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Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
All in the Mind Psychology for the Curious
All in the Mind Psychology for the Curious Third Edition Adrian Furnham and Dimitrios Tsivrikos www.ebook3000.com This third edition first published 2017 © 2017 John Wiley & Sons, Ltd Edition history: Whurr Publishers Ltd (1e, 1996); Whurr Publishers Ltd (2e, 2001) Registered Office John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK Editorial Offices 350 Main Street, Malden, MA 02148‐5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley‐blackwell. The right of Adrian Furnham and Dimitrios Tsivrikos to be identified as the authors of this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. -
The Lived Economics of Love and a Spirituality for Every Day: Wealth Inequality, Anthropology, and Motivational Theory After Harlow’S Monkeys
The Lived Economics of Love and a Spirituality for Every Day: Wealth Inequality, Anthropology, and Motivational Theory after Harlow’s Monkeys Christian Early Introduction The current inequality of wealth is at an all-time high, and the best estimates indicate that inequality will only increase in future. This is true not only in North America but globally as well. A recent Global Wealth Report states that less than one percent of the world’s adult population own just below forty percent of global household wealth.1 In America, the top quintile own eighty-four percent of the country’s wealth, while the lower two quintiles combined own less than one percent of it.2 What are we to make of the widening gap between rich and poor? What, if anything, does it say about who we are as human beings? In The Heart of L’Arche: A Spirituality for Every Day, Jean Vanier proposes a spirituality centered on what he calls “the mystery of the poor.”3 All human beings carry a burden of brokenness and deep needs, he argues, which cries out for healing through friendship. The real difference between the rich and the poor, aside from their financial status which is in plain sight, is that the rich are capable of hiding their brokenness from others and from themselves. It is difficult for them to own their own (true) poverty. The poor, by contrast, cannot hide it; they know too well that they are trapped in a broken self-image and stand in need of others. The acknowledgment of their situation—their inability to hide their predicament from themselves—is their gift. -
Doris Kearns Goodwin
Connecting You with the World's Greatest Minds Doris Kearns Goodwin Doris Kearns Goodwin is a world-renowned presidential historian and Pulitzer Prize-winning author. Goodwin is the author of six critically acclaimed and New York Times best-selling books, including her most recent, The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and the Golden Age of Journalism (November, 2013). Winner of the Carnegie Medal, The Bully Pulpit is a dynamic history of the first decade of the Progressive era, that tumultuous time when the nation was coming unseamed and reform was in the air. Steven Spielberg’s DreamWorks Studios has acquired the film and television rights to the book. Spielberg and Goodwin previously worked together on Lincoln, based in part on Goodwin’s award-winning Team of Rivals: The Political Genius of Abraham Lincoln, an epic tome that illuminates Lincoln's political genius, as the one-term congressman and prairie lawyer rises from obscurity to prevail over three gifted rivals of national reputation to become president. Team of Rivals was awarded the prestigious Lincoln Prize, the inaugural Book Prize for American History, and Goodwin in 2016 was the first historian to receive the Lincoln Leadership Prize from the Abraham Lincoln Presidential Library Foundation. The film Lincoln grossed $275 million at the box office and earned 12 Academy Award® nominations, including an Academy Award for actor Daniel Day-Lewis for his portrayal of President Abraham Lincoln. Goodwin was awarded the Pulitzer Prize in history for No Ordinary Time: Franklin and Eleanor Roosevelt: The Home Front in World War II, and is the author of the best sellers Wait Till Next Year, Lyndon Johnson and the American Dream and The Fitzgeralds and the Kennedys, which was adapted into an award-winning five-part TV miniseries. -
List of American Comics Creators 1 List of American Comics Creators
List of American comics creators 1 List of American comics creators This is a list of American comics creators. Although comics have different formats, this list covers creators of comic books, graphic novels and comic strips, along with early innovators. The list presents authors with the United States as their country of origin, although they may have published or now be resident in other countries. For other countries, see List of comic creators. Comic strip creators • Adams, Scott, creator of Dilbert • Ahern, Gene, creator of Our Boarding House, Room and Board, The Squirrel Cage and The Nut Bros. • Andres, Charles, creator of CPU Wars • Berndt, Walter, creator of Smitty • Bishop, Wally, creator of Muggs and Skeeter • Byrnes, Gene, creator of Reg'lar Fellers • Caniff, Milton, creator of Terry and the Pirates and Steve Canyon • Capp, Al, creator of Li'l Abner • Crane, Roy, creator of Captain Easy and Wash Tubbs • Crespo, Jaime, creator of Life on the Edge of Hell • Davis, Jim, creator of Garfield • Defries, Graham Francis, co-creator of Queens Counsel • Fagan, Kevin, creator of Drabble • Falk, Lee, creator of The Phantom and Mandrake the Magician • Fincher, Charles, creator of The Illustrated Daily Scribble and Thadeus & Weez • Griffith, Bill, creator of Zippy • Groening, Matt, creator of Life in Hell • Guindon, Dick, creator of The Carp Chronicles and Guindon • Guisewite, Cathy, creator of Cathy • Hagy, Jessica, creator of Indexed • Hamlin, V. T., creator of Alley Oop • Herriman, George, creator of Krazy Kat • Hess, Sol, creator with -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another University for the award of any other degree. However, the thesis incorporates, to the extent indicated below, material already submitted as part of required coursework and/ or for the degree of: Masters in English Literary Studies, which was awarded by Durham University. Sign ature: Incorporated material: Some elements of chapter three, in particular relating to the discussion of teeth and dentistry, formed part of an essay submitted for my MA at Durham CniYersiry. This material has, however, been significantly reworked and re,,ised srnce then. Dismantling the face in Thomas Pynchon’s Fiction Zachary James Rowlinson Submitted for the award of Doctor of Philosophy University of Sussex November 2015 i Summary Thomas Pynchon has often been hailed, by those at wont to make such statements, as the most significant American author of the past half-century. -
Painful Pasts and Useful Memories
Painful Pasts and Useful Memories Remembering and Forgetting in Europe and Forgetting Remembering Memories and Useful Pasts Painful CFE Conference Papers Series No. 5 | Lund 2012 Painful Pasts and useful MeMories Painful Pasts and useful MeMories reMeMbering and forgetting in euroPe reMeMbering and forgetting in euroPe In order to bring research in Memory Studies conducted in the Nordic countries together, to connect existing knowledge and to promote cooperation, a group of scholars from the universities of Lund, Karlstad, Stavanger, Copenhagen, Helsinki and Tartu in 2009 initiated the Nordic Network in Memory Studies. That year the network was awarded financial support from NordForsk for three years, and a network project was launched with the title ’Towards a Common Past? Conflicting Memories and Competitive Historical Narratives in Europe after 1989.’ The network presently includes about 45 researchers (both senior and PhD candidates). This book includes a selection of papers given by members of the NordForsk network during two workshop meetings in 2009 and 2010. Its aim is to demonstrate the variety of subjects and empirical cases that our network members deal with, as well as the range of disciplines they represent. The contributions to the volume are united by the authors’ keen research interest in the functions and dynamics of cultural memory. Lund 2012 Lund Edited by: Barbara Törnquist-Plewa & LUND UNIVERSITY Niklas Bernsand ISSN 1654-2185 CENTRE FOR EUROPEAN STUDIES AT LUND UNIVERSITY CENTRE FOR EUROPEAN STUDIES PRINT BY MEDIA-TRYCK, LUND 2012 AT LUND UNIVERSITY Painful Pasts and useful MeMories reMeMbering and forgetting in euroPe Painful Pasts and useful MeMories reMeMbering and forgetting in euroPe Edited by: Barbara Törnquist-Plewa & Niklas Bernsand CFE Conference Papers Series No. -
Diversity Report 2010 1 Diversity Report 2010 Literary Translation in Current European Book Markets
Diversity Report 2010 1 Diversity Report 2010 Literary Translation in Current European Book Markets. An analysis of authors, languages, and flows. Written by Miha Kovač and Rüdiger Wischenbart, with Jennifer Jursitzky and Sabine Kaldonek, and additional research by Julia Coufal. www.wischenbart.com/DiversityReport2010 Contact: [email protected] 2 Executive Summary The Diversity Report 2010, building on previous research presented in the respective reports of 2008 and 2009, surveys and analyzes 187 mostly European authors of contemporary fiction concerning translations of their works in 14 European languages and book markets. The goal of this study is to develop a more structured, data-based understanding of the patterns and driving forces of the translation markets across Europe. The key questions include the following: What characterizes the writers who succeed particularly well at being picked up by scouts, agents, and publishers for translation? Are patterns recognizable in the writers’ working biographies or their cultural background, the language in which a work is initially written, or the target languages most open for new voices? What forces shape a well-established literary career internationally? What channels and platforms are most helpful, or critical, for starting a path in translation? How do translations spread? The Diversity Report 2010 argues that translated books reflect a broad diversity of authors and styles, languages and career paths. We have confirmed, as a trend with great momentum, that the few authors and books at the very top, in terms of sales and recognition, expand their share of the overall reading markets with remarkable vigor. Not only are the real global stars to be counted on not very many fingers. -
The Art of Empathy Translation.Pdf
共感の芸術 • Sztuka empatii • L’art de l’empathie • Изкуството на емпатия • Empati Sanat • 同情的藝術 • A Arta de empatie • Nghệ thuật của đồng • هبئاش یب یدردمه زا رنه • művészet, az empátia • Уметност емпатије -Arti i Empatia • Sanaa ya uelewa • Umjetnost em • فطاعتلا نف • cảm • Taiteen empatiaa • Ubuciko Uzwela patije • 공감의 예술 • Umění empatie • L’arte di empatia • Η τέχνη της ενσυναίσθησης • Kunsten å empati • El arte de la empatía • ang sining ng makiramay • یلدمه رنه • Die Kunst der Empathie • A arte da empatia • National Endowment for the Arts Искусство сопереживания • 共感の芸術 • Sztuka empatii • L’art de l’empathie • Изкуството на емпатия • -Arta de em • هبئاش یب یدردمه زا رنه • Empati Sanat • 同情的藝術 • A művészet, az empátia • Уметност емпатије Arti i Empatia • Sanaa ya • فطاعتلا نف • patie • Nghệ thuật của đồng cảm • Taiteen empatiaa • Ubuciko Uzwela uelewa • Umjetnost empatije • 공감의 예술 • Umění empatie • L’arte di empatia • Η τέχνη της ενσυναίσθησης El arte de la empatía • ang sining • یلدمه رنه • Kunsten å empati • Die Kunst der Empathie • A arte da empatia • ng makiramay • Искусство сопереживания • 共感の芸術 • Sztuka empatii • L’art de l’empathie • Изкуството هبئاش یب یدردمه زا رنه • на емпатия • Empati Sanat • 同情的藝術 • A művészet, az empátia • Уметност емпатије -Arti i Em • فطاعتلا نف • Arta de empatie • Nghệ thuật của đồng cảm • Taiteen empatiaa • Ubuciko Uzwela • patia • Sanaa ya uelewa • Umjetnost empatije • 공감의 예술 • Umění empatie • L’arte di empatia • Η τέχνη El arte de • یلدمه رنه • της ενσυναίσθησης • Kunsten å empati • Die Kunst der Empathie -
Der Präsident
Schleswiger Gesellschaft Justiz + Kultur e.V. Autorenlesungen 1. Robert Gernhardt 27.11.2002 2. Michael Naumann 30.01.2003 3. Martin Doerry 26.02.2003 4. Jörg Friedrich 09.04.2003 5. Richard von Weizsäcker 20.05.2003 6. Elke Heidenreich 26.06.2003 7. Michael Naura 23.09.2003 8. Bennewitz-Quartett 27.10.2003 9. Ralph Giordano 26.11.2003 10. Günter Grass 11.12.2003 11. Georg M. Oswald 22.01.2004 12. Klaus Modick 04.03.2004 13. Sylke Tempel 19.04.2004 14. Peter Rühmkorf 03.06.2004 15. Uwe Timm 21.07.2004 16. Siegfried Lenz 16.08.2004 17. Doris Runge 07.09.2004 18. Michael Grosse 18.09.2004 19. Wibke Bruhns 20.10.2004 20. Annemarie Stoltenberg 16.11.2004 21. Die Staatisten 25.11.2004 22. Ingo von Münch 20.01.2005 23. Marie-Luise Scherer 09.03.2005 24. Jochen Missfeldt 05.04.2005 25. Gerhard Polt 23.04.2005 2 26. Walter Kempowski 25.08.2005 27. F.C. Delius 15.09.2005 28. Herbert Rosendorfer 31.10.2005 29. Annemarie Stoltenberg 23.11.2005 30. Klaus Bednarz 08.12.2005 31. Doris Gercke 26.01.2006 32. Günter Kunert 01.03.2006 33. Irene Dische 24.04.2006 34. Mozartabend (Michael Grosse, „Richtertrio“) ´ 11.05.2006 35. Roger Willemsen 12.06.2006 36. Gerd Fuchs 28.06.2006 37. Feridun Zaimoglu 07.09.2006 38. Matthias Wegner 11.10.2006 39. Annemarie Stoltenberg 15.11.2006 40. Ralf Rothmann 07.12.2006 41. Bettina Röhl 25.01.2007 42. -
PEN / IRL Report on the International Situation of Literary Translation
to bE tRaNs- LatEd oR Not to bE PEN / IRL REPoRt oN thE INtERNatIoNaL sItuatIoN of LItERaRy tRaNsLatIoN Esther Allen (ed.) To be Trans- laTed or noT To be First published: September 2007 © Institut Ramon Llull, 2007 Diputació, 279 E-08007 Barcelona www.llull.cat [email protected] Texts: Gabriela Adamo, Esther Allen, Carme Arenas, Paul Auster, Narcís Comadira, Chen Maiping, Bas Pauw, Anne-Sophie Simenel, Simona Škrabec, Riky Stock, Ngu~gı~ wa Thiong’o. Translations from Catalan: Deborah Bonner, Ita Roberts, Andrew Spence, Sarah Yandell Coordination and edition of the report: Humanities and Science Department, Institut Ramon Llull Design: Laura Estragués Editorial coordination: Critèria sccl. Printed by: Gramagraf, sccl ISBN: 84-96767-63-9 DL: B-45548-2007 Printed in Spain CONTENTS 7 Foreword, by Paul Auster 9 Presentations Translation and Linguistic Rights, by Jirˇí Gruša (International PEN) Participating in the Translation Debate, by Josep Bargalló (Institut Ramon Llull) 13 Introduction, by Esther Allen and Carles Torner 17 1. Translation, Globalization and English, by Esther Allen 1.1 English as an Invasive Species 1.2 World Literature and English 35 2. Literary Translation: The International Panorama, by Simona Škrabec and PEN centers from twelve countries 2.1 Projection Abroad 2.2 Acceptance of Translated Literature 49 3. Six Case Studies on Literary Translation 3.1 The Netherlands, by Bas Pauw 3.2 Argentina, by Gabriela Adamo 3.3 Catalonia, by Carme Arenas and Simona Škrabec 3.4 Germany, by Riky Stock 3.5 China, by Chen Maiping 3.6 France, by Anne-Sophie Simenel 93 4. Experiences in Literary Translation, by Esther Allen and Simona Škrabec 4.1 Experiences in the United States 4.2 Experiences in four European Countries 117 5.