The Long Christmas Dinner Leon Botstein, Conductor

Total Page:16

File Type:pdf, Size:1020Kb

The Long Christmas Dinner Leon Botstein, Conductor 12-19 ASO_GP 12/2/14 11:22 AM Page 1 Friday Evening, December 19, 2014, at 8:00 in association with the Bard Center presents The Long Christmas Dinner Leon Botstein, Conductor The Long Christmas Dinner One-act play by Thornton Wilder Intermission The Long Christmas Dinner One-act opera by Paul Hindemith Libretto by Thornton Wilder Director: Jonathan Rosenberg Scenic Designer: Zane Pihlstrom Costume Designer: Olivera Gajic Lighting Designer: Peter West Producer: Thurmond Smithgall The play The Long Christmas Dinner is presented by special arrangement with Samuel French, Inc. The opera The Long Christmas Dinner is presented by arrangement with European American Music Distribution Company, sole U.S. and Canadian agent for Schott Music GmbH & Co. KG, publisher and copyright owner. Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. This evening’s event will run approximately two hours including one 20-minute intermission. This project is made possible with the support of The Lanie & Ethel Foundation and The Wilder Family. Alice Tully Hall Please make certain your cellular phone, pager, or watch alarm is switched off. 12-19 ASO_GP 12/2/14 11:22 AM Page 2 Lincoln Center Leon Botstein Lars Berge Arielle Goldman Ryan-James Libby Matthews Hatanaka Hannah Mitchell Claire Moodey Michael Salinas Glenn Seven Allen Kathryn Guthrie Catherine Martin Scott Murphree Sara Murphy Jarrett Ott Josh Quinn Camille Zamora Leon Botstein photo by Ric Kallaher; Arielle Goldman, Ryan-James Hatanaka, and Libby Matthews photos by Deborah Lopez; Hannah Mitchell photo by Michael Medeiros; Claire Moodey photo by Commontiger Photography; Michael Salinas photo by Evan Smith; Kathryn Guthrie photo by Claire McAdams; Catherine Martin photo by Kristen Hoebermann; Jarrett Ott photo by Steve Riskind; Josh Quinn photo by Kate Lemmon Photography; Camille Zamora photo by Liron Amsellem. 12-19 ASO_GP 12/2/14 11:22 AM Page 3 Lincoln Center The Casts Cast of the play (in order of appearance) Lucia/Lucia 2...............................................................................................Hannah Mitchell Roderick/Samuel .................................................................................................Lars Berge Mother Bayard/Cousin Ermengarde/Nurse ...................................................Claire Moodey Cousin Brandon/Roderick 2...............................................................Ryan-James Hatanaka Charles.........................................................................................................Michael Salinas Genevieve ...................................................................................................Arielle Goldman Leonora Banning.........................................................................................Libby Matthews Cast of the opera (in order of appearance) Lucia/Lucia II .................................................................................Camille Zamora, soprano Mother Bayard/Ermengarde...................................................Sara Murphy, mezzo-soprano Roderick/Sam........................................................................................Jarrett Ott, baritone Brandon.......................................................................................Josh Quinn, bass-baritone Charles..........................................................................................Glenn Seven Allen, tenor Genevieve........................................................................Catherine Martin, mezzo-soprano Leonora.........................................................................................Kathryn Guthrie, soprano Roderick II.........................................................................................Scott Murphree, tenor with the American Symphony Orchestra; Leon Botstein, conductor Setting 90 years in the dining room of the Bayard house Meet the Artists Symphony Orchestra. Awards: American Academy of Arts and Letters; Centennial Award (Harvard); Cross of Honor, First Leon Botstein (Conductor) Class (Austria); Caroline P. and Charles W. Twenty-third year as music director and Ireland Prize (University of Alabama); Julio principal conductor of American Symphony Kilenyi Medal of Honor (Bruckner Society); Orchestra. Co-artistic director of Bard Leonard Bernstein Award for the Elevation SummerScape and Bard Music Festival. of Music in Society; and Academic Lea - President of Bard College since 1975. dership Award (Carnegie Foundation). Conductor laureate of Jerusalem Symphony Orchestra (music director 2003–11). Upcom - Glenn Seven Allen (Charles, opera) ing: Royal Philharmonic Orchestra and Recent: Roméo et Juliette (Intermountain Russian National Orchestra. Recently: Opera), A Little Night Music (Indiana Rep), Taipei Symphony, Los Angeles Philharmonic, H.M.S. Pinafore (Opera Saratoga), and Der and Sinfónica Juvenil de Caracas (Venezuela Vampyr (ASO, Carnegie Hall debut). and Japan). Recordings: Royal Philharmonic Highlights: La fille du Régiment (CT Orchestra (upcoming), London Symphony, Concert Opera), Dr. Sun Yat-Sen (American London Philharmonic, NDR-Hamburg, Jeru - Opera Center), The Turn of the Screw salem Symphony Orchestra, and American (Opera Moderne), The Long Walk and 12-19 ASO_GP 12/2/14 11:22 AM Page 4 Lincoln Center Opera in Eden project (American Lyric Acting Program (M.F.A.). NYU: Summer Theatre), The Chocolate Soldier (Bard and Smoke, The Seagull, Taming of the SummerScape), and A View from the Shrew, and Richard III. Highlights: King Bridge. Concert: Avery Fisher Hall, the Lear (Shakespeare in the Park), Edith Kennedy Center, Lincoln Center, Houston’s (Berkshire Theatre Festival), The Complete Wortham Center, Wharton Center/Lansing Works of Shakespeare: Abridged, and A Symphony, Detroit’s Music Hall, New York Sword in the Stone (Theatre New Historical Society, Joe’s Pub, the Brooklyn Brunswick East Coast tour). Television: Mr. Museum, the Morgan Library, and the D (CBC) and Eye Candy (MTV). He teaches Queens Symphony. Recordings: The Light acting, singing, and choreography to in the Piazza (Nonesuch), A Fine and children at Childsplay NY. Mr. Hatanaka Private Place (Jay Records), and Poetic would like to thank director Jonathan License (GPR). Rosenberg for this opportunity and is excited to be sharing the stage with a few Lars Berge (Roderick/Samuel, play) of his NYU classmates once again. Norway: Invasion! and Cardamom Town. The Juilliard School: Middleton, Buried Catherine Martin (Genevieve, opera) Child, Smash, Hamlet, and Twelfth Night. Recent: Aida and Das Rheingold (Houston Grand Opera); Ariadne auf Naxos (Glimmer - Arielle Goldman (Genevieve, play) glass); The Lion, the Unicorn and Me (Wash - Recent: Becket (Gene Frankel Theatre), ington National Opera); Der Rosenkavalier The Seagull (NYU), The Romeo and Juliet (National Symphony Orchestra); Mirjams Project (Chautauqua), In The Next Room or Siegesgesang (San Antonio Symphony); The Vibrator Play (NYU), and To Life, and Bastianello and Lucrezia (UrbanArias). L’Chaim! (writer, director, and performer). Upcoming: Dead Man Walking (Dayton Ms. Goldman is very excited to be a part of Opera), Die Walküre (Houston Grand Opera), such an amazing evening of theater here in Rigoletto (Opera Santa Barbara), Aïda (Opera Alice Tully Hall! Colorado), Dresden Staatskapelle, and Washington National Opera. Highlights: Kathryn Guthrie (Leonora, opera) Così fan tutte, Madama Butterfly, Maria City Opera: Prima Donna, VOX 2012, and Stuarda, La traviata, Il barbiere di Siviglia, Alice in Wonderland. American Lyric Theater: and Ariadne auf Naxos (Houston Grand The Turing Project and Arrangement. Opera Studio). Awards: National Opera Upcoming: The Tempest (Shakespeare Association, Metropolitan Opera National Concerts). Recordings: The Fair Ophelia Council Auditions, Richard F. Gold Career and Orpheus with his Lute (Navona). Grant, and Eleanor McCollum Competition. Awards: Astral Artists’ 2012 National Auditions, Metropolitan Opera National Libby Matthews (Leonora Banning, Council, Glimmerglass Opera’s Young play) American Artists Program, and Ravinia NYU: The Seagull, Richard III, Blithe Spirit, Festival’s Steans Institute Program for Footfalls, The Eggs, As You Like It, Singers. Ms. Guthrie is an Astral artist. Summer and Smoke, and Mean Time. Regional: God’s Ear, RoboPop!, and A Cure Ryan-James Hatanaka (Cousin for Pain (Washington Ensemble Theatre). Brandon/Roderick 2, play) Film: Pacific Aggression, What Light, and University of Toronto, National Theatre Night Stand. She is a recipient of the Sylvia School of Canada, and NYU’s Tisch Graduate Deutscher Kushner Memorial Scholarship 12-19 ASO_GP 12/2/14 11:22 AM Page 5 Lincoln Center and recent graduate of NYU’s Graduate Vision Ensemble, Symphony of Southeast Acting Program at Tisch, class of 2014. Texas, Broadway Bach Ensemble, Holy Trinity Bach Foundation, Bachworks. Alice Hannah Mitchell (Lucia/Lucia 2, play) Tully Hall, 92nd Street Y, and Town Hall with Studied theater and performance at Bard Ned Rorem. World premieres: Mary Shelley College. Recent: Everything by my Side (Society for Ethical Culture), Cymbeline, and (Crossing the Line), Love in the Wars (Bard Billy and Zelda (Opera Delaware). SummerScape), 3sis.MOV (Downtown Art), and The Last Days of Folly (Madison Sara Murphy (Mother Bayard/ Square Park Conservancy). Ermengarde, opera) Upcoming: Messiah and Verdi’s Requiem Claire Moodey (Mother Bayard/ (Oratorio Society of NY) and Cincinnati Cousin Ermengarde/Nurse, play)
Recommended publications
  • CONCERT QUICK GUIDE™ SAT 11/18/17 at 8 PM, the Richard B
    CONCERT QUICK GUIDE™ SAT 11/18/17 at 8 PM, The Richard B. Fisher Center for the Performing Arts at Bard College, Sosnoff Theater SUN 11/19/17 at 4 PM, Peter Norton Symphony Space, Peter Jay Sharp Theatre a co-presentation with Performances #72 & #73: Season 3, Concerts 9 & 10 Gerard Schwarz, conductor The concert will last approximately 2 hours and 10 minutes Brief remarks by Matt Walley, trombone Eugene Goossens Born: 5/26/1893 in London Died: 6/13/1962 at age 69 in Middlesex, England Jubilee Variations NY Premiere “I hear a distinctly American sound in this piece. It has ten move- ments by ten different American composers, and ranges from rhythmic to lush melodies.” –Lara Baker-Finch, TŌN musician 21 min Movements Theme: Goossens Variation 6: Walter Piston Variation 1: Paul Creston Variation 7: Roy Harris Variation 2: Aaron Copland Variation 8: Anis Fuleihan Variation 3: Deems Taylor Variation 9: Bernard Rogers Variation 4: Howard Hanson Variation 10: Ernest Bloch Variation 5: William Schuman Finale: Goossens Written Premiered 1944 3/23/1945 at Music Hall in Cincinnati Cincinnati Symphony Orchestra Goossens, conductor Intermission Meet & greet Share a selfie Refreshments 20 min some of the musicians @TheOrchNow SAT: in the lobby SAT: in the lobby #TheOrchNow SUN: at Bar Thalia SUN: at the back of on the lower level the theatre WiFi SAT: BardWireless at the Fisher Center SUN: Sharp Guest at Symphony Space Restrooms at the Fisher Center are located on either side of the lobby. Restrooms at Symphony Space are located at the back of the theatre.
    [Show full text]
  • Nasher Sculpture Center's Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Macke
    Nasher Sculpture Center’s Soundings Concert Honoring President John F. Kennedy with New Work by American Composer Steven Mackey to be Performed at City Performance Hall; Guaranteed Seating with Soundings Season Ticket Package Brentano String Quartet Performance of One Red Rose, co-commissioned by the Nasher with Carnegie Hall and Yellow Barn, moved to accommodate bigger audience. DALLAS, Texas (September 12, 2013) – The Nasher Sculpture Center is pleased to announce that the JFK commemorative Soundings concert will be performed at City Performance Hall. Season tickets to Soundings are now on sale with guaranteed seating to the special concert honoring President Kennedy on the 50th anniversary of his death with an important new work by internationally renowned composer Steven Mackey. One Red Rose is written for the Brentano String Quartet in commemoration of this anniversary, and is commissioned by the Nasher (Dallas, TX) with Carnegie Hall (New York, NY) and Yellow Barn (Putney, VT). The concert will be held on Saturday, November 23, 2013 at 7:30 pm at City Performance Hall with celebrated musicians; the Brentano String Quartet, clarinetist Charles Neidich and pianist Seth Knopp. Mr. Mackey’s One Red Rose will be performed along with seminal works by Olivier Messiaen and John Cage. An encore performance of One Red Rose, will take place Sunday, November 24, 2013 at 2 pm at the Sixth Floor Museum at Dealey Plaza. Both concerts will include a discussion with the audience. Season tickets are now available at NasherSculptureCenter.org and individual tickets for the November 23 concert will be available for purchase on October 8, 2013.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • Rodriguez, Luz
    Voices of Feminism Oral History Project Sophia Smith Collection, Smith College Northampton, MA LUZ RODRIGUEZ Interviewed by JOYCE FOLLET June 16 - 17, 2006 Northampton, Massachusetts This interview was made possible with generous support from the Ford Foundation. © Sophia Smith Collection 2006 Sophia Smith Collection Voices of Feminism Oral History Project Narrator Luz Marina Rodriquez was born in New York City on March 7, 1956, and grew up on the Lower East Side. She was the eldest of three children of Elsa Rodriguez Vazquez and Luis Rodriguez Nieto, Sr., who had both recently migrated from Puerto Rico as part of Operation Bootstrap. Her father held a variety of jobs, including electronics repair and night security work, while her mother worked as an Avon Lady. After graduating from Seward Park High School in 1974, Rodriguez spent two years immersed in social and cultural activities in her Puerto Rican neighborhood, which became known as Loisaida. She was deeply involved in The Real Great Society, a gang outreach and community empowerment organization created in 1964 to engage youth in addressing local needs, especially sweat equity projects to create affordable housing. She was also an active participant in CHARAS/El Bohio, a cultural center where she taught Puerto Rican folkloric dance. After studying dance at Pratt Institute, Rodriguez graduated from NYU as a dance therapy major in 1982. College research into the sterilization and birth control experimentation on Puerto Rican women planted the seed of later reproductive rights activism. Rodriguez defines herself as a servant-leader. She has continued to combine grassroots social justice work with administrative leadership in non-profit organizations, including Henry Street Settlement, Lower East Side Family Resource Center, Dominican Women’s Development Center, and Casa Atabex.
    [Show full text]
  • The Children of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 The hiC ldren of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre. Tony Earnest Medlin Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Medlin, Tony Earnest, "The hiC ldren of Molemo: an Analysis of Johnny Simons' Performance Genealogy and Iconography at the Hip Pocket Theatre." (2000). LSU Historical Dissertations and Theses. 7281. https://digitalcommons.lsu.edu/gradschool_disstheses/7281 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • SPRING 10 Alice TULLY HALL and the Juilliard School / City College of NEW YORK School of Architecture / FRANK SINATRA School OF
    Prsrt STD U.S. POSTAGE THE STEEL INSTITUTE OF NEW YORK THE ornamental metal INSTITUTE OF NEW YORK paid 211 EAST 43RD STREET, SUITE 804 PUBLISHED BY THE STEEL INSTITUTE OF NEW YORK AND THE ORNAMENTAL METAL INSTITUTE OF NEW YORK NEW YORK NY 10017 PERMIT NO. 161 LANCASTER, PA SPRING 10 ALICE Tully HALL AND THE JUILLIARD SCHOOL / CITY COLLEGE OF NEW YORK SCHOOL OF ARCHITECTURE / FRANK sinatra SCHOOL OF THE arts / NEW YORK LAW SCHOOL / 41 COOPER SQUARE / ONE JACKSON SQUARE / PUBLISHED BY THE standard HOTEL / MONROE HIGH SCHOOL ANNEX CONTENTS EDITOR’S NOTE SPRING 10 Test of strength 1 OVER THE YEARS, OUR introduce its own testing is EDITOR’S NOTE building codes have expanded unlikely to reduce them. Since beyond their traditional focus on virtually every structural material 2 AliCE Tully Hall and life safety to include requirements must undergo strength testing, THE JUILLIARD SCHOOL for social initiatives such as it’s reasonable to ask why steel energy conservation, accessibility isn’t also at risk of testing fraud. 8 for the disabled, and historic Because of how it is produced, City College of New York preservation under their regulatory steel is able to be certified and SCHOOL OF ARCHITECTURE umbrella. Given this evolution, verified as conforming to the 14 it is disturbing to find that one required shape, size, composition, Frank Sinatra SChool of the most fundamental of and strength before it’s ever OF THE Arts code concerns—validating the delivered to a job site. Two strength of structural materials— separate inspections provide this 20 is dominating industry headlines.
    [Show full text]
  • PRESENTS Table of Contents
    PRESENTS Table of Contents Welcome................................................................................................................. 3 Staff and Board of Directors..........................................................................6 About Pittsburgh Festival Opera.................................................................7 Cornetti’s Candid Concert and After-Party | July 10................................8 Marianne: Unstaged | July 11, 18, and 25.................................................10 Pit Crew: Singer-Free Sundays | July 12, 19, and 26..............................13 Leitmotif: Walking through Wagner | July 16..........................................17 I, Too, Sing | July 17...........................................................................................18 Composer Spotlight: Mark Adamo | July 23.............................................20 Putting it Together: Online Young Artists Program | July 24..........21 2020 OYAP Faculty........................................................................................... 26 Rusalka: A Mermaid’s Tale | July 25............................................................27 Contributions, Gifts, and Institutional Support................................. 29 Welcome from the President We need 20-20 vision to view the events of 2020. Much of what we took for granted, including the highest ever level of our economy and the lowest ever level of unemployment, suggested a bright future for the performing arts. We at Pittsburgh Festival Opera were especially
    [Show full text]
  • 2021-02-12 FY2021 Grant List by Region.Xlsx
    New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc.
    [Show full text]
  • Grand Finals Concert
    NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel)
    [Show full text]
  • Lincoln Center Festival 2012 Sponsor
    Nonprofit Organization U.S. Postage PAID Lincoln Center for the Performing Arts July 5–August 5, 2012 70 Lincoln Center Plaza New York, NY 10023-6583 July 5–August 5, 2012 Tickets On Sale Now! LincolnCenterFestival.org 212.721.6500 Mikhail Baryshnikov and Paris Opera Ballet—Giselle Alan Cumming—Macbeth Cate Blanchett and Anna Sinyakina—In Paris Richard Roxburgh—Uncle Vanya cover artwork by Luciano De Liberato, photo by Gino Di Paolo, RED, 2003, acrylic on canvas, 31.5 x 31.5 in. Lincoln Center Festival 2012 Sponsor Major Support The Andrew W. Mellon Foundation JULY 11–22 Supporters Nancy A. Marks “For those who live for ballet virtuosity, LuEsther T. Mertz Charitable Trust this is the company to see.” China International Culture Association The Skirball Foundation —New York Times The Harold & Mimi Steinberg Charitable Trust The Katzenberger Foundation, Inc. The Shubert Foundation Jennie and Richard DeScherer The Grand Marnier Foundation The Andrea and Charles Bronfman Philanthropies The Joelson Foundation The Harkness Foundation for Dance Georges Lurcy Charitable and Educational Trust Mitsui USA Foundation Great Performers Circle Chairman’s Council Producers Circle Friends of Lincoln Center Public support is provided by New York City Department of Cultural Affairs New York State Council on the Arts National Endowment for the Arts Endowment support is provided by Doris Duke Charitable Foundation Nancy Abeles Marks National Sponsor of Lincoln Center Official Sponsor of Lincoln Center Official Airline of Lincoln Center Official Broadcast Partner of Lincoln Center Official Wine of Lincoln Center Celebrate Summer at Lincoln Center Artist Catering Provider Orpheus and Eurydice 212.721.6500 1 Boléro Giselle Orpheus and Eurydice The legendary Paris Opera Ballet, the oldest national ballet company in the world and the one that literally invented the form, gives its first New York performances in more than 15 years.
    [Show full text]
  • Atheneum Nantucket Dance Festival
    NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes.
    [Show full text]
  • Avi Shoshani Temporadas De Ópera Anne-Sophie Mutter Riccardo Muti
    REVISTA DE MÚSICA Año XXVI - Nº 267 - Octubre 2011 - 7 € DOSIER Temporadas de ópera ENCUENTROS Avi Shoshani ACTUALIDAD Anne-Sophie Mutter Riccardo Muti ESTUDIO El estado de las orquestas REFerencias Iberia de Debussy Año XXVI - Nº 267 Octubre 2011 C M Y CM MY CY CMY K OCTUBRE ENERO 01 Los caminos del mundo 06 Fronteras abolidas 11 Poemas sin palabras E. Rautavaara: Cantus Arcticus M. Finnissy: Zortziko S. Rachmaninov: Rapsodia M. Ravel: Concierto para piano (estreno absoluto, encargo sobre un tema de Paganini es y orquesta en sol mayor OSE) R. Strauss: Muerte y J. Haydn: Sinfonía nº67 A. Dorman: Frozen in Time transfiguración B. Bartok: El Mandarín J. Brahms: Sinfonía nº4 R. Strauss: Till Eulenspiegel tiempo Maravilloso (suite) Martin Grübinger, percusión Andrés Orozco-Estrada, Alice Sara Ott, piano Andrés Orozco-Estrada, director de Andrey Boreyko, director director Joaquín Achúcarro, piano 02 Mendelssohniana ENERO-FEBRERO MAYO música F. Mendelssohn: Sinfonía nº1 07 Clásicos y modernos 12 Nostalgias compartidas P.I. Tchaikovsky: Variaciones rococó J. Dillon: White Numbers A. Dvorák: Concierto para F. Mendelssohn: Sinfonía nº4 (estreno absoluto, encargo violoncello y orquesta OSE) I. Fedele: Txalaparta-Folk Gabriel Mesado, violoncello E. Schulhoff: Sinfonía nº2 Dance II (estreno absoluto, (miembro OSE) A. Zemlinsky: Cymbeline encargo OSE) Andrés Orozco-Estrada, director L.V. Beethoven: Sinfonía nº3 C. Franck: Psyché Orquesta F. Mendelssohn: Sinfonía nº5 Petra Fröse, soprano Daniel Müller-Schott, violoncello Dos estudios de concierto para Gerd Albrecht, director Oreka TX Sinfónica clarinete, corno di bassetto y Andrey Boreyko, director orquesta MARZO de Euskadi Sinfonía nº3 MAYO-JUNIO Juan Navarro, clarinete 08 Viñetas del Euskadiko (miembro OSE) Nuevo Mundo 13 En el calor de la noche Sara Zufiaurre, corno di A.
    [Show full text]