DOCSLIB.ORG

Re-Judaizing the Polish (Studies) Landscape

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Re-Judaizing the Polish (Studies) Landscape EEPXXX10.1177/0888325414550361East European Politics and SocietiesUnderhill / Re-Judaizing the Polish (Studies) Landscape 550361research-article2014 East European Politics and Societies and Cultures Volume 28 Number 4 November 2014 693 –703 © 2014 SAGE Publications Re-Judaizing the Polish 10.1177/0888325414550361 http://eeps.sagepub.com hosted at (Studies) Landscape: http://online.sagepub.com The Doikeyt Model Karen Underhill University of Illinois at Chicago Taking as its starting point the radical transformation of the Polish cultural and historical landscape that has resulted from Poland’s post-1989 Jewish revival, this article presents a proposal for a substantial reconfiguration of nationally and philo- logically based university departments and programs in Central and East European Studies—one that reimagines Polish Studies, Russian Studies, and other Slavic Studies programs as inherently multilingual, culturally pluralistic spaces of encoun- ter, and that effects changes to degree requirements and language requirements that reflect this post-national shift in perspective. Making reference to the concept of doikeyt or “hereness,” a cultural and political attitude promoted within the pre– World War II Jewish world, particularly within Bundist and Yiddishist discourse, that saw Jewish culture and languages as native to Eastern Europe—as belonging in Poland and in Russia—the author asks specifically whether Jewish languages (Yiddish and Hebrew) and courses in Yiddish culture, and by extension other “minority” languages and cultures, should have a place within the curriculum and course requirements that contribute today to a degree or a major in Polish Studies, Russian Studies, or other European literature and language programs traditionally structured around the study of one dominant language and culture. Keywords: Post-National; Polish Studies; Polish Jewish Studies; Jewish Revival; Curriculum Development n the past twenty-five years since the 1989 transition to democracy, the Polish Ilandscape—physical, cultural, and scholarly—has been transformed by the Jewish revival; by the emergence of new narratives that emphasize Jewish belonging in Poland—now, in the past, and in the future. The new Museum of the History of Polish Jews, which opened its doors in April 2013 on the site of the Rapoport memo- rial to the heroes of the Warsaw Ghetto Uprising, offers an architectural metaphor for this paradigm shift, projected into the urban landscape of Poland’s capital city (Figure 1). The museum building, begun in 2007, now fills a previously empty space in the heart of Warsaw—a space of loss that, together with the monument, spoke to the heroism of the Warsaw ghetto fighters, to the murder of Warsaw’s Jews and the destruction of East European Jewish culture in Poland and Europe, and to the ago- nizing absence left in its wake. Downloaded from eep.sagepub.com at UNIV OF MICHIGAN on May 16, 2015 694 East European Politics and Societies and Cultures Figure 1 Photo of the Museum (MHPJ) facing the Ghetto Heroes Monument, Warsaw Photo: Wojciech Kryński/ Museum of the History of Polish Jews. The positioning and sheer size of the new Museum testify to the massive shift in emphasis that has taken place within narratives of the Jewish past and present of Poland. Architecturally, the building, designed by Finnish architect Rainer Mahlamäki, honors, interacts with, and to some eyes overshadows the monument, making a strong visual statement about the changing place of holocaust memory within the longer picture of Polish/Jewish1 memory and history. In these new nar- ratives, Poland or Polin, understood expansively as the lands of the historical Polish–Lithuanian Commonwealth, including what would become the Russian Pale of Settlement, is no longer to be understood only as a place of Jewish death and destruction but rather primarily as a place of one thousand years of Jewish life: Poland as the European homeland of Ashkenazi Jewish culture, and the birthplace of modern Jewish culture and consciousness in at least four languages: Yiddish, Hebrew, Polish, and Russian. The symbolic emphasis in the new narratives shifts from the memorial to the bridge—between the Jewish past and the Jewish future— that stretches across the terrible rupture of the Holocaust, brought by all of six years in that long history. Within the space of the new museum, this concept is realized as a literal bridge that connects two areas of the museum at the level of the second floor, stretching across an irregular chasm that cuts through the center of the museum building (Figure 2). Indeed, it can be argued that throughout the pro- cess of uncovering and renarrating the Jewish past and present, present-day Poland—including the country’s landscapes and cityscapes, growing sections of Polish society, and institutions and individuals in Poland devoted to preserving Downloaded from eep.sagepub.com at UNIV OF MICHIGAN on May 16, 2015 Underhill / Re-Judaizing the Polish (Studies) Landscape 695 Figure 2 Interior bridge in the main atrium, Museum of the History of Polish Jews Jewish heritage and to rebuilding Jewish life—is itself becoming a living bridge between the Jewish past and the Jewish future. Also in these maturing narratives, periods before and after the defining rupture or chasm of the war years become periods of shared Polish and Jewish history and life. Emphasis shifts from witnessing (trauma); to transmitting heritage, knowledge, and Downloaded from eep.sagepub.com at UNIV OF MICHIGAN on May 16, 2015 696 East European Politics and Societies and Cultures memory—to future generations: to Jews from America, Israel, and countries world- wide, who have lost contact with their European Jewish past; to a diverse and grow- ing population of Jewish Poles; and to new generations of non-Jewish Poles, many of whom are learning to see Jewish heritage and history as an integral part of their own Polish heritage. The return to narratives of Jewish belonging in Poland still rings queerer in the Jewish world outside of Poland than it does within Poland itself, but in fact it repre- sents an interesting confluence of needs in both Polish and Jewish communities—as nations and collectivities, and as communities of scholarship, whose members are exploring myriad forms of post-national identity and participation. Two national groups, whose representatives had for centuries developed discourses of Polish or Jewish identity (or, indeed, Polish-Jewish identity) from positions of disenfranchise- ment, subjugation, and existential threat are now faced with the (still-disorienting) responsibility of developing narratives of national or post-national group identity from positions of sovereignty, enfranchisement, and power. That shift, elegantly delineated by Peter Beinart in his book The Crisis of Zionism2 with regard to the international Jewish community, applies differently and powerfully to the situation of Poland following its transition to democracy. Younger generations in a wide range of Polish, Jewish, and Jewish/Polish milieux consider how to frame their own and their communities’ engagements with the world intellectually and politically from positions of power, and from within dominant scholarly and political discourses, while often seeking to preserve or recuperate elements of that idealistic past that was crucially formative for the self-definition of both nations: the proud legacy of strug- gling for sovereignty, democracy, and national and individual dignity. Within Polish and Jewish communities worldwide, the Jewish pasts of Poland, and physically, the diverse Jewish landscapes of Poland, have become an important terrain on which this ethical challenge is being addressed. Certainly within Poland the choice to explore Poland’s Jewish past signifies resis- tance to the inherited, pre-transition model of Poland as an ethnically homogeneous, Polish Catholic nation-state. In this context, repairing the erasure of Jewish history not only strives to right a wrong done to the memory and the dignity of the Jewish people and civilization that perished. It also contributes to and coincides with an affirmation of alternative models of association and identification that are becoming increasingly important within Poland today: civic identities, European and global identities, and affiliation with intellectual, political, artistic and philosophical com- munities that are not bound by political borders, or for whom existing religious and ethnic definitions have become irrelevant or insufficient. For Jewish organizations, philanthropic foundations and individuals from outside Poland that are engaged in the revival, the narration of Poland as a place of Jewish belonging—in the past and in the future—is similarly part of a larger exploration of alternatives to a model of post–World War II Jewish identity that has been supported for half a century by the twin pillars of the Holocaust and Zionism. For Polish/Jewish communities in Poland Downloaded from eep.sagepub.com at UNIV OF MICHIGAN on May 16, 2015 Underhill / Re-Judaizing the Polish (Studies) Landscape 697 themselves, the Jewish revival represents quite simply the return of Jewish life and cultural expression, in all its diversity, to the public sphere. This confluence of needs within Polish and Jewish communities has contributed substantially to the re-Judaization of the Polish landscape over the past 25 years; and to the vitality of Poland’s Jewish revival as an international project, involving indi- viduals and institutions beyond the Polish,
Load more

Recommended publications
  • The Baal Shem-Toy Ballads of Shimshon Meltzer
    THE BAAL SHEM-TOY BALLADS OF SHIMSHON MELTZER by SHLOMO YANIV The literary ballad, as a form of narrative metric composition in which lyric, epic, and dramatic elements are conjoined and whose dominant mood is one of mystery and dread, drew its inspiration from European popular ballads rooted in oral tradition. Most literary ballads are written in a concentrated and highly charged heroic and tragic vein. But there are also those which are patterned on the model of Eastern European popular ballads, and these poems have on the whole a lyrical epic character, in which the horrific motifs ordinarily associated with the genre are mitigated. The European literary ballad made its way into modern Hebrew poetry during its early phase of development, which took place on European soil; and the type of balladic poem most favored among Hebrew poets was the heroico-tragic ballad, whose form was most fully realized in Hebrew in the work of Shaul Tchernichowsky. With the appearance in 1885 of Abba Constantin Shapiro's David melek yifrii.:>e/ f:tay veqayyii.m ("David King of Israel Lives"), the literary ballad modeled on the style of popular ballads was introduced into Hebrew poetry. This type of poem was subsequently taken up by David Frischmann, Jacob Kahan, and David Shimoni, although the form had only marginal significance in the work of these poets (Yaniv, 1986). 1 Among modern Hebrew poets it is Shimshon Meltzer who stands out for having dedicated himself to composing poems in the style of popular balladic verse. These he devoted primarily to Hasidic themes in which the figure and personality of Israel Baal Shem-Tov, the founder of Hasidism, play a prominent part.
    [Show full text]
  • Is There a Judeo-Christian Tradition?
    Is there a Judeo-Christian Tradition? Perspectives on Jewish Texts and Contexts Edited by Vivian Liska Editorial Board Robert Alter, Steven E. Aschheim, Richard I. Cohen, Mark H. Gelber, Moshe Halbertal, Geoffrey Hartman, Moshe Idel, Samuel Moyn, Ada Rapoport-Albert, Alvin Rosenfeld, David Ruderman, Bernd Witte Volume 4 Is there a Judeo-Christian Tradition? A European Perspective Edited by Emmanuel Nathan Anya Topolski Volume inspired by the international workshop “Is there a Judeo-Christian tradition?” as part of the UCSIA/IJS Chair for Jewish-Christian Relations, organized by the Institute of Jewish Studies of the University of Antwerp and the University Centre Saint Ignatius Antwerp (UCSIA). An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. ISBN 978-3-11-041647-3 e-ISBN (PDF) 978-3-11-041659-6 e-ISBN (EPUB) 978-3-11-041667-1 ISSN 2199-6962 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed
    [Show full text]
  • The Image of Streetwalkers in Itzik Manger's and Debora Vogel's
    The Image of Streetwalkers in Itzik Manger’s and Debora Vogel’s Ballads by Ekaterina Kuznetsova and Anastasiya Lyubas In geveb: A Journal of Yiddish Studies (December 2020) For the online version of this article: http://ingeveb.org/articles/the-image-of-streetwalkers In geveb: A Journal of Yiddish Studies (December 2020) THE IMAGE OF STREETWALKERS IN ITZIK MANGER’S AND DEBORA VOGEL’S BALLADS Ekaterina Kuznetsova and Anastasiya Lyubas Abstract: This article focuses on three ballads by Itzik Manger ( Di balade fun der zind, Di balade fun gasn-meydl, Di balade fun der zoyne un dem shlankn husar ) and two ballads by Debora Vogel ( Balade fun a gasn-meydl I un II ). We argue that Manger and Vogel subvert the ballad genre and gender hierarchies by depicting promiscuous female embodiment, theatricality, and the valuation of “lowbrow” culture of shund in their sophisticated poetic practices. These polyphonous texts integrate theatrical and folkloric song elements into “highbrow” Modernist aesthetics. Furthermore, these works by Manger and Vogel draw from both European influences and Jewish cultural traditions; they contend with urban modernity, as well as the resultant changes in the structures of Jewish life. By considering the image of the streetwalker in Manger’s and Vogel’s work, we deepen the understanding of Yiddish creativity as ultimately multimodal and interconnected. 1. Itzik Manger’s and Debora Vogel’s Ballads: Points of Contact Our study aims to bring two Yiddish authors—Itzik Manger and Debora Vogel—into dialogue. Manger and Vogel wrote numerous ballads where they integrated Eastern European folklore and interwar popular Jewish culture into this European literary genre.
    [Show full text]
  • Rights in Principle – Rights in Practice, Revisiting the Role of International Law in Crafting Durable Solutions
    Rights in Principle - Rights in Practice Revisiting the Role of International Law in Crafting Durable Solutions for Palestinian Refugees Terry Rempel, Editor BADIL Resource Center for Palestinian Residency & Refugee Rights, Bethlehem RIGHTS IN PRINCIPLE - RIGHTS IN PRACTICE REVISITING THE ROLE OF InternatiONAL LAW IN CRAFTING DURABLE SOLUTIONS FOR PALESTINIAN REFUGEES Editor: Terry Rempel xiv 482 pages. 24 cm ISBN 978-9950-339-23-1 1- Palestinian Refugees 2– Palestinian Internally Displaced Persons 3- International Law 4– Land and Property Restitution 5- International Protection 6- Rights Based Approach 7- Peace Making 8- Public Participation HV640.5.P36R53 2009 Cover Photo: Snapshots from «Go and See Visits», South Africa, Bosnia and Herzegovina, Cyprus and Palestine (© BADIL) Copy edit: Venetia Rainey Design: BADIL Printing: Safad Advertising All rights reserved © BADIL Resource Center for Palestinian Residency & Refugee Rights December 2009 P.O. Box 728 Bethlehem, Palestine Tel/Fax: +970 - 2 - 274 - 7346 Tel: +970 - 2 - 277 - 7086 Email: [email protected] Web: http://www.badil.org iii CONTENTS Abbreviations ....................................................................................vii Contributors ......................................................................................ix Foreword ..........................................................................................xi Foreword .........................................................................................xiv Introduction ......................................................................................1
    [Show full text]
  • A Threshold Crossed Israeli Authorities and the Crimes of Apartheid and Persecution WATCH
    HUMAN RIGHTS A Threshold Crossed Israeli Authorities and the Crimes of Apartheid and Persecution WATCH A Threshold Crossed Israeli Authorities and the Crimes of Apartheid and Persecution Copyright © 2021 Human Rights Watch All rights reserved. Printed in the United States of America ISBN: 978-1-62313-900-1 Cover design by Rafael Jimenez Human Rights Watch defends the rights of people worldwide. We scrupulously investigate abuses, expose the facts widely, and pressure those with power to respect rights and secure justice. Human Rights Watch is an independent, international organization that works as part of a vibrant movement to uphold human dignity and advance the cause of human rights for all. Human Rights Watch is an international organization with staff in more than 40 countries, and offices in Amsterdam, Beirut, Berlin, Brussels, Chicago, Geneva, Goma, Johannesburg, London, Los Angeles, Moscow, Nairobi, New York, Paris, San Francisco, Sydney, Tokyo, Toronto, Tunis, Washington DC, and Zurich. For more information, please visit our website: http://www.hrw.org APRIL 2021 ISBN: 978-1-62313-900-1 A Threshold Crossed Israeli Authorities and the Crimes of Apartheid and Persecution Map .................................................................................................................................. i Summary ......................................................................................................................... 2 Definitions of Apartheid and Persecution .................................................................................
    [Show full text]
  • The Yiddishists
    THE YIDDISHISTS OUR SERIES DELVES INTO THE TREASURES OF THE WORLD’S BIGGEST YIDDISH ARCHIVE AT YIVO INSTITUTE FOR JEWISH RESEARCH From top: Illustration from Kleyne Mentshelekh (Tiny Little People), a Yiddish adaptation of Gulliver’s Travels published in Poland, 1925. The caption reads, “With great effort I liberated my left hand.”; cover page for Kleyne Mentshelekh Manger was not the only 20th-century Yiddish-speaking Jew to take an interest in Swift’s 18th-century works. Between 1907 and 1939, there were at least five Yiddish translations and adaptations of Gulliver’s Travels published in the United States, Poland and Russia. One such edition, published in 1925 by Farlag Yudish, a publishing house that specialised in Yiddish translations of literary classics, appeared in their Kinder-bibliotek (Children’s Library) series alongside other beloved books such as Harriet Beecher GULLIVER IN YIDDISHLAND Stowe’s Uncle Tom’s Cabin, Edith Nesbit’s The Enchanted Castle and fairytales by the Jonathan Swift, Oscar Wilde and Samuel Beckett were just some brothers Grimm. Literature and journals THE YIDDISHISTS of the Anglo-Irish and Irish writers whose work was translated and for children and youth, both those written specifically in Yiddish and those translated adapted by 20th-century Yiddishists, says Stefanie Halpern into the language, were a lucrative branch of Yiddish publishing in the interwar n his 1942 poem ‘A Song of the Dean of Stella’s golden brooch, a reference to ‘A period. Such material became especially Jonathan Swift and the Yiddish Journal to Stella’, Swift’s 1766 work based important with the establishment of a IRhyme-maker Itzik Manger’, the poet on letters he sent to his real-life lover Yiddish secular school network across and playwright Itzik Manger imagines a Esther Johnson.
    [Show full text]
  • Jewish Humor
    Jewish Humor Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover Jewish Humor: An Outcome of Historical Experience, Survival and Wisdom By Arie Sover This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Arie Sover All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6447-9 ISBN (13): 978-1-5275-6447-3 With love to my parents, Clara (Zipkis) and Aurel Sober, and my grandmother, Fanny Zipkis: Holocaust survivors who bequeathed their offspring with a passion for life and lots of humor. TABLE OF CONTENTS Acknowledgements .................................................................................. xii Preface ..................................................................................................... xiii Introduction ................................................................................................ 1 Literacy and critical Jewish thought ........................................................... 2 The sources of Jewish humor ..................................................................... 6 The Bible ..............................................................................................
    [Show full text]
  • On Itzik Manger 'S “Khave Un Der Eplboym
    לקט ייִ דישע שטודיעס הנט Jiddistik heute Yiddish Studies Today לקט Der vorliegende Sammelband eröffnet eine neue Reihe wissenschaftli- cher Studien zur Jiddistik sowie philolo- gischer Editionen und Studienausgaben jiddischer Literatur. Jiddisch, Englisch und Deutsch stehen als Publikationsspra- chen gleichberechtigt nebeneinander. Leket erscheint anlässlich des xv. Sym posiums für Jiddische Studien in Deutschland, ein im Jahre 1998 von Erika Timm und Marion Aptroot als für das in Deutschland noch junge Fach Jiddistik und dessen interdisziplinären אָ רשונג אויסגאַבעס און ייִדיש אויסגאַבעס און אָ רשונג Umfeld ins Leben gerufenes Forum. Die im Band versammelten 32 Essays zur jiddischen Literatur-, Sprach- und Kul- turwissenschaft von Autoren aus Europa, den usa, Kanada und Israel vermitteln ein Bild von der Lebendigkeit und Viel- falt jiddistischer Forschung heute. Yiddish & Research Editions ISBN 978-3-943460-09-4 Jiddistik Jiddistik & Forschung Edition 9 783943 460094 ִיידיש ַאויסגאבעס און ָ ארשונג Jiddistik Edition & Forschung Yiddish Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 לקט ִיידישע שטודיעס ַהנט Jiddistik heute Yiddish Studies Today Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Yidish : oysgabes un forshung Jiddistik : Edition & Forschung Yiddish : Editions & Research Herausgegeben von Marion Aptroot, Efrat Gal-Ed, Roland Gruschka und Simon Neuberg Band 1 Leket : yidishe shtudyes haynt Leket : Jiddistik heute Leket : Yiddish Studies Today Bibliografijische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deut- schen Nationalbibliografijie ; detaillierte bibliografijische Daten sind im Internet über http://dnb.d-nb.de abrufbar. © düsseldorf university press, Düsseldorf 2012 Alle Rechte vorbehalten. Das Werk einschließlich aller seiner Teile ist urhe- berrechtlich geschützt.
    [Show full text]
  • A Few Words About Yiddish Songs. from the Leaflet of Tamara
    A FEW WORDS ABOUT YIDDISH SONGS When I tell people that I teach Yiddish, they frequently ask, “Are there students who want to study it seriously, and are there people who speak Yiddish?” I tell them “Yes.” Then they ask “But why did your students decide to learn Yiddish?” Well, there are different reasons. Many people discover Yiddish through Jewish songs; they hear something appealing and mysterious in a melody and they the hear the unknown words. These are not just people who have Yiddish in their family background, but there are French, German, Chinese and even Hindus among my students. The great Yiddish writer, Isaac Bashevis Singer, at the time he was presented with the Nobel Prize for Literature, said: “ Yiddish is a language for all of us; the language of frightened men who still believe.” He was also asked “Why do you write in Yiddish when it is a dying language?” His response “With our people, nothing ever dies.” For me, Yiddish songs have a special power, and for many people Jewish culture has its origins in music. Since my early childhood, Yiddish was connected with the song “Tum-Balalayke.” In time I discovered the rich language of Jewish authors: Isaac Singer, Sholem Aleichem, Itzik Manger, Abraham Sutzkever, et cetera. I was exposed to the wisdom of Jewish proverbs and jokes, the appeal of Hassidic tales, the pivotal moments in Jewish history, and the influence of Yiddish on Jewish culture. The word “Klezmer” or “Klazmer” from the Hebrew “klay-zamer” means “the instruments of music," and in Yiddish it means “musician”.
    [Show full text]
  • Democracy, Identity and Security in Israel's Ethnic Democracy
    DEMOCRACY, IDENTITY AND SECURITY IN ISRAEL’S ETHNIC DEMOCRACY: THE IDEATIONAL UNDERPINNINGS OF INSTITUTIONAL CHANGE By Dubi Kanengisser A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Political Science University of Toronto © Copyright by Dubi Kanengisser, 2016 Democracy, Identity and Security in Israel’s Ethnic Democracy: The Ideational Underpinnings of Institutional Change, Doctor of Philosophy, 2016, Dubi Kanengisser, Graduate Department of Political Science, University of Toronto Abstract This work expands on the growing ideational institutionalist literature by proposing that institutional change and stability are influenced most substantially by changes to the underlying ideational network which link core societal ideas. These core ideas create the framework on which institutions are built and in which form they are fashioned. Changes to the ideational network lead to adaptive changes in institutions, but the difficulty in completely removing core ideas from these networks protects the institutions from substantial change. The theory is demonstrated using the case of the surprising stability of ethnic democracy in Israel in the wake of the substantial changes to the country’s economic and security realities. Small adaptive changes in the institution of ethnic democracy are traced back to changes in the balance between three core ideas: democracy, Jewish identity, and security. The overall stability of the institution, however, is linked to the enduring linkages of the three core ideas even as they experienced changes in their individual meanings. ii Too many years the Israeli left also accepted the separation between Jews and Arabs. First by looking away, then through submission, and finally wholeheartedly, it adopted the racist world view that the Arabs are not part of the political game.
    [Show full text]
  • ACLA | 2015 -Seattle, Washington
    ACLA | 2015 - 2015 Seattle, Washington Seattle, ACLA | 2015 The University of Washington March 26-29, 2015 5.ACLA.ProgramGuide2015.Cover.indd 1 3/19/15 6:03 PM ACLA 2015 The Annual Meeting of the American Comparative Literature Association The University of Washington Seattle, Washington | March 26-29, 2015 5.ACLA.ProgramGuide2015.FINAL.indd 1 3/19/15 6:03 PM ACL A | 2015 TABLE OF CONTENTS ACL A | 2015 ACKNOWLEDGEMENTS On behalf of the University of Washington and the Department of Acknowledgements ..............................................................................................................3 Comparative Literature I would like to welcome you to the 2015 American Comparative Literature conference in downtown Seattle. Unlike several Welcome & General Introduction .........................................................................................4 recent conferences, ours is taking place in the heart of the city and not on our beautiful campus. It is defi nitely a co-production, with the local General Information ..............................................................................................................5 organizers working in harmony with the wonderful ACLA Secretariat and Board. Alex Beecroft and Andy Anderson have been our indispensable partners-at-a-distance, and the chief gratitude for the success of the Complete Conference Schedule ...........................................................................................6 meeting belongs to them and to the other offi cers of the Association.
    [Show full text]
  • ETNINEN SANASTO ETNINEN SANASTO Englannin-, Suomen-, Ranskan-, Saksan- Ja Venäjän- Kieliset Etniset Termit Selitettyinä Suomeksi
    ETNINEN SANASTO ETNINEN SANASTO Englannin-, suomen-, ranskan-, saksan- ja venäjän- kieliset etniset termit selitettyinä suomeksi Sinikka Hiltunen Tampere University Press Copyright © 1998 Tampere University Press Myynti: TAJU, Tampereen yliopiston julkaisujen myynti PL 617, 33101 TAMPERE Puh. (03) 215 6055, Fax (03) 215 7150 Sähköpostiosoite: [email protected] http://www.uta.fi/laitokset/kirjasto/taju/ TAITTO Sinikka Hiltunen Päivitetty syyskuussa 1998 Sähköinen julkaisu ISBN 951-44-5702-1 ISBN 951-44-4323-3 Vammalan Kirjapaino Oy, Vammala 1998 Tapanille VII Lukijalle Etnisen sanaston alkuperäinen idea on peräisin Tampereen yliopiston apulaisprofessorilta Jukka Paastelalta, joka on jo vuosia jakanut pientä parinkymmenen sivun sanastoa opintojen apuvälineeksi valtio-opin ja kansainvälisen politiikan opiskelijoille. Minä tulin kuvaan mukaan kolmisen vuotta sitten, jolloin totesimme, että tarve sanaston laajentamiseen ja systemaattiseen keräämiseen on ilmeinen. Haluankin kiittää apulaisprofessori Jukka Paastelaa paitsi siitä, että olen saanut mahdollisuuden tehdä mielenkiintoista työtä sanaston parissa, myös siitä arvok- kaasta tuesta ja avusta, jota työni edistyessä olen häneltä saanut. Hänen monipuolisen poliitti- sen tietämyksensä ja monivuotisen kokemuksensa ansiosta olen voinut välttää monia asiavir- heitä, joita työhön tahtoi pujahtaa eri lähteiden ristiriitaisuuden vuoksi. Kiitokset hänelle myös sanaston perusteellisesta tarkastustyöstä. Lähteinä sanastotyössä on käytetty erilaisia hakuteoksia tietosanakirjoista sanakirjoihin, sa- noma-
    [Show full text]