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Westernisation, Ideology and National Identity in 20Th-Century Chinese Music
Westernisation, Ideology and National Identity in 20th-Century Chinese Music Yiwen Ouyang PhD Thesis Royal Holloway, University of London DECLARATION OF AUTHORSHIP I, Yiwen Ouyang, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19 May 2012 I To my newly born baby II ABSTRACT The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China’s early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on. -
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST and PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected]
FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST AND PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected] LONG YU TO CONDUCT CHINA PHILHARMONIC ORCHESTRA, PRESENTED BY THE NEW YORK PHILHARMONIC PROKOFIEV’s Violin Concerto No. 2 with JULIAN RACHLIN SHOSTAKOVICH’s Symphony No. 5 December 11, 2016 NEW YORK PHILHARMONIC IN SIXTH ANNUAL CHINESE NEW YEAR CONCERT and GALA U.S. PREMIERE of CHEN Qigang’s Joie Éternelle with Trumpet Player ALISON BALSOM PUCCINI’s Selection from Turandot and Traditional Chinese Folk Songs with Soprano SUMI JO SAINT-SAËNS’s Introduction and Rondo Capriccioso with Concertmaster FRANK HUANG January 31, 2017 The New York Philharmonic will present two programs honoring its strong ties to China, both led by Long Yu: the China Philharmonic Orchestra will perform at David Geffen Hall on December 11, 2016, and the New York Philharmonic will perform its sixth annual Chinese New Year Concert and Gala, January 31, 2017. Both programs celebrate the cultural exchange between China and the U.S., particularly the Philharmonic’s connections to China. China Philharmonic Orchestra The New York Philharmonic will present the China Philharmonic Orchestra, led by Long Yu, its Music Director, at David Geffen Hall on December 11, 2016, at 3:00 p.m. The program will feature Prokofiev’s Violin Concerto No. 2, with Julian Rachlin as soloist, and Shostakovich’s Symphony No. 5. Long Yu co-founded the China Philharmonic Orchestra in 2000, and has since served as its artistic director and chief conductor. The orchestra’s appearance at David Geffen Hall, presented by the New York Philharmonic, is part of its 2016 Tour of the Americas. -
Chinese National Day Civilian Parades and the Signaling of Policy Change in the Reform Era
Chinese National Day Civilian Parades And the signaling of policy change in the Reform Era 改革开放后的中国国庆群众游行 与其传播的政策改变信号 A Thesis by Jiahao Liu Submitted to The University of Michigan In partial fulfillment of the requirements for the degree of HONORS BACHELOR OF ARTS Department of Political Science March 26, 2021 1 Table of Contents Abstract ............................................................................................................................5 Acknowledgements ...........................................................................................................6 Author’s Note ...................................................................................................................7 Introduction .....................................................................................................................8 Why study these parades? ...................................................................................................... 8 Research Question ................................................................................................................ 10 Outline:................................................................................................................................. 11 Chapter 1: Existing Research and Theoretical Framework .............................................. 12 Section 1: Functions of state propaganda in China ............................................................... 12 Establish a leader’s image and an ideological stance: .................................................................................12 -
Shanghai Symphony Orchestra in ‘C’ Major (1879 to 2010)
This item was submitted to Loughborough University as a PhD thesis by the author and is made available in the Institutional Repository (https://dspace.lboro.ac.uk/) under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ Shanghai Symphony Orchestra in ‘C’ Major (1879 to 2010) By Mengyu Luo A Doctoral thesis Submitted in partial fulfilment of the requirements For the award of Doctor of Philosophy Loughborough University 15th March © by Mengyu Luo (2013) 1 Abstract Shanghai Symphony Orchestra is a fascinating institution. It was first founded in 1879 under the name of ‘Shanghai Public Band’ and was later, in 1907, developed into an orchestra with 33 members under the baton of German conductor Rudolf Buck. Since Mario Paci—an Italian pianist—became its conductor in 1919, the Orchestra developed swiftly and was crowned ‘the best in the Far East’ 远东第一 by a Japanese musician Tanabe Hisao 田边尚雄 in 1923. At that time, Shanghai was semi-colonized by the International Settlement and the French Concession controlled by the Shanghai Municipal Council and the French Council respectively. They were both exempt from local Chinese authority. The Orchestra was an affiliated organization of the former: the Shanghai Municipal Council. When the Chinese Communist Party took over mainland China in 1949, the Orchestra underwent dramatic transformations. It was applied as a political propaganda tool performing music by composers from the socialist camp and adapting folk Chinese songs to Western classical instruments in order to serve the masses. -
A Chinese New Year Concert with the Orchestra Now
US-CHINA MUSIC INSTITUTE OF THE BARD COLLEGE CONSERVATORY OF MUSIC CENTRAL CONSERVATORY OF MUSIC, CHINA THE SOUND OF SPRING A CHINESE NEW YEAR CONCERT WITH THE ORCHESTRA NOW JANUARY 25 AND 26, 2020 SOSNOFF THEATER, FISHER CENTER AT BARD COLLEGE ROSE THEATER, JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL Welcome to the first annual Chinese New Year concert with The Orchestra Now, presented by the US-China Music Institute of the Bard College Conservatory of Music. This is a happy, optimistic time of year to honor family and wish one another good fortune, while enjoying the season’s many THE SOUND OF SPRING traditions. I am delighted that you have chosen to join us for today’s celebration. A CHINESE NEW YEAR CONCERT WITH THE ORCHESTRA NOW This year’s program, The Sound of Spring, features many extraordinary musicians on the distinguished faculty of our copresenter, the Central Conservatory of Music in Beijing, China. I would like to thank Saturday, January 25 at 7 pm President Yu Feng of the Central Conservatory, as well as our guests today: conductor Chen Bing; and Sosnoff Theater, Fisher Center for the Performing Arts soloists Wang Jianhua on percussion, Wang Lei on sheng, Yu Hongmei on erhu, Zhang Hongyan on pipa, and Zhang Weiwei on suona. Thanks also to folk singer Ji Tian, who has traveled from Shaanxi Sunday, January 26 at 3 pm Province, in Northwest China, to take part in today’s concert. In this program you will learn more about Rose Theater, Jazz at Lincoln Center’s Frederick P. -
QIN MUSIC in CONTEMPORARY CHINA by Da
MEDIA, MARKET ECONOMY, AND CULTURAL TRANSFORMATION: QIN MUSIC IN CONTEMPORARY CHINA by Da Lin B.A. in Music, Xi’an Conservatory of Music, 2005 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2010 i UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Da Lin It was defended on November 29, 2010 and approved by Andrew Weintraub, Professor, Department of Music Adriana Helbig, Assistant Professor, Department of Music Thesis Director: Bell Yung, Professor, Department of Music ii Copyright © by Da Lin 2010 iii Bell Yung MEDIA, MARKET ECONOMY, AND CULTURAL TRANSFORMATION: QIN MUSIC IN CONTEMPORARY CHINA Da Lin, M.A. University of Pittsburgh, 2010 The qin, historically recognized as an instrument of Chinese literati, has been presented in various forms of mass media for over fifty years. After the establishment of the People’s Republic in 1949, the government promoted public performances in a propaganda/persuasion media system; consequently, mass media started to play significant roles in reshaping aesthetic standards, performance practices, musical features, and meanings of the qin tradition. The mass media in China, however, went through a commercialization reform after the late 1970s and has shaped the current propaganda/persuasion model. This new media structure has hastened the emergence of new musical features and meanings of the qin in the commercial logic as opposed to the Party logic. Such interactions with technology have arguably constituted contemporary performance practices that have departed from traditional aesthetic standards held by literati practitioners who played the qin for self-satisfaction. -
Roche Commissions
Roche Commissions Impressum Herausgeber Carnegie Hall, New York The Cleveland Orchestra LUCERNE Festival Roche Roche Commissions projektleitung Katja Prowald Chen Yi Redaktion Basil Rogger Mark Sattler Fotos Emanuel Ammon, Luzern Roche Corporate Photolibrary Manuskripte Paul Sacher Stiftung, Basel Übersetzungen J. Bradford Robinson, Landsberg am Lech Christa Zeller, Zürich Lektorat Editionsbureau Kurt Werder Konzept Corporate Design MetaDesign Suisse AG, Zürich Umschlaggestaltung Maria Inès Klose, Basel GestaLTUNG Kunz Schranz, Luzern Satz Denise Mattich Druck Sticher Printing AG, Luzern Bindearbeiten Buchbinderei Grollimund AG, Reinach BL © 2005 by Roche Inhaltsverzeichnis Table of Contents Shirley Fleming Shirley Fleming 6 Das Prinzip roche Commissions 7 The roche commissions Principle Heinz-Dieter Reese Heinz-Dieter Reese 12 Chen Yi – Ein Portrait 13 Chen Yi – A portrait Chen Yi Chen Yi 32 «Si Ji» (Vier Jahreszeiten) für Orchester, 2005 33 “Si Ji” (Four Seasons) for full orchestra, 2005 42 Partiturabbildungen 42 Reproductions of the Score Franz Welser-Möst Franz Welser-Möst 50 Chen Yi 51 Chen Yi Walter-Wolfgang Sparrer Walter-Wolfgang Sparrer 54 Chinese Concert Music – Die Komponistin Chen Yi vor dem 55 Chinese Concert Music – Hintergrund chinesischer Musikkultur Chen Yi and the Music of China Joel Sachs Joel Sachs 88 Chinesische Komponisten in den Vereinigten Staaten 89 Chinese composers in the United States Dennis Russell Davies Dennis Russell Davies 98 Chen Yi – Die Weltbürgerin 99 Chen Yi – The Cosmopolite Christoph Hahn Christoph -
CHINESE NEW YEAR CELEBRATION Tuesday, January 24, 2012, 7:30
01-24 Chinese New Year:Layout 1 1/18/12 1:05 PM Page 19 CHINESE NEW YEAR CELEBRATION Tuesday, January 24, 2012, 7:30 p.m. Long Yu, Conductor (New York Philharmonic debut) Lang Lang, Piano Liang Wang, Oboe, The Alice Tully Chair Junqiao Tang, Bamboo Flute (New York Philharmonic debut) Quintessenso Mongolian Children’s Choir (New York Philharmonic debut) This concert will be telecast internationally by China’s Phoenix Television. Global Sponsor Alan Gilbert, Music Director, This concert will last approximately one and three-quarter holds The Yoko Nagae hours, which includes one intermission. Ceschina Chair. Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic Exclusive Timepiece of the New York Philharmonic January 2012 19 01-24 Chinese New Year7:Layout 1 1/18/12 10:56 AM Page 20 New York Philharmonic Chinese New Year Celebration Long Yu, Conductor (New York Philharmonic debut) Lang Lang, Piano Liang Wang, Oboe, The Alice Tully Chair Junqiao Tang, Bamboo Flute (New York Philharmonic debut) Quintessenso Mongolian Children’s Choir (New York Philharmonic debut) LI Huanzhi Spring Festival Overture (1955 –56) (1919 –2000) BAO Yuankai China Air Suite (1990) (b. 1944) Going to West Pass Flowing Stream Dialogue About Flowers TRADITIONAL Mongolian Folk Song Suite (orch. 2009) (harmonized by The Buryat Flower Ganchimeg & Happy Little Shepherd Batbold; orch. by Hailar River Zou Ye) Ehulan, Dehulan Mother in My Dream Bonfire Dancing QUINTESSENSO MONGOLIAN CHILDREN’S CHOIR Intermission 20 New York Philharmonic 01-24 Chinese New Year:Layout 1 1/18/12 1:05 PM Page 21 CHEN Qigang Extase, for Oboe and Orchestra (1995; rev. -
Fusion Process in the Instrumental Works by Chen Yi Xin Guo
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2002 Chinese Musical Language Interpreted by Western Idioms: Fusion Process in the Instrumental Works by Chen Yi Xin Guo Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC CHINESE MUSICAL LANGUAGE INTERPRETED BY WESTERN IDIOMS: FUSION PROCESS IN THE INSTRUMENTAL WORKS BY CHEN YI By XIN GUO A Dissertation submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2002 The members of the Committee approve the dissertation of Xin Guo defended on November 6, 2002. James Mathes Professor Directing Dissertation Andrew Killick Outside Committee Member Jane Piper Clendinning Committee Member Peter Spencer Committee Member Approved: Seth Beckman, Assistant Dean for Academic Affairs and Director of Graduate Studies, School of Music ACKNOWLEDGMENTS I would like to express my deepest gratitude to many people who have helped me in one way or another during my research and writing of this dissertation. Dr. Chen Yi’s music inspired me to choose the topic of this project; she provided all the scores, the recordings, and her reference materials for me and responded to my questions in a timely manner during my research. Dr. Richard Bass guided me throughout my master’s thesis, an early stage of this project. His keen insight and rigorous thought influenced my thinking tremendously. Dr. Harris Fairbanks spent countless hours proofreading both my thesis and dissertation. His encouragement and unwavering support helped me enormously and for this I am deeply indebted to him. -
4Th International Youth Music Festival
4th 4th International International Youth Youth Music Music Festival Festival II. II. 24 - 27 July 2017 Bratislava I .2 0 1 7 program www.choral-music.sk Medzinárodný International Mládežnícky Youth Music Festival Festival II. II. 26 - 29 July 2015 Bratislava záštitu nad festivalom prijal / under the auspices of: doc. milan Kolena, artd. Umelecký riaditeľ festivalu / Art Director of the festival medzinárodná porota / INTERNATIONAL jurY: Prof. Scott Ferguson /United States of America/ - chairman of the jury Prof. Leon Shiu-wai Tong /Hong Kong/ Prof. John Damsma /Netherlands/ Prof. Adam Korzenowski /Poland/ doc. Milan Kolena, ArtD. /Slovakia/ doc. Pavol Tužinský /Slovakia/ spoluorganizátori festivalu / festival co-organizers: Bratislavské kultúrne a informačné stredisko Hlavné mesto SR Bratislava Spevácky zbor Apollo Únia speváckych zborov Slovenska hlavný organizátor / GENERAL ORGANIzER OF THE FESTIVAL: Bratislava Music Agency fotograf / PHOTOGRAPHER: Karel Kašák Medzinárodný International Mládežnícky Youth Music Festival Festival II. II. 26 - 29 July 2015 Bratislava milí priatelia, Vitajte v hudobnom srdci Slovenska, v Bratislave! Som veľmi rád, že vás môžem privítať na Medzinárodnom mládežníckom festivale zborov a orchestrov 2017, na ktorom sa tento rok zúčastní 12 speváckych zborov, 9 orchestrov a 1 tanečný súbor z 11 krajín sveta, teda približne 800 hudobníkov z celého sveta. Zbory a orchestre sa predstavia v 24 súťažných kategóriách v 29 súťažných vysúpeniach. Tento festival je najväčším podujatím svojho druhu na Slovensku, a preto predstavuje pre slovenský hudobný život výnimočnú udalosť. Verím, že aj ročník 2017 nadviaže a bude ďalej rozvíjať základnú myšlienku festivalu „hudba a umenie ľudí spája“, a zároveň verím, že nepôjde len o frázu ale že spoločne budeme môcť prežiť skutočné zjednotenie do jednej veľkej svetovej hudobnej rodiny, nadviazať nové priateľstvá medzi hudobníkmi a krajinami. -
Lunar New Year Celebration Concert with Special Guests Jiebing Chen and the California Youth Chinese Symphony on February 7 in Cupertino!
Dr. Jindong Cai • Music Director El Camino Cathy Spieth • Executive Director Youth Symphony Association 4055 Fabian Way • Palo Alto, CA 94303 • (650) 213-7111 • FAX (650) 493-1525 • [email protected] • www.ecys.org Publicity Contact Lori Bingham, [email protected] (650) 213-7111 FOR IMMEDIATE RELEASE / January 9, 2015 (images of Dr. Jindong Cai, Music Director, Jiebing Chen, erhu, & Dr. Camilla Kolchinsky, Conductor available at ecys.org) ECYS ANNOUNCES LUNAR NEW YEAR CELEBRATION CONCERT WITH SPECIAL GUESTS JIEBING CHEN AND THE CALIFORNIA YOUTH CHINESE SYMPHONY ON FEBRUARY 7 IN CUPERTINO! (Palo Alto, CA – January 9, 2015) The Year of the Sheep will take center-stage on February 7, 2015 at Flint Center in Cupertino for the fourth Annual El Camino Youth Symphony Lunar New Year Celebration Concert. The 4:00PM performance will begin with a lion dance and feature the ECYS Senior Symphony and Sinfonietta Orchestras, special guests Grammy-nominated erhu soloist Jiebing Chen, and the California Youth Chinese Symphony, Dr. Jindong Cai, conductor. The East meets West program will feature traditional Chinese works like Bao Yuankai’s Chinese Sights and Sounds, Li Huanzhi’s Spring Festival Overture, and Wenjin Liu’s Memorable Water Splashing Festival, as well as classical repertoire like Sarasate’s Ziguenerweisen with violinist Jonathan Lin and Offenbach’s Parisienne. The highlight will be Chen and He’s rapturous Butterfly Lovers Concerto with Jiebing Chen, erhu, and the ECYS Senior Symphony Orchestra. Tickets ($25 General/$15 Student-Senior) are available through Ticketmaster.com and the Flint Center Box Office. Biographies for the conductors, soloists, and special guests are listed below. -
Council Talk the Choral World in Exchange
ISSUE 1/2021 Magazine COUNCIL TALK THE CHORAL WORLD IN EXCHANGE NEW YEAR, NEW LUCK - WHAT AWAITS US IN 2021 HAPPY NEW NEW HAPPY YEAR 新春快乐 REVIEW AND OUTLOOK | CHOIRS AND CORONA – LEARNINGS AND INSIGHTS | INTERVIEW WITH AARNE SALUVEER | 20 YEARS OF WORLD CHOIR GAMES 2 3 TABLE OF CONTENTS GREETING PRESIDENT GÜNTER TITSCH 5 REVIEW OF 2020 AND OUTLOOK ON 2021 by Fred Sjöberg 6 THE CORONA CRISIS AND ITS EFFECTS ON THE CHORAL WORLD 9 by Franziska Hellwig INTERVIEW WITH AARNE SALUVEER 14 by Franziska Hellwig REPORT HELLO COUNCIL 18 by Joy Ran Tao THE BEGINNING AND THE DEVELOPMENT OF CHINESE CHORAL MUSIC IN THE 20TH CENTURY 20 by Tian Xiao Bao INTERKULTUR: FROM VISION TO WORLD SUCCESS IN 30 YEARS 24 by Henriette Brockmann, Franziska Hellwig 20 YEARS OF WORLD CHOIR GAMES 26 by Gent Lazri CHOIR COMPETITIONS AND FESTIVALS 2021 30 APPOINTMENT OF HONORARY PRESIDENTS 32 by Henriette Brockmann OBITUARIES 34 NEW MEMBERS 36 2 3 EVENTS & PROJECTS 2021 WCC MAGAZINE COUNCIL TALK A NEW DIGITAL MAGAZINE WITH DETAILED INFORMATION ABOUT THE WORK OF THE WORLD CHOIR COUNCIL, ITS MEMBERS AND CURRENT NEWS FROM THE CHORAL WORLD Digital Publication twice a year – JAN and AUG HELLO COUNCIL VIRTUAL LIVE TALKS CONNECTING THE CHORAL WORLD Mar 12, 2021 | Apr 23, 2021 | May 28, 2021 | Jun 18, 2021 | Sep 24, 2021 | Nov 13, 2021 (Changes of dates might be possible) VIDEO PROJECT GETTING TO KNOW EACH OTHER AND SHARING KNOWLEDGE EXCHANGE OF EXPERIENCE BETWEEN MEMBERS AND THE CHORAL WORLD Publication of a new video on every 15th of the month ONLINE REGIONAL MEETINGS ONLINE