Fact Sheet 2009
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Jazz at Lincoln Center Orchestra with Wynton Marsalis
Thursday, September 29, 2016, 8pm Paramount Theatre, Oakland Jazz at Lincoln Center Orchestra with Wynton Marsalis Wynton Marsalis, music director, trumpet Ryan Kisor, trumpet Kenny Rampton, trumpet Marcus Printup, trumpet Vincent Gardner, trombone Chris Crenshaw, trombone Elliot Mason, trombone Sherman Irby, alto and soprano saxophones, flute, clarinet Ted Nash, alto and soprano saxophones, flute, clarinet Victor Goines, tenor and soprano saxophones, clarinet, bass clarinet Walter Blanding, tenor and soprano saxophones, clarinet Paul Nedzela, baritone and soprano saxophones, bass clarinet Dan Nimmer, piano Carlos Henriquez, bass Ali Jackson, drums Tonight’s program will be announced from the stage and performed without an intermission. Brooks Brothers is the official clothier of the Jazz at Lincoln Center Orchestra with Wynton Marsalis. For more information, please visit jazz.org. Facebook: facebook.com/jazzatlincolncenter Twitter: twitter.com/jazzdotorg YouTube: youtube.com/jazzatlincolncenter Cal Performances' presentations in Oakland are generously underwritten by Signature Development Group. Jazz residency and education activities are generously underwritten by the Thatcher Meyerson Family. ABOUT THE ARTISTS he mission of Jazz at Lincoln Center is country, woven with the colorful stories of the to entertain, enrich, and expand a global artists behind them. Jazz Night in America and Tcommunity for jazz through perform- Jazz at Lincoln Center’s radio archive can be ance, education, and advocacy. With the found at jazz.org/radio. world-renowned Jazz at Lincoln Center Orch - Under music director Wynton Marsalis, the estra and guest artists spanning genres and JLCO spends over a third of the year on tour. generations, Jazz at Lincoln Center produces The big band performs a vast repertoire, from thousands of performance, education, and rare historic compositions to Jazz at Lincoln broadcast events each season in its home in Center-commissioned works, including com- New York City (Frederick P. -
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel
Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection. -
Scissor Dance: the Danzaq of Southern Peru in New York
Spring–Summer 2015 Volume 41: 1–2 The Journal of New York Folklore Scissor Dance: The Danzaq of Southern Peru in New York Stephen Alcorn on Drawing by Hand in a Digital Age Craft Revisited: A Consumer Revolution In Memoriam: Hilt Kelly, Catskills Fiddler and Caller From the Director From the Editor In the past few weeks, Addy had played in the lives of his family and An explosion of pol- I have been strongly band members. As the family patriarch, Yacub len sent us to the hospi- reminded of the value Addy was the senior “tradition bearer” of a tal one May morning. A of traditional arts and family legacy of the renowned Addy family seemingly extraordinarily culture and their im- of drummers, singers, and dancers from the long winter ended sud- portance to the fabric Avenor neighborhood in Accra, Ghana. This denly with 80-degree of our everyday life. role as the elder statesman of the tradition temperatures and soak- As executive direc- of drumming by the Ga people held great ing showers! Spring flow- tor of the New York cultural importance. However, it was also ers responded immedi- Folklore Society, I consider traditional arts important from an economic viewpoint. ately, enthusiastically casting pollen into the and culture to be an important aspect of Throughout the decades of his involvement air, covering porches and cars in a fine yel- one’s sense of self, and a source of pride with Ghanaian drumming, (from before the low dust. Heaven for those awaiting spring. for a community. It seems to me, without independence of Ghana in 1957 to the pres- Hell for those suffering from allergies and question, that one’s knowledge of one’s own ent), Yacub Addy involved at least 62 band asthma. -
Juilliard415 Kristian Bezuidenhout, Harpsichord and Director
Juilliard415 Kristian Bezuidenhout, Harpsichord and Director The Juilliard School presents Juilliard415 Kristian Bezuidenhout, Harpsichord and Director Recorded on April 10, 2021 Peter Jay Sharp Theater HENRY PURCELL Music of the Theater (1659-95) Overture to Dioclesian Hornpipe from King Arthur Rondeau Minuet from The Gordion Knot Untied First Act Tune from The Virtuous Wife Second Music from The Virtuous Wife Rondeau from The Indian Queen Chacony in G Minor J.S. BACH Contrapunctus XIV from The Art of Fugue, arr. for flute, oboe, (1685-1750) and four-part strings Harpsichord Concerto in D Minor, BWV 1052 Allegro Adagio Allegro GEORG PHILIPP Sonata à 5 for two violins, two violas, and basso continuo in TELEMANN G Minor, TWV 44:33 (1681-1767) Grave Allegro Adagio Vivace 1 Welcome to the 2020-21 Historical Performance season! The Historical Performance movement began as a revolution: a reimagining of musical conventions, a rediscovery of instruments, techniques, and artworks that inspire and teach us, and a celebration of diversity in repertoire. It is also a conversation with the past, a past whose legacy of racism and colonialism has silenced and excluded too many voices from being heard. We do not seek simply to recreate what might have been but to imagine what should be. We embrace Juilliard's values of equity, diversity, inclusion, and belonging through voices heard anew and historical works presented with empathetic perspectives, and we reject discrimination, exclusion, and marginalization. We recognize that we study and work on the traditional homeland of those who preceded us (see Juilliard's land acknowledgement statement, below). -
2017-18 Season Announcement News Release
N E W S R E L E A S E FOR IMMEDIATE RELEASE DATE: February 23, 2017 Yannick Nézet-Séguin and The Philadelphia Orchestra Announce 2017-2018 Season Yannick Nézet-Séguin’s Sixth Season Spans a Vast Range of Sounds Commissions • Oratorio • Chamber Music • Opera A Crowd-Sourced Celebration of Philadelphia • Broadway and a Wide Swath of Orchestral Repertoire Philadelphia Voices, a new work by Tod Machover Tosca Winter Festival focuses on British Isles Hilary Hahn is Artist-in-Residence American Sounds Leonard Bernstein Centenary Including Full Score Performances of West Side Story in Concert Premieres for Orchestra Principals (Philadelphia , February 23, 2017)—Philadelphia Orchestra Music Director Yannick Nézet-Séguin and President and CEO Allison Vulgamore today released The Philadelphia Orchestra’s 2017-18 season. Nézet-Séguin begins his sixth season in Philadelphia with a commitment to lead the world-renowned ensemble through at least 2025-26, continuing a relationship between music director and musicians that has garnered praise around the globe. “This is possibly the most varied season The Philadelphia Orchestra and I have undertaken together,” said Music – more – Yannick Nézet-Séguin and The Philadelphia Orchestra: 2017-18 Season 2 Director Yannick Nézet-Séguin. “It’s thrilling to be able to make music in every way possible, from playing piano with our wonderful principal strings in chamber music, to conducting new works, including commissions, to an oratorio I adore, to a semi-staged production of Tosca. We have some audience favorites, of course, and naturally we are celebrating the centenary of that amazing musical figure Leonard Bernstein. We hope everyone will join us!” “We truly are celebrating Yannick in every musical way this season, and we’re also celebrating our wonderful city of Philadelphia,” added Philadelphia Orchestra President and CEO Allison Vulgamore. -
Marcus Center Presents BIG BAND HOLIDAYS Jazz at Lincoln Center Orchestra with Wynton Marsalis Featuring Special Guest Cécile Mclorin Salvant
Local Press Contact: Molly Sommerhalder Phone: 414-273-7121 ext. 399 Email: [email protected] FOR IMMEDIATE RELEASE Marcus Center Presents BIG BAND HOLIDAYS Jazz at Lincoln Center Orchestra With Wynton Marsalis Featuring Special Guest Cécile McLorin Salvant Monday, December 1 TICKETS GO ON SALE THIS SUNDAY, OCTOBER 12 MILWAUKEE, WI (Thursday, October 9, 2014) – The Marcus Center for the Performing Arts is proud to present Big Band Holidays: Jazz at Lincoln Center With Wynton Marsalis Featuring Special Guest Cécile McLorin Salvant in Uihlein Hall, for one night only, on December 1 at 7:30pm. Tickets are $65-$30 with limited VIP seating at $90 and are subject to change. Tickets go on sale this Sunday, October 12 at 12:00 pm at the Marcus Center Box Office at 929 North Water Street, Downtown Milwaukee. They can also be purchased by phone at 414-273-7206, or online at MarcusCenter.org or Ticketmaster.com. Groups of 10 or more SAVE by calling 414-273-7121 ext. 210. This one night only performance is sponsored by the InterContinental Hotel. Hailed as "an extraordinarily versatile orchestra" by The Los Angeles Times, the JAZZ AT LINCOLN CENTER ORCHESTRA is composed of 15 of jazz music's leading soloists under the leadership of musical director Wynton Marsalis. Drawing from an extensive repertoire that includes original compositions by Mr. Marsalis, Ted Nash, and other members of the orchestra, as well as the masterworks of Ellington, Mingus, Coltrane, and other great jazz composers, the Jazz at Lincoln Center Orchestra with Wynton Marsalis concerts are internationally critically-acclaimed. -
NYC Student Discounts
NYC Student Discounts The Chamber Music Society of Lincoln Center Alice Tully Hall (Broadway at 65th Street)/ Daniel and Joanna S. Rose Studio (165 West 65th Street between Broadway and Amsterdam) The Chamber Music Society of Lincoln Center (CMS) presents an annual series of concerts. Students may purchase tickets at a 50% discount in advance at the Alice Tully Hall box Office, pending availability. Student rush tickets are $10 on the day of the performance, pending availability. Present a valid student ID beginning one hour prior to curtain for two $10 tickets. https://www.chambermusicsociety.org/nyc/ticketing-information/student-tickets/ Jazz at Lincoln Center Rose Theater, The Allen Room, Dizzy’s Club Coca-Cola at Frederick P. Rose Hall, Home of Jazz at Lincoln Center (Broadway at 60th Street) Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Fill out the online registration form and submit a copy of your student ID to [email protected]. Be sure to include your expected month and year of graduation in the email. Please note that for Dizzy's Club Coca-Cola reservations, you will need to create a new account separate from your student account when making your reservation. The student rate varies by performance and will be listed on the specific event page. Once your reservation is made, a student ID is required to be shown upon arrival at the res- ervation desk. http://www.jazz.org/students/ New York City Ballet David H. Koch Theater (Columbus Avenue at 63rd Street) New York City Ballet is one of the foremost dance companies in the world, with a roster of nearly 100 spectacular dancers, a 62-piece orchestra, and a repertory of modern masterpieces. -
Juilliard Jazz Orchestra Wynton Marsalis , Conductor
Tuesday Evening, April 3, 2018, at 7:30 The Juilliard School presents Juilliard Jazz Orchestra Wynton Marsalis , Conductor A Tribute to Blue Note Records JACKIE MCLEAN , arr. Wynton Marsalis Appointment in Ghana MCCOY TYNER , arr. Chris Crenshaw Search for Peace WOODY SHAW , arr. Victor Goines The Moontrane HORACE SILVER , arr. Carlos Henriquez Señor Blues Intermission JOE HENDERSON , arr. Ted Nash Inner Urge HORACE SILVER , arr. David Berger Peace WAYNE SHORTER , arr. Ted Nash Fee-Fi-Fo-Fum DEXTER GORDON , arr. Sherman Irby Ernie’s Tune WAYNER SHORTER , arr. Wynton Marsalis Free for All Performance time: approximately 1 hour and 30 minutes, including one intermission Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Meet the Artist more than 25 of America’s top academic institutions including Columbia, Harvard, Howard, Princeton, and Yale. His creativity has been celebrated the world over. In 1997 he became the first jazz artist to be awarded the Pulitzer Prize in Music for his Z E N I oratorio Blood on the Fields . In 2001 he T R A was appointed Messenger of Peace by M E O Kofi Annan, secretary-general of the J Wynton Marsalis United Nations, and in 2005 Mr. -
Short Version
Wynton Marsalis Wynton assembled his own band in 1981 and hit the road, performing over 120 concerts every year for 15 consecutive years. With the power of his superior musicianship, the infectious sound of his swinging bands and an exhaustive series of performances and music workshops, Marsalis rekindled widespread interest in jazz throughout the world. Students of Marsalis’ workshops include: James Carter, Christian McBride, Roy Hargrove, Harry Connick Jr., Nicholas Payton, Eric Reed and Eric Lewis, to name a few. Classical Career At the age of 20, Wynton recorded the Haydn, Hummel and Leopold Mozart trumpet concertos. His debut recording received glorious reviews and won the Grammy Award® for “Best Classical Soloist with an Orchestra.” Marsalis went on to record 10 additional classical records, all to critical acclaim. Wynton performed with leading orchestras including the New York Philharmonic, Los Angeles Philharmonic, Boston Pops, The Cleveland Orchestra, Saint Louis Symphony Orchestra, ynton Marsalis is an internationally acclaimed English Chamber Orchestra, Toronto Symphony Orchestra and musician, composer, bandleader, educator and a London’s Royal Philharmonic, working with an eminent group of Wleading advocate of American culture. He is the conductors including: Leppard, Dutoit, Maazel, Slatkin, Salonen world’s first jazz artist to perform and compose across the full and Tilson-Thomas. Famed classical trumpeter Maurice André jazz spectrum from its New Orleans roots to bebop to modern praised Wynton as “potentially the greatest trumpeter of all jazz. By creating and performing an expansive range of brilliant time.” new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has The Composer expanded the vocabulary for jazz and created a vital body of To date Wynton has produced over 70 records which have work that places him among the world’s finest musicians and sold over seven million copies worldwide including three Gold composers. -
Skidmore College 2001-2002 Catalogue
Nonprofit Organization Skidmore College Catalog 2001-2002 U.S.Postage Paid Skidmore College Office of Admissions Skidmore Skidmore College 815 North Broadway Saratoga Springs New York 12866-1632 College 2001 2002 Directory for Correspondence SKIDMORE COLLEGE 815 NORTH BROADWAY SARATOGA SPRINGS, NEW YORK 12866-1632 Information: 518-580-5000 Automated Operator: 518-580-7400 World Wide Web: www.skidmore.edu General College Policy ...... Jamienne S. Studley, President Academic Policy ....... John J. Berman, Dean of the Faculty Student Affairs .............................. Thomas P. Oles, Dean Student Academic Affairs .... Jon Ramsey, Dean of Studies Admissions ....... Mary Lou Bates, Dean of Admissions and ............................................................................ Financial Aid Financial Aid ................................. Robert Shorb, Director Financial Services ...................................... TBA, Director Records and Transcripts ...........Ann Henderson, Registrar Career Services .......................... Michael Profita, Director Alumni Activities ....................... Michael Sposili, Director College Relations ....................Robert Kimmerle, Director Opportunity Programs..............Susan B. Layden, Director Diversity and Affirmative Action ................................................... Jack T. F. Ling, Director 2001-2002 CATALOG © Skidmore College, 2001 Skidmore College endeavors to present an accurate overview of its curricular and cocurricular programs, facilities, and fees in this publication. -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things. -
Classical Jazz
LIVE FROM LINCOLN CENTER May 29, 2003, 8:00 p.m. on PBS Marsalis at the Penthouse In the summer of 1987 a "Classical Jazz" concert series was established at New York City's Lincoln Center for the Performing Arts, under the inspired leadership of trumpet player, Wynton Marsalis. Seven years later this indispensable activity was redefined and became the autonomous jazz division at Lincoln Center--Jazz at Lincoln Center. Thus this essential American musical form took its place at Lincoln Center alongside such other constituents as the New York Philharmonic and the Metropolitan Opera, with Marsalis continuing as the driving force behind it. We have been privileged over the years on Live From Lincoln Center to be able to bring you several performances by this outstanding ensemble, most recently in concert with Kurt Masur and the New York Philharmonic. (Interestingly, during the years of the Masur family's residence in New York, the Maestro's son-- himself an aspiring conductor--became a great jazz enthusiast.) Our next Live From Lincoln Center telecast, on Thursday evening, May 29, will be devoted to yet another live performance by Jazz at Lincoln Center. But with a difference! Our previous sessions with Jazz at Lincoln Center have originated in one of the several concert halls in the Lincoln Center complex and have featured the artistry of the large ensemble. On May 29 the 90-minute performance will take place in the intimate confines of the Kaplan Penthouse high atop the building that houses Lincoln Center's administration offices. The Kaplan Penthouse has served as the locale for three previous Live From Lincoln Center telecasts: two featuring Itzhak Perlman, the other spotlighting Renée Fleming.