20 Years of Inspiration
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Opening Remarks
Opening Remarks Lawrence Adams was Amy Bowring’s revered mentor; his example has guided and encouraged her to tackle, with determination and purpose, assorted pursuits in dance. As Research Co-ordinator at Dance Collection Danse, Amy has been working with the organization, on contract, for five years. Many of you may know Amy through some of the projects in which she has been involved, and also as founder of the Society for Canadian Dance Studies which can boast a solid and active membership under her direction. First introduced to Dance Collection Danse in 1993 as a student undertaking research through York University’s dance programme, Amy’s passion for dance history triggered her interest in becoming seriously involved with DCD. After completing her BA in Fine Arts, Amy earned an MA in journalism from the University of Western Ontario. She is copy editor for The Dance Current magazine, has written various dance articles and encyclo- pedia entries, and is researching and writing a book on the 1948-1954 Canadian Ballet Festival phenomenon. And, to add more ingredients to the mix, she is a whiz at the computer! As Dance Collection Danse undergoes its planning process for upcoming and future activities, you can expect to see Amy’s involvement with DCD increase. To work with someone who is dedicated and skilled is a blessing, but to have someone on board who is also mindful and gracious is the best. The Editoral Committee and Board of Directors of Dance Collection Danse have dedicated this issue to Lawrence Adams, whose contribution to Canadian dance makes him deserving of .. -
Un Studio En L'honneur De Fernand Nault
Communiqué de presse Pour diffusion immédiate Un studio en l’honneur de Fernand Nault Montréal, le 13 février 2012 — L’École supérieure de ballet du Québec salue l’héritage de Fernand Nault, pionnier de la danse au Québec, et rebaptisera un studio de danse en son honneur le 13 mars prochain. Celui qui a chorégraphié le fameux Casse-Noisette que présentent les Grands Ballets Canadiens à l’approche de Noël, tous les ans depuis 1964, a travaillé avec plusieurs générations de danseurs. Il a également fait sa marque à l’École supérieure, où il a notamment été directeur de 1974 à 1976. « J’ai eu la chance de côtoyer cet artiste généreux, d’une grande ouverture, raconte Anik Bissonnette, maintenant directrice artistique de l’École supérieure de ballet du Québec. Lorsque je reprenais un rôle dans l’un de ses ballets, il me donnait l’impression qu’il le créait de nouveau, spécialement pour moi. » Le studio Fernand-Nault sera décoré avec des photographies d’archives retraçant le parcours du danseur, du maître de ballet et du chorégraphe qu’il a été. « Nous souhaitons préserver le passé pour mieux construire l’avenir. Nous sommes persuadés que cette figure inspirante encouragera nos élèves à poursuivre leur rêve de devenir danseur professionnel », affirme Alix Laurent, directeur général de l’École supérieure de ballet du Québec. « Il a toujours traité les jeunes comme des danseurs professionnels, et je pense que c’est pour cela que les jeunes l’aimaient autant », dit André Laprise, fiduciaire du Fonds chorégraphique Fernand Nault, partenaire de cette commémoration. -
A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
ANNUAL REPORT 2017/18 the Royal Manitoba Theatre Centre’S John Hirsch Mainstage
ANNUAL REPORT 2017/18 The Royal Manitoba Theatre Centre’s John Hirsch Mainstage. PHOTO BY JERRY GRAJEWSKI Inset: John Hirsch and Tom Hendry. Mandate It is the aim of the Royal Manitoba Theatre Centre to study, practice and promote all aspects of the dramatic art, with particular emphasis on professional production. Mission The Royal Manitoba Theatre Centre exists to celebrate the widest spectrum of theatre art. Deeply rooted in the province of Manitoba, which gave it life and provides for its growth, Royal MTC aspires to both ABOUT ROYAL MTC reflect and engage the community it serves. When the Winnipeg Little Theatre and Theatre 77 merged to form Vision the Manitoba Theatre Centre in 1958, the goal was to produce great Royal MTC’s theatres and our province will theatre with mass appeal. Artistic Director John Hirsch and General teem with artists and audiences sharing in the act of imagining, enriching lives Manager Tom Hendry staged professional productions of an eclectic and communities. array of plays – classics, Broadway hits and new Canadian work. With the establishment of a second stage for experimental work in 1960, Values and an annual provincial tour that began in 1961, MTC fully realized Quality the original vision of a centre for theatre in Manitoba. Inspired by the A commitment to quality is reflected in the breadth and quality of MTC’s programming, a whole network of what writing of each play, in the actors, directors became known as “regional theatres” emerged across North America. and designers who create each production, and in the volunteers, staff, funders and Since its founding, MTC has produced more than 600 plays with audiences who support it. -
Which Way to the Future? Dancing with Lizards: The
CINEMA CAN •A D A No. 160 FEBRUARY·MARCH 1989 PUBLISHER Jean·Pierre Tadros EDITOR Jean·Pierre Tadros TORONTO EDITOR Tom PenmuHer ASSOCIATE EDITOR Frank Rackow NEWS EDITOR JohnT immins REPORTER Wyndham Wise (Toronto) EDITORIAL ASSISTANT Zachary Ansley, Genevie ve Bujold, Jeremy Mary J. Martin Irons, Jackie Burroughs, Elias Koteas, Myma Bell (tntem) Kerrie Keane, Jan Rubes, Josette Simon, CONTRIBUTING EDITOR Saul Rubinek, Monique Spaziani, Ron White. Michael Dorland COLUMNISTS Michael Bergman, Unda Ean, George L George, Greg Klymkiw, CMs Majka, Chanes Mandel, Mar'< O'Neill, Barbara Sternberg, Pat Thompson PRODUCTION GUIDE Jim Levesque ART DIRECTION ClaireB aron The 1989 Genie nominees for Best Actor/Actress. On the cover are AC8deftIw ......... DINctor ............. President AI Waxm.n and Director of lIIIItlotl... ond eo_unlcMlona ...... Till· .... ADVERTISING Diane Maass (5 t4 ) 272·5354 Marcia Hackbom(416) 596-6829 RhondaO lson (604) 688-6796 Genie turns 10 21 The Academy of Canadian Cinema and Television and its showcase, the Genie awards for Canadian film, are one decade old. Pa t Thompson Founde<l by the Canadian Socie~ 01 looks back over the Academy's first 10 years. As well, Gerald Pratley of the Ontario Film Institute remembers the pre-Academy era of the Cinematographers, is published by the Cinema Canada Ma9azine Foundatlon. President, Canadian Film Awards. And, finally, past winners speak out about what it means to win a Genie. Jean-Pierre Tadros : VICe-President, George Csaba KaUer ; Secretary-Treasurer, Connie . Tadros : Director, George Campbell Miller. The NFB at 50: Which way to the future? SUBMISSIONS All manuscrip~ , drawings and photographs Filmmaker Bob Verrall, a now retired 40-year employee of the NFB, makes an impassioned plea for renewed commitment to the Film Board. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
Joseph Rouleau (1929-2019)
Joseph Rouleau (1929-2019) Joseph Rouleau, world-renowned operatic bass, 2004 Governor General’s Performing Arts Award laureate and 2014 Mentorship Program mentor passed away on July 12. Mr. Rouleau was a visionary in the world of opera. He performed on the world’s most prestigious stages. Throughout his lifetime he remained committed to teaching and mentoring youth starting out in the opera world. Mr. Rouleau was born in Matane, Quebec. He honed his voice while studying under many notable Canadian and Italian singers. In 1956 Mr. Rouleau joined the Royal Opera House in London where he took part in 850 performances. He rose to international fame and performed with Pavarotti, Domingo, and Maria Callas, to name a few. His notable roles include parts in Don Carlos , The Barber of Seville and Faust . Mr. Rouleau supported many causes that were close to his heart. He was president of the board of directors of Jeunesses Musicales du Canada. He was instrumental to Orchestre Métropolitain du Grand Montréal and the Opéra de Montréal, and to the establishment of the Centre Pierre-Péladeau. Mr. Rouleau taught voice at Université du Québec à Montréal for 18 years. Since receiving a Governor General’s Performing Arts Award for Lifetime Artistic Achievement in 2004, Mr. Rouleau’s support of the Awards never wavered. He and his wife Renée attended the GGPAA Gala, laureate announcement and related receptions as often as possible. In 2014 Mr. Rouleau mentored tenor Jean-Philippe Fortier-Lazure. In their Legacy Interview with then GGPAA Foundation co-chair Paul- André Fortier, Mr. Rouleau spoke of how honoured he was when given the opportunity to mentor a young artist. -
Grants Listing 2017-2018
2017–2018 Grants Listing | Liste des subventions Ontario Arts Council Conseil des arts de l’Ontario OAC | CAO The Guelph Chamber Choir surprises founding conductor Gerald Neufeld with a favourite song following his final official concert performance. Neufeld retired after 35 years of serving as artistic director of the choir. (Photo: Sandra Pitts) Les membres du Chœur de chambre de Guelph réservent une surprise à Gerald Neufeld à l’occasion de son départ à la retraite en chantant une de ses chansons préférées après son dernier concert officiel. M. Neufeld, chef fondateur de l’ensemble, en a été le directeur artistique pendant 35 ans. (Photo : Sandra Pitts) FRONT COVER : Élise Boucher DeGonzague performs in Mokatek et l’étoile disparue (Mokatek and the missing star), a co-production between Vox Théâtre and Productions Ondinnok, written and performed by Dave Jenniss, directed by Pier Rodier. (Photo: Marianne Duval) PREMIÈRE DE COUVERTURE : Élise Boucher DeGonzague dans Mokatek et l’étoile disparue, pièce coproduite par Vox Théâtre et les Productions Ondinnok, écrite et interprétée par Dave Jenniss sur une mise en scène de Pier Rodier. (Photo : Marianne Duval) 2017-2018 Grants Listing | Liste des subventions 2017-2018 OAC | CAO Contents Sommaire Grants Listing – Introduction 03 Introduction – Liste des subventions Granting Staff 05 Personnel de subvention Creating and Presenting 08 Création et diffusion Dance 09 Danse Deaf and Disability Arts 11 Pratiques des artistes sourds ou handicapés Francophone Arts 13 Arts francophones Indigenous -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
Interiors by Coleman Lemieux & Compagnie
INTERIORS by Coleman Lemieux & Compagnie An NAC co-production STUDY GUIDE National Arts Centre, Dance 2008–2009 Season Cathy Levy Producer, Dance Programming This study guide was prepared by Coleman Lemieux & Compagnie, DanceWorks education consultant Laurence Siegel and NAC Outreach Coordinator Renata Soutter for the National Arts Centre Dance Department, October 2008. This document may be used for educational purposes only. INTERIORS STUDY GUIDE TABLE OF CONTENTS About the NAC ……………………………………………… 1 Dance at the NAC ……………………………………………... 2 Theatre Etiquette ………………………………………….…. 3 Interiors Artistic Team and Synopsis .……………………. 4 What students can expect ………………………………..…… 5 About the Company …………………………………….. 7 About the Artistic Directors …………………….………………. 8 About the Dancers …………………………………….. 9 An interview with Laurence Lemieux …………………….. 10 Appreciating Contemporary Dance …………………….. 12 How to watch a performance ……….………….… 13 Pre- and post-performance activities ……………….……. 14 Bibliography/internet sites of interest …………………..… 18 1 Canada’s National Arts Centre Officially opened on June 2, 1969, the National Arts Centre was one of the key institutions created by Prime Minister Lester B. Pearson as the principal centennial project of the federal government. Built in the shape of a hexagon, the design became the architectural leitmotif for Canada's premier performing arts centre. Situated in the heart of the nation's capital across Confederation Square from Parliament Hill, the National Arts Centre is among the largest performing arts complexes in Canada. It is unique as the only multidisciplinary, bilingual performing arts centre in North America and features one of the largest stages on the continent. Designed by Fred Lebensold (ARCOP Design), one of North America's foremost theatre designers, the building was widely praised as a twentieth century architectural landmark. -
Features Profiles Television from Sea to Sea Columns
FEATURES 6 . David Cronenberg Talks About eXistenZ and Reality Cronenberg's first film since Videodrome based on an original screenplay, eXistenZ is a usual mixture of his patented biological horror/action/adventure with a sci—fi/spy thriller twist. By Wyndham Wise 10 . The World Premiere of eXistenZ: A Report From Berlin Jack Vermee, Take One's West Coast contributor, was at the Berlin International Film Festival for the world press premiere. 12 . Love Hurts: Canadian Romantic Comedy Seemingly a contradiction in terms, Canadian romantic comedy has taken a number of strange turns recently. In Canada, love means always having to say you're sorry. By Steve Gravestock 18 . A Filmmaker of Vision: Take One's Interview With Colin Low, Part I From The Romance of Transportation in Canada through Corral, City of Gold, Universe, the Expo 67 Labyrinthe, the Fogo Island series and IMAX 3—D, Colin Low has been in the forefront of innovative filmmaking in Canada for over 50 years. By Marc Glassman and Wyndham Wise PROFILES 32 . Denise Filiatrault's cra ton tour, Laura Cadieux: A Woman of Substance? A huge hit in Quebec, C't'a ton tour, Laura Cadieux stars Ginette Reno, Quebecoise diva extraordinaire, and is directed by Genie—winning actress, writer and singer Denise Filiatrault, from a script based on the novel by Michel Tremblay. It's the Quebecois version of a triple play. By Isa Tousignant 35 . Apocalypse Deferred: The Second Coming of John Doyle's Extraordinary Visitor John the Baptist appears in St. John's at the end of the millennium to search for signs of hope for humankind. -
Rapport Annuel 2007-2008 ›
Rapport annuel 2007-2008 › Rapport annuel 2007-2008 › Madame Christine Saint-Pierre Ministre de la Culture, des Communications et de la Condition féminine du Québec En vertu de l’article 33 de la Loi sur les musées nationaux, j’ai l’insigne honneur de vous présenter, au nom des membres du Conseil d’administration, le vingt-quatrième Rapport annuel du Musée d’art contemporain de Montréal. Vous y trouverez aussi les états financiers pour l’année se terminant le 31 mars 2008. Espérant le tout à votre convenance, je vous prie d’agréer, Madame la Ministre, l’assurance de ma haute considération. Le président du Conseil d’administration, Marc DeSerres Le Musée d’art contemporain de Montréal a pour fonction de faire connaître, de promouvoir et de conserver l’art québécois contemporain et d’assurer une présence de l’art contemporain international par des acquisitions, des expositions et d’autres activités d’animation. (Loi sur les musées nationaux, art. 24) Mot du président 7 Mot du directeur général 8 Fréquentation 10 Secrétariat général 11 Accès à l’information et protection des renseignements personnels 12 La loi sur le développement durable 12 La Médiathèque 13 Direction artistique et éducative 15 La Collection 16 Les acquisitions 17 La restauration 26 Les prêts 27 Les expositions 30 Les expositions itinérantes 33 Les créations multimédias 34 L’éducation 36 L’action culturelle 40 Direction de l’administration et des activités commerciales 41 Service des communications 43 Les relations publiques et la promotion 44 Le site Internet 45 Les publications 45 Service de développement et financement 47 La Fondation du Musée 49 Service des ressources humaines 53 Les employés 55 Le Conseil d’administration 59 Code d’éthique et de déontologie des membres du Conseil d’administration du Musée d’art contemporain de Montréal 63 Les états financiers 66 › Mot du président Marc DeSerres Cette année encore, j’ai le plaisir de faire le bilan d’un exercice Dès son arrivée comme nouveau directeur en 2004, financier fructueux pour le Musée d’art contemporain de M.