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Analytical Research of Wind Band Core Repertoire Timothy D Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Analytical Research of Wind Band Core Repertoire Timothy D. Wiggins Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC ANALYTICAL RESEARCH OF WIND BAND CORE REPERTOIRE By TIMOTHY D. WIGGINS A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2013 Timothy D. Wiggins defended this dissertation on May 16, 2013. The members of the supervisory committee were: Richard Clary Professor Directing Dissertation Alexander Jimenez University Representative Patrick Dunnigan Committee Member Clifford Madsen Committee Member The graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university reuirements. ii To Christine, my beautiful wife, I could not have done this without you. I love you more every day. iii ACKNOWLEDGEMENTS This project would not have been possible without the help of many people. I would like to thank Professor Richard Clary for his guidance, as well as the rest of my committee members: Dr. Patrick Dunnigan, Dr. Alex Jimenez, and Dr. Clifford Madsen. Additionally, thank you Dr. Steve Kelly and Dr. Andre Thomas for your consultation and guidance. Above all, to my beautiful wife, Christine, to whom I am forever in debt as she gave up a life and job to follow and support me in this journey, working to support us, and giving us two beautiful daughters. iv TABLE OF CONTENTS List of Tables ................................................................................................................................ vii List of Figures ................................................................................................................................ ix Abstract ........................................................................................................................................... x 1. INTRODUCTION ...................................................................................................................... 1 Limits of Study ................................................................................................................... 2 Definitions ........................................................................................................................... 3 2. REVIEW OF LITERATURE ..................................................................................................... 4 Brief History of the American Wind Band ......................................................................... 4 Legitimacy .............................................................................................................. 5 Instrumentation ....................................................................................................... 6 Emerging Repertoire ............................................................................................... 7 Searching for Quality Repertoire ........................................................................................ 8 Creating Lists .......................................................................................................... 8 Defining and Developing Criteria ......................................................................... 12 Empirical Scholarship on Determining Quality Repertoire .............................................. 15 Artistic Merit Research ......................................................................................... 15 Programming Research ......................................................................................... 18 Analytical Research .............................................................................................. 19 Bibliographic Research ......................................................................................... 21 Thesis ............................................................................................................................... 22 3. METHOD ................................................................................................................................. 24 Source Materials: Repertoire of Serious Artistic Merit .................................................... 24 Search Parameters ............................................................................................................. 24 Collecting Data ................................................................................................................. 25 Developing a Taxonomy, Classifying Research ............................................................... 26 Annotating Tier One Research .......................................................................................... 29 Pilots ................................................................................................................................. 29 4. RESULTS ................................................................................................................................. 31 Source Materials: Core Repertoire .................................................................................... 31 Summary of Findings ........................................................................................................ 33 Formats ............................................................................................................................ 34 Tier Classifications .......................................................................................................... 39 Composers and Compositions .......................................................................................... 41 v 5. DISCUSSION ........................................................................................................................... 46 Purpose and Results Summary .......................................................................................... 46 General Discussion ........................................................................................................... 47 Authorship ............................................................................................................. 48 Print Sources ......................................................................................................... 48 Taxonomy ............................................................................................................. 49 Composers ............................................................................................................. 50 Compositions ........................................................................................................ 50 Relationship to Literature ................................................................................................. 51 Limitations ........................................................................................................................ 53 Implications for Practice ................................................................................................... 55 Resource ................................................................................................................ 55 Taxonomy ............................................................................................................. 56 Future Research .................................................................................................... 56 Availability ........................................................................................................... 56 Suggestions for Further Research ..................................................................................... 57 Conclusion ........................................................................................................................ 58 APPENDICES .............................................................................................................................. 59 A. JOURNALS PUBLISHING ANALYTICAL RESEARCH OF CORE REPERTOIRE ........ 59 B. CORE REPERTOIRE: ALPHABETICAL LISTING BY COMPOSER ............................... 62 C. COLLEGES AND UNIVERSITIES OVERSEEING ANALYTICAL RESEARCH OF CORE REPERTOIRE ............................................................................................................. 66 D. PRINT SOURCES PUBLISHING ANALYTICAL RESEARCH OF CORE REPERTOIRE ........................................................................................................................ 70 E. QUANTITY OF CITATIONS AS A FUNCTION OF COMPOSER AND TIER CATEGORY ........................................................................................................................... 76 F. QUANTITY OF CITATIONS AS A FUNCTION OF COMPOSITIONS AND TIER CATEGORY ........................................................................................................................... 79 G. TAXONOMY: CATEGORIES OF ANALYTICAL RESEARCH OF CORE REPERTOIRE ........................................................................................................................ 86 H. ANALYTICAL RESEARCH OF WIND BAND CORE REPERTOIRE .............................. 88 REFERENCES ........................................................................................................................... 247 BIOGRAPHICAL SKETCH .....................................................................................................
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