CSU Wind Ensemble Activities Repertoire 2010-Present
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Signing Day Brings High School Students
the Irving Rambler www.irvingrambler.com “The Newspaper Irving Reads” February 08, 2007 Obituaries Page 14-15 THIS Movie Times Page 3 Artist exhibit their Vintage Tea invitation Police & Fire Page 2 Boundless Expressions Page 8 Puzzles Page 13 WEEK Sports Page 4-5 Page 6 TTeexasxas RailroadRailroad CommissionCommission recommendsrecommends gasgas ratesrates bebe reducedreduced Texas Railroad Commission Atmos Mid-Tex, a division of charging ratepayers at the same resolutions requiring Atmos to jus- Cities’ decision to the Texas Rail- judges recently ruled that natural Atmos Energy Corporation, is the time the company was reporting tify the monopoly rates it was road Commission and asked the gas rates currently charged by monopoly provider of natural gas that it was earning more money for charging the city and their citizens Commission to approve a $60 mil- Atmos Mid-Tex should be reduced to 1.5 million customers through- shareholders than did TXU Gas, for natural gas. Based on the in- lion rate increase. by $23 million on an annual basis out North Central Texas. Jay the previous utility owner. More formation provided by Atmos, the After a three-week hearing, and that ratepayers are entitled to Doegey, city attorney for the City than 80 city councils throughout city councils voted to reduce the Railroad Commission judges a $2.5 million refund of improper of Arlington, and Chairman of the North Texas individually adopted Atmos’ rates. Atmos appealed the See CITIES, Page 11 surcharges. city coalition challenging Atmos’ The judges’ 186-page decision rates, pointed out that cities have to lower rates is the result of an regulatory authority over natural action initiated by more than 80 gas rates that are charged custom- Texas cities including Irving to ers within city limits and can use investigate whether the rates that that power to ensure monopoly Atmos was charging its customers rates are just and reasonable. -
Mimi Stillman, Artistic Director
Mimi Stillman, Artistic Director Wednesday, February 20, 2019 at 7:00pm Trinity Center for Urban Life 22 nd and Spruce Streets, Philadelphia Dolce Suono Ensemble Presents Rediscoveries: Festival of American Chamber Music I Dolce Suono Trio Mimi Stillman, flute/piccolo – Gabriel Cabezas, cello – Charles Abramovic, piano with Kristina Bachrach, soprano Trio for Flute, Cello, and Piano (1944) Norman Dello Joio (1913-2008) Moderato Adagio Allegro spiritoso Stillman, Cabezas, Abramovic Enchanted Preludes for Flute and Cello (1988) Elliott Carter (1908-2012) Stillman, Cabezas Dozing on the Lawn from Time to the Old (1979) William Schuman (1910-1992) Orpheus with His Lute (1944) Bachrach, Abramovic Winter Spirits for Solo Flute (1997) Katherine Hoover (1937-2018) Stillman Two Songs from Doña Rosita (1943) Irving Fine (1914-1962) (arr. DSE) Stillman, Cabezas, Abramovic Intermission Moon Songs (2011) * Shulamit Ran (1949) Act I: Creation Act II: Li Bai and the Vacant Moon Entr’acte I Act III: Star-crossed Entr’acte II: Prayer to Pierrot Act IV: Medley Bachrach, Stillman, Cabezas, Abramovic Tonight from West Side Story (1961) Leonard Bernstein (1918-1990) [premiere of new arrangement ] (arr. Abramovic) Stillman, Cabezas, Abramovic *Commissioned by Dolce Suono Ensemble About the Program – Notes by Mimi Stillman We are pleased to present Dolce Suono Ensemble (DSE)’s new project “Rediscoveries: Festival of American Chamber Music,” which seeks to illuminate an important but largely neglected body of chamber music by American composers. Aside from the most celebrated American composers from this period whose chamber works are regularly performed, i.e. Copland, Barber, Bernstein, and Carter, there are many other composers highly lauded in their time and significant in shaping the story of music in the United States, who are rarely heard today. -
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559165 bk Daugherty US 27/07/2004 02:42pm Page 5 Colorado Symphony Orchestra AMERICAN CLASSICS As the region’s premier performing arts organization, the Colorado Symphony Orchestra (CSO) embraces a tradition of musical excellence by presenting a wide variety of symphonic performances, from classical repertoire to innovative new forms, in Boettcher Concert Hall, the first surround-sound concert hall in the United States. Established in 1989 as the successor to the Denver Symphony, the CSO is Colorado’s only resident orchestra composed of professional musicians employed to play symphonic music on a full-time basis. Musicians actively MICHAEL DAUGHERTY participate in the management of the organization through significant participation on the Association’s Board of Trustees, as well as all governing committees. Under Music Director Laureate Marin Alsop’s leadership over a number of years, the CSO has gained recognition on both the regional and national levels as one of the finest Philadelphia Stories • UFO performing orchestras in the country. Many of the orchestra’s performances are broadcast on Colorado Public Radio to a state-wide audience. Reaching an even more expansive audience, a number of the CSO’s programmes are broadcast nationally on National Public Radio’s Performance Today. Recordings with Marin Alsop have Evelyn Glennie, Percussion included a number of releases devoted to the work of contemporary American composers. In April 2004 the CSO appointed Jeffrey Kahane, music director of the Los Angeles Chamber Orchestra and the Santa Rosa Symphony, as the ninth music director in the 81-year history of the Denver and Colorado Symphony Orchestras. -
Roger Zare Has Been Praised for His “Enviable Grasp of Orchestration
Roger Zare has been praised for his “enviable grasp of orchestration” (New York Times) and for writing music with “formal clarity and an alluringly mercurial surface.” He was born in Sarasota, FL, and has written for a wide variety of ensembles, from solo instruments to choir to full orchestra. Often inspired by science, nature, astronomy, mathematics, and mythology, his colorfully descriptive works have been performed across the United States and on five continents by such ensembles as the American Composers Orchestra, the Minnesota Orchestra, the Sarasota Orchestra, the Omaha Chamber Symphony, the Aspen Music Festival Contemporary Ensemble, the New York Youth Symphony, the Donald Sinta Quartet, and F-PLUS. An award- winning composer, Zare has received the ASCAP Nissim Prize, three BMI Student Composer Awards, an ASCAP Morton Gould award, a New York Youth Symphony First Music Commission, the 2008 American Composers Orchestra Underwood Commission, a Charles Ives Scholarship from the American Academy of Arts and Letters, a Copland House Residency Award, and many other local and regional honors. He has been composer in residence at the Salt Bay Chamber Music Festival, the Chamber Music Festival of Lexington, the Chesapeake Chamber Music Festival, and the SONAR New Music Ensemble. Festivals and workshops that he has attended include the Aspen Music Festival and School, Cabrillo Festival, the Intimacy of Creativity (Hong Kong), Copland House’s CULTIVATE, the Florida State University Festival of New Music, the New Music Gathering, the Bowling Green State University New Music Festival, the Indiana State University Contemporary Music Festival, the Gabriela Lena Frank Creative Academy of Music, and the Bowdoin International Music Festival. -
TYLER GOODRICH WHITE Director of Orchestral Activities/Associate Professor of Music University of Nebraska-Lincoln
TYLER GOODRICH WHITE Director of Orchestral Activities/Associate Professor of Music University of Nebraska-Lincoln University of Nebraska-Lincoln School of Music 6540 Rexford Drive Westbrook Music Building 0100 Lincoln, Nebraska 68506 Lincoln, Nebraska 68588-0100 (402) 488-7154 (402) 472-7698 or 472-2503 [email protected] EDUCATION Cornell University. D.M.A., Composition, 1991. Composition study with Steven Stucky and Karel Husa, musicology with Don M. Randel, conducting with Edward Murray. Thesis: Part I: Eagle Descending: An Elegiac Landscape for mezzo-soprano and orchestra (text by Robert Penn Warren). Part II: "The Music's Proper Domain": Form, Motive, and Tonality in Carl Nielsen's Fourth Symphony ("The Inextinguishable"). Conservatoire Américain de Fontainebleau, Fontainebleau, France, 1988. Composition study with André Boucourechliev, Betsy Jolas, and Alain Louvier. Københavns Universitet, Musikvidenskabeligt Institut, Copenhagen, Denmark. Guest student, 1986- 87. Thesis research on symphonic music of Carl Nielsen. Independent composition study with Niels Viggo Bentzon. Cornell University. M.F.A., Musical Composition, 1986. Thesis: Triptych: Three Panels after Pascal, for orchestra. University of North Carolina at Chapel Hill. A.B., Music, 1983. Viola study with Ann Woodward, violin with Richard Luby, composition with Roger Hannay, conducting with David Serrins. PROFESSIONAL APPOINTMENTS Conducting and Ensemble Administration Lincoln Symphony Orchestra. Resident Conductor, 2000-present. University of Nebraska-Lincoln. Director of Orchestral Activities, 1994-present. Full responsibility for conducting and administration of the orchestra program (primarily music majors, bachelor's- through doctoral-level) within the nationally prominent school of music of a large, land-grant university. Duties include recruitment and cultivation of contacts with high school orchestra directors and string educators throughout the state and region. -
William Schuman: the Witch of Endor William Schuman (1910-1992)
WILLIAM SCHUMAN: THE WITCH OF ENDOR WILLIAM SCHUMAN (1910-1992) JUDITH, CHOREOGRAPHIC POEM [1] JUDITH, CHOREOGRAPHIC POEM (1949) 21:20 [2] NIGHT JOURNEY (1947) 20:34 NIGHT JOURNEY THE WITCH OF ENDOR (1965) THE WITCH OF ENDOR [3] Part I 6:39 [4] Part II 8:09 [5] Part III 8:00 BOSTON MODERN ORCHESTRA PROJECT [6] Part IV 8:21 Gil Rose, conductor [7] Part V 8:35 TOTAL 81:41 COMMENT William Schuman to Fanny Brandeis November 30, 1949 About three years ago I had the privilege of collaborating with Miss Graham on the work known as Night Journey which was commissioned by the Elizabeth Sprague Coolidge Foundation in the Library of Congress, and was first performed on May3 , 1947 at the Harvard Symposium on Music Criticism. Working with Martha Graham was for me a most rewarding artistic venture and is directly responsible for the current collaboration. When I received a telephone call last spring from Miss Graham informing me that the Louisville Orchestra would commission a composer of her choice for her engagement, I had no inten- tion of adding to my already heavy commitments. However, as the telephone conversation progressed and as the better part of an hour was consumed, my resistance grew weaker and suddenly I found myself discussing the possible form the work could take. Actually, my reason for wanting to do the work was not only the welcome opportunity of writing another piece for Miss Graham, but also the opportunity of employing the full OGRAPHY BY MARTHA GRAHAM. MARTHA BY OGRAPHY resources of the modern symphony orchestra for a choreographic composition. -
Kennesaw State University Wind Ensemble Presents
program Wednesday, November 18, 2015 at 8:00 p.m. Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Forty-fourth Concert of the 2015-16 Concert Season Kennesaw State University Wind Ensemble presents "PREMIERES!" David T. Kehler, conductor Debra Traficante, guest conductor Roger Zare, featured guest composer RON NELSON (b. 1929) Rocky Point Holiday (1969) Debra Traficante, guest conductor ROGER ZARE (b. 1985) Tangents (2015) (*World Premiere) ROBERT SPITALL (b. 1963) Consort for Ten Winds (2005) I. Jeux II. Aubade III. Sautereau Intermission ANDREW BOSS (b. 1988) Tetelestai - A Symphony for Wind Ensemble (2014) (*Georgia Premiere) I. Homage II. Toccata III. Interlude and Finale program notes Rocky Point Holiday | Ron Nelson Ron Nelson received his Bachelor of Music degree in 1952, the Master’s degree in 1953, and the Doctor of Musical Arts degree in 1956, all from the Eastman School of Music at the University of Rochester. He also studied in France at the Ecole Normale de Musique and at the Paris Conservatory under a Fulbright Grant in 1955. Dr. Nelson joined the Brown University faculty the following year, and taught there until his retirement in 1993. In 1991, Dr. Nelson was awarded the Acuff Chair of Excellence in the Creative Arts, the first musician to hold the chair. In 1993, hisPassacaglia (Homage on B-A-C-H) made history by winning all three major wind band compositions – the National Association Prize, the American Bandmasters Association Ostwald Prize and the Sudler International Prize. He was awarded the Medal of Honor of the John Philip Sousa Foundation in Washington, DC, in 1994. -
Library of Congress Collection Overviews: Dance
COLLECTION OVERVIEW DANCE I. SCOPE This overview focuses on dance materials found throughout the Library’s general book collection as well as in the various special collections and special format divisions, including General Collections; the Music Division; Motion Picture, Broadcasting and Recorded Sound; the American Folklife Center; Manuscript Division; Prints & Photographs; and Rare Book and Special Collections. The overview also identifies dance- related Internet sources created by the Library as well as subscription databases. II. SIZE Dance materials can be found in the following classes: BJ; GT; VN; GV; M; and ML. All classes, when totaled, add up to 57,430 dance and dance-related items. Class GV1580- 1799.4 (Dancing) contains 10,114 items, constituting the largest class. The Music Division holds thirty special collections of dance materials and an additional two hundred special collections in music and theater that include dance research materials. III. GENERAL RESEARCH STRENGTHS General research strengths in the area of dance research at the Library of Congress fall within three areas: (A) dance instructional and etiquette manuals, especially those printed between 1520 and 1920, (B) dance on camera, and (C) folk, traditional, and ethnic dance. A. The first primary research strength of the Library of Congress is its collections of 16th-20th-century dance instructional and etiquette manuals and ancillary research materials, which are located in the General Collections, Music Division, and Rare Book and Special Collections (sub-classifications GN, GT, GV, BJ, and M). Special Collections within the Music Division that compliment this research are numerous, including its massive collection of sheet music from the early 1800s through the 20th century. -
University Band Symphonic Band
Illinois State University ISU ReD: Research and eData School of Music Programs Music Fall 11-16-2018 University Band Symphonic Band Marykatheryne E. Kuhne, Conductor Illinois State University Zachary A. Taylor, Conductor Illinois State University Doug Morin, Conductor Illinois State University Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Kuhne,, Marykatheryne E. Conductor; Taylor,, Zachary A. Conductor; and Morin,, Doug Conductor, "University Band Symphonic Band" (2018). School of Music Programs. 4138. https://ir.library.illinoisstate.edu/somp/4138 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. Illinois State University College of Fine Arts School of Music • );. f N LAM MUSIC DIREC T OR Upcoming Events Friday, November 16 Vniversity {J3and Junior Rwtal :Matt D?vi!I bantnnc 8:30pm Kemp Marykatheryne E. Kuhne, conductor Tuesday, November 27 Zachary A. Taylor, cond11ctor Senmr Rearnt Dcrsls Zlmmenmm /11hq 8:00pm Kemp Wednesday, November 28 Afnc;m Prumrrung and Daner Rce1rnl • • 7 30pm Sympfionic {J3and Kemp Thursday, November 29 Music Factors Doug Morin, conductor 8:00 pm Kemp Friday, November 30 s~ruor Rr:cmal· KcYm Rnhtien ebot 6·00 pm Kemp Senior Rcc,tal. T)1lcr \Vall~ wphon111m 7:00 pm Kemp Saturday, December 1 Music for thr Hobclays 3:00 pm and 7,00 pm I CPA Sunday, December 2 Mu~ic for the HolJdnys 300pm Center for the Performing Arts CPA November16,2018 Friday Evening • • 8:00p.m. -
Boston Symphony Orchestra Concert Programs, Season 93, 1973-1974, Trip
Segovia, appearing ccc/5 s: Andres in recital this month Oa. < DC LU LL LU < lb Les Hooper, traveler through a crowded ol' world. United dedicates ^riendshq) Sendee. Rooiiqr747aiidDC-10 Friend Sh4>s. Flying New York to the west, why crowd yourself? United people to help you along the way. And extra wide Stretch out. Lean back. And try on a roomy 747 or DC-10 aisles, so you can walk around and get friendly yourself. for size. YouVe also a wide range of stereo entertainment. Another reason more people choose the friendly And a full-length feature film on selected flights skies than any other airline in the land. ($2.00 in Coach). A daily 747 to Los Angeles, and roomy DC-lO's to So call United Air Lines at (212) 867-3000, or your Los Angeles, San Francisco, Chicago, Denver and Travel Agent, and put yourself aboard our giant Cleveland. Friend Ships. You can't go west in a bigger way. Only United flies the Friend Ship with so many extras. Extra room to stretch out and relax. Extra friendly The friendly skies ofyour land. Unitedh 747's & DClOb to the West Partners in Travel with Western International Hotels. "FOM THE ELIZABETH ARDEN SALON Our idea. Quick. Simple. Color-coded to be fool-proof. Our System organizesyour skin care by daily skin care soyou can cleanse, skin type, simplified. tone and moisturize more efficiently. And effectively. Introducing ¥or instance, Normal-to-Oily skin The Personal can have its own Clarifying Astringent. Normal-to-Dry skin its own Fragile Skin Care System Skin Toner No matter which skin type have, find a product by Elizabeth Arden. -
Col. George S Howard S
SABATINI, EUGENE J., CAPT. MS78-1926 Letter from Col. William J. Wrigglesmith, Commanding Officer, Officer's Mess, Bolling AFB Wash., D.C., concerning a letter from Capt. Eugene J. Sabatini, Sec.-Treas., Officers Mess, dated Aug. 18, 1952. SABATINI, EUGENE J., MAJ. MS78-1909 Letter from Maj. Eugene J. Sabatini, Sec.-Treas., Officer's Open Mess, Bolling AFB, to Col. George S. Howard, dated Jun. 29, 1954, concerning an "unexcelled performance" of the various units of the USAF Band. SAITO, REIKO MS78-1760 Copy of letter from Reiko Saito, of Hyogoken, Japan, dated Sept. 16, 1957, to the USAF Band, concerning his impressions of the USAF Band. SAllADE, ALICE MS78-1506 Letter from Alice Sallade to George S. Hwoard, her grandson, from Reamstown, dated Dec. 10, 1922. SALLADE, ALICE MS78-1S07 Letter from Alice Sallade to George S. Howard, her grandson, from Reamstown, dated Sept. 22, 1922. SALlADE, ALICE MS78-1508 Letter from B. L. Johnson, Business Manager, Ithaca Conservatory of Music to George S. Howard, dated Sept. 5, 1922, listing items which he should bring along to the Conservatory when attending. Accompanied with a letter from Alice Sallade asking if items were received. SALlADE, ALICE MS78-1509 Letter from Alice Sallade to George S. Howard, her grandson, dated Sept. 18, 1922, with clipping from Denver Carnival. SAllADE, ALICE MS78-1510 Letter from Alice Sallade, to George S. Howard, her grandson, dated Sept. 27, 1922. SAllADE, ALICE MS78-1512 Letter and Thanksgiving card from Alice Sallade to her grandson George S. Howard, (no date). SAllADE, ALICE MS78-1513 Letter from Alice Sallade, to her grandson George S. -
CULTIVATE Five Emerging Composers Selected for Intensive, All-Scholarship Workshop and Mentoring Program; Derek Bermel Named Program Director
NEWS...For Immediate Release June 15, 2012 Contact: Elizabeth Dworkin, Dworkin & Company 914.244.3803, [email protected] Copland House Launches CULTIVATE Five Emerging Composers Selected for Intensive, All-Scholarship Workshop and Mentoring Program; Derek Bermel Named Program Director Cortlandt Manor, NY - Copland House today announces the launch of CULTIVATE, an intensive, annual, all-scholarship creative workshop and mentoring program dedicated to developing the talents of exceptionally gifted American composers in the initial stages of their professional careers. Serving as CULTIVATE Director is Derek Bermel, the acclaimed composer and Founding Clarinetist of the Music from Copland House ensemble. For the inaugural session this summer, five composers from around the U.S. have been invited to participate: Nathan Heidelberger, 25 (Westchester Community Foundation Valentine and Clark Fellow); Roger Zare, 27 (ASCAP Foundation Fellow); Michael Djupstrom, 31; Reena Esmail, 29; and Michael Ippolito, 27. "We hope that CULTIVATE will help these gifted young composers to be better prepared as creators, artists, and leaders in a profoundly-changing musical landscape," said Copland House's Artistic and Executive Director Michael Boriskin. "We intend for this program to contribute substantively to the essential discourse about the role of composers in today's shifting social, civic, and cultural environments. And having worked with Derek -as composer, performer, resident, educator, and general artistic partner, colleague, and friend- since Copland House first opened its doors in 1998, we know that he is singularly-equipped to oversee one of our most important new initiatives to support young composers." "I am excited about steering Copland House's CULTIVATE program," Bermel explained.