Lincoln Center Festival 2012 Sponsor

Home , Alice Tully, City Noir, Jean Coralli

Nonprofit Organization U.S. Postage PAID Lincoln Center for the Performing Arts July 5–August 5, 2012

70 Lincoln Center Plaza New York, NY 10023-6583 July 5–August 5, 2012

Tickets On Sale Now! LincolnCenterFestival.org 212.721.6500

Mikhail Baryshnikov and Paris Opera Ballet—Giselle Alan Cumming—Macbeth Cate Blanchett and Anna Sinyakina—In Paris Richard Roxburgh—Uncle Vanya

cover artwork by Luciano De Liberato, photo by Gino Di Paolo, RED, 2003, acrylic on canvas, 31.5 x 31.5 in. Lincoln Center Festival 2012 Sponsor

Major Support The Andrew W. Mellon Foundation JULY 11–22

Supporters Nancy A. Marks “For those who live for ballet virtuosity, LuEsther T. Mertz Charitable Trust this is the company to see.” China International Culture Association The Skirball Foundation —New York Times The Harold & Mimi Steinberg Charitable Trust The Katzenberger Foundation, Inc. The Shubert Foundation Jennie and Richard DeScherer The Grand Marnier Foundation The Andrea and Charles Bronfman Philanthropies The Joelson Foundation The Harkness Foundation for Dance Georges Lurcy Charitable and Educational Trust Mitsui USA Foundation Great Performers Circle Chairman’s Council Producers Circle Friends of Lincoln Center

Public support is provided by New York City Department of Cultural Affairs New York State Council on the Arts National Endowment for the Arts

Endowment support is provided by Doris Duke Charitable Foundation Nancy Abeles Marks

National Sponsor of Lincoln Center

Official Sponsor of Lincoln Center

Official Airline of Lincoln Center

Official Broadcast Partner of Lincoln Center

Official Wine of Lincoln Center

Celebrate Summer at Lincoln Center

Artist Catering Provider Orpheus and Eurydice

212.721.6500 1 Boléro Giselle Orpheus and Eurydice

The legendary Paris Opera Ballet, the oldest national ballet company in the world and the one that literally invented the form, gives its first New York performances in more than 15 years.

French Masters of the Giselle Orpheus and Eurydice 20th Century One of the great creations in the company’s history and A dance opera by Pina Bausch

This program captures the excitement of French ballet in a jewel of the form, Giselle is the consummate Romantic ballet, a mysterious, gentle, and melancholy story of This “utterly mesmerizing…astounding work” the 20th century, including Suite en Blanc by Serge Lifar, a choreographer whose roots go back to the Ballets innocence, betrayal, and, ultimately, love. Giselle was (New York Times) marries Gluck’s famous opera choreographed nearly two centuries ago for the Paris with the legendary Pina Bausch’s fierce and riveting Russes; L’Arlésienne by Roland Petit, who defined the Opera Ballet by Jean Coralli and Jules Perrot, and this choreography in a stunning study of the fragility of the contemporary French style in the 1950s; and Boléro by Maurice Bejart, who brought the spirit of rebellion to company performs it unlike any other. human condition. First performed by the Paris Opera the explosive 1960s. Ballet in 2005, it weaves music and dance together New York City Opera Orchestra to tell a complex and ultimately tragic story.

New York City Opera Orchestra Composer Adolphe Adam Balthasar-Neumann Ensemble und Chor Suite en Blanc Choreography Jean Coralli and Jules Perrot (1841) Restaged by (1887) Composer Composer Édouard Lalo Marius Petipa Christoph Willibald Gluck Adapted by and (1991) Choreography and staging Choreography Serge Lifar Patrice Bart Eugène Polyakov Pina Bausch

L’Arlésienne Friday, July 13 at 8:00 Friday, July 20 and Saturday, July 21 at 8:00 Composer Georges Bizet Saturday, July 14 at 2:00 and 8:00 Sunday, July 22 at 3:00 Choreography Roland Petit Tuesday, July 17–Thursday, July 19 at 8:00 Tickets from $30 Tickets from $25 Boléro Sung in German Composer Maurice Ravel Choreography Maurice Béjart All performances at David H. Koch Theater For full cast, please visit LincolnCenterFestival.org Wednesday, July 11 and Thursday, July 12 at 8:00 Sunday, July 15 at 3:00 Tickets from $25

This presentation of The Paris Opera Ballet is made possible in part by generous support from The Grand Marnier Foundation, The Joelson Foundation, and Georges Lurcy Charitable and Educational Trust.

The Paris Opera Ballet’s U.S. tour is underwritten by The Annenberg Foundation/GRoW, The Florence Gould Foundation, and Vacheron Constantin and sponsored by Safran and United Airlines in association with the American Friends of the Paris Opera & Ballet and l’AROP—The Friends of the Paris Opera.

Additional generous support provided by Institut français, NYSE Euronext, Giselle The Pershing Square Foundation, and The Jerome Robbins Foundation. 2 LincolnCenterFestival.org 212.721.6500 3 DRUID THEATRE COMPANY

Plays by Tom Murphy

Crossing an ocean and spanning over a century, DruidMurphy Conversations on a Homecoming is the story of Irish emigration, of those who went and those Even the humblest of small-town pubs can be a magnet for who were left behind—a sweeping tale told through three great dreamers. In the 1970s, Michael, after a ten-year absence, plays by Tom Murphy: Conversations on a Homecoming, suddenly returns from New York to County Galway in the west A Whistle in the Dark, and Famine. of Ireland and visits his former haunt, the White House pub. Over pints, stories, and laughs, he and his old friends come to realize Tom Murphy’s cutting, darkly comic playwriting has made him that the years have brought none of them the lives they sought. perhaps his country’s most respected living dramatist—“the Thursday, July 5 at 7:30* nearest thing to a genius that Ireland can boast of,” says novel- Tuesday, July 10 at 7:30 ist Colm Tóibín—having profoundly influenced younger writers like Martin McDonagh, Enda Walsh, and Conor McPherson. A Whistle in the Dark This major project staged by one of Ireland’s most consistently It’s 1960, and the violent, hard-drinking Carney family has been daring theater companies is a rare look for New York audiences uprooted from County Mayo, in the west of Ireland, and finds at Murphy’s work and at the Irish people. itself struggling to adapt to life in Coventry, England.

DruidMurphy, which can be seen across three separate evenings Friday, July 6 at 7:30* or in a single day of theater, is directed by Garry Hynes, “probably Wednesday, July 11 at 7:30 the foremost interpreter of Irish drama in the world today” (New York Times), who returns to Lincoln Center Festival for the Famine third time. In 2011, the Festival saw Hynes’s critically acclaimed This wrenching look at perhaps Ireland’s bleakest era opens in staging of O’Casey’s The Silver Tassie; and DruidSynge, which 1846 in the village of Glanconnor, County Mayo, where the the New York Times’s Charles Isherwood called “a highlight not second crop of potatoes has failed and the community faces the very real prospect of starvation. John Connor, head of the family, just of my theatergoing year, but of my theatergoing life,” was leader of the village, son of glorious forefathers, will do the right part of Lincoln Center Festival 2006. thing by his family, by God—and moreover by himself.

Druid Theatre Company Saturday, July 7 at 7:30* Director Garry Hynes Thursday, July 12 at 7:30 With Niall Buggy, Edward Clayton, Beth Cooke, Gavin Drea, David Herlihy, Garrett Lombard, Aaron Monaghan, Marie Mullen, Michael Glenn Murphy, Treasa Ní Mhollain, Rory Nolan, John Olohan, Frank O’Sullivan, Marty Rea, DruidMurphy Full Cycle Days Eileen Walsh, Joseph Ward Experience the full breadth of this project and see all three plays in one day. All performances at Gerald W. Lynch Theater “The best-kept secret of Irish theater: Tom Murphy.” at John Jay College Sunday, July 8 at 1:00† Individual tickets from $40 Saturday, July 14 at 1:00 —New York Times Full cycle tickets from $120 *Preview performance † Co-produced by Lincoln Center Festival, Quinnipiac University, NUI Galway, Opening performance and Galway Arts Festival “DruidMurphy is the story of a nation. Essential.” Tom Murphy —Irish Times 4 LincolnCenterFestival.org 212.721.6500 5 A 70th Birthday Tribute to Curtis Mayfield

The product of a collaboration between Lincoln Center Festival and the Mayfield estate, this one-night-only event pays tribute to the late Curtis Mayfield, an iconic Grammy Lifetime Achievement Award winner and Rock and Roll Hall of Fame member whose music served as a soundtrack to the civil rights movement, introducing poetry and moral affirmation into pop, soul, funk, and R&B. A roster of special guest artists from across decades and styles joins The Impressions, the inimitable vocal soul group Mayfield led early in his career, along with a 14-piece house band under the musical directorship of guitarist Binky Griptite The Impressions Mavis Staples Aloe Blacc of the funk-infused Dap-Kings.

Mayfield started his career in the 1960s as a self-taught guitarist, vocalist, and songwriter, penning such hits as “Gypsy Woman” and the now-classic “People Get Ready.” Following his departure from The Impressions, he found solo success in the 1970s, including 1972’s chart-topping album Super Fly, his adroitly crafted soundtrack to the blaxploitation film of the same name. In the decades that followed, Mayfield worked on his own label Curtom Records and produced for artists like Aretha Franklin and Gladys Knight. Mayfield died in 1999 at age 57, nine years after he was left paralyzed from the neck down by a tragic accident during a concert in Brooklyn.

This concert also celebrates the launch of the Curtis Mayfield Foundation, created by the Mayfield family as a way to help “Curtis Mayfield is to soul music what Bach was disadvantaged youth realize their musical dreams. to the classics and Gershwin and Irving Berlin

Friday, July 20 at 8:00 were to pop music.” Avery Fisher Hall —Aretha Franklin Tickets from $35

Curtis Mayfield

6 LincolnCenterFestival.org 212.721.6500 7 “Thanks to Saariaho’s silvery, shimmering instrumentation… even multilayered masses of chord stay transparent and diaphanous.” —Die Presse (Austria)

Émilie is a modern one-singer, multimedia tour de force about an extraordinary woman: French Enlightenment thinker Émilie du Châtelet. Émilie was many things: the brilliant physicist who first defined kinetic energy; mistress to Voltaire, among other luminaries; a prodigious mathematician and the translator of Newton’s Principia Mathematica; the author of a treatise on the happiness of women; a pioneer of what are now called financial derivatives, which she invented in part to pay off a $1 million debt to card sharks accrued in an unlucky night gambling—all achieved before she died in childbirth in 1749, when she was 42.

Finnish composer Kaija Saariaho is one of the most influential composers of the late 20th and early 21st centuries. Her signa- ture style was largely influenced by her years studying in Paris at IRCAM, where she learned unique techniques to blend live music with electronic effects. Here, she uses elevated speech and soaring melodic arcs to convey her heroine’s rumination on life and the universe, from the tiny new life inside her womb to the vastness of interstellar space, as Émilie struggles with her place in a universe larger than most of us ever contemplate.

World-renowned soprano Elizabeth Futral performs the title role with elegant depth and extreme technical skill, singing almost continuously for the entire 75-minute work. Futral unfolds her character under the direction of Marianne Weems, best known as the artistic director of The Builders Association, whose work exploits the richness of contemporary technologies to extend the boundaries of theater.

New York premiere Thursday, July 19, Saturday, July 21, Composer Kaija Saariaho and Sunday, July 22 at 7:30 Libretto Amin Maalouf Director Marianne Weems Gerald W. Lynch Theater Conductor John Kennedy at John Jay College Soprano Elizabeth Futral Tickets from $35 Ensemble ACJW Sung in French and English with English supertitles

8 LincolnCenterFestival.org 212.721.6500 9 NATIONAL THEATRE OF SCOTLAND

One of Shakespeare’s most deeply psychological plays is given a riveting, utterly original reimagining by the National Theatre of Scotland. Tony Award–winning Scottish star of stage, film, and television Alan Cumming returns to Lincoln Center with a one-man interpretation of Shakespeare’s Scottish play.

Directed by John Tiffany and Andrew Goldberg, this Macbeth is set in the clinical green-tiled room of a psychiatric ward in which Cumming is the lone patient, inhabiting each role himself, including some of Shakespeare’s most complex and troubled characters.

Cumming and Tiffany last joined forces on The Bacchae, with Cumming in the role of Dionysus—“a role he was born to perform,” wrote the New York Times—during Lincoln Center Festival 2008.

By William Shakespeare National Theatre of Scotland Directors John Tiffany and Andrew Goldberg With Alan Cumming

Thursday, July 5 at 7:30* Friday, July 6 at 7:30* Saturday, July 7 at 7:30† Sunday, July 8 at 7:30 Tuesday, July 10–Friday, July 13 at 7:30 Saturday, July 14 at 2:00 and 7:30

Rose Theater Tickets from $25 *Preview performance “With intelligence to match his charm…Mr. Cumming made †Opening night performance

This presentation of Macbeth is made possible a persuasive case for himself as all things to all people.” in part by the members of the Producers Circle. —New York Times

10 LincolnCenterFestival.org 212.721.6500 11 SYDNEY THEATRE COMPANY “I consider the three hours I spent on Saturday night… among the happiest of my theatergoing life.” —Ben Brantley, New York Times On a dilapidated, remote farm, Uncle Vanya and his niece Sonya have worked slavishly to sustain an estate in decline. And so it has been for years, until Sonya’s father and his new wife turn this bucolic scene into a hotbed of disillusionment and consuming unrequited love.

Tamás Ascher directs Anton Chekhov’s classic with exceptional warmth, humor, and insight, in a dazzling, star-studded, and often uproariously funny production by the Sydney Theatre Company, which rose to international prominence under the artistic leadership of Cate Blanchett and Andrew Upton.

Ascher’s production of Chekhov’s Ivanov was praised during Lincoln Center Festival 2009 for its “earthy, vigorous staging” and “rough-and-tumble spirit in which the laughs emerge seamlessly out of the bleakness” (New York Times).

By Anton Chekhov Adapted by Andrew Upton Sydney Theatre Company Director Tamás Ascher With John Bell, Cate Blanchett, Sandy Gore, Hayley McElhinney, Anthony Phelan, Richard Roxburgh, Andrew Tighe, Jacki Weaver, Hugo Weaving

Thursday, July 19 at 7:30* Friday, July 20 at 7:30* Saturday, July 21 at 7:30† Monday, July 23–Friday, July 27 at 7:30 Saturday, July 28 at 1:30 and 7:30

New York City Center Tickets from $25

*Preview performance †Opening night performance

Presented in association with New York City Center

This presentation of Uncle Vanya is made possible in part by the members of the Producers Circle. Additional support provided by Mitsui USA Foundation.

12 LincolnCenterFestival.org 212.721.6500 13 DMITRY KRYMOV LABORATORY

Mikhail Baryshnikov returns to Lincoln Center Festival in a moving story of exile and love directed by theatrical visionary Dmitry Krymov. Adapted by Krymov himself from the 1940 Russian novella by Nobel laureate Ivan Bunin, In Paris is the tale of two Russian immigrants—he, a former general of the White Army; she, a beautiful woman, by many years his junior—who meet by chance in Paris in the 1930s.

Baryshnikov, one of the most legendary and versatile performers of our time, is joined here by Russian actress Anna Sinyakina, along with a talented ensemble. This production reflects the celebrated visual arts background of Krymov, a leader among the new generation of Russian directors. Designed in black and white with giant photographs that serve as both scenery and props—amid which the ensemble performs the original musical score—Krymov’s staging creates a dynamic setting for a haunting piece of poetic theater.

By Ivan Bunin Direction and adaptation Dmitry Krymov With Mikhail Baryshnikov, Anna Sinyakina, Maxim Maminov, Maria Gulik, Dmitry Volkov, Polina Butko, Ossi Makkonen, Lasse Lindberg

Wednesday, August 1 at 7:30 Thursday, August 2 and Friday, August 3 at 7:30 Saturday, August 4 at 2:00 and 7:30 Sunday, August 5 at 2:00

Gerald W. Lynch Theater at John Jay College Tickets from $25

Performed in Russian and French with English supertitles

A co-production of Baryshnikov Arts Center, Dmitry Krymov Laboratory, and “Baryshnikov plies his trade with wonder, grace and more than a touch The AG Foundation, in association with Korjaamo Culture Factory This presentation of In Paris is made possible in part by generous support from of genius…Beyond this there is poetry, beyond this there is heart.” Jennie and Richard DeScherer and the members of the Producers Circle. —San Francisco Chronicle

14 LincolnCenterFestival.org 212.721.6500 15 The work of extraordinary young dancer and choreographer “A radical new presence on the country’s burgeoning Tao Ye unites theater, soundscapes, the visual arts, and silence to riveting effect; Vogue writes that “the moment they begin to contemporary dance scene.” move, the entire space transforms.” —Times (London)

For this New York appearance, TAO presents two works. One of these, called 2, is a duet developed from the rhythms of the spoken word; the performers recorded their own conversations during rehearsal and daily life to develop the accompanying soundscape with Chinese folk-rock musician-composer Xiao He. The resulting performance is both hypnotic and thought- provoking, as virtuosic patterns emerge from minimalistic movements to represent two souls in conversation. The other work, 4, is the company’s newest creation, a high-impact and intensely physical piece for four women, seen here in its North American premiere.

Wednesday, July 25 at 7:30 Friday, July 27 at 7:30

Alice Tully Hall, Starr Theater Tickets from $30

This presentation of TAO Dance Theater is made possible in part by generous support from China International Culture Association.

16 LincolnCenterFestival.org 212.721.6500 17 An empire at stake; two powerful men in love with the same “Unparalleled musical beauty and dramatic power.” exquisite, inscrutable woman; and a plot that will change the course of history. Feng Yi Ting is the historic account of Diao —Le Monde on Guo Wenjing Chan, a legendarily beautiful woman who was the central figure in a dangerous rivalry. This classic Chinese story of love, corruption, and political intrigue is retold under the direction of Canadian film and theater director Atom Egoyan, who returns to the Festival following his work in 2008 directing Liam Neeson in Beckett’s “Eh Joe.”

Guo Wenjing—one of China’s most important contemporary composers, whose opera Night Banquet was praised as “wonderfully strange and ultimately involving” (New York Times) at Lincoln Center Festival 2002—depicts the fateful moment when Diao and her lover meet in the Feng Yi Ting, or “Phoenix Pavilion,” where she encourages him to eliminate his rival and thus save the emperor of the Han Dynasty.

Written for two singers—a Beijing opera tenor and a Sichuan opera soprano, plus a small ensemble—Guo’s spellbinding score combines Chinese and Western musical instruments and traditions to create music that is unmistakably contemporary but also evocative of something ancient, echoed through set designs by Tony-winning Derek McLane; costumes by Han Feng, known for her work on The Metropolitan Opera’s Madama Butterfly; and video by Hong Kong–based visual artist Tsang Kin-wah.

New York premiere Thursday, July 26–Saturday, July 28 at 7:30 Composer Guo Wenjing Director Atom Egoyan Gerald W. Lynch Theater Conductor Ken Lam at John Jay College Soprano Shen Tiemei Tickets from $35 Tenor Jiang Qihu Sung in Chinese with English supertitles Ensemble ACJW Co-produced by Lincoln Center Festival, Spoleto Festival USA, and Currents–Art & Music

This presentation of Feng Yi Ting is made possible in part by generous support from China International Culture Association.

18 LincolnCenterFestival.org 212.721.6500 19 THÉÂTRE VIDY-LAUSANNE “A wonderful spectacle that delights children and fascinates adults…delicate, serious, spellbinding.” —Le Figaro It starts with hands: his father’s hands, his brothers’, his countrymen’s, and above all his own. Told through wordless, utterly playful scenes featuring hand puppets, poetic music, and striking visuals, Hand Stories is Chinese puppeteer Yeung Faï’s deeply personal family history during the vast changes that swept China during the 20th century.

Hand Stories is a magical hour-long show that brilliantly inter- weaves modern multimedia effects with the ancient Chinese puppetry tradition.

Yeung Faï unravels his own autobiographical story, which takes him from China to the streets of Hong Kong, Brazil, and Europe, through traditional depictions of concubines, tigers, and warriors—plus a vision of a guardian angel in the form of a fan of the 1980s rock band Queen.

Yeung Faï is part of the fourth generation of his family to deal with the startlingly expressive form of traditional Chinese hand puppeteering. Hand Stories joins Faï with French puppeteer Yoann Pencolé and a creative team that includes the intense visual design of Taiwan’s Yilan Yeh and with the original music of Colin Offord of Australia.

Creation, design, and puppets Yeung Faï

Wednesday, July 18 and Thursday, July 19 at 7:30 Friday, July 20–Sunday, July 22 at 6:00 and 9:00 Tuesday, July 24 and Wednesday, July 25 at 6:00 and 9:00

Clark Studio Theater Tickets from $50

Produced by Théâtre Vidy-Lausanne and co-produced by Théâtre Jeune Public de Strasbourg—CDN d’Alsace and Théâtre des Marionnettes de Genève, with support by Institut International de la Marionnette de Charleville-Mézières, Pro Helvetia, Arts Council of Switzerland

20 LincolnCenterFestival.org 212.721.6500 21 PURCHASE A FESTIVAL PACKAGE AND SAVE ACT NOW. PACKAGES AVAILABLE THROUGH MAY 31.

Festive First Nights Be among the first in New York to see these exceptional productions and bring a friend to share in the excitement. Get two tickets for the price of one when buying at least three of these Juilliard Orchestra and the Royal Academy performances: DruidMurphy: Conversations on a Homecoming—July 5 of Music Orchestra DruidMurphy: A Whistle in the Dark—July 6 Macbeth—July 5 Paris Opera Ballet: Giselle—July 13 Hand Stories—July 18 The Juilliard School’s renowned student orchestra, composed of Émilie—July 19 some of the best players of the next generation, is joined by TAO Dance Theater—July 25 TAO Dance Theater young players from London’s Royal Academy of Music in a lively program under the baton of John Adams, a giant among contemporary composers, whose own jazz-inflected symphony Chinese Splendor City Noir closes the evening. The performers are joined by Treat yourself to these evenings that feature dazzling performances of innovative and traditional English piano virtuoso Imogen Cooper. Chinese forms. Save 20% when buying tickets to two of the below performances, and 30% when buying tickets to all three. Hand Stories Conductor John Adams Wednesday, July 11 at 7:30 Piano Imogen Cooper Feng Yi Ting RESPIGHI: Feste Romane Avery Fisher Hall TAO Dance Theater Hand Stories RAVEL: Piano Concerto in Tickets from $15—or FREE with the G major purchase of four or more other Lincoln John Adams ADAMS: City Noir Center Festival events. Details on page 23. Classic and Contemporary Dance Presented in association with Enjoy a summer of dance, from the 18th-century masterpiece Giselle to 20th-century classics The Juilliard School. and cutting-edge modern ideas from China. Buy one ticket to each of these three shows and save 25%. Paris Opera Ballet: French Masters of the 20th Century—July 11, 12, or 15 Paris Opera Ballet: Giselle—July 13, 14, 17, 18, or 19 TAO Dance Theater—July 25 or 27 Giselle Intimate Operas Lovers of vocal artistry have three stunning showcases of the form this summer. Buy one ticket to at least two of these shows and save 25%. Émilie “The Juilliard Orchestra can, as you might expect, Feng Yi Ting Paris Opera Ballet: Orpheus and Eurydice handle just about any music you put in front of it.” Elizabeth Futral—Émilie —New York Times City Noir—FREE Get one free ticket to the Juilliard Orchestra and the Royal Academy of Music Orchestra performance on July 11 when you purchase one ticket to four or more other Lincoln Center Festival events in one transaction.

22 LincolnCenterFestival.org All packages and special offers are subject to availability. 212.721.6500 23 HOW TO ORDER FESTIVAL AT A GLANCE JULY 5–AUGUST 5

All Events: New York City Center David H. Koch Theater Online MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY Alice Tully Hall Box Office Events: Events: LincolnCenterFestival.org 5678 West 55th Street between Columbus Avenue at JULY Avery Fisher Hall Box Office DruidMurphy DruidMurphy DruidMurphy DruidMurphy Phone Broadway at 65th Street 6th and 7th Avenues 63rd Street Conversations on a A Whistle in the Dark Famine Full Three Play Cycle Homecoming 7:30* GLT 7:30* GLT 1:00–10:00 GLT 212.721.6500 Mon.–Sat. 10:00 am–6:00 pm Mon.–Sat. noon–8:00 pm Mon.–Sat. 10:00 am–8:00 pm 7:30* GLT National Theatre National Theatre National Theatre Sun. noon–7:30 pm Sun. noon–6:00 pm National Theatre of Scotland of Scotland of Scotland TTY 212.875.5179 Open Daily Sun. noon–6:00 pm of Scotland Macbeth Macbeth Macbeth 10:00 am–9:00 pm Macbeth 7:30* RT 7:30 RT 7:30 RT 7:30* RT Paris Opera Ballet—L’Arlésienne Rose Theater Events: 9 10 11 12 13 14 15 DruidMurphy DruidMurphy DruidMurphy National Theatre DruidMurphy Paris Opera Ballet Group Sales Groups of ten or more can take Advance Student Discount Beginning two Accessibility Information Jazz at Lincoln Center Conversations on a A Whistle in the Dark Famine of Scotland Full Three Play Cycle French Masters of the advantage of special rates for selected events. weeks prior to performances, full-time students Homecoming 7:30 GLT 7:30 GLT Macbeth 1:00–10:00 GLT 20th Century For information, call 212.875.5190. with a valid ID can purchase up to two tickets for Box Office 7:30 GLT National Theatre National Theatre 7:30 RT Paris Opera Ballet 3:00 DKT only $20 at the Alice Tully Hall or Avery Fisher Hall For information on accessibility, please call the National Theatre of Scotland of Scotland Paris Opera Ballet Giselle Additional questions? Contact Customer Service Box Offices. Subject to availability. Department of Programs and Services for People Broadway at 60th Street, of Scotland Macbeth Macbeth Giselle 2:00 and 8:00 DKT at 212.875.5456, Mon.–Fri., 10:00 am–9:00 pm, or Restrictions apply. Visit LincolnCenter.org for details. with Disabilities at 212.875.5375. Ground Floor Macbeth 7:30 RT 7:30 RT 8:00 DKT National Theatre [email protected]. If you have a 7:30 RT Paris Opera Ballet Paris Opera Ballet of Scotland question about your order, call the Avery Fisher There is no late seating. Performances begin Supertitles (open captions) are used for these Mon.–Sat. 10:00 am–6:00 pm French Masters of the French Masters of the Macbeth Hall Box Office at 212.875.5030. promptly at their scheduled times. performances: 20th Century 20th Century 2:00 and 7:30 RT Émilie—July 19, 21, 22 Sun. noon–6:00 pm 8:00 DKT 8:00 DKT A per-ticket service charge will apply on phone Tickets will also be available one hour before Feng Yi Ting—July 26, 27, 28 City Noir and web sales. curtain at all off-site venues, unless sold out. In Paris—August 1–5 Juilliard Orchestra and Royal Academy of All Lincoln Center Festival tickets will incur a Programs, artists, and prices are subject to Audio description is available for these Music Orchestra facility fee of $3.00 per ticket. The facility fee change. All ticket purchases are final. No refunds, performances: 7:30 AFH is used to maintain, preserve, and upgrade the exchanges, or cancellations allowed. Uncle Vanya—July 24 at 7:30 and July 28 at 1:30 16 17 18 19 20 21 22 facilities managed by Lincoln Center for the Paris Opera Ballet Hand Stories Hand Stories Hand Stories Hand Stories Paris Opera Ballet Performing Arts, Inc. Giselle 7:30 CST 7:30 CST 6:00 and 9:00 CST 6:00 and 9:00 CST Orpheus and Eurydice 8:00 DKT Paris Opera Ballet Émilie Sydney Theatre Émilie 3:00 DKT Giselle 7:30 GLT Company 7:30 GLT Hand Stories 8:00 DKT Sydney Theatre Uncle Vanya Sydney Theatre 6:00 and 9:00 CST Company 7:30* NYCC Company Émilie Uncle Vanya Paris Opera Ballet Uncle Vanya 7:30 GLT DINE! SHOP! STAY! LIVE! 7:30* NYCC Orpheus and Eurydice 7:30 NYCC Paris Opera Ballet 8:00 DKT Paris Opera Ballet Giselle Curtis Mayfield Tribute Orpheus and Eurydice Lincoln Center thanks the members of the Lincoln Center Conservancy for their considerable support. 8:00 DKT 8:00 AFH 8:00 DKT These businesses make our neighborhood an exciting place to dine, shop, visit, and live. 23 24 25 26 27 28 29 A Voce avocerestaurant.com Per Se perseny.com Fifteen Central Park West 15cpw.com Morgans morganshotel.com Sydney Theatre Hand Stories Hand Stories Feng Yi Ting TAO Dance Theater Sydney Theatre Atlantic Grill brguestrestaurants.com PJ Clarke’s pjclarkes.com The Four Seasons fourseasons.com On The Ave Hotel ontheave-nyc.com Company 6:00 and 9:00 CST 6:00 and 9:00 CST 7:30 GLT 7:30 ATH Company Uncle Vanya Sydney Theatre TAO Dance Theater Sydney Theatre Feng Yi Ting Uncle Vanya Bar Boulud barboulud.com Russian Tea Room The Grand Tier—Glenwood Le Parker Meridien parkermeridien.com 7:30 NYCC 1:30 and 7:30 NYCC Company 7:30 ATH Company 7:30 GLT russiantearoomnyc.com Management glenwood.com BLT Market bltmarket.com The Pierre tajhotels.com Uncle Vanya Sydney Theatre Uncle Vanya Sydney Theatre Feng Yi Ting Seäsonal Restaurant and Weinbar Helmsley Park Lane Hotel 7:30 NYCC 7:30 NYCC 7:30 GLT Ed’s Chowder House chinagrillmgt.com The Plaza fairmont.com Company Company seasonalnyc.com helmsleyparklane.com Uncle Vanya Uncle Vanya Isabella’s brguestrestaurants.com Royalton royaltonhotel.com 7:30 NYCC 7:30 NYCC Telepan telepan-ny.com Hotel Plaza Athenee Landmarc landmarc-restaurant.com plaza-athenee.com South Park Tower—The Brodsky Whole Foods Market—Columbus Circle Organization brodskyorg.com Luce Restaurant & Enoteca lucenyc.com wholefoodsmarket.com/stores/ Hudson hudsonhotel.com 30 31 August 1 2 34 5 columbuscircle The St. Regis starwoodhotels.com Marea marea-nyc.com Jeunesse Spa & Salon jeunessespa.com In Paris In Paris In Paris In Paris In Paris The Surrey Hotel thesurrey.com 7:30 GLT 7:30 GLT 7:30 GLT 2:00 and 7:30 GLT 2:00 GLT Nanoosh nanoosh.com AIRE aireny.com Mandarin Oriental mandarinoriental.com/newyork Ocean Grill brguestrestaurants.com The Empire Hotel empirehotelnyc.com

VENUE GUIDE CST Clark Studio Theater DKT David H. Koch Theater NYCC New York City Center JOIN THE FRIENDS OF LINCOLN CENTER 165 West 65th Street, 7th Floor Columbus Avenue at 63rd Street 131 West 55th Street, between AFH Avery Fisher Hall 6th and 7th Avenues Broadway at 65th Street DRA David Rubenstein Atrium GLT Gerald W. Lynch Theater Broadway between 62nd at John Jay College RT Rose Theater Friends enjoy... Friends help us... To join the Friends... ATH Alice Tully Hall and 63rd Streets 524 West 59th Street, between Frederick P. Rose Hall, Broadway at 65th Street 10th and 11th Avenues Home of Jazz at Lincoln Center • • Advance ticket purchasing Program world-class events from • Produce free events attended by Call 212.875.5443, or visit Broadway at 60th Street, 5th Floor thousands of visitors • Ticket and parking discounts classical to the cutting-edge LincolnCenter.org/Friends *Preview performance • Members-only rehearsals • Present nine critically acclaimed Photo Credits: Cover: RED, 2003, acrylic on canvas, 31.5 x 31.5 inches: artwork by Luciano De Liberato, photo by Gino Di Paolo; pg. 1: all Orpheus and Eurydice: © Agathe Poupeney; pg. 2–3: Giselle: © Sébastien Mathé; Boléro: © Laurent Philippe; Giselle: © Icare; pg. 4–5: Murphy: © Keith Pattison; pg. 6–7: Mayfield: Courtesy of Curtis Mayfield Estate; Staples: © 2009 Chris Strong; Blacc: Dan Monick; pg. 8–9: all Émilie: © 2011 William Struhs; pg. 10–11: Macbeth: performance series Andreas Swane; pg. 12–13: all Uncle Vanya: © Lisa Tomasetti 2010; pg. 14–15: In Paris: © Maria Baranova; pg. 16–17: all TAO Dance Theater, 2: Matthew G. Johnson/photo.mgj.org; pg. 18–19: Feng Yi Ting (video still for the opera): • And much more! Tsang Kin-Wah; pg. 20–21: all Hand Stories: © Mario Del Curto; pg. 22: Los Angeles: © fotoVoyager; Adams: Margaretta Mitchell; pg. 23: Giselle: © Julien Benhamou; pg. 25: L’Arlésienne: © Christian Leiber. Back Cover: In Paris: Anna Kartseva; Giselle: © Julien Benhamou; Cumming: © Kevin Tachman 2011.