Abstracts (Pdf)

Total Page:16

File Type:pdf, Size:1020Kb

Abstracts (Pdf) 2004 ABSTRACTS / RÉSUMÉS 2004 Abedi, Amir and Schneider - Adapt, or Die! Organizational Change in Office-Seeking Anti-Political Establishment Parties There is relatively little work dealing with anti-political establishment (APE) parties in the extensive party organization literature. Organizational change within that party type remains an under-researched area even as a number of APE parties has joined governments in several West European countries. Government participation should put stress on APE parties because they differ from mainstream parties both in terms of policy profiles and of their organizational make-up. Being in government should foster more moderate policy positions and organizational structures more closely resembling those of mainstream parties. APE parties that fail to adapt may be less successful in their attempts to establish themselves permanently as (potentially) governing parties. We examine these issues by focusing on Germany, which not only provides examples of APE parties that have become serious contenders for government participation but also formations that have succeeded in gaining access to government but not in establishing themselves long-term. Despite growing political cynicism, APE parties have faced considerable hurdles in Germany. Organizationally challenges often proved at least as important - and in many cases, fatal - as the hurdles built into the electoral system. These challenges stemmed from conflicts between the very rationale of being anti-establishment on the one hand and the objective of government participation on the other. Using the most similar cases design, our paper compares the experiences of successful and unsuccessful cases of organizational change. This should help us in answering the larger theoretical question of whether APE parties can transform themselves into establishment parties, and if so, which factors are most important in predicting the likelihood of successful organizational adaptation. Abizadeh, Arash - Words versus the Public Thing: Verbal Threats to the Rousseauist Republic If republican legitimacy, for Rousseau, derives from the physical presence of the assembled people, then the political role of language, which operates via representation like the theatre, is immediately suspect. First, representation introduces a gap between appearance and reality, making arbitrariness, falsehood, and deception possible; second, the proliferation of linguistic signs threatens to efface the presence of the very objects that they are supposed to represent. Thus republican freedom hinges on the possibility of a form of language that overcomes these problems even while it facilitates the harmonious unity of a people and the transparent expression of its general will. By examining the sources and philosophical context of Rousseau’s linguistic theory (especially Plato, Plutarch, Descartes, Hobbes, Arnaud & Nicole, Lamy, Condillac), I show how the early modern preoccupation with the thing-idea-word relation shapes Rousseau’s political theory. In particular, the possibility of freedom becomes dependent, for Rousseau, on a form of language that maintains the ontological priority of the thing to the idea to the word, a priority threatened by the “corruption” that Rousseau claims has affected modern languages, and to which his musical theory is ostensibly supposed to provide a “solution.” Akintola, Bukola - THE ROLE OF CIVIL SOCIETY IN GRASSROOT EMPOWERMENT IN NIGERIA Civil society in Nigeria is made up of a wide array and a rich variety of voluntary associations, charity organisations, professional associations, trade unions, hometown associations, co-operative societies, ethnic associations, academic associations and alumni, age grades, youth associations and clubs, religious associations, the press as well as non- governmental organisations (NGOs). Members of the society formed many of these associations, primarily, to serve and protect the interests and values of their members, and to address many developmental needs that may not be met by the state. Secondarily, they promote political awareness and educate their members on their rights and responsibilities as citizens of the country. In other words, the organisations of civil society generate the power to undertake their missions through bringing together members for concerted action, through persuading people of the importance of their efforts, and through combining resources and seeking funds through contributions, grants, and contracts. In brief, civil society organisations generate the power to act through co-ordinating the efforts of many and substantial resources from various sources. Yet, despite the visibility of civil society organisation in Nigeria, many Nigerians are wallowing in abject poverty. Many of these organisations are able to attract funding from international NGOs and donors, but are not doing enough in making the people to be self-reliant, and not to continue to rely and wait for the state to provide them with infrastructure, and other basic facilities. The paper examines what civil society organisations have done, and what they still need to do to empower people in Nigeria, most especially in the rural areas. It argues that civil society organisations need to put in an extra effort in empowering the people of the grassroots who feel detached from the state to make their lives a little easier. Albo, Greg - Varieties of Capitalism or Varieties of Imperialism? The internationalization of capital has raised the stakes in the theorization of the divergences and convergenes of contemporary capitalism. Neoliberals have argued that globalization constitutes homogenous world market, only differentiated by the relative cost conditions for competitiveness. Weberians have responded by stressing the uniqueness of markets and of the conditions for the creation of competitiveness, that is, by the varieties of capitalism. Neither of these positions adequately incorporate the more general and abstract characteristics of capitalism that produces both processes of equalisation and differentiation: the uneven development that makes empirical postulates of convergence or divergence besides the point. The contemporary internationalisation of capital raises questions about the varieties of imperialism that have been the concrete form of international competition. Ammirante, Julian - PROFESSIONAL SPORT AND SPECTACLE IN THE AGE OF GLOBALIZATION Public money has been crucial in the past twenty-five years in bringing major league sport franchises to cities. Though private investors have paid exorbitant franchise fees, most expansion teams since the late 1960s have performed in publicly financed facilities, socializing one of the owners’ major costs, more recent cases of public subsidization will be understood against the background of greater capital mobility in an area of new information technologies, free trade, and more flexible industrial work processes. Changes in the interrelated spatial and temporal modalities of capitalism that distinguished the post-Fordist phase of ‘flexible accumulation’ from the Fordist era of mass production, have changed to such a degree that the world has increasingly become a single field within which capital flows are more sensitive to the relative advantages of spatial locations. Growing and declining cities and regions now compete more self-consciously for every kind of investment. They have long done so for manufacturing, but with manufacturing jobs declining, civic leaders now campaign for information-processing and telecommunications functions, for shopping complexes, entertainment venues, and other consumption and tourism-related investment. This situation underlines the growing role of leisure and entertainment in the western world’s urban political economy and the perceived importance of investment in civic image. In this paper, I will assess and compare state policy with respect to t! he conflict between the regulation requirements of major league spectator sport as a public, professional and market-based activity in both Europe and North America. Anderson, Cameron - Economic Voting and Multi-level Governance The literature on economic voting has moved well beyond the initial formulations of a simple reward and punishment calculus. One of the most important developments concerns the clarity of attributions of responsibility in different political contexts. The clarity of responsibility argument contends that economic perceptions will play a greater role in determining support for the government where responsibility is more clearly attributable to the government (e.g. under a single party government) than under conditions where responsibility is less clear (e.g. coalition government). While the clarity of responsibility literature is extensive, a surprising omission has been the comparative consideration of economic voting in the context of federal or multi-level institutions of government. The proposed paper tests the proposition that the presence of multi-level and/or federal institutions of government will decrease the effects of economic evaluations on voting for the incumbent government in elections to the national parliament or congress. The logic underlying this proposition is that the existence of more than one level of government makes it harder for voters to attribute credit and blame for economic conditions. There are two reasons for this. First, the actions of other levels of government also have an effect on economic conditions, and second, incentives are created
Recommended publications
  • Suspension and Light: the Films of V~Ctor Erice
    SUSPENSION AND LIGHT: THE FILMS OF V~CTORERICE Dominique Russell A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Graduate Department of Spanish and Portuguese 0 Copyright by Dominique Russell 1998 The author has granted a non- L'auteur a sccorde me licence non exclusive licence dowing the exclusive permettant a la National Lrirary of Canada to Bibliothkque nationale du Canada de reproduce, loan, distribute or sell reproduke, preter' distniiuer ou copies of this thesis in microform, vendre des copies de cette these sous paper or electronic formats. la fome de microfiche/£h, de reproduction sur papier ou sur format electronique. The author retains ownership of the L'auteur consewe la propriete du copyright in this thesis. Neither the clroit d'auteur qui protkge cette these. thesis nor substantial extracts fiom it Ni la these ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent etre imprimes reproduced without the author's ou autrement repmduits sans son permission. autorisation. Thesis Abstract Suspension and Light: The Films of Victor Erie Ph-DI 1998 Dominique Russell Department of Spanish and Portuguese University of Toronto This thesis is a st~~dyof Victor Erice's cinematic style through a close analysis of his three feature films: El espiiinc de la cohena [lk Spmt ofthe Beehive] ( 1973),El SM South] ( 1982) and El sol dei membrillo [The Quince Tree Sun] ( 1992). It examines stylistic choices made in editing, sound, mise en dne,camera movement and structure, focusing on the elements which contribute to the ambiguous and meditative quality of Erice's films.
    [Show full text]
  • 23 Mars 2005 1,25$ + T.P.S
    CANADIAN Bonne fête Le Nord ! 362TIRE 5822 HEARST SUPER SPÉCIAL DÉMARREUR À DISTANCE 30 ans Pièces et main d’oeuvre Vol. 30 No 01 Hearst On ~ Le mercredi 23 mars 2005 1,25$ + T.P.S. 149 $ Modèle pour voiture Troisième édition du Salon du livre de Hearst en mai sans antivol. Surplus pour voiture HEARST - C’est sous le thème sans but lucratif comme des arts de l’Ontario, le Bureau livre de Hearst. avec antivol. Livre-moi ta passion… que le l’Université de Hearst, le Club du Québec à Toronto et la muni- La programmation du Salon comité organisateur du Salon du Rotary, le Conseil scolaire cipalité de Hearst. Finalement, sera annoncée dans les médias livre de Hearst finalise l’organi- catholique de district des Grandes les médias CINN, CBON, Radio- dans les prochaines semaines. sation de sa troisième édition qui Rivières, l’Association des Canada, télévision, TFO et le Pour plus de renseignements au À L’INTÉRIEUR aura lieu les 5, 6 et 7 mai Professeurs de l’Université de journal Le Nord contribueront de sujet du Salon du livre de Hearst, Vol à Hearst.............HA3 prochains. Hearst ainsi que les Ami-e-s de façon importante à l’événement veuillez consulter le site à Les gens auront l’occasion de l’Université de Hearst. De plus, par leur présence au Salon en l’adresse suivante : ou commu- Laurent Vaillancourt à participer à plusieurs activités plusieurs instances gouverne- plus d’en assurer la promotion niquer avec Michelle Grandmont Radio-Canada.........HA17 dont des lancements de livres, mentales ont aussi participé durant les semaines qui au (705) 372-1781, poste 248 ou des ateliers d’écriture, des con- financièrement à notre projet soit précéderont l’événement.
    [Show full text]
  • Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC
    Retro: Detroit Tues, July 29, 1975 from Detroit News 2 WJBK-CBS * 4 WWJ-NBC * 7 WXYZ-ABC * 9 CBET-CBC (and some CTV) * 20 WXON-Ind * 50 WKBD-Ind * 56 WTVS-PBS [The News didn't list TVO, Global or CBEFT] Morning 6:05 7 News 6:19 2 Town & Country Almanac 6:25 7 TV College 6:30 2 Summer Semester 4 Classroom 56 Varieties of Man & Society 6:55 7 Take Kerr 7:00 2 News (Frank Mankiewicz) 4 Today (Barbara Walters/Jim Hartz; Today in Detroit at 7:25 and 8:25) 7 AM America (Bill Beutel) 56 Instructional TV 7:30 9 Cartoon Playhouse 8:00 2 Captain Kangaroo 9 Uncle Bobby 8:30 9 Bozo's Big Top 9:00 2 New Price is Right 4 Concentration 7 Rita Bell "Miracle of the Bells" (pt 2) 9:30 2 Tattletales 4 Jackpot 9 Mr. Piper 50 Jack LaLanne 9:55 4 Carol Duvall 10:00 2 Spin-Off 4 Celebrity Sweepstakes 9 Mon Ami 50 Detroit Today 56 Sesame Street 10:15 9 Friendly Giant 10:30 2 Gambit 4 Wheel of Fortune 7 AM Detroit 9 Mr. Dressup 50 Not for Women Only 11:00 2 Phil Donahue 4 High Rollers 9 Take 30 from Ottawa 50 New Zoo Revue 56 Electric Company 11:30 4 Hollywood Squares 7 Brady Bunch 9 Family Court 50 Bugs Bunny 56 Villa Alegre Afternoon Noon 2 News (Vic Caputo/Beverly Payne) 4 Magnificent Marble Machine 7 Showoffs 9 Galloping Gourmet 50 Underdog 56 Mister Rogers' Neighborhood 12:30 2 Search for Tomorrow 4 News (Robert Blair) 7 All My Children 9 That Girl! 50 Lucy 56 Erica-Theonie 1:00 2 Love of Life (with local news at 1:25) 4 What's My Line? 7 Ryan's Hope 9 Showtime "The Last Chance" 50 Bill Kennedy "Hell's Kitchen" 56 Antiques VIII 1:30 2 As the World Turns 4
    [Show full text]
  • 33559613.Pdf
    Raising the Bar: The Reciprocal Roles and Deviant Distinctions of Music and Alcohol in Acadiana by © Marion MacLeod A dissertation submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy Ethnomusicology Memorial University of Newfoundland June, 2013 St. John 's, Newfoundland ABSTRACT The role of alcohol in musical settings is regularly relegated to that of incidental by­ stander, but its pervasive presence as object, symbol or subject matter in Acadian and Cajun performance contexts highlights its constructive capacity in the formation of Acadian and Cajun musical worlds. Individual and collective attitudes towards alcohol consumption implicate a wide number of cultural domains which, in this work, include religious display, linguistic development, respect for social conventions, and the historically-situated construction of identities. This research uses alcohol as an interpretive lens for ethnomusicological understanding and, in so doing, questions the binaries of marginal and mainstream, normal and deviant, sacred and profane, traditional and contemporary, sober and inebriated. Attitudes towards alcohol are informed by, and reflected in, all ofthese cultural conflicts, highlighting how agitated such categorizations can be in lived culture. Throughout the dissertation, I combine the historical examples of HatTy Choates and Cy aMateur with ethnographic examinations of culturally-distinct perfonnative habits, attitudes toward Catholicism, and compositional qualities. Compiling often incongruous combinations of discursive descriptions and enacted displays, my research suggests that opposition actually confirms interdependence. Central to this study is an assertion that levels of cultural competence in Cajun Louisiana and Acadian Nova Scotia are uneven and that the repercussions of this unevenness are musically and behaviourally demonstrated.
    [Show full text]
  • CANADIAN the Beaverton Its National Is Ready for Spotlight from Stage Fast-Track to Screen Tallboyz Head Writer at Writerat Head
    CANADIAN CANADA $7 FALL 2019 VOL.22, NO.1 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Beaverton Tallboyz Brander is ready for fast-track graduates to its national from stage head writer at spotlight to screen 22 Minutes The Comedy Issue Meet the minds behind the funniest shows in Canadian TV PM40011669 CANADIAN SCREENWRITER The journal of the Writers Guild of Canada SPECIAL AWARDS Vol. 22 No. 1 Fall 2019 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover DESERVE SPECIAL Publisher Maureen Parker From Pratfalls to Flatfalls 6 Editor Tom Villemaire [email protected] For our special comedy issue, we talk to 11 of the hottest writers of Canadian comedy about the scenes that made them laugh and Director of Communications the ones that got away. Their responses are, well, funny. Lana Castleman CANDIDATES! By Diane Wild Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen Simon Racioppa Fake News. Real Laughs. 14 Rachel Langer NOMINATIONS OPEN JAN. 6, 2020 FOR: With so many voices clamouring to be heard, The Beaverton President Dennis Heaton (Pacific) has managed to capture an audience with its sharp and incisive Councillors brand of news parody as it moves to national broadcast on CTV. Michael Amo (Atlantic) Mark Ellis (Central) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Tallboyz Fast-Track to TV 18 ALEX BARRIS MENTORSHIP AWARD Andrew Wreggitt (Western) With Bruce McCulloch of Kids in the Hall fame on-board as Design Studio Ours showrunner, Tallboyz Guled Abdi, Vance Banzo, Tim Blair, Cover Photo: Dan Bannister and Franco Nguyen discuss their quick transition from writing Printing Vibrant Graphics for the stage to writing for the small screen.
    [Show full text]
  • Language Literature
    DOCUMENT RESUME ED 085 708 CS 200 826 AUTHOR Berger, Allen, Ed.; Smith, Blanche Hope, Ed. TITLE Language Activities: Classroom Practices in Teaching English 1973-1974; Eleventh Report of the Committee on Classroom Practices. INSTITUTION National Council of Teachers of English, Urbana, Ill. PUB DATE 73 NOTE 102p. AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Road, Urbana, Ill. 61801(Stock No. 00885, $1.95 non-member, $1.75 member) EDRS PRICE MF-$0.E5 HC-$6.58 DESCRIPTORS Choral Speaking; Creative Writing; Critical Reading; *English Instruction; Films; Folk Culture; Integrated Curriculum; Interviews; *Language Arts! *Language Development; *Language Enrichment; Listening; Literature; Oral Communication; Poetry; Reading Instruction; Reading Skills; *Teaching Techniques; Vocabulary Development; Writing ABSTRACT This book contains over fifty ideas and activities related to language development at all educational levels. Suggestions are provided for teaching composition, critical reading of newspapers and magazines, folklore, creative writing, vocabulary development, poetry, epics and films, interviewing techniques, metaphors, choral speaking, silent films, English in a multi-racial context, and other language arts. (WR) S Ot11thst NT of mEALls EOUCTIONIS*6 AAAAA 1,41SITUtt OF Classroom Practices IOU"e1,00 in Teaching English "t5 OOC i,Vf MS RttN 1,1P6,0 0,J(10 1,Ar v .5 sr( n, er.s,N O. OUGAN.1,(1% 1973-1974 00,0% OI vif.h OY C.hONS StOF() DO NICE SSAu,, v utorat SEW Oct ,f AA. ..#0,0,4L .NS' ,J,1 OI Eleventh Report I Du( AnON POS,,,ON OsrPOI 'C of the Committee on Classroom Practices CO Oco L.) 1-1-1 Language Activities Allen Berger and Blanche Hope Smith, Cochairmen IlWirtall NATIONAL COUNCIL OF TEACHERS OFENGLISH 1111 KENYON ROAD URBANA, ILLINOIS 61801 FILMED FROM BEST AVAILABLE COPY NCH: COMMITTEE ON Cl.
    [Show full text]
  • Download Full Book
    Staging Governance O'Quinn, Daniel Published by Johns Hopkins University Press O'Quinn, Daniel. Staging Governance: Theatrical Imperialism in London, 1770–1800. Johns Hopkins University Press, 2005. Project MUSE. doi:10.1353/book.60320. https://muse.jhu.edu/. For additional information about this book https://muse.jhu.edu/book/60320 [ Access provided at 30 Sep 2021 18:04 GMT with no institutional affiliation ] This work is licensed under a Creative Commons Attribution 4.0 International License. Staging Governance This page intentionally left blank Staging Governance theatrical imperialism in london, 1770–1800 Daniel O’Quinn the johns hopkins university press Baltimore This book was brought to publication with the generous assistance of the Karl and Edith Pribram Endowment. © 2005 the johns hopkins university press All rights reserved. Published 2005 Printed in the United States of America on acid-free paper 987654321 The Johns Hopkins University Press 2715 North Charles Street Baltimore, Maryland 21218-4363 www.press.jhu.edu Library of Congress Cataloging-in-Publication Data O’Quinn, Daniel, 1962– Staging governance : theatrical imperialism in London, 1770–1800 / Daniel O’Quinn. p. cm. Includes bibliographical references and index. ISBN 0-8018-7961-2 (hardcover : acid-free paper) 1. English drama—18th century—History and criticism. 2. Imperialism in literature. 3. Politics and literature—Great Britain—History—18th century. 4. Theater—England— London—History—18th century. 5. Political plays, English—History and criticism. 6. Theater—Political aspects—England—London. 7. Colonies in literature. I. Title. PR719.I45O59 2005 822′.609358—dc22 2004026032 A catalog record for this book is available from the British Library.
    [Show full text]
  • Connecting with Writers, Directors & Producers
    ConneCting with writers, directors & producers 2007-08 AnnuAl RepoRt At the national Screen institute there are no tuition fees or hidden costs – students pay a nominal, one-time application fee ($50 or less) and don’t have to move away from home. intensive training happens in one place. Students then go home to work with mentors, further develop their projects and pitches for the rest of the program, or complete an industry internship. “the nSi was like winning the lottery… in 2007, Kirk Shaw (c e o & p r e s i d e n t , i n s i g h t f i l m s t u d i o s i n c .) made a presentation in which he stated that at the beginning of his career, nSi changed his life. i feel this way too. our short film got us on the radar of telefilm and without the [nSi] Drama Prize program, we would never be as far along in our projects as we are right now.” Katie Weekley, Producer, The Auburn Hills Breakdown, NSI Drama Prize 2007-08 2 Danishka Esterhazy, NSI Drama Prize 2004-05; NSI Features First 2006-07 national Screen institute – Canada (nSi) our industry is constantly changing. nSi delivers market-driven training so our students can have successful, sustainable careers. each nSi program offers customized training by industry leaders so students can build on existing skills and acquire new Table of ContentS expertise. Programs are constantly evolving and new ones developing to fulfill and surpass what the industry asks. nSi Profile 1 our connections keep us current.
    [Show full text]
  • Canadian Claimants Group (CCG)
    WRITTEN DIRECT TESTIMONY OF JANICE DE FREITAS (CBC - RIGHTS ADMINISTRATION) 2004—2005 Cable Royalty Distribution Proceeding Docket No. 2007-03 CRB CD 2004-2005 1. Introduction I am Manager of Rights Administration for the Canadian Broadcasting Corporation/Radio-Canada (CBC/Radio-Canada) at the Head Office in Ottawa. I have worked for the CBC since 1980. For the last 15 years, I have served as Chairman of the Canadian Claimants Group (CCG). Before assuming my current position, I spent nine years in CBC’s television program distribution department eventually managing the Educational Sales unit. Those responsibilities called for me to be familiar with the English television network’s programming, and rights administration. CBC/Radio-Canada is Canada’s national public broadcaster, and one of its largest and most important cultural institutions. It was created by an Act of Parliament in 1936, beginning with Radio. Bilingual television services were launched in 1952. CBC/Radio-Canada is licensed and regulated by the Canadian Radio-television and Telecommunications Commission (CRTC)1. CBC/Radio-Canada employs approximately 9,930 Canadians in 27 regional offices across the country. CBC programming is provided on multiple platforms: television (both traditional over-the-air and cable networks), radio, the Internet, satellite radio, digital audio and a recording label. Through this array of activities, CBC/Radio-Canada delivers content in English, French, and eight aboriginal languages. In addition to this, programming is available in seven other languages including Spanish, Russian and Mandarin on both Radio Canada International, and Web-based www.rciviva.ca, a radio service for recent and aspiring immigrants to Canada.
    [Show full text]
  • SHADOWS OVER the CANADIAN TELEVISION LANDSCAPE the Place of French on the Air and Production in a Minority Context
    SHADOWS OVER THE CANADIAN TELEVISION LANDSCAPE The Place of French on the Air and Production in a Minority Context January 2009 To reach the Offi ce of the Commissioner of Offi cial Languages or to obtain a copy in an alternative format, dial toll-free 1-877-996-6368. www.offi ciallanguages.gc.ca © Minister of Public Works and Government Services Canada 2009 Cat. No.: SF31-98/2008 ISBN: 978-0-662-06333-9 SUMMARY FRAMEWORK OF TELEVISION PRODUCTION This study focuses on the Canadian television production This study provides an overview of the parameters of industry in relation to the Official Languages Act. It has television production and broadcasting in Canada and it three main objectives: presents the key decision makers, laws and policies that govern production activities as well as existing support • Report on the production of television material—from and funding mechanisms. conception to broadcasting—coming from the official language minority communities, both Anglophone and The study examines the mandate and role of the Canadian Francophone, and identify the main obstacles facing Radio-television and Telecommunications Commission. It producers from these communities. also takes a look at the Broadcasting Act, which stipulates that Canadian television should promote linguistic duality • Determine the place of French in the Canadian on the air and promote programming in English and television production industry and on the air French that reflects the particular needs of each official with regard to dubbing and children’s and youth language community, including those of the linguistic programming. minorities. As for the support mechanisms for television • Make recommendations to the federal government production, the study addresses tax credits and the under Parts VII and IX of the Official Languages Act, Canadian Television Fund (CTF).
    [Show full text]
  • Law, Culture, and the City
    Osgoode Hall Law School of York University Osgoode Digital Commons PhD Dissertations Theses and Dissertations 4-2-2018 Law, Culture, and the City: Urban Legal Anthropology, the Counterhegemonic Use of Hegemonic Legal Tools, and the Management of Intangible Cultural Heritage Spaces Within Toronto's Municipal Legal Frameworks Sara Gwendolyn Ross Follow this and additional works at: https://digitalcommons.osgoode.yorku.ca/phd Part of the Anthropology Commons, Comparative and Foreign Law Commons, and the Music Commons LAW, CULTURE, AND THE CITY: URBAN LEGAL ANTHROPOLOGY, THE COUNTERHEGEMONIC USE OF HEGEMONIC LEGAL TOOLS, AND THE MANAGEMENT OF INTANGIBLE CULTURAL HERITAGE SPACES WITHIN TORONTO’S MUNICIPAL LEGAL FRAMEWORKS SARA GWENDOLYN ROSS A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN LAW YORK UNIVERSITY TORONTO, ONTARIO APRIL 2018 © Sara Gwendolyn Ross, 2018 ABSTRACT The deep process of revision needed in managing Toronto and Canada’s urban intangible cultural heritage not only affects redevelopment decisions and cultural policies at the municipal level, and cultural heritage legislation and regulations at the provincial level, but it also calls for the need to address issues at the federal level, such as correctly acknowledging what terms like “heritage value” mean when drawn from international cultural heritage legislation and the currently unratified status of the UNESCO Convention on the Safeguarding of the Intangible Cultural Heritage within Canada. Through the application of urban legal anthropology, as well as through a lens drawing on urban legal geography, this dissertation canvases cases of unequal valuation of cultural spaces linked to musical subcultures and Toronto’s redevelopment strategies and Music City initiatives.
    [Show full text]
  • Download Program Guide
    WELCOME TO THE 11TH ANNUAL TORONTO REEL ASIAN INTERNATIONAL FILM FESTIVAL The Reel Asian staff, board of directors, and committees would like to welcome you to the 11th edition of the Toronto Reel Asian International Film Festival. A big congratulations to all of this year’s invited filmmakers. We look forward to sharing your stories with our enthusiastic festival-goers. Once again, our formidable programmers Heather Keung and Raymond Phathanavirangoon have put together an inspiring, diverse programme of feature films, genre films, shorts, animation and experimental work that run the gamut. There is sure to be a film that suits even the most particular of tastes. Don’t forget to join us at our parties and events throughout the festival in celebration of the bold creativity that flows out of our filmmaking community. This year’s Industry Series is dedicated to emerging and mid-career filmmakers to come together through a packed programme of mentorship, training and network sessions to hone their skills in developing their craft. Every year is a reminder of how encouraging our Toronto community can be – we truly thank our government Left to riGht: Patricia Lee, ChristiNA Sit Yee, AraM supporters, sponsors and community partners. Without the dedicated engagement of our community, SIU Wai COLLier, Grace Bai, Chris ChiN, Heather KEUNG (MISSING: RayMOND PhathaNAVIRANGOON, YOOMEE CHOO) Reel Asian would not be possible. We welcome and appreciate all efforts to challenge Reel Asian to grow and strengthen as an organization and recognize the impact of your invaluable partnership. Reel Asian will be launching a membership program through which supporters will receive charitable tax receipts and benefits that come with being a member.
    [Show full text]