Artist Series – Arnaud Sussmann Program Notes on the Program
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SPRING 10 Alice TULLY HALL and the Juilliard School / City College of NEW YORK School of Architecture / FRANK SINATRA School OF
Prsrt STD U.S. POSTAGE THE STEEL INSTITUTE OF NEW YORK THE ornamental metal INSTITUTE OF NEW YORK paid 211 EAST 43RD STREET, SUITE 804 PUBLISHED BY THE STEEL INSTITUTE OF NEW YORK AND THE ORNAMENTAL METAL INSTITUTE OF NEW YORK NEW YORK NY 10017 PERMIT NO. 161 LANCASTER, PA SPRING 10 ALICE Tully HALL AND THE JUILLIARD SCHOOL / CITY COLLEGE OF NEW YORK SCHOOL OF ARCHITECTURE / FRANK sinatra SCHOOL OF THE arts / NEW YORK LAW SCHOOL / 41 COOPER SQUARE / ONE JACKSON SQUARE / PUBLISHED BY THE standard HOTEL / MONROE HIGH SCHOOL ANNEX CONTENTS EDITOR’S NOTE SPRING 10 Test of strength 1 OVER THE YEARS, OUR introduce its own testing is EDITOR’S NOTE building codes have expanded unlikely to reduce them. Since beyond their traditional focus on virtually every structural material 2 AliCE Tully Hall and life safety to include requirements must undergo strength testing, THE JUILLIARD SCHOOL for social initiatives such as it’s reasonable to ask why steel energy conservation, accessibility isn’t also at risk of testing fraud. 8 for the disabled, and historic Because of how it is produced, City College of New York preservation under their regulatory steel is able to be certified and SCHOOL OF ARCHITECTURE umbrella. Given this evolution, verified as conforming to the 14 it is disturbing to find that one required shape, size, composition, Frank Sinatra SChool of the most fundamental of and strength before it’s ever OF THE Arts code concerns—validating the delivered to a job site. Two strength of structural materials— separate inspections provide this 20 is dominating industry headlines. -
NYC Student Discounts
NYC Student Discounts The Chamber Music Society of Lincoln Center Alice Tully Hall (Broadway at 65th Street)/ Daniel and Joanna S. Rose Studio (165 West 65th Street between Broadway and Amsterdam) The Chamber Music Society of Lincoln Center (CMS) presents an annual series of concerts. Students may purchase tickets at a 50% discount in advance at the Alice Tully Hall box Office, pending availability. Student rush tickets are $10 on the day of the performance, pending availability. Present a valid student ID beginning one hour prior to curtain for two $10 tickets. https://www.chambermusicsociety.org/nyc/ticketing-information/student-tickets/ Jazz at Lincoln Center Rose Theater, The Allen Room, Dizzy’s Club Coca-Cola at Frederick P. Rose Hall, Home of Jazz at Lincoln Center (Broadway at 60th Street) Jazz at Lincoln Center is dedicated to inspiring and growing audiences for jazz. Fill out the online registration form and submit a copy of your student ID to [email protected]. Be sure to include your expected month and year of graduation in the email. Please note that for Dizzy's Club Coca-Cola reservations, you will need to create a new account separate from your student account when making your reservation. The student rate varies by performance and will be listed on the specific event page. Once your reservation is made, a student ID is required to be shown upon arrival at the res- ervation desk. http://www.jazz.org/students/ New York City Ballet David H. Koch Theater (Columbus Avenue at 63rd Street) New York City Ballet is one of the foremost dance companies in the world, with a roster of nearly 100 spectacular dancers, a 62-piece orchestra, and a repertory of modern masterpieces. -
February 2005 Resolutions
C O M M U N I T Y B O A R D 7 Manhattan ______ _________________________________ February 2005 Resolutions Lincoln Center Task Force Lawrence Horowitz, Chair February 1, 2005 Re: Applications to the Department of City Planning related to The Lincoln Center West 65th Street Project C 050098 MMM, C 050170 GFM, C 050219 PQM Vote: 32 In Favor 0 Against 0 Abstaining 0 Present A. Introduction Lincoln Center for the Performing Arts has proposed a number of actions relating to West 65th Street between Amsterdam Avenue and Broadway, which require ULURP action and other approvals from Manhattan Community Board 7. The Lincoln Center Task Force of Community Board 7 has met with representatives of Lincoln Center and their architects and planners on numerous occasions to review each aspect of the proposed actions, and has held a public hearing at which comments were solicited from the public, including members of neighboring community and landmark preservation groups. These actions are sought by Lincoln Center because, if approved, they will permit the institution to enhance, improve and expand access to its cultural facilities and public spaces. The goal of the proposed improvements is to transform the West 65th Street corridor between Amsterdam Avenue and Broadway/Columbus Avenue into a “Street of the Arts” that would create a new “front door” for visitors and for the artists who work and study at Lincoln Center. To accomplish this, Lincoln Center will make changes to the street itself, to the sidewalks and to the public spaces and North Plaza adjacent to West 65th Street. -
Mimi Stillman, Artistic Director
Mimi Stillman, Artistic Director Wednesday, February 20, 2019 at 7:00pm Trinity Center for Urban Life 22 nd and Spruce Streets, Philadelphia Dolce Suono Ensemble Presents Rediscoveries: Festival of American Chamber Music I Dolce Suono Trio Mimi Stillman, flute/piccolo – Gabriel Cabezas, cello – Charles Abramovic, piano with Kristina Bachrach, soprano Trio for Flute, Cello, and Piano (1944) Norman Dello Joio (1913-2008) Moderato Adagio Allegro spiritoso Stillman, Cabezas, Abramovic Enchanted Preludes for Flute and Cello (1988) Elliott Carter (1908-2012) Stillman, Cabezas Dozing on the Lawn from Time to the Old (1979) William Schuman (1910-1992) Orpheus with His Lute (1944) Bachrach, Abramovic Winter Spirits for Solo Flute (1997) Katherine Hoover (1937-2018) Stillman Two Songs from Doña Rosita (1943) Irving Fine (1914-1962) (arr. DSE) Stillman, Cabezas, Abramovic Intermission Moon Songs (2011) * Shulamit Ran (1949) Act I: Creation Act II: Li Bai and the Vacant Moon Entr’acte I Act III: Star-crossed Entr’acte II: Prayer to Pierrot Act IV: Medley Bachrach, Stillman, Cabezas, Abramovic Tonight from West Side Story (1961) Leonard Bernstein (1918-1990) [premiere of new arrangement ] (arr. Abramovic) Stillman, Cabezas, Abramovic *Commissioned by Dolce Suono Ensemble About the Program – Notes by Mimi Stillman We are pleased to present Dolce Suono Ensemble (DSE)’s new project “Rediscoveries: Festival of American Chamber Music,” which seeks to illuminate an important but largely neglected body of chamber music by American composers. Aside from the most celebrated American composers from this period whose chamber works are regularly performed, i.e. Copland, Barber, Bernstein, and Carter, there are many other composers highly lauded in their time and significant in shaping the story of music in the United States, who are rarely heard today. -
Preservationists View Lincoln Center Renovations with Alarm
Preservationists View Lincoln Center Renovations With Alarm... http://www.nytimes.com/2009/06/02/arts/design/02land.html?_r=0# HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe: Digital / Home Delivery Log In Register Now Search All NYTimes.com WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER When Renovation Meets Redo More Articles in Arts » By ROBIN POGREBIN Published: June 1, 2009 TWITTER Get the TimesLimited E-Mail Amid the chorus of accolades that have greeted Lincoln Center’s continuing physical LINKEDIN transformation — in particular, the new Alice Tully Hall by Diller Scofidio & Renfro — a few discordant voices are raising an alarm with worries that Lincoln Center may be SIGN IN TO E-MAIL changing too much. PRINT Enlarge This Image Having lost the battle against transforming the campus’s north plaza in front of the Vivian REPRINTS Beaumont Theater, laid out in 1965 by the SHARE celebrated landscape architect Dan Kiley, some preservationists say they fear that the rest of the $1.2 billion redevelopment project could end up compromising the original 1960s composition of Lincoln Center as a whole. Sara Krulwich/The New York Times Work in progress on the north plaza These advocates say they are especially worried about Lincoln Center of Lincoln Center, as seen through Theater’s plans to put an experimental theater on the roof of the New York the windows of the Vivian Public Library for the Performing Arts, whose interior and entry pavilion Beaumont Theater. -
Groundbreakers August 17–August 25, 2019 Burlington, Vt
GROUNDBREAKERS AUGUST 17–AUGUST 25, 2019 BURLINGTON, VT FESTIVAL PROGRAM SOOVIN KIM & GLORIA CHIEN artistic directors DAVID SERKIN LUDWIG resident composer LAKE CHAMPLAIN 11 TH CHAMBER MUSIC FESTIVAL SEASON FESTIVAL ARTISTS Ara Guzelimian, guest speaker Merz Trio with Nicholas Kitchen, guest speaker Tod Machover, guest composer Caroline Copeland Sunday, November 10 at 2 pm Daniel Chong, violin Bella Hristova, violin Jaime Laredo, violin Soovin Kim, violin The Westerlies Jessica Bodner, viola with Lucy Shelton Burchard Tang, viola Sunday, April 12 at 2 pm Priscilla Lee, cello Sharon Robinson, cello Evan Premo, double bass Emi Ferguson, flute Roni Gal-Ed, oboe Romie de Guise-Langlois, clarinet Bixby Kennedy, clarinet Peter Kolkay, bassoon Wei-Ping Chou, horn Richard King, horn Mark Emery, trumpet Gloria Chien, piano Welcome to Groundbreakers, Matan Porat, piano our 11th summer festival! FLYNN Teresa Wakim, soprano This year we focus on visionary Martin Near, alto composers of the last 500 years who shaped the course of music history. Jason McStoots, tenor Sumner Thompson, tenor Over the last few centuries music has gone through a remarkable evolution. Paul Guttry, bass Composers today have an ever-expanding repertoire of expressive musical Joshua Weilerstein, conductor tools. Harmony, rhythm, structure, and instrumentation are only a few of Borromeo String Quartet 19 the compositional elements composers have used to add multiple layers of Nicholas Kitchen, violin complexity. Kristopher Tong, violin Musical evolution has been driven by powerful innovators. Haydn in the Mai Motobuchi, viola 18th century and Bartók in the 20th transformed the string quartet, Beethoven Yeesun Kim, cello expanded musical structure, Debussy and Schoenberg re-imagined harmony, Merz Trio 20 Stravinsky made polyrhythms the norm, and Tod Machover utilizes today’s Brigid Coleridge, violin rapid advances in technology. -
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos
Morphing Lincoln Center Elizabeth Diller, Ricardo Scofidio, Jorge Otero-Pailos Future Anterior, Volume 6, Number 1, Summer 2009, pp. 84-97 (Article) Published by University of Minnesota Press DOI: https://doi.org/10.1353/fta.0.0027 For additional information about this article https://muse.jhu.edu/article/364599 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] 1. Juilliard School / Alice Tully Hall, Lincoln Center, New York City. Original building, Pietro Belluschi, architect, 1969. Intervention and restoration, Diller + Scofidio, architects, 2006– 8. Night view from southeast during construction, 2008. Photograph by Iwan Baan. Interview Elizabeth Diller and Ricardo Morphing Lincoln Center Scofidio Interviewed by Jorge Otero - Pailos Elizabeth Diller and Ricardo Scofidio have added their signa- ture to Lincoln Center’s Julliard School building, forty years after Pietro Belluschi’s original design was completed in 1968. Their intervention involved demolishing the eastern façade and extending the footprint of the building over the existing plaza toward Broadway. In this interview, Diller and Scofidio argue that their radical transformation of the historic fabric nevertheless functions as a means of preserving the most his- torically significant features of the original building, including its internal organization, which was previously hidden behind uniform travertine and is now exposed through strategically located glass apertures. In a significant departure from typo- logical and stylistic theories of architectural restoration, Diller and Scofidio advance the notion of morphing as a way to extend the significant elements of a historic building without mimicking or negating them. JORGE OTERO - PAILOS: Let’s start with the question of unity. -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974, Trip
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Downloadable 2021 VOWS SUFH
For the past 15 years, the Bob Woodruff Foundation and the New York Comedy Festival have partnered to bring you a one-of-a-kind event experience. Last year was no exception – while we couldn’t gather in person, we brought our iconic night of hope, healing and laughter into your home. This year, our live show is back! Our highest priorities are supporting our veterans and their families and bringing you an unforget- table and safe live event – in 2021, we are going to do both. Please plan to join us at Alice Tully Hall for our 15th Annual Stand Up for Heroes. Mark November 8th on your calendar! Our 15th Annual Show! Monday, November 8th, 2021 Adjacent to the Juilliard School on the Lincoln Center Campus, Alice Tully Hall is one of New York’s premier event venues and will host this year’s Stand Up for Heroes! Alice Tully Hall offers an intimate setting for our show, ensuring that all of our attendees feel close to the show while also ensuring a safe and carefully coordinated experience that complies with all public health and safety guidelines. Our 2021 format not only delivers, but enhances the exclusive and personal feel of Stand Up for Heroes – with a more limited seating capacity, we encourage our VOWS partners to confirm your plans early. Stand Up for Heroes Our Impact Through the generous and visionary support of Veterans On Wall Street (VOWS) and the VOWS partner firms, we are delivering measurable impact today and sustaining our impact at a time when our nation’s veterans and their families need our help more than ever. -
Alice Tully Hall and the Juilliard School 3 4 Tension Exertedbythestainless for Ittoresist Theamountof the Challengetostructure Is Senior Structuralengineerfor Used
Left Alice Tully Hall’s new face exposes the lobby, and Juilliard’s new floors, to Broadway. The warp and weft of a cantilevered steel addition hits a high note for audiences and performers. ALTHOUGH IT IS ONE OF THE most often used venues in Lincoln Center, Alice Tully Hall hadn’t had a renovation since its opening night in 1969. And though The Juilliard School surrounding it had never faltered in its ability to develop world-famous performing artists, it was in much need of a makeover that would add practice rooms, classrooms, and office spaces. The long-overdue redesign, undertaken by Diller Scofidio + Renfro in collaboration with FXFowle Architects in 2003 and to be completed this year, strips away the opaque facade at the base of Pietro Belluschi’s original scheme, revealing the entrance lobby and Juilliard’s inner workings to the street. The dramatic physical, and symbolic, gesture was made possible by Arup’s structural engineers, who developed a 50-foot steel truss cantilever that serves the dual purpose of creating a soaring entrance to Alice Tully Hall while expanding the school’s practice space overhead. Like the pieces performed there, the project was complex and multilayered. A tight urban site is adjacent to the subway, and a schedule accelerated to meet performance and academic Alice Tully Hall and year deadlines—even as the school remained fully operational during construction—presented significant challenges. Despite The Juilliard School these, the new space is marked by a transparent, column-free lobby created by a unique geometry of intersecting tilted planes defined 2 Metals in Construction Spring 2010 Alice Tully Hall and The Juilliard School 3 Its curtain walls may expose the building’s beauty, but its 275-ton system of steel trusses attests to equal endowments of brains and brawn. -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE Press contact: John Stolen 541.310.1876 | [email protected] New York Youth Symphony’s 2020/21 Composition Program Features Guest Speakers Nico Muhly, Jessie Montgomery, John Corigliano, and more New York, NY - New York Youth Symphony (NYYS), is excited to announce the 2020/2021 season of its Composition Program. Led by director Dr. Kyle Blaha the program offers student composers the opportunity to explore the world of composition and orchestration through seminars, individual tutorials, and workshops, plus reading sessions with professional musicians, and performances. This season will feature guest composers and artists including John Corigliano, Andrea DelGiudice, Reena Esmail, Molly Joyce, harpist Bridget Kibbey, Mari Kimura, David Ludwig, oboist Toyin Spellman-Diaz, percussionist Javier Diaz, violist and composer Jessica Meyer, violinist and composer Jessie Montgomery, Nico Muhly, cellist Philip Sheegog, Chen Yi, and the Aizuri Quartet. Students' works will be read and workshopped throughout the season, culminating in a final performance by members of the NYYS Orchestra, Chamber Music, Jazz, and Apprentice Conducting programs at the annual Composition Date 2021 concert at Leonard Nimoy Thalia at Symphony Space on Thursday, May 13, 2021. Director Dr. Kyle Blaha says, “I am thrilled to announce our 20/21 season! I look forward to our students engaging with our brilliant guest composers and artists who represent diverse styles, backgrounds, careers, and points of view.” Participating students explore the musical thought of a wide variety of composers and concepts. Examples are drawn from the vast classical repertoire and a range of musical traditions from throughout the world. The program aims to cultivate the students' own voices through class discussion, written exercises, and free composition, as well as feedback from the industry’s leading performers and thinkers. -
Norfolk Chamber Music Festival Also Has an Generous and Committed Support of This Summer’S Season
Welcome To The Festival Welcome to another concerts that explore different aspects of this theme, I hope that season of “Music you come away intrigued, curious, and excited to learn and hear Among Friends” more. Professor Paul Berry returns to give his popular pre-concert at the Norfolk lectures, where he will add depth and context to the theme Chamber Music of the summer and also to the specific works on each Friday Festival. Norfolk is a evening concert. special place, where the beauty of the This summer we welcome violinist Martin Beaver, pianist Gilbert natural surroundings Kalish, and singer Janna Baty back to Norfolk. You will enjoy combines with the our resident ensemble the Brentano Quartet in the first two sounds of music to weeks of July, while the Miró Quartet returns for the last two create something truly weeks in July. Familiar returning artists include Ani Kavafian, magical. I’m pleased Melissa Reardon, Raman Ramakrishnan, David Shifrin, William that you are here Purvis, Allan Dean, Frank Morelli, and many others. Making to share in this their Norfolk debuts are pianist Wendy Chen and oboist special experience. James Austin Smith. In addition to I and the Faculty, Staff, and Fellows are most grateful to Dean the concerts that Blocker, the Yale School of Music, the Ellen Battell Stoeckel we put on every Trust, the donors, patrons, volunteers, and friends for their summer, the Norfolk Chamber Music Festival also has an generous and committed support of this summer’s season. educational component, in which we train the most promising Without the help of so many dedicated contributors, this festival instrumentalists from around the world in the art of chamber would not be possible.