Nutcracker Peter Ilyich Tchaikovsky
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A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E
L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L. -
Landrieu Marsalis
LANDRIEU MARSALIS Voices of New Orleans Wednesday, October 24, 2018 7:30pm • Paul Hall The Juilliard School presents LANDRIEU MARSALIS Voices of New Orleans A conversation with Mitch Landrieu and Wynton Marsalis, moderated by Damian Woetzel A selection from The Wind in the Reeds: A Storm, a Play, and the City That Would Not Be Broken by Wendell Pierce, accompanied by “Wade in the Water” (arr. Eric Reed) Brandon Mendez Homer, Wendell Pierce Jeffery Miller, Trombone Felix Mads Moseholm, Bass Joel Wenhardt, Piano John Steele, Drums A selection from The Play About My Dad by Boo Killebrew Anya Whelan-Smith, Essie Watson Keshav Moodliar, Larry Killebrew “Do You Know What It Means To Miss New Orleans?” by Eddie DeLange and Louis Alter “Li’l Liza Jane” by Countess Ada de Lachau Jeffery Miller, Trombone Felix Mads Moseholm, Bass Joel Wenhardt, Piano John Steele, Drums Please turn off all electronic devices. Taking photographs and using recording equipment are not permitted. Large Print programs are available for select Juilliard performances. Please ask an usher of a house manager for assistance. Meet the Panelists Mitch Landrieu Mitch Landrieu was the 61st mayor of New Orleans (2010-2018), a city still recovering from Hurricane Katrina and in the midst of the BP oil spill when he took office. Under his leadership, New Orleans was one of the nation’s great comeback stories. In 2015, Landrieu was named Public Official of the Year by Governing magazine, and in 2016 was voted “America’s top turnaround mayor” in a Politico survey of mayors. His 2018 decision to remove four Confederate monuments in New Orleans earned him the John F. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
East by Northeast the Kingdom of the Shades (From Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena
2013/2014 La Bayadère Act II | Airs | Donizetti Variations Photo by Paul B. Goode, courtesy of the Paul Taylor Dance Company East by Spring Ballet Northeast Seven Hundred Fourth Program of the 2013-14 Season _______________________ Indiana University Ballet Theater presents Spring Ballet: East by Northeast The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Music by Ludwig Minkus Staged by Glenda Lucena Donizetti Variations Choreography by George Balanchine Music by Gaetano Donizetti Staged by Sandra Jennings Airs Choreography by Paul Taylor Music by George Frideric Handel Staged by Constance Dinapoli Michael Vernon, Artistic Director, IU Ballet Theater Stuart Chafetz, Conductor Patrick Mero, Lighting Design _________________ Musical Arts Center Friday Evening, March Twenty-Eighth, Eight O’Clock Saturday Afternoon, March Twenty-Ninth, Two O’Clock Saturday Evening, March Twenty-Ninth, Eight O’Clock music.indiana.edu The Kingdom of the Shades (from Act II of “La Bayadère”) Choreography by Marius Petipa Staged by Glenda Lucena Music by Ludwig Minkus Orchestration by John Lanchbery* Lighting Re-created by Patrick Mero Glenda Lucena, Ballet Mistress Violette Verdy, Principals Coach Guoping Wang, Ballet Master Phillip Broomhead, Guest Coach Premiere: February 4, 1877 | Imperial Ballet, Bolshoi Kamenny Theatre, St. Petersburg Grand Pas de Deux Nikiya, a temple dancer . Alexandra Hartnett Solor, a warrior. Matthew Rusk Pas de Trois (3/28 and 3/29 mat.) First Solo. Katie Zimmerman Second Solo . Laura Whitby Third -
George Balanchine August Bournonville Sasha Janes Jerome Robbins
George Balanchine August Bournonville Sasha Janes THTHEAEATETERR 1716/1/187 Jerome Robbins FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. -
Season Guide
2019 REPERTORY SEASON GUIDE The epitome of elegance. Experts can make complicated steps look effortless — and that’s what we can do for you. Throughout the Bay Area and Northern California — from San Francisco to Lake Tahoe, Carmel to Wine Country — THE STEPS ARE our agents are second to none. EFFORTLESS THE EXPERIENCE IS ALAIN PINEL APR.COM Over 30 Real Estate Offices Serving The San Francisco Bay Area 866.468.0111 The epitome of elegance. Experts can make complicated steps look effortless — and that’s what we can do for you. Throughout the Bay Area and Northern California — from San Francisco to Lake Tahoe, Carmel to Wine Country — THE STEPS ARE our agents are second to none. EFFORTLESS THE EXPERIENCE IS ALAIN PINEL APR.COM Over 30 Real Estate Offices Serving The San Francisco Bay Area 866.468.0111 ©2018 California©2018 Closet Company, Inc. All rights reserved. Franchises independently owned and operated. Experience a California Closets system custom designed specifically for you and the way you live. Visit us online or in our showroom today to arrange for a complimentary in-home design consultation. 800.274.6754 californiaclosets.com CA177_SFBallet_Brooks2_9.7x12.7_1118.inddSFB season guide fp template.indd 1 1 11/29/1811/29/18 2:18 9:53 PM AM SAN FRANCISCO BALLET 2019 REPERTORY SEASON GUIDE 47 Season & Donor News 76 SF Ballet Staff Ticket FAQ 79 Season Sponsors Upcoming Events 83 Great Benefactors 52 PROGRAM 01 Don Quixote 84 Artistic Director’s Council 55 PROGRAM 02 Kaleidoscope 87 Institutional Support Divertimento No. 15 Appassionata 90 SF Ballet Endowment Foundation 09 Anima Animus 93 Thank You to Our Volunteers 58 PROGRAM 03 In Space and Time 96 A Conversation with Glenn McCoy 09 Welcome to the Season The Fifth Season 11 SF Ballet Leadership Snowblind 12 Board of Trustees Études Endowment Foundation Board 61 PROGRAM 04 The Sleeping Beauty 14 Artists of the Company 64 PROGRAM 05 Lyric Voices 44 SF Ballet Orchestra Your Flesh Shall Be a Great Poem Bound To Yuri Possokhov World Premiere San Francisco Ballet | Vol. -
Chautauqua Chamber Winds Revamps with New Repertoire
Middle East Update confronts challenges in increasingly volatile region, Page 3 The Chautauquan Daily Seventy-Five Cents Chautauqua, New York The Official Newspaper of Chautauqua Institution | Monday, July 23, 2012 Volume CXXXVI, Issue 26 Zakaria to dissect complex dynamics of Pakistan-US relations Balanchine’s Y EMI FALODUN Staff Writer Within the Middle East’s Jenga-like geopolitical struc- ture, Pakistan remains an in- tegral yet enigmatic piece. RABAB AL-SHARIF | Staff Writer “Americans often go into Serenade these situations thinking there is a very simple divide of good guys and bad guys,” ogether, festival students Fareed Zakaria said. “And from the School of Music and we’re always supporting the the School of Dance will “Ser- good guys.” enade” audiences at 8:15 p.m. Zakaria, CNN host and T ZAKARIA tonight in the Amphitheater. Time magazine editor-at-large, Dancers will perform George Bal- will break down Pakistan’s is the nature of the Pakistani anchine’s “Serenade,” restaged by evolving role and its iden- répétiteur Patricia McBride, North state,” Zakaria said. “We usual- tity at 10:45 a.m. today in the Carolina Dance Theatre associate ly are entering a very complex Amphitheater. His lecture is artistic director. dynamic in a society in which the first in this week’s lineup, Musicians will accompany the there are internal dynamics themed “Pakistan: Straddling ballet with Tchaikovsky’s Serenade the Boundary Between Asia and factions. But then there are for Strings in C, lead by guest con- and the Middle East.” outside forces, outside powers ductor Stilian Kirov. When Americans think supporting these factions.” Kirov, who was the 2010 David Ef- about Pakistan, there is a ten- Recently, Secretary of State fron Conducting Fellow, said the op- dency to think of things on a Hillary Rodham Clinton is- portunity for young artists to “merge day-to-day level. -
CBS Sets Holiday Schedule
CBS Sets Holiday Schedule 10.29.2014 ​CBS is one of the earliest broadcasters to get into the holiday spirit this year, debuting the season's programming with the Thanksgiving Day Parade to kick it all off. Holiday specials and well-known Christmas movies are interwoven with network events like "The Victoria's Secret Fashion Show" and "A Very Grammy Christmas," featuring performances from past winners. Thanksgiving Day, Nov. 27: CBS starts off the holiday season in style with the 87th Annual Macy's Thanksgiving Day Parade, live from New York, hosted by Entertainment Tonight's Kevin Frazier and The Insider's Thea Andrews and featuring Broadway performances from Pippin and Matilda. Nov. 28: The day after Thanksgiving, CBS will air Frosty the Snowman and the animated movie Yes, Virginia, which is based on the story of Virginia O'Hanlon, an eight-year-old girl who inspired the 1890s newspaper editorial, "Is there a Santa Claus?" Nov. 29: Emma Roberts and Norm Macdonald voice the animated special, The Flight Before Christmas, before CBS' airing of The Story of Santa Claus. Dec. 5: A Very Grammy Christmas will feature performances from Ariana Grande, Maroon 5 and Tim McGraw before announcing the nominees for Album of the Year. Dec. 7: The I Love Lucy Christmas Special includes two episodes of the show, the "Christmas Episode" and a colorize version of "Job Switching," which has the famous scene of Lucy at the chocolate factory. Dec. 9: The Christmas classic, Rudolph the Red-Nosed Reindeer, is celebrating its 50th anniversary, and will air before this year's Victoria's Secret Fashion Show broadcast at 10 p.m. -
Spoleto Festival Usa Program History 2016 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie -
Dorathi Bock Pierre Dance Collection, 1929-1996
http://oac.cdlib.org/findaid/ark:/13030/c8pc33q9 No online items Finding Aid for the Dorathi Bock Pierre dance collection, 1929-1996 Processed by Megan Hahn Fraser and Jesse Erickson, March 2012, with assistance from Lindsay Chaney, May 2013; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ ©2013 The Regents of the University of California. All rights reserved. Finding Aid for the Dorathi Bock 1937 1 Pierre dance collection, 1929-1996 Descriptive Summary Title: Dorathi Bock Pierre dance collection Date (inclusive): 1929-1996 Collection number: 1937 Creator: Pierre, Dorathi Bock. Extent: 27 linear ft.(67 boxes) Abstract: Collection of photographs, performance programs, publicity information, and clippings related to dance, gathered by Dorathi Bock Pierre, a dance writer and publicist. Language: Finding aid is written in English. Language of the Material: Materials are in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Ned Kelly & the Movies 1906-2003
Ned Kelly & the Movies 1906-2003: Representation, Social Banditry & History A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy Stephen Gaunson Bachelor of Arts (Honours) School of Media and Communication Design and Social Context Portfolio RMIT University April 2010 Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. Stephen Gaunson April 5, 2010 i Acknowledgments This thesis would not have been completed without the support and encouragement from my wife, Lauren-Eve Purdey. Her many cups of tea, patience, positive attitude and osteopathic treatments allowed me to forge ahead when the end was in sight. This thesis is hugely indebted to my supervisors Dr Adrian Danks and Professor Ina Bertrand, who consistently provided encouragement, reliable direction, academic and practical support, access to resources, funding and academic opportunities. I am forever grateful to Ina who taught me the importance of „doing things correctly‟, and welcoming me into her country home. I also am thankful to Adrian for his meticulous concentration to detail and encyclopaedic breadth of cinema knowledge. I finish this study a better writer and researcher because of the care taken by Adrian and Ina. -
NEWS from the JEROME ROBBINS FOUNDATION VOL. 6, NO. 3 (2019) in the Company of Harold Prince at the New York Public Library for the Performing Arts
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 3 (2019) In the Company of Harold Prince at the New York Public Library for the Performing Arts Donald and Mary Oenslager Gallery Through March 31, 2020 Few people did more to define the American musical today than Harold “Hal” Prince. His resume included some of the most important titles of the past cen- tury: West Side Story, Fiddler on the Roof, Cabaret, Company, Sweeney Todd, and Phantom of the Opera. In the new free exhibition In the Company of Harold Prince: Broadway Producer, Director, Collaborator, The New York Public Library for the Performing Arts explores Prince’s creative trajectory, and showcases the team of designers, stage managers, press agents, composers, and writers he assembled to create so many history-making shows. Curated by Doug Reside, the Lewis B. and Dorothy Cullman Curator of the Library’s Billy Rose Theatre Division, the exhibition displays original costumes, set models, and archival video, and borrows from the aesthetic of immersive theatre, inviting visitors to pick up, examine and interact with reproductions of documents and objects from the Library’s unparalleled collections. Facsimiles of the paperwork for The Pajama Game and Damn Yankees are scattered over a recreation of Prince’s desk for visitors to look through. Digital recreations of stage manager Ruth Mitchell’s scripts are linked to thousands of never-before-seen photographs from the Library’s collections. The exhibition ends with an open cabaret stage, allowing visitors to perform songs from his shows or record their own stories about their experience with Prince’s theatrical work.