Preservationists View Lincoln Center Renovations with Alarm
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SPRING 10 Alice TULLY HALL and the Juilliard School / City College of NEW YORK School of Architecture / FRANK SINATRA School OF
Prsrt STD U.S. POSTAGE THE STEEL INSTITUTE OF NEW YORK THE ornamental metal INSTITUTE OF NEW YORK paid 211 EAST 43RD STREET, SUITE 804 PUBLISHED BY THE STEEL INSTITUTE OF NEW YORK AND THE ORNAMENTAL METAL INSTITUTE OF NEW YORK NEW YORK NY 10017 PERMIT NO. 161 LANCASTER, PA SPRING 10 ALICE Tully HALL AND THE JUILLIARD SCHOOL / CITY COLLEGE OF NEW YORK SCHOOL OF ARCHITECTURE / FRANK sinatra SCHOOL OF THE arts / NEW YORK LAW SCHOOL / 41 COOPER SQUARE / ONE JACKSON SQUARE / PUBLISHED BY THE standard HOTEL / MONROE HIGH SCHOOL ANNEX CONTENTS EDITOR’S NOTE SPRING 10 Test of strength 1 OVER THE YEARS, OUR introduce its own testing is EDITOR’S NOTE building codes have expanded unlikely to reduce them. Since beyond their traditional focus on virtually every structural material 2 AliCE Tully Hall and life safety to include requirements must undergo strength testing, THE JUILLIARD SCHOOL for social initiatives such as it’s reasonable to ask why steel energy conservation, accessibility isn’t also at risk of testing fraud. 8 for the disabled, and historic Because of how it is produced, City College of New York preservation under their regulatory steel is able to be certified and SCHOOL OF ARCHITECTURE umbrella. Given this evolution, verified as conforming to the 14 it is disturbing to find that one required shape, size, composition, Frank Sinatra SChool of the most fundamental of and strength before it’s ever OF THE Arts code concerns—validating the delivered to a job site. Two strength of structural materials— separate inspections provide this 20 is dominating industry headlines. -
Blueprintsvolume XXVII, No
blueprintsVolume XXVII, No. 1–2 NATIONAL BUILDING MUSEUM In Between: The Other Pieces of the Green Puzzle in this issue: HEALTHY Communities, GREEN Communities Word s ,Word s ,Word s Winter & Spring 2008/2009 The Lay of the Landscape Annual Report 2008 in this issue... 2 8 13 18 19 21 23 In Between: The Other Pieces of the Green Puzzle The exhibition Green Community calls attention to important aspects of sustainable design and planning that are sometimes overshadowed by eye-catching works of architecture. The environmental implications of transportation systems, public services, recreational spaces, and other elements of infrastructure must be carefully considered in order to create responsible and livable communities. This issue of Blueprints focuses on the broad environmental imperative from the standpoints of public health, urban and town planning, and landscape architecture. Contents Healthy Communities, ! 2 Green Communities M Cardboard Reinvented Physician Howard Frumkin, of the Centers for Disease Cardboard: one person’s trash is another Control and Prevention, brings his diverse expertise as B an internist, an environmental and occupational health N person’s decorative sculpture, pen and pencil expert, and an epidemiologist to bear on the public health holder, vase, bowl, photo and business card holder, above: Beaverton Round, in suburban Portland, Oregon, was built as part of the metropolitan area’s Transit-Oriented Development Program. implications of community design and planning. p Photo courtesy of the American Planning Association and Portland Metro. stress toy, or whatever you can imagine. Bring out your o Creating Sustainable Landscapes creativity with these durable, versatile, eco-friendly LIQUID h CARDBOARD vases that can be transformed into a myriad from the executive director 8 In an interview, landscape architect Len Hopper discusses s his profession’s inherent commitment to sustainability and of shapes for a variety of uses in your home. -
NYC Student Discounts
NYC Student Discounts The Chamber Music Society of Lincoln Center Alice Tully Hall (Broadway at 65th Street)/ Daniel and Joanna S. Rose Studio (165 West 65th Street between Broadway and Amsterdam) The Chamber Music Society of Lincoln Center (CMS) presents an annual series of concerts. Students may purchase tickets at a 50% discount in advance at the Alice Tully Hall box Office, pending availability. Student rush tickets are $10 on the day of the performance, pending availability. Present a valid student ID beginning one hour prior to curtain for two $10 tickets. https://www.chambermusicsociety.org/nyc/ticketing-information/student-tickets/ Jazz at Lincoln Center Rose Theater, The Allen Room, Dizzy’s Club Coca-Cola at Frederick P. Rose Hall, Home of Jazz at Lincoln Center (Broadway at 60th Street) Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Fill out the online registration form and submit a copy of your student ID to [email protected]. Be sure to include your expected month and year of graduation in the email. Please note that for Dizzy's Club Coca-Cola reservations, you will need to create a new account separate from your student account when making your reservation. The student rate varies by performance and will be listed on the specific event page. Once your reservation is made, a student ID is required to be shown upon arrival at the res- ervation desk. http://www.jazz.org/students/ New York City Ballet David H. Koch Theater (Columbus Avenue at 63rd Street) New York City Ballet is one of the foremost dance companies in the world, with a roster of nearly 100 spectacular dancers, a 62-piece orchestra, and a repertory of modern masterpieces. -
Artist Series – Arnaud Sussmann Program Notes on the Program
ARTIST SERIES – ARNAUD SUSSMANN PROGRAM JOHANN SEBASTIAN BACH (1685-1750) Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Allegro Andante Presto Arnaud Sussmann, violin • Sooyun Kim, flute • Tara Helen O'Connor, flute • Bella Hristova, violin • Francisco Fullana, violin • Richard O'Neill, viola • Dmitri Atapine, cello • Xavier Foley, bass • Hyeyeon Park, piano-harpsichord ERNEST CHAUSSON (1855-1899) Concerto in D major for Violin, Piano, and String Quartet, Op. 21 (1889-91) Décidé—Calme—Animé Sicilienne: Pas vite Grave Très animé Arnaud Sussmann, violin • Wu Han, piano • Kristin Lee, violin • Yura Lee, violin • Richard O'Neill, viola • Nicholas Canellakis, cello NOTES ON THE PROGRAM Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Johann Sebastian Bach (Eisenach, 1685 – Leipzig, 1750) Though Bach practically defined Baroque music as we know it today, he met with a surprising number of setbacks in his own lifetime. The Brandenburg Concertos were one such unsuccessful attempt for recognition. They were named after Christian Ludwig, the Margrave of Brandenburg, who Bach only met once—in 1719 during a trip to Berlin. The Margrave asked for some of his music but it took two years for Bach to deliver, at which time his employer, Prince Leopold of Cöthen, was having financial difficulties and Bach was probably looking for leads on a new job. Bach gathered six concertos with vastly different instrumentations, made revisions, and sent them to the Margrave. Not only did Bach not get a job, there is no record the Margrave ever listened to them or even acknowledged Bach’s gift. The Brandenburgs remained virtually unknown until the Bach revival of the mid-19th century. -
Oz Contributors
Oz Volume 12 Article 24 1-1-1990 Contributors Follow this and additional works at: https://newprairiepress.org/oz This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation (1990) "Contributors," Oz: Vol. 12. https://doi.org/10.4148/2378-5853.1212 This Back Matter is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Oz by an authorized administrator of New Prairie Press. For more information, please contact cads@k- state.edu. Contributors Paul Armstrong holds a BFA degree Charles Moore, of Body, Memory and Norman Crowe teaches in the School of professional organizations. Mr. Hardy has with a Graphics and Art History em Architecture, published in 1977. He has Architecture at the University of Notre served as Chairman of the Design Arts phasis and aM. Arch. degree from the written many articles on the subject of or Dame and is Director of the School's pro Advisory Panel of the National Endow University of Wisconsin Milwaukee. Prior nament and has lectured on ornament gram of Graduate Studies in Architecture. ment for the Arts, and currently serves as to coming to the University of Illinois, throughout the United States, Canada, He is co-author with Paul Laseau of Visual Vice President for Architecture of the Ar Professor Armstrong practiced architec Mexico, and England. His practice is Notes, a book published in 1984 by Van chitectural League of New York and Vice ture in Oak Park, Illinois. For the past devoted exclusively to the design of ar Nostrand-Reinhold and he authored President of the Municipal Art Society. -
February 2005 Resolutions
C O M M U N I T Y B O A R D 7 Manhattan ______ _________________________________ February 2005 Resolutions Lincoln Center Task Force Lawrence Horowitz, Chair February 1, 2005 Re: Applications to the Department of City Planning related to The Lincoln Center West 65th Street Project C 050098 MMM, C 050170 GFM, C 050219 PQM Vote: 32 In Favor 0 Against 0 Abstaining 0 Present A. Introduction Lincoln Center for the Performing Arts has proposed a number of actions relating to West 65th Street between Amsterdam Avenue and Broadway, which require ULURP action and other approvals from Manhattan Community Board 7. The Lincoln Center Task Force of Community Board 7 has met with representatives of Lincoln Center and their architects and planners on numerous occasions to review each aspect of the proposed actions, and has held a public hearing at which comments were solicited from the public, including members of neighboring community and landmark preservation groups. These actions are sought by Lincoln Center because, if approved, they will permit the institution to enhance, improve and expand access to its cultural facilities and public spaces. The goal of the proposed improvements is to transform the West 65th Street corridor between Amsterdam Avenue and Broadway/Columbus Avenue into a “Street of the Arts” that would create a new “front door” for visitors and for the artists who work and study at Lincoln Center. To accomplish this, Lincoln Center will make changes to the street itself, to the sidewalks and to the public spaces and North Plaza adjacent to West 65th Street. -
March 2007 Issue Pdf
March 2007 Sightlines March 2007 News & Notices Distinguished Awards Plan for Scenofest Architecture Awards Announcements In Memoriam Seek Ideas for 50th Member Benefit Rising Star Winner The Last Word News From: Around The Institute Contributing Members Sustaining Members USITT's President Regional Sections Commissions Costume Database Sound Challenge This month's image of USITT Architecture Award winner, the Young Center for the Performing Arts, Lighting Sessions captures the exterior of the space in the distillery district in Toronto, Ontario, Canada. The new theatre is Developing Design the result of a partnership between a local theatre company and a college theatre training program. News Ideas: the Tempest about all the 2007 Architecture Awards winners can be found here. Conference & Photo/copyright Tom Arban Photography. Stage Expo Heading for Phoenix Sponsors Thanked What's At Stage Expo? International Sessions For the Record Leadership Honorary Lifetime Members Contributing Members Sustaining Members March 2007 issue pdf United States Institute for Theatre Technology, Inc.: © 2007 Volume XLVII, Number 3 http://wwwtest.usitt.org/sled/v47n03Mar2007/v47/n03/stories/MarchCover.html2/27/2007 12:38:22 PM Distinguished Achievement Awards March 2007 Seven to be Honored for News & Notices Distinguished Awards Distinguished Achievement Plan for Scenofest Barbara E.R. Lucas Architecture Awards Sightlines Editor Announcements Seven outstanding individuals will be honored with Distinguished In Memoriam Achievement Awards during the upcoming -
Peer Reviewed Title: Multi-Sourcing [Dispatches] Journal Issue: Places, 16(2) Author: Keim, Kevin Publication Date: 2004 Publica
Peer Reviewed Title: Multi-Sourcing [Dispatches] Journal Issue: Places, 16(2) Author: Keim, Kevin Publication Date: 2004 Publication Info: Places Permalink: http://escholarship.org/uc/item/2b42s8mx Acknowledgements: This article was originally produced in Places Journal. To subscribe, visit www.places-journal.org. For reprint information, contact [email protected]. Keywords: places, placemaking, architecture, environment, landscape, urban design, public realm, planning, design, dispatches, multi-sourcing, Kevin Keim Copyright Information: All rights reserved unless otherwise indicated. Contact the author or original publisher for any necessary permissions. eScholarship is not the copyright owner for deposited works. Learn more at http://www.escholarship.org/help_copyright.html#reuse eScholarship provides open access, scholarly publishing services to the University of California and delivers a dynamic research platform to scholars worldwide. Multi-Sourcing Kevin Keim When Charles Moore wrote or spoke about infl uence, he mosaic); a Maybeckian arbor (covered with Texas trumpet often ended up quoting T.S. Eliot. creeper); a staircase from the Bantry House (to climb and Immature poets imitate; mature poets steal; bad poets deface pause upward); and a pool from Lunuganga (to cool the what they take, and good poets make it into something better, or courtyard and hint at Islamic memories). All of these exotic at least something different. The good poet welds his theft into a sources are nestled in the engaging whole, and an immense whole of feeling which is unique, utterly different from that from collection of folk art adds yet more layers. Despite (or which it was torn; the bad poet throws it into something which because of!) this multitude of images, the house is not has no cohesion. -
Modernism in Bartholomew County, Indiana, from 1942
NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction. -
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos Future Anterior, Volume 6, Number 1, Summer 2009, pp. 84-97 (Article) Published by University of Minnesota Press DOI: https://doi.org/10.1353/fta.0.0027 For additional information about this article https://muse.jhu.edu/article/364599 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] 1. Juilliard School / Alice Tully Hall, Lincoln Center, New York City. Original building, Pietro Belluschi, architect, 1969. Intervention and restoration, Diller + Scofidio, architects, 2006– 8. Night view from southeast during construction, 2008. Photograph by Iwan Baan. Interview Elizabeth Diller and Ricardo Morphing Lincoln Center Scofidio Interviewed by Jorge Otero - Pailos Elizabeth Diller and Ricardo Scofidio have added their signa- ture to Lincoln Center’s Julliard School building, forty years after Pietro Belluschi’s original design was completed in 1968. Their intervention involved demolishing the eastern façade and extending the footprint of the building over the existing plaza toward Broadway. In this interview, Diller and Scofidio argue that their radical transformation of the historic fabric nevertheless functions as a means of preserving the most his- torically significant features of the original building, including its internal organization, which was previously hidden behind uniform travertine and is now exposed through strategically located glass apertures. In a significant departure from typo- logical and stylistic theories of architectural restoration, Diller and Scofidio advance the notion of morphing as a way to extend the significant elements of a historic building without mimicking or negating them. JORGE OTERO - PAILOS: Let’s start with the question of unity. -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974, Trip
Segovia, appearing ccc/5 s: Andres in recital this month Oa. < DC LU LL LU < lb Les Hooper, traveler through a crowded ol' world. United dedicates ^riendshq) Sendee. Rooiiqr747aiidDC-10 Friend Sh4>s. Flying New York to the west, why crowd yourself? United people to help you along the way. And extra wide Stretch out. Lean back. And try on a roomy 747 or DC-10 aisles, so you can walk around and get friendly yourself. for size. YouVe also a wide range of stereo entertainment. Another reason more people choose the friendly And a full-length feature film on selected flights skies than any other airline in the land. ($2.00 in Coach). A daily 747 to Los Angeles, and roomy DC-lO's to So call United Air Lines at (212) 867-3000, or your Los Angeles, San Francisco, Chicago, Denver and Travel Agent, and put yourself aboard our giant Cleveland. Friend Ships. You can't go west in a bigger way. Only United flies the Friend Ship with so many extras. Extra room to stretch out and relax. Extra friendly The friendly skies ofyour land. Unitedh 747's & DClOb to the West Partners in Travel with Western International Hotels. "FOM THE ELIZABETH ARDEN SALON Our idea. Quick. Simple. Color-coded to be fool-proof. Our System organizesyour skin care by daily skin care soyou can cleanse, skin type, simplified. tone and moisturize more efficiently. And effectively. Introducing ¥or instance, Normal-to-Oily skin The Personal can have its own Clarifying Astringent. Normal-to-Dry skin its own Fragile Skin Care System Skin Toner No matter which skin type have, find a product by Elizabeth Arden. -
Downloadable 2021 VOWS SUFH
For the past 15 years, the Bob Woodruff Foundation and the New York Comedy Festival have partnered to bring you a one-of-a-kind event experience. Last year was no exception – while we couldn’t gather in person, we brought our iconic night of hope, healing and laughter into your home. This year, our live show is back! Our highest priorities are supporting our veterans and their families and bringing you an unforget- table and safe live event – in 2021, we are going to do both. Please plan to join us at Alice Tully Hall for our 15th Annual Stand Up for Heroes. Mark November 8th on your calendar! Our 15th Annual Show! Monday, November 8th, 2021 Adjacent to the Juilliard School on the Lincoln Center Campus, Alice Tully Hall is one of New York’s premier event venues and will host this year’s Stand Up for Heroes! Alice Tully Hall offers an intimate setting for our show, ensuring that all of our attendees feel close to the show while also ensuring a safe and carefully coordinated experience that complies with all public health and safety guidelines. Our 2021 format not only delivers, but enhances the exclusive and personal feel of Stand Up for Heroes – with a more limited seating capacity, we encourage our VOWS partners to confirm your plans early. Stand Up for Heroes Our Impact Through the generous and visionary support of Veterans On Wall Street (VOWS) and the VOWS partner firms, we are delivering measurable impact today and sustaining our impact at a time when our nation’s veterans and their families need our help more than ever.