Biblioteca Judeţeană „Ioan N. Roman” Constanţa
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Between Worlds Contents
BETWEEN WORLDS CONTENTS 14 Acknowledgments 16 Introduction Timothy 0. Benson and Eva Forgacs SECTION 1: STYLE AS THE CRUCIBLE OF PAST AND FUTURE Chapter 1: National Traditions Germany Carl Vinnen. "Quousque Tandem," from A Protest of German Artists [1911I Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) Czech-Speaking Lands Milos Jiranek, "The Czechness of our Art," Radikatni iisty (1900I Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled ii9ii) Poland Juliusz Kaden-Bandrowski, "Wyspiariski as a Painter-Poet (Personal Impressions]," Przeglqd Poranny I1907] Stanistaw Witkiewicz, Excerpts from Jon Matejko (1908) Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" I1912I Wtodzirnierz Zu-tawski, "Wyspiariski's Stained Glass Windows at the Wawel Cathedral," Maski (1918] Hungary Lajos Fulep, Excerpt from Hungarian Art I1916I Yugoslavia Exhibition Committee of University Youth (Belgrade], Invitation Letter (1904) Chapter 2: New Alternatives Prague Emil Filla, "Honore Daumier: A Few Notes on His Work," Volne smery (1910] Pavel Janak, "The Prism and the Pyramid" Umeiecky mesicnik (1911] Otto Gutfreund, "Surface and Space," Umeiecky mesicnik (1912) Emil Filla, "On the Virtue of Neo-Primitivism," Volne smery (1912) Vaclav Vilem Stech, Introduction to the second Skupina exhibition catalogue (1912) Bohumil Kubista, "The Intellectual Basis of Modern Time," Ceska kutturo I1912-13] Josef Capek, Fragments of correspondence I1913] Josef Capek, "The Beauty of Modern Visual Form," Printed [1913-14I Vlastislav Hofman, "The Spirit of Change in Visual Art," Almanoch no rok [1914) Budapest Gyb'rgy Lukacs, "Forms and the Soul," Excerpt from Richard Beer-Hoffmann 11910) Karoly Kernstok, "Investigative Art," Nyugat (1910) Gyorgy Lukacs, "The Ways Have Parted," Nyugat [1910) Karoly Kernstok, The Role of the Artist in Society," Huszadik szazad (1912) Bucharest Ion Minulescu, Fragment from "Light the Torches," Revisto celorlaiti (1908) N. -
HOTĂRÂRE Privind Aprobarea Nomenclatorului De Artere Al Municipiului Iaşi
Municipiul Iaşi Consiliul Local HOTĂRÂRE privind aprobarea Nomenclatorului de artere al Municipiului Iaşi Consiliul Local al Municipiului Iaşi, întrunit în şedinţa ordinară în data de 31 mai 2017; Având în vedere iniţiativa Primarului Municipiului Iaşi prin expunerea de motive la proiectul de hotărâre; Având în vedere avizul favorabil întocmit de Comisia de Amenajare a Teritoriului și Urbanism a Consiliului Local al Municipiului Iași ; Având în vedere avizul favorabil întocmit de Comisia Juridică şi De Disciplină a Consiliului Local al Municipiului Iaşi; Având în vedere O.U.G. nr.64/2010 privind modificarea şi completarea Legii cadastrului şi a publicităţii imobiliare nr.7/1996; Având în vedere referatul de specialitate întocmit de Serviciul G.I.S.-Cadastru, Având în vedere prevederile Legii nr. 52/2003 privind transparenta decizionala in administratia publica, republicata ; Având în vedere dispoziţiile Legii privind normele de tehnică legislativă nr.24/2000 cu modificările şi completările ulterioare, Având în vedere dispoziţiile Legii nr.215/2001, privind administraţia publică locală, republicată cu modificările ulterioare, În temeiul art.115, alin.1, lit.b din Legea nr.215/2001, 1 / 2 la H.C.L. nr. 208 din 31 mai 2017 HOTĂRĂŞTE: Art.1. Se aprobă Nomenclatorul de artere al Municipiului Iaşi cuprins în anexa care face parte integranta din prezenta hotărâre. Art.2. Se radiază următoarele denumiri de arteră: strada Octav Băncilă, trecătoarea Hotin. Art.3. La data adoptării prezentei hotărâri îşi încetează aplicabilitatea reglementările anterioare. Art.4. Copie după prezenta hotărâre va fi comunicată: Primarului Municipiului Iaşi; Directiei de Arhitectura si Urbanism; Serviciul G.I.S.-Cadastru, Direcţiei Locale de Evidenţă a Persoanelor, Direcţiei Generale Economice şi de Finanţe Publice Locale, Biroului Judeţean de Administrare a Bazei de Date şi Instituţiei Prefectului Judeţului Iaşi. -
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De Styl 2x2 <rH IRH & Weimar Biflxelles OER STURM L'ESPRIT Berlin £ Wlan NOUVEAU 3 o CO a LA o .6 VIE o s £ D E Paris PQ S IU LETTRES DIE AKTION ET DES ARTS Paris ZEMIT Berlin Berlin InternaclonAIlt akllvlsta mQv^ssetl foly61rat • Sserkeutl: KattAk Uijof m Fe- leldssievkesxtO: Josef Kalmer • Sxerkesxtds^g £• klad6hlvafal: Wlen, XIIL Bei* Amallenstrasse 26. L 11 • Megjelen^s dAtuma 1922 oktdber 19 m EUfflrctM Ar: EOT £VRE: 3S.OOO osztr&k kor^ 70 ssokol, lOO dlnAr, 200 lei, SOO mArka m EQTE8 SZXM XltA: 3000 ositrAk korona, 7 siokol, lO dlnAr, 20 lei, SO mArka MA •b VIE 6vfolyam, 1. tx6m • A lapban megJelenO clkkek6rt a weriO felel. Drackerei .Elbemflfcl", Wien, IX., Berggtue 31. a sourcebook of central european avant-gardes, 1910-1930 CONTENTS 14 Acknowledgments 16 | Introduction Timothy 0. Benson and Eva Forgacs 49 Germany 50 Carl Vinnen, "Quousque Tandem," from A Protest of German Artists (1911) 52 Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) 55 Czech-Speaking Lands 56 Milos Jiranek, "The Czechness of our Art," Radikalni tisty (1900) 57 Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled [1911) 59 Poland 60 ; Juliusz Kaden-Bandrowski, "Wyspianski as a Painter-Poet (Personal Impressions)," Przeglad Poranny (1907) 61 Stanistaw Witkiewicz, Excerpts from Jan Matejko (1908) 64 Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" (1912) 66 Wiodzimierz Zutawski, "Wyspianski's Stained Glass Windows at the Wawel Cathedral," Maski (1918) 70 Hungary 71 ! Lajos Fulep, -
Ionela-Carmen Banța, Ovidiu Bîrlea. Critical Edition from the Original
Book Review: Ionela-Carmen Banța, Ovidiu Bîrlea. Critical edition from the original documentary funds, National Museum of Romanian Literature Publishing House, Aula Magna Collection, 2013 Vlad Ovidiu CIOACĂ, student Faculty of Social Sciences University of Craiova Email: [email protected] 1. About author and book In 2013, at the Publishing House of the Romanian National Literature Museum, the light of the printing press was a work that would record and disseminate the fruits of an extensive research on the Bârlea brothers, made by a reference frame of the Faculty of Letters of the University of Craiova: university doctor Carmen Banta, under the coordination of professor Nicolae Panea. With a rich research activity, Mrs. conf. Dr. Carmen Banta revolves around vast fields such as folklore, ethnology, cultural anthropology, Romanian literature, etc., supporting many courses in related fields at the Faculty of Letters in Craiova. The paper I will present below is published in the framework of the project "Valorisation of cultural identities in global processes", co-financed by the European Commission and realized through the Romanian Academy. Co- financing of the work was done through the European Social Fund through the Sectoral Operational Program Human Resources Development 2007-2013. 71 2. Structure and content The central personality of the work is Ovidiu Bîrlea (1917-1990), a well- known Romanian folklorist, writer, researcher and ethnologist, brother of the historian, theologist and monsenior Octavian Bârlea (1993-2005). The book is structured in two parts: the first part comprises a theoretical synthesis, which is divided into four chapters, and the second one brings together in a corpus the most relevant texts from the correspondence of the folklorist. -
Cetatea Cultural~
CETATEA CULTURAL~ SERIA A III-A, AN VIII, NR. 7 (67), IULIE 2007 CLUJ-NAPOCA IMPORTANT: Potrivit art. 206 C.P., responsabilitatea juridicã pentru conþinutul articolului aparþine autorului. De asemenea, în cazul unor agenþii de presã, pagini de internet ºi personalitãþi citate, responsabilitatea juridicã le aparþine. CUPRINS V. FANACHE Serile cu Bartolomeu 2 T. RÃCHIÞEANU Catrene 6 M. SCOROBETE Tãbliþa de lut (III) 8 I. CRISTOFOR Mircea Popa ºi fascinaþia culturii franceze 15 E. VANCEA Poeme 19 C.CUBLEªAN Dacia edenicã 22 C.M. SPIRIDON Poezii 27 I. BUZAªI Biografia secretã 31 M. BOJAN Îþi mulþumesc pentru Rilke 33 D. CERNA Adevãratul debut 35 G. DORIAN Cincizeci ºi trei 39 H. BOTA Sâmburele 43 A.M. JUCAN Esenþa de nard 47 L. LARI Patul lui Procust 52 V.M. TÃICUÞU Marii ºi Magdalene 53 M.V. STANCIU (Germania) Urme româneºti în Germania 57 T. PUIU Religia în slujba poporului 60 P. SCUTELNICU Poeme 62 N. CATANOY (Germania) Wole Soyinka 63 R. GULICIUC Fascinaþia oraºului Sunne 66 A. UNGUR Poeþi români din diaspora 68 A. PODAR Concursul naþional de poezie ºi prozã scurtã 72 R. CONFIANT (Martinica) Scrisul între limbi 78 E. DURNEZ (Belgia) Mãtrãguna 82 E. LENDVAY Poezii 88 Meridiane lirice: Poeþi afro-americani 91 1 V. FANACHE SERILE CU BARTOLOMEU (Constantin Cubleºan) Neobiºnuit de activ în scrisul nostru literar actual, cu disponibilitãþi estetice relativ egal distribuite în poezie, prozã, teatru, dar mai ales în criticã ºi istorie literarã, Constantin Cubleºan se afirmã în noua sa carte, Serile cu Bartolomeu (Editura Reîntregirea, 2007), printr-o conºtiinþã religioasã puternicã, menitã sã punã sub semnul unei convergenþe spirituale multiplele faþete ale talentului sãu fecund. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Critical Appreciations Concerning the Dramaturgy and Sketches of I
Annals of the „Constantin Brâncuși” University of Târgu Jiu, Letter and Social Science Series, 4/2015 CRITICAL APPRECIATIONS CONCERNING THE DRAMATURGY AND SKETCHES OF I. L. CARAGIALE Associate Professor Ph D, Mirabela Rely Odette CURELAR “Constantin Brâncuşi” University of Târgu-Jiu ABSTRACT: LITERARY CRITICISM AS FROM POMPILIU CONSTANTINESCU, G. CALINESCU VIANU TUDOR SERBAN CIOCULESCU, ALEXANDRU PIRU AND CONTINUING SILVIAN IOSIFESCU ION CONSTANTINESCU, V. FANACHE AND OTHERS AT LEAST AS VALUABLE FIXES CARAGIALE'S WORK AND CHARACTER BALKAN PERSPECTIVE CARAGIALE AUTHOR APPRECIATED AS A MASTER OF HUMOR BY USING PHILOSOPHICAL GESTURES. THE WRITER COMES BACK WITH "POLITICS", STATED TALKING BANTER HIS GENIUS CONSISTING OF MUCALIT, WHICH AWAKENS THE ADMIRATION. IN LITERARY CRITICISM IN THE LAST QUARTER CENTURY, CARAGIALE'S CHARACTER EMERGES AS A "LEGENDARY" CHARACTER, A KIND OF URBAN PĂCALĂ. KEY WORDS: CRITICISM, THE MORALIST, TYPOLOGICAL CHARACTER, ENIGMATICAL COMIC, COMIC ATMOSPHERE. Caragiale's work projects a real world, described in terms of often unreal or concealed by its weaknesses in order to contemplation of reality with a self-ironic elegance. Caragiale may be defined as a moralist, that a writer concerned about the man's character and morals in his social relations "political animal," as Aristotel understood him the human in the city (polis). From this derives political leader of his trilogy thread comic: A Stormy Night, Cone Leonida face to Reactionaries and The Lost Letter. Caragiale views man in society no longer sees in nature, man sees in the interdependence of its social, but not interdependent cosmic human of the mountains, the hills, the plains of the Danube, by the sea, and so on It is sensitive to social categories, clearly distinguishes categorical language, captures the conflicting interests, connections and conflicts of ideas in the social life. -
The Exploitation of Tourism Resources in Braila City, Port on the Danube River
ŒCONOMICA The Exploitation of Tourism Resources in Braila City, Port on the Danube River Anca Gabriela Turtureanu1 Abstract: The port city on the Danube, Braila has a long tradition in travel. This Danubian port appears named “Drinago” in an old Spanish geographical description and travels, “Libro del conocimiento/Book of Knowledge” (1350) and several Catalan maps (Angellino de Dalorto, 1325-1330 and Dulcert Angelino, 1339). Intense commercial transactions carried out in port, the opportunity of achieving high and quick results have attracted many foreign merchants - Bulgarian, Macedonians, Albanians, Greeks, but also French, Belgian, Austrian, Italian, Hebrew, and many Romanians from Transylvania, thus Braila became a multiethnic entity. Future activities, specific to the trade from ports enlist it on the tourist map of Romania. Tourism resources are the most diverse. The natural resources combine the picturesque ponds and lakes with the charm of wild beaches or protected areas such as the “Balta Mica a Brailei/The Small Pond of Braila”. Keywords: tourism; Danube port; economic development Introduction Numerous studies concerning the origin of Braila show that the region was inhabited since ancient times, this is confirmed by the archaeological remains dating from 5000 BC, relics that testify the continuity of life and civilization in this region. Traditions, habits and their beliefs were integrated into the cultural and spiritual life of the city. Panait Istrate, Panait Cerna, Fratii Minovici, Maria Filotti, Ana Aslan, Mihail Sebastian, D.P. Perpessicius are outstanding personalities of science and culture, world-renowned reputation that made the city famous and they are the proud and joy of its inhabitants. -
PDF the Migration of Literary Ideas: the Problem of Romanian Symbolism
The Migration of Literary Ideas: The Problem of Romanian Symbolism Cosmina Andreea Roșu ABSTRACT: The migration of symbolists’ ideas in Romanian literary field during the 1900’s occurs mostly due to poets. One of the symbolist poets influenced by the French literature (the core of the Symbolism) and its representatives is Dimitrie Anghel. He manages symbols throughout his entire writings, both in poetry and in prose, as a masterpiece. His vivid imagination and fantasy reinterpret symbols from a specific Romanian point of view. His approach of symbolist ideas emerges from his translations from the French authors but also from his original writings, since he creates a new attempt to penetrate another sequence of the consciousness. Dimitrie Anghel learns the new poetics during his years long staying in France. KEY WORDS: writing, ideas, prose poem, symbol, fantasy. A t the beginning of the twentieth century the Romanian literature was dominated by Eminescu and his epigones, and there were visible effects of Al. Macedonski’s efforts to impose a new poetry when Dimitrie Anghel left to Paris. Nicolae Iorga was trying to initiate a new nationalist movement, and D. Anghel was blamed for leaving and detaching himself from what was happening“ in the” country. But “he fought this idea in his texts making ironical remarks about those“The Landwho were” eagerly going away from native land ( Youth – „Tinereță“, Looking at a Terrestrial Sphere” – „Privind o sferă terestră“, a literary – „Pământul“). Babel tower He settled down for several years in Paris, which he called 140 . His work offers important facts about this The Migration of Literary Ideas: The Problem of Romanian Symbolism 141 Roșu: period. -
Cercetările Multidisciplinare Ale Echipelor Profesorului Dimitrie Gusti La Fundu Moldovei
Cercetările multidisciplinare ALE ECHIPELOR profesorului DIMITRIE GUSTI la Fundu Moldovei Ala MOVILEANU1, Constantin PĂTRAȘCU2 [email protected] ABSTRACT: The sociological research campaign from Fundu Moldovei locality was developed in 1928 by Professor Dimitrie Gusti and it was by far one of the best activities of the Sociology Seminar of Bucharest University. The research had a multi‑disciplinary character and lasted 30 days gathering 60 researchers from all domains: anthropology, economy, musicology, fine arts, architecture, choreography, geography, medicine etc. There was a great period for monographic ideas to revive. In Fundu Moldovei locality was organized the first sociological exhibition that brought Romania the golden medal into an international exhibition at Barcelona. After that the idea of creating a sociological museum came out (an idea for the future village museum) and also was created The Association of monographs. During the research was collected a great amount of sociological materials: personal records, photographs, etc. Part of the collected materials was published in books and magazines. KEYWORDS: The sociological research, Professor Dimitrie Gusti, Village Museum, Fundu Moldovei locality. Organizarea Muzeului Satului nu trebuie discutată independent de contextul a ceea ce sociologia mondială a numit Şcoala sociologică de la Bucureşti, al cărui iniţiator şi conducător a fost prof. Dimitrie Gusti, activi‑ tate ce îl face cunoscut în istoria sociologiei româneşti ca autor al primului sistem de sociologie ştiinţifică, creatorul învăţământului sociologic din ţara noastră, personalitate de notorietate mondială. Experiment interdisciplinar inedit, comentat şi azi favorabil în Europa şi în S.U.A., axat cu precădere asupra lumii rurale, Şcoala sociologică de la Bucureşti a oferit afirmarea principiilor gustiene, în cadrul cărora 1 Muzeograf, dr. -
Tactica Dublei Măsuri
REVISTà LUNARà DE CULTURà A SOCIETÃÞII SCRIITORILOR TÂRGOVIªTENI Anul XVIII, Nr. 3 (204) martie 2017 Apare cu sprijinul Consiliului Local Municipal ºi al Primãriei Municipiului Târgoviºte Tactica dublei mãsuri A fãcut, pe la începutul lui martie, oarece valuri pe facebook postarea intitulatã Autodenunþ a unei profesoare de gimnaziu din Bucureºti care declara cã a decis sã nu respecte, în mod premeditat, programa ºcolarã de limba românã, ºi sã nu citeascã împreunã cu elevii sãi poeziile de Eminescu, Amintirile lui Creangã, baladele populare, pastelurile de 150 de ani, nuvelele lui Slavici... Cei care au luat cunoºtinþã de aºa ceva s-au împãrþit repede în douã tabere (ºi grupe de vârstã), unii aplaudând spiritul independent ºi reformator al autodenunþatei, alþii exprimându-ºi indignarea faþã de îndrãzneala de a-i respinge pe clasici. Primii se manifestau chiar pe wall-ul profesoarei ºi se legitimau, îndeobºte, ca reprezentanþi ai atitudinii #rezist. Ceilalþi, mai în vârstã, dar ºi ceva mai documentaþi, îºi exprimau separat rezervele. Dar atât le trebuia, dacã îndrãzneau s-o facã pe teritoriul #rezistenþilor! Am citit cu atenþie textul profesoarei ºi am consultat programa ºcolarã. Am constatat cã polemica se limita doar la refuzul clasicilor, aplaudat de unii ºi incriminat de ceilalþi. Numai cã ºi unii ºi alþii au exacerbat un element, totuºi, secundar. Pentru cã e sensibil. O problemã din registrul ideilor gingaºe, cum spunea Paul Zarifopol, al cãrui strãlucitor eseu despre clasici profesoara de gimnaziu din capitalã îl ignorã, probabil, cu desãvârºire. Dar nu faptul cã-l ignorã pe Zarifopol e problema ei, ci faptul cã ignorã ceva mult mai accesibil, ºi anume conþinutul programei ºcolare pe care spune cã nu mai vrea s-o respecte. -
Presa Rom.Pdf
ă ă ă 0 ă ă ă BIBLIOTECA ŞTIINŢIFICĂ A UNIVERSITĂŢII DE STAT „ALECU RUSSO” DIN BĂLŢI Vestigia Semper Adora P Contributii bibliografice Fascicula 1 Bălţi, 2012 1 ă ă ă CZU 016: [070(498)+027.7(478-21)] P 91 Descrierea CIP a Camerei Naţionale a Cărţii în colecţiile bibliotecii Presa românească : ultimele decenii ale sec. XIX şi primele decenii ale sec. XX : Contribuţii bibliogr. Fasc. 1 / alcăt. E. Scurtu, A. Nagherneac, D. Cosu- mov ; red. resp. E. Harconiţa ; red. lit. G. Mostovic ; red. bibliogr. L. Mihaluţa ; design/ cop./machetare S. Ciobanu. – Bălţi, 2012. – 277 p. – (Vestigia semper adora) ISBN 978-9975-931-26-7 Alcătuitori Elena Scurtu Ana Nagherneac Dorina Cosumov Redactor responsabil Elena Harconiţa Redactor literar Galina Mostovic Redactor bibliografic Lina Mihaluţa Culegere, tehnoredactare computerizată Ana Nagherneac Elena Scurtu Dorina Cosumov Design/copertă/machetare Silvia Ciobanu © Biblioteca Ştiinţifică a Universităţii de Stat „A. Russo” din Bălţi, 2012 str. Puşkin, 38, Bălţi, MD 3121 Republica Moldova, tel/fax: (0231)5 24 45, e-mail: [email protected], Web: http://libruniv.usb.md, Blog: http://bsubalti.wordpress.com Open LIBRARY: http://openlibrary.org/people/librunivusb Calameo: http://ru.calameo.com/publish/books/ Issuu: http://issuu.com/bibliotecastiintificauniversitaraba ISBN 978-9975-931-26-7 2 ă ă ă „ ... Preţioase arhive ale regenerării vieţii neamului” Biblioteca Ştiinţifică a Universităţii de Stat „Alecu Russo” din Bălţi tezaurizează o impunătoare colecţie de Carte Rară, inclusiv carte românească, mărturii ale trecutului culturii româneşti de la sfîrşitul secolului al XIX-lea – începutul secolului XX, ce ilustrează munca laborioasă a bibliotecarilor de-a lungul timpului. Constituirea fondului de carte rară a început odata cu fondarea Institutului Învăţătoresc şi a Bibliotecii Ştiinţifice (1945) şi continuă pînă în prezent, colecţiile spe- ciale avînd rolul de a conserva şi păstra documentele de o deosebită valoare culturală.