Allison Beda
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
45477 ACTRA 8/31/06 9:50 AM Page 1
45477 ACTRA 8/31/06 9:50 AM Page 1 Summer 2006 The Alliance of Canadian Cinema, Television and Radio Artists ACTION! Production coast to coast 2006 SEE PAGE 7 45477 ACTRA 9/1/06 1:53 PM Page 2 by Richard We are cut from strong cloth Hardacre he message I hear consistently from fellow performers is that renegotiate our Independent Production Agreement (IPA). Tutmost on their minds are real opportunities for work, and We will be drawing on the vigour shown by the members of UBCP proper and respectful remuneration for their performances as skilled as we go into what might be our toughest round of negotiations yet. professionals. I concur with those goals. I share the ambitions and And we will be drawing on the total support of our entire member- values of many working performers. Those goals seem self-evident, ship. I firmly believe that Canadian performers coast-to-coast are cut even simple. But in reality they are challenging, especially leading from the same strong cloth. Our solidarity will give us the strength up to negotiations of the major contracts that we have with the we need, when, following the lead of our brothers and sisters in B.C. associations representing the producers of film and television. we stand up and say “No. Our skill and our work are no less valuable Over the past few months I have been encouraged and inspired than that of anyone else. We will be treated with the respect we by the determination of our members in British Columbia as they deserve.” confronted offensive demands from the big Hollywood companies I can tell you that our team of performers on the negotiating com- during negotiations to renew their Master Agreement. -
Sunday Morning Grid 9/18/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 9/18/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Cincinnati Bengals at Pittsburgh Steelers. (N) Å 4 NBC News (N) Å Meet the Press (N) (TVG) 2016 Evian Golf Championship Auto Racing Global RallyCross Series. Rio Paralympics (Taped) 5 CW News (N) Å News (N) Å In Touch BestPan! Paid Prog. Paid Prog. Skin Care 7 ABC News (N) Å This Week News (N) Vista L.A. at the Parade Explore Jack Hanna Ocean Mys. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Why Pressure Cooker? CIZE Dance 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Good Day Game Day (N) Å 13 MyNet Arthritis? Matter Secrets Beauty Best Pan Ever! (TVG) Bissell AAA MLS Soccer Galaxy at Sporting Kansas City. (N) 18 KSCI Paid Prog. Paid Prog. Church Faith Paid Prog. Paid Prog. Paid Prog. AAA Cooking! Paid Prog. R.COPPER Paid Prog. 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Painting Cook Mexico Martha Ellie’s Real Baking Project 28 KCET Peep 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Three Nights Three Days Eat Fat, Get Thin With Dr. ADD-Loving 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión Pagado Secretos Pagado La Rosa de Guadalupe El Coyote Emplumado (1983) María Elena Velasco. -
Grants Listing 2017-2018
2017–2018 Grants Listing | Liste des subventions Ontario Arts Council Conseil des arts de l’Ontario OAC | CAO The Guelph Chamber Choir surprises founding conductor Gerald Neufeld with a favourite song following his final official concert performance. Neufeld retired after 35 years of serving as artistic director of the choir. (Photo: Sandra Pitts) Les membres du Chœur de chambre de Guelph réservent une surprise à Gerald Neufeld à l’occasion de son départ à la retraite en chantant une de ses chansons préférées après son dernier concert officiel. M. Neufeld, chef fondateur de l’ensemble, en a été le directeur artistique pendant 35 ans. (Photo : Sandra Pitts) FRONT COVER : Élise Boucher DeGonzague performs in Mokatek et l’étoile disparue (Mokatek and the missing star), a co-production between Vox Théâtre and Productions Ondinnok, written and performed by Dave Jenniss, directed by Pier Rodier. (Photo: Marianne Duval) PREMIÈRE DE COUVERTURE : Élise Boucher DeGonzague dans Mokatek et l’étoile disparue, pièce coproduite par Vox Théâtre et les Productions Ondinnok, écrite et interprétée par Dave Jenniss sur une mise en scène de Pier Rodier. (Photo : Marianne Duval) 2017-2018 Grants Listing | Liste des subventions 2017-2018 OAC | CAO Contents Sommaire Grants Listing – Introduction 03 Introduction – Liste des subventions Granting Staff 05 Personnel de subvention Creating and Presenting 08 Création et diffusion Dance 09 Danse Deaf and Disability Arts 11 Pratiques des artistes sourds ou handicapés Francophone Arts 13 Arts francophones Indigenous -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
Rapport Annuel 2007-2008 ›
Rapport annuel 2007-2008 › Rapport annuel 2007-2008 › Madame Christine Saint-Pierre Ministre de la Culture, des Communications et de la Condition féminine du Québec En vertu de l’article 33 de la Loi sur les musées nationaux, j’ai l’insigne honneur de vous présenter, au nom des membres du Conseil d’administration, le vingt-quatrième Rapport annuel du Musée d’art contemporain de Montréal. Vous y trouverez aussi les états financiers pour l’année se terminant le 31 mars 2008. Espérant le tout à votre convenance, je vous prie d’agréer, Madame la Ministre, l’assurance de ma haute considération. Le président du Conseil d’administration, Marc DeSerres Le Musée d’art contemporain de Montréal a pour fonction de faire connaître, de promouvoir et de conserver l’art québécois contemporain et d’assurer une présence de l’art contemporain international par des acquisitions, des expositions et d’autres activités d’animation. (Loi sur les musées nationaux, art. 24) Mot du président 7 Mot du directeur général 8 Fréquentation 10 Secrétariat général 11 Accès à l’information et protection des renseignements personnels 12 La loi sur le développement durable 12 La Médiathèque 13 Direction artistique et éducative 15 La Collection 16 Les acquisitions 17 La restauration 26 Les prêts 27 Les expositions 30 Les expositions itinérantes 33 Les créations multimédias 34 L’éducation 36 L’action culturelle 40 Direction de l’administration et des activités commerciales 41 Service des communications 43 Les relations publiques et la promotion 44 Le site Internet 45 Les publications 45 Service de développement et financement 47 La Fondation du Musée 49 Service des ressources humaines 53 Les employés 55 Le Conseil d’administration 59 Code d’éthique et de déontologie des membres du Conseil d’administration du Musée d’art contemporain de Montréal 63 Les états financiers 66 › Mot du président Marc DeSerres Cette année encore, j’ai le plaisir de faire le bilan d’un exercice Dès son arrivée comme nouveau directeur en 2004, financier fructueux pour le Musée d’art contemporain de M. -
Ontario Arts Council from April 1, 2000 to March 31, 2001
2000 – 2001 Annual Report / Grants Listing • Rapport annuel et liste des subventions 2000-2001 In accordance with the provision of Section 12 of the Arts Council Act, I respectfully submit the report covering the activities of the Ontario Arts Council from April 1, 2000 to March 31, 2001. Conformément aux dispositions de l’article 12 de la Loi sur le Conseil des arts, c’est avec le plus grand respect que je dépose le présent rapport sur les activités du Conseil des arts de l’Ontario pour la période allant du 1er avril 2000 au 31 mars 2001. Julia Foster Chair, Ontario Arts Council Présidente, Conseil des arts de l’Ontario Ontario Arts Council • Conseil des arts de l’Ontario Ontario Arts Le Conseil des arts Council de l’Ontario In 1963, provincial legislation was enacted to empower the En 1963, une loi provinciale a donné au Conseil des arts Ontario Arts Council (OAC) with the mandate to promote de l’Ontario (CAO) le mandat de promouvoir l’étude et la the study, enjoyment, and production of works of art for production d’œuvres artistiques dans la province entière the enjoyment and benefit of all Ontarians. pour que tous les Ontariens puissent en profiter. As a publicly funded, arm’s-length agency of the Ministry of À titre d’organisme autonome relevant du ministère du Tourism, Culture and Recreation, OAC is fully responsible Tourisme, de la Culture et des Loisirs, le CAO assume for its policies, decisions, and the awarding of grants through l’entière responsabilité de ses politiques et de ses décisions. -
CBC and CUPE Reach Tentative Agreement Crarrtakes Action on Disparaitre Bethune to Open 1989 Montreal World Film Festival Masse
CINEMA CAN A D A The CBC is offering a 34 month contract with Subsequently, CRARR has asked the NFBt o and th ere were public disagreements between CBC and CUPE present job security in place and no move ment devo te an equivalent amoun t of production screenwriter Ted Alla n and star Donald in the area of jurisdiction. "It is the sa me offer," funding or resources to a progra m th at would Sutherland. reach tentative said Curzon, "that other unions have accepted, show posti ve aspec ts of immigra tion and Clermont is understand ably anxious to see th e such as NABET (who recently settled with the multiculturalismin Quebec. final fi lm on the scree n. "I hope and believe it agreement CBC after the federal government appointed a CRARR has also asked Comminication will surprise many people. Th ere have been so Commissioner to resolve the dispute). They Minister Marcel Masse to remind both many negative th ings said about it tha t, at times, TORONTO - Negotiators for the CBC and 2,600 have 10 recognize the kind of budgetary crisis the institutions of" their legal and social respon people have lost the scope of th e film itself. " striking workers reached a tentative settlement CBCi s in. " sibilities and to make certain that the boards of Betlili lle is the first ever Canadian-Chinese AprilS that is expected to bring an end to the Production came to a halt on Kids In the Hall, both institutions reflect the cultural and racial French co-production . -
20 Years of Inspiration
20 years of inspiration The arts engage and inspire us 20 years of inspiration National Arts Centre | Ottawa | May 5, 2012 20 years of inspiration Welcome to the 20th anniversary Governor General’s In 2007 the National Film Board of Canada (NFB) Performing Arts Awards Gala! joined the Awards Foundation as a creative partner, and agreed to produce a short film about each Award The Governor General’s Performing Arts Awards recipient (beginning with the 2008 laureates). After (GGPAA) were created in 1992 under the patronage of the late Right Honourable Ramon John Hnatyshyn premiering at the GGPAA Gala, these original and (1934–2002), 24th Governor General of Canada, engaging films are made available to all Canadians and his wife Gerda. on the Web and in a variety of digital formats. The idea for the GGPAA goes back to the late 2008 marked the launch of the GGPAA Mentorship 1980s and a discussion between Peter Herrndorf Program, a unique partnership between the Awards (now President and CEO of the National Arts Centre) Foundation and the National Arts Centre that pairs and entertainment industry executive Brian Robertson, a past award recipient with a talented artist in both of whom were involved at the time with the mid-career. (See page 34.) Toronto Arts Awards Foundation. When they “The Governor General’s Performing Arts Awards approached Governor General Hnatyshyn with are the highest tribute we can offer Canadian artists,” their proposal for a national performing arts awards said Judith LaRocque, former Deputy Minister of program, they received his enthusiastic support. Canadian Heritage and former Secretary to the “He became a tremendous fan of the artists receiving Governor General, in an interview on the occasion the awards each year, the perfect cheerleader in the of the 15th anniversary of the Awards. -
DOXA Festival 2006
���������� ������������� ��������� ��������������������������������������������������������� ��������������������������������� ������������������������������������������������������ �������������������������������������������������������� ������������������������� ��������������������������������� ������������ ������������� �������� ����������� ����� ���� ��������������������������������������� �������������������������� �������� ������������������������ ������� ����������������������� ������������� �������� ��������������������������������������������������������� �������������������� ������������������ ����� ������������������������������������������������������������������ ������������������ ���������������������� ��������������������������������������������������������� ������� ���������� ����� ������������ ������� ��� ����� �������������� ���������� �������������� ����� ������������������������ ����� ������������������������ �������� �������������� � ������������������ �������� ������� � ������� ������������������������������� ����������������� ��������������������� ����������������������������������� TABLE OF CONTENTS ���� ��������������������������������������� Table of�������������������������� Contents �������� ������������������������ General Festival Information 3 The Documentary Media Society 5 ���Acknowledgements���� 6 ����������������������� �������������Celsius 17/11 7 Thanks from DOXA 8 ���Contribute����� to DOXA 9 ��������������������������������������������������������� Greetings from our funders 10 �������������������� -
Rapport Annuel 2007-2008 ›
Rapport annuel 2007-2008 › Rapport annuel 2007-2008 › Madame Christine Saint-Pierre Ministre de la Culture, des Communications et de la Condition féminine du Québec En vertu de l’article 33 de la Loi sur les musées nationaux, j’ai l’insigne honneur de vous présenter, au nom des membres du Conseil d’administration, le vingt-quatrième Rapport annuel du Musée d’art contemporain de Montréal. Vous y trouverez aussi les états financiers pour l’année se terminant le 31 mars 2008. Espérant le tout à votre convenance, je vous prie d’agréer, Madame la Ministre, l’assurance de ma haute considération. Le président du Conseil d’administration, Marc DeSerres Le Musée d’art contemporain de Montréal a pour fonction de faire connaître, de promouvoir et de conserver l’art québécois contemporain et d’assurer une présence de l’art contemporain international par des acquisitions, des expositions et d’autres activités d’animation. (Loi sur les musées nationaux, art. 24) Mot du président 7 Mot du directeur général 8 Fréquentation 10 Secrétariat général 11 Accès à l’information et protection des renseignements personnels 12 La loi sur le développement durable 12 La Médiathèque 13 Direction artistique et éducative 15 La Collection 16 Les acquisitions 17 La restauration 26 Les prêts 27 Les expositions 30 Les expositions itinérantes 33 Les créations multimédias 34 L’éducation 36 L’action culturelle 40 Direction de l’administration et des activités commerciales 41 Service des communications 43 Les relations publiques et la promotion 44 Le site Internet 45 Les publications 45 Service de développement et financement 47 La Fondation du Musée 49 Service des ressources humaines 53 Les employés 55 Le Conseil d’administration 59 Code d’éthique et de déontologie des membres du Conseil d’administration du Musée d’art contemporain de Montréal 63 Les états financiers 66 › Mot du président Marc DeSerres Cette année encore, j’ai le plaisir de faire le bilan d’un exercice Dès son arrivée comme nouveau directeur en 2004, financier fructueux pour le Musée d’art contemporain de M. -
Press Kit Season 1 and 2
www.mohawkgirls.com PREMIERING ON OMNI SUNDAY, NOVEMBER 23 AND ON APTN TUESDAY, NOVEMBER 25. TAGLINE Welcome to our world. (Just watch your back.) LOGLINE Mohawk Girls is a half hour dramatic comedy about four young women figuring out how to be Mohawk in the21st century. SYNOPSIS - SHORT What does it mean to be a modern day Mohawk woman? Mohawk Girls is a half hour dramatic comedy about four young women trying to figure out the answer. But with their parents, friends, community, and even their garbage man having an opinion, it’s an impossible task. SYNOPSIS - LONG Mohawk Girls centers around four twenty-something Mohawk women trying to find their place in the world, and of course, trying to find love. But in a small world where you or your friends have dated everyone on the rez, or the hot new guy turns out to be your cousin, it ain’t that simple. Torn between family pressure, tradition, obligation and the intoxicating freedom of the “outside world,” this fabulous foursome is on a mission to find happiness… and to find themselves. Bailey, 29, wants to be the “perfect” Mohawk. Everyone in her life seems to have a strong idea of what that means and she tries to live by their rules and meet their expectations. Unfortunately her heart starts taking her in very different directions and she finds herself having to constantly choose between her own happiness and everyone else’s. Caitlin, 27, is a full-figured sex-bomb who flaunts what god gave her and flirts with all the boys, even when she shouldn’t. -
Connecting with Writers, Directors & Producers
ConneCting with writers, directors & producers 2007-08 AnnuAl RepoRt At the national Screen institute there are no tuition fees or hidden costs – students pay a nominal, one-time application fee ($50 or less) and don’t have to move away from home. intensive training happens in one place. Students then go home to work with mentors, further develop their projects and pitches for the rest of the program, or complete an industry internship. “the nSi was like winning the lottery… in 2007, Kirk Shaw (c e o & p r e s i d e n t , i n s i g h t f i l m s t u d i o s i n c .) made a presentation in which he stated that at the beginning of his career, nSi changed his life. i feel this way too. our short film got us on the radar of telefilm and without the [nSi] Drama Prize program, we would never be as far along in our projects as we are right now.” Katie Weekley, Producer, The Auburn Hills Breakdown, NSI Drama Prize 2007-08 2 Danishka Esterhazy, NSI Drama Prize 2004-05; NSI Features First 2006-07 national Screen institute – Canada (nSi) our industry is constantly changing. nSi delivers market-driven training so our students can have successful, sustainable careers. each nSi program offers customized training by industry leaders so students can build on existing skills and acquire new Table of ContentS expertise. Programs are constantly evolving and new ones developing to fulfill and surpass what the industry asks. nSi Profile 1 our connections keep us current.