Festival Artists
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Booklet
559199 bk Helps US 12/01/2004 11:54 am Page 8 Robert HELPS AMERICAN CLASSICS (1928-2001) ROBERT HELPS Shall We Dance Piano Quartet • Postlude • Nocturne Spectrum Concerts Berlin 8.559199 8 559199 bk Helps US 12/01/2004 11:54 am Page 2 Robert Helps (1928-2001) ROBERT HELPS (1928-2001) Shall We Dance • Piano Quartet • Postlude • Nocturne • The Darkened Valley (John Ireland) 1 Shall We Dance for Piano (1994) 11:09 Robert Helps was Professor of Music at the University of Minneapolis, and elsewhere. His later concerts included Piano Quartet for Piano, Violin, Viola and Cello (1997) 25:55 South Florida, Tampa, and the San Francisco memorial solo recitals of the music of renowned Conservatory of Music. He was a recipient of awards in American composer Roger Sessions at both Harvard and 2 I. Prelude 10:24 composition from the National Endowment for the Arts, Princeton Universities, an all-Ravel recital at Harvard, 3 II. Intermezzo 2:24 the Guggenheim, Ford, and many other foundations, and and a solo recital in Town Hall, NY. His final of a 1976 Academy Award from the Academy of Arts compositions include Eventually the Carousel Begins, for 4 III. Scherzo 3:02 and Letters. His orchestral piece Adagio for Orchestra, two pianos, A Mixture of Time for guitar and piano, which 5 IV. Postlude 8:12 which later became the middle movement of his had its première in San Francisco in June 1990 by Adam 6 V. Coda – The Players Gossip 1:53 Symphony No. 1, won a Fromm Foundation award and Holzman and the composer, The Altered Landscape was premièred by Leopold Stokowski and the Symphony (1992) for organ solo and Shall We Dance (1994) for 7 Postlude for Horn, Violin and Piano (1964) 9:11 of the Air (formerly the NBC Symphony) at the piano solo, Piano Trio No. -
Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
2017–2018 Season Artist Index
2017–2018 Season Artist Index Following is an alphabetical list of artists and ensembles performing in Stern Auditorium / Perelman Stage (SA/PS), Zankel Hall (ZH), and Weill Recital Hall (WRH) during Carnegie Hall’s 2017–2018 season. Corresponding concert date(s) and concert titles are also included. For full program information, please refer to the 2017–2018 chronological listing of events. Adès, Thomas 10/15/2017 Thomas Adès and Friends (ZH) Aimard, Pierre-Laurent 3/8/2018 Pierre-Laurent Aimard (SA/PS) Alarm Will Sound 3/16/2018 Alarm Will Sound (ZH) Altstaedt, Nicolas 2/28/2018 Nicolas Altstaedt / Fazil Say (WRH) American Composers Orchestra 12/8/2017 American Composers Orchestra (ZH) 4/6/2018 American Composers Orchestra (ZH) Anderson, Laurie 2/8/2018 Nico Muhly and Friends Investigate the Glass Archive (ZH) Angeli, Paolo 1/26/2018 Paolo Angeli (ZH) Ansell, Steven 4/13/2018 Boston Symphony Orchestra (SA/PS) Apollon Musagète Quartet 2/16/2018 Apollon Musagète Quartet (WRH) Apollo’s Fire 3/22/2018 Apollo’s Fire (ZH) Arcángel 3/17/2018 Andalusian Voices: Carmen Linares, Marina Heredia, and Arcángel (SA/PS) Archibald, Jane 3/25/2018 The English Concert (SA/PS) Argerich, Martha 10/20/2017 Orchestra dell’Accademia Nazionale di Santa Cecilia (SA/PS) 3/22/2018 Itzhak Perlman / Martha Argerich (SA/PS) Artemis Quartet 4/10/2018 Artemis Quartet (ZH) Atwood, Jim 2/27/2018 Louisiana Philharmonic Orchestra (SA/PS) Ax, Emanuel 2/22/2018 Emanuel Ax / Leonidas Kavakos / Yo-Yo Ma (SA/PS) 5/10/2018 Emanuel Ax (SA/PS) Babayan, Sergei 3/1/2018 Daniil -
Ani Kavafian, Violin
Ani Kavafian, violin Violinist Ani Kavafian enjoys a prolific career as a soloist, chamber musician, and professor. She has performed with many of America’s leading orchestras, including the New York Philharmonic, Philadelphia Orchestra, Cleveland Orchestra, Los Angeles Chamber Orchestra, and San Francisco Symphony. In the 2019-20 season, she continues her longtime association as an artist of the Chamber Music Society with appearances in New York and on tour. Last summer she participated in several music festivals including the Heifetz International Institute and the Sarasota Chamber Music, Bridgehampton, Meadowmount, Norfolk, and Angel Fire festivals. She and her sister, violinist and violist Ida Kavafian, have performed with the symphonies of Detroit, Colorado, Tucson, San Antonio, and Cincinnati, and have recorded the music of Mozart and Sarasate on the Nonesuch label. She is a Full Professor at Yale University and has appeared at Carnegie’s Zankel Hall numerous times with colleagues and students from Yale. She has received an Avery Fisher Career Grant and the Young Concert Artists International Auditions award, and has appeared at the White House on three occasions. Her recordings can be heard on the Nonesuch, RCA, Columbia, Arabesque, and Delos labels. Born in Istanbul of Armenian heritage, Ms. Kavafian studied violin in the US with Ara Zerounian and Mischa Mischakoff. She received her master’s degree from The Juilliard School under Ivan Galamian. She plays the 1736 Muir McKenzie Stradivarius violin. . -
Brentano String Quartet
“Passionate, uninhibited, and spellbinding” —London Independent Brentano String Quartet Saturday, October 17, 2015 Riverside Recital Hall Hancher University of Iowa A collaboration with the University of Iowa String Quartet Residency Program with further support from the Ida Cordelia Beam Distinguished Visiting Professor Program. THE PROGRAM BRENTANO STRING QUARTET Mark Steinberg violin Serena Canin violin Misha Amory viola Nina Lee cello Selections from The Art of the Fugue Johann Sebastian Bach Quartet No. 3, Op. 94 Benjamin Britten Duets: With moderate movement Ostinato: Very fast Solo: Very calm Burlesque: Fast - con fuoco Recitative and Passacaglia (La Serenissima): Slow Intermission Quartet in B-flat Major, Op. 67 Johannes Brahms Vivace Andante Agitato (Allegretto non troppo) Poco Allegretto con variazioni The Brentano String Quartet appears by arrangement with David Rowe Artists www.davidroweartists.com. The Brentano String Quartet record for AEON (distributed by Allegro Media Group). www.brentanoquartet.com 2 THE ARTISTS Since its inception in 1992, the Brentano String Quartet has appeared throughout the world to popular and critical acclaim. “Passionate, uninhibited and spellbinding,” raves the London Independent; the New York Times extols its “luxuriously warm sound [and] yearning lyricism.” In 2014, the Brentano Quartet succeeded the Tokyo Quartet as Artists in Residence at Yale University, departing from their fourteen-year residency at Princeton University. The quartet also currently serves as the collaborative ensemble for the Van Cliburn International Piano Competition. The quartet has performed in the world’s most prestigious venues, including Carnegie Hall and Alice Tully Hall in New York; the Library of Congress in Washington; the Concertgebouw in Amsterdam; the Konzerthaus in Vienna; Suntory Hall in Tokyo; and the Sydney Opera House. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
2002-2003 Perron in Recital
CONSERVATORY OF Music presents PERRON IN RECITAL featuring: Johanne Perron, cello with Tao Lin, piano Friday, March 7, 2003 7:30 p.m. Amarnick-Goldstein Concert Hall de Hoernle International Center Program Sonata for cello and piano No. 1, in F Major .............. Beethoven Adagio sostenuto - Allegro Rondo: Allegro vivace Suite for solo cello ..................................... Cassado · Prelude - Fantasia Sardana - Danza Intennezzo e danza finale Variations on a theme ofRossini . Martinu INTERMISSION Sonata in A Major . Franck Allegro hen moderato Allegro Recitativo - Fantasia, hen moderato Allegretto poco mosso Biogra~hies J h e P rr cello Ms. Perron is well established as an important artist and teacher, enjoying a career at an international level. She has appeared with orchestras and in recitals in Canada, Brazil, the United States, and Europe, and currently maintains a concert schedule as a soloist and chamber musician. She has been featured on nationwide radio and television, and has won top prizes in numerous competitions. Born in Quebec Province, Canada, Ms. Perron made her debut in Montreal with the Montreal Symphony Orchestra at the age of seventeen. She continued her studies at the Conservatory of Quebec with Pierre Morin, and in 1978 received first prize in cello and chamber music, which was the result of a unanimous decision of the jury. She pursued her studies with Aldo Parisot at Yale University on a scholarship from the Arts Council and the Ministry of Cultural Affairs of Canada, and in 1981 she received her master of music degree from Yale, together with the coveted "Frances G. Wickes Award." She won the Prix d'Europe in 1984 and was given first prize in the string division of the "Tremplin International des Concours de Musique du Canada." She has participated in master classes with distinguished artists Janos Starker in Banff, Canada; Pierre Fournier in Geneva, Switzerland; Fritz Magg, Nathaniel Rosen, and Paul Tortelier in Los Angeles, California; and she subsequently became a special student of Leonard Rose at The Juilliard School. -
Peace, Love, Mozart & Beethoven
Peace, Love, Mozart & Beethoven January 22, 2017 California Symphony Peace, Love, Mozart & Beethoven Lesher Center for the Arts, Hofmann Theatre January 22, 4:00 PM Donato Cabrera, Music Director Maria Radutu, piano Theofanidis (b. 1967) .......................Peace Love Light YOUMEONE (2001) 5 minutes Mozart (1756–1791) .........................Piano Concerto No. 23, KV 488 26 minutes Maria Radutu, piano INTERMISSION Beethoven (1770–1827) ..................Symphony No. 4, Op. 60 34 minutes The total running time for this concert is approximately 1 hour and 30 minutes, including a 20-minute intermission. Please silence your cell phones. Support for this concert is provided by January 2017 5 The California Symphony Orchestra Dan Flanagan VIOLA Paul Hale Sergi Goldman-Hull Marcel Gemperli, Robert Hoexter Principal Holly Heilig-Gaul Leslie Meeks Darcy Rindt, Acting Laurien Jones Elizabeth Struble Assistant Principal Christina Knudson Nicole Welch Daria D’Andrea Akiko Kojima Patricia Drury is in Katy Juneau BASS her 28th season as Michelle Maruyama Andy Butler, Principal a violinist in the Betsy London California Symphony. Patricia Miner Michel Taddei, Janet Lynch In addition to her Assistant Principal performing career, David Steele Catherine Matovich Patty is the Orchestra Timothy Spears Sarah Wood Director at Dougherty Elizabeth Prior Valley High School in Carl Stanley SECOND VIOLIN San Ramon where her CELLO Orchestra students Philip Santos, Principal Raymond Vargas Leighton Fong, have established a Kristin Zoernig mentorship with the 3Patricia Drury Principal children of our Sound Minds program. Noah Strick Julie Feldman Sharon Wood Dawn Foster-Dodson FIRST VIOLIN Jennifer Cho, Acting William Harvey has been performing with the California Concertmaster Symphony since 1994. -
The Newness of It All
the Newness of it all... SEPTEMBER 16–18, 2016 Michelle Djokic, Artistic Director Friday,Concert September 16, 1 2016 7:00 pm The Barn at Glen Oaks Farm, Solebury, PA “Oh Gesualdo, Divine Tormentor” Bruce Adolphe SEPTEMBER for string quartet (b. 1955) 16–18, 2016 chamberfest IN THE HEART OF BUCKS COUNTY Deh, come in an sospiro Belta, poi che t'assenti Resta di darmi noia nco Gia piansi nel dolore Moro, lasso Adolphe - More or Less Momenti Clarinet Quintet in A major, K. 581 Wolfgang A. Mozart for clarinet and string quartet (1756 – 1791) THE ARTISTS Allegro Larghetto Piano - Anna Polonsky Menuetto Clarinet - Romie de Guise-Langlois Alllegretto con variazione-Adagio-Allegro Violin - Philippe Djokic, Emily Daggett-Smith Viola - Molly Carr, Juan-Miguel Hernandez Cello - Michelle Djokic k INTERMISSION k C String Quintet in C major, Opus 29 Ludwig van Beethoven for two violins, two violas and cello (1770 – 1827) Allegro moderato Adagio molto espressivo Scherzo -Allegro Presto k 1 OpenSaturday, SeptemberRehearsal 17, 2016 Sunday,Concert September 18,2 2016 10:30 am-1:00 pm & 2:00-5:00 pm 3:00 pm The Barn at Glen Oaks Farm, Solebury, PA The Barn at Glen Oaks Farm, Solebury, PA Art of the Fugue, BWV 1080 Contrapunctus I-IV Johann S. Bach Open rehearsal will feature works from for string quartet (1685 – 1750) Sunday’s program of Bach, Copland and Schumann Contrapunctus I - Allegro Contrapunctus II- Allegro moderato k Contrapunctus III - Allegro non tanto Contrapunctus IV - Allegro con brio Sextet Aaron Copland for clarinet, piano and string quartet (1900 – 1990) Allegro vivace Lento Finale k INTERMISSION k Piano Quartet in Eb Major, Opus 47 Robert Schumann for piano, violin, viola and cello (1810 – 1856) Sostenuto assai - Allegro ma non troppo Scherzo, Molto vivace Andante cantabile Finale, Vivace k For today's performance we are using a Steinway piano selected from Jacobs Music Company 2 3 PROGRAM NOTES Momenti, which consists of some of the strangest moments in Gesualdo’s music orga- nized into a mini tone-poem for string quartet. -
20Th May - 14Th June Welcome 2
1 20th May - 14th June Welcome 2 Welcome to the May / June 2021 West Wicklow Festival! I am thrilled that the festival is delivering such a superb programme, featuring so many incredibly talented and exciting artists, all for free online, in tip top HD quality. Of course we all desperately miss live audiences, but I hope the quality of the recordings will make everyone feel that the concert hall experience has been welcomed into their own home! It has been a huge challenge to organise this year’s festival with many extra obstacles, but I hope that everyone will enjoy the final product, into which, all involved, have poured their hearts and souls. A huge thank you to all of our public and private patrons for their invaluable support.If you are in a position to make a donation to support our festival charity please consider doing so. Enjoy the concerts and I look forward to being re-united with you all in Wicklow soon! Fiachra Garvey Founder and Artistic Director Programme 3 Thursday 20th May 2021, 8pm Notes Ian Fox 2021 Rachel Kelly (mezzo-soprano) Fiachra Garvey (piano) Gabriel Fauré (1845-1924) Après un rêve Claude Debussy (1862-1918) C’est L’extase langoureuse Reynaldo Hahn (1874-1947) À Chloris Hector Berlioz (1803-1869) L’île inconnue Rachel and Fiachra begin with four famous chansons or French art songs. Gabriel Fauré wrote Après un rêve in the 1870s and it was published in 1878. Later it was incorporated into an edition of three songs and published as Opus 7. -
CCMA Coleman Competition (1947-2015)
THE COLEMAN COMPETITION The Coleman Board of Directors on April 8, 1946 approved a Los Angeles City College. Three winning groups performed at motion from the executive committee that Coleman should launch the Winners Concert. Alice Coleman Batchelder served as one of a contest for young ensemble players “for the purpose of fostering the judges of the inaugural competition, and wrote in the program: interest in chamber music playing among the young musicians of “The results of our first chamber music Southern California.” Mrs. William Arthur Clark, the chair of the competition have so far exceeded our most inaugural competition, noted that “So far as we are aware, this is sanguine plans that there seems little doubt the first effort that has been made in this country to stimulate, that we will make it an annual event each through public competition, small ensemble chamber music season. When we think that over fifty performance by young people.” players participated in the competition, that Notices for the First Annual Chamber Music Competition went out the groups to which they belonged came to local newspapers in October, announcing that it would be held from widely scattered areas of Southern in Culbertson Hall on the Caltech campus on April 19, 1947. A California and that each ensemble Winners Concert would take place on May 11 at the Pasadena participating gave untold hours to rehearsal Playhouse as part of Pasadena’s Twelfth Annual Spring Music we realize what a wonderful stimulus to Festival sponsored by the Civic Music Association, the Board of chamber music performance and interest it Education, and the Pasadena City Board of Directors. -
School of Music 2016–2017
BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2016–2017 School of Music 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 7 July 25, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Goff-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.