Connecting with Writers, Directors & Producers

Total Page:16

File Type:pdf, Size:1020Kb

Connecting with Writers, Directors & Producers ConneCting with writers, directors & producers 2007-08 AnnuAl RepoRt At the national Screen institute there are no tuition fees or hidden costs – students pay a nominal, one-time application fee ($50 or less) and don’t have to move away from home. intensive training happens in one place. Students then go home to work with mentors, further develop their projects and pitches for the rest of the program, or complete an industry internship. “the nSi was like winning the lottery… in 2007, Kirk Shaw (c e o & p r e s i d e n t , i n s i g h t f i l m s t u d i o s i n c .) made a presentation in which he stated that at the beginning of his career, nSi changed his life. i feel this way too. our short film got us on the radar of telefilm and without the [nSi] Drama Prize program, we would never be as far along in our projects as we are right now.” Katie Weekley, Producer, The Auburn Hills Breakdown, NSI Drama Prize 2007-08 2 Danishka Esterhazy, NSI Drama Prize 2004-05; NSI Features First 2006-07 national Screen institute – Canada (nSi) our industry is constantly changing. nSi delivers market-driven training so our students can have successful, sustainable careers. each nSi program offers customized training by industry leaders so students can build on existing skills and acquire new Table of ContentS expertise. Programs are constantly evolving and new ones developing to fulfill and surpass what the industry asks. nSi Profile 1 our connections keep us current. “Screen” used to mean big (film) and small (television). now we have many more screens to message from the Chair; nSi board 2 dress. nSi is meeting the call with new online initiatives and a new video game training program. our connections help build and message from the CEO; nSi Staff 3 sustain an industry. message from the nSi Alumni fund Chair 4 message from the nSi Honorary Chair 5 nSi Profile nSi mission nSi Drama Prize 6 nSi features first 8 NSI is Canada’s national training school for writers, directors and producers in film, television NSI delivers professional, market-driven, nSi totally television 10 and digital media. A not-for-profit organization, NSI is based in Winnipeg, Manitoba. innovative and cutting-edge programming nSi global marketing 12 that meets the needs, direction and future nSi new Voices 13 NSI program curricula are intense, focused and effective. For most programs, writers, directors trends of the Canadian and global media nSi Storytellers 14 and producers come together for short, concentrated boot camps where they connect marketplace leading participants to nSi Connecting face to face 15 with Canada’s industry experts in production, financing, pitching, marketing, broadcasting, successful careers as content creators. inspired leadership distribution, legal, copyright, script development and many other disciplines. Constant nSi’s new initiatives 16 interaction with the industry and feedback from participants keep the programs in tune nSi StruCture nSi Program managers 20 with current trends. For a list of NSI’s dedicated faculty, please see pages 22 to 23. The NSI Board of Directors (up to 20 nSi Associate faculty 22 After boot camp, participants return home for customized training and development. members), chaired by Jamie Brown (CEO & nSi Sponsors 24 This could mean producing their projects with local mentors, preparing their projects ExecuTIvE PrODuCEr, FrANTIC FIlMS), oversees NSI Connecting with Audiences 26 for international markets, working with a script consultant, preparing their pitch-of- operations. The Chief Executive Officer, Susan 2007–08 Audited a-lifetime, or moving on to program-based internships. This important educational Millican, reports directly to the board. financial Statements 27 process helps NSI connect with the regional film and television communities across 2008–09 operating budget 36 Canada. It also respects that while building their dream careers, emerging artists still nSi funDing Program Partner the brian linehan have to keep their day jobs. NSI derives 43% of its total revenues from Charitable foundation 37 NSI also recognizes the role it plays as an educational and networking resource private sector sources and 1% through to the screen community. As such, it has significantly redeveloped its website earned revenues from its programs. The including two new market-driven initiatives: the nSi online industry Centre where remaining 56% is derived from various resources including exclusive interviews, blogs and other unique content will federal, provincial and municipal government guide, educate and inspire writers, directors and producers, and the nSi online and agency sources, including National Short film festival where Canadian short films, with special insights from the Training School support from the Department filmmakers, can be viewed 24/7, 365 days a year. of Canadian Heritage as administered through Telefilm Canada. 1 ConneCting with industry trends meSSAge FROM tHe CHAir where films will be online 24/7. Now more than ever, if you can access the internet, you can 2007-08 I am pleased to present the National Screen watch great Canadian films! nSi BOArD of DireCTORS Institute’s annual report for 2007-08. As if that’s not enough, after much planning and Jamie brown CHAir NSI entered its third decade with the same CEO & ExECuTIvE PrODuCEr research, in March 2008 we made the leap into FrANTIC FIlMS spirit that helped form the organization. This digital media training with the nSi playWrite Christine Shipton ViCe CHAir year was full of fresh ideas, new market-driven program which prepares writers wanting to SENIOr vP, DrAMA & FACTuAl CONTENT Mark Horowitz, H2O Motion Pictures, Paul Gratton. initiatives and continued commitment to break into the video game industry. PrOGrAMMING, CANWEST MEDIA INC. training Canada’s next generation of writers, laura michalchyshyn Past CHAir directors and producers. All of these incredible projects could not have ExECuTIvE vICE PrESIDENT & GENErAl happened without the leadership of CEO Susan MANAGEr, PrOGrAMMING & CrEATIvE AFFAIrS, SuNDANCE CHANNEl The past year featured some major milestones Millican and the NSI executive, Board vice Chair at NSI. Following extensive internal and external marlene Kendall finAnCe CHAir Christine Shipton and committee chairs louise AuDIT & rISK MANAGEMENT consultations, we made the difficult decision Clark (Programming), Brad Pelman (Corporate PrOFESSIONAl Susan Millican, raja Khanna, Norm Bolen. to retire nSi filmexchange and redirect its Development & Marketing), Marlene Kendall MANITOBA lOTTErIES COrPOrATION resources to more effectively reach participants (Finance) and the rest of the stellar NSI Board brad Pelman CorPorAte Jamie brown is the CEO and DeVeloPment & mArKeting CHAir across the country year-round. of Directors. With gratitude for her commitment executive Producer of frantic CO-PrESIDENT, MAPlE PICTurES COrP. to NSI we say goodbye to board member films. in addition to his many board and staff have been engaged louise Clark ProgrAmming CHAir business and creative awards, in a major effort to better connect Mary-Pat Gleeson. vICE PrESIDENT PrOGrAM DEvElOPMENT he was recently named the film, television and digital media Congratulations to the NSI staff and associate CTv INC. l t o r: Jordan Canning, NSI Drama Prize entrepreneur of the Year by the participant; Nicki Dewar, Canadian Heritage communities across Canada. in faculty for their continued commitment Alexandra raffé Canadian film and television - Trade routes; Michael A. levine and the summer of 2007 they began and energy to the organization. We are also PrESIDENT, SAvI PrODuCTIONS Joy loewen. Production Association. Jamie redeveloping nSi’s website. delighted to welcome Canadian film and bruce leslie norm bolen has been an nSi board member television icon Paul Gross as the first Honorary vICE PrESIDENT, MArKETING AND INDuSTrY ExPErT since 2003 and was voted Chair The new nSi online industry Centre offers COMMuNICATIONS Chair of NSI. CrESWIN PrOPErTIES lTD. ron Suter in 2006. video and audio interviews with some of the Sr. vP AND GM NBC uNIvErSAl best in the industry as well as professional It’s hard not to be excited about NSI’s future! tom Perlmutter TElEvISION DISTrIBuTION CANADA & development blogs, discussion forums, an GOvErNMENT FIlM COMMISSIONEr AND Sr. vP uNIvErSAl STuDIOS CANADA INC. CHAIrPErSON OF THE NATIONAl FIlM online community and more. It provides a one- BOArD OF CANADA michael A. levine PArTNEr, GOODMANS llP, stop resource for Canada’s content creators Jean larose BArrISTErS & SOlICITOrS and a great complement to our offline training. CEO, ABOrIGINAl PEOPlES TElEvISION NETWOrK (APTN) bill roberts Another improvement to the website will allow PrESIDENT & CEO, S-vOx Jamie brown Carole Vivier filmmakers and film fans to take part in our CEO & FIlM COMMISSIONEr Kirstine layfield CHAir, nSi boArD of DireCtorS MANITOBA FIlM & SOuND ExECuTIvE DIrECTOr OF NETWOrK year-round, nSi online Short film festival CEO & ExecuTIvE PrODuCEr, FrANTIC FIlMS PrOGrAMMING, CBC TElEvISION Paul gratton FIlM & TElEvISION CONSulTANT raja Khanna CO-CEO, GlassBOx TElEvISION INC. 2 ConneCting with students and communities meSSAge FROM tHe CEO virtual meeting place for our country’s content creators and those interested in film, television We’ve seen a year of great development and and digital media. Here they come together, evolution at the National Screen Institute. I am share information, collaborate on projects, find proud to present our successes and future plans new ideas, meet others in the same field, and in this annual report. Some highlights include: grow Canada’s screen industry. • Less Than Kind, a new nSi totally television- We’re also diligent about travelling NSI staff and NSI New voices faculty. developed project, is in post-production, and across Canada in person, hosting and more new episodes of Wapos Bay and ‘da Kink participating in various events to help nSi StAff in My Hair are in production; us reach potential participants and Susan millican, CEO Joy loewen, ProgrAm mAnAger • All five 2006-07 nSi Drama Prize short films sponsors, alumni and supporters.
Recommended publications
  • 45477 ACTRA 8/31/06 9:50 AM Page 1
    45477 ACTRA 8/31/06 9:50 AM Page 1 Summer 2006 The Alliance of Canadian Cinema, Television and Radio Artists ACTION! Production coast to coast 2006 SEE PAGE 7 45477 ACTRA 9/1/06 1:53 PM Page 2 by Richard We are cut from strong cloth Hardacre he message I hear consistently from fellow performers is that renegotiate our Independent Production Agreement (IPA). Tutmost on their minds are real opportunities for work, and We will be drawing on the vigour shown by the members of UBCP proper and respectful remuneration for their performances as skilled as we go into what might be our toughest round of negotiations yet. professionals. I concur with those goals. I share the ambitions and And we will be drawing on the total support of our entire member- values of many working performers. Those goals seem self-evident, ship. I firmly believe that Canadian performers coast-to-coast are cut even simple. But in reality they are challenging, especially leading from the same strong cloth. Our solidarity will give us the strength up to negotiations of the major contracts that we have with the we need, when, following the lead of our brothers and sisters in B.C. associations representing the producers of film and television. we stand up and say “No. Our skill and our work are no less valuable Over the past few months I have been encouraged and inspired than that of anyone else. We will be treated with the respect we by the determination of our members in British Columbia as they deserve.” confronted offensive demands from the big Hollywood companies I can tell you that our team of performers on the negotiating com- during negotiations to renew their Master Agreement.
    [Show full text]
  • A Canadian Perspective on the International Film Festival
    NEGOTIATING VALUE: A CANADIAN PERSPECTIVE ON THE INTERNATIONAL FILM FESTIVAL by Diane Louise Burgess M.A., University ofBritish Columbia, 2000 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY In the School ofCommunication © Diane Louise Burgess 2008 SIMON FRASER UNIVERSITY Fall 2008 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission ofthe author. APPROVAL NAME Diane Louise Burgess DEGREE PhD TITLE OF DISSERTATION: Negotiating Value: A Canadian Perspective on the International Film Festival EXAMINING COMMITTEE: CHAIR: Barry Truax, Professor Catherine Murray Senior Supervisor Professor, School of Communication Zoe Druick Supervisor Associate Professor, School of Communication Alison Beale Supervisor Professor, School of Communication Stuart Poyntz, Internal Examiner Assistant Professor, School of Communication Charles R Acland, Professor, Communication Studies Concordia University DATE: September 18, 2008 11 SIMON FRASER UNIVERSITY LIBRARY Declaration of Partial Copyright Licence The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. The author has further granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection (currently available to the public at the "Institutional Repository" link of the SFU Library website <www.lib.sfu.ca> at: <http://ir.lib.sfu.ca/handle/1892/112>) and, without changing the content, to translate the thesis/project or extended essays, if technically possible, to any medium or format for the purpose of preservation of the digital work.
    [Show full text]
  • Broadcasting Taste: a History of Film Talk, International Criticism, and English-Canadian Media a Thesis in the Department of Co
    Broadcasting Taste: A History of Film Talk, International Criticism, and English-Canadian Media A Thesis In the Department of Communication Studies Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Communication Studies) at Concordia University Montreal, Quebec, Canada December 2016 © Zoë Constantinides, 2016 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Zoë Constantinides Entitled: Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media and submitted in partial fulfillment of the requirements for the degree of PhD in Communication Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: __________________________________________ Beverly Best Chair __________________________________________ Peter Urquhart External Examiner __________________________________________ Haidee Wasson External to Program __________________________________________ Monika Kin Gagnon Examiner __________________________________________ William Buxton Examiner __________________________________________ Charles R. Acland Thesis Supervisor Approved by __________________________________________ Yasmin Jiwani Graduate Program Director __________________________________________ André Roy Dean of Faculty Abstract Broadcasting Taste: A History of Film Talk, International Criticism, and English- Canadian Media Zoë Constantinides,
    [Show full text]
  • Sunday Morning Grid 9/18/16 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 9/18/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Cincinnati Bengals at Pittsburgh Steelers. (N) Å 4 NBC News (N) Å Meet the Press (N) (TVG) 2016 Evian Golf Championship Auto Racing Global RallyCross Series. Rio Paralympics (Taped) 5 CW News (N) Å News (N) Å In Touch BestPan! Paid Prog. Paid Prog. Skin Care 7 ABC News (N) Å This Week News (N) Vista L.A. at the Parade Explore Jack Hanna Ocean Mys. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Why Pressure Cooker? CIZE Dance 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Good Day Game Day (N) Å 13 MyNet Arthritis? Matter Secrets Beauty Best Pan Ever! (TVG) Bissell AAA MLS Soccer Galaxy at Sporting Kansas City. (N) 18 KSCI Paid Prog. Paid Prog. Church Faith Paid Prog. Paid Prog. Paid Prog. AAA Cooking! Paid Prog. R.COPPER Paid Prog. 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Painting Cook Mexico Martha Ellie’s Real Baking Project 28 KCET Peep 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Three Nights Three Days Eat Fat, Get Thin With Dr. ADD-Loving 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión Pagado Secretos Pagado La Rosa de Guadalupe El Coyote Emplumado (1983) María Elena Velasco.
    [Show full text]
  • Abstracts (Pdf)
    2004 ABSTRACTS / RÉSUMÉS 2004 Abedi, Amir and Schneider - Adapt, or Die! Organizational Change in Office-Seeking Anti-Political Establishment Parties There is relatively little work dealing with anti-political establishment (APE) parties in the extensive party organization literature. Organizational change within that party type remains an under-researched area even as a number of APE parties has joined governments in several West European countries. Government participation should put stress on APE parties because they differ from mainstream parties both in terms of policy profiles and of their organizational make-up. Being in government should foster more moderate policy positions and organizational structures more closely resembling those of mainstream parties. APE parties that fail to adapt may be less successful in their attempts to establish themselves permanently as (potentially) governing parties. We examine these issues by focusing on Germany, which not only provides examples of APE parties that have become serious contenders for government participation but also formations that have succeeded in gaining access to government but not in establishing themselves long-term. Despite growing political cynicism, APE parties have faced considerable hurdles in Germany. Organizationally challenges often proved at least as important - and in many cases, fatal - as the hurdles built into the electoral system. These challenges stemmed from conflicts between the very rationale of being anti-establishment on the one hand and the objective of government participation on the other. Using the most similar cases design, our paper compares the experiences of successful and unsuccessful cases of organizational change. This should help us in answering the larger theoretical question of whether APE parties can transform themselves into establishment parties, and if so, which factors are most important in predicting the likelihood of successful organizational adaptation.
    [Show full text]
  • JUNE 2013 I LEXPERT.CA I $16.95 the BUSINESS MAGAZINE for LAWYERS , -Cov~ STORY
    JUNE 2013 I LEXPERT.CA I $16.95 THE BUSINESS MAGAZINE FOR LAWYERS , -cov~ STORY FOCUS CO LABORATE abour and emp~O(ment practice has gained a new cachet :-=·== business aw firms across -f-===-""""==~-==-..:..•;...=:;::::::;;#:~~ BY JULIUS MELNITZER • PHOTOGRAPHY BY JAIME HOGGE T _J' -- ~ or- I I ; I ·I 40 LEXPrnT MAGALIN'E JUNE 2013 I REFUEL ;;, The POP-UP Office (designed by DUBBELDAM Architecture + Design) is a concept for a modular office easily reconfigured for adaptability and flexibility. YOU'D BE HARD-PRESSED TO FIND "WORKPLACE LAW" listed among the areas of exper!Jse on the websites of Canada's management-side major law firms or boutiques. Even Hicks Morley Hamilton Stewart Storie LLP, the country's largest management-side labour and employment law boutique, bills itself as a "Human Resources Law and Advocacy" firm. But rhen, it would be equally difficult ti:> firid"business law" listed among these firms' areas of expertise. Which}s not to say that, where appropriate, firms don't describe themselves as "business law" firms; arguably, that's the fallback descrip- ---­ tion for any firm interested in conveying the message that it provides a range of business-related legal services. In other words, business law isn't an area of expertise so much as it is an attempt to strike the balance between establishing a discrete identity or brand for a law firm witnout unduly limiting the message about the type and range ofservices its profes­ sionals provide. "Full-service," on the one hand, may be a little too vague because it could embrace a range of consumer-oriented legal services; describing a firm as a "corporate-commercial" firm, on the other hand, may not put sufficient emphasis on areas ofpractice, such as litigation, not intuitively associated with the phrase.
    [Show full text]
  • Ad Complaints Report
    2003 Ad Complaints Report WHAT’S IN THIS REPORT This report contains statistical information about consumer complaints submitted to ASC in 2003 for review under the Consumer Complaint Procedure. The report also includes case summaries about complaints upheld by the National and Regional Consumer Response Council (Councils) from ADVERTISING STANDARDS January 1, 2003, through December 31, 2003. CANADA The case summaries are divided into two sections of this report. 2003 HIGHLIGHTS The “Upheld Complaints” section provides details about those consumer complaints that were upheld • A total of 1133 complaints (about 716 advertisements) by Councils under the Canadian Code of were received from consumers. Advertising Standards (Code). Where provided, an • Councils upheld 131 complaints about “Advertiser’s Statement” is included. 57 advertisements. • 40% of consumers’ complaints came from Ontario, The “Advertiser Action” section summarizes followed by 21% from Quebec, 13% from British consumer complaints upheld by Councils without Columbia, and 9% from Alberta. identifying the advertiser or the advertisement. In these cases, the advertiser either withdrew or • Retail advertising attracted the most complaints (186). appropriately amended the advertisement after Advertising in the Food category followed with 124 complaints, and Personal and Proprietary product being advised by ASC that a complaint has been advertising placed third with 100 complaints. received, but before the matter was brought forward for Council review. • Advertising on television attracted the highest number of complaints (588), followed by out-of-home advertising with 179 complaints. Report also available at www.adstandards.com CONTENTS • Statistics . 3 • Year in Review . 4 ABOUT ADVERTISING STANDARDS CANADA • Price Advertising Issues . 5 ASC is the not-for-profit industry body committed to creating and maintaining community confidence in advertising.
    [Show full text]
  • Suspension and Light: the Films of V~Ctor Erice
    SUSPENSION AND LIGHT: THE FILMS OF V~CTORERICE Dominique Russell A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Graduate Department of Spanish and Portuguese 0 Copyright by Dominique Russell 1998 The author has granted a non- L'auteur a sccorde me licence non exclusive licence dowing the exclusive permettant a la National Lrirary of Canada to Bibliothkque nationale du Canada de reproduce, loan, distribute or sell reproduke, preter' distniiuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la fome de microfiche/£h, de reproduction sur papier ou sur format electronique. The author retains ownership of the L'auteur consewe la propriete du copyright in this thesis. Neither the clroit d'auteur qui protkge cette these. thesis nor substantial extracts fiom it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement repmduits sans son permission. autorisation. Thesis Abstract Suspension and Light: The Films of Victor Erie Ph-DI 1998 Dominique Russell Department of Spanish and Portuguese University of Toronto This thesis is a st~~dyof Victor Erice's cinematic style through a close analysis of his three feature films: El espiiinc de la cohena [lk Spmt ofthe Beehive] ( 1973),El SM South] ( 1982) and El sol dei membrillo [The Quince Tree Sun] ( 1992). It examines stylistic choices made in editing, sound, mise en dne,camera movement and structure, focusing on the elements which contribute to the ambiguous and meditative quality of Erice's films.
    [Show full text]
  • Lifetime Achievement Award of the Anglophone Section of the Bar of Montreal
    « THE VOICE OF MONTREAL ENGLISH-SPEAKING LAWYERS » Vol.1, No 1 $4 Vincent O’Donnell Lifetime Titre Achievement Award of the Anglophone section of the Bar of Montreal Ian M. Solloway reelected as president of the English-speaking section of the Bar of Montreal Me Johanne Brodeur, Vincent O’Donnell of Lavery’s new Bâtonnier of Quebec Me Bernard Synnott of Fasken Martineau, elected vice-president The first ever award of the English-speaking Section of the Bar of Montreal The Lifetime Achievement Award to Lavery’s «iconic» figure Vincent O’Donnell In this packed room, the largest gathering of Anglophone lawyers of Montréal ever to attend the annual meeting remarked president Ian M. Solloway, joined prestigious guests to celebrate Vincent O’Donnell, whose career as a lawyer, litigator and mentor, has touched so many law students, «stagiaires», associates and partners as well as the leadership of Quebec and Montreal Bar over the years, this low-profile professional everybody had «in awe» as Don McCarty mentioned, who after aticling under Vincent O’Donnell, has become the partner in charge at Lavery’s. Bâtonniers, judges, justices were on hand to be part of this grandiose ceremony organized jointly by the English- speaking section and the Bâtonnière Catherine Pilon of Dentons and director general Doris Larrivée along with the uncontested president of the section, Me Ian M. Solloway. Here’s how Ian Solloway introduced with great pride Vincent O’Donnell : Vincent O’Donnell This past year the English-Speaking Section of the Bar of Montreal decided to create the first ever award to be pre- sented by our section in its over 160 year history – “The By André Gagnon Lifetime Achievement Award ”.
    [Show full text]
  • (Sutton) Straus Papers Coll
    MS Joan Treble (Sutton) Straus Papers Coll. 00190D Joan Treble (Sutton) Straus (1932 - ) Papers Dates: 1939-2015 Extent: 13 boxes, 4 items (3.5 metres) Scope and Content: Contains the papers of Joan Treble (Sutton) Straus including a small amount of material regarding her early life including primary and high school education (1939-1950), as well as at her time at the University of Toronto (1950-1953). Includes material such as photographs and newspaper clippings related to her modeling career and her work as a fashion consultant (1952-1970). The collection covers Sutton Straus’ career as a journalist with the Toronto Telegram (1971), The Toronto Star (1972-1979, 1981-1992) and The Toronto Star (1979-1981, 1992). This includes correspondence from readers, co-workers and well-known politicians, entertainers and dignitaries, as well as photographs of Sutton Straus during the course of her work. The material also includes clippings of her columns, interviews and articles preserved by Sutton Straus, as well as three oversized scrapbooks containing clippings from her time at the Toronto Telegram and The Toronto Sun. The collection also comprises material related to Sutton Straus’ career as an author of six books, and her long-term volunteer work with non-profit and philanthropic organizations in both Canada and the United States. The collection also contains a small amount of personal material related to Sutton Straus including media appearances, speeches, newspaper and magazines articles, invitations and correspondence. Bibliographical Information: Joan Treble (Sutton) Straus was born in Mimico, Ontario on November 30, 1932. While studying Honor English at University College, University of Toronto, she worked as a runway and photography model.
    [Show full text]
  • REQUEST for BIOGRAPHICAL INFORMATION Opportunity for Arbitrators to Be Selected for the Canadian Transportation Agency Rosters
    REQUEST FOR BIOGRAPHICAL INFORMATION Opportunity for arbitrators to be selected for the Canadian Transportation Agency rosters Table of Contents REQUEST FOR BIOGRAPHICAL INFORMATION ................................................................... 1 Contact Information .................................................................................................................... 2 Education ................................................................................................................................... 3 Arbitration Designation ............................................................................................................... 4 Arbitration Training ..................................................................................................................... 4 Commercial Litigation Experience .............................................................................................. 5 Experience as an Arbitrator, Adjudicator or Judge ..................................................................... 6 Work Samples............................................................................................................................ 7 Transportation Specific Legislation ............................................................................................. 7 For Rail Specialization – Legislation, Regulations, and Procedures ......................................... 7 For Marine Specialization – Legislation, Regulations, and Procedures .................................... 8 For
    [Show full text]
  • Best Practices for Effective Change
    INFLUENCE. LEADERSHIP. PROTECTION. Winner of the Award for Outstanding Achievement in Programming in the Association for Continuing Legal Education (ACLEA) "ACLEA's Best" for 2010. Sixth Annual Canadian Bar Association Law Firm Leadership Conference Best Practices for Effective Change November 22-23, 2010 Park Hyatt TORONTO Program Sixth Annual Canadian Bar Association Law Firm Leadership Conference - Best Practices for Effective Change Conference Co-Chairs: Norman Bacal, National Co-Managing Partner, Heenan Blaikie LLP, Toronto Gary Luftspring, Partner, Ricketts, Harris LLP, Toronto Conference Facilitator: Richard Susskind, CBA Special Adviser, Author, Transforming the Law and The End of Lawyers? London, UK Now in its sixth year, the CBA’s Law Firm Leadership Conference has become the essential professional development event for managing partners and up-and-coming law firm leaders in Canada. Building on the dialogue among law firm leaders, clients and industry experts at the 2009 Leadership Conference on Change Management, the CBA is pleased to offer in 2010 an interactive program on best practices for achieving effective change. You will come away from the conference with the tools and the practical “know-how” to tackle tomorrow’s challenges – how to prepare your firm for change, connecting social media with business results, understanding your IT needs and costs, considering outsourcing in the Canadian context, and more. This year, we are delighted to welcome Richard Susskind, legal futurist, author of The End of Lawyers? and Special Adviser to the CBA, as our conference facilitator. Richard Susskind will bring his considerable knowledge and expertise in the future of legal services to set the stage for our program, draw thematic links between the sessions, moderate our panels and facilitate questions from our participants.
    [Show full text]