Program for the Elixir of Love
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James Taylor: Making Music and Memories by John Fries
Pittsburgh Boomers | August 2005 James Taylor: Making Music and Memories By John Fries If you went to high school during the 1970's, as I did, you'll recall a lot of really great music -- on the radio, in the school cafeteria at lunchtime, and on the eight track tapes you punched into your car dashboards at night while driving around. While the musical landscape offered something for everyone, much of it seemed to fall into two distinct categories: straight-ahead rock and top 40 pop. Here in Pittsburgh, we were either tuned to Trevor Ley playing Led Zeppelin or Pink Floyd on 'DVE or listening to the "New Sound of 13Q," which played a wide and eclectic mix of whatever was in the top 40 at the time. The top hits of the day were listed each week in the pocket-sized "hit parades" KQV and 13Q published and provided for free in local record stores. The list could include any combination of rock, power pop, country, rhythm and blues, vocalists, the occasional novelty record, and that 70's radio staple known as the singer-songwriter. Remember them? The mellow music makers who played guitar or piano, wrote meaningful, introspective lyrics, and served up gentle melodies? The singer-songwriter sections of our 45 collections included titles by such artists as Jackson Browne, Neil Young, Carole King, Joni Mitchell, John Denver, Paul Simon and a West Coast band of country rock upstarts called the Eagles. Although they were - and are -- all great artists, James Taylor became the undisputed king of the genre. -
Ugo Guagliardo Bass
Ugo Guagliardo Bass Recent and future engagements of Italian bass Ugo Guagliardo include NOURABAD Pêcheurs de perles Teatro Regio Torino, FENICIO Ermione Teatro San Carlo in Naples (Alessandro De Marchi), BARTOLO Le Nozze di Figaro Nancy Opera, and NORTON Cambiale di matrimonio Tourcoing Opera and concerts of Mozart’s Missa in C minor with Fabio Biondi at the Bari Teatro Petruzzelli. His debut as Alidoro La Cenerentola Salzburg Festival in 2014, (with Cecilia Bartoli), was highly acclaimed by both the audience and the critics. Ugo has sung at many of the most renowned opera houses and festivals worldwide: Théâtre des Champs- Elysées, Opéra Royal du Château de Versailles, La Monnaie Brussels, Opéra Royal de Wallonie-Liège, Teatro dell’Opera Rome, Arena of Verona, Teatro Massimo Palermo, Grand Théâtre de Genève, Opernhaus Zürich, Salzburg Festival, National Centre for the Performing Arts Beijing, Bunkamura Theatre Tokyo, Rossini Opera Festival Pesaro. Ugo has worked with Europe’s most renowned Early Music specialists and period instrument ensembles. He has appeared in operas by Handel, Vivaldi, Scarlatti, Veracini, Cavalli and Monteverdi, collaborating with conductors Ottavio Dantone, Emmanuelle Haïm, Jean-Christophe Spinosi, Marc Minkowski, Fabio Biondi and the late Jean-Claude Malgoire. He has appeared with Gianandrea Noseda, Alberto Zedda, Gianluigi Gelmetti, Michele Mariotti, Enrique Mazzola and Antonino Fogliani. Equally at home in both opera seria and buffa, Ugo Guagliardo has performed numerous Rossini opera roles including Alidoro La Cenerentola, Lord Sidney Il Viaggio a Reims, Basilio Il Barbiere di Siviglia, Le Gouverneur Le Comte Ory, Walter Guillaume Tell, Assur Semiramide, Blansac La Scala di seta, Orbazzano Tancredi, Fernando La Gazza ladra. -
Indigo in Motion …A Decidedly Unique Fusion of Jazz and Ballet
A Teacher's Handbook for Pittsburgh Ballet Theatre's Production of Indigo in Motion …a decidedly unique fusion of jazz and ballet Choreography Kevin O'Day Lynne Taylor-Corbett Dwight Rhoden Music Ray Brown Stanley Turrentine Lena Horne Billy Strayhorn Sponsored by Pittsburgh Ballet Theatre's Arts Education programs are supported by major grants from the following: Allegheny Regional Asset District Claude Worthington Benedum Foundation Pennsylvania Council on the Arts The Hearst Foundation Sponsoring the William Randolph Hearst Endowed Fund for Arts Education Additional support is provided by: Alcoa Foundation, Allegheny County, Bayer Foundation, H. M. Bitner Charitable Trust, Columbia Gas of Pennsylvania, Dominion, Duquesne Light Company, Frick Fund of the Buhl Foundation, Grable Foundation, Highmark Blue Cross Blue Shield, The Mary Hillman Jennings Foundation, Milton G. Hulme Charitable Foundation, The Roy A. Hunt Foundation, Earl Knudsen Charitable Foundation, Lazarus Fund of the Federated Foundation, Matthews Educational and Charitable Foundation,, McFeely-Rogers Fund of The Pittsburgh Foundation, William V. and Catherine A. McKinney Charitable Foundation, Howard and Nell E. Miller Foundation, The Charles M. Morris Charitable Trust, Pennsylvania Department of Community and Economic Development, The Rockwell Foundation, James M. and Lucy K. Schoonmaker Foundation, Target Corporation, Robert and Mary Weisbrod Foundation, and the Hilda M. Willis Foundation. INTRODUCTION Dear Educator, In the social atmosphere of our country, in this generation, a professional ballet company with dedicated and highly trained artists cannot afford to be just a vehicle for public entertainment. We have a mission, a commission, and an obligation to be the standard bearer for this beautiful classical art so that generations to come can view, enjoy, and appreciate the significance that culture has in our lives. -
PRESENTS Table of Contents
PRESENTS Table of Contents Welcome................................................................................................................. 3 Staff and Board of Directors..........................................................................6 About Pittsburgh Festival Opera.................................................................7 Cornetti’s Candid Concert and After-Party | July 10................................8 Marianne: Unstaged | July 11, 18, and 25.................................................10 Pit Crew: Singer-Free Sundays | July 12, 19, and 26..............................13 Leitmotif: Walking through Wagner | July 16..........................................17 I, Too, Sing | July 17...........................................................................................18 Composer Spotlight: Mark Adamo | July 23.............................................20 Putting it Together: Online Young Artists Program | July 24..........21 2020 OYAP Faculty........................................................................................... 26 Rusalka: A Mermaid’s Tale | July 25............................................................27 Contributions, Gifts, and Institutional Support................................. 29 Welcome from the President We need 20-20 vision to view the events of 2020. Much of what we took for granted, including the highest ever level of our economy and the lowest ever level of unemployment, suggested a bright future for the performing arts. We at Pittsburgh Festival Opera were especially -
Dolemite Is My Name
DOLEMITE IS MY NAME Written by Scott Alexander and Larry Karaszewski FINAL IN THE BLACK We hear Marvin Gaye's "What's Goin' On" playing softly. VOICE I ain't lying. People love me. INT. DOLPHIN'S - DAY CU of a beat-up record from the 1950s. On the paper cover is a VERY YOUNG Rudy, in a tuxedo. It says "Rudy Moore - BUGGY RIDE" RUDY You play this, folks gonna start hoppin' and squirmin', just like back in the day. A hand lifts the record up to the face of RUDY RAY MOORE, late '40s, black, sweet, determined. RUDY When I sang this on stage, I swear to God, people fainted! Ambulance man was picking them off the floor! When I had a gig, the promoter would warn the hospital: "Rudy's on tonight -- you're gonna be carrying bodies out of the motherfucking club!" We see that we are in a RADIO BOOTH. A sign blinks "On The Air." The DJ, ROJ, frowns at the record. ROJ "Buggy Ride"? RUDY Wasn't no small-time shit. ROJ GodDAMN, Rudy! That record's 1000 years old! I've got Marvin Gaye singin' "Let's Get It On"! I can't be playin' no "Buggy Ride." (beat) Look, I have 60 seconds. I have to cue the next tune. Hm! Rudy bites his lip and walks away. Roj tries to go back to his job. He reaches for a Sly Stone single -- when Rudy suddenly bounds back up. RUDY How about "Step It Up and Go"? That's a real catchy rhythm-and-blues number. -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
Rental Rate Schedule the Benedum Center 2019-2020 for the Performing Arts Sept 1, 2019 to Aug 31, 2020 I
Rental Rate Schedule The Benedum Center 2019-2020 for the Performing Arts Sept 1, 2019 to Aug 31, 2020 I. Rental Rates Per Performance Base Rent Percentage Rent Monday-Thursday Matinees $ 7,125.00 vs. 10% of Net Receipts, whichever Monday-Sunday Mornings is higher Monday-Wednesday Evenings $ 8,300.00 vs. 10% of Net Receipts, whichever is higher Thursday-Sunday Evenings $ 9,275.00 vs. 10% of Net Receipts, whichever Friday-Saturday Matinees is higher *Net receipts are gross receipts from the sale of tickets less City of Pittsburgh Amusement Tax. **The above rental rates apply to all rehearsals with invited guests or paid audiences. ***Load-in, load-out, and dark days that do not include a performance pay the full rental rate. II. Additional Charges A. Permits Vehicle Parking (e.g. trucks and tour $ 75.00 per vehicle busses) may require a Traffic Obstruction permit which the Lessor will acquire on (subject to change (up to 15 days) behalf of the Lessee without notice) B. Ticketing, Box Office, Taxes, and Fees Box Office Service, single ticket $ 1,600.00 per performance sales, ticket printing Credit Cards 3% subject to change Internet Sales 3% subject to change *Credit Card and Internet Service fees are a presenter expense and may not be passed on to customers. Group Sales Commission 10% City of Pittsburgh Amusement Tax Gross x .04762 City of Pittsburgh Prod. Permit $ 25.00 (Subject to change) Theater Restoration Fee $ 5.00 per paid ticket Cultural District Fee $ 1.25 per paid ticket 1 of 5 C. Front of House, Staffing, and Security Front of House staff (Incl. -
Antonio Guarnieri Avevo Sette Anni Quando Andai Per La Prima Volta Al
Antonio Guarnieri Avevo sette anni quando andai per la prima volta al Teatro alla Scala di Milano. Quando mi sono affacciato al parapetto del loggione, che è la fila di posti più vicina al soffitto, ho visto dall'alto, piccolissimi e lontani, tanti musicisti e un uomo che, agitando il suo ditino, scatenava suoni meravigliosi. Si trattava dei Notturni di Debussy […]; in particolare mi colpì la musica del secondo notturno, Feste, con un suono di trombe che arriva in crescendo da molto lontano, come una magia. Arrivato a casa, ho chiesto chi era quel piccolo omino che stava su una pedana rossa e sembrava onnipotente: era un grande direttore d'orchestra, Antonio Guarnieri. Claudio Abbado, La casa dei suoni, Babalibri, 2007 (ridotto da Wikipedia) Antonio Guarnieri è nato a Venezia il 1º febbraio 1880. Direttore d’orchestra, violoncellista e compositore. Conseguito il diploma di violoncello proseguì gli studi in composizione ed organo sotto la guida di Marco Enrico Bossi. A Monaco di Baviera durante un periodo di perfezionamento ebbe modo di conoscere e penetrare quel mondo mitteleuropeo che avrebbe poi frequentato nel corso della sua carriera. Tornato in Italia conobbe il pianista e compositore Giuseppe Martucci ed entrò a far parte come violoncellista del Quartetto che di Martucci portava il nome. Nel 1903 Guarnieri mosse i primi passi come direttore d’orchestra durante una tournée in Italia condotta da Amilcare Zanella. L’insegnamento di Zanella insieme a quello di Bossi e Martucci formò in maniera definitiva il gusto e l’attenzione del Guarnieri per la musica strumentale italiana che continuò ad eseguire per tutta la vita. -
A Mystical Journey Into the Jungle... and Beyond
A mystical journey into the jungle... and beyond NOVEMBER 9, 12, 15, 17, 2019 BENEDUM CENTER 2019-20 SEASON SINCE 1893 WHEN OUR CUSTOMERS FACED THE UNEXPECTED WE WERE THERE For over 125 years Henderson Brothers has gone to heroic lengths to provide our customers with peace of mind. Because you can’t expect what tomorrow may bring. That’s why you have us. Commercial Insurance | Personal Insurance | Employee Benefits hendersonbrothers.com LETTER FROM OUR BOARD LEADERSHIP LETTER FROM OUR GENERAL DIRECTOR DEAR FRIENDS, DEAR FRIENDS, Welcome to Pittsburgh Opera’s production of Florencia I am delighted to welcome you to Florencia en en el Amazonas. We are happy to be able to join you in el Amazonas, the first Spanish-language opera in this mystical, magical journey down the Amazon. Pittsburgh Opera’s 81-year history. Like a proud parent, I can’t restrain myself from Our production of this contemporary opera by boasting about this fantastic cast. After a stunning role Mexican composer Daniel Catán illustrates the rich debut as Princess Turandot with us in 2017, our very diversity of the operatic tradition and Pittsburgh own Alexandra Loutsion returns to the Benedum today Opera’s commitment to it. For the first time, Pittsburgh in the title role of diva Florencia Grimaldi. Those of you © Daniel V. Klein Photography © Daniel V. audiences will enjoy an opera in Spanish with a libretto who were here last month for Don Giovanni will no based upon literature in the Latin American genre of doubt recognize Craig Verm (who sang the role of Don Giovanni) as deck-hand/ Magical Realism. -
Staged Treasures
Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio -
The Long Christmas Dinner Leon Botstein, Conductor
12-19 ASO_GP 12/2/14 11:22 AM Page 1 Friday Evening, December 19, 2014, at 8:00 in association with the Bard Center presents The Long Christmas Dinner Leon Botstein, Conductor The Long Christmas Dinner One-act play by Thornton Wilder Intermission The Long Christmas Dinner One-act opera by Paul Hindemith Libretto by Thornton Wilder Director: Jonathan Rosenberg Scenic Designer: Zane Pihlstrom Costume Designer: Olivera Gajic Lighting Designer: Peter West Producer: Thurmond Smithgall The play The Long Christmas Dinner is presented by special arrangement with Samuel French, Inc. The opera The Long Christmas Dinner is presented by arrangement with European American Music Distribution Company, sole U.S. and Canadian agent for Schott Music GmbH & Co. KG, publisher and copyright owner. Video and/or audio recording of this performance by any means whatsoever is strictly prohibited. This evening’s event will run approximately two hours including one 20-minute intermission. This project is made possible with the support of The Lanie & Ethel Foundation and The Wilder Family. Alice Tully Hall Please make certain your cellular phone, pager, or watch alarm is switched off. 12-19 ASO_GP 12/2/14 11:22 AM Page 2 Lincoln Center Leon Botstein Lars Berge Arielle Goldman Ryan-James Libby Matthews Hatanaka Hannah Mitchell Claire Moodey Michael Salinas Glenn Seven Allen Kathryn Guthrie Catherine Martin Scott Murphree Sara Murphy Jarrett Ott Josh Quinn Camille Zamora Leon Botstein photo by Ric Kallaher; Arielle Goldman, Ryan-James Hatanaka, and Libby Matthews photos by Deborah Lopez; Hannah Mitchell photo by Michael Medeiros; Claire Moodey photo by Commontiger Photography; Michael Salinas photo by Evan Smith; Kathryn Guthrie photo by Claire McAdams; Catherine Martin photo by Kristen Hoebermann; Jarrett Ott photo by Steve Riskind; Josh Quinn photo by Kate Lemmon Photography; Camille Zamora photo by Liron Amsellem. -
Wooster Voice Editors
The College of Wooster Open Works The oV ice: 1951-1960 "The oV ice" Student Newspaper Collection 2-12-1954 The oW oster Voice (Wooster, OH), 1954-02-12 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1951-1960 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1954-02-12" (1954). The Voice: 1951-1960. 65. https://openworks.wooster.edu/voice1951-1960/65 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1951-1960 by an authorized administrator of Open Works. For more information, please contact [email protected]. WCW KEEPS HEAR THE SFRC UP-TO-DA- YOU TE Wooster Voice DISCUSS YOUR FATE Published by the Students of the College of Wooster VbSme LXVIII WOOSTER, OHIO, FRIDAY, FEBRUARY 12, 1954 No. 15 Senate To Sponsor John Brown Talks Many Good Buys To Republican Club Auction Sale John W. Brown, the Lieutenant Governor of the State of Ohio, will be the speaker at the Young Republican club's Lincoln Day Din- tvmnrrow night the Student Senate ner to be held in the Upper Holden dining room at 6 p.m. Monday, ii knld an auction in the gym after Feb. 15. Brown's is game, rroceeas rrom appearance being sponsored by the Institute of i, basketball Politics. Scott Craig will be the master of ceremonies. j event win v 1 - s ! - ; - - - - Born in Athens County, Ohio, ..