NYC Student Discounts

Total Page:16

File Type:pdf, Size:1020Kb

NYC Student Discounts NYC Student Discounts The Chamber Music Society of Lincoln Center Alice Tully Hall (Broadway at 65th Street)/ Daniel and Joanna S. Rose Studio (165 West 65th Street between Broadway and Amsterdam) The Chamber Music Society of Lincoln Center (CMS) presents an annual series of concerts. Students may purchase tickets at a 50% discount in advance at the Alice Tully Hall box Office, pending availability. Student rush tickets are $10 on the day of the performance, pending availability. Present a valid student ID beginning one hour prior to curtain for two $10 tickets. https://www.chambermusicsociety.org/nyc/ticketing-information/student-tickets/ Jazz at Lincoln Center Rose Theater, The Allen Room, Dizzy’s Club Coca-Cola at Frederick P. Rose Hall, Home of Jazz at Lincoln Center (Broadway at 60th Street) Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Fill out the online registration form and submit a copy of your student ID to [email protected]. Be sure to include your expected month and year of graduation in the email. Please note that for Dizzy's Club Coca-Cola reservations, you will need to create a new account separate from your student account when making your reservation. The student rate varies by performance and will be listed on the specific event page. Once your reservation is made, a student ID is required to be shown upon arrival at the res- ervation desk. http://www.jazz.org/students/ New York City Ballet David H. Koch Theater (Columbus Avenue at 63rd Street) New York City Ballet is one of the foremost dance companies in the world, with a roster of nearly 100 spectacular dancers, a 62-piece orchestra, and a repertory of modern masterpieces. A valid form of ID with proof of age 30 or under is required at the time of purchase, without exception. A maximum of two $30 Rush tickets per qualified buyer are available for purchase on the day of perfor- mance at the Box Office Window only and may not be available for all dates during the season. https://www.nycballet.com/Season-Tickets/30-for-30.aspx New York Public Library for the Performing Arts 40 Lincoln Center Plaza The NYPL for Performing Arts offers free public performances, master classes, screenings, lectures, and seminars in its Bruno Walter Auditorium, featuring world-class musicians, choreographers, theater/film artists, and other recognized experts in the performing arts. http://studentdiscounts.lincolncenter.org/index.html Carnegie Hall Carnegie Hall (57th Street and Seventh Avenue) Student rush tickets for select concerts cost $10. A student photo ID is required for purchase of up to two tickets in person. To buy student tickets online, become a Carnegie Hall Student Insider. https://www.carnegiehall.org/students/ Whitney Museum 945 Madison Avenue at 75th Street The Whitney’s collection—comprising more than 19,000 paintings, sculptures, drawings, prints, photo- graphs, films, videos, and new media by more than 2,900 artists—contains some of the most significant and exciting work created by artists in the United States during the twentieth and twenty-first centuries. Student tickets cost $17 online, $18 on site https://visit.whitney.org/tickets/ItemList.aspx?node_id=86 The Cloisters 99 Margaret Corbin Drive The Cloisters is a museum located in Fort Tryon Park, Washington Heights, New York City. The build- ing, which is a branch of the Metropolitan Museum of Art, was built in the 1930s resembling architectural elements of several European medieval abbeys Donation based (Suggested Admission: Student tickets $12) http://www.metmuseum.org/visit/visit-the-cloisters/hours-and-admission The Metropolitan Opera Metropolitan Opera House (Columbus Avenue between 62nd and 65th Street) The Met Opera Students program offers full-time undergraduate and graduate students the opportunity to purchase student tickets to select performances at a special student rate. Met Opera Student tickets are available online, by phone and at the Box Office. Register for Met Opera Students by completing the online form and submitting a copy of your valid, full-time student ID. http://www.metopera.org//season/tickets/student-tickets/?INSTITUTION_LOGOUT=true New York Philharmonic Avery Fisher Hall (Broadway at 65th Street) Student rush tickets are available throughout the season based on availability. You may purchase a ticket up to 10 days before the concert at nyphil.org/rush or at the Avery Fisher Hall Box Office on the day of the performance. The limit is two tickets per valid student ID. Student tickets: $18 for select concerts up to 10 days before http://studentdiscounts.lincolncenter.org/content/student-guide-nyphil.html .
Recommended publications
  • Omer Fast: Nostalgia
    Press Release Whitney Museum of American Art Contact: 945 Madison Avenue at 75th Street Stephen Soba New York, NY 10021 Molly Gross whitney.org/press Tel. (212) 570-3633 Fax (212) 570-4169 [email protected] NOSTALGIA, BY BUCKSBAUM AWARD-WINNER OMER FAST, RECEIVES NEW YORK DEBUT AT THE WHITNEY Nostalgia III (production still), 2009 Super 16mm film transferred to high-definition video, color, sound; 32:48 minutes Photograph by Thierry Bal; courtesy gb agency, Paris; Postmasters, New York; and Arratia, Beer, Berlin. NEW YORK, November 18, 2009 – Omer Fast: Nostalgia is a new three-part film and video installation that continues Fast's fascination with exploring configurations of fact and fiction through narrative and filmic constructions, intertwining modes of documentary and dramatization. In this exhibition, organized by Tina Kukielski, senior curatorial assistant, the work receives its New York debut at the Whitney Museum of American Art, where it will be seen from December 10, 2009, through February 14, 2010. It is presented as part of the 2008 Bucksbaum Award, conferred on Fast for significant contributions to the visual arts in the United States. Endowed by Whitney Trustee Melva Bucksbaum and her family, the Bucksbaum Award is given every two years to an artist chosen from the Museum’s Biennial exhibition. (The next recipient will be selected from among the artists in the 2010 Whitney Biennial, which opens to the public on February 25.) Nostalgia (2009) begins with a fragment from an interview between the artist and an African refugee seeking asylum in London, during which the artist/interviewer is told how the refugee built a trap for catching a partridge back home in his native Nigeria.
    [Show full text]
  • Jazz at Lincoln Center Orchestra with Wynton Marsalis
    Thursday, September 29, 2016, 8pm Paramount Theatre, Oakland Jazz at Lincoln Center Orchestra with Wynton Marsalis Wynton Marsalis, music director, trumpet Ryan Kisor, trumpet Kenny Rampton, trumpet Marcus Printup, trumpet Vincent Gardner, trombone Chris Crenshaw, trombone Elliot Mason, trombone Sherman Irby, alto and soprano saxophones, flute, clarinet Ted Nash, alto and soprano saxophones, flute, clarinet Victor Goines, tenor and soprano saxophones, clarinet, bass clarinet Walter Blanding, tenor and soprano saxophones, clarinet Paul Nedzela, baritone and soprano saxophones, bass clarinet Dan Nimmer, piano Carlos Henriquez, bass Ali Jackson, drums Tonight’s program will be announced from the stage and performed without an intermission. Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra with Wynton Marsalis. For more information, please visit jazz.org. Facebook: facebook.com/jazzatlincolncenter Twitter: twitter.com/jazzdotorg YouTube: youtube.com/jazzatlincolncenter Cal Performances' presentations in Oakland are generously underwritten by Signature Development Group. Jazz residency and education activities are generously underwritten by the Thatcher Meyerson Family. ABOUT THE ARTISTS he mission of Jazz at Lincoln Center is country, woven with the colorful stories of the to entertain, enrich, and expand a global artists behind them. Jazz Night in America and Tcommunity for jazz through perform- Jazz at Lincoln Center’s radio archive can be ance, education, and advocacy. With the found at jazz.org/radio. world-renowned Jazz at Lincoln Center Orch - Under music director Wynton Marsalis, the estra and guest artists spanning genres and JLCO spends over a third of the year on tour. generations, Jazz at Lincoln Center produces The big band performs a vast repertoire, from thousands of performance, education, and rare historic compositions to Jazz at Lincoln broadcast events each season in its home in Center-commissioned works, including com- New York City (Frederick P.
    [Show full text]
  • Fact Sheet 2009
    Wynton Marsalis FACT SHEET 2009 Wynton Marsalis, is the Artistic Director of Jazz at Lincoln Center since its inception in 1987, in addition to performing as Music Director of the Jazz at Lincoln Center Orchestra since it began in 1988, has: Early Life . Born on October 18, 1961, in New Orleans, Louisiana, the second of six sons to Ellis and Dolores Marsalis . At age 8, performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker . At age 12, began studying the trumpet seriously and gained experience as a young musician in local marching, jazz and funk bands and classical youth orchestras . At age 14, was invited to perform the Haydn Trumpet Concerto with the New Orleans Philharmonic . At age 17 became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center and was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student . 1979 Entered The Juilliard School in New York City to study classical trumpet . 1979 Sat in with Art Blakey and the Jazz Messengers to pursue his true love, jazz music. 1980 Joined the band led by acclaimed master drummer Art Blakey . In the years to follow, performed with Sarah Vaughan, Dizzy Gillespie, Gerry Mulligan, John Lewis, Sweets Edison, Clark Terry, Sonny Rollins and countless other jazz legends Acclaimed Musician, Composer, Bandleader . 1982 Recording debut as a leader . 1983 Became the first and only artist to win both classical and jazz GRAMMY® Awards in one year . 1984 Won classical and jazz GRAMMY® Awards for a second year .
    [Show full text]
  • Your Concise New York Art Guide for Spring 2018
    Your Concise New York Art Guide for Spring 2018 February 28, 2018 Events Your list of 45 must-see, fun, insightful, and very New York art events this season. Leonard Fink, “Self-Portrait on Pier 46 (“This is Serious Too”)” (1979), silver gelatin print, 8 x 10 in (collection and © of the LGBT Community Center National History Archive) We’re back with our yearly spring guide of must-see, fun, insightful, and very New York art events. From museum shows to air fairs to film festivals, you’ll have plenty to keep you busy with this season. Please note that some of the exhibitions listed here opened in January and February, but lucky for us they continue through the spring. January The Beautiful Brain: The Drawings of Santiago Ramon y Cajal and Baya: Woman of Algiers When: January 9–March 31 Where: Grey Art Gallery (100 Washington Square East, Greenwich Village, Manhattan) The Grey Art Gallery is putting on two fascinating and very distinct exhibitions this season. One displays neuroscientist Santiago Ramon y Cajal’s drawings of the brain, which are not only beautiful but remarkably clear and accurate. Eighty of his drawings, which date to the late 19th and early 20th centuries, will be shown alongside contemporary visualizations of the brain. The gallery’s second exhibition is devoted to Baya Mahieddine (known as Baya), an Algerian artist who has yet to gain international recognition. Her vibrant, patterned gouaches Baya, “Femme et enfant en bleu (Woman and child in blue)” (1947) and ceramics drew the attention gouache on board, 22 3/4 x 17 7/8 in (Collection Isabelle Maeght, Paris © of André Breton, Henri Matisse, Photo Galerie Maeght, Paris) and Pablo Picasso.
    [Show full text]
  • SPRING 10 Alice TULLY HALL and the Juilliard School / City College of NEW YORK School of Architecture / FRANK SINATRA School OF
    Prsrt STD U.S. POSTAGE THE STEEL INSTITUTE OF NEW YORK THE ornamental metal INSTITUTE OF NEW YORK paid 211 EAST 43RD STREET, SUITE 804 PUBLISHED BY THE STEEL INSTITUTE OF NEW YORK AND THE ORNAMENTAL METAL INSTITUTE OF NEW YORK NEW YORK NY 10017 PERMIT NO. 161 LANCASTER, PA SPRING 10 ALICE Tully HALL AND THE JUILLIARD SCHOOL / CITY COLLEGE OF NEW YORK SCHOOL OF ARCHITECTURE / FRANK sinatra SCHOOL OF THE arts / NEW YORK LAW SCHOOL / 41 COOPER SQUARE / ONE JACKSON SQUARE / PUBLISHED BY THE standard HOTEL / MONROE HIGH SCHOOL ANNEX CONTENTS EDITOR’S NOTE SPRING 10 Test of strength 1 OVER THE YEARS, OUR introduce its own testing is EDITOR’S NOTE building codes have expanded unlikely to reduce them. Since beyond their traditional focus on virtually every structural material 2 AliCE Tully Hall and life safety to include requirements must undergo strength testing, THE JUILLIARD SCHOOL for social initiatives such as it’s reasonable to ask why steel energy conservation, accessibility isn’t also at risk of testing fraud. 8 for the disabled, and historic Because of how it is produced, City College of New York preservation under their regulatory steel is able to be certified and SCHOOL OF ARCHITECTURE umbrella. Given this evolution, verified as conforming to the 14 it is disturbing to find that one required shape, size, composition, Frank Sinatra SChool of the most fundamental of and strength before it’s ever OF THE Arts code concerns—validating the delivered to a job site. Two strength of structural materials— separate inspections provide this 20 is dominating industry headlines.
    [Show full text]
  • Too Cool—Families Catch the Cool!
    2010 SPRING Cool Culture® provides 50,000 underserved families with free, unlimited sponsored by JAQUELINE KENNEDY access to ONASSIS 90 cultural institutionsRESEVOIR - so that parents can provide their children withCENTRAL PARK 80 Hanson Place, Suite 604, Brooklyn, NY 11217 www.coolculture.org educational experiences that will help them succeed in school and life. CENTRAL PARK HARLEM MEER Malky, Simcha, Stanley and Avi Mayerfeld. Fi e tzpa t trick t . Vaness e a Griffi v th and Ys Y abe l Fitzpat FIFTH AVENUE d rick. n a o FIFTH AVENUE i g r e S , a n i t n e g r A Isabella, Sophia and Ethel Zaldaña 108TH ST 107TH ST 106TH ST 103RD ST 105TH ST 102ND ST 104TH ST 101ST ST 100TH ST 99TH ST 98TH ST 97TH ST 96TH ST 95TH ST 94TH ST 93RD ST 92ND ST 91ST ST 90TH ST 89TH ST 88TH ST 87TH ST 86TH ST 85TH ST 84TH ST 83RD ST 82ND ST 81ST ST Felicia and Omaria Williams F e l ic ia a nd he t C C O o o m o a h ri W o To ol— illiams atc l! Families C The Cool Culture community couldn't choose just one. “I really liked came together to Catch the Cool on making stuff and meeting my friend and June 8th at the Museum Mile getting a poster by (artist) Michael Albert,” she said. The siblings – along with Festival! Thousands painted, drew, their sister Ysabel (one), mom Yvette and aunt danced and partied on Fifth Avenue from Vanessa Griffith– participated in art activities 105th Street to 82nd Street, dropping in that included crafting monkey ears at The museums along the way.
    [Show full text]
  • Artist Series – Arnaud Sussmann Program Notes on the Program
    ARTIST SERIES – ARNAUD SUSSMANN PROGRAM JOHANN SEBASTIAN BACH (1685-1750) Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Allegro Andante Presto Arnaud Sussmann, violin • Sooyun Kim, flute • Tara Helen O'Connor, flute • Bella Hristova, violin • Francisco Fullana, violin • Richard O'Neill, viola • Dmitri Atapine, cello • Xavier Foley, bass • Hyeyeon Park, piano-harpsichord ERNEST CHAUSSON (1855-1899) Concerto in D major for Violin, Piano, and String Quartet, Op. 21 (1889-91) Décidé—Calme—Animé Sicilienne: Pas vite Grave Très animé Arnaud Sussmann, violin • Wu Han, piano • Kristin Lee, violin • Yura Lee, violin • Richard O'Neill, viola • Nicholas Canellakis, cello NOTES ON THE PROGRAM Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Johann Sebastian Bach (Eisenach, 1685 – Leipzig, 1750) Though Bach practically defined Baroque music as we know it today, he met with a surprising number of setbacks in his own lifetime. The Brandenburg Concertos were one such unsuccessful attempt for recognition. They were named after Christian Ludwig, the Margrave of Brandenburg, who Bach only met once—in 1719 during a trip to Berlin. The Margrave asked for some of his music but it took two years for Bach to deliver, at which time his employer, Prince Leopold of Cöthen, was having financial difficulties and Bach was probably looking for leads on a new job. Bach gathered six concertos with vastly different instrumentations, made revisions, and sent them to the Margrave. Not only did Bach not get a job, there is no record the Margrave ever listened to them or even acknowledged Bach’s gift. The Brandenburgs remained virtually unknown until the Bach revival of the mid-19th century.
    [Show full text]
  • Manhattan Retail Market MID-2ND QUARTER 2016 REPORT Retail Activity in the News
    Manhattan Retail Market MID-2ND QUARTER 2016 REPORT Retail Activity In The News Virtual Restaurant Business Revolutionizing Traditional Food Delivery The growing convenience of home food delivery through services such as Seamless and GrubHub has prompted the launch of what can be best described as “virtual restaurants.” One company Green Summit Group currently operates 2-kitchens and boasts 8 “restaurant” brands, yet is void of any storefronts. The business model is banking on the projection that most New York City dwellers won’t care or realize that the food is not being prepared in a traditional restaurant. Green Summit has eliminated the burden of managing retail spaces, while also further benef ting from its ability to shift menu items more quickly to cater to the fast-evolving preferences of consumers by creating another online-branded “restaurant” that appeals to the f avor of the moment. If a particular brand does not meet f nancial expectations it is easily scrapped, incurring a relatively low cost of failure. Currently in expansion mode, in addition to existing kitchens in Midtown and Williamsburg, Brooklyn, the Green Summit plans to open 4 additional kitchens in the Financial District, Downtown Brooklyn, the Upper East Side, and the East Village in 2016 in order to be within delivery range of 90% of New York’s online food-ordering population according to the company’s projections. Generating about $10 million in revenue in 2015, expansion plans are reportedly expected to triple revenue in 2016. Success of the company launched about 2 and a-half years ago may be short-lived in the opinion of some skeptics of the virtual model, pointing out that consumers want to engage with the restaurant brand.
    [Show full text]
  • Classical Jazz
    LIVE FROM LINCOLN CENTER May 29, 2003, 8:00 p.m. on PBS Marsalis at the Penthouse In the summer of 1987 a "Classical Jazz" concert series was established at New York City's Lincoln Center for the Performing Arts, under the inspired leadership of trumpet player, Wynton Marsalis. Seven years later this indispensable activity was redefined and became the autonomous jazz division at Lincoln Center--Jazz at Lincoln Center. Thus this essential American musical form took its place at Lincoln Center alongside such other constituents as the New York Philharmonic and the Metropolitan Opera, with Marsalis continuing as the driving force behind it. We have been privileged over the years on Live From Lincoln Center to be able to bring you several performances by this outstanding ensemble, most recently in concert with Kurt Masur and the New York Philharmonic. (Interestingly, during the years of the Masur family's residence in New York, the Maestro's son-- himself an aspiring conductor--became a great jazz enthusiast.) Our next Live From Lincoln Center telecast, on Thursday evening, May 29, will be devoted to yet another live performance by Jazz at Lincoln Center. But with a difference! Our previous sessions with Jazz at Lincoln Center have originated in one of the several concert halls in the Lincoln Center complex and have featured the artistry of the large ensemble. On May 29 the 90-minute performance will take place in the intimate confines of the Kaplan Penthouse high atop the building that houses Lincoln Center's administration offices. The Kaplan Penthouse has served as the locale for three previous Live From Lincoln Center telecasts: two featuring Itzhak Perlman, the other spotlighting Renée Fleming.
    [Show full text]
  • February 2005 Resolutions
    C O M M U N I T Y B O A R D 7 Manhattan ______ _________________________________ February 2005 Resolutions Lincoln Center Task Force Lawrence Horowitz, Chair February 1, 2005 Re: Applications to the Department of City Planning related to The Lincoln Center West 65th Street Project C 050098 MMM, C 050170 GFM, C 050219 PQM Vote: 32 In Favor 0 Against 0 Abstaining 0 Present A. Introduction Lincoln Center for the Performing Arts has proposed a number of actions relating to West 65th Street between Amsterdam Avenue and Broadway, which require ULURP action and other approvals from Manhattan Community Board 7. The Lincoln Center Task Force of Community Board 7 has met with representatives of Lincoln Center and their architects and planners on numerous occasions to review each aspect of the proposed actions, and has held a public hearing at which comments were solicited from the public, including members of neighboring community and landmark preservation groups. These actions are sought by Lincoln Center because, if approved, they will permit the institution to enhance, improve and expand access to its cultural facilities and public spaces. The goal of the proposed improvements is to transform the West 65th Street corridor between Amsterdam Avenue and Broadway/Columbus Avenue into a “Street of the Arts” that would create a new “front door” for visitors and for the artists who work and study at Lincoln Center. To accomplish this, Lincoln Center will make changes to the street itself, to the sidewalks and to the public spaces and North Plaza adjacent to West 65th Street.
    [Show full text]
  • Edrgroup.Com Website
    The Economic Role & Impact of Lincoln Center Prepared for by 2 Oliver Street, Boston, MA 02109 in association with Mt. Auburn Associates 408 Highland Ave., Somerville, MA 02144 September, 2004 Table of Contents Table of Contents Acknowledgments ................................................................................................. A Executive Summary: The Economic Role & Impact of Lincoln Center........... I Introduction ............................................................................................................1 1.1 Purpose of This Report ......................................................................................1 1.2 Overview of Lincoln Center .............................................................................2 1.3 Methodology .....................................................................................................4 1.4 Organization of the Report .................................................................................8 Economic Impact of Lincoln Center Operations ................................................9 2.1 Overview ............................................................................................................9 2.2 Direct, Indirect, and Induced Effect of Lincoln Center Spending ...................10 2.3 Total Impact of Lincoln Center Operations .....................................................12 Economic Impact of Spending by Lincoln Center Visitors ..............................15 3.1 Overview ..........................................................................................................15
    [Show full text]
  • 2020 Monterey Jazz Festival
    2020 MONTEREY JAZZ FESTIVAL PARTNERSHIP PRESENTATION VISION ¡ Our mission is to inspire the discovery and celebration of jazz, anchored by an iconic festival. MISSION ¡ We envision a sustainable organization that sets the standard of excellence for jazz, connects a diverse community, and helps people appreciate and learn about jazz as fans and performers. Founded in 1958 as a 501(c)3 PRESS QUOTES ¡ “The 62nd Monterey Jazz Festival will go down in the history books as perhaps the first to navigate the slippery slope of big change with a strong focus on new generations of listeners. The arc stretched wide, with funky electric styles, big band jazz, classic piano-led ensembles, world music, contemporary jazz and beyond. There literally was something for everyone.” –Monterey Herald ¡ “…Tim Jackson has created an important festival entity, which manages to capture an overview of a music which is less a specific or demographically-limited idiom, but a diversified musical world, ever in motion. Monterey continues to be a go-to press report zone on the state of jazz.” –All About Jazz ¡ “Monterey Jazz Festival has so much else to offer, from yummy food options to fun shopping and a warm and friendly atmosphere that is unparalleled among big music events.” –San Jose Mercury News ¡ “It was a terrific start to one of the best weekends of the year.” –San Jose Mercury News PRESS QUOTES ¡ “One of the most interesting parts of the Monterey Jazz Festival is its willingness for experimentation. While there are still plenty of traditional straight-ahead jazz acts—like that of Kenny Barron and Dave Holland’s piano and acoustic bass duo in Dizzy’s Den on Saturday night, which gave the audience a softer, timeless jazz club feel—many younger artists are bringing different sounds to their sets.” –Monterey County Weekly ¡ “Monterey has a gift for catching giants at the height of their powers.
    [Show full text]