MANGAARD C.V 2019 (6Pg)
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Curriculum Vitae
Cole Swanson | Curriculum Vitae Education University of Toronto Masters of Art, Art History 2013 University of Guelph Bachelor of Arts, Honours: Studio Art 2004 Solo & Dual Exhibitions Spadina House Museum, Toronto Research Project and Solo Exhibition – TBA (forthcoming) 2020 Hamilton Artist Inc, Cannon Gallery, Hamilton Devil’s Colony (forthcoming) 2019 Rajasthan Lalit Kala Academy, Jaipur The Furrow, The Froth 2018 The Open Space Society, Jaipur िमटटी िसटी | Mitti City 2018 Unilever Factory & Design Exchange, Toronto Muzzle and Hoof, Horn and Bone 2017 Expo for Design, Innovation, and Technology Casa Na Ilha, Ilhabela, Brazil Lecanora Muralis 2017 Art Gallery of Guelph, Guelph Out of the Strong, Something Sweet 2016 Jawahar Kala Kendra, Jaipur, India Red Earth 2014 Museum of Northern History, Kirkland Lake Monuments & Melodramas 2012 Le Gallery, Toronto Next Exit (with Jennie Suddick) 2011 Ministry of Casual Living, Victoria, BC Mile Zero (with Jennie Suddick) 2011 Jawahar Kala Kendra, Jaipur, India of a feather 2007 Zero Four Art Space, Chung Li, Taiwan of a feather 2006 The Canadian Trade Office, Taipei, Taiwan of a feather 2006 Stirred a Bird Gallery, Guelph everybody in Flamingo 2005 Zavitz Hall Gallery, Guelph Shauchaalaya/Latrine 2003 Selected Group Exhibitions 2020 The Reach Glimmers of the Radiant Real (Forthcoming) Abbottsford, BC 2019 McIntosh Gallery, University of Western Ontario Glimmers of the Radiant Real (Forthcoming) London Gladstone Hotel Come Up to My Room, Terraflora (Solo) Toronto 2018 Paul Petro Contemporary Art -
Financial Reporting and Is Ultimately Responsible for Reviewing and Approving the Financial Statements
Treasury Board Secretariat ANNUAL REPORT OF ONTARIO Financial Statements of Government Organizations VOLUME 2B | 2015-2016 7$%/( 2)&217(176 9ROXPH% 3DJH *HQHUDO 5HVSRQVLEOH0LQLVWU\IRU*RYHUQPHQW$JHQFLHV LL $*XLGHWRWKHAnnual Report .. LY ),1$1&,$/ 67$7(0(176 6HFWLRQ ņ*RYHUQPHQW 2UJDQL]DWLRQV± &RQW¶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
Social18 Sponsor
PRESENTING SOCIAL18 SPONSOR THURSDAY SEPTEMBER 27 Fundraising Dinner and Auction SETTING TIME THURSDAY SEPTEMBER 27 2018 VENUE EVERGREEN BRICK WORKS 550 BAYVIEW AVENUE SCHEDULE 6PM COCKTAIL RECEPTION+ SILENT AUCTION 7PM DINNER 9PM LIVE AUCTION CONDUCTED BY STEPHEN RANGER of WADDINGTON’S Canadian Art is the preeminent platform for journalism and criticism about art and culture in Canada. Our print, digital, educational and programming initiatives deliver smart, accessible ideas, stories and opinions. A national non-profit foundation, Canadian Art develops and supports art writers, and engages with the work of artists, established and new. Most important, we empower diverse audiences to understand, debate and be inspired by art. Now in its 23rd year, Social 2018 offers one of the largest live and silent contemporary art auctions in Canada, and is an essential source of funding for Canadian Art. The great selections in this year’s auction reflect a discerning, mindful and generous art advisory committee, co-chaired by Jessica Bradley and Stefan Hancherow. These are people commit- ted to reflecting the values of our publication—in other words, to assembling artworks you can talk about, debate, and that alter and enrich in meaning as you think about and look at them. Many thanks to all of the artists and gallerists who have donated works this year. You keep our conversations on art interesting, and ongoing. David Balzer Canadian Art Editor-in-Chief and Co-Publisher 3 LETTER FROM THE PRESENTING SPONSOR Art inspires important conversations. It can also be a catalyst for change, driving us to evolve, examine and shape our communities. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Old Works / New Works: When Contemporary
OLD WORKS / NEW WORKS: WHEN CONTEMPORARY PHOTOGRAPHIC ARTWORKS HELD BY CANADIAN PUBLIC INSTITUTIONS CHANGE AFTER ACCESSION by Anne Cibola Master of Arts, York University, Toronto ON, 2005 Bachelor of Fine Arts, Concordia University, Montreal QC, 2003 A thesis presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Film and Photography Preservation and Collections Management Toronto, Ontario, Canada, 2014 © Anne Cibola 2014 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. Anne Cibola I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Anne Cibola I understand that my thesis may be made electronically available to the public. ii Abstract Old Works / New Works: When Contemporary Photographic Artworks held by Canadian Public Institutions Change After Accession Master of Arts, 2014 Anne Cibola Film and Photographic Preservation and Collections Management, Ryerson University This thesis explores what is at stake when changes are made to artworks after Canadian public institutions have accessioned them. It argues that the materiality of an art object matters, and together with the narrative or history of the artwork, contributes to its interpretation. Changes at the object level can have an impact not only on the history of an artwork, but also on an artist’s larger practice and on an institution’s collection. -
CR Porto Conference Promises Shows Galore
1 Circom Report CIRCOM Regional Newsmonthlyl CR is the European Association of 380 Public Regional TV Stations in 38 countriesl March 2001 / No 15 CR Porto conference From April 25 –29 SVT Orebro, Sweden, promises shows galore hosts Rrix Circom judging panel members The judging panel for this year’s Prix Circom Regional will be held at Orebro, Sweden, from Thursday 26 to Saturday 28 April. The members of the Delegates from the European Union, the Portuguese government and from Porto Townhall, RTP President and CIRCOM Regional President will participate in the panel are expected to arrive on opening ceremony of the CR annual conference in Porto, June 21-24. Wednesday (25) and leave on Djalme Neves, CR Vice President and Co-ordinator of the conference organisation, Sunday (29). gave a thorough report on the preparations concerning the participants lodging and All costs in Sweden are correspondent logistics, during the CR Executive Committee Meeting in Maribor, generously paid by host station Slovenia, March 10. Social activities booked for the conference by RTP are a dinner and the show “Body, SVT Orebro, whose director Per Sports and Stage” by the Merce Cunningham Dance Company (USA) on the Rivoli Eric Nordquist, was a judge last Theatre (June 21), a typical dinner with popular music and dancing on a restaurant near year. The Members of the Porto (June 22), lunch on Serralves Park and quick visit to the Contemporaneous Art judging panel will have to cover Museum (June23) Also a boat trip on the Douro River and a visit to the Port Wine cellars their travel costs to Sweden. -
Old Works / New Works: When Contemporary
OLD WORKS / NEW WORKS: WHEN CONTEMPORARY PHOTOGRAPHIC ARTWORKS HELD BY CANADIAN PUBLIC INSTITUTIONS CHANGE AFTER ACCESSION by Anne Cibola Master of Arts, York University, Toronto ON, 2005 Bachelor of Fine Arts, Concordia University, Montreal QC, 2003 A thesis presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Film and Photography Preservation and Collections Management Toronto, Ontario, Canada, 2014 © Anne Cibola 2014 AUTHOR’S DECLARATION FOR ELECTRONIC SUBMISSION OF A THESIS I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. Anne Cibola I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Anne Cibola I understand that my thesis may be made electronically available to the public. ii Abstract Old Works / New Works: When Contemporary Photographic Artworks held by Canadian Public Institutions Change After Accession Master of Arts, 2014 Anne Cibola Film and Photographic Preservation and Collections Management, Ryerson University This thesis explores what is at stake when changes are made to artworks after Canadian public institutions have accessioned them. It argues that the materiality of an art object matters, and together with the narrative or history of the artwork, contributes to its interpretation. Changes at the object level can have an impact not only on the history of an artwork, but also on an artist’s larger practice and on an institution’s collection. -
OAC Grant Application • 3Rd Edition
OAC Grant Application • 3 rd Edition Tips and must-dos for preparing an application to the Ontario Arts Council Ontario Arts Council About the Ontario Arts Council 151 Bloor Street West, 5th Floor Toronto, Ontario, M5S 1T6 The Ontario Arts Council (OAC) is a publicly funded, 416-961-1660 independent agency of the government of Ontario. Toll-free in Ontario: 1-800-387-0058 We have been supporting Ontario-based artists and [email protected] / www.arts.on.ca not-for-profit arts organizations since 1963. OAC’s mission is to promote and assist the development of the arts for the benefit and enjoyment of all Ontarians. Over the years, OAC has fostered stability and growth in Ontario’s arts communities. The Ontario Arts Council welcomes all forms of artistic expression. We are committed to funding art from all the people and regions of Ontario. We offer full service in English and French. All OAC programs are open to Aboriginal artists or arts organizations and artists or arts organizations from diverse cultural communities. OAC Grant Application Survival Guide 4 Introduction ..................................................................................... 3 Grants for Individual Artists and Groups .................................. 3 What Kind of Projects Can You Do with an OAC Grant? ............. 4 Briefly, the process… Who Can Apply? ............................................................................. 5 • Eligibility—make sure you are eligible to apply • Find the right grant program • Read—make sure you understand the application and guidelines • Gather information and brainstorm Which Program Do I Choose? ..................................................... 7 OAC Contacts .................................................................................................7 • Writing—start with a draft What’s in an Application? ......................................................................... 8 • Ask for feedback on your draft How Do I Apply? ......................................................................................... -
Postmedia Network Inc. DB Plan for Employees of Osprey
Postmedia Network Inc. DB Plan for Employees of Osprey Actuarial Valuation as at April 13, 2015 In Respect of the Transfer of Assets Resulting From the Purchase of Sun Media Corporation on April 13, 2015 Report prepared on December, 2015 Registration number: Pending Table of Contents INTRODUCTION ........................................................................................................................................... 1 SECTION 1 – ACTUARIAL OPINION .............................................................................................................. 3 PRIOR ASSET TRANSFER ......................................................................................................................................... 3 ASSET TRANSFER .................................................................................................................................................... 4 AFTER ASSET TRANSFER ......................................................................................................................................... 4 SECTION 2 – GOING-CONCERN FUNDED STATUS (PRIOR ASSET TRANSFER) ............................................. 7 SECTION 3 – SOLVENCY AND HYPOTHETICAL WIND-UP FUNDED STATUS (PRIOR ASSET TRANSFER) ...... 8 SECTION 4 – TRANSFER OF ASSETS ........................................................................................................... 10 SECTION 5 – GOING-CONCERN FUNDED STATUS (AFTER ASSET TRANSFER) ........................................... 11 SECTION 6 – SOLVENCY AND HYPOTHETICAL -
Its Name Was Jonas Its Name Was Jonas
!"#&$"%%!´ THURSDAY, JAN. 28, 2016 |68th Ye ar Number 3 PUBLISHED IN THE INTEREST OF THE FORT MEADE COMMUNITY FTMEADE.ARMY.MIL IIttss nnaammee wwaass JJoonnaass Sean Carter shovels out his driveway in Heritage Park on Monday in the aftermath of Winter Storm Jonas that dropped more than 2 feet of snow in the region. Much of Fort Meade was operational by midweek. For more coverage, see Pages 6-11. PHOTO BY NATE PESCE HIGH HOPES UPCOMING EVENTSMILITARY CHILD CARE Post employee to Friday, 10:30 a.m.: Cooking Matters Commissary tour - Commissary New DoD website to Feb. 7, 5:30 p.m.: Super Bowl 50 Party - The Lounge at The Lanes climb Everest ... again Go to facebook.com/ftmeade for to get updates after the historic improve process PAGE 3 snow, and on your phone by sending "follow ftmeadealert" to 40404 PAGE 4 2 NEWS THURSDAY, JAN. 28, 2016 |SOUNDOFF! COMMANDER’S COLUMN !"#&$"%%!´ Soldiering through the snow EDITORIAL STAFF appy New Year, Team 2016. With this money we will Garrison Commander Meade! resurface Mapes Road as soon as H We knew it was only a the asphalt plants open in the Col. Brian P. Foley matter of time. Seventy degrees spring (and the snow melts!), Garrison Command on Christmas, and 2.5 feet of completely renovate our two old- Sgt. Maj. Rodwell L. Forbes snow on the ground a month est Child Development Centers, Public Affairs Officer later. Clearly, Mother Nature was and complete renovation of Hale Chad T. Jones 301-677-1301 saving this up! Garrison Hall. [email protected] As I write, Sunday morning Commander The spotlight of cyber growth Assistant Editor & Senior Writer dawned bright and sunny. -
Portsmouth, NH October 14.15.16.17 2010 the Tenth Annual
The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 nhfilmfestival.com october 14.15.16.17 2010 1 We have everything. That’s what makes us Rule. We love gear. Film or video, production or post. We get to play with all the latest technology and figure how to best put it to work for our incredibly creative customers. We sell, rent, install, integrate and architect all kinds of equipment and solutions. And guess what? We get to do it every day. Sweet! www.rule.com | 1.800.rule.com 2 The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 WELCOME TO the 2010 neW hamPshiRe film FESTIVAL! You can call it our 10th anniversary or you can call it our 10th Jodi Foster. Our roster of anticipated short films, which include birthday; either way, a great celebration is in order! It is an Academy Award nominees and a new narrative film by James exceptional year for the New Hampshire Film Festival and we Franco, is also making waves. are proud and excited to have y ou here with us! To mark the festival’s special occasion, you may notice our Beginning with the festival’s strong and heartfelt kickoff during highlight on comedy, both on screen, live on stage, and through the week of September 11, 2001, we have been delighted and entertaining panel discussions. We are certain you’ll also take honored to present a full decade of film appreciation to New note of our new preferred restaurant program, emphasizing Hampshire and to the world. -
The Estate of General Idea: Ziggurat, 2017, Courtesy of Mitchell-Innes and Nash
Installation view of The Estate of General Idea: Ziggurat, 2017, Courtesy of Mitchell-Innes and Nash. © General Idea. The Estate of General Idea (1969-1994) had their first exhibition with the Mitchell-Innes & Nash Gallery on view in Chelsea through January 13, featuring several “ziggurat” paintings from the late 1960s, alongside works on paper, photographs and ephemera that highlight the central importance of the ziggurat form in the rich practice of General Idea. It got me thinking about the unique Canadian trio’s sumptuous praxis and how it evolved from humble roots in the underground of the early 1970s to its sophisticated position atop the contemporary art world of today. One could say that the ziggurat form is a perfect metaphor for a staircase of their own making that they ascended with grace and elegance, which is true. But they also had to aggressively lacerate and burn their way to the top, armed with real fire, an acerbic wit and a penchant for knowing where to apply pressure. Even the tragic loss of two thirds of their members along the way did not deter their rise, making the unlikely climb all the more heroic. General Idea, VB Gown from the 1984 Miss General Idea Pageant, Urban Armour for the Future, 1975, Gelatin Silver Print, 10 by 8 in. 25.4 by 20.3 cm, Courtesy Mitchell-Innes and Nash. © General Idea. The ancient architectural structure of steps leading up to a temple symbolizes a link between humans and the gods and can be found in cultures ranging from Mesopotamia to the Aztecs to the Navajos.