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Alternative North Americas: What Canada and The
ALTERNATIVE NORTH AMERICAS What Canada and the United States Can Learn from Each Other David T. Jones ALTERNATIVE NORTH AMERICAS Woodrow Wilson International Center for Scholars One Woodrow Wilson Plaza 1300 Pennsylvania Avenue NW Washington, D.C. 20004 Copyright © 2014 by David T. Jones All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of author’s rights. Published online. ISBN: 978-1-938027-36-9 DEDICATION Once more for Teresa The be and end of it all A Journey of Ten Thousand Years Begins with a Single Day (Forever Tandem) TABLE OF CONTENTS Introduction .................................................................................................................1 Chapter 1 Borders—Open Borders and Closing Threats .......................................... 12 Chapter 2 Unsettled Boundaries—That Not Yet Settled Border ................................ 24 Chapter 3 Arctic Sovereignty—Arctic Antics ............................................................. 45 Chapter 4 Immigrants and Refugees .........................................................................54 Chapter 5 Crime and (Lack of) Punishment .............................................................. 78 Chapter 6 Human Rights and Wrongs .................................................................... 102 Chapter 7 Language and Discord .......................................................................... -
Grants Listing 2017-2018
2017–2018 Grants Listing | Liste des subventions Ontario Arts Council Conseil des arts de l’Ontario OAC | CAO The Guelph Chamber Choir surprises founding conductor Gerald Neufeld with a favourite song following his final official concert performance. Neufeld retired after 35 years of serving as artistic director of the choir. (Photo: Sandra Pitts) Les membres du Chœur de chambre de Guelph réservent une surprise à Gerald Neufeld à l’occasion de son départ à la retraite en chantant une de ses chansons préférées après son dernier concert officiel. M. Neufeld, chef fondateur de l’ensemble, en a été le directeur artistique pendant 35 ans. (Photo : Sandra Pitts) FRONT COVER : Élise Boucher DeGonzague performs in Mokatek et l’étoile disparue (Mokatek and the missing star), a co-production between Vox Théâtre and Productions Ondinnok, written and performed by Dave Jenniss, directed by Pier Rodier. (Photo: Marianne Duval) PREMIÈRE DE COUVERTURE : Élise Boucher DeGonzague dans Mokatek et l’étoile disparue, pièce coproduite par Vox Théâtre et les Productions Ondinnok, écrite et interprétée par Dave Jenniss sur une mise en scène de Pier Rodier. (Photo : Marianne Duval) 2017-2018 Grants Listing | Liste des subventions 2017-2018 OAC | CAO Contents Sommaire Grants Listing – Introduction 03 Introduction – Liste des subventions Granting Staff 05 Personnel de subvention Creating and Presenting 08 Création et diffusion Dance 09 Danse Deaf and Disability Arts 11 Pratiques des artistes sourds ou handicapés Francophone Arts 13 Arts francophones Indigenous -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
Rapport Annuel 2007-2008 ›
Rapport annuel 2007-2008 › Rapport annuel 2007-2008 › Madame Christine Saint-Pierre Ministre de la Culture, des Communications et de la Condition féminine du Québec En vertu de l’article 33 de la Loi sur les musées nationaux, j’ai l’insigne honneur de vous présenter, au nom des membres du Conseil d’administration, le vingt-quatrième Rapport annuel du Musée d’art contemporain de Montréal. Vous y trouverez aussi les états financiers pour l’année se terminant le 31 mars 2008. Espérant le tout à votre convenance, je vous prie d’agréer, Madame la Ministre, l’assurance de ma haute considération. Le président du Conseil d’administration, Marc DeSerres Le Musée d’art contemporain de Montréal a pour fonction de faire connaître, de promouvoir et de conserver l’art québécois contemporain et d’assurer une présence de l’art contemporain international par des acquisitions, des expositions et d’autres activités d’animation. (Loi sur les musées nationaux, art. 24) Mot du président 7 Mot du directeur général 8 Fréquentation 10 Secrétariat général 11 Accès à l’information et protection des renseignements personnels 12 La loi sur le développement durable 12 La Médiathèque 13 Direction artistique et éducative 15 La Collection 16 Les acquisitions 17 La restauration 26 Les prêts 27 Les expositions 30 Les expositions itinérantes 33 Les créations multimédias 34 L’éducation 36 L’action culturelle 40 Direction de l’administration et des activités commerciales 41 Service des communications 43 Les relations publiques et la promotion 44 Le site Internet 45 Les publications 45 Service de développement et financement 47 La Fondation du Musée 49 Service des ressources humaines 53 Les employés 55 Le Conseil d’administration 59 Code d’éthique et de déontologie des membres du Conseil d’administration du Musée d’art contemporain de Montréal 63 Les états financiers 66 › Mot du président Marc DeSerres Cette année encore, j’ai le plaisir de faire le bilan d’un exercice Dès son arrivée comme nouveau directeur en 2004, financier fructueux pour le Musée d’art contemporain de M. -
Ontario Arts Council from April 1, 2000 to March 31, 2001
2000 – 2001 Annual Report / Grants Listing • Rapport annuel et liste des subventions 2000-2001 In accordance with the provision of Section 12 of the Arts Council Act, I respectfully submit the report covering the activities of the Ontario Arts Council from April 1, 2000 to March 31, 2001. Conformément aux dispositions de l’article 12 de la Loi sur le Conseil des arts, c’est avec le plus grand respect que je dépose le présent rapport sur les activités du Conseil des arts de l’Ontario pour la période allant du 1er avril 2000 au 31 mars 2001. Julia Foster Chair, Ontario Arts Council Présidente, Conseil des arts de l’Ontario Ontario Arts Council • Conseil des arts de l’Ontario Ontario Arts Le Conseil des arts Council de l’Ontario In 1963, provincial legislation was enacted to empower the En 1963, une loi provinciale a donné au Conseil des arts Ontario Arts Council (OAC) with the mandate to promote de l’Ontario (CAO) le mandat de promouvoir l’étude et la the study, enjoyment, and production of works of art for production d’œuvres artistiques dans la province entière the enjoyment and benefit of all Ontarians. pour que tous les Ontariens puissent en profiter. As a publicly funded, arm’s-length agency of the Ministry of À titre d’organisme autonome relevant du ministère du Tourism, Culture and Recreation, OAC is fully responsible Tourisme, de la Culture et des Loisirs, le CAO assume for its policies, decisions, and the awarding of grants through l’entière responsabilité de ses politiques et de ses décisions. -
CBC and CUPE Reach Tentative Agreement Crarrtakes Action on Disparaitre Bethune to Open 1989 Montreal World Film Festival Masse
CINEMA CAN A D A The CBC is offering a 34 month contract with Subsequently, CRARR has asked the NFBt o and th ere were public disagreements between CBC and CUPE present job security in place and no move ment devo te an equivalent amoun t of production screenwriter Ted Alla n and star Donald in the area of jurisdiction. "It is the sa me offer," funding or resources to a progra m th at would Sutherland. reach tentative said Curzon, "that other unions have accepted, show posti ve aspec ts of immigra tion and Clermont is understand ably anxious to see th e such as NABET (who recently settled with the multiculturalismin Quebec. final fi lm on the scree n. "I hope and believe it agreement CBC after the federal government appointed a CRARR has also asked Comminication will surprise many people. Th ere have been so Commissioner to resolve the dispute). They Minister Marcel Masse to remind both many negative th ings said about it tha t, at times, TORONTO - Negotiators for the CBC and 2,600 have 10 recognize the kind of budgetary crisis the institutions of" their legal and social respon people have lost the scope of th e film itself. " striking workers reached a tentative settlement CBCi s in. " sibilities and to make certain that the boards of Betlili lle is the first ever Canadian-Chinese AprilS that is expected to bring an end to the Production came to a halt on Kids In the Hall, both institutions reflect the cultural and racial French co-production . -
20 Years of Inspiration
20 years of inspiration The arts engage and inspire us 20 years of inspiration National Arts Centre | Ottawa | May 5, 2012 20 years of inspiration Welcome to the 20th anniversary Governor General’s In 2007 the National Film Board of Canada (NFB) Performing Arts Awards Gala! joined the Awards Foundation as a creative partner, and agreed to produce a short film about each Award The Governor General’s Performing Arts Awards recipient (beginning with the 2008 laureates). After (GGPAA) were created in 1992 under the patronage of the late Right Honourable Ramon John Hnatyshyn premiering at the GGPAA Gala, these original and (1934–2002), 24th Governor General of Canada, engaging films are made available to all Canadians and his wife Gerda. on the Web and in a variety of digital formats. The idea for the GGPAA goes back to the late 2008 marked the launch of the GGPAA Mentorship 1980s and a discussion between Peter Herrndorf Program, a unique partnership between the Awards (now President and CEO of the National Arts Centre) Foundation and the National Arts Centre that pairs and entertainment industry executive Brian Robertson, a past award recipient with a talented artist in both of whom were involved at the time with the mid-career. (See page 34.) Toronto Arts Awards Foundation. When they “The Governor General’s Performing Arts Awards approached Governor General Hnatyshyn with are the highest tribute we can offer Canadian artists,” their proposal for a national performing arts awards said Judith LaRocque, former Deputy Minister of program, they received his enthusiastic support. Canadian Heritage and former Secretary to the “He became a tremendous fan of the artists receiving Governor General, in an interview on the occasion the awards each year, the perfect cheerleader in the of the 15th anniversary of the Awards. -
Rapport Annuel 2007-2008 ›
Rapport annuel 2007-2008 › Rapport annuel 2007-2008 › Madame Christine Saint-Pierre Ministre de la Culture, des Communications et de la Condition féminine du Québec En vertu de l’article 33 de la Loi sur les musées nationaux, j’ai l’insigne honneur de vous présenter, au nom des membres du Conseil d’administration, le vingt-quatrième Rapport annuel du Musée d’art contemporain de Montréal. Vous y trouverez aussi les états financiers pour l’année se terminant le 31 mars 2008. Espérant le tout à votre convenance, je vous prie d’agréer, Madame la Ministre, l’assurance de ma haute considération. Le président du Conseil d’administration, Marc DeSerres Le Musée d’art contemporain de Montréal a pour fonction de faire connaître, de promouvoir et de conserver l’art québécois contemporain et d’assurer une présence de l’art contemporain international par des acquisitions, des expositions et d’autres activités d’animation. (Loi sur les musées nationaux, art. 24) Mot du président 7 Mot du directeur général 8 Fréquentation 10 Secrétariat général 11 Accès à l’information et protection des renseignements personnels 12 La loi sur le développement durable 12 La Médiathèque 13 Direction artistique et éducative 15 La Collection 16 Les acquisitions 17 La restauration 26 Les prêts 27 Les expositions 30 Les expositions itinérantes 33 Les créations multimédias 34 L’éducation 36 L’action culturelle 40 Direction de l’administration et des activités commerciales 41 Service des communications 43 Les relations publiques et la promotion 44 Le site Internet 45 Les publications 45 Service de développement et financement 47 La Fondation du Musée 49 Service des ressources humaines 53 Les employés 55 Le Conseil d’administration 59 Code d’éthique et de déontologie des membres du Conseil d’administration du Musée d’art contemporain de Montréal 63 Les états financiers 66 › Mot du président Marc DeSerres Cette année encore, j’ai le plaisir de faire le bilan d’un exercice Dès son arrivée comme nouveau directeur en 2004, financier fructueux pour le Musée d’art contemporain de M. -
Anna R. Kroutl-Helal Straight and Gay Encounters In
ANNA R. KROUTL-HELAL STRAIGHT AND GAY ENCOUNTERS IN CANADA: SEXUAL ORIENTATION SEEN AS LOSING SIGNIFICANCE AS NEW LEGAL REALITY TAKES ROOT Introduction Slowly but steadily, Canadian society has gone through developments that have spurred changing attitudes to sexual-orientation issues. By 2008, Canada stood along with Spain as the only country in the world to put the same-sex marriage legally on par with the opposite-sex marriage, as measured by the acquisition of spousal benefits, the right to adopt children, ability to sponsor partners for immigration purposes, etc. This new reality, sparked by a 2005 parliamentary vote, is paralleled by both stronger gay political clout and changing media portrayals of gay and lesbian characters. It hints at a growing general acceptance of the notion that there is nothing special to being gay, in particular in the mammoth urban centres such as Montreal, Toronto and Vancouver. Furthermore, these developments, it has been asserted, might even signal the beginning of the end to the gay rights discourses. Legal Landmarks Historically, Canadian laws used to discriminate against gays and lesbians. Until 1977, homosexuals were listed in the categories of persons to be excluded from Canada “along with prostitutes, pimps, or persons coming for these or any other immoral purposes” (LaViolette 2004). The immigration policy had traditionally favored family reunification by which only married heterosexual Canadians were able to bring in their spouses from other countries. In 2002, the same privileges were extended 69 to lesbian and gay Canadians with the introduction of the Immigration and Refugee Protection Act. The same law permits gay individuals to seek political asylum in Canada. -
Toronto: Tributes + Tributaries, 1971-1989
← Back to Current Exhibitions Current Exhibitions • Toronto: Tributes + Tributaries, 1971-1989 • SuperReal: Pop Art from the AGO Collection • Francis Alÿs: A Story of Negotiation • Anthony Caro: Sculpture Laid Bare • Singing Softly When No One's Around • Pets and Me: Explore, Imagine, Create • European Sculpture from the Collection of Murray Frum (1931-2013) • In/visible Bodies: Baroque Sculpture and Modern Painting • Manasie Akpaliapik • Idea lab: Research at the AGO Investigating the Works of Benjamin Cheverton • The Artful City Upcoming Exhibitions Exhibition Archive Toronto: Tributes + Tributaries, 1971-1989 12345678910111213 → Exhibition Dates September 29, 2016 – May 22, 2017 JOIN THE CONVERSATION ONLINE #TOtributes Screenings March 9 – 12 Toronto: Tributes + Tributaries Film and Video Festival PAST PROGRAMS PUBLIC OPENING Wednesday, September 28 6 – 9 pm Walker Court Performances October 6 – November 13, 2016 Toronto: Tributes + Tributaries, 1971- 1989 - In Performance Talks November 7, 2016 Luis Jacob and Wanda Nanibush in conversation February 8, 2017 Toronto: Tributes + Tributaries Artist’s Talk Exploring the experimental energy of an era, Toronto: Tributes + Tributaries, 1971-1989 brings together more than 100 works by 65 artists and collectives to highlight an innovative period in Toronto art history. Amidst the social and political upheavals of their time, the generation of artists that emerged in Toronto during the 1970s and 1980s pushed the boundaries of conventional painting, sculpture and photography, exploring new ways of art making including video, installation and performance. Drawing heavily from the AGO collection Toronto: Tributes + Tributaries, 1971-1989 opens on September 29, 2016, filling the entire fourth floor of the AGO’s Contemporary Tower. The exhibition, which runs until May, 2017, will be accompanied by a live performance series, a film and video festival, as well as satellite installations throughout the Gallery. -
Grants Listing 2011-2012
2011–2012 GRANTS LISTING LISTE DES SUBVENTIONS OAC CAO 2011–2012 Grants Listing / Liste des subventions 2011-2012 Cover Couverture Dancers from Chi Ping Dance Group perform The Shimmering Water Falls (Sleeves Des danseuses de la troupe Chi Ping, dans The Shimmering Water Falls (Sleeves Dance) at the Asian Heritage Month Gala Performance of Asian Canadian Artists, at Dance), numéro présenté lors de la soirée de gala du Mois du patrimoine asiatique, Hart House in Toronto, May 2012. (Photo: Tam Kam Chiu) à Hart House, à Toronto, en mai 2012. (Photo : Tam Kam Chiu) Contents Sommaire 1 OAC Grants Listing 1 Liste des subventions du CAO 2 Aboriginal Arts 2 Arts autochtones 6 Access and Career Development 6 Accès et évolution professionnelle 8 Anchor Organizations 8 Organismes phares 11 Arts Education 11 Éducation artistique 16 Arts Service Organizations 16 Organismes de service aux arts 19 Community and 19 Arts communautaires Multidisciplinary Arts et multidisciplinaires 24 Compass 24 Compas 27 Dance 27 Danse 31 Franco-Ontarian Arts 31 Arts franco-ontariens 36 Literature 36 Littérature 44 Media Arts 44 Arts médiatiques 48 Music 48 Musique 56 Northern Arts 56 Arts du Nord 59 Ontario-Quebec Artist Residencies 59 Résidences d’artistes Ontario-Québec 61 Theatre 61 Théâtre 67 Touring 67 Tournées 73 Visual Arts and Crafts 73 Arts visuels et métiers d’art 84 Arts Investment Fund 84 Fonds d’investissement dans les arts 93 Awards and Chalmers Program 93 Prix et programme Chalmers 97 Ontario Arts Foundation 97 Fondation des arts de l’Ontario 108 Credits -
Freedom Quilts: Activities and Lessons for Grades
January 24, 2010 Edition CELEBRATING DIVERSITY THROUGH MATHEMATICS AND OTHER INTEGRATED SUBJECTS Activities and Lessons: Grades 2-8 Honouring the Black Slaves who traveled the Underground Railroad by Creating Quilt Codes. Compilation created by: Brian Diogo, Leonora Inglese, Jennifer Portelli, MaryAnna Lawrence, Sonia Janik-Corvinelli, Steve Kotulak and Mark Cassar Based on a Compilation of works by Professor Lynda Colgan of Queens University January 30, 2008 Serve Our Children O God, we pray for all those in our world who are suffering from injustice: For those who are discriminated against because of their race, color or religion; For those imprisoned for working for the relief of oppression; For those who are hounded for speaking the inconvenient truth; For those tempted to violence as a cry against overwhelming hardship; For those deprived of reasonable health and education; For those suffering from hunger and famine; For those too weak to help themselves and who have no one else to help them; For the unemployed who cry out for work but do not find it. We pray for anyone of our acquaintance who is personally affected by injustice. Forgive us, Lord, if we unwittingly share in the conditions or in a system that perpetuates injustice. Show us how we can serve your children and make your love practical by washing their feet. Mother Teresa Symbols of Peace: top, clockwise – Doves, Peace Crane, Chinese symbol of Peace, Islamic Symbol of Peace, West African ‘BI NKA BI’ - "No one should bite the other", universal peace symbol, Ying-Yang symbol, universal torch, Circular, past-present-future peace, Japanese peace symbol, international rainbow symbol.