JAIME LAREDO, Violinist and Conductor
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Artist Series – Arnaud Sussmann Program Notes on the Program
ARTIST SERIES – ARNAUD SUSSMANN PROGRAM JOHANN SEBASTIAN BACH (1685-1750) Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Allegro Andante Presto Arnaud Sussmann, violin • Sooyun Kim, flute • Tara Helen O'Connor, flute • Bella Hristova, violin • Francisco Fullana, violin • Richard O'Neill, viola • Dmitri Atapine, cello • Xavier Foley, bass • Hyeyeon Park, piano-harpsichord ERNEST CHAUSSON (1855-1899) Concerto in D major for Violin, Piano, and String Quartet, Op. 21 (1889-91) Décidé—Calme—Animé Sicilienne: Pas vite Grave Très animé Arnaud Sussmann, violin • Wu Han, piano • Kristin Lee, violin • Yura Lee, violin • Richard O'Neill, viola • Nicholas Canellakis, cello NOTES ON THE PROGRAM Brandenburg Concerto No. 4 in G major, BWV 1049 (1720) Johann Sebastian Bach (Eisenach, 1685 – Leipzig, 1750) Though Bach practically defined Baroque music as we know it today, he met with a surprising number of setbacks in his own lifetime. The Brandenburg Concertos were one such unsuccessful attempt for recognition. They were named after Christian Ludwig, the Margrave of Brandenburg, who Bach only met once—in 1719 during a trip to Berlin. The Margrave asked for some of his music but it took two years for Bach to deliver, at which time his employer, Prince Leopold of Cöthen, was having financial difficulties and Bach was probably looking for leads on a new job. Bach gathered six concertos with vastly different instrumentations, made revisions, and sent them to the Margrave. Not only did Bach not get a job, there is no record the Margrave ever listened to them or even acknowledged Bach’s gift. The Brandenburgs remained virtually unknown until the Bach revival of the mid-19th century. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Mimi Stillman, Artistic Director
Mimi Stillman, Artistic Director Wednesday, February 20, 2019 at 7:00pm Trinity Center for Urban Life 22 nd and Spruce Streets, Philadelphia Dolce Suono Ensemble Presents Rediscoveries: Festival of American Chamber Music I Dolce Suono Trio Mimi Stillman, flute/piccolo – Gabriel Cabezas, cello – Charles Abramovic, piano with Kristina Bachrach, soprano Trio for Flute, Cello, and Piano (1944) Norman Dello Joio (1913-2008) Moderato Adagio Allegro spiritoso Stillman, Cabezas, Abramovic Enchanted Preludes for Flute and Cello (1988) Elliott Carter (1908-2012) Stillman, Cabezas Dozing on the Lawn from Time to the Old (1979) William Schuman (1910-1992) Orpheus with His Lute (1944) Bachrach, Abramovic Winter Spirits for Solo Flute (1997) Katherine Hoover (1937-2018) Stillman Two Songs from Doña Rosita (1943) Irving Fine (1914-1962) (arr. DSE) Stillman, Cabezas, Abramovic Intermission Moon Songs (2011) * Shulamit Ran (1949) Act I: Creation Act II: Li Bai and the Vacant Moon Entr’acte I Act III: Star-crossed Entr’acte II: Prayer to Pierrot Act IV: Medley Bachrach, Stillman, Cabezas, Abramovic Tonight from West Side Story (1961) Leonard Bernstein (1918-1990) [premiere of new arrangement ] (arr. Abramovic) Stillman, Cabezas, Abramovic *Commissioned by Dolce Suono Ensemble About the Program – Notes by Mimi Stillman We are pleased to present Dolce Suono Ensemble (DSE)’s new project “Rediscoveries: Festival of American Chamber Music,” which seeks to illuminate an important but largely neglected body of chamber music by American composers. Aside from the most celebrated American composers from this period whose chamber works are regularly performed, i.e. Copland, Barber, Bernstein, and Carter, there are many other composers highly lauded in their time and significant in shaping the story of music in the United States, who are rarely heard today. -
The Dallas Symphony Orchestra Presents: the Nature of Music May, 2021 Dear Fellow Educators
The Dallas Symphony Orchestra Presents: The Nature of Music May, 2021 Dear Fellow Educators, As spring arrives each year, I am reminded of the powerful relationship between nature and music. Both start as a single seed (or note!) and go on to blossom into something beautiful. Each plant, like each piece of music, is both a continuation of what came before and the start of something new. With Earth Day just a few weeks before our May concert, we wanted to use this Youth Concert as a way to explore and honor our planet through the lens of classical music. During our program, The Nature of Music, you and your students will hear music inspired by rivers, wildflowers, birds, and a busy bumblebee! Musicians have often used the earth’s natural beauty as inspiration for their music, and they try to use musical sounds to paint a picture for our ears, much like an artist would use different colors to paint a picture for our eyes. Each lesson will help your students explore and experience this connection. This concert will be offered virtually (available May 16 – June 4) but we are also accepting reservations for in-person viewing! Our two back-to-back concerts will be on Wednesday, May 5 at 10am and 11:30am. Please contact me or email my colleague in sales, Sabrina Siggers (contact information below), to reserve your classes reservation. You can see up-to-date Meyerson safety protocol below. We humans have a responsibility to respect and care for animals, plants, and the earth’s natural resources. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts. -
FRIENDS of CHAMBER MUSIC Concerts
Long Theatre, UOP Campus - Stockton, California - Sunday, April 21, 1985 - 3 p.m. 'J'riend5g-~ CtJAMBEI-', MUSIC in cooperation with San Joaquin Delta College and University of the Pacific present The KaLichstein-Laredo-Robinson Trio Joseph Kalichstein, Piano Jaime Laredo, Violin Sharon Robinson, Cello PROGRAM Trio in E Major, Hob.XV:28 Franz Joseph Haydn (1732-1809) Allegro moderato Allegretto Finale: Allegro Trio in A Minor Maurice Ravel (1875-1937) Moder!! Pantoum(assez vite) Passacaille (tr~s large) Finale: anim~ INTERMISSION Trio in E Flat Major, Op. 100 (D 922) Franz Schubert (1797-1828) Allegro Andante con moto Scherzando: Allegro moderato Allegro moderato ********* Frank Salomon Associates, 201 West 54th Street, New York, N.Y. 10019 THE KALICHSTEIN-LAREDO-ROBINSON TRIO The Ka1ichstein-Laredo-Robinson Trio brings together three internationally lcc A me ar 1S S W 0 a e 1me rom e1r ~c ve so 0 careers eac se~son 0 per form the great literature for piano trio, offering a rare combination of virtuosity, musicianship, and the sheer joy of making music together that has established them as one of today's most exciting ensembles. The Trio has delighted audiences in coast-to-coast tours, performi ng in such major centers as New York, Los Angeles, Montreal, Detroit, Chicago, Toronto, and New Orleans and will soon be reaching yet a wider public with the release of their first recording, the Mendelssohn Trios on Vox Cum Laude. The Trio formed as a result of an ongoing relationship between the three artists developed through a series of performances on the YM-YWHA's acclaimed "Chamber Music at the Y" series, which is directed by Jaime Laredo. -
Emerson String Quartet
HOUSTON FRIENDS OF MUSIC THE SHEPHERD SCHOOL OF MUSIC present the EMERSON STRING QUARTET EUGENE DRUCKER, VIOLIN (1st in Aitken & Schubert) PHILIP SETZER, VIOLIN (1st in Beethoven & Barber) .. LAWRENCE DUTTON, VIOLA DAVID FINCKEL, CELLO MONDAY -,. APRIL 28, 2003 8:00 P.M. STUDE CONCERT HALL ALICE PRATT BROWN HALL RICE UNIVERSITY THIS PROJECT IS FUNDED IN PART BY THE CITY OF HOUSTON AND TIIE T EXAS COMMISSION ON THE ARTS THROUGH THE CULTURAL ARTS COUNCIL OF HOUSTON/HARRIS COUNTY. EMERSON STRING QUARTET -PROGRAM- LUDWIG van BEETHOVEN (1770-1827) Quartet in F Major, Op. 18, No. 1 (1798) Allegro con brio Adagio affettuoso ed appassionato Scherzo: Allegro molto Allegro HUGH AITKEN (b.1924) Laura Goes to India (1998) SAMUEL BARBER (1910-1981) A . Adagio for String Quartet, Op. 11 (1936) -INTERMISSION- FRANZ SCHUBERT (1797-1828) Quartet in D Minor, D. 810, "Death and the Maiden" (1824) Allegro Andante con moto Scherzo: Allegro molto Presto -.. The Emerson String Quartet appears by arrangement with IMC Artists and records exclusively for Deutsche Grammophon. www.emersonquartet.com LUDWIG van BEETHOVEN (1770-1827) Quartet in F Major, Op. 18, No. 1 (1798) ·.1 Beethoven wrote the Opus 18 Quartets during his first years in Vienna. He had arrived from Germany in 1792 by permission of the Elector of Bonn, shortly before his twenty-second birthday, in high spirits and carrying with him introductions to some of the most prominent members of music-loving Viennese nobility, who welcomed him into their substantial musical lives. At the end of his first four years in Vienna he had established himself as a pianist of major importance and a composer of the utmost promise; he had published, among other things, a set of three Piano Trios, Op.l, three Trios for Strings, Op. -
Groundbreakers August 17–August 25, 2019 Burlington, Vt
GROUNDBREAKERS AUGUST 17–AUGUST 25, 2019 BURLINGTON, VT FESTIVAL PROGRAM SOOVIN KIM & GLORIA CHIEN artistic directors DAVID SERKIN LUDWIG resident composer LAKE CHAMPLAIN 11 TH CHAMBER MUSIC FESTIVAL SEASON FESTIVAL ARTISTS Ara Guzelimian, guest speaker Merz Trio with Nicholas Kitchen, guest speaker Tod Machover, guest composer Caroline Copeland Sunday, November 10 at 2 pm Daniel Chong, violin Bella Hristova, violin Jaime Laredo, violin Soovin Kim, violin The Westerlies Jessica Bodner, viola with Lucy Shelton Burchard Tang, viola Sunday, April 12 at 2 pm Priscilla Lee, cello Sharon Robinson, cello Evan Premo, double bass Emi Ferguson, flute Roni Gal-Ed, oboe Romie de Guise-Langlois, clarinet Bixby Kennedy, clarinet Peter Kolkay, bassoon Wei-Ping Chou, horn Richard King, horn Mark Emery, trumpet Gloria Chien, piano Welcome to Groundbreakers, Matan Porat, piano our 11th summer festival! FLYNN Teresa Wakim, soprano This year we focus on visionary Martin Near, alto composers of the last 500 years who shaped the course of music history. Jason McStoots, tenor Sumner Thompson, tenor Over the last few centuries music has gone through a remarkable evolution. Paul Guttry, bass Composers today have an ever-expanding repertoire of expressive musical Joshua Weilerstein, conductor tools. Harmony, rhythm, structure, and instrumentation are only a few of Borromeo String Quartet 19 the compositional elements composers have used to add multiple layers of Nicholas Kitchen, violin complexity. Kristopher Tong, violin Musical evolution has been driven by powerful innovators. Haydn in the Mai Motobuchi, viola 18th century and Bartók in the 20th transformed the string quartet, Beethoven Yeesun Kim, cello expanded musical structure, Debussy and Schoenberg re-imagined harmony, Merz Trio 20 Stravinsky made polyrhythms the norm, and Tod Machover utilizes today’s Brigid Coleridge, violin rapid advances in technology. -
“Completely Engrossing Powerful and Elegant” the Cavani Quartet H
Cavani String Quartet Described by the Washington Post as “completely engrossing powerful and elegant” The Cavani Quartet has dedicated its artistic life to communicating the joy of discovery in the service of some of the most powerful music ever written. "Their artistic excellence, their generous spirit, and their fervent ambassadorship for great music make them unique among America's greatest string quartets.” The Cavani Quartet continues its unique journey maintaining an energetic balance between performing masterpieces by composers such as Mozart, Beethoven and Bartok; collaborating with living composers; and creating new programming that joins music, poetry, and dance.The quartet continues to inspire and shape the musical lives of the next generation through their acclaimed Art of Collaboration Seminar which emphasizes a "team -work" approach.The quartet’s thirty year legacy has garnered impressive recognition including the Ohio Governors Award for the Arts, Musical America Magazine's Young Artists of the Year, Naumburg Chamber Music Award, The Cleveland Quartet Award at Eastman and the ASCAP Award for Adventurous Programming. The Cavani Quartet has toured throughout all fifty states, and internationally, performing at some of the worlds most prestigious festivals, including Aspen , The New World Symphony, Norfolk Chamber Music Festival, Kniesel Hall, Interlochen, Madeline Island, Chautauqua Festival, Encore Chamber Music and The Perlman Music Program. The Quartet has been featured on NPR Performance Today and St Paul Sunday Morning, -
News Release
NEWS RELEASE FOR IMMEDIATE RELEASE Press contact: John Stolen 541.310.1876 | [email protected] New York Youth Symphony’s 2020/21 Composition Program Features Guest Speakers Nico Muhly, Jessie Montgomery, John Corigliano, and more New York, NY - New York Youth Symphony (NYYS), is excited to announce the 2020/2021 season of its Composition Program. Led by director Dr. Kyle Blaha the program offers student composers the opportunity to explore the world of composition and orchestration through seminars, individual tutorials, and workshops, plus reading sessions with professional musicians, and performances. This season will feature guest composers and artists including John Corigliano, Andrea DelGiudice, Reena Esmail, Molly Joyce, harpist Bridget Kibbey, Mari Kimura, David Ludwig, oboist Toyin Spellman-Diaz, percussionist Javier Diaz, violist and composer Jessica Meyer, violinist and composer Jessie Montgomery, Nico Muhly, cellist Philip Sheegog, Chen Yi, and the Aizuri Quartet. Students' works will be read and workshopped throughout the season, culminating in a final performance by members of the NYYS Orchestra, Chamber Music, Jazz, and Apprentice Conducting programs at the annual Composition Date 2021 concert at Leonard Nimoy Thalia at Symphony Space on Thursday, May 13, 2021. Director Dr. Kyle Blaha says, “I am thrilled to announce our 20/21 season! I look forward to our students engaging with our brilliant guest composers and artists who represent diverse styles, backgrounds, careers, and points of view.” Participating students explore the musical thought of a wide variety of composers and concepts. Examples are drawn from the vast classical repertoire and a range of musical traditions from throughout the world. The program aims to cultivate the students' own voices through class discussion, written exercises, and free composition, as well as feedback from the industry’s leading performers and thinkers. -
Norfolk Chamber Music Festival Also Has an Generous and Committed Support of This Summer’S Season
Welcome To The Festival Welcome to another concerts that explore different aspects of this theme, I hope that season of “Music you come away intrigued, curious, and excited to learn and hear Among Friends” more. Professor Paul Berry returns to give his popular pre-concert at the Norfolk lectures, where he will add depth and context to the theme Chamber Music of the summer and also to the specific works on each Friday Festival. Norfolk is a evening concert. special place, where the beauty of the This summer we welcome violinist Martin Beaver, pianist Gilbert natural surroundings Kalish, and singer Janna Baty back to Norfolk. You will enjoy combines with the our resident ensemble the Brentano Quartet in the first two sounds of music to weeks of July, while the Miró Quartet returns for the last two create something truly weeks in July. Familiar returning artists include Ani Kavafian, magical. I’m pleased Melissa Reardon, Raman Ramakrishnan, David Shifrin, William that you are here Purvis, Allan Dean, Frank Morelli, and many others. Making to share in this their Norfolk debuts are pianist Wendy Chen and oboist special experience. James Austin Smith. In addition to I and the Faculty, Staff, and Fellows are most grateful to Dean the concerts that Blocker, the Yale School of Music, the Ellen Battell Stoeckel we put on every Trust, the donors, patrons, volunteers, and friends for their summer, the Norfolk Chamber Music Festival also has an generous and committed support of this summer’s season. educational component, in which we train the most promising Without the help of so many dedicated contributors, this festival instrumentalists from around the world in the art of chamber would not be possible. -
MUSIC for Days Like This VERMONT
VERMONT SYMPHONY ORCHESTRA PRESENTS MUSIC for days like this SATURDAY, NOVEMBER 21, 7:30 PM ELLEY-LONG MUSIC CENTER, COLCHESTER HOSTED BY DAVID LUDWIG CURATED BY MATT LAROCCA HUNGARIAN DANCE NO. 6 IN D MAJOR Johannes Brahms (1833-1897) Brahms’ Hungarian Dances are a set of 21 lively tunes ranging from one to five minutes in length, based mostly on Hungarian themes and completed in 1879. They are among Brahms’ most popular (and profitable!) works. Originally written for piano four hands, they have since been arranged (by Brahms and others) for a wide variety of instruments and ensembles. Only numbers 11, 14, and 16 are entirely original compositions; the rest are based on folk tunes—and in some cases, allegedly “borrowed” tunes from other composers. In common they have a faithful adherence to the energetic, mercurial spirit of Hungarian folk music. David Serkin Ludwig, VSO New Music Advisor TAMBORITO AND CUMBIA Y CONGO FROM DANZAS DE PANAMA David Serkin Ludwig’s first memory William Grant Still (1895-1978) was singing Beatles songs with his sister; his second was hearing his Raised in Arkansas and often referred to as grandfather perform at Carnegie “The Dean of African-American Composers,” Still developed an appetite for classical music early on, Hall; foreshadowing a diverse career thanks to a music-loving stepfather, and attended collaborating with many of today’s Oberlin College on scholarship. Thereafter he studied privately leading musicians, filmmakers, and with George Chadwick and the noted ultra-modern composer Edgar Varese. writers. His choral work “The New Colossus,” opened the private prayer Still was the first Afro-American to conduct a major American orchestra, the first to have a symphony performed by a leading service for President Obama’s second orchestra, the first to have an opera programmed by a major inauguration.