Chinese National Day Civilian Parades and the Signaling of Policy Change in the Reform Era

Total Page:16

File Type:pdf, Size:1020Kb

Chinese National Day Civilian Parades and the Signaling of Policy Change in the Reform Era Chinese National Day Civilian Parades And the signaling of policy change in the Reform Era 改革开放后的中国国庆群众游行 与其传播的政策改变信号 A Thesis by Jiahao Liu Submitted to The University of Michigan In partial fulfillment of the requirements for the degree of HONORS BACHELOR OF ARTS Department of Political Science March 26, 2021 1 Table of Contents Abstract ............................................................................................................................5 Acknowledgements ...........................................................................................................6 Author’s Note ...................................................................................................................7 Introduction .....................................................................................................................8 Why study these parades? ...................................................................................................... 8 Research Question ................................................................................................................ 10 Outline:................................................................................................................................. 11 Chapter 1: Existing Research and Theoretical Framework .............................................. 12 Section 1: Functions of state propaganda in China ............................................................... 12 Establish a leader’s image and an ideological stance: .................................................................................12 Different functions of state propaganda in different eras ...........................................................................16 Section 2: Functions of state propaganda elsewhere in the World ......................................... 20 Creation and consolidation of a national identity: .......................................................................................20 Social Engineering, Social Control, and Outside Image ................................................................................21 Section 3: A more stable and systematic representation of policy ......................................... 24 Peaceful succession and institutionalization:...............................................................................................24 Atrophy and Adaptation: ..............................................................................................................................27 Cultural Governance: ....................................................................................................................................29 Section 4: Theoretical Framework ........................................................................................ 32 Chapter 2: Methodology ................................................................................................. 36 Step 1: Quantitative Data Collection: ................................................................................... 36 Step 2: Qualitative Data Collection: ...................................................................................... 38 Step 3: Comparative Analysis: .............................................................................................. 40 Parade Terminology and Parade Structure .......................................................................... 42 Chapter 3: Results and Analysis (Descriptive Statistics) ................................................... 43 Civilized Village and Agricultural Reforms: ......................................................................... 43 Qualitative Analysis: .....................................................................................................................................43 Quantitative Analysis of Government Work Reports: ..................................................................................51 Quantitative Analysis of Party Congress Reports: ........................................................................................55 Anti-Corruption and Rule of Law: ....................................................................................... 59 Qualitative Analysis: .....................................................................................................................................59 Quantitative analysis of Government Work Reports: ..................................................................................66 Quantitative analysis of party congress reports: .........................................................................................69 Ethnic Policy: ....................................................................................................................... 71 Qualitative Analysis: .....................................................................................................................................75 Quantitative analysis of Government Work Reports: ..................................................................................81 Quantitative analysis of party congress reports: .........................................................................................83 Hong Kong and Trade War: ................................................................................................. 85 Qualitative Analysis of the “One Country, Two System” formation(一国两制方阵): ...........................86 Qualitative Analysis of the “Master of the Country” formation(当家作主方阵): .................................89 Chapter 4: Conclusion .................................................................................................... 93 2 Discussion of Theoretical Framework ................................................................................... 93 Discussion of Findings .......................................................................................................... 94 Limitations and Future scholar work possibilities ................................................................ 99 Final Thoughts .................................................................................................................... 100 Appendix: ..................................................................................................................... 102 Data Source ........................................................................................................................ 102 Data Format and Code Book .............................................................................................. 103 Section: Parade Formation Data ................................................................................................................103 Section: Political Term Usage in Government Work Reports ....................................................................108 Section: Political Term Usage in Party Reports ..........................................................................................109 Section: Parade Qualitative Information ....................................................................................................110 References.................................................................................................................... 114 List of Figures: Figure 1: The “Household Responsibility” formation in the 1984 National Day Civilian Parade ....................................................................................................................................... 44 Figure 2: The “Constructing a Civilized Village” formation in the 1984 National Day Civilian Parade ....................................................................................................................................... 45 Figure 3: The “Agriculture” formation in the 1999 National Day Civilian Parade ................. 46 Figure 4: The “Agricultural Development” formation in the 2009 National Day Civilian Parade ....................................................................................................................................... 47 Figure 5: The “Constructing a New Socialist Countryside” formation in the 2009 National Day Civilian Parade ................................................................................................................. 48 Figure 6: The “Rural Rejuvenation” formation in the 2019 National Day Civilian Parade .... 49 Figure 7: The “Eliminate Poverty” formation in the 2019 National Day Civilian Parade ...... 50 Figure 8: Trend of Frequency of usage of Agriculture-related terms in Government Work Reports (1954-2019) ............................................................................................................... 51 Figure 9: The “Hopeful Fields” formation in the 2019 National Day Civilian Parade ........... 55 Figure 10: Trend of Frequency of usage of Agriculture-related terms in Party Reports (1954- 2019) ....................................................................................................................................... 55 Figure 11: A sheep-shaped float in the “Great Leap Forward” achievement section in the 1959 National Day Civilian Parade ......................................................................................... 58 Figure 12: The “Democratic Politics” formation in the 2009 National Day Civilian Parade.. 60 Figure 13: The “Rule of Law” formation in the 2009 National Day Civilian Parade ............. 62 Figure 14: The “Strict Governance of the Party” formation in the 2019 National Day Civilian Parade
Recommended publications
  • Entire Issue in Searchable PDF Format
    April 29, 1958 PEKING 9 REVI EW The Bandung Spirit Thrives A review of the changes that have taken place in Asia and Africa in the three years since the Bandung Conference of 1955 (p. 6). First Quarter Results: A New Record The latest facts released by the State Statistical Bureau on the nation's industry, communica- tions, transport and capital construction (p. 9). Workers and Trade Unions in China An up-to-date factual account prepared for 24 May Day (p. 13). A Monument to the People's Heroes Document: Sino-Soviet Treaty of Commerce and Navigation A WEEKLY MAGAZINE OF CHINESE NEWS AND VIEWS We welcome business contacts at the: CHINESE EXPORT C Figures COMMODITIES FAIR A Vases Now open in Canton Incense burners Birds and animals PEKING ARTS ~, CRAFTS COMPANY Miniature screens Branch o/ CHINA NATIONAL NATIVE PRODUCE V EXPORT CORPORATION Other traditional Chi- 2 Ch'ao Shou Hutung, Chienmen District, nese decorative objects Peking, China II Cable Address: P~KARTCO PEKIN~ Hongkong Agent: Teck Soon Hong, Ltd., SKILFUL WORKMANSHIP H 38 Bonham Strand W., Hongkong MODERATELY PRICED Cable Address: STILLON HON®KON® G S JADE ! ~ :~ I VORY HARD STONE RADIO PEKING'S English Language Services (EfFective Beginning May no, 1958) Transmission to: Local Time Peking Time G.M.T. kc/s m.b. North America 21:30-22:30 (E.S.T.) 10:30-11:30 02:30-03:30 15095 19 (East Coast) 17720 16 (West Coast) 20:30-21:30 (P.S.T.) 12:30-13:30 04:30-05:30 15115 19 17745 16 Southeast Asia 18:00-18:30 (Tokyo) 17:00-17:30 09:00-09:30 11820 25 16:30-17:00 (Djakarta) 15095 19 16:30-17:00 (Singapore) 17:00-17:30 (Manila) Australia and 19:00-19:55 (Aust.
    [Show full text]
  • Westernisation, Ideology and National Identity in 20Th-Century Chinese Music
    Westernisation, Ideology and National Identity in 20th-Century Chinese Music Yiwen Ouyang PhD Thesis Royal Holloway, University of London DECLARATION OF AUTHORSHIP I, Yiwen Ouyang, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19 May 2012 I To my newly born baby II ABSTRACT The twentieth century saw the spread of Western art music across the world as Western ideology and values acquired increasing dominance in the global order. How did this process occur in China, what complexities does it display and what are its distinctive features? This thesis aims to provide a detailed and coherent understanding of the Westernisation of Chinese music in the 20th century, focusing on the ever-changing relationship between music and social ideology and the rise and evolution of national identity as expressed in music. This thesis views these issues through three crucial stages: the early period of the 20th century which witnessed the transition of Chinese society from an empire to a republic and included China’s early modernisation; the era from the 1930s to 1940s comprising the Japanese intrusion and the rising of the Communist power; and the decades of economic and social reform from 1978 onwards. The thesis intertwines the concrete analysis of particular pieces of music with social context and demonstrates previously overlooked relationships between these stages. It also seeks to illustrate in the context of the appropriation of Western art music how certain concepts acquired new meanings in their translation from the European to the Chinese context, for example modernity, Marxism, colonialism, nationalism, tradition, liberalism, and so on.
    [Show full text]
  • FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST and PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected]
    FOR IMMEDIATE RELEASE UPDATED January 17, 2017 November 1, 2016 ARTIST AND PROGRAM CHANGE Contact: Katherine E. Johnson (212) 875-5718; [email protected] LONG YU TO CONDUCT CHINA PHILHARMONIC ORCHESTRA, PRESENTED BY THE NEW YORK PHILHARMONIC PROKOFIEV’s Violin Concerto No. 2 with JULIAN RACHLIN SHOSTAKOVICH’s Symphony No. 5 December 11, 2016 NEW YORK PHILHARMONIC IN SIXTH ANNUAL CHINESE NEW YEAR CONCERT and GALA U.S. PREMIERE of CHEN Qigang’s Joie Éternelle with Trumpet Player ALISON BALSOM PUCCINI’s Selection from Turandot and Traditional Chinese Folk Songs with Soprano SUMI JO SAINT-SAËNS’s Introduction and Rondo Capriccioso with Concertmaster FRANK HUANG January 31, 2017 The New York Philharmonic will present two programs honoring its strong ties to China, both led by Long Yu: the China Philharmonic Orchestra will perform at David Geffen Hall on December 11, 2016, and the New York Philharmonic will perform its sixth annual Chinese New Year Concert and Gala, January 31, 2017. Both programs celebrate the cultural exchange between China and the U.S., particularly the Philharmonic’s connections to China. China Philharmonic Orchestra The New York Philharmonic will present the China Philharmonic Orchestra, led by Long Yu, its Music Director, at David Geffen Hall on December 11, 2016, at 3:00 p.m. The program will feature Prokofiev’s Violin Concerto No. 2, with Julian Rachlin as soloist, and Shostakovich’s Symphony No. 5. Long Yu co-founded the China Philharmonic Orchestra in 2000, and has since served as its artistic director and chief conductor. The orchestra’s appearance at David Geffen Hall, presented by the New York Philharmonic, is part of its 2016 Tour of the Americas.
    [Show full text]
  • Unlikely Partners: Chinese Reformers, Western Economists and the Making of Global China by Julian Gewirtz
    Book Review: Unlikely Partners: Chinese Reformers, Western Economists and the Making of Global China by Julian Gewirtz blogs.lse.ac.uk/lsereviewofbooks/2017/08/14/book-review-unlikely-partners-chinese-reformers-western-economists- and-the-making-of-global-china-by-julian-gewirtz/ August 14, 2017 In Unlikely Partners: Chinese Reformers, Western Economists and the Making of Global China, Julian Gewirtz documents the interactions between western economists and Chinese intellectuals and decision-makers in the pursuit of a wealthier China between 1976 and 1993. Yao Han appreciates Gewirtz’s work in filling the gap in understanding the influence of western economists and the dramatic debates over ideology and policy regarding China’s development. Unlikely Partners: Chinese Reformers, Western Economists and the Making of Global China. Julian Gewirtz. Harvard University Press. 2017. Find this book: I can still remember the days when we sang ‘socialism is good, socialism is good, people are highly valued in a socialist country’ at primary school, and the shock at seeing some elders start private businesses. Shouldn’t urban people have dignified jobs either in a state-owned company or in the public sector – even if the work is cleaning the toilet? I also have a clear memory of the teacher in my primary school expressing his longing for the life of a teacher in Shenzhen who had a much higher salary (about 110 dollars per month), and his disdain mixed with complex feelings about what that teacher taught the students: studying for the purpose of earning money and marrying a beautiful wife, a personal life goal that valued money over the welfare of others.
    [Show full text]
  • Shanghai Symphony Orchestra in ‘C’ Major (1879 to 2010)
    This item was submitted to Loughborough University as a PhD thesis by the author and is made available in the Institutional Repository (https://dspace.lboro.ac.uk/) under the following Creative Commons Licence conditions. For the full text of this licence, please go to: http://creativecommons.org/licenses/by-nc-nd/2.5/ Shanghai Symphony Orchestra in ‘C’ Major (1879 to 2010) By Mengyu Luo A Doctoral thesis Submitted in partial fulfilment of the requirements For the award of Doctor of Philosophy Loughborough University 15th March © by Mengyu Luo (2013) 1 Abstract Shanghai Symphony Orchestra is a fascinating institution. It was first founded in 1879 under the name of ‘Shanghai Public Band’ and was later, in 1907, developed into an orchestra with 33 members under the baton of German conductor Rudolf Buck. Since Mario Paci—an Italian pianist—became its conductor in 1919, the Orchestra developed swiftly and was crowned ‘the best in the Far East’ 远东第一 by a Japanese musician Tanabe Hisao 田边尚雄 in 1923. At that time, Shanghai was semi-colonized by the International Settlement and the French Concession controlled by the Shanghai Municipal Council and the French Council respectively. They were both exempt from local Chinese authority. The Orchestra was an affiliated organization of the former: the Shanghai Municipal Council. When the Chinese Communist Party took over mainland China in 1949, the Orchestra underwent dramatic transformations. It was applied as a political propaganda tool performing music by composers from the socialist camp and adapting folk Chinese songs to Western classical instruments in order to serve the masses.
    [Show full text]
  • Ripped-Apart-63.Pdf
    Back Cover “Stoft has provided an incisive, highly readable roadmap for Democratic suc- cess—one that upends the self-destructive political myths unknowingly perpetu- ated by the party. He articulately exposes, one by one, how each of these hidden myths has placed a stranglehold on Democrats and has served only to divide the party and provide fodder for Trump. Ripped Apart is a must-read for those who are serious about preserving our Democracy.” —John Ballard, recipient along with others, of The Congressional Gold Medal and the NAACP Drum Major for Justice. A feature film director as well as a civil rights activist, Mr. Ballard is the author of African-American Consciousness with an introduction by Nelson Mandela. “Our democracy is as fragile as it is precious. Polarization—Trump's strategy—is its nemesis. So fight it we must. Ripped Apart shows exactly how polarization harms us, and why understanding this will help us win. Read this book before it’s too late.” —Ying Lee Kelley, former Berkeley City Council member Legislative aide to Rep. Ron Dellums Democratic Convention delegate for Jessie Jackson Democrats should be winning—hands down We’re right to be worried. Trump’s all-polls-average approval during his im- peachment is higher than it was in most of 2017. How is that possible?! ● Some Democrats are helping Trump fire up his base ● Some insinuate that fellow Democrats are corrupt Who’s doing this? Despite making 117 endorsements in 2018, the three “revolutionary” PACs flipped zero House seats blue. They’re dedicated. But it was those of us focused on winning, not purity, who flipped 43 House seats.
    [Show full text]
  • A Chinese New Year Concert with the Orchestra Now
    US-CHINA MUSIC INSTITUTE OF THE BARD COLLEGE CONSERVATORY OF MUSIC CENTRAL CONSERVATORY OF MUSIC, CHINA THE SOUND OF SPRING A CHINESE NEW YEAR CONCERT WITH THE ORCHESTRA NOW JANUARY 25 AND 26, 2020 SOSNOFF THEATER, FISHER CENTER AT BARD COLLEGE ROSE THEATER, JAZZ AT LINCOLN CENTER’S FREDERICK P. ROSE HALL Welcome to the first annual Chinese New Year concert with The Orchestra Now, presented by the US-China Music Institute of the Bard College Conservatory of Music. This is a happy, optimistic time of year to honor family and wish one another good fortune, while enjoying the season’s many THE SOUND OF SPRING traditions. I am delighted that you have chosen to join us for today’s celebration. A CHINESE NEW YEAR CONCERT WITH THE ORCHESTRA NOW This year’s program, The Sound of Spring, features many extraordinary musicians on the distinguished faculty of our copresenter, the Central Conservatory of Music in Beijing, China. I would like to thank Saturday, January 25 at 7 pm President Yu Feng of the Central Conservatory, as well as our guests today: conductor Chen Bing; and Sosnoff Theater, Fisher Center for the Performing Arts soloists Wang Jianhua on percussion, Wang Lei on sheng, Yu Hongmei on erhu, Zhang Hongyan on pipa, and Zhang Weiwei on suona. Thanks also to folk singer Ji Tian, who has traveled from Shaanxi Sunday, January 26 at 3 pm Province, in Northwest China, to take part in today’s concert. In this program you will learn more about Rose Theater, Jazz at Lincoln Center’s Frederick P.
    [Show full text]
  • The Accordion in Twentieth-Century China A
    AN UNTOLD STORY: THE ACCORDION IN TWENTIETH-CENTURY CHINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC AUGUST 2004 By Yin YeeKwan Thesis Committee: Frederick Lau, Chairperson Ricardo D. Trimillos Fred Blake ©Copyright2004 by YinYeeKwan iii ACKNOWLEDGEMENTS My 2002 and 2003 fieldwork in the People's Republic ofChina was funded by The Arts and Sciences Grant from the University ofHawai'i at Manoa (UHM). I am grateful for the generous support. I am also greatly indebted to the accordionists and others I interviewed during this past year in Hong Kong, China, Phoenix City, and Hawai'i: Christie Adams, Chau Puyin, Carmel Lee Kama, 1 Lee Chee Wah, Li Cong, Ren Shirong, Sito Chaohan, Shi Zhenming, Tian Liantao, Wang Biyun, Wang Shusheng, Wang Xiaoping, Yang Wentao, Zhang Gaoping, and Zhang Ziqiang. Their help made it possible to finish this thesis. The directors ofthe accordion factories in China, Wang Tongfang and Wu Rende, also provided significant help. Writing a thesis is not the work ofonly one person. Without the help offriends during the past years, I could not have obtained those materials that were invaluable for writings ofthis thesis. I would like to acknowledge their help here: Chen Linqun, Chen Yingshi, Cheng Wai Tao, Luo Minghui, Wong Chi Chiu, Wang Jianxin, Yang Minkang, and Zhang Zhentao. Two others, Lee Chinghuei and Kaoru provided me with accordion materials from Japan. I am grateful for the guidance and advice ofmy committee members: Professors Frederick Lau, Ricardo D.
    [Show full text]
  • QIN MUSIC in CONTEMPORARY CHINA by Da
    MEDIA, MARKET ECONOMY, AND CULTURAL TRANSFORMATION: QIN MUSIC IN CONTEMPORARY CHINA by Da Lin B.A. in Music, Xi’an Conservatory of Music, 2005 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts University of Pittsburgh 2010 i UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This thesis was presented by Da Lin It was defended on November 29, 2010 and approved by Andrew Weintraub, Professor, Department of Music Adriana Helbig, Assistant Professor, Department of Music Thesis Director: Bell Yung, Professor, Department of Music ii Copyright © by Da Lin 2010 iii Bell Yung MEDIA, MARKET ECONOMY, AND CULTURAL TRANSFORMATION: QIN MUSIC IN CONTEMPORARY CHINA Da Lin, M.A. University of Pittsburgh, 2010 The qin, historically recognized as an instrument of Chinese literati, has been presented in various forms of mass media for over fifty years. After the establishment of the People’s Republic in 1949, the government promoted public performances in a propaganda/persuasion media system; consequently, mass media started to play significant roles in reshaping aesthetic standards, performance practices, musical features, and meanings of the qin tradition. The mass media in China, however, went through a commercialization reform after the late 1970s and has shaped the current propaganda/persuasion model. This new media structure has hastened the emergence of new musical features and meanings of the qin in the commercial logic as opposed to the Party logic. Such interactions with technology have arguably constituted contemporary performance practices that have departed from traditional aesthetic standards held by literati practitioners who played the qin for self-satisfaction.
    [Show full text]
  • Trotsky: Platform of the Joint Opposition
    Platform of the Joint Opposition-Contents Leon Trotsky Platform of the Joint Opposition 1927 The on-line publication of this important document was originally accomplished in 1998 for the Trotsky Internet Archive (TIA). The version, printed originally in an edition by Pathfinder Press, was ordered by Pathfinder Press attorneys to be removed. Pathfinder Press was once a Trotskyist publishing company but has for many years been operated within the norms of a commercial publishing house that jealously guards it's copyrights, even to the detriment of the distribution of the documents it seeks to control. This occurred in the fall of 2000. The TIA was able to obtain another translation of a 1973 translation of The Platform of the Joint Opposition from Index Books, a socialist publisher in Britain that was only too happy to have the TIA distribute, for free over the Internet, this document. Index Books acquired the stock and copyrights of New Park Publications, which for decades had been Britains biggest publishers of Leon Trotsky until it folded in 1984-85. —David Walters, Director, Trotsky Internet Archive This version was transcribed in the winter of 2000-2001 by David Walters Contents Forward — From New Park Publications and the Transcriber Chapter 1 Introductory remarks http://www.marxists.org/archive/trotsky/works/1927/opposition/index.htm (1 of 2) [06/06/2002 15:00:23] Platform of the Joint Opposition-Contents Chapter 2 The Situation of the Working Class and the Trade Unions Chapter 3 The Working Class and the Trade Unions Chapter 4 State industry and the building of Socialism Chapter 5 The Soviets Chapter 6 The National Question Chapter 7 The Party Chapter 8 The League of Communist Youth Chapter 9 Our international situation and the war danger Chapter 10 The Red Army and the Red Fleet Chapter 11 Real and pretended disagreements Chapter 12 Against opportunism-for the unity of the party The photos on the cover of the New Park Publications version of The Platform of the Joint Opposition shows the leadership and initial signatories of the Platform.
    [Show full text]
  • CHINESE NEW YEAR CELEBRATION Tuesday, January 24, 2012, 7:30
    01-24 Chinese New Year:Layout 1 1/18/12 1:05 PM Page 19 CHINESE NEW YEAR CELEBRATION Tuesday, January 24, 2012, 7:30 p.m. Long Yu, Conductor (New York Philharmonic debut) Lang Lang, Piano Liang Wang, Oboe, The Alice Tully Chair Junqiao Tang, Bamboo Flute (New York Philharmonic debut) Quintessenso Mongolian Children’s Choir (New York Philharmonic debut) This concert will be telecast internationally by China’s Phoenix Television. Global Sponsor Alan Gilbert, Music Director, This concert will last approximately one and three-quarter holds The Yoko Nagae hours, which includes one intermission. Ceschina Chair. Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic Exclusive Timepiece of the New York Philharmonic January 2012 19 01-24 Chinese New Year7:Layout 1 1/18/12 10:56 AM Page 20 New York Philharmonic Chinese New Year Celebration Long Yu, Conductor (New York Philharmonic debut) Lang Lang, Piano Liang Wang, Oboe, The Alice Tully Chair Junqiao Tang, Bamboo Flute (New York Philharmonic debut) Quintessenso Mongolian Children’s Choir (New York Philharmonic debut) LI Huanzhi Spring Festival Overture (1955 –56) (1919 –2000) BAO Yuankai China Air Suite (1990) (b. 1944) Going to West Pass Flowing Stream Dialogue About Flowers TRADITIONAL Mongolian Folk Song Suite (orch. 2009) (harmonized by The Buryat Flower Ganchimeg & Happy Little Shepherd Batbold; orch. by Hailar River Zou Ye) Ehulan, Dehulan Mother in My Dream Bonfire Dancing QUINTESSENSO MONGOLIAN CHILDREN’S CHOIR Intermission 20 New York Philharmonic 01-24 Chinese New Year:Layout 1 1/18/12 1:05 PM Page 21 CHEN Qigang Extase, for Oboe and Orchestra (1995; rev.
    [Show full text]
  • Fusion Process in the Instrumental Works by Chen Yi Xin Guo
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2002 Chinese Musical Language Interpreted by Western Idioms: Fusion Process in the Instrumental Works by Chen Yi Xin Guo Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC CHINESE MUSICAL LANGUAGE INTERPRETED BY WESTERN IDIOMS: FUSION PROCESS IN THE INSTRUMENTAL WORKS BY CHEN YI By XIN GUO A Dissertation submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2002 The members of the Committee approve the dissertation of Xin Guo defended on November 6, 2002. James Mathes Professor Directing Dissertation Andrew Killick Outside Committee Member Jane Piper Clendinning Committee Member Peter Spencer Committee Member Approved: Seth Beckman, Assistant Dean for Academic Affairs and Director of Graduate Studies, School of Music ACKNOWLEDGMENTS I would like to express my deepest gratitude to many people who have helped me in one way or another during my research and writing of this dissertation. Dr. Chen Yi’s music inspired me to choose the topic of this project; she provided all the scores, the recordings, and her reference materials for me and responded to my questions in a timely manner during my research. Dr. Richard Bass guided me throughout my master’s thesis, an early stage of this project. His keen insight and rigorous thought influenced my thinking tremendously. Dr. Harris Fairbanks spent countless hours proofreading both my thesis and dissertation. His encouragement and unwavering support helped me enormously and for this I am deeply indebted to him.
    [Show full text]