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Home , Alice Tully, Alice Tully Hall, Andrew Wyeth, Howard Kanovitz, Irving Kolodin, Louis Horst

Segovia, appearing ccc/5 s: Andres in recital this month

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Table of Officers Contents Amyas Ames, Chairman of the Board Charles M. Spofford, Lawrence A. Wien, Vice-Chairmen Gustave L. Levy, Treasurer John W. Mazzola, Managing Director

Features Board of Directors Amyas Ames David M. Keiser Martin E. Segal

Hoyt Ammidon Francis Keppel Grant G. Simmons, Jr. 10 New Yorker Eli M. Black Gustave L. Levy Charles M. Spofford Dr. Frederick Burkhardt William F. May Frank Stanton from Britain Richard M. Clurman Rev. L.J. McGinley, s.j. Frank E. Taplin by Robert V. Weinstein Mrs. Lewis W. Douglas George S. Moore Franklin A. Thomas Harold Lawrence comes home to man- Mrs. Irving Mitchell Felt Edward J. Mortola Miss age the Sampson R. Field Crocker Nevin Lowell Wadmond Richard L. Gelb Joseph Papp Edward R. Wardwell Harry B. Helmsley John D. Rockefeller 3rd George Weissman Mrs. Leon Hess William Rockefeller Lawrence A. Wien Mrs. Robert L. Hoguet Edgar B. Young 12 Christmas in EX OFFICIO January Honorable Abraham D. Beame, Mayor ofNew York Edwin L. Weisl, Jr., Administrator of Parks, Recreation & Cultural Affairs Artur Rubinstein in Tully Hall—on , President Emeritus behalf of young American pianists Administration

John W. Mazzola, Managing Director Delmar D. Hendricks, Booking Director, Mark Schubart, Director, Education Concert Halls

James R. Bjorge, Associate Director, Arthur J. Howard, Director, 24 Folk Art Education General Services Joseph Caron, Director, at the Whitney William W. Lockwood, Jr., Director, Public Services Programming by Elaine B. Steiner Leonard de Paur, Director, Patrick B. McGinnis, Director, An Exhibit "A" (for American) in the Community Relations Operations case for the people June Dunbar, Associate Director, Education Andre Mirabelli, Director, Business Affairs Frank S. Gilligan, Director, Development John O'Keefe, Director, John Goberman, Director, Public Information Media Development

Departments The Fund Board of Trustees Hoyt Ammidon, Chairman R. Manning Brown, Jr. William F. May Robert E. Rubin Mrs. Robert L. Hoguet Nevin Francis B. Shepard 6 Around the Plaza Crocker Howard B. Johnson William M. Rees George Weissman Edwin S. Marks Andrew Y. Rogers Lawrence A. Wien

8 Lincoln Center Lincoln Center Council Marquee Dr. Frederick Burkhardt, The New York Public Library Schuyler G. Chapin, Metropolitan , Ballet facing 18 The Program John W. Mazzola, Lincoln Center , The Carlos Moseley, New York Philharmonic Joseph Papp, New York Shakespeare Festival at Lincoln Center 23 Fashionably Yours Julius Rudel, Mark Schubart, Lincoln Center Norman Singer, City Center ofMusic and Drama, Inc. 27 Concert Notes Charles Wadsworth, The Chamber Music Society of Lincoln Center

Lincoln Center Council on Educational Programs

32 Facilities Mark Schubart, Lincoln Center, Chairman Bernard Gersten, New York Shakespeare Festival at Lincoln Center Edwin S. Holmgren, The New York Public Library Mrs. Norman Lassalle, City Center Music and Drama, Inc. 33 Dining Guide of William Nix, Irwin Scherzer, The Chamber Music Society of Lincoln Center Dr. Leon Thompson, New York Philharmonic Gideon Waldrop, The Juilliard School Six reasons to lease the totally new Cougar or any of 52 other jine Lincoln-Mercury cars!

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mann. Also Serkin-related is the con- Juilliard Theater A totally new cast cert of "Music from Marlboro" (the of young professionals will appear in summer enterprise in Vermont is un- the performances of La Boheme on

der his direction), in which the Bruck- March 1, 2 and 3, which will bring ner Quintet will be heard. In addition the production by the American Op- to other programs in The Chamber era Center which attracted much fa-

Music Society of Lincoln Center's vorable comment when it was intro- series, March will include vocal cham- duced several years ago. James ber music from the Sine Nomine Sing- Conlon conducts. ers (March the Bach Aria Group 23), Metropolitan Opera House Beyond (March 20) and an ensemble con- the special happenings noted above, ducted by Thomas Dunn {St. John's AROUND the March schedule provides a resto- Passion of Bach on March 4); in addi- ration of Eugene Berman's production I mhBhh tion, the inimitable Bobby Short ^mi of Mozart's Don Giovanni, additional "^w (March 17 and 31). Recitalists begin VHiyi viewings of Franco Zeffirelli's staging A I «k with Flavio Varani, piano, on March of Verdi's Otello, and the O'Hearn- PLAZA 6, and include harpist Nicanor Zaba- Merrill version of Strauss's Der Ros- leta on March 9, Janis V. Klavins, enkavalier. The first Don Giovanni on bass-baritone, on March 10, Bruce With both resident companies per- March 28, to be conducted by James Hungerford in a program of four forming throughout the month, Levine with a cast including Leon- Beethoven piano sonatas on March March will provide some of the most tyne Price, is a Guild benefit. 19, Rose Battle English, soprano, on diversified and unusual opera re- March 24, and guitarists Rey de la Previews pertory this city has been offered in Torre on the evening of the same day begin on March 2 1 of the fourth selec- years. At the Metropolitan, two works and Jean-Pierre Jumez on March 28. tion in Joseph Papp's New York (by master composers) not produced Shakespeare Festival at Lincoln Cen- prior to this season by a major com- Avery Fisher Hall In addition to the ter: August Strindberg's of pany in New York, will be heard on events itemized above, March will Death, with Robert Shaw and Zoe successive days: Verdi's / vespri siciliana offer the first appearances as recitalists Caldwell in the principal roles in the and Berlioz' Les Troyens. During the in this large hall of Luciano Pavarotti production directed by A.J. Antoon. week of March 1 1 , there will be two (March 29) and (March The scheduled opening is April 4. In performances of each, preceded and 31), and the reappearance of that the Mitzi E. Newhouse Theater, followed by Wagner's Gdtterddmmerung. other great "vocalist" Anna Russell Shakespeare's The Tempest continues Concurrently, the New York City Op- on March 10. The Brahms B-flat Pi- to be the attraction. era will be offering its first staged pro- ano Concerto will be heard twice dur- duction of Cherubini's Medea, in a ro- New York State Theater Two reviv- ing the month: on March 18 with Ru- tating sequence with Donizetti's Anna als of past favorites in the repertory of dolf Serkin as soloist with The Bolena, Strauss's Ariadne auf Naxos and the New York City Opera companies under the di- Bellini's / Puritani. Recital and orches- will vary the repertory already distin- rection of , and on tra activity will include appearances guished by the new productions iden- March 24 with Bruno Leonardo Gel- by Andre Watts at the beginning and tified above. They are Gian-Carlo ber as collaborator with the National end of the month in Fisher Hall, visits Menotti's , on March 27, and Antal Dorati. Guest by the National Symphony Orchestra and the Gilbert and Sullivan Mikado conductors of the New York Philhar- of Washington, The Philadelphia Or- on March 17. monic during the month are Andrew chestra and the Boston Symphony as Davis for the programs of March 7- New York Public Library Musical well as on-going repertory from the 12, in which pianist Murray Perahia attractions in the Auditorium include New York Philharmonic. is the soloist, and March 14-16, in recitals by pianists Ian Shapinsky Chamber music has which the Orchestra's principal cellist, (March 1), Bella Shumiatcher (March a dominant place in the events of Lome Munroe, is the soloist; and Er- 8), George Kehler (March 15), Judith March, beginning with concerts on ich Leinsdorf during the last two Felton (March 21) and Margaret the first and third in which pianist weeks of the month, assisted by Stan- Strahl (March 28). Joy in Singing will make rare appear- ley Drucker, the Philharmonic's prin- convenes on March 6 and 20, and ances in his role of master chamber cipal clarinetist, in the first program will conduct pro- music partner to the Guarneri Quar- and pianist Alicia De Larrocha in the grams of the International Bach tet in works of Schubert and Schu- second. Society on March 18 and 25. ©Lonllard 1973

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"Pink Tulip"— an oil on canvas (77" square) by Lowell Nesbitt, one of several PHOTO BY SUSANNE FAULKNER STEVENS by leading contemporary artists included in the FTD Commemorative A young girl hides behind Easter lilies. Art Collection, "Each In His Own Way."

FLOWER TIME AT LINCOLN CENTER

Sixteen massive paintings, never before shown in New hibit and many plants will be on sale during the week.

York City, that use flowers as subject material will high- "Flower Time" hours are Tuesday, April 2, 1 1 :00 A.M.- light the thousands of live flowers on display during 11:30 P.M.; Wednesday, April 3 through Palm Sunday, "Flower Time at Lincoln Center" in Avery Fisher Hall, April/, 10:00 A.M.-1 1:30 P.M. April 2-7. The annual display of blooming plants, cov- The New York Parks Flower Show, Inc. is a non-profit ering the entire Plaza level of the concert hall, is open to organization that brings the aesthetic importance of liv- the public free of charge. "Flower Time at Lincoln Cen- ing plants to people in the New York area. It is supported ter" is presented by the New York Parks Flower Show, by the contributions of many business concerns and in- Inc. in association with Lincoln Center and sponsored dividuals. by Florists' Transworld Delivery (FTD). This year, "Flower Time at Lincoln Center" includes The FTD Commemorative Art Collection, which is exhibits by: entitled "Each In His Own Way," is a growing collection Bromeliad Society of paintings and sculpture created by leading contempo- Brooklyn Botanical Garden Cactus Society rary artists who have expressed themselves in themes in- City Garden Clubs volving flowers. The collection now consists of 16 works Garden Club of America by Janet Ailing, Massimo Asnaghi, John Clem Clarke, Holland Bulb Exporters Association Ralph Goings, Alain Jacquet, Howard Kanovitz, Alex Ikebana Katz, Ellen Lanyon, , Lowell Nesbitt, Ed Staff of Lincoln Center Paschke, Joseph Raffael, Martial Raysse, Paul Van New York Botanic Garden Hoeydonck, Andy Warhol and Tom Wesselmann. New York City Department of Parks, Recreation This year the display will feature thousands of bloom- and Cultural Affairs ing spring flowers as well as cacti, bromelias, African vio- Queens Botanic Garden lets, bonsai and exotic plants from the tropics. The show Goddard-Riverside Senior Citizens Center Project Find will emphasize both city and suburban gardens, demon- Wave Hill Center for Environmental Studies strate indoor plant growing in natural and artificial light Mall Association and offer a series of educationaL lectures by guest speak- Mrs. Lytle Hull ers. Several gardens have been created just for the ex- VistaJord^SagaQord Cruises. Most people take twa

More than 50% of the passengers who cruise on our two beautiful ships have sailed with us before. And they just couldn't wait to get back to the welcome that's unique to Norway's most ex- perienced world cruise line.

You find it in the service, the cuisine, and in the ships themselves, from your gracious cabin to our dramatic

picture-window lounges. You find it in the ports of call, carefully chosen to

bring out the best in cruising. And in the warm welcome-back you get when you return from a day ashore. Where will you cruise with us this

year, again or for the first time? It could be the Caribbean orthe Medi-

terranean in spring. Ortheglittering North Cape. Eastern Europe, or the South Pacific. Or, in early 75, the Orient or Africa... So ask your travel agent soon where the Vistafjord and Sagafjord are going. Or call us for brochures. We'd like to welcome you aboard on one of our cruises or two.

CRUISE HIGHLIGHTS 1974-75 From New York (Port Everglades') SPRING MEDITERRANEAN, GREEK ISLANDS, April 6'/10 40 days. 20 ports. Vistaf|ord. EASTER WEST INDIES, April 12. 14 days. 7 ports. Sagafjord, Vistafjord Sagafjord, SPRING CRUISE TO EUROPE & BRITISH ISLES, April 26. & 35 days. 19 ports. Sagafjord. the weicome-back stiips. NORTH CAPE & FJORDLANDS, June 1, 32 days. 12 ports. Sagafjord. TWO CARIBBEAN CRUISES, from Port Everglades only, June 3, June 13 10 days, 4 ports. Vistafjord. NORTH CAPE & NORTHERN EUROPE, June 25. 42 days. 19 orwc&LStn ports. Vistafjord. ^1 SCANDINAVIA AND EASTERN EUROPE, Aug. 7 30 days 8 ports. Vistafjord. FALL MEDITERRANEAN, Sept. 7/9V 39 days. 15 ports. .enca Vistafjord, SIX CARIBBEAN CRUISES, from Port Everglades, Oct. 19- Dec. 18. 10-17 days. 5-10 ports. Vistafjord. SOUTH SEAS-EAST INDIES-ORIENT, Jan. 7/10* 90 days. 23 ports. Vistafjord. 29 BROADWAY, NEW YORK, N. Y. 10006 FOUR CONTINENTS, Jan. 21/23*. 79 days. 29 ports. Sagafjord. ^^^M^' Tel. (212) 944-6900.

The Vistafjord and Sagafjord are registered in Norway '

Harold Lawrence, Manager of the New York Philharmonic Orchestra, and Pierre Boulez (left) its Music Director.

PHOTO BY MARY LAWRENCE

New Yorker from Britain

When Harold Lawrence agreed to un- Symphony. Next, Thomas Schippers records over-the-counter at the now dertake the position of Manager of was to conduct a week's subscriptions defunct Gramophone Shop, which the New York Philharmonic on Sep- series plus a tour in Florida. He also specialized in imported records. From tember 3, 1973, he brought with him withdrew, to complete his recovery there he was to work his way up in the some 30 years experience in the music from surgery and Leinsdorf, aided by music business. He referred to his field. He replaced Mrs. Helen M. Morton Gould, came to our aid over-the-counter experience selling Thompson, who retired from the posi- again." Lawrence sighed; "finally, discs as his "baptismal fire into the tion at the retirement age of 65. Mr. Boulez returned from Paris to record business." "At the quiet Park Prior to joining the New York Phil- take us into the body of the season." Avenue shop," he reminisced, "I lis- harmonic, Lawrence had been Gen- Lawrence recalled that when he tened to practically every record on eral Manager of the London Sym- came to London in 1967 to begin his the shelves." phony Orchestra since 1968. new job as General Manager of the Before joining Mercury Records as Assuming managerial responsibility of London Symphony Orchestra, condi- Music Director in 1956, he was Direc- the New York Philharmonic seemed tions there were also far from ideal. It tor of Recorded Music for radio sta- like a logical course of action for the was a rainy day when he arrived and tion WQXR for six-and-a-half years. 50-year-old native New Yorker. Look- it was just a month after the 1967 de- "As Music Director of Mercury ing back over those first few difficult valuation. "The atmosphere in Lon- Records, my job kept on changing months of adjustment, his brow fur- don was absolutely dismal," he said. from year to year," he said. Five years rowed, and his face revealed a faint "An immigration official sarcastically after he joined Mercury it became hint of a smile. "Apart from Mr. Bou- asked me how long I expected to visit part of the Philips group (now part of lez," said Lawrence, "no conductor London. I told him that I would be Phonogram Inc.). Subsequently he who was scheduled to appear with the staying three years. He paused and was promoted to the position of Artis- Philharmonic since the settlement of looked up at me and said: 'You must tic and Administrative Director of the the labor dispute actually has ap- be kidding,' It was a gloomy begin- classical division of Mercury and Phil- peared. The first week after the settle- ning for what turned out to be some ips Records. In that position he re- ment, Daniel Barenboim canceled due of the most exciting years of my life." corded extensively all over America, to illness in his family. He was re- Lawrence's musical training began and later began to produce recordings placed by Georg Semkow. The second while still in his teens, studying the pi- in London for them. During his stay week's concerts were to be conducted ano. While pursuing a degree from with Mercury/Philips, he worked by Riccardo Muti. He canceled be- City College in New York City, he with some of the outstanding artists of cause of bronchitis. Erich Leinsdorf studied piano and composition in the day. It also aff"orded him the op- agreed to step in for Muti for the first New York and then in Paris. Prior to portunity to travel and record at the week. For the second week we ob- the Second World War he taught same time. "I did a lot of work on the tained the services of , composition and piano. After com- continent," he said. "I was part of the Associate Conductor of the St. Louis pleting his service in the army, he sold continued on page 28

<>» J 10

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^m. Artur Rubinstein listening to Ttiomas Roberson (19) perform tlie B-minor Sciierzo of Ctiopin

Artur Rubinstein spent the last two weeks of January in a don'ts of playing the first six preludes of Opus 28 (by Ae manner typical of the man and the places: Avery Fisher Eee Kim, age 18, a student of Mrs. Ruth Slenczynska at Hall, and Alice TuUy Hall. He performed the University of Southern Illinois), or the B-minor twice before capacity audiences in the larger halls; then he Scherzo (by Thomas Roberson, age 19, of Shorter College

visited the smaller one on behalf of the American Music in Rome, Georgia, whose teacher is Mrs. Elizabeth Bu- Scholarship Association. In between, on January 28, he day), or the F-minor Ballade (by Dean Kramer, age 20, observed his 87th birthday. who studies at the University of Texas in Austin with Each of the recitals added something irreplaceable to John Perry), it was more like an at-home with a master the memory of those who were present. But, this has been who had invited them in for an hour.

going on almost longer than mentionable (when Mr. Ru- Not that it was all praise and compliments. Mr. Ru- binstein made his first Carnegie Hall appearance as a binstein found something good to say of each performer's young man before 1910, was way uptown). effort; but when something didn't go so well, he queried: But the TuUy Hall appearance was something special, "That wasn't so good, was it?" And he proceeded to ex- even by his own standards. plain, with humor and to the point, how it could be im- He arrived a good 15 minutes before the starting time proved. And while his remarks were directed at the young of 3 P.M. This might have struck some as an excess of pianists, the audience was not forgotten. When one

punctuality; but it had its own calculated purpose. He aroused a burst of applause, and didn't know quite how to spent the next 15 minutes, and ten more as well, chatting respond, Mr. Rubinstein urged: "Stand up and bow—we with the young trio of winners in the 1973 National Piano all love applause, no matter what our age is." Competition, relieving them of their awe of the world ce- Unlike most other audition procedures, the American lebrity, putting them, as much as he could, at their ease. Music Scholarship's does not address itself to those with a When he took his place on the stage, it was not at some re- high level of conservatory gloss, but to performers on the mote, pontifical point. He sat at the bass end of the key- college level. Each of those heard in Tully Hall had re- board, participating actively in each of the Chopin selec- ceived a cash award as well as a scholarship incentive; but tions: counseled, suggested and finally, when the urge had January 30, 1974, brought these three something more. become too strong to resist, sat down at the keyboard and Anybody can win a prize; but it was like Christmas in made his points manually and musically, as well as ver- January to have the extra reward of an encouraging word, bally. a warming smile and a shrewd word of counsel from "Mr. Rather than being a schoolroom session in the do's and Rubinstein." I.K.

12

.'1^ -

'.-S ' 'A very dynamic piece—you must give it

wtiat it needs."

"I am not allowed to

play in public— I will be sued by my manager—

but I will show you how to get twice as much PHOTOS BY E. FRED SHER sound from the piano if you get the weight of the body into it."

'Bravo— that's good. A picture of a relaxed professor, pleased with the results (de- spite the presence of a TV crew).

13 v* . Pleasiire

We found a way to bottle it. FOR THE LIFE OF THE ARTS

IN NEW YORK STATE. . . .

A financial crisis threatens the very existence of our arts institutions. In his current budget, Governor Malcolm Wilson has provided the leadership to

meet this crisis. He has doubled last year's appropriation for the New York State Council on the Arts to $30.5 million. In order for this proposed budget

to be passed into law, it will be necessary for all of us who care for the arts to

work for its passage.

Specifically, what is required is legislation which will extend the responsi- bility of the New York State Council on the Arts to provide general support to our arts organizations at a level related to their needs, provided they meet high standards in quality and nianageraent, in the size and continuity of au- diences, in the extent of private support from the community and in the public service they perform.

This constitutes a new method of aiding the arts in that general support funds

are being requested at a level relative to our needs. In the past almost all state funds were earmarked for special project assistance, rather than general sup- port.

It is urgent, therefore, that all concerned citizens do their utmost to assure passage of Governor Wilson's proposed legislation. We suggest you write your Assemblyman and State Senator now, and in addition, the following two members of the New York State Senate and Assembly:

To end the day The Honorable Warren M. Anderson or to start the evening. Majority Leader To share with at New York State Senate Albany, New York 12224 a party or with a friend, alone. The joy of Scotland. The Honorable Perry B. Duryea, Jr. Speaker Distilled and brought to New York State Assembly perfection in every bottle Albany, New York 12224 of J & B RarenScotch. RARE SCOTCH JUSrrERINI& BROOKS Foundedl749

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Boston Symphony Orchestra

NINETY-THIRD SEASON 1973-1974

SEIJI OZAWA, Music Director

COLIN DAVIS and , Principal Guest Conductors

Wednesday Evening, March 20, 1974, at 8:30 Friday Evening, March 22, 1974, at 8:30

Seiji Ozawa, Conductor

MOZART Piano Concerto in A major, K. 488 Allegro Adagio Allegro assai MAURIZIO POLLINI

INTERMISSION

STRAVINSKY "The Firebird" (Complete Ballet Music) Introduction

Scene I: Kashchei's Enchanted Garden Appearance of the Firebird Pursued by Ivan Tsarevich Dance of the Firebird Ivan Tsarevich Captures the Firebird Supplication of the Firebird Appearance of Thirteen Enchanted Princesses The Princesses' Game with the Golden Apples (Scherzo) Sudden Appearance of Ivan Tsarevich The Princesses' Khorovod (Round Dance) Daybreak Magic Carillon; Appearance of Kashchei's Guardian Monsters; Capture of Ivan Tsarevich Arrival of Kashchei the Immortal; His Dialogue with Ivan Tsarevich; Intercession of the Princesses Appearance of the Firebird Dance of Kashchei's Retinue under the Firebird's Spell Infernal Dance of all Kashchei's Subjects Lullaby (Firebird) Kashchei's Death

Scene II: Disappearance of the Palace and Dissolution of Kashchei's Enchantments; Animation of the Petrified Warriors; General Thanksgiving

Maurizio Pollini plays the Steinway piano.

The Boston Symphony Orchestra records exclusively for Deutsche Grammophon Baldwin Piano Deutsche Grammophon and RCA Records NOTES ON THE PROGRAM BYJOHNN.BURK

Piano Concerto in A major, stein's Mozart,His Character and His Work, a had died in June 1908. It was at this point K.488 part of which is here quoted: that Diaghilev handed to him the com- mission for WOLFGANG AMADEUS MOZART In the A-major Concerto Mozart again L'Oiseau de feu. Stravinsky went to Paris for the first (1756-1791) succeeded in meeting his public half- way without sacrificing anything of his performance, where, he tells us in his own individuality. He never wrote an- memoirs, he made his first acquaintance A glance at Mozart's activities in the win- other first movement so simple in its with that city. His ballet which, needless ter of 1785-86 will show to what efforts he structure, so "normal" in its thematic to say, excited Paris as resplendently new relations between tutti and solo, or so was put to budget his small household music superbly produced, was an ideal in- clear in its thematic invention, even and his pleasures. In the first place, he had troduction. where it makes excursions into the just ventured upon his most cherished Fokine's scenario may thus be de- realm of counterpoint, or contains project— 77z^ Marriage Figaro. The father scribed: After a short prelude, the curtain of rhythmic peculiarities. The key of A wrote to Marianne on November 2 that rises the major is for Mozart the key of many and grounds of an old castle are her brother was "up to his ears" in Fig- colors. It has the transparency of a seen. Ivan Tsarevich, the hero of many aro— he had shifted all of his pupils to af- stained-glass window. There are rela- tales, in the course of hunting at night, ternoon hours in order to have his morn- tions between the first movement of this comes to the enchanted garden and sees a ings free for uninterrupted progress on his Concerto and the Clarinet Quintet. Not beautiful bird with flaming golden plum- without reason are there no trumpets opera. Meanwhile, he had much else to age. She attempts to pluck fruit of gold and timpani. But there are also darker do. There was Der Schauspieldirector, the from a silver tree. He captures her but, shadings and concealed intensities, one-act opera-travesty, which he must heeding her entreaties, frees her. In grat- which the listener interested only in compose for a performance at Schon- itude, she gives him one of her feathers pleasant entertainment misses alto- brunn on February 7. There was a per- gether. Already in this movement there which has magic properties. The dawn formance of Idomeneo in March, which he is a threatening touch of F-sharp minor, breaks. Thirteen enchanted princesses ap- supervised for Prince Augsperg, writing and the whole Andante is in that key, pear, coming from the castle. Ivan, hid- two new numbers. Then there were innu- which Mozart otherwise avoided. The den, watches them playing with golden merable concerts, for some of which he latter movement is short, but it con- apples and dancing. Fascinated by them

tains the soul of the work. . . . The must write new works. In addition to the he finally discloses himself. They tell him Presto seems to introduce a breath of three pianoforte concertos, the composi- that the castle belongs to the terrible fresh air and a ray of sunlight into a tion of other instrumental music had kept Kashchei, who turns decoyed travelers dark and musty room. The gaiety of the inexhaustible Mozart from finishing into stone. The princesses warn Ivan of his this uninterrupted stream of melody his musical setting of Beaumarchais. He fate, but he resolves to enter the castle. and rhythm is irresistible. put his last touches to the score of Figaro Opening the gate, he sees Kashchei with just before its performance on May 11, his train of grotesque and deformed sub- 1786. "The Firebird" jects marching towards him in pompous Still, this profusion of music represents (Complete Ballet Music) procession. Kashchei attempts to work his but a part of his activities during the six IGOR STRAVINSKY spell on Ivan, who is protected by the months in question. The scores as such (1882-1971) feather. Ivan summons the firebird, who usually brought him no income, which causes Kashchei and his retinue to dance had to be derived from their performance Stravinsky tells in his memoirs how he until they drop exhausted. The secret of at an endless round of concerts. Besides was drawn into the circle of which Diag- Kashchei's immortality is disclosed to the public performances, there was a con- hilev was the center and dynamo. Diaghi- Ivan: the sorcerer keeps an egg in a casket; siderable vogue for private concerts in the lev had sensed at once the promise of the if this egg should be broken or even in- houses of the Viennese nobility. A composer of the Scherzo fantastique and the jured, he would die. Ivan swings the egg wealthy patron of the arts would be proud Feu d'artifice which he had heard at a Siloti backwards and forwards. Kashchei and to entertain his friends with music-mak- concert in the winter of 1909. his crew sway with it. At last the egg is ing by the celebrated Mozart, and, let us In the process of forming a ballet com- dashed to the ground; Kashchei dies; his hope, rewarded him well for his services. pany he ordered from the young man or- palace vanishes; the petrified knights The A-major Concerto was finished on chestrations of piano music by Chopin come to life; and Ivan receives, amid great

March 2, 1786, and is the second of the and Grieg. Stravinsky duly provided these rejoicing, the hand of the beautiful prin- three composed for the Lenten concerts of and continued to work on his opera Le cess. that year. An illuminating study of the Rossignol, which he had begun under the Program notes copyright ©1974 by the Boston Symphony Concerto is to be found in Alfred Ein- eye of his master, Rimsky-Korsakov, who Orchestra Inc. Presenting the world's richest-sounding orchestra now on the world's richest-sounding records.

Eugene Ormandy & The Philadelphia Orchestra in Quadradisc.

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SEIJI OZAWA Music Director COLIN DAVIS and MICHAEL TILSON THOMAS MEET Principal Guest Conductors THE JOSEPH SILVERSTEIN Assistant Conductor ARTISTS FIRST VIOLINS Robert Ripley CONTRABASSOON Seiji Ozawa, Music Joseph Silverstein Luis Leguia Richard Plaster Director of the Bos- Concertmaster Carol Procter ton and San Fran- Charles Munch Chair Ronald Feldman HORNS Jerome Rosen Joel Moerschel cisco Symphony Or- Charles Kavaloski chestras, was born Max Hobart Jonathan Miller Helen Sagoff Slosberg in Hoten, Man- RoUand Tapley Martha Babcock Chair churia, in 1935. A Roger Shermont graduate of the Max Winder Charles Yancich Toho School of Mu- Harry Dickson BASSES Harry Shapiro sic in Tokyo, he Gottfried Wilfinger Henry Portnoi David Ohanian went to Europe in Fredy Ostrovsky Richard Mackey 1959 and won the first prize at the Inter- Leo Panasevich William Rhein Ralph Pottle national Competition of Conductors at Sheldon Rotenberg Joseph Hearne Besanc^on. One of the judges, Charles Alfred Schneider Bela Wurtzler Munch, invited him to Tanglewood to be Stanley Benson Leslie Martin TRUMPETS a student, and the following Gerald Gelbloom John Salkowski Armando Ghitalla year he received the Koussevitzky Memo- Raymond Sird John Barwicki Andr^ Come Ikuko Mizuno rial Scholarship as the outstanding young Robert Olson Rolf Smedvig Cecylia Arzewski conductor at the Berkshire Music Center. Lawrence Wolfe Gerard Goguen He became one of the New York Philhar- Amnon Levy monic's assistant conductors in 1961, and since that time he has appeared exten- TROMBONES FLUTES William Gibson sively with many of the world's greatest SECOND VIOLINS Doriot Anthony Dwyer . Appointed Music Director of Clarence Knudson Chair Ronald Barron the Toronto Symphony beginning with Fahnestock Chair Pappoutsakis James Gordon Hallberg the 1965-1966 season, he resigned that William Marshall Paul Fried post after three seasons to devote himself Michel Sasson to guest conducting. Mr. Ozawa began his Ronald Knudsen inaugural season as Music Director of the Leonard Moss TUBA San Francisco Symphony in December, William Waterhouse PICCOLO Chester Schmitz Lois Schaefer 1970, and this fall he became Music Di- Laszlo Nagy rector of the Boston Symphony Orchestra Michael Vitale as well. His many recordings for the Spencer Larrison TIMPANI Angel Deutsche Grammophon, RCA and Marylou Speaker Everett Firth labels include performances by the Boston Darlene Gray OBOES Ralph Gomberg Symphony of works of Stravinsky, Orff Ronald Wilkison and Berlioz. Harvey Seigel Bo Youp Hwang John Holmes PERCUSSION Wayne Rapier Victor Yampolsky Charles Smith Maurizio Pollini Arthur Press made his Boston Assistant Timpamst Symphony debut Thomas Gauger VIOLAS ENGLISH HORN in November of Laurence Thorstenberg Frank Epstein 1970. Born in Milan Burton Fine 31 years ago, he Charles S. Dana Chair won first prize in Reuben Green the Warsaw Chopin Eugene Lehner CLARINETS HARPS Competition when George Humphrey Harold Wright Bernard Zighera he was 18. This led Jerome Lipson Ann S. M. Banks Chair Ann Hobson to appearances with the leading orches- Robert Karol Pasquale Cardillo tras of Europe, including the Phil- Bernard Kadinoff Peter Hadcock Vincent Mauricci harmonic, the Vienna Symphony, the Or- E-flat clarinet LIBRARIANS Earl Hedberg chestre National Frangais, the London Victor Alpert Philharmonic, Joseph Pietropaolo Symphony, the Warsaw William Shisler the Czech Philharmonic, the Hamburg Robert Barnes Philharmonic, the BBC Symphony and Michael Zaretsky BASS CLARINET the Bayerischer Rundfunk. He also ap- Felix Viscuglia peared in Israel, where he performed with STAGE MANAGER the Israel Philharmonic under Claudio CELLOS Alfred Robison direction. In the United States, Abbado's Jules Eskiri BASSOONS the Chicago Pollini has appeared with Philip R.Allen Chair Sherman Walt Symphony, the Detroit Symphony, the Martin Hoherman Cincinnati Symphony, The Cleveland Or- Mischa Nieland Ernst Panenka PERSONNEL MANAGER chestra and The Philadelphia Orchestra. Jerome Patterson Matthew Ruggiero William Moyer He has recorded for the Seraphim label and for Deutsche Grammophon. .

This week, someone with $250,000 will talk to Irwin Fields. You?

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curities . . . whatever. people like you, as a trust man. MANUFACTURERS HANOVER LINCOLN CENTER PROGRAMS

1974 •:c. Try something MARCH, METROPOLITAN OPERA tlw work nutty AVERY FISHER HALL of masters ALICE TULLY HALL bea/ft^4heir name after dinner. CARNEGIE HALL • Francis N. Ehrenberg Chairman of the Board

Sanford L. Goldsmith Publisher

Irving Kolodin Editor

Melville Taylor General Manager Robert V. Weinstein Managing Editor Suzanne Oppenheimer Production Director Judith Gorman Lynn P. Rashbaum Elaine B. Steiner Editorial Staff Riva Danzig Steve Pomerantz Production Staff Tina Athanasopoulos Pam Deely Audrey Grant HAl Jeannette Guido ^EOlH. Administrative Staff •

Herbert J. Teison Vice President /Advertising

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L. Robert Charles Marketing Director

Advertising Offices James K. Levitt & Associates, Inc. 1720 Algonquin Road Mt. Prospect, 111. 60056 (312)593-5255

John L. Sterling 2833 Telegraph Southfield, Mich. 48076 Patrician Amaretto is the de- (313)444-4438 lightful almond liqueur that James K. Levitt & Associates, Inc. brings a unique enchantment 13208 Saticoy Street to your evening. Enjoy it with No. Hollywood, Calif. 91605 espresso, coffee or dessert. Or (213)875-1517 as your dessert. Patrician PRINTED BY Amaretto, brought to you Published by from Italy by Mediterranean National Arts Group, Ltd. Importing Co., Inc., New 1865 Broadway York, without shells. lc New York, N.Y. 10023 (212)541-4520 PATRICIAN • RUMFORO PRESS Printed at Rumford Press, Inc. New York / New Hampshire / Massachusetts AMARETTO Concord, N.H.

© 1 974 by National Arts Group, Ltd. 20 All rights reserved. Johnson and Clint HoMcird in the repeat of the Emmy Award winning telecast of IHE RED PONY

Fri. March 22, NBC-TV Consult local listings for Canajoharie time and channel. Comes to Albany

The Executive Mansion in Albany has several new tenants—Governor and Mrs. Wilson and 72 paintings by 18th and 19th-century artists, on loan from the Canajoharie Library and Gallery. The departure of Gover- nor Rockefeller and his extensive modern art collection bared the walls of the hundred-year-old official home Commissions for Composers, of New York's governors. Hence, the Librettists and Translators The National request by Governor and Mrs. Wilson Endowment for the Arts has established a new program for indi- vidual fellowship to the New York State Council on the grants to encourage creative work by composers, librettists and translators. Arts for "instant replacement" in the A total of $407,276 has been allocated to 127 individuals. Ap- plicants for the form of a changing series of exhibi- program during fiscal 1975 are urged to submit requests by April tions drawn from various New York 1, 1974 to the Office of Music Programs, National Endowment for the Arts, Washington, D.C. State galleries and museums. If this 20506. first display, which opened formally Grants include the following: Composer Subject on February 1 2th, is a forecast of fu- Amount Leonard Kastle To complete ture ones. New Yorkers should be copying, etc. of opera $ 2,500 Vladimir A. Ussachevsky To compose flocking to Albany. various works for orchestra and electronic tape The Canajoharie Library boasts $ 7,500 George T. Walker To compose a concerto for one of the piano $ 5,000 largest collections of Win- B. Ben Weber Vocal setting of Rilke's Wordsfor slow Homer works in the nation and the Last Day $ 6,000 eleven of these are now hanging in the Charles P. Wuorinen Piano concerto with electronic elements and Main Reception Hall of the Mansion. symphony orchestra % 3,500 There are portraits by Gilbert Stuart, George Rochberg To complete one work and John Singleton Copley, Thomas Ea- compose another $10,000 Phillip kins, Mary Cassatt and Robert Henri G. Rhodes A symphonic work using the McLain Family and scenes by Maurice Prendergast, Bluegrass Band folk music $ 5,000 Donald Lybbert To complete an John H. Twachtman, Andrew Wyeth, opera on The Scarlet , George Letter $ 5 ,000 Luks and Robert E. Helps To write a Symphony No. 2, with text by Charles Burchfield on view in the din- James Purdy $ 5,000 ing room and the various reception Vivian Fine Two works, including a chamber opera on rooms and foyers. Georgia O'Keefe is Finnegan's Wake % 8,000 represented by her "Pond Lilies," and Among those given grants for creating or translating texts are Ruth and Grandma Moses by an oil entitled Thomas Martin (translation of Korngold's Die Tote Stadt, $2,500), Arnold "I'll Mail the Letter." Sundgaard (original libretto for chamber opera, $4,000), Gustavo A. Motta, Jr. Taxes aside, New Yorkers have a lot (translation of Massenet's Manon, $2,000), John M. Lynch (libretto for a cham- to be pleased with about their state- ber opera, $2,500) and Philip L. Devin, Jr. (libretto for an opera on Aztec not the least of which are governors themes, $2,500). In another category, applicants have been awarded grants not who appreciate the arts. to exceed $2,500 for career assistance, such as research, travel, purchase of scores ELAINE B. STEINER for study, preparation of excerpts from reviews, etc.

21 Besides NewY>rks most uplifting music, WQXR also brings you '^Uiiik^-'*'' Mr. Sun-up, Mr. Speak-up and Mr. Sum-up.

George Edwards' "Bright and Robert Sherman's "The Listening Duncan Pirnie's "Montage", Early", 6AM - 10AM weekdays Room", 10:05AM - Noon 3:05 - 7PM weekdays on WQXR. on weekdays on WQXR. WQXR. In the afternoon, you'll enjoy George Edwards is actually up Robert Sherman knows exactly Duncan Pirnie's running com- hours before sunrise, selecting the how to get the most sparkling mentary because his sharp wit

livelier, lighter classical music conversation (and sometimes keeps it so far from run-of-the-mill. that pleases the ears when the eyes controversy) out of people who From 3 :05 on, he presides over a are only half-opened. usually express themselves by "Montage" of , con- His own warm, cheerful tones means other than mere words: certs, and arias, the lighter classics make the time, traffic, and weather exciting young musical talents as of "Cocktail Time" (5PM) and sound absolutely delightful. So if well as world-renowned members the 6 to 7PM news and information you're a little fuzzy at wake-up of the music world. features. With his warm, funny, time, tune in to WQXR. And let Through Bob's skill at con- often irreverent (but never George Edwards put you in bright, versation and frequent live on-air irrelevant) comments, he makes clear focus for the rest of the day. concerts, musical personalities hstening to WQXR like listening paint living portraits of themselves to a concert with a friend. for WQXR listeners every day.

Duncan, Bob, George, and the magnificent music that's synonymous with WQXR, make it the brightest daytime station under the sun. And we shine under the moon as well, with programs of exquisite nightly concerts that will delight you until our stars come out again the next day, WPR 1560AM 96^ FM STEREO The classic stations for classical music. THE RADIO STATIONS OF .

J'OAhionabhj^ spojuLhA. By Joanne Winship

With winter almost behind us, some pre- smashing rain gear includes an almost less and oh so hard to find, is one perfect views of spring are in order, and ladies weightless, long, black cire wrap coat top and two or three matching pieces. it's going to be yummy. You can forget which can be worn as an evening coat or We love the chic of Oscar de la Renta II's the blue jeans and T-shirts. Put the over a bathing suit on a windy day at the soft navy crepe blouse worn with a short kooky thrift shop gear back in the trunk beach. This coat also is done in a shorter matching skirt with stitched pleats over or send them to Goodwill Industries. version like a poet's shirt, great with the hips and wrapped at the waist with a

Kooky and poormouth have had it. white pants. sash of the same crepe (shown here). Thank goodness! We're going to look Since we're back to elegance in This is a two-piece dress with a total look like femmes again— from Paris to Pasa- clothes, the spotlight is on one of New for day or evening. A blazer or long dena—soft, feminine, sexy without vul- York's last remaining couture houses- sweater can turn it into a suit. Don the garity and sheer heaven. Even sport Arnold Scaasi. Scaasi's evening clothes same shirt blouse at night with either a clothes are softer. Dresses are back, and— are exquisite, always romantic and sen- long skirt or matching pants with the hold on—so are gloves. Freshen up all suous—full, soft skirts, flat over the hips, blouse worn outside. Accessorize this in those little white kids you haven't worn irresistible fabrics and colors. Satin chif- many ways, perhaps a little white or in years. You'll be using them now. fon, organza, georgettes, silks in colors of navy French beret or a soft little felt hat Geoffrey Beene, who designs many of coral, sky blue, petunia pink, black and for daytime. Try a divine little gold and his own fabrics, has one of the most well white. Ombre (shadow) chiffons in jade silver harlequin-patterned python clutch thought out collections around. His green shading into pale green and orange and a matching python belt with jeweled clothes embrace elegance in a relaxed grading into peach. Scaasi is a master of head for evening or the new little mi- way. They define the figure and flatter. tiny pleats. See the red crystal organza naudiere (by Ben King, shown here) Crepe de chine dresses and lightweight with the low dipping back hemline and Accessories are bigger than ever, and wool jerseys, striped in lovely colors, are matching scarf shown here. King does some trendy ones for evening soft and easy. His weightless, double- Now that the short dinner dress is such as clutch bags in gold and silver kid, faced wool travel coats are seasonless, back, Scaasi does some beauties, pleated or combinations of python and kid, and many with their own gossamer muffler. and tucked chiffons, see-thru laces, all charming little belts with jeweled clasps. Beene's crepe de chine evening pajamas moving and swirling with the body. His King's version of the minaudiere art in are superb, notably in bold stripes with a daytime clothes are ladylike and lovely all colors, plain or jeweled, with shoulder matching flowing kimono coat. (no pants and shirts in this house). His straps or without, in satin, patent or calf. Beene's poplins, for rain or shine, in day dresses all have matching jackets or For day, his clutch in lizard and calf with coats and suits are practical and chic for matching coats. They are complete en- matching belts come in a wide range of shopping at the supermarket or a round- sembles. Evening pajamas are as glam- beautiful colors, perfect with dresses or the-world trip. Shown here, at the Lin- orous as the gowns— sequins and jersey pants suits. coln Center Plaza, is a deep-sleeved wrap are combined, or crystal-pleated satin or It all adds up to a dashing spring, with jacket and skirt in cotton poplin with a chiffon. goodies for every taste, especially for flowing crepe de chine muffler. Other Another fresh look for spring, season- good taste. I Folk Art at the Whitney

If the upcoming Bicentennial celebration provides the in- centive for shows like "The Flowering of American Folk Art 1776-1876," now through March 24th at the Whitney

Museum, then "hooray" for the Bicentennial. Here is a retrospective which delights the eye and nourishes the spirit. All the honesty, vitality, originality and individual style we like to think of as our American heritage are re- captured. Social historians and art lovers seeking to dis- cover the full range of life in the 18th and 19th centuries— at home, at work, at sea, at war, in school and church-

may view it here in works of artistic integrity and personal "Exselene Georg General Waschingdon and Lady Waschingdon' commitment. What unifies the more than 200 pieces as- Watercolor. Abby Aldrich Rockefeller Folk Art Collection, sembled from public and private collections is the high es- Williamsburg, Va. thetic quality. This is the legacy of talented but non-aca- demically trained artists. A man who earned his livelihood as a sign painter or house painter became a portrait artist "after hours." Car- penters, tinsmiths and stonecutters were the sculptors of their era. Women who needed warm bedding or floor cov- ering saved valued bits of fabric and pieced them together into quilts and rugs whose designs continue to inspire con- temporary artists. Schoolgirls brought literary and reli- gious tales to life on canvas. Landscapes and seascapes cel- ebrated the triumph of man over nature and good over evil—appealing concepts in any age. Guest curator, Alice

Winchester, in the Introduction to the catalogue, offers Pie Crimper: Steel, c. 1810, . ". Metropolitan Museum of Art, New York. the most sensitive explanation of the phenomenon: . .

it is the eye of the artist directing the hand of the crafts-

man that gives it [folk art] its esthetic validity."

hibit of American folk art is very much at home at the Whitney. The Museum's first Director, Juliana Force, presented the very first display of folk art exactly 50 years ago at the Whitney Studio Club. A Whitney staff" mem- ber, Jean Lipman, Editor of Publications (in the good company of Alice Winchester, former editor o{ Art in Amer- ica organized the current exhibit; the architect of the Whitney Museum, Marcel Breuer, designed the exhibi- tion's installation. A handsome book, bearing the show's title and written by Mrs. Lipman and Miss Winchester, brings The Viking Press into the picture. In soft cover

(priced at $10.00 and sold at the Museum), it serves as the catalogue. "The Flowering of American Folk Art 1776- 1876" will be seen at the Virginia Museum of Fine Arts in Richmond from April 22 through June 2 and at the M.H.

De Young Memorial Museum in San Francisco from June Dower chest with drawers: Painted wood, 50" wide, 1823, vicinity oj 24 through September 15. ELAINE B. STEINER Pennsburg, Pa. Collection ofHoward andJean Lipman. I

/,\-V Phebe Kriebel, "Townscape, " wool embroidery on canvas, 1857, Towamencin Township, Pa. Schwenkfelder Museum, Pennsburg, Pa.

Dancing doll: Painted wood with metal. Edward Hicks, "Noah's Ark," oil, 1846, Newtown, Pa. Copiedfrom the 1 844 lithograph of the Collection ofMr. and Mrs. Alastair B. Martin. subject issued by Nathaniel Currier, Philadelphia Museum of Art. . "

New York Philharmonic Benefactors

Miss Mathilde E. Weber Francis Goelet Mr. and Mrs. William S. Beinecke Mr. and Mrs. Edward R. Wardwell Lauder Greenway Mrs. Mellon Bruce Mr. and Mrs. David Rockefeller Mr. and Mrs. David M. Keiser Glen Alden Corporation The Ford Foundation Mrs. Lytle Hull Trans World Airlines Mr. and Mrs. John Holbrook Mr. and Mrs. Sampson R. Field Mr. and Mrs. W. Van Alan Clark Jos. Schlitz Brewing Company Alice Tully Mr. and Mrs. Robert L. Hoguet Mrs. John D. Rockefeller, Jr. Mr. and Mrs. Arthur A. Houghton, Jr. Mr. and Mrs. Nathan Cummings Mr. and Mrs. Amyas Ames Avalon Foundation Mrs. Charles A. Dana Rockefeller Brothers Fund Mrs. Elbridge Gerry Chadwick Cecile Lehman Mayer* Constans-Culver Foundation Old Dominion Foundation The Andrew W. Mellon Foundation

Guarantors/1973-1974

Mr. and Mrs. Amyas Ames Constans Culver Foundation Mrs. George A. Rentschler Mr. Fedfield D. Beckwith Mrs. Robert W. Goelet Mr. and Mrs. David Rockefeller Mr. Mrs. S. Mrs. Alfred Harcourt and William Beinecke Rockefeller Brothers Fund, Inc. Mrs. William C. Breed Mr. and Mrs. Ethan A. Hitchcock Mrs. Lytle Hull Mr. and Mrs. Mr. and Mrs. Edgar M. Bronfman Mrs. Henry Ittleson, The Scherman Foundation Mr. and Mrs. C. Sterling Bunnell Jr. Mr. and Mrs. David Keiser Jos. Schlitz Brewing Co. Mrs. Chester G. Burden M. Mr. and Mrs. William Lasdon Mary Flagler Cary Charitable Trust Mr. and Mrs. Joseph E. Shorin Mr. and Mrs. George Leness CBS Foundation, Inc. J. Mrs. Leo Simon The Andrew W. Mellon Foundation Mrs. Elbridge Gerry Chadwick Miss Alice Tully Mr. and Mrs. Harvey D. Picker Charles E. Culpeper Foundation, Inc. Mr. and Mrs. Edward R. Wardwell Sponsors /1 973-74

Mrs. Gilbert W. Chapman Mr. and Mrs. William R. Herod Mr. and Mrs. Frits Markus Mr. and Mrs. Sampson R. Field Mrs. Robert L. Hoguet Mr. and Mrs. Saul Poliak Mr. Francis Goelet Barbara F. Hooker Mr. and Mrs. Francis T. P. Plimpton Mr. and Mrs. Peter S. Heller Lanvin-Charles of the Ritz Steinway and Sons

Patrons /1 973-1 974

Mr. Winthrop W. Aldrich Mr. and Mrs. Alfred Winslow Jones Mr. Francis F. Randolph Mr. and Mrs. George L. Armour Mr. and Mrs. Leonard S. Kandell Mr. C. Frank Reavis Mrs. Robert H. Mr. Charles Revson Mr. and Arnow The J. M. Kaplan Fund Inc. Mrs. April Axton Mrs. Irving D. Karpas Mr. John L. Riegel Mr. and Mrs. Richard H. Baer Mrs. William S. Kies Mr. William C. Riker The Theodore H. Barth Foundation Mr. David Klee Mrs. Karl Robbins Mr. and Mrs. George F. Berlinger Mr. and Mrs. H. Frederick Krimendahl II Mrs. George Roberts Mr. and Mrs. Mr. and Mrs. Stanley S. Lasdon Mrs. Laurance S. Rockefeller Mr. and Mrs. Abraham L. Bienstock Mrs. Leon Lauterstein Mr. and Mrs. Harold L. Rosenthal Mr. Mrs. William Rosenwald Mrs. Samuel N. Brimberg Hon. and Mrs. Peter I. B. Lavan and Mr. Axel G. Rosin Dr. and Mrs. Lee Hastings Bristol, Jr. Hon. and Mrs. Samuel J. LeFrak Mr. and Mrs. Harry A. Brooks Mrs. Edgar M. Leventritt Mr. Louis Rosoff Mrs. Alvin G. Brush Mr. and Mrs. John A. Levin Mrs. Harry J. Rudick Mr. and Mrs. Robert L. Burch III Mr. and Mrs. Gustave L. Levy The Fan Fox and Leslie R. Samuels Foundation, Inc. Mr. and Mrs. Benjamin J. Buttenwieser Mr. and Mrs. Henry A. Loeb Mr. and Mrs. Samuel R. Callaway Mr. and Mrs. John L. Loeb Mrs. J. Myer Schine Dr. and Mrs. George A. Garden Mrs. Milton B. Loeb Mrs. M. Lincoln Schuster Mrs. William H. Conroy Mr. and Mrs. Edwin S. Lowe Bernard and Irene Schwartz Mr. and Mrs. Gardner Cowles Mr. and Mrs. John Lubell Mr. and Mrs. Daniel H. Silberberg Mrs. Cornelius Crane Mr. and Mrs. Hampton S. Lynch J. Sidney Silberman Foundation, Inc. Mrs. Joseph F. Cullman III Mr. Frasier McCann Mr. and Mrs. John H. Slade Mr. and Mrs. Leonard Dalsemer Mrs. Joseph V. McMullan Mr. Rudolph G. Sonneborn Mr. and Mrs. Aaron Diamond James A. Macdonald Foundation Mr. and Mrs. Charles G. Stachelberg Mr. and Mrs. Maitland A. Edey Mrs. William G. Maguire The STARR Foundation Mr. Dean E. Eggertsen Mr. and Mrs. Raphael B. Malsin Mr. and Mrs. Theodore E. Stebbins Mrs. Frederick L. Ehrman Mr. and Mrs. Hubert T. Mandeville Mrs. Carl Stern Mrs. Morton Fearey Mrs. George R. Martin Mr. and Mrs. H. Peter Stern The Frazer Foundation Mr. and Mrs. H. Bradley Martin Mrs. John P. Stevens, Jr. Mr. and Mrs. Straus Mrs. Benjamin F. Friedman Mr. and Mrs. Leonard M. Marx John W. Stuart Foundation, Inc. Mrs. Jack M. Goddard Mrs. Flagler Matthews The Mr. and Mrs. Edward Goldberger Dr. Edgar Mayer Miss Jean Tennyson Mr. and Mrs. Emanuel M. Terner Mr. and Mrs. Peter C. Golflfing Mr. and Mrs. Stanley R. Miller Mrs. Car11 Tucker Mr. and Mrs. Joshua A. Gollin The N L Industries Foundation, Inc. Mr. and Mrs. William W. Golub Mrs. Joseph A. Neff Mr. and Mrs. Robert Uihlein, Jr. Mrs. Louis A. Green Mr. and Mrs. Albert Nerken Mr. Chauncey L. Waddell The Walters Family Foundation Mr. and Mrs. David J. Greene Alice and Fred Netter Foundation, Inc. Mrs. Frank T. Weston George D. Harris Foundation, Inc. Mrs. George Guernsey Nichols Mr. and Mr. and Mrs. Leon Hess Mrs. Donald M. Oenslager Mrs. Alexander M. White Mrs. Whitney Miss Priscilla B. Hoefer Louise L. Ottinger Charitable Trust Mr. and John Hay Mrs. John Holbrook Mrs. Walter N. Pharr Mr. Robert I. Wishnick ^k-,-, >.' Mr. and Mrs. Howard Phipps, Jr. Mr. and Mrs. Sidney H. Witty 'I Mr. and Mrs. Adrian C. Israel Mr. and Mrs. James D. Wolfensohn m Mr. and Mrs. Kenneth A. Ives Mr. and Mrs. Ned L. Pines Mrs. H. Irving Pratt Mr. and Mrs. Alfred J. Yardley Mr. and Mrs. J. Buckhout Johnston -:-•'. ''4 Mrs. Richardson Pratt Anonymous Patrons ' 1 '^^1 ..•r- .

' <-' ".' ' *< « ; \

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t .• '''«!f. v.".5»^* 9

CONCERT NOTES

The St. Louis Symphony will soon be Andre Previn, who has been Principal of the University of Southern Califor- engaged in a task no orchestra rel- Conductor of the London Symphony nia are sponsoring the creation of the

ishes, especially when its affairs are in Orchestra since 1968, has decided to Arnold Schoenberg Institute. A group good order—looking for a new Music become a British subject. This will be of educational and foundational en- Director. Walter Susskind, whose a third national identity for Previn. tities have banded together into a con- present contract expires at the end of He was born in Berlin in 1929 and at- sortium to raise the funds and create the 1974-1975 season, has advised the tended the Berlin Conservatory before the personnel to administer the Orchestra's President that he would migrating to America and graduating Schoenberg legacy— library, papers, prefer to be free for a wider range of from Beverly Hills High in California. manuscripts, etc. Schoenberg spent guest engagements, especially in op- He began his professional career with the last years of his life in Los Angeles. era. At the end of the 1974-1975 sea- the MGM studios in 1948, and after a His educational affiliation was not son, Susskind can look back on a pe- varied career in film music, became with use but with the University of riod of seven years in which he has Conductor-in-Chief of the Houston California (in West Los Angeles), materially improved the standard of Philharmonic in 1967. During March which has been invited to participate playing he inherited, nearly doubled he will be appearing as guest conduc- in the effort to enable ground to be the attendance to its present level of tor with the Detroit Symphony. broken by September 13, 1974, the more than 500,000 and restaffed the commemorative date. USC's Presi- playing personnel, including 21 out of dent, Dr. John R. Hubbard, has au- 33 key posts. thorized Grant Beglarian, Dean of its As a commemorative gesture on be- School for Performing Arts, to pro- half of Arnold Schoenberg on the cen- ceed with the Schoenberg Institute According to word from England, tenary of his birth in 1874, the trustees project.

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27 New Yorker from Britain 85 shareholding members and a num- negotiated two important contracts— continued from page 10 ber of associate members. "Each of with EMI and RCA—representing a the players," explained Lawrence, "is total of 235 recording sessions over a a freelance musician and, according three-year period. The recording ses- to the rules and regulations, he will be sions totalled to approximately half a ofi'ered all engagements obtained by million dollars. Realizing that the Or- Mercury team that went to Russia. It the company. These engagements chestra needed a principal conductor was the first Western recording team have to be offered to him at not less to act as an artistic focal point, he rec- to make recordings inside the Soviet than 28 days notice. After that time ommended Andre Previn for the posi- Union and we might very well have he is permitted to accept other work." tion. Lawrence presented a 13-point been the last. We took our own equip- As General Manager of the LSO, argument in favor of Previn's ap- ment and our own technical and mu- Lawrence had to engage both soloists pointment. The Board of Directors sical staff^s. This was in 1962. We did and conductors on behalf of the Or- unanimously voted Andre Previn as five LPs in Moscow at the chestra. He also had to work with Principal Conductor. "Looking back Tchaikovsky Conservatory. We spent LSO's Principal Conductor, Andre now," he commented, "I would say two very exciting weeks there. Those Previn, and all the guest conductors that Mr. Previn is probably the most recordings were made on 35 millime- on programs, and initiate ideas for popular classical conductor in Britain ter magnetic film, not on tape. The concert appearances outside of the today, and sought after by many dif- Russians had never seen recordings Orchestra's own series. "Apart from ferent countries throughout the world. made that way, so we had quite a the fact that the London Symphony "For the 1972-73 financial year I number of Russian technical observ- Orchestra is a cooperative orchestra," obtained 204 recording and television ers with us throughout our stay in he continued, "it also receives about sessions for the Orchestra. However,

Moscow. We also recorded in La 17% of its operating budget from gov- the situation in New York is entirely Scala. We did Cherubini's Medea with ernmental sources." The London diff^erent," he explained. "The New Maria Callas." Symphony Orchestra, unlike its York Philharmonic has a 52-week Lawrence estimated that he made American counterparts, has no sub- contract with seven weeks paid vaca- about 1,000 hours of recording with scription series. Each concert has to tion, and 45 work weeks." This is a far the London Symphony Orchestra be- sell on its own merits. "I found in the cry from that historic day in 1842 fore joining that Orchestra. "That is years that I was in London," said when the New York Philharmonic how I came to their attention," he Lawrence, "that audiences there go to was first organized. During that year noted. "When the job of manager was concerts the way they might go to the the New York Philharmonic gave open, the Board of Directors— this is a movies. Very often you have no idea only three concerts and three public self-governing group—asked me if I until the very day of the concert rehearsals per season in rented quar- would pull up stakes in America and whether you are going to have a medi- ters. Like the London orchestras, the join them." ocre attendance or a sold out hall. New York Philharmonic, in its forma- In the capacity of either music su- Founded in 1904, the LSO is the tive years, was also organized on a co- pervisor or producer, he made several oldest cooperative orchestra in Lon- operative basis. Conductors were hundred records. When he took over don. Its constitution provided the pro- elected by its members and the Or- the responsibilities of General Man- totype for the Royal Philharmonic, chestra's finances in those early years ager of the London Symphony Or- the London Philharmonic and the were in a precarious state. It was not chestra, the internal situation could New Philharmonia Orchestras. The until 1867, when a non-playing associ- almost be described as chaotic. Hav- LSO has no regular schedule. Its ate member. Dr. R. Ogden Doremus, ing had no manager for nine months, schedule depends on how much busi- a chemistry professor at New York Lawrence had his work cut out for ness the General Manager can gener- University, was elected president, that him. "The situation was grim," he re- ate. Musicians work on a per-engage- a campaign was organized to improve members. "The Chairman of the ment basis. "If I obtain them, say, for the Orchestra's position. Doremus in- Board of Directors had resigned, the example, ten working sessions per creased the membership of the Or- Orchestra's order book was then vir- week they get paid for ten working chestra to 100 men and began to en- tually blank, and the principal con- sessions for that week. If I obtain four gage prominent soloists. ductor, Istvan Kertesz, had resigned they only get paid for four. And if it is In his years as the London Sym- just days before I took over my job. not enough, they have to seek employ- phony Orchestra's General Manager,

And on top of that, there was an an- ment elsewhere, whether it be in Lawrence made it a point to be a part ticipated deficit of 40,000 pounds. All recording sessions, or appearing with of the internal workings of the Orches- this was hardly calculated to inspire free-lance groups. My immediate tra. He understood the individual mu- confidence." problem on taking over this job was to sician's position, the problems he Unlike most American orchestras obtain work for the Orchestra. When faced and the insecurity inherent in that work on annual contracts, the I arrived the order book was thin and the work. "I was fortunate to be a part

London Symphony Orchestra is a co- the prospects were very meager for fu- of the total picture," he said. operative. They have approximately ture work." Within a year Lawrence "Through experience alone I think I

28 am in a position to bring my knowl- between the players and the Board of portant keynotes in eflFectively plot- edge of the inner workings of an or- Directors." ting the Philharmonic's crowded chestra to my present job with the Carlos Moseley, who was manager schedule. At the time of this writing, New York Philharmonic. I already of the Orchestra prior to Helen the orchestra was busy finalizing plans feel very close to the members of this Thompson, has the distinction of for the 1974-75 season, and just about Orchestra, whom I admire tremen- being the first paid president of an to conclude negotiations for a tour to dously. I have an opportunity to es- American symphony orchestra. In the New Zealand, Australia and Japan. tablish the good close and solid links capacity of Manager, Lawrence is re- There are also recording sessions, both with the Orchestra which would re- sponsible to the President and to the for television and records, in the plan- sult, I hope, in a partnership rather Chairman of the Board (Amyas ning stages. than the customary labor-manage- Ames). "In a sense," Lawrence went It was with an eye to the future that ment relationship. And I have over on, "my job falls between the Board the New York Philharmonic's Board the years enjoyed a very fine relation- and the Orchestra. I have to be of Directors chose Lawrence. Over his ship with Pierre Boulez. I think the vi- equally sensitive to the needs of the five-and-a-half years with the London sion that he has brought to this job New York Philharmonic-Symphony Symphony, he had compiled an im- has been wonderful for New York mu- Society, to be able to translate those pressive record. It was a formidable sical life and for the Philharmonic, in needs to the Orchestra, and also the recommendation for a job which re- this stage in its history." Orchestra's feelings as well. In a way quires not only a clever strategist, but When questioned about the respon- the manager is a lightning rod, ab- a man who can be diplomat, musician sibilities of his new job, he answered: sorbing whatever shocks there are to and administrator in equal parts. In "My job is simply to run the Orches- absorb, and keeping the adminis- short, a man like Harold Lawrence, tra, to make sure the concerts take tration and the orchestra functionally who is all of these—and remarkably place, to see that the administration sound." energetic as well. runs properly, and to act as a liaison Advance planning is one of the im- ROBERT V. WEINSTEIN

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29 If you wonder who reads this publication, look around.

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The truth is, most people can't resist going through our program from

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It's also a large audience. A total of 400,000 people read our programs each month. At the Metropolitan Opera House, Avery Fisher Hall (formerly Philharmonic Hall), Alice Tully Hall and Carnegie Hall. LINCOLN CENTER PROGRAMS offers the only opportunity in the

world for advertisers to reach this great audience all at once.

So as you turn our pages, it shouldn't surprise you to see leading advertisers in banking, entertainment, travel and consumer products.

-'^.», I There are more good reasons for joining them. But just by looking

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Lincoln Center Programs The world's greatest audience at the Metropolitan Opera House, Avery Fisher Hall (formerly Philharmonic Hall), Alice Tully Hall and Carnegie Hall. Patrons of Lincoln Center for the Performing Arts

John D. Rockefeller, Jr. Mr. and Mrs. Frank Stanton Manufacturers Hanover Trust Company Mr. and Mrs. David M. Keiser Mr. and Mrs. David Hunter McAlpin Corning Glass Works Foundation Mrs. Felix M. Warburg Mr. and Mrs. Douglas Dillon .Arthur A. Houghton, Jr. Mr. and Mrs. Lawrence A. Wien Morgan Guaranty Trust Company of Mr. and Mrs. John D. Rockefeller 3rd The Family of Carl H. Pforzheimer New York Mr. and Mrs. Pierre David-Weill Mr. and Mrs. W. Van .Alan Clark James Foundation of New York, Inc. Mrs. V. Beaumont Allen Mr. and Mrs. Harry B. Helmsley Bankers Trust Company Mrs. John T. Pratt Mr. and Mrs. Eugene Ferkauf The Commonwealth Fund Mrs. Richard Charlton Mr. and Mrs. Nathan Cummings The Equitable Life Assurance Society of Frasier W. McCann Mr. and Mrs. Andre Meyer the United States Mrs. Joseph V. McMullan Da\ id and Irene Schwartz Lazard Freres & Co. Mrs. .Arthur Lehman Mr. and Mrs. Edwin S. Marks IBM Mrs. .\lta Rockefeller Prentice Mr. and Mrs. Richard Rodgers Texaco Inc. Mrs. Robert Walton Goelet Mr. and Mrs. Gardner Cowles Metropolitan Life Insurance Company Francis Goelet Mr. and Mrs. Roger L. Stevens New York Life Insurance Company Mr. and Mrs. John Goelet Mr. and Mrs. Louis Gaidar Juilliaid Musical Foundation Robert G. Goelet C. Michael Paul Bell System Companies in New York City Mr. and Mrs. Hayward F. Manice Mr. and Mrs. Samuel Lemberg Union Carbide Corporation .\lfred P. Sloan, Jr. Mr. and Mrs. Samuel H. Golding United States Steel Foundation Mr. and Mrs. Frank Altschul Mr. and Mrs. Shelby CuUom Davis Consolidated Edison Company of Mr. and Mrs. Robert E. Blum The Family of John F. Kennedy New York, Inc. Mr. and Mrs. David Rockefeller The Mazer Family Carnegie Corporation of New York Mr. and Mrs. Walter H. Annenberg James P. Warburg New York Foundation

Mr. and Mrs. Louis J. Horowitz The Family of Solomon and Rose S. Lasdon Columbia Broadcasting System John S. Newberry Mrs. Edsel Ford Shell Companies Foundations, Incorporated Barbara Hutton The Fribourg Family RCA Corporation Lauder Greenway Irving Geist Bloomingdale's Mr. and Mrs. Francis Kernan Mr. and Mrs. Joseph .A. Neff Reader's Digest Association, Inc.

Mrs. Thomas J. Watson Enid .Annenberg Haupt Old Dominion Foundation Mr. and Mrs. Thomas M. Evans Mr. and Mrs. Lester Francis Avnet The John A. Hartford Foimdation, Inc. Family of Cornelius N. Bliss Mrs. Lytle Hull The Bodman Foundation The Family of Julius Rosenwald Mr. and Mrs. Leonard Block Mobil Oil Corporation Mr. and Mrs. Kenneth Appleton Ives Mr. and Mrs. Joseph L. Mailman The Heckscher Foundation for Children James Donahue Mr. and Mrs. Harold L. Fierman Schenley Industries, Inc. Robert Lehman Mr. and Mrs. Richard Salomon Revlon Foundation

.Audrey Love Mr. and Mrs. Frank E. Taplin, Jr. Charles and Rosanna Batchelor Mr. and Mrs. O. Roy Chalk Mr. and Mrs. Herbert M. Singer Memorial, Inc. Nancy Susan Reynolds Stavros S. Niarchos Standard Oil Company of California Huntington Hartford Bernice Chrysler Garbisch Rockefeller Brothers Fimd The Family of Edward H. and The Family of Erwin S. Wolfson Consolidated Natural Gas Company Mary W. Harriman Carl .A. Morse Samuel H. Kress Foundation Mr. and Mrs. John N. Irwin II Mr. and Mrs. Jack Linsky Bethlehem Steel Corporation The Family of Carl M. Loeb The Durst Family Vivian B. Allen Foundation, Inc. Mr. and Mrs. .\lbert A. List Mr. and Mrs. Saul Jeffee Irving Trust Company Mrs. Charles V. Hickox Mr. and Mrs. Sol Kittay The Spiros G. Ponty Foundation Mr. and Mrs. Henry Ittleson, Jr. Mr. and Mrs. Charles H. Dyson Charles Ulrick and Josephine Bay Mr. and Mrs. John Hay Whitney Lila Acheson Wallace Foundation, Inc. Mrs. John D. Rockefeller, Jr. Mr. and Mrs. Bruce L. Zenkel Josephine Bay Paul and C. Michael Paul

Mr. and Mrs. Owen Robertson Cheatham Richard J. Schwartz Foimdation, Inc. Mr. and Mrs. Leon Hess Mr. and Mis. Milton Petrie Wertheim & Co. Mrs. Charles W. Engelhard Evlynne and Max M. Low Firestone Foundation Mr. and Mrs. Irwin Hamilton Kramer The Family of Ethel S. Mehlman William S. Paley Foundation, Inc. Mr. and Mrs. Lansdell K. Christie Aye Simon The Howard Johnson Foundation Mr. and Mrs. Cornelius Vanderbilt Whitney Mrs. Jean Mauze Lehman Brothers Mr. and Mrs. Percy Uris Mr. Louis Marx W. H. Charities Mr. and Mrs. Harold D. Uris Charles H. Revson The George F. Baker Trust Mrs. Ambrose Monell Mr. and Mrs. Howard Lipman D. S. and R. H. Gottesman Foundation Mrs. Hazel Hopkins Ford Harry Lebensfeld Glen Alden Corporation The Family of Clarence and Anne Dillon Minna and Benjamin M. Reeves 7 he Philip and Janice Levin Foundation .Alice Bigelow Tully Mr. and Mrs. Irving Mitchell Felt Carl Marks & Company, Inc. Mr. and Mrs. John R. Kimberly Mr. and Mrs. Edouard L. Cournand Beinecke Foundation Mr. and Mrs. Charles Shipman Payson Benjamin C. Zitron and Family Bear, Stearns & Co. Mr. and Mrs. Willis H. Booth Miss Julie A. Spies J. P. Stevens & Co., Inc. Foundation Mrs. Vincent Astor Selma and Frank Kalisch The First Boston Foundation Trust Harold Stirling Vanderbilt Mr. and Mrs. Avery Fisher Korvettes-Division of Arlen Realty & Mrs. Josephine Lawrence Graeber Three anonymous donors Development Corporation Allan P. Kirby The Rockefeller Foundation The New York Times Mr. and Mrs. Walker G. Buckner The Ford Foundation The Samuel & David Rose Fund Mr. and Mrs. Amyas Ames Exxon Corporation Sterling National Bank of New York Mr. and Mrs. Gustave L. Levy Avalon Foundation Van Munching & Co., Inc., Heineken Mr. and Mrs. Henry J. Heinz II First National City Educational and Holland Beer Margaret Mellon Hitchcock Charitable Foundation United Brands Foundation Mr. and Mrs. Seymour H. Knox The Chase Bank Foundation Rapid-American Corporation The Siegfried and Josephine Bieber Foundation

Patrons' desk 76.5-5100, Mrs. Terry Mark How can AVERY FISHER HALL Dance Great Vital Facts Commemorated a $10,000 With several rows of seats removed and the elevators at The New York repressed, an orchestra pit can be provided. The stage is also equipped with a center-stage elevator to facil- Public Library investor itate the delivery and removal of a concert grand pi- ano when it is required. Capacity 2,836 Stage dimensions "Louis Horst: A Celebration"— an exhibit 61 feet wide, 40 feet compete honoring a man whose career, helped Orchestra 1,502 deep shape the course of — is cur- Loge 406 With additional rently in the Dance Collection of with the 1st Terrace 480 elevator space on view 2nd Terrace 448 48 or 56 feet deep The New York Public Library at Lincoln

Staff Center. giants? At different times Musical Director for Patrick B. McGinnis, Director of Operations Robert L. Turner, General Manager both and Ruth St. Delmar D. Hendricks, Booking Manager Denis, Louis Horst (1884-1964) was also L. Kirkman, Edmund T. DeBobes, Jack the composer of scores for such works as Use Associate Managers Graham's Frontier and James Herald, House Manager Martha 's Transformation the Medusa, as York's George Jaffie, Box Office Treasurer of New as publica- well the author of numerous Tickets for performances at Avery Fisher Hall, the New York State Theater, Alice Tully Hall and the Vi- tions including the landmark Modern largest vian Beaumont Theater may be purchased at ten off- Dance Forms (1960). offices; Bloomingdale's, location box at Marking the anniversary of Louis and in Manhattan, and at the Horst's birth (January 12), the new ex- bank! branch in North Hackensack, New Jersey; and at all Abraham & Straus stores. hibit is both a remembrance of his That Citibank! that achievements and a recognition of his con- means The bank The Steinway is the official piano manages $17 billion in investment of Avery Fisher Hall tinuing influence. Items to be displayed assets. The bank that also offers the drawn from the archives of the Since Lincoln Center is located in the midst of a resi- have been Selection to Investment Service help dential community, we kindly ask our patrons who Library's Dance Collection as well as ma- you, the investor with $10,000 to drive cars to and from Lincoln Center to observe the terials on loan from dance luminaries. $200,000 in cash or securities. rules noise. ruling of the Department governing The "Louis Horst: A Celebration" will be Our Investment Selection Service of Traffic of the City of New York states: "It is unlaw- on view, free of charge, to April 1 , in the draws on the expertise of Citibank's ful to sound a vehicle horn except when necessary to Dance Collection, The New York Public 84 research analysts, economists and warn a person or animal in danger." Thank you for your cooperation. THE management statisticians. Library at Lincoln Center, Monday to What we do is this. We make Saturday, 12 noon to 6 PM. Directory of Facilities and Services specific recommendations on what Booking Information All persons and organizations stocks to buy. Which ones to sell and It just so happens that you are interested in using Avery Fisher Hall auditorium or which ones to hold. (All final decisions public areas should contact the Booking Manager at hungry & thirsty — and it just are yours.) We watch these stocks for TR 4-4000. so happens we have two very and abreast of what's you keep you Box Office Plaza level, North. Telephone TR 4-2424. good answers to your dilemma. happening in the market and in the Coat rooms Plaza level, East and West. quick economy. We help you in a market Elevators One elevator East, two elevators West. (Cjll^^f^^ ^oloon for a increasingly affected by giant Escalators Southeast and Southwest comers of Plaza financial institutions. and Grand Promenade levels. answer and TTljp Citibank has long recognized the Gift Shop Plaza level, North. Green Room Loge Promenade, Northwest corner. need to make available professional GINGER House Doctor Contact nearest usher. advice to investment the individual Lost and Found Reception Room, Northeast comer MAN investor In fact, we introduced our of Plaza level. Telephone TR 4-4000. for the more leisurely approach. first service for moderate-size ac- Public telephones Vestibules to rest rooms on all ONEALS BALOON—63rd St. At Columbus Ave. counts back in 1965. Since then, this levels. THE GINGER MAN—SI WEST 64th St. SO 4-7272 service has grown to the point where Dining and Refreshment Facilities we now provide advice on Investment at Lincoln Center Selection portfolios valued at about Top of the Met Mon.-Sat., 5 P.M. to 8 P.M. Philharmonic Plaza Level. Self-service buffet dinner HAMILTON GARAGE 70 million dollars. Cafe Mon.—Sat., from 5:30 P.M. (No reservations.) Tues. For all the facts on how ENTRANCE ON BROADWAY —Sat. until midnight we can help you, just call Footlight Cafeteria 140 W. 65th Street, open daily 1 1 :30 BETWEEN 62NO & 63RD STREETS (212)559-6009. to 8 P.M. NEW YORK CITY Or use the coupon below. Refreshment Facilities for Ticket Holders at TEL. JU, 2B1 25 INVESTMENT Avery Fisher Bar Service, Orchestra Level, before SELECTION SERVICE performance and during intermission. FIRST NATIONAL CITY BANK Rest rooms All levels, East and West. Tour Guide Service Plaza level. North. TR 4-4010. ' Mr. John Terry, First National City Bank AF-3 Wheelchair accommodations Call for information: 399 , New York, N.Y. 10022 TR 4-4000. Pleose send me more information about Citibank's The management is not responsible for personal ap- Investment Selection Service. My objective in purchasing Charming, unique restaurants stocks is to emphasize (check one) parel or other property of patrons unless these items are checked. Patrons are advised to take coats and D long-term growth of capital serving authentic French crepes wraps with them whenever they leave their seats. CD moderote growth with moderate income at moderate prices. Doctors who expect to be called during performances may give Name Nr. LINCOLN CENTER: 1974 BIWAY Pleose type or print their seat locations to an usher, who will advise the Manager's MIOTOWN: 57 WEST 56th ST. office. Address. TIIMES SQ.: 158 WEST 44th ST. FIRE NOTICE. The exits indicated by a red light EAST SfDE: 3rd AVE. bet.58-59 Stt. and the sign nearest to the seat you occupy are the City VILLAGE: 15 GREENWICH AVE. shortest routes to the street. In the event of fire or WALL ST.: 59 NASSAU ST. other emergency, please do not run—WALK TO Stote^. -Zip. THAT EXIT.

32 ^\,«BHw .

^^3 W. 65th St. Res. 799-7600 After Lincoln Center we are open for your convenience 'till 1 AM Luncheon • Dinner • Supper Amer. Exp.—Diner's—Closed Sun. MllMC €ill»e

3 Blocks from LINCOLN CENTER 199 Amsterdam Ave. (69th St.) Tel, 799-5457 L Lunch C Cocktails D Dinner S Supper Open Every Day Free Parking

West Side COCKTAILS • DINNER 4 P.M.—12 faro LA FONDUE, 43 W. St. 581-0820. Favorite spot for au- {:|^ Closed BARBETTA, 321 W. 46th St. CI 6-9171. Open 'til midnight. 55 Monday thentic Swiss rich Chamber music ensemble plays Thurs., FrI. nights, in fondues, cheese & sausage boards, this 4^ 72 40 West 72nd Street desserts. Cocktails, wines. fr la carte from $2.95; elegant north Italian restaurant that serves fresh white L $1.95, a comp. D from $4.95. Until 1 A.M. Closed Sundays. truffles hunted by its own truffle hounds. Pre-theater Qestou/iaht EN 2-2050 $11.50.

LE POULAILLER, 43 W. 65 St. 799-7600. Classic French c^^utliGntiC Spanigli Cuisine cuisine. Large, airy. Joan Pages murals. Crepes fromage, CARACALLA, 168 Amsterdam Ave. (67 St.) 799-4600. mousse a cafe. Open for L, D, S until 12:30 A.M. Closed Spacious, comfortable. Superior North-Italian cuisine. L a Sundays. la carte $2.50-$5.75; D a la carte $3.25-$6.95. Open every day. Free parl

FLEUR DE LIS, 141 W. 69 St 874-9837. Tasty French vi- !tu3tln3 ands served in authentic Gallic ambience. Seafood, re- (^ 44 WEST 58th STREET TOP OF THE PARK, in Gulf & Western BIdg. 333-3800. 3 bet. 5th & 6th Aves. gional specialties, game in season. L 12-4, entrees $2.25- blocks south of Lincoln Center 43 floors above Central A fine new restaurant conceived $4.75; D 4-12; Sun. 12-12, entrees $3.50-$9. Park. Superb dining with NY's most magnificent view. in the tradition of a bygone Comp. D $7 95-$11.50. Closed Sundays. era when gracious dining was a way of life. GINGER MAN, 51 W. 64 St. SC 4-7272. A West Side favor- LUNCH* COCKTAILS' ite. Celebrity hangout. Publike decor. French-American niNNKK until A.M. la carte only. Lunch $2- cuisine. Open daily 2 A American -Continental $4.65; Dinner $4.85-$7.35; Supper $2-$7.25. East Side Cuisine Res.: 751-8897

GINGKO TREE, 199 Amsterdam Ave. (69 St.) 799-5457. A large elaborate menu featuring specialties from all the Chi- daily for L D & S until 11;30 PM nese provinces. Open THE ARARAT, 4 E. 36 St. 686-4622. Praised by all major Fri. 1 A.M.; Sat. 1 A.M.; Sun. 1 P.M. Free parking. restaurant editors. Armenian cuisine at its best served in leisure and comfort. L, a la carte $4,75-$6.25: Comp D Your theater stubs $7 75-$8 95, with a la carte $4,75-$6.25 Open daily No parking problems after 7 PM. are worth $1 .00 HENRY STAMPLER'S FILET MIGNON, CPW and 61 St. PL Present one pair of stubs 7-3165. An old favorite in LC area. Superb steaks, chops, from Lincoln Center, Carnegie Hall seafood. L and D daily. Present programs for after-dinner THE MAGIC PAN, FAMOUS SAN FRANCISCO CREPERIE, cordials. new in New York at 149 E. 57 St. 371-3266. Cocktails, & City Center theaters. Valid on day wines, European atmosphere, lunch, dinner, late supper. Open 7 days. Moderate. of performance only, Sunday

JUSTIN, 44 W 58 Street (751-8897). Superior American- through Friday. Continental cuisine served in a spacious, comfortable PANCHO VILLA, Second Ave. at 78 St. 734-9144; 145 club-like ambiance L a la carte entrees are $3 25-$8.95. D Larchmont Ave., Larchmont, NY. (914) 834-6378. A happy $6.95-$9.95, including salad and potato or vegetable. blend of Mexican food, Spanish colonial decor and stroll- TOWER PARKING Closed Sunday ing guitars. Daily for lunch, dinner 4 supper. * 68 Street & Amsterdam Ave. '^ 69 Street & Broadway SIGN OF THE DOVE, 11 10 Third Ave. (65 St) UN 1-8080. A " LA CREPE, 57 W 56 247-1136: 158 W 44, CI 6-5388: 59 beautiful showplace serving delectable Continental spe- 51 W. 56 Street, (bet 5&6 Aves.) Nassau. RE 2-8680: cialties. Cocktail lounge, entertainment nightly. la carte 15 Greenwich Ave , CH 3-2555: 1974 A * 140 W. 51 Street, (bet. 6&7 Aves.) Broadway (67 St.). TR 4-6900. 110 varieties of Brittany only. L $3.50-$7, D $6.50-$10.50 until midnight. Closed for crepes, onion soup, salads, desserts, 75C to $4.25 L on Mondays.

33 Corporations Support the Performing Arts at Lincoln Center

PACESETTERS Corporate contributors of $1 0,000 to $75,000

Alcoa Foundation Educational & Cultural Trust Fund of the International Ladies' Garment Workers' Revlon, Inc. Bankers Trust Electrical Industry Union , Inc. Bear, Stearns & Co, Exxon Corporation International Telephone & Telegraph Cor- Helena Rubinstein Foundatloo Beneficial Corporation First National City Bank poration The S & H Foundation, Inc. Bristol-Myers Company General Foods Corporation Lehman Brothers Salomon Brothers General Telephone Electronics Corpora- Hanover Trust The Chase Manhattan Bank & Manufacturers Standard Oil Company of California Chemical Bank tion Carl Marks & Co., Inc. Texaco, Inc. Trust of New/ Cities Service Company Goldman, Sachs & Co. Morgan Guaranty Company Texasgulf Inc. Columbia Broadcasting System, Inc. W.R. Grace & Co. York Time Inc. Consolidated Edison Company of New William Randolph Hearst Foundation Rapid-American Corporation United Brands Co. York, Inc. International Business Machines Company The Reader's Digest Three Anonymous

Corporate contributors of $5,000 to $9,999 Marine M'dland Bank-New York Allied Cherpiral Foundation Morse, Inc. Marsh & McLennan Foundation Pullman-Standard, A Division of Pullman B. AltrranS Co. Doubleday & Co., Inc. The Merck Company Foundation Incorporated American Broadcasting Companies. Inc. Empire State Building Co. Merrill Lynch, Pierce, FennerS Smith RCA-NBC American Can Co. The Firestone Foundation Foundation Inc. St. Regis Paper Co. American Cyanamid Company General Electric Company Metropolitan Life Insurance Company The Starr Foundation American Electric Power Company, Inc. General Motors Corporation Mobil Oil Corp. J. P. Stevens & Co., Inc. American Express Company Gulf & Western Industries, Inc. National Distillers and Chemical Corp. Touche Ross & Co. American Telephone and Telegraph Co. The Howard Johnson Foundation New York Telephone Co. Union Carbide Corporation Atlantic Richfield Company Irving One Wall Street Foundation Newsweek, Inc. United States Steel Foundation, Inc. The Bank of New York Johnson & Higgins Norton Simon, Inc. United States Trust Company of New York Bethlehem Steel Corporation Jonathan Logan, Inc. Olin Corroratlon Charitable Trust Wertheim & Co., Inc. Burlington Industries, Inc. Lanvin-Charles of the Ritz, Inc. J. C. Penney Company, Inc. Western Electric Fund C.I.T. Financial Corporation Lazard Freres 8 Co. Pfizer, Inc. White, Weld & Co. Continental Can Company, Inc. Loeb, Rhoades & Co. Philip Morris Incorporated Xerox Corporation Diesel Construction a Division of Carl A. Macy's New York Plessey Incorporated, Garrard Division Three Anonymous

Corporate contributors of under $5,000

A.B.D. Securities Corporation Cushman & Wakefield, Inc. Kipnis& Karchmer Roure Bertrand Dupont, Inc. ACF Industries, Inc. D'Agostino Supermarkets Kraftco Corporation Salant Corporation Abraham & Co. Dairylea Cooperative Inc. Ladenburg, Thalmann & Co., Inc. St. Joe Minerals Corporation Harry N. Abrams, Inc. Daitch Shopwell M. H. Lamston, Inc. The St. Moritz Hotel Ackman Brothers Incorporated The Daiwa Securities Co. America, Inc. Lane Bryant, Inc. Sardi's Restaurant Corp. Airco Inc. Davis-Delanev-Arrow, Inc. Lane Realty Scali, McCabe, Sieves, Inc. Alexander Engraving Company, Robert Day-Dean's Lasker, Stone & Stern Schering-Plough Corporation Incorporated Deering Milliken, Inc. Estee and Joseph Lauder Foundation Srhiff Terhune Inc. Alexander's, Inc. Laventhol Krekstein Horwath Deltec Securities Corporation & Horwath Jos. E. Schlitz Brewing Company Amerace Corporation Leasee Corporation Deltown Foods J. Henry Schroeder Banking Corporation American Airlines, Inc. S. D. Leidesdorf Co. DHJ Industries, Inc. & Joseph E. Seagram & Sons, Inc. American Export Industries, Inc. Diener' Mauser/ Greenthal Company, Lever Brothers Company Foundation. Inc. The Seagrave Corporation American Metal Climax Foundation, Inc. LIN Broadcasting Corpcration Incorporated The Seamen's Bank for Savings in the City Loew's American Re-Insurance Company Dollar Savings Bank of New York Corporation of New York Lord American Standard Inc. Dow Chemical Company & Taylor Sears, Roebuck and Co. Amstar Corporation The Lowell Hotel Doyle Dane Bernbach Inc. Martin E. Segal & Company Arthur Andersen & Co. Dry Dock Savings Bank M. Lowenstein & Sons, Inc. Seiden & de Cuevas, Incorporated Angel Records Dun & Bradstreet Foundation, Inc. The Macmillan Foundation Seidman & Seidman Elizabeth Arden Inc. Durso Supermarkets, Inc. Madison Square Garden Corporation Shea Gould Climenko & Kramer Arnhold S. Inc. and Bleichroeder, E. P Dutton& Co., Inc. The Magnavox Company Shell Companies Foundation, Incorporated ASI Communications E & B Supermarkets, Inc. D. Maldari & Sons, Inc. Silberberg, Rosenthal & Co, Asiel& Co. The East New York Savings Bank The Manhattan L ife Insurance Company Simmons Company Atlantic Inc. The Companies East River Savings Bank MCA Simplicity Pattern Co. Inc. Avco Corporation Eastern Airlines Incorporated McCann-Erickson, Inc. The Singer Company Foundation Avnet, Inc. Edison Parking Corporation McGraw-Hill, Inc. Skidmore, Owinqs & Merrill E. W. Axe&Co., Inc. Empire Hotel McKinsey & Company, Inc. Slattery Associates, Inc. Bache & Co., Incorporated Ernst & Ernst Melville Shoe Corp. Smith, Barney & Co., Inc. Baker, Weeks & Co., Inc. Esquire, Inc. MEM Co., Inc. SoGen International Corporation Banco Naciona! de Mexico, S.A. Ethyl Corporation Mercedes-Benz of North America. Inc. Sonnenblick-Goldman Corp. Bank of Commerce EuroPartners Securities Corporation Metromedia, Inc. Sotheby Parke Bernet Inc. Bank of Montreal European-American Bank & Trust Miller Brewing Company Sorg Printing Company Incorporated Barclays Bank DCO New York Company Mitchel, Schreiber, Watts & Co. Spearin, Preston & Burrows, Inc. Mitsubishi Barr Brothers & Co.. Inc. Eutectic + Castolin Institute The Bank Ltd. Sperry Rand Corporation A. G. Beckers Co., Inc. The T. M. Evans Foundation (Incorporated) Mitsui & Co. (U.S.A.), Inc. Squibb Corporation Beecham Inc. Excess & Treaty Management Corp. Mutual of New York Standard Brands Incorporated Belding Heminway Company, Inc. Fahnestock & Co. Muzak Corporation Standard Motors Products, Inc. Benton & Bowles, Inc. Max Falk Associates, Inc. N L Industries Foundation Inc. Standard & Poor's Corp. Bergdorf Goodman Faulkner, Dawkins & Sullivan, Inc. National Starch & Chemical Corporation Steak & Brew, Inc. Best Manufacturing Inc. Federal Paper Board Company, Inc. The National Reinsurance Corporation Steinway & Sons Bigelow-Sanford, Inc. Feldman Wood Products Co., Inc. Navarro Hotel Company Stepan Chemical Company Bloomingdale's The First Boston Foundation Trust The Nestle Company Inc. Stern Lauer & Co. BIyth Eastman Dillon, Inc. Ford Motor Company Fund Neuberger & Berman Stewart Smith & Co., Inc. The Bohack Corporation Foremost-McKesson, Inc. The New York Bank for Savings Stewart Stamping Corporation Book-of-the-Month Club, Inc. Franklin Savings Bank of New York New York Hanseatic Corporation Paul Stuart Borden Foundation, Inc. Fribourg Foundation, Inc New York Life Insurance Company Swiss American Corporation York Inc. The Bowery Savings Bank Fritzsche Dodge & Olcott Inc. New News Swiss Bank Corp. Bowne& Co., Inc. New York Stock Exchange, Inc. GAF Corporation Syska & Hennessy, Inc. Broadcast Music Inc. The New York Times Foundation, Inc. The Garcia Corporation The Taylor Wine Company, Inc. The Brooklyn Union Gas Company New York Urban Servicing Co., Inc. Garden Hardware & Supply Co. Thomson & McKinnon Auchinrloss Inc. The Buckingham Corporation Newmont Mining Corporation General Cigar Co., Inc. Thyssen Steel Corporation Bunoe Corporation Nomura Securities International, Inc. General Reinsurance Corporation Tishman Realty & Construction Co., Inc. The CT Foundation North American Philips Corporation Gilbert. Felix & Sharf, Inc. Transportation Displays, Inc. Canadian Imperial Bank of Commerce John Nuveen and Co., Incorporated Gimbel Brothers, Inc. Trans World Airlines OgiIvy & Mather Inc. Cantella& Co. Gold Seal and Henri Merchant Wineries Turner Construction Company Ballet Makers Henry L. Goldberg & Co. One Lincoln Associates Ulano Companies Capital Cities Broadcasting Corp. Oppenheimer & Co. Great Northern Nekoosa Corporation UMC Industries, Inc. Career Club Shirt Co. The Greenwich Savings Bank The Ornstein Brothers Union Dime Savings Bank Central Savings Bank in the City of N. Y. Otis Elevator Company Grey Advertising, Inc Uniroyal, Inc. International Corp. The Paige Company Champion The Guardian Life Insurance Company of United Mutual Savings Bank Parkinson Foundation, Inc. Chris 'Craft Industries, Inc. America Joy Hirshon United States Lines mc. Mitchell Co. Chrysler Corporation Fund Harlem Savings Bank Peat, Marwick, & Universal Oil Products Co. Chubb & Son Inc. H. R. Harmer, Inc. Pellon Corporation Vernitron Corporation Ciba-Geigy Corporation Harris, Upham & Co., Inc. PepsiCo, Inc. Walsh Construction Company Cinema 5, Ltd. Hartz Mountain Products Corp. The Perkin-Elmer Corporation Warburg- Paribas, Inc. Cluett, Peabody & Co.. Inc. Health-tex Inc. Pershing & Co. The Warner-Lambert Charitable The Coca Cola Bottling Company of New Hirsch-Werner Corporation Ken J. Pezrow Corp. Foundation York. Inc. Holiday Inn of New York-Coliseum Phelps Dodge Foundation Warner Communications Inc. Cohen, Simonson & Pea Incorporated Hotel Bar Foods Inc. The Pittson Company Waterman Steamship Corporation Colgate-Palmolive Company Hurdman and Cranstoun, Penney & Co. The Pleasant Street Foundation Weiss, Peck & Greer Colfins & Aikman W. E. Hutton & Co. The Prudential Insurance Company of Wells, Rich, Greene, Inc. Colt Industries Inc. Hygrade Fish Company America S. R. Weltz, Jr. & Company Inc. Columbian Mutual Life Insurance Company International Flavors & Fragrances Inc. Leonard Rapoport & Co , Westinghouse Broadcasting Co.. Inc. Commercial Credit Company The International Nickel Company, Inc. Reich & Co. Inc Weyerhaeuser Company Foundation Compton Advertising, Inc. The Interpublic Group of Companies, Inc. Reld & Carr, Inc. Wheelabrator-Frye Inc. The Conde Nast Publications Inc. Iroquois Brands. Ltd. Republic National Bank of Nev York Witco Chemical Corporation Consolidated Natural Gas Company Iselin Jefferson-Woodside, Division of Dan Rheem Manufacturing Company Dean Witter & Co., Inc. The Continental Corporation Foundation River Inc. Lucy Ricciardi, Inc. Wood Gundy Incorporated Richardson-Merrell, Inc, Continental Oil Company A Cremieux Israel Foundation, Inc. F. W. Woolworth Co. Coopers & Lybrand Jaros, Baum & Bolles RKO General, Inc Arthur Young & Company The Cranston Foundation Kaufman, Alsberg & Co. Rose Beaton & Rose Young & Rubicam International Inc. Crum & Forsler Keene Corporation L. M. Rosenthal and Co., Inc. Twenty Anonymous Cunninoham & Walsh Inc. Kenyon & Eckhardt Advertising L. F. Rothschild & Co.

March 1974 ^ %% '\h^^

(Us- ^ ^''

• At the Wadley's Glen 200, 2« No need for a cigarette ,, Billy Lunn said his cigarette holder today. You've got holder gave him a cleaner taste. Parliament. The recessed filter S« With Parliament, you just It also made him look kind cigarette with the filter tucked taste rich, clean flavor. Never of racy." ^ back, away from your lips. the filter. From start to finish.

Parliament. The recessed filter cigarette.

t works like a cigarette holder works.

Kings:1 5 mg'.'tar','1.0mg. nicotine 100's:17mg."tar,"1.2mg.nicotine av.percigareite, FTC Report Sept! 73

Warning: The Surgeon General Has Determined

That Cigarette Smoking Is Dangerous to Your Health. ffeople either ask for Beefeater; or they ask for gin.

BEEFEATER

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TO IXDUSTB' iU)HDON DISTILLED

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KOBRAND CORPORATION NEW YORK, N.Y.

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