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Boston Symphony Orchestra Concert Programs, Season 78, 1958-1959, Subscription

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Boston Symphony Orchestra Concert Programs, Season 78, 1958-1959, Subscription (tf*\ BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON f r**» ¥i A 'ill! Jfllil'i m yi &— H SEVENTY-EIGHTH SEASON 1958-1959 Sunday Afternoon Series BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON. JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE A Signal for a Safe Landing Lack of proper guidance may mean a difference between a safe or a crash landing. Lack of insur- ance coverage may mean the difference between solvency or bankruptcy. Insurance counsel from this Agency gives proper guidance to financial safety when losses occur. A signal from you and we are at your service! CHARLES H. WATKBVS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. Insurance of Every Description 108 Water Street Boston 6, Mass. LAfajetto 3-5700 SEVENTY-EIGHTH SEASON, 1958-1959 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Jacob J. Kaplan Vice-President Richard C. Paine Treasurer Talcott M. Banks Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Charles H. Stockton C. D. Jackson Raymond S. Wilkins E. Morton Jennings, Jr. Oliver Wolcott TRUSTEES EMERITUS Philip R. Allen M. A. DeWolfe Howe N. Penrose Hallowell Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Leonard Burkat Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON 15 [1] I CAN YOU DESCRIBE A LIFE INSURANCE TRUST? <§> If you are unaware of the many advantages of a Life Insurance Trust, it may be that a talk with a Shawmut Trust Officer would show you precisely how this type of protection would best suit your insurance needs. For example, your life insurance can very easily be arranged to provide life-long support for your widow plus a substantial inheritance for your children. In Shawmut' s Personal Trust Department we would be glad to discuss your complete insurance program . with you, your life insurance counsellor and your attorney, or simply write for a copy of our brochure "A Modern Life Insurance Program." Naturally, there would be no obligation. Write or call The Personal Trust Department The Zh{ational Shawmut Bank Tel. LAfayette 3-6800 Member Federal Deposit Insurance Corporation [*] SYMPHONIANA Exhibition Rudolf Serkin .yJJjfmJnLtmJL 1 1 ixjL<i1JiL« Berkshire Festival Programs THE TROUSSEAU HOUSE OP BOSTON EXHIBITION The exhibition now in the gallery :onsists of French late nineteenth-cen- ury paintings and is loaned by the Fogg 4rt Museum. RUDOLF SERKIN Rudolf Serkin was born in 1903 in Eger, Bohemia (Czechoslovakia) of Russian parents. At four he showed (possibilities of becoming a piano prodigy, but was taken to Vienna to study with Richard Robert. At the age of twelve, he made his debut as soloist under the j auspices of the Gesellschaft der Musik- I three years, the I freunde. For from age j of fourteen, he studied composition with Arnold Schonberg. He then began his [ I active career as a concert pianist, giving »,solo recitals throughout Europe, and likewise touring with Adolf Busch in f! ' Sonatas for Violin and Piano. It was | with Adolf Busch (his destined father- | in-law) that he made his first appear- ance in America in 1935 at the Coolidge Festival in Washington, D.C. He played Brahms' Concerto No. 1 in D minor with the Boston Symphony Orchestra, December 30, 1938; Beethoven's Con- certo No. 4 in G major, December 22, 1939; Beethoven's Concerto No. 5, in E-flat major, April 6, 1944; Brahms' Concerto No. 1, January 20, 1956. Mr. Serkin now lives in Philadelphia and teaches at the Curtis Institute of Music. Spring. C*vent His summer Music School and Festival A teagown to make this Spring an at Marlboro, Vermont, is his dearest eventful one ... of light-weight project. silk with an intriguing print of large • • cabbage roses. Paris Pink or Tur- BERKSHIRE FESTIVAL quoise Roses Sizes 10-20. $39.95 PROGRAMS 416 Boylston St. 54 Central St. The Berkshire Festival for 1959 at Boston 16, Mass. Wellesley, Mass. Tanglewood will open on July 1 with KEnmore 6-6238 CEdar 5-3430 the first of six Wednesday evening [S] chamber music concerts by artists to bt announced. The programs for the firs two weeks of concerts by a chamber orchestra of Boston Symphony players and the remaining four weeks of con- certs by the full Orchestra in the Shed are as follows (Friday and Saturday Evenings at 8:30, Sunday Afternoons at 2 :30) : FIRST WEEK Fri. Eve., July 3—Theatre Bach : Brandenburg Concerto No. 3 We love the gay Frenchmen . Suite No. 2; Musical Offering adore the romantic Italians . Cantata No. 50 {"Nun ist das Hell") admire our British cousins ... but Conductor: Charles munch when it comes to fashion, no one interprets American women as wisely Sat. Eve., July 4—Shed as American designers. And this Bach : Concertos for 1, 2, 3 and 4 Pianos spring's fashions prove it. Conductor: charles munch Who else could design, or wear with Sun. Aft., July 5—Theatre such aplomb, this spring's cape-deep Bach : Brandenburg Concerto No. 6 collar . the fly-away jacket . Cantata No. 51 {"Jauchzet Gott") the coat with the roundly cupped {Soprano: bethany beardslee) convex back? Violin and Oboe Concerto, D minor (RUTH POSSELT - RALPH GOMBERG) Willowy waistlines are back . Suite No. 3 clutched with wide kid belts, wrapped Conductor: CHARLES MUNCH with ascot ties, or drawstring cinched, or belittled with short story jackets. SECOND WEEK Like stereo, checks have a converging impact this spring . woven checks, Fri. Eve., July 10—Theatre houndstooth checks, lacey checks . Mozart: "Don Giovanni" Overture in sharp contrast to flower garden Piano Concerto, K. 453 prints in palpitating sun and shadow (NICOLE HENRIOT-SCHWEITZER) ' tones. And if you're the woman who Divertimento, K. 287 wears beige well, really wears it, by "Haffner" Symphony, K. 385 all means capitalize on the season's Conductor: charles munch color sweep of pure beige. Sat. Eve., July 11 —Shed American fashions in all their scope Mozart: Symphonies No. 39 in E-flat of color, fabric and line have come No. 40 in G minor of age. Come see them at No. 41 ("Jupiter") Conductor: charles munch Sun. Aft., July 12—Theatre Mozart: "Prague" Symphony Requiem, K. 626 (ADDISON, KOPLEFF, STERN, GRAMM, FESTIVAL CHORUS) twenty newbury Conductor: charles munch (Continued on page 31) [4] fI«««. James Galanos: prophetic pace-setter for the American fashion world gives Spring, 1959, a fresh outlook rising from a higher horizon . a gently wider look high on the figure dramatically marked by wide-winging collar, flaring sleeves and giant patch pockets . Illustration of the great Galanos talent, and the exciting designer collections now in Filene's French Shops, this tunic costume of Italian worsted, the high-rise dress below traveling handsomely alone. The French Shops costume collection, from $89.95 Filene's French Shops Seventh Floor FINANCIAL JUDGMENT WITH THE HUMAN TOUCH Finding a missing heir An inheritance was waiting for a woman whose family hadn't heard from her for more than 25 years. The money was left by her father, who stated in his will that the money should be divided among the other heirs if the daughter could not be found. Old Colony, as Executor, used every possible means to find her, including advertising in newspapers across the country. The woman was found and given her legacy. Just another example of how Old Colony, as Executor, carries out the wishes of the maker of a will. Old Colony would be glad to discuss your estate plans with you and your lawyer at any time. As a first step, write " for the 24-page booklet, "Wills and Trusts. WORTHY OF YOUR TRUST Old Colony Trust Company ONE FEDERAL STREET, BOSTON Allied with The First National Bank of Boston [6] 1*96. SEVENTY-EIGHTH SEASON • NINETEEN HUNDRED FIFTY-EIGHT - FIFTY-NINE Sixth Program SUNDAY AFTERNOON, April 12, at 3:00 o'clock Faure "Pelleas et Melisande," Suite from the Incidental Music to Maeterlinck's Tragedy, Op. 80 I. Prelude: Quasi adagio II. "Fileuse": Andantino quasi allegretto III. Sicilienne: Allegretto molto moderato IV. "The Death of Melisande": Molto adagio Honegger Symphony No. 4, "Deliciae Basilienses" I. Lento e misterioso; Allegro II. Larghetto III. Allegro INTERMISSION Brahms *Piano Concerto No. 2, in B-flat major, Op. 83 I. Allegro non troppo II. Allegro appassionato III. Andante IV. Allegretto grazioso SOLOIST RUDOLF SERKIN Mr. Serkin uses the Steinway Piano BALDWIN PIANO *RCA VICTOR RECORDS [7] for a self-assured suit . BOSTON • CHESTNUT HILL [8] '' iri **s. "PELLEAS AND M£LISANDE," Orchestral Suite, Op. 80, TAKEN FROM THE STAGE MUSIC TO MAETERLINCK'S PLAY By Gabriel Faure Born in Pamiers (Ariege), France, May 12, 1845; died in Passy, November 4, 1924 Composed in 1898, Faure's incidental music to Maeterlinck's play was first heard in the production given in London, June 21, 1898, with Mrs. Patrick Campbell. There was a performance at the Boston Theatre in Boston, also by Mrs. Campbell's company, April 12, 1902. The suite drawn from the music was first performed at a Lamoureux concert in Paris, February 3, 1901. It was introduced in Boston at a concert of the New England Conservatory Orchestra, March 8, 1904. There was a performance by the Boston Symphony Orchestra, December 17, 1904, and again December 2, 1905. Vincent d'Indy, as guest, conducted it March 18, 1911, Pierre Monteux, November 23, 1923, Serge Koussevitzky, April 21, 1939, December 29, 1939, April 20, 1945 (two movements); November 23, 1945 (Paul Paray, conducting).
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