Images Festival 2018 Catalogue
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INUTILE aprile 2013, numero 53 Supplemento al #4205 di PressItalia.net, registrazione presso il Tribunale di Perugia #33 del 5 maggio 2006, pubblicazione trimestrale a cura di INUTILE » ASSOCIAZIONE CULTURALE la redazione leonardo azzolini, marco montanaro, nicolò porcelluzzi, alessandro romeo, matteo scandolin, tamara viola hanno collaborato francesca ballarini, fabio deotto, andrea maggiolo, gianluca nativo, andrea pomella correzioni elisa sottana copertina yuanyuan yang {yuanyuanyang.com} layout leonardo azzolini {leonardoazzolini.com} stampa Le Colibrì - Agenzia di stampa, Gubbio {[email protected]} abbonamenti rivistainutile.it/abbonarsi wild wild web rivistainutile.it twitter.com/inutileonline vimeo.com/inutile Il presente opuscolo è diffuso sotto la disciplina della licenza CREATIVE COMMONS Attribuzione - Non commerciale - Non opere derivate 2.5 Italia. La licenza integrale è disponibile a questo url: http://tinyurl.com/8g7sw5 3 editoriale 4 counselling gianluca nativo 7 via rinaldi 46, ninopoli francesca ballarini 10 quelli che sanno si salvano marco montanaro 16 the mars volta: una storia di confini fabio deotto 24 micronarrativa andrea maggiolo editoriale C’è Gianluca Nativo col suo racconto in grado di sal- la redazione tare da qui a là senza farti mai fermare; c’è Francesca Ballarini con la sua Ninopoli, che c’ha fatto innamo- La copertina di questo numero è un arcobaleno per rare; c’è Marco Montanaro che ci ha fatto riflettere, noi e per voi: per quelli che sono stanchi e abbat- come sempre fa lui; c’è Fabio Deotto che cerca di tuti, la siamo andati a recuperare direttamente da metabolizzare lo scioglimento dei Mars Volta; c’è la Yuanyuan Yang, artista cinese che lavora a New York. -
CCA Wattis Institute for Contemporary Arts Presents: Abbas Akhavan: Cast for a Folly May 9 Through July 27, 2019 Curated by CCA Wattis Institute Curator Kim Nguyen
CCA Wattis Institute for Contemporary Arts presents: Abbas Akhavan: cast for a folly May 9 through July 27, 2019 Curated by CCA Wattis Institute curator Kim Nguyen Akosua Adoma Owusu: Welcome to the Jungle May 9 through July 27, 2019 Curated by CCA Wattis Institute curator Kim Nguyen Above: Abbas Akhavan, Study for a Garden: Fountain (installation view, Delfina Foundation, London), 2012. Oscillating water sprinkler, pump, hose, pvc pond liner, water, dimensions variable. Courtesy of Catriona Jeffries, Vancouver. Photo: Christa Holka. Below: Akosua Adoma Owusu, Split Ends, I Feel Wonderful, 2012 (still). 16mm film transfer to video, 4 mins. Courtesy of the artist. San Francisco, CA—March 12, 2019—CCA Wattis Institute for Contemporary Arts proudly presents two new solo exhibitions, Abbas Akhavan: cast for a folly and Akosua Adoma Owusu: Welcome to the Jungle. For multi- disciplinary artist Abbas Akhavan, this exhibition is his first U.S. solo show and the culmination of his year as the 2018–2019 Capp Street Artist-in- Residence. Ghanaian-American filmmaker Akosua Adoma Owusu will present a medley of her films in an installation format—new territory for Owusu—in which two of her films will have their institutional premiere at CCA Wattis. Although these are two independent shows, both artists navigate histories, identities, politics, and materiality through distinct international lenses. “We are thrilled to present the newest works by each of these incredible artists,” says Kim Nguyen, CCA Wattis Institute curator and head of programs. “Abbas Akhavan’s time and attention to place made him a perfect fit for the Capp Street residency, where he can really delve into the ethos of San Francisco and its communities. -
Grants Listing 2017-2018
2017–2018 Grants Listing | Liste des subventions Ontario Arts Council Conseil des arts de l’Ontario OAC | CAO The Guelph Chamber Choir surprises founding conductor Gerald Neufeld with a favourite song following his final official concert performance. Neufeld retired after 35 years of serving as artistic director of the choir. (Photo: Sandra Pitts) Les membres du Chœur de chambre de Guelph réservent une surprise à Gerald Neufeld à l’occasion de son départ à la retraite en chantant une de ses chansons préférées après son dernier concert officiel. M. Neufeld, chef fondateur de l’ensemble, en a été le directeur artistique pendant 35 ans. (Photo : Sandra Pitts) FRONT COVER : Élise Boucher DeGonzague performs in Mokatek et l’étoile disparue (Mokatek and the missing star), a co-production between Vox Théâtre and Productions Ondinnok, written and performed by Dave Jenniss, directed by Pier Rodier. (Photo: Marianne Duval) PREMIÈRE DE COUVERTURE : Élise Boucher DeGonzague dans Mokatek et l’étoile disparue, pièce coproduite par Vox Théâtre et les Productions Ondinnok, écrite et interprétée par Dave Jenniss sur une mise en scène de Pier Rodier. (Photo : Marianne Duval) 2017-2018 Grants Listing | Liste des subventions 2017-2018 OAC | CAO Contents Sommaire Grants Listing – Introduction 03 Introduction – Liste des subventions Granting Staff 05 Personnel de subvention Creating and Presenting 08 Création et diffusion Dance 09 Danse Deaf and Disability Arts 11 Pratiques des artistes sourds ou handicapés Francophone Arts 13 Arts francophones Indigenous -
MANGAARD C.V 2019 (6Pg)
ANNETTE MANGAARD Film/Video/Installation/Photography Born: Lille Værløse, Denmark. Canadian Citizen Education: MFA, Gold Medal Award, OCAD University 2017 BIO Annette Mangaard is a Danish born Canadian media artist and filmmaker who has recently completed her Masters in Interdisciplinary Art, Media and Design. Her installation work has been shown around the world including: the Armoury Gallery, Olympic Site in Sydney Australia; Pearson International Airport, Toronto; South-on Sea, Liverpool and Manchester, UK; Universidad Nacional de Río Negro, Patagonia, Argentina; and Whitefish Lake, First Nations, Ontario. Mangaard has completed more then 16 films in more than a decade as an independent filmmaker. Her feature length experimental documentary on photographer Suzy Lake and the history of feminism screened as part of the INTRODUCING SUZY LAKE exhibition October 2014 through March 2015 at the Art Gallery of Ontario. Mangaard was nominated for a Gemini for Best Director of a Documentary for her one hour documentary, GENERAL IDEA: ART, AIDS, AND THE FIN DE SIECLE about the celebrated Canadian artists collective which premiered at Hot Doc’s in Toronto then went on to garner accolades around the world. Mangaard’s one hour documentary KINNGAIT: RIDING LIGHT INTO THE WORLD, about the changing face of the Inuit artists of Cape Dorset premiered at the Art Gallery of Ontario and was invited to Australia for a special screening celebrating Canada Day with the Canadian High Commission. Mangaard’s body of work was presented as a retrospective at the Palais de Glace, Buenos Aires, Argentina in 2009 and at the PAFID, Patagonia, Argentina in 2013. In 1990 Mangaard was invited to present solo screenings of her films at the Pacific Cinematheque in Vancouver, Canada and in 1991 at the Kino Arsenal Cinematheque in Berlin, West Germany. -
Mother Tongue Film Festival
2016–2020 Mother Tongue Film Festival Five-Year Report RECOVERING VOICES 1 2 3 Introduction 5 By the Numbers 7 2016 Festival 15 2017 Festival 25 2018 Festival 35 2019 Festival 53 2020 Festival 67 Looking Ahead 69 Appendices Table of Contents View of the audience at the Last Whispers screening, Terrace Theater, Kennedy Center. Photo courtesy of Lena Herzog 3 4 The Mother Tongue Film Festival is a core to the Festival’s success; over chance to meet with guest artists and collaborative venture at the Smithso- time, our partnerships have grown, directors in informal sessions. We nian and a public program of Recov- involving more Smithsonian units and have opened the festival with drum ering Voices, a pan-institutional pro- various consular and academic part- and song and presented live cultural gram that partners with communities ners. When launched, it was the only performances as part of our festival around the world to revitalize and festival of its kind, and it has since events. sustain endangered languages and formed part of a small group of local knowledge. The Recovering Voices and international festivals dedicated We developed a dedicated, bilingual partners are the National Museum of to films in Indigenous languages. (English and Spanish) website for Natural History, the National Museum the festival in 2019, where we stream of the American Indian, and the Cen- Over its five editions, the festival has several works in full after the festival. ter for Folklife and Cultural Heritage. grown, embracing a wide range of And, given the changing reality of our Through interdisciplinary research, audiovisual genres and experiences, world, we are exploring how to pres- community collaboration, and pub- drawing audiences to enjoy screen- ent the festival in a hybrid live/on- lic outreach, we strive to develop ef- ings often at capacity at various ven- line model, or completely virtually, in fective responses to language and ues around Washington, DC. -
Sprin G 2016 N Ew S Letter
SPRIN G 2016 2016 G NE W SLETTER HISTORY OF ART DEPARTMENT UNIVERSITY OF PENNSYLVANIA Dear Alumnae and Friends, I write to you with great pleasure as the new chair of the Department of the History of Art to update you on all we’ve accomplished this year. Let me start by thanking Holly Pittman, Bok Family Professor in the Humanities, for chairing our department over the last seven years with passion, vision and care. Under her leadership, we have expanded our engagement with Visual Studies, Digital Visualization, and Object-Based Learning; increased our visibility in the university, the city of Philadelphia, and the wider world; and continued to build our relationship with a number of area museums, including the Philadelphia Museum of Art, the Institute of Contemporary Art, the Arthur Ross Gallery, the Barnes Foundation, and the Penn Museum of Archaeology and Anthropology. She has encouraged us to be diverse, innovative, globally minded, people-centered, and as attentive to the distant past as to the pressing concerns of the present. We are deeply grateful for her two terms of service. I would also like to thank David Brownlee, Frances Shapiro-Weitzenhoffer Professor of nineteenth Century European Art, for his generous and dedicated service as Chair of the Graduate Group in the History of Art since 2012. David has been attentive to our students’ needs and a strong advocate for graduate education. Thanks also go to his successor, Michael Leja, Professor of American Art, for taking over this important role. Professor Gwendolyn DuBois Shaw has generously offered to continue as Chair of the Undergraduate Group when she returns from sabbatical in 2016, and thanks to Professor Julie Nelson Davis for serving as interim undergraduate chair while Professor Shaw is away. -
Rapport Annuel 2007-2008 ›
Rapport annuel 2007-2008 › Rapport annuel 2007-2008 › Madame Christine Saint-Pierre Ministre de la Culture, des Communications et de la Condition féminine du Québec En vertu de l’article 33 de la Loi sur les musées nationaux, j’ai l’insigne honneur de vous présenter, au nom des membres du Conseil d’administration, le vingt-quatrième Rapport annuel du Musée d’art contemporain de Montréal. Vous y trouverez aussi les états financiers pour l’année se terminant le 31 mars 2008. Espérant le tout à votre convenance, je vous prie d’agréer, Madame la Ministre, l’assurance de ma haute considération. Le président du Conseil d’administration, Marc DeSerres Le Musée d’art contemporain de Montréal a pour fonction de faire connaître, de promouvoir et de conserver l’art québécois contemporain et d’assurer une présence de l’art contemporain international par des acquisitions, des expositions et d’autres activités d’animation. (Loi sur les musées nationaux, art. 24) Mot du président 7 Mot du directeur général 8 Fréquentation 10 Secrétariat général 11 Accès à l’information et protection des renseignements personnels 12 La loi sur le développement durable 12 La Médiathèque 13 Direction artistique et éducative 15 La Collection 16 Les acquisitions 17 La restauration 26 Les prêts 27 Les expositions 30 Les expositions itinérantes 33 Les créations multimédias 34 L’éducation 36 L’action culturelle 40 Direction de l’administration et des activités commerciales 41 Service des communications 43 Les relations publiques et la promotion 44 Le site Internet 45 Les publications 45 Service de développement et financement 47 La Fondation du Musée 49 Service des ressources humaines 53 Les employés 55 Le Conseil d’administration 59 Code d’éthique et de déontologie des membres du Conseil d’administration du Musée d’art contemporain de Montréal 63 Les états financiers 66 › Mot du président Marc DeSerres Cette année encore, j’ai le plaisir de faire le bilan d’un exercice Dès son arrivée comme nouveau directeur en 2004, financier fructueux pour le Musée d’art contemporain de M. -
Montana Kaimin, March 8-14, 2017 Students of the University of Montana, Missoula
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 3-8-2017 Montana Kaimin, March 8-14, 2017 Students of the University of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of the University of Montana, Missoula, "Montana Kaimin, March 8-14, 2017" (2017). Montana Kaimin, 1898-present. 6937. https://scholarworks.umt.edu/studentnewspaper/6937 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MARCH 8-14, 2017 2017 8-14, MARCH Lunch gets Hot Pocket Faith in free a second life heirarchy throws page 5 page 10 page 12 | MONTANAKAIMIN.COM | MONTANAKAIMIN.COM THE LAST BEST COLLEGE NEWS COLLEGE BEST THE LAST | @montanakaimin @montanakaimin | facebook.com/montanakaimin Yeezy Season Sneaker culture still running strong Page 8 OPINION The Montana Kaimin is a weekly independent student newspaper at the University of Montana. THIS DAY For comments, corrections or letters to the editor, contact [email protected] or call (406) 243-4310. in History For advertising opportunities, contact Each week the Kaimin will take a look back in [email protected] or call (406) 243-6541. time to see what we were reporting about in the old days. -
Ontario Arts Council from April 1, 2000 to March 31, 2001
2000 – 2001 Annual Report / Grants Listing • Rapport annuel et liste des subventions 2000-2001 In accordance with the provision of Section 12 of the Arts Council Act, I respectfully submit the report covering the activities of the Ontario Arts Council from April 1, 2000 to March 31, 2001. Conformément aux dispositions de l’article 12 de la Loi sur le Conseil des arts, c’est avec le plus grand respect que je dépose le présent rapport sur les activités du Conseil des arts de l’Ontario pour la période allant du 1er avril 2000 au 31 mars 2001. Julia Foster Chair, Ontario Arts Council Présidente, Conseil des arts de l’Ontario Ontario Arts Council • Conseil des arts de l’Ontario Ontario Arts Le Conseil des arts Council de l’Ontario In 1963, provincial legislation was enacted to empower the En 1963, une loi provinciale a donné au Conseil des arts Ontario Arts Council (OAC) with the mandate to promote de l’Ontario (CAO) le mandat de promouvoir l’étude et la the study, enjoyment, and production of works of art for production d’œuvres artistiques dans la province entière the enjoyment and benefit of all Ontarians. pour que tous les Ontariens puissent en profiter. As a publicly funded, arm’s-length agency of the Ministry of À titre d’organisme autonome relevant du ministère du Tourism, Culture and Recreation, OAC is fully responsible Tourisme, de la Culture et des Loisirs, le CAO assume for its policies, decisions, and the awarding of grants through l’entière responsabilité de ses politiques et de ses décisions. -
Aus Der Stadt
moritzNo. 98 | Mai 2012 | www.moritz-magazin.de Raus aus der Stadt TITEL-THEMA Von Museen, Stränden, Rad- und Wanderwegen – unterwegs in Vorpommern VERLASSEN Der alte Uniklinik-Campus in der Innenstadt vor 100 Jahren und heute SEEMANNSGARN Maritime Kultur in Greifswald: Die Museums- und Kulturwerft am Ryck mm98.indd 1 10.05.2012 06:44:08 mm98.indd 2 10.05.2012 06:44:12 Editorial No 98 ai 2012 Trau dich raus! | M E it dem Sommer kam ein wenig Umbruchstim- K mung nach Greifswald. Das Studierendenparla- M mant (StuPa) hat mit Milos Rodatos einen neuen Präsidenten gewählt und auch gleich eine neue Struktur für den Allgemeinen Studierendenausschusses (AStA) beschlos- sen. Ebenso wurde der Vorsitz in eben diesem Organ nach einem Jahr wieder besetzt. In Zukunft wird Felix Pawlowski FOTO: JOHANNES KÖPC den AStA zusammenhalten. Auch in der Universitätsmedizin sind die letzten Umzüge der Kliniken fast abgeschlossen und im Hafen in der Innenstadt arbeitet man an der Sanierung der Museumswerft. Beim moritz hatten wir auch Lust auf etwas Frühjahrsputz. Im Layout haben wir spontan einige Änderungen vorgenom- men. Zum Beispiel wurden mal schnell die Kurznachrichten gestrichen und durch eine Open-Space-Seite ersetzt, die jeder Ressortleiter individuell befüllen kann. Zudem haben wir kurz vor Druck noch einen Posten neu vergeben. Unter anderem gibt es endlich wieder eine stellvertretende Chefredakteurin bleiben anregen. Dafür haben wir für euch im Titel-Thema für das Magazin: In der Sitzung des Studierendenparlamen- Ausflugsziele innerhalb und außerhalb Greifswalds geprüft. tes am 8. Mai wurde Katrin Haubold, ihrerseits Covergirl auf Naturliebhaber finden unter anderem Ideen für eine Rad- moritz-Heft Nummer 94, gewählt. -
CBC and CUPE Reach Tentative Agreement Crarrtakes Action on Disparaitre Bethune to Open 1989 Montreal World Film Festival Masse
CINEMA CAN A D A The CBC is offering a 34 month contract with Subsequently, CRARR has asked the NFBt o and th ere were public disagreements between CBC and CUPE present job security in place and no move ment devo te an equivalent amoun t of production screenwriter Ted Alla n and star Donald in the area of jurisdiction. "It is the sa me offer," funding or resources to a progra m th at would Sutherland. reach tentative said Curzon, "that other unions have accepted, show posti ve aspec ts of immigra tion and Clermont is understand ably anxious to see th e such as NABET (who recently settled with the multiculturalismin Quebec. final fi lm on the scree n. "I hope and believe it agreement CBC after the federal government appointed a CRARR has also asked Comminication will surprise many people. Th ere have been so Commissioner to resolve the dispute). They Minister Marcel Masse to remind both many negative th ings said about it tha t, at times, TORONTO - Negotiators for the CBC and 2,600 have 10 recognize the kind of budgetary crisis the institutions of" their legal and social respon people have lost the scope of th e film itself. " striking workers reached a tentative settlement CBCi s in. " sibilities and to make certain that the boards of Betlili lle is the first ever Canadian-Chinese AprilS that is expected to bring an end to the Production came to a halt on Kids In the Hall, both institutions reflect the cultural and racial French co-production . -
The Mars Volta Färdiga Med Efterlängtat Studioalbum, Noctourniquet Släpps Via Warner Bros
2012-02-01 10:00 CET The Mars Volta färdiga med efterlängtat studioalbum, Noctourniquet släpps via Warner Bros. den 28 mars. Noctourniquet blev till i klassisk Mars Volta stil, Omar Rodriquez-Lopez och Cedrik Bixler-Zavala har skrivit text och musik. Albumet producerades av Omar Rodriquez-Lopez. Det tretton låtar långa verket innehåller utsvävningar och nya ljudbilder för bandet som nu har skapat tillsammans i tjugo år. Det spektrum av musikaliska och känslomässiga texturer som albumet är uppbyggt av är skapade av Rodriquez-Lopez. Från det bombastiska öppningsspåret “The Whip Hand” till de hotfulla tonerna från “Malkin Jewel” som avbryts med hypnotiska melodier. Det djärva mångfaldet i det nya materialet i kombination med Rodriquez-Lopez säkra hand bakom spakarna banar ny väg för bandet. Noctourniquet är Mars Volta’s mest självsäkra och raffinerande föreställning hittils. Som tidigare är Bixler-Zavala’stexter en komplicerad blandning av en resa i det okända, inspirerade av bland annat åttiotalets brittiska rockscen, Stålmannens nemesis Solomon Grundy och den grekiska mytologins Hyacinthus. Mars Volta har vunnit en Grammy för “Best Hard Rock Performance” för låten Wax Simulacra 2009, och har utnämnts till bästa prog rockband av tidningen Rolling Stone. De har spelat i Sverige åtta gånger, varav en gång som förband till Red Hot Chili Peppers. Mars Volta är: Omar Rodriguez-Lopez Cedric Bixler-Zavala Juan Alderete de la Pena Marcel Rodriguez Lopez Deantoni Parks Tracklist: 1. The Whip Hand 2. Aegis 3. Dyslexicion 4. Empty Vessels Make The Loudest Sound 5. The Malkin Jewel 6. Lapochka 7. In Absentia 8. Imago 9. Molochwalker 10. Trinkets Pale Of Moon 11.