G A T Z ST. PAUL'S CATHEDRAL BOSTON 02111 Pre'e"., .f Orglln Iodtal. INDIANA: UNIVERSITY lomHw-

. MARCH 1974 I 25 ClauHIM ... _ .. _ ,.. _. $.20, -.. -... $2.50, box ...... dllle .. 1 $1 .00. CLASSIFIED ADVERTISEMENTS ...... to _ Dumben MouLi IN .... cI. the Dlclpaeon. a4 S. W_lMtt:h A"enue, Chleaee, .a. 6060S.

POSI7IONS WANTIII WANTfD - MlSCEUANEOUS ""SCflLANEOUS HARPSICHORDS

SINGLE MALE, 29. D.MA. ORGANIST. 2 OR l-MANUAL CHURCH ORGAN CON. REVOLUTIONARY PATENTED DEVICE AL­ FIVE OCTAVE CLAVICHORDS, $1200. SMALL, harpsichordist, conductor, chu~h rnUlician. d. sol., large .nough fDr IS·rank .traight orq.n. lows instan t P II ,..~a te tunin9 in 12 major/minor fretted clavichords. English, Italian ..... ,psi. ,ires to t.·locale in IOphisticaled poItish "",lie No jun'" pl.o$O. Contact C. A. lenbc.hneidar. keys. Forty minute demonstration t ape "Ghost chords, his torical copiel. J oseph Osborne, 505 pr'09rom or academic envi ronmont (keyboard 10617 ShoroR Valley Rd., Brooklyn, Michig.R Tones" is urgellt for ..,iou l musician •• m. Hamilton St., Carlb'e , Penna. 11013. performance, mllsie history): edabli&hed co .. ''I2lO. Brochure. Welh Tu ne" 801 234, ~rtuburg, cert or9."ill. five yean coUeQIl f ..c~ i l9 •••• S.C. mol. CLAVICHORD, SINGLE: STRUNG. FOR SALE. collent ,ofore" ~ ,. solo and ensembla tap .. 3·MANUAL WURLlnEl THEATER ORGAN Walnu t c",e. Bol lOS , Columbiavile, N.Y. 12050 • • v.Hobl.. Can .... Iocato .nywh.... In US.A. cDmpl.le. Must b. aU Wurlitzer. GordDn L COLL£CTOItS' ITEM I LIMITED EDITION: or Canada. Address M·l, THE DIAPASON. Wright, 36J6 ummon, Dallas, Texo, 75219. Stereo recording of the famed O ld Bodon Mu­ PREVIOUSLY OWNED HARPSICHORDS FOR sic Han O rgan, Am.rica', fi,.t concart ort;Jen. sale; Hubberd double; Sperrhake spinati BARTON FOUR-POSTER LIFT WANTED. WILL "John Rose at the Gr.at Organ of tha Malh· Zuckermann spinet rebuilt in our pop. Wilson POSITIONS AVAllAIU by, trade parh, or produce 16mm motion uen Memorial Mu.ic: Hall" availabla from K.... Barry end Co., Inc., Dept. 0, P. O. BOlC ISl, picture fool490 in trade. Box 591", 8eth.sda. board Arts, Inc., 80lC 213. Lawrence, Me". Ba ll erdvale Station, Andov.r. Mau. 01810. 01 812. $5.95 po.tpaid. DWARF-MIDGET ORGANIST, NOH·DRINK. Md. 2001" or call (301) 056-6471. or mild b. able to ride Shetland POIrt. Writ.: REED ORGAN TUNtNG AND REPAIRING. SPERRHAKE CONCERT MODEL (.FT. 1 ~wboy 1hllollol,. Orq,H Society, 1037 RumMY, USED SPOnED MErAL AND OLD SPOTTED in. ) Harpsichord in perfect condition. Pedal· melal pipes. CCII, tact, Trivo Company Incor­ Ed9ar A. Rod.au,

REPRESENTING QUALITY and COMPLETENESS Osauant frtres Your ..o ...... stop.. supplier for all IT. HYAQH'Qtf, ouiltt, CAfU.DA UMlftE Pipe Organ Builders pipe organ suppli.s and componan ... Sales & Service Chicago Area, Northern Indiana, MIchigan P."I 5. H''''rt W.de,n Mkhlgan Asa.od.te, DURST ORGAN SUPPLY CO., INC. J. A. HeBERT & SON, INC. Loul. Van Vels P. o. Box 1165 ErIe, Pennsylvania 21230 Lol PalmOI Driv. 4722 36th Stnet, S.W. Southn.kI, Mlchlgon 41076 Grandvllla, Mkhlgan 4941. 16512 T.lephon. (313) 353.. 2524 T".phona ("') 534-3296

us J. H. & C. S. ODELL & CO. WANT A PRAcrtCE ORGAN? y .2.... MornlnlaJde Ave., Yonlc.,., New York T0703 ..... y .., .wn - UN a PEMBROKE doolf.younolf ORGAN KIT E ONE HUNDRED ct FIFTEEN YEARS I"a I• .,,,,dlcta, - .....'u .. .,y priced A 1859 -1974 THE ORGAN LOFT R Five Generati.na balldlnll Odell Orpa.o OOSSVIIU. NEW HAMHHIIf ~m S 914 Y.nko,. J..2607 " " ...."'., ..... pip•• - It I• • of .11 0'"" PIANO TUNING JULIAN E. BULLEY ORGAN SERVIC[·J. E. Lee, Jr. DO IT YOURSELf PlPI ORGAN lOIS '"'" Piono tuning cmd repaIr with HI)' Custom spedflcaHon. lot ct.rch or to follow homo atvdy couno. WIde GpOn New Organs - Rebuilding KNOXVII1l. TliNNISSEE anol rlMld.ac., compl... Of' parta, ..II In. 1t.1eI wIth good eamlnl" Mobs ..... Service ...2061 t.tntctfons by ....blbhed orva. bullden. lent "extra" lob. Write SINCE 1906 TUDlnl ,. MalnlenClMtl ...... cU'" COLKIT MFG. CO. P.O. lOX 112 A..nc.. School .f PJone Tu ..... 1376 Harvard Blvd.-Daylon. OhIo HA. hffelll, N.Y. IGII InN TeIfW Dt. D.... D _ ... Mta.. aA. ..., ..,.06 Sf"'oo, Sl:s.27~1 C... It .....

26 a...... lIfIIlln. NIfl: per Wet", $.20; minIMum ~, $2.5OJ be... umb." _dltlenal $1.00. CLASSIFIED ADVERTISEMENTS • .,.... t ...... ,..,. "'ould be Mn' c/o The DJ.pcno., 434 S. W.besh A.nu •• Ch~, II. 6CN05.

HAII'"CHORDS FOI SAlE - PIPE OIGANS fOR SAlE - PIPE OIGANS FOR SAlE - ELECTIION/C OIIGANS

SAIATHIL HARPSICHORDS, PEDAL HARP· HOLTKAMP 111] COMPLETE. BUILT 1903, 3/16, UO WURLITZER THEATER PIPE OR­ NEW ORGAN PIPES, EXCELLENT WORK_ sichords Dnd Clavichords: most reliable and rebuilt in 1'148 bV Chesler Ravmond. 4" wind, gtln, damaged in shipment. Complete toy manship and elpertlv voiced. Formerlv su per­ beautifully sounding, from $1,195.00. Brochure piHmlln odion, 1'165 Spencer Orgoblo blower. counler, Kimball reltlv, blower, etc. R. Janney, visor of Aeolitln·Skinner pipeshop. Htlns Rother, $1.00. Stereo lP $5 from Dept. D, 10114 Homer. Good condilion, Philadelphill arell, buyer to 801 MOl/n tllin Rd, NE, Albuquerque, NM German Orglln Pipecrafi, 34 Standllrd Sir., Vancouver, B.C., Conada. remove. $2500. Coni act: Mark Davidson, P.O. B7102. (505) 247-'16'18. Mtlttapan, Mass. 02126. Bo. 63, Westtown, Pa. 19395. HARPSICHORDS. CLAVICHORDS: CLASSIC SCHANTZ CHEST 5 RANKS, DUPLEXED IN WURLITZER THEATRE PIPE ORGAN (NO. designs: reasonably priced. Thomas E. Mercer. pedlll 3 rtl nks , good condition. Raymond ]·MANUAL 17·RANK MOLLER COMP LETE: 212B) , 3M/ 15R, Slyle 260 Ba labo!ln 3 wilh bran 215 HIUTison Avenue, Christian/!, Pa. 17509. Correll, 4685 Buhl Blvd., Uniontown, Ohio includes drawknob console, blower, generator, Trumpet and Sa.aphone, complete and in 44685, or call "6·1040. chests, reservoirs, pipes, swellshades, and excellent condilion, crtl ted tln d in storage at HARPSICHORD OWNERS: A FULL LINE OF facllde pipes. Completelv rebuill bV Moller, Dolias, Textls. Write Fred Q. Graybelll, Jr., S' FAGOTTA, 61 PIPES, DURST, 5- WP, lW' audio lind visual ChromDtic Tuners is now 1940, highest bid over $5,000. Can be heard bV 4407 Bellaire Drive South, Fori Worth, Te.as scale. $150 or best offer. WZIS, P.O. BOI 11024, IIvl!lilable to help you with your tuning require. appoinlment. Specs on request. Write: Hamp· 76109. Cl;tlriotie, NC 28209. ments. For morc information write Petenon ton Baptist Church.Orgen, 40 N. King, Hamp' Electro·Musical Products, Dept. 20, Worth, III. ton, VA 2366'1, or phone (804) n3·0707. MOLLER ·l·MAN. CONSOLE, .,31, RE.UILT, 60492. WURLITZER THEATRE PIPE ORGAN. l-MAN· ual 22 ranks, beo!lul ifull v carved g old con$Ole, enlarged 1968, 411 tebs, 4 gens., 8 man. pistons MOLLER l4-lANK, l·MANUAL WITH l5- grand piano, 4·foot chinese gong, and many tlpiece. In very good shllpe, being replaced HARPSICHORDS, CLAVICHORDS, KITS AND note Deagan chimes. 1930 opus filTI. For de· edra large Kale percussions. Presently in per· by three·mllnual. Make offer. Write K. Kading, custom auemblies by New England craftsmen. tails write George Kelley, Rt. I, Bo. 20, Kings· fect playing condition. Gold bench and How· 218 Mtlrshall St., Mankato, MN 56001. Call Showroom in Boston area. Agent for Zucker· ton, Tenn. 31763. (615) 376·6394. ard 5eot to match. Console lift availeble. Etlsy (507) 388·8501, between 7·'1 p.m. onlv. mann Harpsichords. W iI$On Barry and Co., Inc., removal. Send $1.00 for specs and photo. Ad· Depl. D, P.O. Box 152, Ballardvale Station, l·MANUAl MOLLER CONSOLE, 6-RANK, MOLLER '"RANK ORGAN, $1,000.00. MOLLER dress B·2, THE DIAPASON. Andover, Mass OIBIO. 7J·nole chromatic ventil chest tlnd zephyr 2· 9·ronk orglln $I,SOD.OO Wicks self·contained 4· stage blower with 3 HP Century molor. Bed rank organ, reconditioned, $3,000.00. Send SASE SKINNER REPROD UCING PIPE ORGAN offer. 554 East 161st 51., Soulh Holland, III. HARPSICHORDS, CLAVICHORDS AND VIR­ to Cannarsa Orgllns, Inc., RI. 22, Duncansville, and rolls. Installed in late 20's. 2M/9R with 6047]. ginals. Authentic demicol designs, for home PII. 16635. harp. Mognificent instrument. Brady, .f609 construction by the amateur builder. Write for Cranbrook, Indianapolis, Ind. 46250. 4-MANUAL AND PEDAL, DRAWKNOB CON­ free brochure. Zuckermann Harpsichords Inc., sole. oo!lk finish, like new. no reasonoble offer 12 Grand Sireet, P.O. Box 121, Stoning'on, '"RANK MOELLER ORGAN I"", EXCEL· lenl condllion, used tn BrOlldclIst Studio, refused. Conttlct Kenneth Osbrink, Central Conn. 06378. $2.100. R. K. Wells, First Baptist Church, 250 fOIl SAlE - ElECTRONIC OIGANS 8tlplist. SOD N.E. First Avenue, Mi ami, Fitl. E. Main. Spartanburg, S,C. 29301. 33132. HARPSICHORD, VIRGINAL, CLAVICHOID, CUSTOM • ALLEN ORGAN, THREE-MAN. Pianoforte kih. Full size patterns ailer 17th lIal, wo!llnut fin'sh, utility tone cabinets. Un· MODERN, ALL·ELECTRIC STOPKEY CON. 2-5 UNIT ORGAN WITH 61·NOTE HARP, usual circumstances mllke available this little­ sale wilh accessories lind remote capture action; and IBth century instruments, Fr.I.4&4 .· (depart Wurliher chest, fine oak console wi th 14 from Paris). Free brochure on requed. Heugel used inslrument at very subslll ntial lavi ngs. 3 manuals. P.O. BOI 22128, Dllllas, Texas 75222. pistons. Needs work, buyer to remove, S8DD . Kih, 2 bis, rue Vi vienne, Peris 2, Frence. Will professionally indall in ~hurch, home or (703) 548·6079. school anywhere in U.S. and 9Uarantee. Write: WUIIILII.L~III l.MANUAL, ,.RANK HORSE­ Apt. 7912, 175 E. De lawllre, Chicago, III. 60611 shoe console with relav. In mini condition. H. ST. JOSEPH, MISSOURI "'507. BENNETT or ctlH: days (312) lrt9·195D. March. 127 Belmil! Rd., Bellmore, N.Y. 11710. FOR SAlE - PIPE OIlGANS tubular pneumatic, 2 manuals 13 ronks. All ---- (516) 781·4363. slops pleying until scheduled removal lale ]·MANUAL SAVILLE CUSTOM ORGAN, IBTH CENTURY ORGAN IN HISTORIC March. $19'15 or best offer. Huffman Memorial mag nificenl paneled walnut n drawknob can· WURLITZER PIPES, CHESTS. MOLLER PLAY. Pleasington Priority for sale (Mander suggests United Methodist, 2802 Renick St. soie. widlh 78", Re isner remote combination er rolls. other orgtln parts. Write needs. No Samuel Green), superb mahogony " Gothid" action, min t cond ition, 28 compllct generalor lists. Bernllrd Blu m, 434 Ruscomb, Philadelphia, case. Offers over .£3,000 as stending considered. WICKS PIPE ORGAN, DIRECT ELECTRIC rach. 8 transistor IImpli'iert, 63 speakers, 20· Ptl. 1'1120. Pleese contact P. Rose, ' Highfield ' Pleasington. action, II ranks 2M , AGO pedal board. Highest note Del5 gan chimes, too IlIrge for new home Blackburn, La ncashi re, England. bid der by March 3D, 197". Removal at buyer's in Florida. ovailable immed. 39886 Shoreline SPENCER BLOWER 10", 5HP, SINGLE PHASE e.pense. Contoct First Chrislian C hu rch, P. O . Dr., MI. Ctemens, ML 48043. (313) "63·lOn. $1l0; redifier S5D.00; II.' pedal Bourdon, B' NOEL MANDER OFFERS: EXACT REPIO_ Box 35, Lafllyette, Ind 47902 or call C. F. Diapason, pedal chests, reservoirs, shades. duction of Haase Reglll Orglln date 1684. W illiamson 1317} 5311·6905 or 4-47·0302. Speci. RODGERS MODEL 110 ORGAN WITH TWO Pittsburgh, Poll. (412) n 4.r;T72. Reglll B, Gedact 4, Flute 2. 0,150. Medieval fico!ltio ns on request. Demonstrations may be spetlkers, bench, and reverberation conlrol. SPENCER ORGOBLO NO. H32. 22", 1. Porlativc 1360. Trader Continuo 3 stops arranged. Used lillie, same liS new, cost over $6,000.00. stage, with Century motor No. 11 49'1 1. £2,700. St. Peter's Organ Works, London E.2, Asking $48DD.00 W. P. Ey berg, 654 Salem 3A 2·7 KIMBALL, INSTALLED AND PLAYING H.P. 1150 RPM , 2'12" W. $SO w/motor, $25 England. Avenue, Rolla, Missouri 6SofOI. in my basement. Diapllson, Flute, Va" Tibia, w/o motor. E. Jones, Box 1381, Staunton, VII. Oboe, String, Trumpet, Xylo, Glock, DOIms, SCHOBER RECITAL ORGAN, TWO.MAN. 24401. FOR SALE OR RENT: PAUL on FIVE RANK Toys, ele. Chests releo!lthered about 10 years ual with standard AGO pedals, 32 stops, 6 continuo orglln. Particulars from: Ri chard ago. 3 HP blower. I can assist in removal couplers, tone cllbinet. Schober Reverb, wa l· KINETIC BLOWER 7112 HP SINGLE PHASE. Minnich, 'I West Way, Mount Kisco, N.Y. and crating. Asking $4,000 or offer. Must be nu t fin ish. Retai l $HOO. Price $3200 or besl ODD cu II per min at 10 ins. Make offer. Brady, 1054'1. ('114) (,66·7496. sold liS I need the room. Harold R. Musolf, offer. Contact: E. Furgat, 2847 N. Spaulding, "6D9 Cranbroak. Indianapolis, Ind. 462S0. Jr., 30H N.W. 64th, Seattle, WA 98107. 12(6) Chictlgo, III. 60618. (312) 486·4-4n. 71139866. ATIENTION HOBlYISTS: NOW OFFERING SEMI·PORTABLE POSITIVE. STOPPED FLUTE ELECTRONIC ORGAN KITS, KEYBOARDS custom made components for pipe orglln. 8' Cone Flute 4', Principal 2'. Minure 3 ranb . "17 KIMBALL 7.lANK PIPE ORGAN W ITH and many componenh. Independenl and divi. Chests, pitman or unit, leether or plostic Price $5,000. M. A. Loris, Trader Organs, RFD 25·nole tu bular chime on pneumotic system. der lone generators. All diode keying. I.e. pouches. most modem, most compact system, 2, Barre, Vermont 0S641. (902) 476·6340. Organ wi ll need to be dismantled and moved circuitry. Supplement your Arlistln O rgan. 35f; all standtlrd ports: wind regulators; tremolos: by purchoser or at his expense bv Mav 3D, for catalog. Devtronix Org"n Products, Dept. concussion bellows: consoles: voiced pipes. E. M. SKIN NER ]·MAN UAL 25 RAN KS 1974. Pletlsc CIII! (303) 544·Bln for appointment 0, san Amopola Dr., Siln Jose, Calif. 95129. Complete organs, you install or we inslall. $7,000. Moller 3·manual 20 ranh $2,SOD. New to see lind play organ. Then su bmit cosh All new, top quality, reasonllble prices. Klann 3·manuo!ll Kensingtott ~Oft$Ol e wilh man· offers to: Organ Task Force, c/o First Baptist Guaranteed. 1515) 784·6801. uill key actions, 1111 electric, $2,500. Spencer Church, "OS West 9th Street, Pueblo, Colortldo fOR SAlE - MISC. blowers: 3 HP 5" $ISO.OO: JIll HP 6"·11" $75.00. 81003. MASON AND HAMLIN "THE lISZT OR. gan", 7 sets of reeds, electric blower, maho· W. J. Froehlich, 446 Grove St., We5lfield, N.J. INVENTORY CLEARANCE - EVERYTHING KARN PIPE OIGAN, 1. MANUAL. , RANKS , ganv ctlse: $250.00. Peters, Weiland and Com· 07090. Evenings (201) 232·3867. must go. "·manulIl (originally 28 rllnks) Hall completely rebuilt w th new console, ched ac· panv, 20S E. Wisconsin Ave., Milwaukee, Wis. pipe organ. Will sell liS is or in port, best tion, blower end bellows. PlaYllble by appoint. 53202. (414) 271·6190. offer, reasonable. Also varIous ranks of pipes: SKINNER ORGAN. 1. MANUAL, 7 RANKS ment, sa,SOD. Special discount for shipping and S' Aeoline. two Oboe horns, Trumpets, Corno· unified and duble.ed, completely re' eathered installtltion to do.it.yourself church group. John BEAUTIFUL REFINISHED ANTIQUE REED pu n, Vox, 2 Auslin chsts, totel 'I ranks, fegu· lind new megneh. c an be seen lind plo!lyed until Blight. 747 Algoma Avenue, london, Ontario, organ, Packard 1901 , foot·pump bellows, ornille Itllors, etc. 8' lind II.' Tuba, 16' Open Wood removal March I, 1974. Addrell inquiries to Caneda. (51'1) 434·2358. wilinut exterior all sides, $1,685. 3512 Alvarado Burness Associates. 1907 Susquehanna Rd., Ditlpason plus chests, set 16' Bourdon and 8' N.E., Albuquerque, N.M. 87110 for photo. Abington, Penna. 19001. (215) 887·n67. I'll' ]·7 AEOLIAN DUO ART O RGAN. 2DO Open Dillptlson including chests for SlIme. Phone (505) 268·6066, 766·2914. ro lls: orchestrlll and classical. Installed in my Also 2 Hammond F·40 speo!liters and 2 Glen· tone rot/lry speakers in cabinets. No reason· MELODEON TAYLOR AND l!2a AUSTIN, 3 MANUALS, 17 RANKS, IN tu:tme. DIapason, 73 ; Clarinel, 7J; Oboe, 7J; HARLEY, IIble offers refused. Contact bv mail only Worcester, Mass. Good condilion. 2 chambers, best offer, Ct!I n be removed week Spanish Flute, 97: G ross Flute. 85: Stllicional, Llovd A. Hoosier Theatre, IJ3S·II'Ith St., Whiting, Ind. Gustafson, 1740 Morseillaise, Aurora, of July 1st from Downers Grove United Meth· 73: Violin, 73. 7·rank duple.ed Pill mtln chest III. 6D506. 4639". (312) 11'179728. odist Church. Write: Arthur D. Eymllnn, .. o(l;,on and rolls in excellent condition. John Mlnid, 7650 Earhart, South Lyon, Mich. -48178. Halsey Court, Woodridge. Illinois 60515. (312) FIRST SATURDAY EACH MONTH: PLAYABLE Evenings (313) " 37·6548. MOST UNIQUE ORGAN PLAYER BY WELTE. 964·0557. 3'manulll 3D.renh, 4 16', midures, mutations; This unit plavs ond re·rolls 10 rolls bV remote THEATER PIPE ORGAN, ROBERT MORTON half from loukhuff (baroque voicing). com· control. Included lire 29 rolls. $1,200. C. EXCELLENT 2·MANUAL AND PEDAL PIPE 3 manuals 8 ranh complete with toy counter, plele or paris. 40 trays good pipes; reservoirs, Ludwigsen, 33 West Court, Roslyn Heights, Orgo!ln, 6 ranh, to be aVllileble soon. New good playing condition, $5000.00. Bob Jones, blowers, flexllust, shades . • • Also: Steere NY. USn. (516) 621--4120. o rglln guara ntee. This instrument exc ellent 1401 Park Court, Kansas City, Mo. tAlll. (816) tracker. N. G. Parke, Box 134, Carlisle, Mass. AlLAN I ('oITY AUDITORIUM ORGAN fo r small church, college or home prllctice 931 ·3607. 01741. (617) 36'1·38IB. n.. instrume nt. Fils in very small space. For price blueprints from originlll tracings. Console, and specificillions write Pipe Organ Servce, ROBERT MORTON PIPE ORGAN l-MAN UAL SEVERAL HUNDRED KIMBALL CHEST MAG. cf,lImbers, 32' Tibill, etc. SASE for list. Lo 137 Sou th Firs l St., Mia misb urg , O hio 45:342 IS-rank " ery Q)nlplete. W illiam O. Morrison, nels, 0111$0 set of Harmonic Flute, 61 pipes, Torre, 45 Ellis Ave., Northport, New York. o r phone (5 13) 866-6076 to 8 p .m. EDT 5312 Sound Ave., Everett, Washington 'I82D3 4" wind pressure. Address C·2, THE DIAPASON. 11768.

CREATIVE ORGAN BUILDING FOR ARTISTIC MUSICAL RESULTS [AI~l AU E~~IC CH~ ELECTRO PNEUMATIC PEDAL CH~ Greenwood Organ Company AA AIKIN ASSOCIA TES . "~:~z.;..kh CHARLOTTE, NORTH CAROUHA 21205 lox 143 Brooldyn, 'a. 11113 717-2190.4132 ~ "THlEE GENEIlATlONS 01' OIlGAN BUIlDING" ORGAN LEATHERS WHITE, SON COMPANY +~~~~~~~~~~ 286 Summer Street 8oslon, MOAllachusella 02210

MARCH 1974 27 • • I I I a n M D r t a g h ooeert Mao age ••• eot

Box 272 Canaan, Connecticut 06018 203-824-7877

EUROPEAN ARTISTS

Season 1974-75

ANTON HEILLEII Sept. I5·Nov. 15

ROBERT ANDERSON CLYDE HOLLOWAY r, Y BOVET Oct.

GILLIA N WEIR ~ ./ Feb. 15· Mar. 15 .. Yt\:.. , HEINZ WUNDERLICH ·, . , , Feb. 20.Mor. 20 ·, . MICHAEL RADUT.ESCU • I ' ROBERT BAKER FREDERICK SWANN April

SPECIAL AVAILABILITIES

CATHARINE CROZIER Limited DAVID CRAIGHEAD JOAN LIPPINCOTT DONALD McDONALD November Only

NITA AKIN Workshops only

RAY FERGUSON DONALD MoDONALD LADD THOMAS Organ and Aosisting Artist

GERRE & JUDY HANCOq< OTI!Sn Duo

WILMA JENSEN & K. DEAN WALKER Organ & Percussion

~TLYN MASON & PAUL DOKTOR JERALD HAMILTON JOHN WEAVER Organ & Viola

FREDERICK SWANN AND JOHN STUART ANDERSON Organ & Actor

JOHN & MARIANNE WEAVER Organ & Flute

GERRE HANCOCK JAMES MOESER