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Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Portsmouth, NH October 14.15.16.17 2010 the Tenth Annual
The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 nhfilmfestival.com october 14.15.16.17 2010 1 We have everything. That’s what makes us Rule. We love gear. Film or video, production or post. We get to play with all the latest technology and figure how to best put it to work for our incredibly creative customers. We sell, rent, install, integrate and architect all kinds of equipment and solutions. And guess what? We get to do it every day. Sweet! www.rule.com | 1.800.rule.com 2 The Tenth Annual Portsmouth, NH October 14.15.16.17 2010 WELCOME TO the 2010 neW hamPshiRe film FESTIVAL! You can call it our 10th anniversary or you can call it our 10th Jodi Foster. Our roster of anticipated short films, which include birthday; either way, a great celebration is in order! It is an Academy Award nominees and a new narrative film by James exceptional year for the New Hampshire Film Festival and we Franco, is also making waves. are proud and excited to have y ou here with us! To mark the festival’s special occasion, you may notice our Beginning with the festival’s strong and heartfelt kickoff during highlight on comedy, both on screen, live on stage, and through the week of September 11, 2001, we have been delighted and entertaining panel discussions. We are certain you’ll also take honored to present a full decade of film appreciation to New note of our new preferred restaurant program, emphasizing Hampshire and to the world. -
2007-2009 College Catalog
WWHITTIERWHITTIER CCOLLEGEOLLEGE 2007-2009 ISSUE OF THE WHITTIER COLLEGE CATALOG Volume 89 • Spring 2007 Published by Whittier College, Offi ce of the Registrar 13406 E. Philadelphia Street, P.O. Box 634, Whittier, CA 90608 • (562) 907-4200 • www.whittier.edu Accreditation Whittier College is regionally accredited by the Western Association of Schools and Colleges. You may contact WASC at: 985 Atlantic Avenue, SUITE 100 Alameda, CA 94501 (510) 748-9001 The Department of Education of the State of California has granted the College the right to recommend candidates for teaching credentials. The College’s programs are on the approved list of the American Chemical Society, the Council on Social Work Education, and the American Association of University Women. Notice of Nondiscrimination Whittier College admits students of any race, color, national or ethnic origin to all the rights, privileges, and activities generally accorded or made available to students at the school. It does not discriminate on the basis of race, color, marital status, sexual orientation, national or ethnic origin in administration of its educational policies, admissions policies, scholarship and loan programs, or athletic and other school-administered programs. Whittier College does not discriminate on the basis of disability in admission or access to its programs. Fees, tuition, programs, courses, course content, instructors, and regulations are subject to change without notice. 2 TTABLE OF CONTENTS OVERVIEW ..................................................................................Inside -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
Atlantic Film Festival It Through the TIFF Screening Committee While Mcgee's More Uneven Romantic Comedy Did
Atlantic Film Festival it through the TIFF screening committee while McGee's more uneven romantic comedy did. Strange, these things. To the Wall (9/12-20/03) By Ron Foley Macdonald is a straight-up performance film from one of comedian Andy Jones's one-man shows. The former Codco member's onstage Thom Fitzgerald's suicide drama The Event took home five frenzy copped him best acting honours (male) from the awards at the Atlantic Film Festival (AFF) in Halifax this year. five-person AFF jury, which included director Tim Southam, The New York-born, Nova Scotia-based filmmaker walked filmmaker Shandi Mitchell, writer Sue Goyette, actor Barry off with honours for writing, art direction, editing, direction Dunn and documentarian Victoria King. and acting (female) for his Halifax/New York-shot ensemble piece which had already impressed audiences at the 2003 The non-fiction work from the region was particularly impressive Sundance Festival. Fitzgerald's film was the first to shoot in in 2003. St. John's director Barbara Doran had two documentaries New York City after the events of 9/11. Its large cast of in the festival: The Man Who Studied Murder and The Invisible Canadian (Don McKellar, Brent Carver) and indie American Machine. Both explored the darker edges of human activities. favourites (Olympia Dukakis, Parker Posey) guaranteed the film The Man Who Studies Murder is a portrait of Elliott Leyton, an a wide release in Canada and the United States in the fall. expert in serial-killer behaviour based at Memorial University in Newfoundland. The Invisible Machine This year's AFF saw an increase in attendance (17 per cent) was an even scarier examination of American arms research linked to a number of despite a substantial drop in Atlantic feature films. -
Oncology Days
Organisation of European 2015 Cancer Institutes ORGANISATION OF EUROPEAN CANCER INSTITUTES OncologyEUROPEAN ECONOMIC INTEREST GROUPING Days PORTO- 2015 GENERAL-ASSEMBLY, SCIENTIFIC CONFERENCES AND-RELATED-EVENTS Instituto Português de Oncologia do Porto (IPO-Porto) June 22nd-24th OECI2015 ONCOLOGY DAYS 2 PRESIDENT’S WELCOME OECI2015 ONCOLOGY DAYS Welcome to the OECI Oncology Days 2015 3 For the third time, the Directors of the European Cancer Centres will convene in Portugal, 2015 a country which, since the OECI’s foundation, has shown an extraordinary interest in our ays Organisation, as witnessed by the participation of all the cancer centres of the “Instituto D Português de Oncologia do Porto FG, EPE” network in the OECI Accreditation and Designation Programme. Each participating centre has received the OECI Certification and I hope that the Portuguese example, as in Italy, will be followed by other countries. In this first year of my Presidency, I have been working on consolidating the OECI mandate NCOLOGY and how our organisation can better respond to the needs of a rapidly changing society, patient needs, and those of our members. In recent years, the fast paced progress of science and technology has brought radical change to the very structure of our institutions, in order to meet the needs that personalised medicine now requires. There is an increasing OECI O need to work together to speed up the translation process, to give all our patients access E H to the best care and to reduce the unbearable burden of applied research that requires an T increasing amount of human and financial investment. -
Denis Villeneuve Director / Screenwriter ————— FILMOGRAPHY
Denis Villeneuve Director / Screenwriter ————— FILMOGRAPHY Blade Runner 2049 To be released October 6, 2017 Feature film Director Dune in development Feature film Director The Son in development Feature film Director Arrival 2016 Feature film Director AWARDS Academy Awards - Won Oscar Best Achievement in Sound Editing Sylvain Bellemare - Nominated Oscar Best Motion Picture of the Year Shawn Levy, Dan Levine, Aaron Ryder, David Linde/ Best Achievement in Directing Denis Villeneuve/ Best Adapted Screenplay Eric Heisserer/ Best Achievement in Cinematography Bradford Young/ Best Achievement in Film Editing Joe Walker/ Best Achievement in Sound Mixing Bernard Gariépy Strobl, Claude La Haye/ Best Achievement in Production Design Patrice Vermette (production design), Paul Hotte (set decoration), 2017, USA BAFTA Awards - Won, BAFTA Film Award Best Sound Claude La Haye, Bernard Gariépy Strobl, Sylvain Bellemare/ Nominated BAFTA Film Award Best Film Dan Levine, Shawn Levy, David Linde, Aaron Ryder/ Best Leading Actress Amy Adams/ Nominated David Lean Award for Direction Denis Villeneuve/ Nominated, BAFTA Film Award Best Screenplay (Adapted) Eric Heisserer/ Best Cinematography Bradford Young/ Best Editing Joe Walker/ Original Music Jóhann Jóhannsson/ Best Achievement in Special Visual Effects Louis Morin, UK, 2017 AFI Awards – Won AFI Awards for Movie of the Year, USA, 2017 ARRIVAL signals cinema's unique ability to bend time, space and the mind. Denis Villeneuve's cerebral celebration of communication - fueled by Eric Heisserer's monumental script - is grounded in unstoppable emotion. As the fearless few who step forward for first contact, Amy Adams, Jeremy Renner and Forest Whitaker prove the imperative for finding a means to connect - with awe- inspiring aliens, nations in our global community and the knowledge that even the inevitable loss that lies ahead is worth living. -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Kokota-PRESS-KIT.Pdf
FILM TITLE: Kokota: The Islet of Hope TAGLINE: Our ability to adapt is only limited by our ability to learn. RUNTIME: 29 min SYNOPSIS (132 Words) Mbarouk Mussa Omar is from a small East African Island called Pemba. Nearly ten years ago he visited a tiny neighbouring islet called Kokota and was shocked by what he saw. Kokota was teetering towards collapse, and Mbarouk knew climate change and deforestation were the culprits. He desperately wanted to help Kokota, but what could one poor man from Pemba possibly do? Kokota: The Islet of Hope tells the story of Mbarouk's quest to help Kokota. This short introduces viewers to resilient people living on the front lines of climate change and tells the story of how these unlikely heroes have managed to innovatively adapt to a warming climate while reforesting their island. This inspirational film promises to leave audiences around the world believing that simple solutions really can have huge impacts. SYNOPSIS (57 Words) Mbarouk Mussa Omar is from a small Tanzanian Island called Pemba. Nearly ten years ago he visited a tiny neighbouring islet called Kokota and was shocked by what he saw. Kokota was teetering towards collapse, and Mbarouk knew climate change and deforestation were the culprits. This inspirational film tells the story of Mbarouk's quest to save Kokota. AWARDS - WINNER – 2018, Excellence in Documenting a Human Rights Issue, Kokota: The Islet of Hope, Bellingham Human Rights Festival - WINNER – 2017, Best Climate Change Adaptation & Mitigation Short Doc, Kokota: The Islet of Hope, -
Escale À Porto
Accès à la ville Symboles utilisés dans ce guide km) (216 Bragança Bragança ESPAGNE IP4 Quelle r Label Ulysse pour les qualités particulières d’un établissement tlj Tous les jours Figueira do Castelo Rodrigo N221 Torre de Moncorvo Torre E82 sera votre Classifi cation des attraits touristiques porto À ne pas manquer Vaut le détour Intéressant N332 Mirandela N213 15 30km o â C o i R Le meilleur pour un court séjour ! prochaine o Classifi cation Classifi cation r u Castelo Melhor o D de l’hébergement des restaurants N102 o i E802 L’échelle utilisée donne des indications L’échelle utilisée dans ce guide donne R escale? de prix pour une chambre standard des indications de prix pour un repas 0 pour deux personnes, avant taxe, en complet pour une personne, avant les IP4 , Marialva 21 palmarès thématiques vigueur durant la haute saison. boissons, les taxes et le pourboire. N222 pour de Porto ! Alijó le meilleur E82 € moins de 40€ € moins de 15€ N322 porto N212 €€ de 40€ à 70€ €€ de 15€ à 30€ Pinhão 5 itinéraires clés en main Vila Pouca de Aguiar Pouca de Vila €€€ de 71€ à 100€ €€€ de 31€ à 45€ N15 Rio pour un court séjour ! A24 Pinhâo Le meilleur €€€€ de 101€ à 150€ €€€€ de 46€ à 60€ pour ne rien manquer et vivre des (149 km) (149 IP3 €€€€€ plus de 150€ €€€€€ plus de 60€ Chaves expériences inoubliables N226 Folgosa Sabrosa A7 Tous les prix mentionnés dans ce guide sont en euros. Real Vila Les meilleures adresses porto N222 Mateus de restos, cafés, boutiques, bars et salles Légende des cartes Peso da Régua Lamego de spectacle Aéroport Information -
Su Friedrich Profile
University of Rhode Island DigitalCommons@URI The ommittC ee to Eliminate Heterosexism and Gender and Sexuality Center Homophobia 1998 Su Friedrich Profile Follow this and additional works at: https://digitalcommons.uri.edu/cmte-eliminate Recommended Citation "Su Friedrich Profile" (1998). The Committee to Eliminate Heterosexism and Homophobia. Paper 154. https://digitalcommons.uri.edu/cmte-eliminate/154https://digitalcommons.uri.edu/cmte-eliminate/154 This Document is brought to you for free and open access by the Gender and Sexuality Center at DigitalCommons@URI. It has been accepted for inclusion in The ommittC ee to Eliminate Heterosexism and Homophobia by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. SU FRIEDRICH 222 East 5th Str·eet, #6 New York, New York 10003 tel. & fax: (212) 475-7186 e-mail: sufriedz:·[email protected] Born December 12, 1954 Univer-sity of Chicago, 1971-72 and 1975 Oberlin College, 1973-74: B.A. in Ar·t and Art History, Phi Beta Kappa PILMOGRAPBY: HIDE AND SEEK 1996 65 min. 16mm b&w sound RULES OF THE ROAD 1993 31 min. 16mm color sound FIRST COMESLOVE 1991 22 min. 16mm b&w sound SINK OR SWIM 1990 48 min. 16mm b&w sound DAMNEDIF YOU DON'T 1987 42 min. 16mm b&w sound THE TIES THAT BIND 1984 55 min. 16mm b&w sound BUT NO ONE 1982 9 min. 16mm b&w silent GENTLYDOWN THE STREAM 1981 14 min. 16mm b&w silent I SUGGESTMINE 1980 6 min. 16mm b&w&col silent SCAR TISSUE 1979 6 min. -
Arts and Humanities 1
3. Abstract An Act is a feature length narrative film exploring the aftermath of unsubstantiated accusations of sexual harassment that damaged a career of a young student actor. I intend to use the award for selected direct costs of the production. The fictionalized story is inspired by real life’s events that tore apart an idealistic theatre community and broke the dreams and lives of those involved. The real persons in the incident will work with me closely to help capture the nuances and complexities of the issues surrounding it. I will be utilizing the neo-neo realist model in my writing and directing the film to deliver an authentic portrayal of the characters and events. Stylistically, the film will blend narrative fiction and documentary. I’ve already received the CoFA Creative Research Award (October 2014) for the purpose of conducting personal interviews with the main subjects as part of my screenwriting process. I have assembled a crew of talented and committed artists and professionals, with whom I have worked in the past making my previous films. I intend to utilize my past experience and all resources available to deliver this story to the screen with the impact it deserves. It is a vital social commentary and a key project in my career. The world of professional acting engages in a constant pursuit of the thrilling illusion of reality in performance. The sexually explicit stories lure the actors to take great risks and often stretch the boundaries protecting their personal intimacy. There have been stories exploring false accusations of sexual misconduct arising from numerous fields of work, but never one set within the industry that invites its players to appear real while performing sexually explicit content.