Landrieu Marsalis

Total Page:16

File Type:pdf, Size:1020Kb

Landrieu Marsalis LANDRIEU MARSALIS Voices of New Orleans Wednesday, October 24, 2018 7:30pm • Paul Hall The Juilliard School presents LANDRIEU MARSALIS Voices of New Orleans A conversation with Mitch Landrieu and Wynton Marsalis, moderated by Damian Woetzel A selection from The Wind in the Reeds: A Storm, a Play, and the City That Would Not Be Broken by Wendell Pierce, accompanied by “Wade in the Water” (arr. Eric Reed) Brandon Mendez Homer, Wendell Pierce Jeffery Miller, Trombone Felix Mads Moseholm, Bass Joel Wenhardt, Piano John Steele, Drums A selection from The Play About My Dad by Boo Killebrew Anya Whelan-Smith, Essie Watson Keshav Moodliar, Larry Killebrew “Do You Know What It Means To Miss New Orleans?” by Eddie DeLange and Louis Alter “Li’l Liza Jane” by Countess Ada de Lachau Jeffery Miller, Trombone Felix Mads Moseholm, Bass Joel Wenhardt, Piano John Steele, Drums Please turn off all electronic devices. Taking photographs and using recording equipment are not permitted. Large Print programs are available for select Juilliard performances. Please ask an usher of a house manager for assistance. Meet the Panelists Mitch Landrieu Mitch Landrieu was the 61st mayor of New Orleans (2010-2018), a city still recovering from Hurricane Katrina and in the midst of the BP oil spill when he took office. Under his leadership, New Orleans was one of the nation’s great comeback stories. In 2015, Landrieu was named Public Official of the Year by Governing magazine, and in 2016 was voted “America’s top turnaround mayor” in a Politico survey of mayors. His 2018 decision to remove four Confederate monuments in New Orleans earned him the John F. Kennedy Profile in Courage Award. In his New York Times best-selling book, In the Shadow of Statues: A White Southerner Confronts History, Landrieu recounts his personal journey confronting racism, and tackles the broader history of slavery, race relations, and institutional inequalities that still plague America. He recently launched the E Pluribus Unum Fund, which works to bring people together across the South around the issues of race, equity, economic opportunity, and violence. Prior to serving as mayor, he served two terms as lieutenant governor and 16 years in the state legislature. He also served as president of the U.S. Conference of Mayors. He and his wife, Cheryl, have five children. Wynton Marsalis Wynton Marsalis ('81, trumpet) is director of jazz studies at Juilliard and managing and artistic director at Jazz at Lincoln Center. A world-renowned trumpeter, composer, educator, and leading advocate for American culture, he was born in New Orleans in 1961 and made his recording debut as a leader in 1982. He has since made more than 80 jazz and classical recordings and has won nine Grammy Awards. In 1983 he became the first and only artist to win both classical and jazz Grammys in the same year. Today he is the only artist ever to win Grammy Awards in five consecutive years (1983–87). Marsalis is the recipient of honorary doctorates from more than 25 of America’s top academic institutions including Columbia, Harvard, Howard, Princeton, Yale, and Juilliard. His creativity has been celebrated the world over. In 1997 he became the first jazz artist to be awarded the Pulitzer Prize in Music, for his oratorio Blood on the Fields. In 2001 he was appointed Messenger of Peace by Kofi Annan, secretary-general of the United Nations, and in 2005, received the National Medal of Arts, the highest award given to artists by the U.S. government. In 2016 he received the National Humanities Medal for his work inspiring music lovers everywhere to embrace America’s quintessential sound. Marsalis has authored six books including Jazz ABZ: An A to Z Collection of Jazz Portraits, Moving to Higher Ground: How Jazz Can Change Your Life, and most recently, Squeak, Rumble, Whomp! Whomp! Whomp! Marsalis helped lead the effort to construct Jazz at Lincoln Center’s home, the Frederick P. Rose Hall, which opened its doors in 2004. Meet the Moderator Damian Woetzel Damian Woetzel is the seventh president of The Juilliard School. Since retiring in 2008 from a 20-year career as a principal dancer with New York City Ballet, Woetzel has taken on multiple roles in arts leadership, including artistic director of the Vail Dance Festival since 2007, and director of the Aspen Institute Arts Program (2011-18). As an independent director, choreographer, and producer, his recent projects include DEMO at the Kennedy Center; Spaces by Wynton Marsalis for Jazz at Lincoln Center; Kennedy Center Honors tributes to Natalia Makarova, Patricia McBride, and Carmen De Lavallade; an arts salute to Stephen Hawking for the World Science Festival; two Turnaround Arts performances at the White House and the first performance of the White House Dance Series, all hosted by Michelle Obama. Woetzel has collaborated on numerous performances and initiatives with Yo-Yo Ma, including the Silk Road Connect program in the New York City public schools. In 2009, Woetzel became the founding director of the Jerome Robbins Foundation’s New Essential Works (NEW) Program, a five-year program that initiated grants to support the production of 35 new dance works. In 2009, President Obama appointed Woetzel to the President’s Committee on the Arts and Humanities, and he served throughout the Obama administration. Woetzel holds a Master in Public Administration degree from Harvard’s Kennedy School of Government and has been a visiting lecturer at Harvard Law School. He received the Harvard Arts Medal in 2015, and is a member of the American Academy of Arts and Sciences..
Recommended publications
  • Juilliard Jazz Ensembles
    The Juilliard School Presents Juilliard Jazz Ensembles Monday, January 29, 2018, 7:30pm Paul Hall The Music of Miles Davis Wynton Marsalis, Guest Coach Dizzy Gillespie Ensemble Swing Spring (Miles Davis, arr. Joel Wenhardt) Flamenco Sketches (Miles Davis and Bill Evans, arr.Andrea Domenici) Nardis (Miles Davis, arr. Jeffery Miller) Paraphernalia (Wayne Shorter, arr. Adam Olszewski) Half Nelson (Miles Davis, arr. David Milazzo) David Milazzo, Alto Saxophone Anthony Hervey, Trumpet Jeffery Miller, Trombone Andrea Domenici, Piano Joel Wenhardt, Piano Adam Olszewski, Bass Cameron MacIntosh, Drums Elio Villafranca, Resident Coach Intermission (Program continues) Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 The Dave Brubeck Ensemble Dig (Miles Davis, arr. Dave Brubeck Ensemble) Fall (Wayne Shorter, arr. Dave Brubeck Ensemble) Milestones (Miles Davis, arr. Dave Brubeck Ensemble) Circle (Miles Davis, arr. Dave Brubeck Ensemble) So Near, So Far (Tony Crombie and Bennie Green, arr. Dave Brubeck Ensemble) Zoe Obadia, Alto Saxophone Noah Halpern, Trumpet Jasim Perales, Trombone Joseph Block, Piano Isaiah Thompson, Piano Adam Olszewski, Bass Francesco Ciniglio, Drums Helen Sung, Resident Coach Program order and selections are subject to change.
    [Show full text]
  • Fact Sheet 2009
    Wynton Marsalis FACT SHEET 2009 Wynton Marsalis, is the Artistic Director of Jazz at Lincoln Center since its inception in 1987, in addition to performing as Music Director of the Jazz at Lincoln Center Orchestra since it began in 1988, has: Early Life . Born on October 18, 1961, in New Orleans, Louisiana, the second of six sons to Ellis and Dolores Marsalis . At age 8, performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist Danny Barker . At age 12, began studying the trumpet seriously and gained experience as a young musician in local marching, jazz and funk bands and classical youth orchestras . At age 14, was invited to perform the Haydn Trumpet Concerto with the New Orleans Philharmonic . At age 17 became the youngest musician ever to be admitted to Tanglewood’s Berkshire Music Center and was awarded the school’s prestigious Harvey Shapiro Award for outstanding brass student . 1979 Entered The Juilliard School in New York City to study classical trumpet . 1979 Sat in with Art Blakey and the Jazz Messengers to pursue his true love, jazz music. 1980 Joined the band led by acclaimed master drummer Art Blakey . In the years to follow, performed with Sarah Vaughan, Dizzy Gillespie, Gerry Mulligan, John Lewis, Sweets Edison, Clark Terry, Sonny Rollins and countless other jazz legends Acclaimed Musician, Composer, Bandleader . 1982 Recording debut as a leader . 1983 Became the first and only artist to win both classical and jazz GRAMMY® Awards in one year . 1984 Won classical and jazz GRAMMY® Awards for a second year .
    [Show full text]
  • A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E
    L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L.
    [Show full text]
  • Nutcracker Peter Ilyich Tchaikovsky
    The Nutcracker Peter Ilyich Tchaikovsky THEATER 16/17 FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. any day of the week.
    [Show full text]
  • Windward Passenger
    MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM DAVE BURRELL WINDWARD PASSENGER PHEEROAN NICKI DOM HASAAN akLAFF PARROTT SALVADOR IBN ALI Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East MAY 2018—ISSUE 193 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : PHEEROAN aklaff 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : nicki parrott 7 by jim motavalli General Inquiries: [email protected] ON The Cover : dave burrell 8 by john sharpe Advertising: [email protected] Encore : dom salvador by laurel gross Calendar: 10 [email protected] VOXNews: Lest We Forget : HASAAN IBN ALI 10 by eric wendell [email protected] LAbel Spotlight : space time by ken dryden US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIVAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD ReviewS 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Mark Keresman, Marilyn Lester, Miscellany 43 Suzanne Lorge, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Event Calendar 44 Andrew Vélez, Scott Yanow Contributing Writers Kevin Canfield, Marco Cangiano, Pierre Crépon George Grella, Laurel Gross, Jim Motavalli, Greg Packham, Eric Wendell Contributing Photographers In jazz parlance, the “rhythm section” is shorthand for piano, bass and drums.
    [Show full text]
  • Juilliard Jazz Orchestra Wynton Marsalis , Conductor
    Tuesday Evening, April 3, 2018, at 7:30 The Juilliard School presents Juilliard Jazz Orchestra Wynton Marsalis , Conductor A Tribute to Blue Note Records JACKIE MCLEAN , arr. Wynton Marsalis Appointment in Ghana MCCOY TYNER , arr. Chris Crenshaw Search for Peace WOODY SHAW , arr. Victor Goines The Moontrane HORACE SILVER , arr. Carlos Henriquez Señor Blues Intermission JOE HENDERSON , arr. Ted Nash Inner Urge HORACE SILVER , arr. David Berger Peace WAYNE SHORTER , arr. Ted Nash Fee-Fi-Fo-Fum DEXTER GORDON , arr. Sherman Irby Ernie’s Tune WAYNER SHORTER , arr. Wynton Marsalis Free for All Performance time: approximately 1 hour and 30 minutes, including one intermission Juilliard gratefully acknowledges the Talented Students in the Arts Initiative, a collaboration for the Doris Duke Charitable Foundation and the Surdna Foundation, for their generous support of Juilliard Jazz. The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Meet the Artist more than 25 of America’s top academic institutions including Columbia, Harvard, Howard, Princeton, and Yale. His creativity has been celebrated the world over. In 1997 he became the first jazz artist to be awarded the Pulitzer Prize in Music for his Z E N I oratorio Blood on the Fields . In 2001 he T R A was appointed Messenger of Peace by M E O Kofi Annan, secretary-general of the J Wynton Marsalis United Nations, and in 2005 Mr.
    [Show full text]
  • Short Version
    Wynton Marsalis Wynton assembled his own band in 1981 and hit the road, performing over 120 concerts every year for 15 consecutive years. With the power of his superior musicianship, the infectious sound of his swinging bands and an exhaustive series of performances and music workshops, Marsalis rekindled widespread interest in jazz throughout the world. Students of Marsalis’ workshops include: James Carter, Christian McBride, Roy Hargrove, Harry Connick Jr., Nicholas Payton, Eric Reed and Eric Lewis, to name a few. Classical Career At the age of 20, Wynton recorded the Haydn, Hummel and Leopold Mozart trumpet concertos. His debut recording received glorious reviews and won the Grammy Award® for “Best Classical Soloist with an Orchestra.” Marsalis went on to record 10 additional classical records, all to critical acclaim. Wynton performed with leading orchestras including the New York Philharmonic, Los Angeles Philharmonic, Boston Pops, The Cleveland Orchestra, Saint Louis Symphony Orchestra, ynton Marsalis is an internationally acclaimed English Chamber Orchestra, Toronto Symphony Orchestra and musician, composer, bandleader, educator and a London’s Royal Philharmonic, working with an eminent group of Wleading advocate of American culture. He is the conductors including: Leppard, Dutoit, Maazel, Slatkin, Salonen world’s first jazz artist to perform and compose across the full and Tilson-Thomas. Famed classical trumpeter Maurice André jazz spectrum from its New Orleans roots to bebop to modern praised Wynton as “potentially the greatest trumpeter of all jazz. By creating and performing an expansive range of brilliant time.” new music for quartets to big bands, chamber music ensembles to symphony orchestras, tap dance to ballet, Wynton has The Composer expanded the vocabulary for jazz and created a vital body of To date Wynton has produced over 70 records which have work that places him among the world’s finest musicians and sold over seven million copies worldwide including three Gold composers.
    [Show full text]
  • Disco Reed Détaillée
    20-21 décembre 2000, New York graphie disco HAPPINESS Plenty Swing, Plenty Soul Eric Reed (p) Marcus Printup (tp) Wycliffe Gordon (tb) Eric REDD Guy Reynard et Yves Sportis Wes Anderson (as) Walter Blanding (cl) OUS FAISONS ici état des enregistrements d’Eric Reed en leader et coleader. L’index en Rodney Green (dm) sideman permet de rendre compte de la grande curiosité d’Eric Reed. Il est un 1. Overture Renato Thomas (perc) Nsolide leader mais également un grand accompagnateur prisé par ses pairs. Eric 2. Maria Reed possède un univers très large dans le jazz, dans son sens culturel, la musique 3.Hello, Young Lovers d’inspiration religieuse et le blues étant également omniprésent dans son expression. 4. Pure Imagination Rappelons qu’une discographie présente l’état des publications sur disque. Chaque 5. 42nd Street session est classée chronologiquement, présente la date et le lieu d’enregistrement, le(s) 6.Send in the Clowns titre(s) des albums où elle se trouve gravée, énumère les musiciens, les titres des morceaux, 7. My Man's Gone Now/Gone, enfin la référence des albums en LP ou CD. Nous avons retenu en priorité les éditions Gone, Gone cohérentes. Les livrets/couvertures en illustration constituent de bons repères. Rappelons que 8. Nice Work If You Can Get It 9. You'll Never Walk Alone l’index n’est pas une totalisation de toutes les éditions, mais le fil continu, en CD ou à défaut 10. I Got Rhythm en LP. 1. Happiness 11. Finale (Last Trip) 2. Three Dances: Island Grind- Pour cette discographie (méthode Jazz Hot), nous avons consulté d’excellentes sources ❚■● Impulse! 12592 discographiques, comme la Jazz Discography de Walter Bruyninckx, sur internet Latin Bump-Boogie www.jazzdisco.org/eric-reed/discography et bien sûr les disques eux-mêmes.
    [Show full text]
  • National Endowment for the Arts Announces 2022 NEA Jazz Masters
    July 20, 2021 Contacts: Liz Auclair (NEA), [email protected], 202-682-5744 Marshall Lamm (SFJAZZ), [email protected], 510-928-1410 National Endowment for the Arts Announces 2022 NEA Jazz Masters Recipients to be Honored on March 31, 2022, at SFJAZZ Center in San Francisco Washington, DC—For 40 years, the National Endowment for the Arts has honored individuals for their lifetime contributions to jazz, an art form that continues to expand and find new audiences through the contributions of individuals such as the 2022 NEA Jazz Masters honorees—Stanley Clarke, Billy Hart, Cassandra Wilson, and Donald Harrison Jr., recipient of the 2022 A.B. Spellman NEA Jazz Masters Fellowship for Jazz Advocacy. In addition to receiving a $25,000 award, the recipients will be honored in a concert on Thursday, March 31, 2022, held in collaboration with and produced by SFJAZZ. The 2022 tribute concert will take place at the SFJAZZ Center in San Francisco, California, with free tickets available for the public to reserve in February 2022. The concert will also be live streamed. More details will be available in early 2022. This will be the third year the NEA and SFJAZZ have collaborated on the tribute concert, which in 2020 and 2021 took place virtually due to the COVID-19 pandemic. “The National Endowment for the Arts is proud to celebrate the 40th anniversary of honoring exceptional individuals in jazz with the NEA Jazz Masters class of 2022,” said Ann Eilers, acting chairman for the National Endowment of the Arts. “Jazz continues to play a significant role in American culture thanks to the dedication and artistry of individuals such as these and we look forward to working with SFJAZZ on a concert that will share their music and stories with a wide audience next spring.” Stanley Clarke (Topanga, CA)—Bassist, composer, arranger, producer Clarke’s bass-playing, showing exceptional skill on both acoustic and electric bass, has made him one of the most influential players in modern jazz history.
    [Show full text]
  • Download the Blood on the Fields Playbill And
    Thursday–Saturday Evening, February 21 –23, 2013, at 8:00 Wynton Marsalis, Managing & Artistic Director Greg Scholl, Executive Director Bloomberg is the Lead Corporate Sponsor of this performance. BLOOD ON THE FIELDS JAZZ AT LINCOLN CENTER ORCHESTRA WYNTON MARSALIS, Music Director, Trumpet RYAN KISOR, Trumpet KENNY RAMPTON, Trumpet MARCUS PRINTUP, Trumpet VINCENT GARDNER, Trombone, Tuba CHRIS CRENSHAW, Trombone ELLIOT MASON, Trombone SHERMAN IRBY, Alto & Soprano Saxophones TED NASH, Alto & Soprano Saxophones VICTOR GOINES, Tenor & Soprano Saxophones, Clarinet, Bass Clarinet WALTER BLANDING, Tenor & Soprano Saxophones CARL MARAGHI, Baritone Saxophone, Clarinet, Bass Clarinet ELI BISHOP, Guest Soloist, Violin ERIC REED, Piano CARLOS HENRIQUEZ, Bass ALI JACKSON, Drums Featuring GREGORY PORTER, Vocals KENNY WASHINGTON, Vocals PAULA WEST, Vocals There will be a 15-minute intermission for this performance. Please turn off your cell phones and other electronic devices. Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, Qatar Airways, The Shops at Columbus Circle at Time Warner Center, and SiriusXM. MasterCard® is the Preferred Card of Jazz at Lincoln Center. Qatar Airways is a Premier Sponsor and Official Airline Partner of Jazz at Lincoln Center. This concert is made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. ROSE THEATER JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL jalc.org PROGRAM JAZZ AT LINCOLN CENTER 25TH ANNIVERSARY SEASON HONORS Since Jazz at Lincoln Center’s inception on August 3, 1987, when Lincoln Center for the Performing Arts initiated a three-performance summertime series called “Classical Jazz,” the organization has been steadfast in its commitment to broadening and deepening the public’s awareness of and participation in jazz.
    [Show full text]
  • Atheneum Nantucket Dance Festival
    NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes.
    [Show full text]
  • John Bailey Randy Brecker Paquito D'rivera Lezlie Harrison
    192496_HH_June_0 5/25/18 10:36 AM Page 1 E Festival & Outdoor THE LATIN SIDE 42 Concert Guide OF HOT HOUSE P42 pages 30-41 June 2018 www.hothousejazz.com Smoke Jazz & Supper Club Page 17 Blue Note Page 19 Lezlie Harrison Paquito D'Rivera Randy Brecker John Bailey Jazz Forum Page 10 Smalls Jazz Club Page 10 Where To Go & Who To See Since 1982 192496_HH_June_0 5/25/18 10:36 AM Page 2 2 192496_HH_June_0 5/25/18 10:37 AM Page 3 3 192496_HH_June_0 5/25/18 10:37 AM Page 4 4 192496_HH_June_0 5/25/18 10:37 AM Page 5 5 192496_HH_June_0 5/25/18 10:37 AM Page 6 6 192496_HH_June_0 5/25/18 10:37 AM Page 7 7 192496_HH_June_0 5/25/18 10:37 AM Page 8 8 192496_HH_June_0 5/25/18 11:45 AM Page 9 9 192496_HH_June_0 5/25/18 10:37 AM Page 10 WINNING SPINS By George Kanzler RUMPET PLAYERS ARE BASI- outing on soprano sax. cally extroverts, confident and proud Live 1988, Randy Brecker Quintet withT a sound and tone to match. That's (MVDvisual, DVD & CD), features the true of the two trumpeters whose albums reissue of a long out-of-print album as a comprise this Winning Spins: John Bailey CD, accompanying a previously unreleased and Randy Brecker. Both are veterans of DVD of the live date, at Greenwich the jazz scene, but with very different Village's Sweet Basil, one of New York's career arcs. John has toiled as a first-call most prominent jazz clubs in the 1980s trumpeter for big bands and recording ses- and 1990s.
    [Show full text]